#she is maybe the greatest character in the world

[ms-all-sunday]

"nobody is born in this world to be alone" hits so hard because its at the height of the inciting incidents that lead robin to want to die and be afraid chronically of intimacy and love. I love that even though she's told this as a child and everybodys hopes are on her she fails fucking horribly at not wanting to die and continuing the research of ohara for the majority of her lifetime.

I love that it's made explict that she wants to commit suicide specifically to avoid abandonment and not out of any sense of selflessness but to specifically act incredibly selfishly (just like how usopp reacts negatively and cuts them off to avoid abandonment hello our bpd king & queen.) (I also love that they manipulate the inital reason to pretend theyre less neurotic than they are.)

I love that robin is allowed to exist and have struggled with this this badly throughout her entire life and she's not a failure or unforgivable. she's 28 and is allowed to have lived this long with these issues and she isn't a failure

i love that she finds her will to live only now. only when she finds friends who want to put so much effort into her and she accepts that help, finally. her scream of "i want to live" is so good in the dub, her final acceptance of help and love and

[mariocki]

Alexandra Bastedo guest stars as "actress" Lola Wells in The Adventurer: Action! (1.13, ITC, 1972); actually she's a member of a sinister, uh.. anti-violence group, who will stop at nothing (not even.. violence..) to get their way

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

[allovesthings]

In my opinion, the butt jokes are incredibly incredibly tired.

So here are several fun facts about Dick that you can use for comedic effects/running jokes instead:

His hatred of Capes. Listen we are talking about Dick wore a yellow cape for 9 to 10 years in universe Grayson. The moment he changed his costume, he straight refused to ever wear a cape again, the only time he had to wear one, it was as Batman and it was very very frustrating for him.

You know that when he watched the Incredibles with Lian and Roy or Damian and Edna Mode came on screen with her hatred of capes, this was his reaction:

Someone else finally understand him. She instantly became his favorite character.

His tendency to put unknown substances/evidence in his mouth and being able to identify it by taste and his knowledge of what Heroin taste like (yep still not over it).

It's both impressive (the fact that he can actually identify something by taste alone is impressive) and gross and even his closest friends don't understand why he is the way that he is, Do we think it's the Bat training or do we think it's just Dick (tm)... I feel like it has to be just Dick, right ? considering everything in Gotham is a toxin of some kind ? How many heart attack do we think he gave both Bruce and the Titans with that ?

Dick Grayson namer of superhero things: Listen, I just learned that Dick named the Arrowcave and now I just kinda love the idea of a running joke that every time a classic superhero in contact with Robin has a goofy name for something superhero related, it probably comes from the 9 year old superhero who thought it sounded cool.

The Titans are never letting that go and Dick doesn't want to talk about it (but he secretly still really like the names, they were cool when he was 9 and pretty practical when you think about it, thank you very much).

Everyone has a crush on him (tm): Honestly it is pretty funny that everyone and theirs entire family have a crush on Nightwing (and also pretty consistent canon since Raven in ntt). The reaction of the batfam is annoyed because that's gross, it's Dick, theirs brother/son, and the Titans are amused (Donna, Vic, Garth and maybe Wally) or maybe sorta part of the people who have had a crush on him (Kory obviously , Roy, Raven).

You do need to be careful with that, but I think if you do the opposite of what DC is usually doing, you'll be fine.

Also you can also includes the disastrous first date with supergirl in that. She also had a crush on him and they date was so horrible that he considered changing superhero identity because it was so embarrassing (truly one of the greatest plot-point on Superman/batman world finest honestly and this series is genuinely my favorite modern/current series)..

His petty side when he doesn't like someone: Listen, Dick has a petty side, ask Helena circa Outsiders (2003), Talia (always), Jason circa the late 2000s (Morrison era) and Azrael (also always). When he doesn't like people but has to work with them, he is going to be a little shit because they have to know he doesn't like them. it's important. and the comedic potential of Nightwing, one of the most competent, known and admired hero of the community being so petty is excellent. 10 out of 10, I need him to work with someone he hates again just for the fun of it.

The last one is just an headcanon and do not have basis in canon as far as I know:

Sometimes, as an adult, Nightwing says Holy shit in front of a classic superhero and that superhero does a double take because they are so used to him saying Holy goly batman (and that include Batman).

[dawnchorus-if]

‎ ‎‎

‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎ ‎‎ ‎ ‎‎ Your sister is dead, murdered and mutilated and left to rot in a brothel like a sickly dog. You finally know your purpose: revenge.

DAWN CHORUS is an 18+ interactive fiction about death, love, and the song of new morning. Demo TBA.

You live in The Rocks, a decaying settlement in the shadowed outskirts of the kingdom, Cape Lyra. Once a cozy village, The Rocks has withered into a decrepit ruin since the assassination of King Cedric. Queen Lyra, for whom the kingdom was named, became consumed by grief and neglected the outer villages. Now, The Rocks is a place where even the birds come to die.

Desperate to earn money for the both of you, your sister ventured to Cape Lyra with her best friend, Jax. Only Jax returned, covered in your sister's blood, with a hazed description of her killer. Driven by the need for retribution, you and Jax set out for the kingdom, determined to find and punish the sick soul who took your sister's life. When revenge is your only remaining purpose, a life for a life only seems fair.

You hope.

‣‎ ‎ ‎ ‎ ‎‎ ‎ ‎Fully customise yourself, from your name and appearance to your sexuality to your greatest woes and wants. Choose your approach to grief, to anger, to revenge—drown in your sorrows or push them aside in favour of a... different kind of vice. Curate a story that revolves around who you are, and what you'll stand for.

‣‎ ‎ ‎ ‎ ‎‎ ‎ Explore relationships with six different romanceable characters, and a multitude of other characters to befriend (or behead). Interact with a diverse cast of characters, each with their own impact to leave on the story. Just... be careful who you trust, some people might not be who they say they are.

‣‎ ‎ ‎ ‎ ‎‎ ‎ Find out what really happened to your sister. Hunt down her killer, or killers, and determine your own ability to play executioner on her behalf. Open doors to dark rooms in the royal family history, find out that there's a lot more darkness in Cape Lyra than there is light.

‣‎ ‎ ‎ ‎ ‎‎ ‎ Get involved in the politics of Cape Lyra. The people can only be neglected for so long before they start to revolt, right? What side of history will you be on? Or will you be too blinded by grief to care who gets hurt?

‣‎ ‎ ‎ ‎ ‎‎ ‎ Exorcise a demon, maybe.

DAWN, born amidst the morning birdsong, the cherished youngest child of King Cedric and Queen Lyra, and the heir apparent to the throne. They don't often get to see outside of Cape Lyra's walls, so don't fault them for being a little juvenile in their knowledge of the world, it's not born from a lack of desire. There's a youthful charm to Dawn, and a deep-seated eagerness to know more about the kingdom they'll one-day rule. [M/F, 22]

ASA KYNES, climbing the ranks as one of Cape Lyras most dedicated royal guards, Kynes is as formidable as they are resolute. You won't get past them very easily, they've got keen judgement skills, and you're up to something, they're sure of it. Kynes is loyal, and more than willing to lay their life down in servitude to the monarchy. Getting Kynes to open up is hard, but may be more than worth it. [M/F, 26]

JAX HANSLEY, your sisters best friend and now your accomplice in avenging her. Jax is royalty in The Rocks, charismatic beyond belief and has been teasing you since you were just starting to walk. Extravagant and always looking for something to do, you'll never find yourself bored around them. Plus, you couldn't get rid of Jax even if you wanted to, they're the closest thing to family that you have left. [M/F, 24]

CERYS SELINE, owner and face of The Rabbits Foot, Cape Lyra's busiest tavern. Cerys is a stern woman who works her ass off day and night, but there's a sweet undertone to the way she speaks: something nurturing. She's a pillar of the kingdom, well-connected and respected. There's more to her than meets the eye, sure, but for now she's more than willing to aid you in finding your sisters killer. [F, 26]

ARTHUR CASE, a priest who has been ousted from the kingdom for reasons he just won't speak aloud. Left with only one leg and crumbs of his faith, he's living in his late father's old church a short trek from the kingdoms gates. Pop in for a service one day, maybe confessionals don't always have to be one-sided. [M, 29]

??? — something cold in the shadows, and its eyes are on you.

DAWN CHORUS contains some heavy topics, such as graphic depictions of death, violence, drug use, explicit language and skippable sexual content. Classism is also a present topic. Readers discretion is advised.

reblogs r so appreciated and asks are more than welcome ^^

[cozage]

FLUFF! SWEET! ADORABLE! Fem S/O x Zoro, Luffy, Sanji, Ace, and Law hcs! Feeling lonely whenever their lover is busy, S/O sewed together a plushie version of her lover to keep her busy and confess secrets to her plushie like she was the one who are the last cake piece or something! And their lover has been feeling lonely bc S/O hasn’t been hanging with them that much!

A/N: :) this was so cute to make. I hope I had the right idea <3

Characters: F! reader x Zoro, Luffy, Sanji, Ace, Law

Cw: just some fluff for your soul :) maybe a few brief moments of angst/sadness, but it's all happy endings, alcohol/drunk mention in Ace’s

Total word count: 4k (about 600-1k for each person)

A Plushie Substitute

Zoro

You hadn’t seen Zoro in a few hours, which wasn’t uncommon. He had been training extra hard here recently, and that resulted in you seeing your boyfriend even less than you normally did. You tried not to be too upset with the circumstances; you knew Zoro’s dream was to become the greatest swordsman in the world, and you would never get in the way of that. So instead, you created a small green-headed plushie with only one eye to take his place when you needed him while he was busy. You whispered your crew gossip to him that you got from Nami, and humorously found that the plushie Zoro spoke about as much as the real Zoro when you relayed the ship drama to him.

--

Zoro had done 1,000 push ups, 500 crunches, and 200 dumbbell squats. He had trained in all of the sword handling positions with his three swords and with weighted barbells until he had perfected each stance. He had worked all morning and all afternoon without stopping, and now all he wanted to do was see you. He wanted to sit in silence while you chatted about your day and filled him in on everything he had missed while he was training. A piece of him had hoped you would come up and interrupt his workout at some point, even if you just quietly existed together, but you hadn’t. So he set off to find you. 

--

Zoro eyed around the ship, looking for you in your normal spots on the deck. “Oi, Nami,” he called to the navigator. “Do you know where y/n is?”

Nami glared at Zoro for a moment, and then rolled her eyes. “I saw her on the stern a few minutes ago, staring off into the sea. Might wanna check on her.”

He walked to the rear of the boat, keeping his eye out for you. He found you sitting on the railing staring out to sea, just like Nami said. You appeared to be mumbling softly to someone, but he didn’t see anyone around you who you could be talking to. 

As he approached, you could hear someone coming up behind you, and you stopped speaking to plushie Zoro and quickly tucked him safely away. 

Zoro came over, easily hoisting himself up over the railing to sit next to you. He wrapped his arm around you to hold your waist, and you leaned into him, resting your head against his muscular chest. He pulled you closer into him, chuckling softly. He always loved when you snuggled up into him, and you loved being so close to him in simple ways.

You remained quiet, enjoying the silence with him. He looked over at you curiously, waiting for you to start talking about your day like normal, but you didn’t speak up. Finally he decided to prompt you, wanting to hear your voice. “How was your day?”

“It was good! I hung out with Nami on the deck for a bit.” You attempt to keep your recap of the day brief, not wanting to bother him with all of the boring details. You had already gotten all of the chattiness and gossip out of your system by talking to his plushie replacement. 

Zoro waits for you to expand, but you don’t, and he starts to grow concerned over your lack of conversation. He thought about how he heard you earlier when he approached, talking and laughing to some unseen person. He squeezed you lightly in an attempt to comfort you, though he wasn’t sure what he was comforting you from. “You okay? Who were you chatting with earlier when I arrived?”

You blush. “I’m okay. I was just talking to…well, you.” You pause, and you see a confused look pass over Zoro’s face. You reluctantly pull out the plushie you’ve created and show your boyfriend. You expect him to laugh at you or make some kind of joke, but he just silently takes the plushie from your hand and examines it for a few minutes. 

“You made this?” He finally asks. You simply nod in response. 

“It looks just like me. It even has a little haramaki and a bandana like mine.” He pauses for a moment to kiss your temple. “This looks really great. But why did you make it?”

Your eyes stay fixed on the plushie. “I just didn’t want to interrupt your workouts, and I know you don’t care much for the drama that I usually tell you about. I created him to help with that. That way I can still tell someone and you don’t have to listen to all my annoying rambling and-”

“Your rambling is not annoying,” Zoro says, cutting you off. “I like your voice. And I like your presence.” He hands the plushie back to you. “Keep this guy of course, but you can always talk to me about anything you want to, and you’re always welcome in the crow’s nest when I’m training. Actually, you should come up tomorrow. I can use you for some new workouts I’d like to try.”

You laugh at that sentiment, but you don’t continue the conversation anymore. You all stay quiet for a while before the moss-haired man speaks up again. “Y/N?”

“Hm?”

His cheeks are tinted as you look his way. “I’m sorry if I made you feel like you couldn’t talk to me. I’m not always a good talker, but I do always listen to you.”

“No, Zoro. It’s not that at all! I just…I just thought you weren’t interested, and I didn’t want to bother you with the silly stuff.”

“You can bother me now, if you’d like.”

And so you all sit on the railing, watching the sun sink into the sea. You talk, he listens, and all is right with the world. 

Luffy

It had been a long time since you had joined Luffy on an island adventure. He was always the type to run off and find trouble before the Sunny had even docked, whereas you preferred to take your time and do a check before you ventured to a new island. You didn’t mind the distance you two usually had on an island, but you did miss sharing an adventure with your boyfriend. Still, you refused to complain or stand in the way of his adventure, so you created a smaller version of him, working on as many small details as you could to make him as realistic as possible. And when you finished, you secured him onto your backpack, ready to set out on an adventure with a version of him. 

--

Luffy had been wandering around for several hours now, looking for something to do. There were small adventures he had found, like herding a farmer’s cattle and exploring some random caves. He even found giant holes in the ground with random artifacts and cool shining crystals, but he didn’t have much use for any of those things, and found it all relatively boring. This island was mostly safe, unfortunately for him, and now he just wanted to find you and try to explore more or head off to the next island.

--

“Oh, cool!” You hear Luffy behind you, rapidly approaching. You brace yourself just in time, and you feel the strawhat man crash into you from behind. His momentum sends you both tumbling into the dirt. 

“Luuuuufffffyyyy!” You’re now face down against the ground and Luffy is sitting on top of you, looking at your backpack with a deep interest. He seems to be completely unaware of the chaos his entrance just caused, or that you are struggling underneath him to get up. 

“Oh man, this is so cool! It’s like a mini-me! The straw hat and the scars and even the sandals! It’s perfect!” He bends down to meet your face and grins. “Hey, y/n! Who made this? I want one of you too!”

You sigh, giving up hope of getting up anytime soon, and answer his question. “I made it, Luffy.”

“No way! It looks amazing! I knew you could make stuff, but I had no idea you were this talented. Can you make me one of you too? So we can match!” His eyes glisten with hope as he’s turning the little doll over in his fingers, examining the details you managed to incorporate. 

“Sure, Luffy.” You’re being short with him, and he’s finally starting to notice. 

His eyes break away from the doll and finally look at you. “Hm? You okay? Do you need me to get up?”

“No, Luffy. It’s fine. I just made Mini-Luffy and clipped him onto my backpack so we could keep going on adventures together.”

“But we always go on adventures,” He questions. “We’re on one right now, aren’t we?”

“I know, but we’re usually split up during the whole thing. And I just, I don’t know…” You had promised yourself you wouldn’t get mad at Luffy for being a captain, for wanting adventure, but you realize now it really did hurt to be separated from him during important moments. “I don’t want to be left behind.”

Luffy gets off your back and stands, silently reaching out a hand to help you to your feet. He readjusts his hat to hide his face, and then takes your hand. “I’m sorry, y/n,” and you can hear the shame in his voice. “I won’t leave you ever again.”

You laugh at that, and you feel a little better now that you’ve gotten that fear off your chest. “Don’t be silly, Luffy.” You give him a peck on his cheek, right under his scar. “I’m not asking you to do that. Just maybe in the future when you slingshot to an island, take me with you every now and then, okay?”

He grins his classic, wide smile,and he nods. “Deal!”

Relief rushes through you, and you relax a bit. Now that you’ve talked to him about your worries, you want to know what his adventures have been on this island. “So, what did you find here? Anything interesting?”

He talks your ear off the whole way back to the ship, and you wouldn’t have it any other way. When you get back, you start working on a plushie look-alike of you for Luffy, and hand it to him a few days later. He loops it around his belt, grinning widely. “Now we’ll never be apart!”

When the next island appears, he slingshots away without you, but you choose to laugh at his hastiness to get to the island. It doesn’t bother you as much now, now that you’ve talked to him about it. But he quickly returns, wraps a rubber arm around you, and takes off again, laughing the whole way. “Almost forgot, but I’ll always come back for you!”

Sanji

Sanji had been gone for a while now, beckoned away again by your hungry captain. It had probably been the tenth time today that he had gotten up to make food for someone on the ship, but that was the duty that came along with the title of being the Sunny’s chef. You were normally pretty good about being on your own while Sanji had to work, but today you wanted to be around him. You went to your room to find some scrap cloth to piece together a Sanji stand-in for the time being.

--

The stove was still hot as Sanji cleaned up from Luffy’s eleventh meal of the day. He wasn’t sure if it was the calm ocean that made Luffy so restless and hungry, but Sanji was starting to get nervous about food rations. He never minded cooking for people of course, but it felt like he was spending more time cooking for his captain than he was spending time with you. He wanted nothing more than to run out to you and cover you in a shower of kisses to make up for lost time, but he knew he couldn’t leave the kitchen such a mess. While he cleaned up, he whipped up your favorite drink and snacks to bring out to you, excited to see your face again. 

--

Sanji strode towards you, thrilled to see you still sunning on the deck in your bathing suit. He had already taken Nami and Robin their own snacks, and left out other snacks for the boys if they got hungry. Hopefully that would give him a few hours of peace alone with you. 

“Y/N-swannnn,” he cooed to you as he approached, but stopped when he saw something in his seat. He looked at it curiously as he got closer, and he realized it was a small replica of himself.

His sudden silence prompted you to open one of your eyes, and you saw him looking at the doll you had put in his seat. “Oh…” you stutter, starting to sit up to explain.

“Y/N-swannnn! Did you make this?!?!” Sanji sets down your refreshments and picks up the doll, pausing briefly to give it a thorough examination. “It’s perfect!” he gushes. “You’ve created such a beautiful piece of work! It’s so-”

“It’s just for when you’re busy!” You rush to explain. “I missed having you around, that’s all.”

Sanji clutches the doll to his chest, and his eyes turn to hearts at your sentimentality. He rushes to you, finally embracing you after hours of being apart. He litters your faces with kisses, which causes you to erupt into a fit of giggles. Once he’s pampered you enough, he pulls you in for a hug, your plushie squeezed between the two of you. 

“Are you hungry, my love?” He pulls away from you, reaching back for the refreshments to serve you. He sneaks the plushie into his pocket while he displays the assortments of snacks and drinks for you to enjoy, which you happily oblige. 

The food is so perfect, you let out a soft moan in delight. “You always make the best food dear,” you praise. “I’ll never eat food from anyone else.”

“Only the best for my queen,” He says, kissing your forehead and taking a seat next to you. 

After a few minutes, you fell asleep surrounded by the smell of cigarette smoke. Sanji let you sleep, watching you endearingly until he was called away once again  to make dinner.

When you awoke a few hours later, you reached out for Sanji before opening your eyes, but only found air in his place. Your eyes peeked open, searching for him, but instead you found his plushie, along with a note that said “He’s only here until I get back ♥”

Ace

You had lost your fiery boyfriend once again. He was off, running amok with the group of  rowdy crew members on the new island. You had decided to stay on the ship, finishing up some minor projects instead of venturing out to the island. He was supposed to return before the sun set, but the moon was working its way through the night sky now, and you were too tired to stay up and wait for him longer. He had already missed your all’s afternoon nap, which made you skip it as well. You never slept well without him anyway. The next morning, he was still MIA, and you were painfully sleep deprived from missing a nap and not sleeping well. You put your crafting skills to work and created a smaller version of him, hoping that would help your sleeping problem temporarily. It ended up being successful, and you fell asleep easier than you expected, curling up with a small stuffed Ace in the absence of your normal sized one.

--

Ace had gotten hopelessly lost, both directionally and time wise. By the time he realized he was late getting back to the ship, he was too intoxicated to navigate back anyway, and opted to share a room with a bunch of his friends at the inn across the street. He slept horribly without you by his side, and as he shuffled back to the ship late the next morning, he prayed you’d be in the mood for an early nap along with him. 

--

Ace stumbled onto the ship, exhausted and hungover. His eyes raked over the deck, searching desperately for you. He didn’t go out with the boys often, and these days he always seemed to regret his adventures whenever they were included. He would’ve much rather been with you last night, and he hoped you’d forgive him for his last minute change of plans. 

He couldn’t find you on the deck, and he spent the next half an hour searching the ship for you, but he was unsuccessful. He finally gave up, returning to his room to nap with the hope that he would find you later.

He was shocked to find you curled up in his bed, already asleep. He’s even more surprised to see you holding a small stuffed animal, and a small tinge of jealousy rises up in him. You had told him before that you never needed a stuffed animal, since you had always had him to cuddle with at night. 

He climbed into bed next to you, brushing your hair back from your face and pressing his lips to your forehead. You stir, familiar with his touch, and your eyes lazily open to meet his. 

“Oh,” you smile, realizing Ace has finally returned back to you. “Hey, you.”

He smiles back to you, his worry melting away. “Hey you.”

You wipe the sleep from your eyes, and prop yourself up on your elbow. “How was your night?”

He fills you in on his evening briefly. “I wish I hadn’t been away for the whole night. I lost track of time. I’m sorry about that.”

“It’s alright.” You’re happy to hear that he missed you as well. Your fingers trail absentmindedly along his bare chest, not saying anything more about the matter. You had already forgotten about the Ace plushie you had created, but he was still staring at it in the dark room, trying to figure out what it was. 

He picked up the stuffed plushie between the two of you and examined it, quickly realizing that it was a replica of him. He caught your eye and held it up, smirking at you. “Miss me much?”

You gave a shy smile back to him, snatching the plushie from him quickly. “Maybe.” 

He gave you a soft peck on the lips, grinning at your timidness. “It looks cute. Not as cute as me, but cute. I like it.”

He pulls you against him, and you settle into his warm skin. “Shall we nap? Make up for lost time?”

You hum in agreement, already drifting off into sleep, comforted in the routine you all have returned to.

Law

Trafalgar Law had always been a surgeon first and a human being second. You knew that, and you knew how much being a surgeon with the Ope-Ope fruit meant to him. So, when you started dating and his study habits didn’t change, you tried to manage without him. You didn’t want to be too clingy, especially at the beginning. And you had always been good at sewing, so you just created a smaller version of the man you loved, so you could keep him around even when he was busy. Now, whenever you felt the urge to tell Law something throughout the day, you had someone to share it with even when he was occupied. 

-

Law stared at the ceiling fan that was lazily spinning in circles. He had been studying for hours, praying you would come in to distract him at some point. But you had started showing up less and less frequently now that the two of you were official. He wasn’t necessarily concerned about you getting cold feet; if something was wrong, he was certain you would talk to him rather than avoid him. Still, he missed you, your smile, the way you always ran into the room as if the most amazing thing in the world had just happened to you. These days, it felt like the only time he really saw you was during meals and island days. 

-

He found you in the common room, reading a book on the couch. He approached you quietly from behind, and as he bent down, he reached around and grabbed your book with his tattooed fingers as he rested his chin atop your head. 

You hummed pleasantly to his approach. “You’re out of your office early today.” You tilt your head up just enough to make contact with his golden eyes. 

“I needed a break.” He kissed your hair lightly and broke away from you, taking the book out of your hands and he stood back up. He closed it gently and sat it on the table behind him. He returned back to you again, this time reaching down to grab your now empty hands. “Do you want to make dinner with me?”

You had to tilt your head back further now to look him in the eye, and you saw him staring down at you with a smirk. 

That stupid smirk always made words more difficult than they were meant to be, and you take a second to find them all before you speak. “I didn’t think Bepo put you on the schedule for dinner this week, did he?”

His golden eyes pierce into yours, and you feel a blush enter your cheeks when he answers.“I was thinking just the two of us tonight. Pasta?”

-

You stir the sauce as Law begins to work on a side dish for the two of you. “Did anything interesting happen today?”

You hum back, trying to recall exactly what the crew got into today while your captain was locked away. “Oh! Clementine died. The crew gave him a burial at sea. It was very touching.”

You can hear Law stop whatever he was doing behind you. “Y/n-ya,” he starts slowly, gears turning in his head. “Who the hell is Clementine?”

You abandon the sauce momentarily to turn and face him. “You know, the fish Penguin caught the other day?”

“The fish?” His brows furrow at you, as if he’s trying to decide whether or not you’re playing a prank on him. “What fish?”

“The fish! The orange fish that Penguin caught and thought was too pretty to kill! I definitely told you about it.” He’s still staring at you with a confounded look spread across his face. 

“You definitely did not tell me about that.” The look on his face tells you that he’s being truthful, and you realize that you didn’t tell him. You told plushie Law about that day, not actual Law. You turn back to the saucepot, not wanting Law to see your face reddening over your mistake. “Oh, I must’ve been confused. Sorry.”

But your captain knows you well, and he walks over to you and wraps his arms around your waist. “Y/n-ya,” he speaks softly, his head now resting on your shoulder. “What are you hiding from me?”

Your blush deepens from pink to red, and you try your best to focus on the task in front of you. “Oh, uh, nothing.” You stutter over your words, not helping your case. 

“Y/n-yaaaa…” He presses his lips against your cheek for a long while. He always knows the best way to get you to cave to him, and you curse yourself for being so readable. 

“I just…” You pause for a moment, and he hums against your skin to urge you on. “I have this mini-you that I sometimes hang out with when you’re busy and tell stuff too. I guess I told Mini-Law about the fish…”

You feel Law pull away from you, examining your face. He’s trying to catch your eye, but you are intensely staring at the sauce in front of you.

“A mini-me?” He asks, confused. You finally look up at him, and you can see a twinge of sadness in his eye.  

“I just didn’t want to interrupt your studying!” You race to explain. “I know how important it is for you to be a surgeon and I didn’t want to get in the way-”

He pulls you close against his chest, stunning you into silence. You can feel his soft lips pressing into the crown of your head, and he inhales deeply against you. “You can always interrupt me to talk to me, no matter how small you think it is.” He pulls you back from him so he can look into your eyes again. “I’ve missed seeing you in my office. I’ve missed your stories and your voice. I want to hear everything, I want to know it all. So come bother me anytime, okay y/n-ya?”

“I promise.” He bends down to kiss you, and you find yourself smiling against his lips. You can smell the faint scent of tomato burning, but the two of you will figure that out later.

[hotvintagepoll]

Propaganda

Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]

Dorothy Lamour (The Jungle Princess, Road to… movies)—Ok, to be honest, I get if no one wants to vote for her--she's kind of like my ~problematic fave~ because she started in the Road (Singapore, Bali, Hong Kong, etc) movies with Bob Hope and Bing Crosby, which are full of all sorts of exoticism tropes and usually have her playing very side-eye type roles..island princesses and things...yeah. also she banged J. Edgar Hoover. not very hot. but your honor i still think she's pretty despite all that she's pretty please look at her and tell me she's prettyyy

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Dorothy Lamour propaganda:

She started in jungle and South Seas movies and became famous in the Road series. She learned quickly to improvise when facing Bob and Bing. Road to Bali almost has her character marrying both of theirs, since she's island royalty and nobody had a problem with it - a nearly poly relationship, an epiphany for a viewer who didn't even know that that could happen! She was a popular pinup girl during World War 2, and was the first singer for the popular standard "It Could Happen to You". She sang often in her movies and has a lovely voice!

Ginger Rogers propaganda:

She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.

"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.

we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number

Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!

Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!

One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.

ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!

Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)

(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)

(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)

Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)

Shall We Dance, 1937 (duet begins at 2:34)

Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)

The Continental, The Gay Divorcee 1934 https://www.youtube.com/watch?v=Cjv6nmF7wdk God she's MAGIC in this one.

Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.

She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.

[greenconverses]

so the latest two episodes have perfectly showcased my main problem with the series and what i think is its greatest weakness. i truly could not care about absolute faithfulness to the source material as long as something fun and innovative is happening on screen and… it’s not! and part of that is because the show refuses to let there be any goddamn mystery about the greek myths and monsters of the week

all the episodes so far have had a formula: monsters must be immediately identified and exposition must be delivered. there is zero tension. we get boinked over the head with a lesson about something related to family. the monster is easily defeated/escaped with a poorly shot action scene. rinse and repeat as necessary.

medusa’s appearance is really the only one this formula worked for because they set up it right away in the beginning and she’s a greek myth most people could name, so making her a mystery is kind of a moot point.

but there’s no excuse to at least try to make everything else actually scary and strange and mysterious! actually let your show have some tension! let the audience work their brains for a bit! it’s fine!

(annabeth “knowing everything” isn’t a good enough reason either because she’s TWELVE and hasn’t been in the real world for years and these monsters have been clever enough to disguise themselves and kill demigods for years and years and MAYBE IT’S CHARACTER GROWTH TO LET HER BE WRONG)

anyway can we get some TV directors with action experience and a better script next season plz

[cinnbar-bun]

Gifts OP Characters Give you for Valentine’s Day

Rating: SFW

A/n: happy Valentine’s Day!! Enjoy this short little thing. Vday is kinda messy for me cuz I’m allergic to chocolate so 😭 Oofie lmao. Chopper is platonic only!!!

Luffy: He is very earnest and most of his “affection” is shown through actions, so he’ll probably be more physically affectionate and want you by his side all day. Would gift you some food to share and maybe a single flower (he accidentally crushed it but it’s so cute)

Zoro: Your favorite drink. He probably would drink lots of sake, but if you don’t drink sake/alcohol in general, he buys you your favorite soda, coffee, tea, or sparkling juice etc. to drink beside you. Prefers a more romantic gesture of drinking at night alone with you under the stars.

Nami: Chocolate covered tangerines. Or if you’re allergic to both/either/don’t care for those, she gives you a nice piece of matching jewelry to wear with her.

Usopp: A heart-shaped device. Dunno what that device would specifically be but it’s probably based on whatever you needed and he decided to spruce it up for you.

Sanji: Mr. Prince does everything. Bugs you two dozen glitter roses, large teddy bears, and heart shaped everythings. Gives the gifts to you all day and makes sure to make a romantic vday dinner with you. Lots of kisses.

Chopper: cotton candy!!! And it’s pink!!! And kinda looks like a heart!! (Please ignore the way he wants to take a bite of it… or don’t and just forfeit all your possessions to him).

Robin: A lovely scrapbook and some flowers. She likes homemade gifts for you and her, so she made sure to buy those for you to always carry the memories you two shared with each other.

Franky: a miniature boat with figures of you and him he dubs the ‘love boat’. It’s so cheesy but it’s so expertly crafted and made you can’t help but be l happy about it.

Brook: a new song just for you. Brook is always happy to perform for you, and you’re his biggest muse so he’s always got you on the brain. He crafts a love song just to express his feelings for you.

Jinbei: a nice new tea and some desserts for you two to indulge in and relax with. Sweets are always better with you <3

Buggy: New makeup and a matching outfit with him. He loves when your outfits complement his so he wants to have you dress up in a similar fashion to him!

Mihawk: Nice homemade meals and a romantic dinner. He’s extra attentive and romantic today, making sure to pepper you in kisses and hold you close to him.

Crocodile: Expensive gifts made with gold and lots of flowers. Excess is the name, and that’s Crocodile’s game. He is happy to present you with a room full of gifts and then murmur to you he is happy to have you beside him the rest of the day (and night).

Law: Says he doesn’t believe in this yet he got you nice (and a healthier version) of some of your favorite foods. Also some flowers too, which he extensively looked up the meaning of so he could confess the feelings he’s too tsun to admit (if you care to notice-)

Corazon: Says you don’t need a gift, since your love is the best gift in the world. Just kidding, he gets you flowers and offers to take the day off to just do whatever you want.

Doflamingo: Awwwww you were expecting flowers? Maybe even chocolates? No, he’s got you a new outfit and you better be ready soon cuz he’s got a reservation at a fancy restaurant for the both of you.

Shanks: Also says you don’t need a gift because he’s the greatest thing ever and your love is just so strong with each other and- okay okay, he’s being serious now. He got you that one trinket you were eyeing at the island back there that you thought he didn’t notice you were eyeing but he did because he’s like that.

Beckman: Gruff man who is offering to take care of you today and make sure you’re completely relaxed and not lifting a finger. If the others try to get you to work, he’s lecturing them. Also wants to just spend time with you quietly.

Ace: Big teddy bear!!! It’s so cute!!! Just like you!!! He had to get it!! Might also accidentally set it on fire from getting flustered when you kiss his cheek.

Sabo: Gentleman- he gets you traditional gifts associated with Valentines Day, but then offers to take you to an untraditional date spot.

Koala: Girl put her hardest effort into making your favorite sweets/food. She wants a romantic meal with you and to spend time not working for a night.

Perona: … hello??? You’re supposed to be getting HER gifts??? She’s a princess, why are you bugging? Okay… she’ll admit, she made you a cute gothic outfit so you can be just as cute as her. She demands romantic movies and cuddles.

[wordslikesilver]

I am once again thinking about Hoarah Loux, the only man Marika ever trusted and the only man she ever loved. It’s such an insane thing to think about the fact that the second last boss of Elden Ring is Some Guy. He is literally just A Human Man. Marika looks at this fucking raving barbarian man and decides to My Fair Lady him into a Lord like the deranged woman she is by assigning him a babysitter to perpetually gnaw on his neck whenever he’s in public. As insane as all that sounds, let’s break down that imagery a little because it’s actually really good! His babysitter is the king of beasts, a lion named Serosh, who digs his claws and his fangs into Hoarah Loux’s body to keep him suppressed and restrained enough in temperament to now be fit to be named Godfrey, The First Elden Lord of Queen Marika.

Serosh is frankly quite mysterious as far as what he actually is goes but as far as story themes go, he’s a really interesting symbol of lordship. The lion basically IS Godfrey’s crown, it’s what makes him Godfrey. The symbolism is essentially stating in a very overt way that this man is more savage than all the beasts of the world. In Elden Ring, beasts with five fingers indicate an enlightened or elevated intelligence, blessed by the greater will. It’s fascinating how it’s basically stating that Serosh is more intelligent, refined and noble than Hoarah Loux, that this man is more wild and savage than the greatest of all the beasts in the world. That only a beast king could teach this man to be a Lord. Godfrey can rip him apart anytime but he doesn’t. It takes more than strength of body to wear a crown and he knows it. He needs Serosh to honour and do right by Marika. He is showing his opponents a courtesy, as he puts it. Morgott takes after his example and so too is Radahn inspired by him. It’s really wonderful imagery.

There’s more to the symbolism. My knowledge of alchemy is, I completely admit, too surface level to elegantly speak at length but I’ve done some light reading online to back up my confidence in what I’m saying. We know Miyazaki loves dark edgy anime like Berserk and I posit that he also gained inspiration from the anime/manga Hellsing, in which the main character recites the line “I am the bird of Hermes, eating my own wings to make me tame.” This line comes from the Ripley Scroll and is theorized to have many meanings but popularly is presumed to mean giving up higher philosophy and knowledge to live normally on the earth as a human. Miyazaki uses lots of alchemical symbolism in his works, Elden Ring especially (go watch Quelaag’s videos!) so I could be totally full of shit about hellsing but I’m completely confident that Godfrey is meant to be an inversion (like literally everything else about his character) of what the Bird of Hermes represents. Godhood is a prison, a shackling. The entire plot is Marika (and Ranni tbh) trying to escape that imprisonment. Godfrey loves Marika enough to chain himself down, to eat his own wings, to pull out his own teeth and claws for her to make himself tame and ascend to lordship.

What’s especially fascinating about him is that he carries Serosh out into the badlands with him, as the opening cutscene shows. Cut dialogue indicates he already knew the Elden Ring would shatter and the tarnished would be beckoned to return. That Marika told him her plan in full before she took from him and his warriors the grace of gold and sent them away. A line from him saying to trust in gold, always, that it will guide our fates to our true destiny has wonderful implications I would certainly love to expand on in another post maybe. Hoarah Loux was just a human man and Marika trusted him enough to tell him everything. Trusted him with her gambit to escape the shackles of godhood. This is the fascinating part about taking Serosh with him. Keeping himself disciplined enough to remain a Lord when he returns. To hold back his aching heart just enough that he could follow through on this dark plan and allow his wife to protect him from the machinations of the greater will by sending him away. Also note that in that opening cutscene, he’s being crucified, with a lion about his shoulders and spear buried in his abdomen. They could not be milking the Jesus imagery harder if they tried. The Bird of Hermes is also thought to represent Christ, more points for that symbolism.

I love Godfrey so much as a character. He loved his sons and he loved his wife. The tenderness that he holds Morgott with is enough to make me cry. How he wished he could’ve seen him sooner, I’m all too sure. He’s the only other character we see guided by grace in the entire game. Marika guides you and her beloved husband, that’s it, that’s how much she trusts him. When he rips Serosh from his shoulders, you understand how Marika felt such faith in him. In Elden Ring, it is through battle that you face the true self of an opponent. Godfrey reveals to you Hoarah Loux, Warrior Chieftain of the Badlands. It is a test. Are you worthy to free her? Can you do what I could not? I have shown you courtesy enough as a Lord. You served me well, Serosh. I relieve you of your burden and feel only gratitude for your service. Now begins the test. Are you, tarnished, stronger than the only man who was strong enough to bear the burden of Lordship? Are you stronger than the only man that Queen Marika ever trusted? Are you stronger than the only man she ever loved?

[eroguron0nsense]

Garp Rant #11543

Because I'm something of a Certified Garp Hater/extremely obsessed with this man, and because Tumblr people seem to like my Garp takes and/or find them extremely pain-inducing, here's another one for funsies! Again, Garp is an incredibly written character and I massively enjoy his moral failings and human shortcomings, hence why I won't shut up about how much he sucks. So we all remember Garp crying in front of Ace during his imprisonment and awaiting his execution, lamenting the fact that his son and grandson could have maybe avoided this horrible horrible fate that awaits them at Marineford if they'd just become good marines like he'd tried to press them into. Every time he says it, he sounds more desperate, sadder, and angrier, like he's experiencing the stages of grief and going through denial, anger bargaining all at once, lashing out at his grandkids for supposedly causing him grief by defying his wishes, or maybe praying or wishing for a world where they could have followed in his footsteps and lived happily ever after. And when Ace hears that again at Impel Down, he says this:

Here's the thing though: Ace is unequivocally correct Garp should, by all rights, know this. He lived through the fallout of Roger's execution. He knew long before that exactly what would happen to Roger's loved ones and anyone the government could get their hands on who'd ever associated with him. Even before they started committing femicides/infanticides in Baterilla trying to end Roger's bloodline, he knew that the Marines were going to target completely innocent people in the name of purging the bloodline and cementing their "victory" over the greatest threat they'd ever faced. He specifically had to smuggle Rouge out of there so she could give birth to Ace, and all the while dozens of families were being brutalized by his peers and having their lives torn apart. That was the cost the Marines were willing to incur to kill a hypothetical infant, and years later, when that very same child is set to be executed, Sengoku goes on a remorseless public tirade about the necessity of killing babies and the horrible trickery and audacity Rouge displayed by dying so that they wouldn't kill her baby too.

Garp knows every single piece of this information in painful, excruciating detail. He's so horrified by it he feels the need to fulfill this wish of Roger's because he knows blameless people will die. He has Ace raised in secret to protect him from Marines who are figuratively and literally out for his blood. And yet, throughout this boy's childhood, he clings to the notion that maybe, just maybe, the people he knows regularly commit atrocities, who have carried out at least 3 genocides that we know of in Garp's lifetime, who were willing to commit mass infanticide for a woman and child they hadn't verified the existence or identity of at the time, would have accepted him within their ranks and turned a blind eye to that information when it eventually, inevitably surfaced. That Ace can find salvation from the people who stole every loved one he ever had before he was even born, who slaughtered his mother's community and pushed her to her death, and were slavering at the opportunity to kill her. That even though Ace was born in direct opposition to them, has had a target trained on him before he was born, these people who tried so goddamn hard to kill him would surely welcome his presence and not murder him the second they found out if he could just be a compliant model soldier and make himself useful. It's hammered home pretty effectively–especially in the manga– and One Piece has never been known to be subtle in its messaging, but I swear to God I see so many people echoing the notion that Garp's attempts to force his grandchildren into serving the Evil Empire was done because he knew was their only shot at safety from the WG, and I fucking despise this take. Ace saying that he could never be a marine here in Impel Down isn't some young man's rationalization for his (beyond valid) desire not to subscribe to the preset path Garp laid out for him; it's literally the only logical conclusion if you know literally anything about the circumstances of his birth and upbringing, and Garp only thinks that the leopards wouldn't eat Ace's face because he's fucking delusional This in and of itself is extremely telling of how horribly warped Garp's perception of the Navy is, and how deeply he's willing to buy into the Marines and their warped propaganda no matter how many glaring examples he sees throughout his life that counter his worldview, but let's not forget that this applies to Luffy too. This is slightly hairier, in that if Luffy was a) the sort of person who could willingly accept a career in the marines and b) managed to cling really, really tightly to his grandfather's coattails and legacy, there might have been a very, infinitesimally small chance that he could have joined the Navy. The higher ups know that Dragon is Garp's son and therefore Luffy is Dragon's by logical inference, but I could see some AU where Luffy is a fundamentally different person and manages to build himself up in the Navy if not for two things I think warrant examination. It's pretty evident, and Dragon explicitly confirms, that Luffy being known as his son would have put him in incredible danger, only feeling comfortable with acknowledging it and the possibility of actually reuniting with his child after Luffy was both publicly recognized due to factors beyond his control, and proved that he was more than capable of holding his own. But I want to draw attention to this one otherwise pretty silly little gag moment between Garp and Sengoku when they learn that Luffy's broken into Impel Down, and present a theory that's kind of a reach but also not really

Now the phrasing here kind of interests me, in that it ties back to earlier demonstrated patterns that the Navy uses repeatedly in collective punishment for the families and loved ones of their primary targets. Rouge and Ace barely escaped the mass murders intended for them because of their connection, but Tom was also originally sentenced to death for having had a connection to Roger, and ultimately chose that as the offence he wanted to be sentenced for at Enies Lobby. Law, as a child survivor of Flevance, has multiple hospitals try and turn him in to the World Government to be killed when Cora tries to find someone to treat him because their policy is to pull out the roots and salt the earth whenever they deem a person or population politically inconvenient. Robin's flashback shows us Akainu blowing up a refugee boat on the off chance that one of those people that they were planning to evacuate might have gotten past their initial screening for archaeologists/poneglyph readers. At Marineford, Akainu specifically targets Luffy not because of his prior offences or even his attempt to rescue Ace, but because he's Dragon's son and his and Roger's bloodlines need to be eradicated. This is not an institution that is in any way reluctant to destroy anyone tangentially affiliated to a designated enemy, and Luffy being the son of the worst criminal in history seems to put him right in line with all of those other cases. In light of this, and Garp's massive blind spots and wishful thinking regarding his peers and employers, it's not that much of a stretch to assume that the only reason Garp's exempt from being targeted like Dragon is because of his popularity/symbolic importance/utility, and that Luffy likely wouldn't have been safe even if he weren't a pirate. Garp's circle of confidantes/friends in high places is powerful, but clearly there are factions (Akainu, Ryokugyu etc) that would be substantially less willing and who are given preferential treatment by the Elders and Celestial Dragons. There might be something to read into based on the fact that Garp is the only known person from a D bloodline who's achieved massive success in service to the World Government and not defected from the Navy after realizing its true nature (props to Saul), and therefore he might project the fact that he's been rewarded by the system despite being a "sworn enemy of the Gods" onto his family, but that still doesn't account for the massive, delusional arrogance he displays in insisting that, despite everything–especially, especially the murders committed in pursuit of Ace, that robbed him of his birth mother and community–the Navy is the best and safest place for either of those boys. TLDR Garp not wanting his grandsons to have a bounties on their heads is one thing, but it says a lot that in spite of everything he knows, he's willing/determined to put Ace and Luffy in an environment that's extremely dangerous for them –and in Ace's case 100%, unquestionably fatal– because he's so convinced that compliance and the platonic ideals of "justice" and military service/hard work being rewarded by the system could supersede all of that.

[anonymousauthorsblog]

TURNING PASSIONS

A y/n x megumi fushiguro story

strangers to friends to lovers

lowercase intended

A story about a streamer running into a strange dancer in the fields of college •.•.•

MEGUMI FUSHIGURO

A upcoming famous gaming streamer who was introduced to the world of fantasy and desire by his childhood best friend Yuji Itadori. Megumi is a second year computer science major with a minor of interactive media at NYSSU, where you could complete your dreams just with a degree. He spends his days in his dorm quietly trying to get pass through the struggles of college while managing an account ran by his friend group and dorm buddies. Also known as his best friends Yuji and Nobara. Megumi is a standoff, cold man who seems blunt and distant to the normal eye, But many can’t see past that and they don’t see the stress of his growing channel reaching to the top of fame and the realms of popularity. But what happens when a stubborn, perfectionist dancer enters his life and turns his head about the normal ideals he’s has and interrupts his peace..?

“You’ve been locked in here forever that you just can’t say goodbye..”

Y/N L/N

Y/n a second year at NYSSU, a girl who majors in performance arts and minors in psychology. She’s trained her whole life in the art of ballet and finally made it in one of the top schools who can bring her to the top of the game. Y/n is a determined strong dancer with one problem. Her being a perfectionist. This leads her to overwork herself with the idea of making herself better and getting the lead roles in each performance she is. With this in mind she strives towards her goal of leaping onto the big and final stage after college and becoming the greatest professional dancer the world has heard of. But what happens when a strange streamer comes in her life and tries to change her views on dance and debunking the term of “being the greatest”?

“Made it all look painless, man am I the greatest?”

I DO NOT OWN ANY CHARACTERS FROM JJK!!

Update: Ongoing

Warnings: Angst, slow burn, fluff, talks about mental health, cursing and jokes and MAYBE OOC!

Authors notes: HEYY GUYS!! This is my first fanfic and post here! Thank you for reading I appreciate it so so much!! Please leave any positive feedback on how I can grow as an author here so I can continue putting my art! Thank you for the support! <33

— TWITTER ROOMS —

the drama club - ft • y/n, toge, maki

met gala hosts - ft • megumi, yuji, nobara

CHAPTERS

chapter 1 • Introductions

chapter 2 • statistics and friends

chapter 3 • smile for the camera!!

chapter 3.5 • smile for the camera!! continued..

chapter 4 • passions and desires

chapter 5 • pixels and pirouettes

chapter 6 • friends? friends.

chapter 7 • understood.

chapter 8 • preform

chapter 9 • master of mathematics

chapter 10 • the bake off!

chapter 11 • call it what you want

chapter 12 • the audition

chapter 13 • comforting peace

chapter 14 • the cafe

[sw6eet]

TO YEARN: THE PROLOGUE

— wc: 392, i know it’s short but it’s just the prologue

— warnings: reader can be adopted, no race is specified, tiny section of smut, “we’re just friends”

— pairing: nika mühl x sue birds daughter!reader

April 29th, 2023

BREAKING: Y/N BIRD, DAUGHTER OF WOMENS BASKETBALL LEGEND, SUE BIRD, COMMITS TO UNIVERSITY OF CONNECTICUT

On April 22nd, the no. 1 women’s basketball prospect Y/N Bird announced her commitment to University of Connecticut, over a wide variety of options between South Carolina, Notre Dame, Duke, and USC.

The decision was no shock, as Bird’s mother, Sue Bird played her collegiate career at UConn and excelled to become one of the greatest women’s basketball players of today.

Bird expressed how she came to choose UConn over her other offers in a recent interview.

“I mean, in the nicest way possible, the other offers weren’t really in the question for me. The entire world saw what my mother was able to achieve as a husky.. and Coach Auriemma, and i’ve always looked up him really. He was a strong figure in the early days of my basketball career.” She explained, crediting her mother and Coach Geno Auriemma in her statement.

June 2023

Committing to University of Connecticut might have been the best decision you’ve ever made. From the overwhelming support of your choice, to the warm and welcoming attitudes of all of your teammates, or maybe.. just maybe because Nika Mühl was really fucking hot.

Like, Really. Fucking. Hot.

The first practice you attended was life changing, not only because of the truly amazing characters you were able meet and to play with, but because now you could sneak glances at thee Nika Mühl and nobody would question it.

Or so you thought.

October 21st, 2023

“So.. what’s up between you and Nika, Y/N?” Paige smirked as she spoke, her legs crossed over one another while she sat in front of you in your room.

“Don’t even try that.. we’re just friends.” you said, rolling your eyes as Paige raised her eyebrow in suspicion.

“I hope you know we all heard what happened last weekend. You’re loud.” She said, making your face flush red as you realized.

Last weekend

“Oh god Nika!” you moaned, your hand coming down to grip her hair, her tongue running up and down your wet slit as you laid against her bed.

“Shh baby, don’t want the team hearing us, now do we?” She spoke against your cunt, sending vibrations through your body.

“Mhm..”

October 21st, 2023

“It was a one time thing. We’re just friends.“

[gorejo]

▸ UNDER IS ALWAYS THE BEST VIEW- RORONOA ZORO.

synopsis: As someone aspiring to be the greatest swordsman in the world, it was rare for Zoro to look up to someone. yet he finds himself looking up at one person — a feat he's never willingly done for anyone. maybe this is the only way the king of hell can also experience the goodness of what heaven is like for a devil like him.

content: 2.2k, afab!reader, she/her pronouns, unedited, petnames (baby, angel, sweetheart), unprotected sex, mention of alcohol/getting drunk, mention of bodily wounds (zoro).

As someone aspiring to be the greatest swordsman in the world, it was rare for Zoro to look up to someone. In the minuscule number of his ten fingers — his pride not letting him go past the five digits in his left hand — Zoro could most confidently name those few that he looked up to — Mihawk, his old Sensei, Kuina, and dead man Ryuma — each name endowed with honor in his mind. 

Each time he drew his katanas from his right hip, he remembered. With every battle that he was the successor of, he remembered. Every enemy he met that mocked his fervent passion, he defeated in remembrance of his goal and his promise to Luffy – for the future King of Pirates was worthy to have the Greatest Swordsman by his side. 

With every training session he had, with puddles of sweat pooling as he tore every fiber of his muscle to get stronger, always lifting those god-awful weights in the crow’s nest, he remembered. 

He remembers that there was always one goal in mind: to be the greatest. And he takes great pride in that.

Even if he did look up to someone, placing them in higher regard of influence compared to others, it took a lot for the swordsman to acknowledge his defeats, almost every time forcing him to his knees with multiple gashes to his skin, bruises, and blood — much apparent in the prominent scar that runs deep from his upper right chest to his stomach — an honorable wound he’ll now reminiscent on, with words few as he cleaned his swords, “scars on the back are a swordsman's shame.”

Thus, you’ll never catch Zoro ever running from his opponent, and never will he willingly allow himself to be placed under someone besides Luffy. Like an animal set to kill, eyes locked, he’ll chase and stand his ground — especially when it comes to protecting his Nakama — his people. 

But, despite everything about Zoro that should object to him willingly looking up at someone, allowing someone else to take control over his body as he simply lays rest, he’s come to rather enjoy it — no, it drove him absolutely maniac. 

Because Zoro never had a chance to actually look up to someone — well, physically that is. 

Maybe it was the sake that he drank not too long ago that caused his mind to swirl, and his body to react in ways outside his normal stoic character. His hands reached for places he’d normally be ashamed of doing in public, releasing a deep groan from the pits of his stomach as he flexed his strong abs, looking up with cheeks heated with a hue of tainted rose, chest huffing for air as he forced his spit down his dry throat. 

But it was odd, he recalls he didn’t drink too much compared to the usual copious amount of alcohol he doused himself with. But then again, even without alcohol, he would willingly find himself in this position — you on top of him, as he watched you grinding your hips as you clenched on his pulsing length, gripping onto his sweaty chest as your nails dug into his skin, tiredly panting absolutely gone from the remnants of the past orgasms he’s fucked out of you.

Zoro doesn’t think you can look any more beautiful, so beautiful as you push yourself for more of him, for him to reach deeper inside and settle himself into the depth of your inner walls and never leave. 

It’s almost cute how you try to take control. And it makes his cock twitch a bit when he sees how difficult it is for you to even wrap your nimble fingers around his thicker wrists, but yet you try — albeit, with a little whine you unwittingly pull out that makes him weak. He’ll give you the world, maybe even sacrifice the title of being the greatest, if he could hear his name being softly moaned out your lips. 

“Zoro,” you mewled out, your thighs burning from the rounds you both fucked, “c-can you help me?” you pleaded with eyes filled with tears, staining your pretty face as your words barely made it out of your lips.

“I thought this was your favorite part,” the swordsman teased, one hand quickly finding refuge to grip your ass, while the other played with your hardened nipple. 

Zoro lied, for the King of Hell this was his favorite part.

Sometimes when you felt risque, he’ll cave into your needy whines and invite you up to the crow’s nest when he was on night duty to fuck you. Romantic he thinks, as he pistols his cock inside you while watching the waves lightly crash against the Sunny Go, the sheer moonlight being the only source of light for you both – your ass perfectly highlighted by the sweat, the sheer light dimly illuminating the stretch of your swollen pussy had wrapped around him so snugly. 

It’ll be a lie for him to deny that the thrill made his blood pump to his cock a lot faster than normal. Fucking in secret, raw and sweaty was his vibe. 

“Ngh, ‘Ro… s-slow –” 

His hand muffled your desperate moans – the callous pricking at your skin as he suddenly pushed one finger, two fingers into your small crevice that felt just so warm. 

“shhh, angel,” he growled, his teeth biting the side of your neck, his tongue sweeping up as he heavily breathed against your ear, “don’t want the whole crew to know we’re fucking, do we?” he sounds sweet, yet the stick in between his legs, pistoling deeply inside you as he grunted with every thrust and flex of his ass showed no mercy.

“This is all for me?” he groaned as he pushed his weight to the ground, his body engulfing yours as he continued to push himself deeper in, the slap of wet skin echoing in the humid room, “all” thrust  “of” thrust “this” thrust “is” thrust “for” thrust “me.”

And he pushes, his feet firmly pressing against the floor as he drills himself in and he wickedly stays there.

Don’t get it wrong, Zoro loved fucking you in different positions. 

He loved to see you perched on the wooden floor, your ass high as his hands gripped onto your waists while he thrusts his length inside you, watching every inch of his cock disappear inside your cunt, the shine of your cum coating him pretty. 

He loved fucking you in the kitchen, his hand placed behind your back, pushing his weight down as you desperately held onto the kitchen table. Hearing the sharp smacks of your ass as it rippled with every thrust he made sounded so glorious in his ears. 

He smirks, thinking how it’ll be a nice treat for a certain cook the next time he steps in. 

Even better was when you would reach over and tug at his finger, face flat on his bed as he slammed his cock downward — a knowing signal he’s come to decipher — and who would he be than to deny your advances? Cock twitching inside your gummy walls as he feels you flinching at his tip poking a certain fleshy portion within. 

But the actual best part was when you’d whine, “ ‘ro i want to see you…” 

“Yea?” He’ll rasp out, his head thrown back, teeth clenched as he pulled his feet upward to get a better angle for his cock.

“mhm, I want to hold you,” you softly responded, your breath and words hitching with every pulse of his thrust. 

and he’ll succumb to you — always. because what power would a devil, like him, have over god’s treasure, like you.

So quickly he’ll grab hold of your shoulder, unwilling to pull out of your warm pussy as he changes positions. Making sure not to overwhelm his strength on you, by being as gentle as he could.

Settling into position, hissing when the rough fabric met contact with his marked skin, he’ll help you get comfortable before guiding your pace until he’ll let you fully take control. His deeply calloused hands pricked at your sensitive skin, leaving you wincing at the slight pain as he ran his palm down your stomach, hand placed at the base of your tummy as he lustfully watched you desperately grind your hips while the lewd squelches of your juices melodically resounded in his ears

“I’m all yours princess,” placing his hands behind his neck, his arms flexed and stomach harshly taking in staggered breaths. He’ll watch you with dilated eyes, the sweat on his temple shining in the dark as he scanned you from top to bottom, “so fuckin’ pretty,” he’ll release.

“But ngh,” you shuddered as you felt the tip of his cock graze past a sweet spot, your head thrown back while your hips moved on their own accord, your lungs on fire from the lack of oxygen in the humid room. 

“You gotta talk doll,” Zoro continued to press, lifting himself from the bed, his hand stabilizing your head forward, teeth biting at your skin while his tongue swirled on the denture marks, he'll coax when he notices you struggling, “Breathe, you gotta breathe, baby."

Your arms immediately wrap around his neck, and on cue, his hands surround your waists. “Fuckkk,” groaning from the tightness of your walls rubbing against his cock, the new position allowing him to reach even deeper, Zoro lifts his head up to look at you. 

Pretty, he thinks. and despite having one valid eye to see all of you, he didn’t feel at a loss. he’ll always cave to the rapid pumping of his heart and the unusual intense feeling of emotion that tainted his mind, he knew he’ll have to cum soon.

But if there was one thing that his insufferable cook had drilled into his brain from the countless amounts of time he’d seen him chasing after women was the honorable concept, he’d allow only with you, of ladies first. 

“Almost there?” Zoro groaned, the sweat dripping down his chin as he watched the intimacy of where you both connected — sweaty, sticky, and awfully erotic.

“Mhm, j-just a little more,” you barely whispered into his ear, lightly biting at his lobe as you mustered up the strength to cup his face. 

At the contact, Zoro feels the waves of euphoria and his pent-up emotions leak through his resolve as he melts into your warm touch. 

Sometimes he’ll feel a tear threaten to leave, the knot he’ll feel crawling up his neck as he pushes down his emotions. Like an empty vessel quickly filling up with water and overflowing, he, too, felt the gush of his impending ecstasy about to explode.

“Want me to help,” your partner groaned when he felt you suddenly clenched on his length, your warm, gummy walls pulsating on every inch of his cock. 

“Hold me,” is all you ask. 

And for Zoro, it was more than enough. 

Because at your words, he’ll further pull you down onto his length, yelping at his strength as he had you smothered into his chest, his strong arms fully encapsulating you as your ass bounced with each harsh thrust he made.

He tried to be careful, desperately tried to not use too much of his strength as he tried to gauge your expressions and pants, being mindful despite himself feeling as if he’d burst any moment.

“Where?” he’ll ask, his tone stretched low with a growl.

“I-inside oh god! Z-zoro f-faster, p-please!” you cried out as your fingers grasped onto the ends of his green hair.

you mustve been fucking. He’ll break you if he goes any faster, any harder his logic warned him. 

But where’s logic when it comes to sex?

Quickly repositioning his angle to hit deeper, just underneath the familiar gummy area that had you previously creaming on his cock, he pistoled his cock inside, his wet balls slapping against your ass that was now red from his hand prints.

“Ngh Z-zoro!” you moaned out as you felt his hands suddenly cup your face, “cum now,” your boyfriend ordered.

And under the warmth of your skin, as he watched you finally release your high, taking all of you in as he continued to pump his length inside you as you gasped and cried, desperately thrusting to meet his climax. 

“Fucking shit,” he growled before pulling you down for a sloppy kiss, the force of his hips losing rhythm while your moans became muffled into one. You felt the thick ropes of his cum shoot out and finally coat your inner walls that were carved perfectly for him, continuously pumping his cock to push in his seeds deeper in.

With brows furrowed and harsh breaths released through his nose, tongues tangled warmly as he pushed back your hair and massaged your neck, his hips treading a soft rhythm.

A tear befalls — a single drop he’ll allow. one droplet that contains all the years of the lonesome burden he's carried to be the greatest, years of sacrifice and pain, singlehandedly humbled in the weight of one. 

Slowly unlatching, his lips chasing yours as you softly smile while gently pushing him down. He’ll feel you comb your fingers through his damp hair and lightly hum in love. Tenderly placing a light kiss on his sweaty forehead and laughing as you brushed a tear from his eye.

Zoro once again realizes that under will always be his favorite view with you.

Because maybe a demon like him can experience a glimpse of heaven under the reigns of his angel.

satorins. do not copy, plagiarize, or repost.

comments: cheers to our first one piece fic!!! yipee!! hopefully we can see more of these silly boys in the future ◡̈ but again, hope you enjoyed !!

[anistarrose]

the thing I keep coming back to about TAZ Balance, I think, is that there's heroes — lots of them, even — but there's not really a hero, not a singular one. when our characters try to save the world all on their own, and oh, do they try, their arcs — while eventually culminating in happy endings, for the most part — are, at the time, cast as tragedies. lone heroes, in TAZ Balance, are invariably tragic heroes.

Lucretia can't gather all the Grand Relics and defeat the Hunger on her own. Barry can't find Lup, much less sway Lucretia from her plan, on his own. Lup, crushed by guilt, sets off to neutralize her greatest mistake without even facing her family as she leaves, and that decision sets the story into motion in the first place. their intent to spare their family, to shoulder the burden alone so no one else will have to, fixes little and leaves them isolated. lonely. trapped.

even Magnus, rustic Folk Hero of Raven's Roost, fails to avenge the community that took him in. he sets off on a solitary mission to do so, never opening up about his pain to even his closest friends, but he never sees Kalen again. yet, maybe not too late, he learns, or rather, remembers — the strength to protect and avenge others comes from the strength to ask for help. the last thing helping anyone is trying to do this alone.

Lucretia assembles the Bureau, and as soon as she sees a way, brings Tres Horny Boys back under her wing. Barry, the very same day that Lucretia recruits them, sees the Phoenix Fire Gauntlet surface, and realizes it's time to put his trust in his family again — he shows himself to them soon after, and even with him putting up a facade, that's progress. and Lup, with endless time to reflect, is possibly the first of all of them to see where she went wrong. she won't be making that mistake again.

there's not a singular hero of the story, because taking on the burden of saving everyone is no task meant for one person. there's "our heroes," Tres Horny Boys, and there's the secondary, "secret," but no less important heroes who complete the ranks of the IPRE, but none can defeat the Hunger — nor reunite their family, nor vanquish an old foe — without leaning on each other, and on the new bonds they forged on this cycle. leaning on Johann, Kravitz, Team Sweet Flips, and the whole ensemble; every single connection that convinced them not to flee but to fight.

accepting that none of them can, that none of them should, be the hero alone — that's what averts the tragic end. the Hunger, terrible as it is, is wholly united, sharing and amplifying each other's despair. the only way to victory is to rely on each other, to care for each other, to learn how to be cared for, and to let your loved ones grant you hope.

[hotvintagepoll]

Propaganda

Yvonne De Carlo (Frontier Gal, The Ten Commandments, Casbah)— Although most famous for playing Lily Munster in The Munsters, Yvonne De Carlo had a successful movie career throughout the 1940s and 1950s, appearing in such films as “The Ten Commandments”, “Sea Devils” and two Munster movies later in life.

Setsuko Hara (Tokyo Story, Late Spring, The Idiot)— "'The only time I saw Susan Sontag cry,' a writer once told me, his voice hushed, 'was at a screening of a Setsuko film.' What Setsuko had wasn’t glamour—she was just too sensible for that—it was glow, one that ebbed away and left you concerned, involved. You got the sense that this glow, like that of dawn, couldn’t be bought. But her smiles were human and held minute-long acts, ones with important intermissions. When she looked away, she absented herself; you felt that she’d dimmed a fire and clapped a lid on something about to spill. Over the last decade, whenever anyone brought up her lips—'Setsuko’s eternal smile,' critics said, that day we learned that she’d died—I thought instead of the thing she made us feel when she let it fall." - Moeko Fujii

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Yvonne de Carlo:

The woman who brought Burt Lancaster to his knees.

Setsuko Hara:

One of the best Japanese actresses of all time; a symbol of the golden era of Japanese cinema of the 1950s After seeing a Setsuko Hara film, the novelist Shūsaku Endō wrote: "We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?"

One of the greatest Japanese actresses of all time!! Best known for acting in many of Yasujiro Ozu's films of the 40s and 50s. Also she has a stunning smile and beautiful charm!

Linked gifset

Linked gifset 2

She's considered by some to be the greatest Japanese actress of all time! In Kurosawa's The Idiot she haunts the screen, and TOTALLY steals the show from Mifune every time she appears.

"No other actor has ever mastered the art of the smile to the same extent as Setsuko Hara (1920–2015), a celebrated star and highly regarded idol who was one of the outstanding actors of 40s and 50s Japanese cinema. Her radiant smile floods whole scenes and at times cautiously undermines the expectations made of her in coy, ironic fashion. Yet her smile's impressive range also encompasses its darker shades: Hara's delicate, dignified, melancholy smile with which she responds to disappointments, papers over the emotions churning under the surface, and flanks life's sobering realizations. Her smiles don't just function as a condensed version of her ever-precise, expressive, yet understated acting ability, they also allow the very essence of the films they appear in to shine through for a brief moment, often studies of the everyday, post-war dramas which revolve around the break-up of family structures or the failure of marriages. Her performances tread a fine line between social expectation and personal desire in post-war Japan, as Hara attempts to lay claim to the autonomy of the female characters she plays – frequently with a smile." [link]

Leading lady of classic Japanese cinema with a million dollar smile

Maybe the most iconic Japanese actress ever? She rose to fame making films with Yasujiro Ozu, becoming one of the most well-known and beloved actresses in Japan, working from the 30s through the 60s in over 100 hundred. She is still considered one of the greatest Japanese actresses ever, and in my opinion, just one of the greatest actresses of all time. And she was HOT! Satoshi Kon's film Millennium Actress was largely based on her life and her career.