#state space representation

[bixels]

As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.

[spockle]

Phineas and Ferb intern for Doofenshmirtz and Ferb just spaces out for half the time.

I mean look at the boy.

Totally whipped

[ad-ya]

little to no discussion/representation of the supremely rare variety of foundational, lifelong friendship in star trek that is only and actually realized in the form of jake and nog. their timid approach of one another from opposite sides of the quadrant's cultural spectrum. their original animosity giving way to their fervent defense of one another to close minded parents; their prejudices transformed into solidarity with the same degree of vehemence. their gradual understanding of one another as individuals, rather than as archetypes of a species they'd been raised to detest. the slow, steady movement of nog's system of values to an understanding of the purpose of life as one he can share with jake... jake, on the brink of his best friend leaving him, saying he realized they'd done nothing together for years, just been with one another for endless, sunless hours on the promenade, playing dom-jot and watching bajoran transport ships dock.

the two of them growing taller and into bigger sizes of shoes, trying out new styles of clothes from garak's clothiers. doing the dishes in their new quarters, and learning how to pick up after one another. drinking rootbeer from chewed straws and thinking it was mundane, all the while—unbeknownst to both of them—doing the slow, quiet business of growing up.

[gothicseverance]

The Gothic repeats scenes of spectacular suffering that revolve around a gap, a blank space, a refusal or failure to represent that draws the reader on and on.

—Repetition and the Pleasure of the Gothic

Gif by @lousolversons 🖤

[recklessghostart]

About the 'Skizz Situation' and why the fan community is not being a good representation of what it wants to claim.

Before I get started, I need y'all to read this with an open mind and an open heart. This is not an attack on you, or at all. It is me pointing out what I see and hoping to bring stuff to your attention. For those who don't know, the 'light' (and ultimately not entirely correct) synopsis going around is that Skizz got a donator asked Skizz to say 'trans rights' and he didn't because it was 'too political'. The reality? Skizz was chilling and vising with his chat having some good times and stuff, didn't vet the dono before starting to read it outloud, and that dono more or less said that they were a 'long time' viewer of Skizz and (the wording almost felt aggressive/accusing) didn't feel he did enough for the community and wanted him to say Trans rights. Skizz in the moment and trying to keep things light said he was just wanting to vibe with his chat and didn't want his channel to address things too 'political' (he clarified later he meant Polarizing) and he has nothing against nobody. He then followed up in the comments that clarification (which, lets be real, it is polarizing) that he didn't want his community to foster hatred in his comment section and its not the forum to have those debates (which is FINE. He is allowed to have boundaries. Those boundaries were set not just for himself but to protect his LGBTQ+ watchers) and of course he supports the LGBTQ+ community and Trans rights. Something else I wish to point out: This donator claimed to be a long time viewer of Skizz. Frankly I don't believe them or anyone who who is listening to any of this. He has been MORE than open about his support of the community in the past, and often. His last stream before all this was even him talking with Gem and Lizzy, two Bi women, about Bi stuff. That dono was made to stir the pot. To either make him say something to cause hatred in his comment space, or make him slip up and get the community to dislike him. So- how is the community a poor representation of what we claim? Well a lot of the claims the LGBTQ+ community makes is wanting people to grow. To want Allies. To support other discriminated groups. So- They see this Man- this DISABLED man (Skizz has MS) who has OPENLY SUPPORTED them in the past, make a slip up of words, and refuse to understand where is is coming from, why he may want to keep things 'good vibes' and just more normalized (because the very much Gay coded jokes and stuff he and Imp and Gem and the others make NORMALIZES the community which is AMAZING), Who himself is straight and comes from a very red state so may not 100% understand how to word what he means correctly, and basically tries to burn him at the stake. To take away his income. People want to Boycott him over this. To basically destroy his life. (Because he quit his Job to be a full time content creator, and he is still a very small one at that.) Tell me, how does that make anyone ever want to support this community? How does that show kindness and understanding? To make people want to grow? How does any of this treatment make you the better person? Because, long story short, it doesn't.

Now some of you are bringing up his mods, how two may be trump supporters. True or not (I haven't seen evidence of this? But I won't dismiss it), you also need to think of a few things in terms of that. They have been his mods for 5+ years. Mods often are close and friends of the streamers, especially small streamers which he is/was. People, can be friends with people of different political parties. You may not want to, but when I tell you that cutting people off because of a political opinion is new, its NEW. And a lot from the older gen wouldn't even dream of it. Furthermore they are (as far as I know) volunteers. He does not pay them (again, small streamer). He needs mods to run his channels and without them he can not do his job safely, especially for his community. And many people will not do this job for Free (at least not well). He can't just replace them overnight. Give him time to have those hard conversations if he chooses to have them. It's not like they have even brought those beliefs into their work or his streams. Long story short, Be good. Not just to each other but to Skizz himself. Have the understanding you would want people to have for you if you slip up with good intentions. Crucifying someone who supports y'all does nothing good for this community.

[dandelionsresilience]

Dandelion News - February 15-21

Like these weekly compilations? Tip me at $kaybarr1735 or check out my Dandelion Doodles!

1. Solar farms managed for nature boost bird abundance and diversity, new study finds

“There were more than twice as many farmland birds in the well-managed solar farms compared with the intensively farmed land, and nearly 16 times as many woodland birds. […] Overall, diversity was 2.5 times higher, while woodland birds were nine times more diverse.”

2. Washington judge blocks Trump’s gender-affirming care ban, says it's unconstitutional in multiple ways

“This marks the second time in a week that a judge has stood in the way of Trump’s attacks on trans kids. [… The ruling grants] a temporary restraining order that halts enforcement of provisions in Trump’s directive that would cut off federal funding to medical institutions that provide gender-affirming care to minors.”

3. Fog harvesting could provide water for arid cities

“17,000 sq m of mesh could produce enough water to meet the weekly water demand of [… the] urban slums. 110 sq m could meet the annual demand for the irrigation of the city's green spaces. Fog water could be used for soil-free (hydroponic) agriculture, with yields of 33 to 44lb (15 to 20kg) of green vegetables in a month.”

4. Audubon Applauds Bipartisan Federal Effort to Protect Delaware River Basin with Critical Reauthorization Bill

“The bill would […] ensure long-term conservation and restoration efforts, expand the official definition of the basin to include Maryland, and prioritize projects that serve small, rural, and disadvantaged communities. […] The watershed provides important year-round habitats and critical migratory stopovers for approximately 400 bird species[���.]”

5. mRNA vaccines show promise in pancreatic cancer in early trial

“Half of the people in the study — eight of the participants — responded to the vaccine, producing T cells that targeted their tumors. […] Just two of the patients who had a response to the vaccine had their cancer return during the three-year follow- up, compared to seven of the eight who did not respond to the vaccine treatments.”

6. Minn. Lt. Gov. Flanagan Makes It Official; She's running for U.S. Senate

“[Flanagan has] “championed kitchen-table issues like raising the minimum wage, paid family and medical leave, and free school meals.” If elected, Flanagan, a tribal citizen of the White Earth Nation, would become the first Native American female U.S. senator in history.”

7. Federal Funding Restored for Low-Income Alabama Utility Assistance After Outcry

“A program meant to help low-income Alabamians pay their utility bills has resumed two weeks after it was canceled due to an executive order from President Donald Trump. […] “We can confirm the funds are reaching those affected by the previous pause[….]””

8. Modeling study suggests Amazon rainforest is more resilient than assumed

“[Previous] studies were either conducted with global climate models that used a simplified representation of convection [or were on a regional scale….] According to the computations, mean annual precipitation in the Amazon does not change significantly even after complete deforestation.“

9. States are moving forward with Buy Clean policies despite Trump reversal

““Buy Clean is a great example of how states and other nonfederal actors can continue to press forward on climate action, regardless of what the federal government does,” said Casey Katims, executive director of the U.S. Climate Alliance, a bipartisan coalition of two dozen governors.”

10. The rewilded golf courses teeming with life

“A wildflower meadow, ponds, scrub habitat, coastline and even an area of peat bog can be found on this little 60-acre (24-hectare) plot, which boasts roe deer, otters, lizards, eels and a huge array of insects and birds.”

February 8-14 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)

[batboyblog]

Things the Biden-Harris Administration Did This Week #38

Oct 11-18 2024

President Biden announced that this Administration had forgiven the student loan debt of 1 million public sector workers. The cancellation of the student loan debts of 60,000 teachers, firefighters, EMTs, nurses and other public sector workers brings the total number of people who's debts have been erased by the Biden-Harris Administration using the Public Service Loan Forgiveness to 1 million. the PSLF was passed in 2007 but before President Biden took office only 7,000 people had ever had their debts forgiven through it. The Biden-Harris team have through different programs managed to bring debt relief to 5 million Americans and counting despite on going legal fights against Republican state Attorneys General.

The Federal Trade Commission finalizes its "one-click to cancel" rule. The new rule requires businesses to make it as easy to cancel a subscription as it was to sign up for it. It also requires more up front information to be shared before offering billing information.

The Department of Transportation announced that since the start of the Biden-Harris Administration there are 1.7 million more construction and manufacturing jobs and 700,000 more jobs in the transportation sector. There are now 400,000 more union workers than in 2021. 60,000 Infrastructure projects across the nation have been funded by the Biden-Harris Bipartisan Infrastructure Law. Under this Administration 16 million jobs have been added, including 1.7 construction and manufacturing jobs, construction employment is the highest ever recorded since records started in 1939. 172,000 manufacturing jobs were lost during the Trump administration.

The Department of Energy announced $2 billion to protect the U.S. power grid against growing threats of extreme weather. This money will go to 38 projects across 42 states and Washington DC. It'll upgrade nearly 1,000 miles worth of transmission lines. The upgrades will allow 7.5 gigawatts of new grid capacity while also generating new union jobs across the country.

The EPA announced $125 million to help upgrade older diesel engines to low or zero-emission solutions. The EPA has selected 70 projects to use the funds on. They range from replacing school buses, to port equipment, to construction equipment. More than half of the selected projects will be replacing equipment with zero-emissions, such as all electric school buses.

The Department of The Interior and State of California broke ground on the Salton Sea Species Conservation Habitat Project. The Salton Sea is California's largest lake at over 300 miles of Surface area. An earlier project worked to conserve and restore shallow water habitats in over 4,000 acres on the southern end of the lake, this week over 700 acres were added bring the total to 5,000 acres of protected land. The Biden-Harris Administration is investing $250 million in the project along side California's $500 million. Part of the Administration's effort to restore wild life habitat and protect water resources.

The Department of Energy announced $900 Million in investment in next generation nuclear power. The money will help the development of Generation III+ Light-Water Small Modular Reactors, smaller lighter reactors which in theory should be easier to deploy. DoE estimates the U.S. will need approximately 700-900 GW of additional clean, firm power generation capacity to reach net-zero emissions by 2050. Currently half of America's clean energy comes from nuclear power, so lengthening the life space of current nuclear reactors and exploring the next generation is key to fighting climate change.

The federal government took two big steps to increase the rights of Alaska natives. The Departments of The Interior and Agricultural finalized an agreement to strengthen Alaska Tribal representation on the Federal Subsistence Board. The FSB oversees fish and wildlife resources for subsistence purposes on federal lands and waters in Alaska. The changes add 3 new members to the board appointed by the Alaska Native Tribes, as well as requiring the board's chair to have experience with Alaska rural subsistence. The Department of The Interior also signed 3 landmark co-stewardship agreements with Alaska Native Tribes.

The Department of Energy announced $860 million to help support solar energy in Puerto Rico. The project will remove 2.7 million tons of CO2 per year, or about the same as taking 533,000 cars off the road. It serves as an important step on the path to getting Puerto Rico to 100% renewable by 2050.

The Department of the Interior announced a major step forward in geothermal energy on public lands. The DoI announced it had approved the Fervo Cape Geothermal Power Project in Beaver County, Utah. When finished it'll generate 2 gigawatts of power, enough for 2 million homes. The BLM has now green lit 32 gigawatts of clean energy projects on public lands. A major step toward the Biden-Harris Administration's goal of a carbon pollution-free power sector by 2035.

Bonus: President Biden meets with a Kindergarten Teacher who's student loans were forgiven this week

[kitsuneisi]

I realize a Hermitcraft/Life Series based AU is inherently low on representation of people of color due to the playerbase, and appreciate the intent of adding a Black OC to the DDVAU comic. However, that choice does mean the one Black character we've seen in any of the comics is a villain?

Including more Black OCs who aren't villains, and/or including BigB as a character alongside his fellow Life Series members, would be something to consider to alleviate the implications of "only person of [marginalized identity] is a bad guy"

I understand the concern you present but it is important to remember that DDVAU takes place in an original universe to introduce an original story. The au exists as a way to expand and introduce this universe that we have previously created, where there are major characters, good and bad, of all colors and backgrounds. If u are interested to know more about the original story, here is the cast, ranging from the characters in nexus, the emerald soldiers, and neutral characters, all which we hope we can add in the future episodes. The full original cast includes a lot of marginalized identities on differing sides to create the more fleshed out original world, and not just one Black OC as a villain. Ceecee, the character who appeared in this chapter, is a mutant with mushroom/fungi powers, so his addition is for plot more than anything. He’s more than just an OC made to be a villain in this episode/comic, and has a more fleshed out and complex role in the original story he’s from. That said, we don't want to give spoilers of the other characters and their backstories in this ask, cuz we want to explore it properly in the comic. We want to show the characters of the story (At least their designs) to ease your concerns. DDVAU and the original story, Vigilantes, as we have stated before, is a story about my and maru's experience as latinos, not only in our countries history but also in our experience in english speaking spaces This is just the beginning of the story.

[insertdisc5]

not so quick question here, how did you feel abt the representation when writing it? like all the stuff with aro/ace Mira and trans Isa and such. even when writing representation of things that I am, I get really stressed that I'm doing it wrong and people are going to be mad at me.

you did so well with your game, btw. ISAT is my mental state and has been for almost a year now.

uuuh bad. i had the exact same thoughts as you, like ok yes i am some of those things but i can only put my own experience in the game, and also i am not some of those things so i can do my best to imagine what a character would act like in this situation but also what if i have made THE WORST FAUX-PAS POSSIBLE!?!?!?!

and the answer is ask someone that is part of the community what they think. ask them if you're doing a faux-pas. and even if you didnt, they might tell you about a facet of their experience you hadn't considered before that could make your story so much stronger. so thats one thing handled

and in the end yeah maybe you WILL do a faux-pas. but maybe you won't. and i am personally not a fan of "only talk about your own experience", because i have read some really insightful stories about women written by men, some really wonderful queer stories by cishet people, and some really good explicit fanfics by ace people. so like who cares. i think it's fascinating to read what someone think and see them put themselves in another space and dip a toe in The Other Side.

and thats without talking about the fact that sometimes, if you write about a community you don't think you belong in, that could be you working through some stuff. obviously, thats not always the case, but often if you're cishet and you're writing about queer stuff. then. perhaps? no. it can't be. unless...?

and fuck it sometimes you WILL do a faux-pas and people will be mad at you and it'll suck but you will learn to read beyond the anger and learn what you did wrong and do better next time. SO WRITE ABOUT WHATEVER YOU WANT AND DO YOUR BEST

[honeytonedhottie]

celebrity energy⋆.ೃ࿔*:･👛🐩

i've written a post about celebrity energy before and in this post i kinda wanted to add onto what was said in that post and incorporate new info and sections…💬🎀

THE IT FACTOR ;

the it factor is the ability to capture people's attention. its about ur aura, ur identity, ur PRESENCE. you dont have to be "born with it" like a lot of people like to say, it is something that can be achieved.

so essentially ur gonna wanna get into a state where there is no fear. literally eliminate it. use the alter ego effect, affirm until ur fears dissipate, WHATEVER works for u but u just wanna get into a state where there is no fear because thats when ur truly magnetic.

MORE ON SELF CONCEPT ;

we've been conditioned to believe certain things about ourselves, whether its negative or positive and its our responsibility to rewire our brains and form those new assumptions so that then we can get back to our it factor and our hyper identity.

to get to a state where there is no fear you must also be able to hack ur nervous system. aka nervous system regulation. aka the best thing EVER…💬🎀

♡ breathing exercises and deep breathing ♡ humming to stimulate ur vagus nerve

THE TRIPLE C'S ;

while making the notes for celebrity energy (the big C) and i was able to umbrella it to three main points. those points being confidence, cuntiness, and charisma. 💕✍🏽

♡ confidence ; celebrities need to have undeniable confidence in themselves and their abilities. they're famous for a reason and they know that. work on ur self concept and watch ur confidence sky rocket.

♡ cuntiness ; to be cunty is to be feminine and aware of urself. be cunty in the things that u do and the way that u handle urself. to be cunty is to find the perfect balance of inner strength and delicateness. cunt = refined.

♡ charisma ; authenticity is the heart of charisma. be authentic and dont be afraid to take up space.

PERSONAL BRAND AND REPUTATION ;

to further touch on those points ur social media IS your brand. this section kind of ties in with the next but im trying to distinguish between the two. so ur personal brand is what u do. so lets say ur rly SUPER smart and ur known for getting A's on like everything.

that is ur personal brand and that comes with a reputation that u may or may not feel obligated to uphold. but its important to uphold a reputation of some sort. with that being said be careful of what u post on ur social media because DIGITAL FOOTPRINT IS REAL. and when people look at ur social media they're seeing a representation of what ur putting out to the world so always be mindful.

[genderqueerdykes]

its so frustrating when people prevent transfeminine people from entering lesbian, sapphic and dyke spaces, because we would not be where we are today in terms of queer rights in the United States if it were not for the hard work of trans lesbians and bi/pan/queer trans women. transfemininity and lesbianism are impossible to separate. lesbianism is inseparable from all trans experiences, but most importantly from transfeminine experiences.

if you interact with multiple communities for trans women and transfem people, you will see that there are many sapphics, lesbians and dykes who are transfems and trans women. i've met a lot of transfems irl and online and the vast majority have been bi/pan/polysexual and/or lesbians, dykes and sapphics. all of my irl transfem friends are bi, lesbians and dykes. there are lots of straight transfems and trans women and that's okay, but transfemininity goes hand in hand with lesbianism

it may be hard to encounter transfeminine lesbians at times if you are in a white, rad fem or rad fem pilled space where those in charge only allow skinny, short, AFAB or AFAB adjacent cis lesbians. there are many spaces who chase out transfeminine people for their own "safety". these are very common, so if you encounter this a lot, don't necessarily give up. it's just an unfortunate symptom of people refusing to take the time to interact with a group outside of their own narrow echo chamber.

many people are afraid to include transfeminine features in lesbian posts and in lesbian art because they're so used to AFAB and AFAB adjacent bodies and people being the "norm". we're still at point where we prioritizing AFAB bodies in lesbian spaces and it's time we stopped. transfeminine bodies deserve to be represented in lesbian art, representation, health and information. transfeminine people, and bodies, are a very common fixture in lesbian, dyke and sapphic experiences. some of these groups of people take estrogen, have deeper voices, broader shoulders, facial and body hair, narrow hips, and dense muscles. we should not be prioritizing these things in cis butch lesbians, but rather celebrating the diversity in lesbianism.

while not every lesbian has to be a woman, it's important to allow people who are in love with womanhood into the lesbian community. that is a huge part of what we are here for, is loving women and celebrating womanhood. its so lesbian to want to build other women up, too, to want to celebrate how they experience womanhood. to help them feel like a woman. to help them transition into being a woman. to validate their butchhood or femmehood. ofc there's people with other genders in the lesbian community, make no mistake. but it's so crucial to have people who love womanhood. to have a passion for womanhood. something that can be related to attraction, but goes very deep. and this positively impacts the other lesbians in the space around us.

intersex people are also heavily empowered by this. intersex people are a huge part of the transfeminine and lesbian communities as well. there are a lot of intersex transfems and trans women and these experiences are also very heavily related to lesbianism. people almost never talk about intersex transfems and trans women, and especially when it comes to lesbians, but many, many trans women and transfem have intersex bodies and identities and are very often part of lesbian and dyke spaces, either for reasons of what they get referred to by others, their passion for lesbianism and/or womanhood, or their attraction.

to love their own womanhood so much that they love other people's womanhood. people who are in love with being femme and what femininity represents joining these spaces only empower other people. and it's by no means a rare experience. many transfemmes and trans women find themselves loving femininity and/or womanhood so much that they just love women and femmes in general. this is such a common experience

there's no way you could ever separate lesbianism from transfemininity. there's a deep, powerful passion for womanhood and femininity in many transfemmes and women, and it motivates them to express it to any and all women, femmes, and lesbians. to protect and care for and look after women, femmes, lesbians, dykes and sapphics. it's an act of radical self love. not only do we love how we feel, but we love seeing other people experience euphoria when allowed to participate in womanhood and/or femininity.

it's a very natural way to experience one's own expression, one's love for their own gender, it transcends their love for themselves and is passed on to those around them. it's liberating. it's beyond liberating to be around someone who says that lesbians can be transfeminine and trans women. that lesbians and dykes don't have to perform femininity or womanhood to ridiculous degrees. that lesbians and women don't have to be body/facial hairless, short, tiny, quiet, big breasted, wide hipped, narrow shouldered, small handed, and so on.

it's so empowering, feminist, and lesbian to be around someone who says a woman and/or a lesbian, dyke or sapphic can and do look like anyone and anything. that transness and lesbianism cannot be separated, because they are so closely related to one another. it's ridiculous and inaccurate to insinuate that transfeminine people and trans women are ever out of place in lesbian spaces. we have to continue to fight this behavior, because the two are so close they have always been related to one another from the start. from the beginning of the lesbian and trans communities, there have been transfemmes and trans women in lesbian spaces. we have always been here.

[venxomi]

Hanako as a representation of abuse

This is an extensive post of how abuse afflicted Yugi Amane and even Hanako's behavior well into afterlife. Of course, emotional abuse is directly related to physical abuse, so I'll be talking about them together for the most part.

1. Behavioural Signs in Yugi Amane

We don't know why or who is behind this, and I won't particularly talk about it since it's not the focus anyway. We know his abuse started somewhere during his first year and was repeated until his suicide, july of his 2nd year. According to Tsuchigomori, he was badly injured every single day, so that's at least around a year worth of constant physical abuse.

However, it's important to note that it's very likely that before the physical abuse, emotional abuse was already consistently taking place, with multiple signs- He's isolated, experiences social withdrawal and has no friends, skips classes & school activities and has poor academic performance that contrasts his actual capabilities.

His emotional development is poor; He has difficulties expressing and understanding his own feelings, very likely a factor in the degradation of his and Tsukasa's relationship where Tsukasa can't understand Amane and Amane can't understand Tsukasa either due to lack of proper communication, and something that carries well over into the afterlife as Hanako.

The physical abuse worsened his already messed up mental state, and everything ultimately drove him into depression. He engages in behavior that puts his own safety in jeopardy (Like when he was way too close to falling over the window, both of his feet were at the very edge of the window frame), and while his love towards space stayed the same, he was overtaken by feelings of helplessness.

Even a rock could travel from the Moon to Earth, which gave him hope. It's important to highlight the word "even". He claims that if 'even' a rock can go this far, so can he, suggesting very low self-esteem. It's an object that carried him through many hardships because of this hope, but everything got so bad said hope just made him feel worse. At some point he started experiencing active suicidal ideation, marked by him giving away his treasured possession to Tsuchigomori in order to rid himself of this "hope", and declaring that he decided he wouldn't "go anywhere", a clear metaphor for deciding he would give up on his future and take his own life. He decided he cannot go anywhere near farther than a rock.

2. Behavioural signs in Hanako

As we mostly see his ghost self, we have a clearer vision of Hanako than we have of Amane. We can easily see his horribly low self-esteem and feelings of worthlessness. When we catch a glimpse of his perspective, we see how distorted his sense of self is.

He repeatedly claims that he isn't worth anything and that his existence itself is a punishment, and so refuses to disappear, considering that it would only be a release from the torment he deserves.

He hates himself down to his core, although this is a combined result of both depression via his experienced abuse and his PTSD of the murder-suicide. As Amane, he was capable of saying that it's fine if he's tormented this terribly, that even if there's no reason for it, he forgives it, massively contrasting Hanako who is incapable of forgiving himself, claiming that even if he had a super special reason for Tsukasa's murder, there's not a single justification that would warrant forgiveness. He's capable of forgiving anything that anyone does to him no matter how horrible, but not of forgiving himself.

As such, verbal abuse directed at him is taken positively by him, such as when Akane states that "reformed villains", refering to Hanako, make him sick, continuing to talk about how he can never take back what he did, essentially degrading him. He was given very harsh words that visibly hurt him, even implying that it triggered his PTSD for a moment, yet he could only claim that Akane is the type of person he likes most, as he was essentially validating and feeding into Hanako's already deeply negative view of himself.

This is also supported by his time in the Picture Perfect arc via his belief that he's undeserving of anything better for himself. Hanako said it himself in 71 that he wished he could've lived a normal life with Nene and Kou, and the Picture World reflected exactly that.

It's a world that was shaped exactly like he wanted, and that's exactly why he hated it. He knew what his reality was, and furthermore, he knows of his crimes and how he was the one who destroyed his own future, and so thinks he's undeserving of it.

He refuses to look at the stars for too long, because that reminds him of the hopes and dreams he gave up on in reality- He has no right to dare pick them up again, further highlighted by him refusing to go on the moon in the End of a Dream. His wish wasn't granted while alive, and now can't be granted after death.

In his helplessness, he is unable to reach for better circumstances for himself. After all, he's quick to adapt to whatever bad thing comes his way. "It's just how the world works", and he has to accept it.

However, we know how that doesn't apply to the people he cares about. He may have given up on everything, but he is unable to give up on the people he loves. No matter how much he suffers, no matter what he has to do, he wants the people he loves to find happiness.

No matter how much he tried to tell himself he isn't supposed to care, he desperately wants them to live the fulfilling lives he didn't have. And if he is the one that gives them the salvation they need, he finds the indulgence to want a small part of him to live through them, the indulgence to hate himself just a little bit less.

He actively attempts to hide his past from other people, being content with them only knowing basic information about it (that he's a murderer), mainly because he doesn't want to appear vulnerable or know how much of a horrible person (according to himself) he actually is.

When it comes to people he has a good relationship with like Nene, he's actually afraid of them finding out, and even months after promising he would tell Nene everything, he's still reluctant to do so due to overall difficulty with opening up- exposure to characters or topics that relate to his past more often than not results in reactions varying from heavy emotional distress, expressing aggression, anger, guilt and/or shame, to reliving traumatic events. Avoidance seems to be his main method of coping.

Hanako suffers from emotional dysregulation. He not only has high difficulties processing and expressing his feelings, but has difficulty picking up on others' emotions as well. For half a century he had been socially and emotionally neglected while also being incapable of ever maturing past the age of 13, much less healing from his past experiences. They rather worsened due to a supernatural lifestyle. When he first met Nene, he wasn't behaving appropriately at all due to this and their relationship went through many difficulties due to his lack of boundaries and poor emotional intelligence, and him communicating his true feelings is always a rare occasion.

Not only did he not take into account other people's feelings ("Yashiro will hate it, but it's ok, she'll move on someday and live her life", not taking into account and understanding others being possibly spiteful over his actions and direct their hate towards innocent parties), he doesn't even take into account his own ("Why? Good question. Why am I doing it?" and "Even though I was prepared to never see you again, I'm so happy to have you back. Weird, right? There must be something wrong with me"). However, due to Nene's influence, he seems to be a little more upfront with his feelings lately.

He's also incredibly self-reliant. Both events of Picture Perfect and the Severance were a result of Hanako doing everything by himself without consulting anyone. He decided by himself that he's the only one that should dirty his hands as he was already a sinner, that it's easier to dump everything on the one that's already guilty of similar crimes, because he didn't have any other solution in sight. It's important to note that he took the *entire* blame for the Severance- Even if all he did was feign ignorance to no. 6's actions.

Him being grounded in the miserable reality he finds himself in is both a strength (as he is quick to adapt to his conditions) and a major weakness- He'll only be able to see the most practical, yet unfortunate approaches.

In the Clock Keepers arc, he wanted to trust Kou when he said he would save Nene, but his attempt quickly turned to failure when he was not seeing any tries, let alone results. He was even upset at Kou when he considered that if he wanted the job done he should have just done it himself, knowing that his methods aren't ones someone would approve of. Methods that he doesn't approve of himself, but carried them out anyway in his despair.

In fact, Hanako did not break free from the shackles of abuse. He is a child that has been placed in a position of leadership filled with various responsibilities for fifty years. He is committed to his duties as a mystery after being promised salvation by 'God', believing that his sins would be forgiven, but he's essentially just being used.

He is, in present time, still repeatedly emotionally abused, manipulated and exploited to fulfill others' agenda. After all, control is at the heart of abuse, and his vulnerabilities will continue to just get taken advantage of as long as he's only capable of masking and avoiding them. However, Nene's influence upon him seems to make him capable of slightly improving himself, even if it's just very small steps at a time.

[heartavenue]

Things To Script! ୭ ˚. ᵎᵎ

just like my first things to script I can assure you that these are from my own brain and any resemblance is purely coincidental, I made this while sitting outside of my uni while listening to kpop (stream come over by le sserafim) also just like my first one some of these are very on the nose as they are things that I script into my drs

mold never grows in your water bottle

one side of your headphones never go out/one is not louder than the other

natural disasters never happen

you can never trip, stumble, fall

humans are actively beneficial to the Earth ( @/the-mintaka-system)

popcorn doesn't get stuck in your teeth

you can't choke

water bottle stations in all public facilities

public bathrooms are always clean

death to the 8 episode seasons and the 3 years to make just 8 more

more original films/shows

no more fast fashion

no littering heck no crime at all

world peace

all oppressed peoples are free

all cultures are respected

free healthcare, childcare, and college

paid vacation is six week

paid parental leave is one year

all prescription medicine is affordable

no homelessness

no disastrous space event can happen like the sun exploding or asteroids hitting the earth and killing us all

piercings/tattoos don't hurt and they can't get infected

no allergies

companies products are actually as advertised

artist come and tour your country/state/city

more inclusivity/representation

good TV shows don't get canceled after one or two seasons

death to modern/contemporary architecture bring back buildings with personality!

people recycle more

if you're a water drinker you don't pee so damn much

free therapy

more whimsical stuff happens near you like a magical pond popping up or the circus comes to town

no one tries to walk in on you while you're in the restroom/ no one walks in on you period

people/pets/animals live longer

stuff is made to LAST

attention spans are longer

no anti-intellectualism

no red pill, incel, weird podcast content

matter fact no right wing NOTHING

no car/ferry/train/plane accidents

you never lose important items (birth certificate, wallet, keys etc.)

you always remember important information and can never lose your train of though

corrupted politicians can NOT exist

no paywalls

you have the premium versions of apps, streaming services, etc (or you can script premiums out altogether)

people always hear you, so you never get told to speak up or repeat yourself

your nose never clogs up at night (am I the only one this happens to?) or you can script it out completely

deodorant comes OFF in the shower with ease

you are never ashy, your skin is never dry/can never crack

no acid reflux

you never mistake someone for waving/speaking to you when they're not (god this is so embarrassing)

after you get done brushing your teeth that mint aftertaste goes away very quickly (I hate that so much)

coffee (hot) doesn't get cold quickly

hot chocolate doesn't get cold quickly

iced coffee cubes exist (basically they're like ice cubes but instead of ice, it's coffee so when they melt it doesn't water down your coffee)

matcha iced cubes exists (^ same thing)

you never bite your tongue

the shower curtain never touches you

there's always something to eat in the fridge/pantry

there is NO processing fees for when you purchase things with your card and not cash

nothing ever gets into your eye

one side of your headphones never goes out

your vocabualry is expansive and you never forget what what you're trying to say

[fxckedupdaydreams]

I feel as if there isn't enough plus size representation when it comes to yandere and darling spaces.

Imagine that ou're moving away from your parents, they want you to live your life and focus on being happy but you just need a job.

You find a job near your new home, a cute bakery that's somewhat popular, all pink and floral and just very cutesy. Applying there, you end up with the job coincidentally!

Imagine a cute baker, a cute girl that's soft all over, with beige skin, short dark hair, and soft eyes that are too shy to look you in the face.

Your new boss, she claims that you'll be cashiering and helping her out with the front as her old cashier quit unexpectedly.

As long as you're out at the time you're meant to be, you're free to take pastries and drinks.

Your first week is normal and consistent. Your hours are good and fair, and the pay is way more than a bakery would normally offer.

Until it isn't normal anymore, forgetting your phone or jacket, you return to collect it and find the lights off. Without thinking, you sneak in and get it but hear strange crying from the storage room.

Nothing out of the ordinary, you see your boss with her back turned to you and shaking. Being the kind person you are, you ask whats wrong, startling her and making her turn to look suddenly.

Only for you to be met with pure darkness and wide, teary eyes.

No face, just inky darkness, she's quick to turn away and yell at you to get out to go away. In your shock and confusion, you do.

When you return in the morning for work, you find that the bakery is locked and a note states that the bakery is closed for the weekend.

[orfisheus]

The Problem With the Eddsworld Fandom's Depictions of Red Leader/Future Tord, A Disabled Perspective

Disability is a contentious concept for most of society, with most either treating us with disgust, confusion, refusing to treat us as human, or to see our struggles as what they are. Ableism affects all people in many different ways, but as someone who focuses a lot of my energy in fandom spaces, the pervasiveness of ableism with how media and their fans interpet and react to disabled characters is a very personal situation for me. While many may argue that an ignorance to these topics in fiction has little bearing on real life, the prevalance of these tropes have echoed and led to feelings of othering for many disabled people, and oftentimes support the same notions that lead to the day-to-day ableism in our own personal lives.

In recent years, I have experienced this most often with the prevalance of negative disability tropes perpetrated by fanfiction surrounding the character of Tord, also known under the alias of Red Leader in some fanworks. It is a problem not just common in the Eddsworld fandom. A more recent, and much larger fandom in Mouthwashing also shares a common trend of repeated ableism in fan depictions and interpretarions of disabled characters. Most fan creators are unaware of these tropes and the harm that they cause, but as a disabled person, I am unable to ignore it.

For context on myself, you can call me Fish. Get it? Or"fish"eus? I like to think I'm funny. I am a mentally ill, disabled, and neurodivergent creative who has niche interests in representation in media and the intersection of intersectionality and fandom spaces. I experience chronic pain due to a multitude of conditions, all of which are invisible disabilities. I am NOT an amputee or have a facial difference, like the character I am analyzing. I can only speak based on my own research in my attempts to portray him positively, but I want to mainly focus on the ableist tropes I see and the real life effects they have. That is something I CAN focus on, because I've been dealing with it for years from conditions that came onset later in my life. I will be speaking from that perspective, but will be doing my best to try to educate on what I do know from my research to help authors, artists, and creatives create a better portrayal of him in fanworks.

The most common tropes I see with him are what I will call "The Disabled Villain", "The Innacurate Disability", and "The Ignored Disability". There are a few tropes in each, but for ease of organization (and the sake of your (and my) time), I will be talking about them together in these sections. There are also overlaps in many, but I will define the main issues with them.

The Disabled Villain

James Bond, Wonder Woman, The Witches. You name it. You have most likely seen this trope at work in cinema. A malicious evil-doer is revealed to have a "horrid" face symbolic of the true evil within their soul, while the beautiful, able-bodied hero is meant to stop them. It's a trope as old as time, one that goes back to even Plato. Tropes are tropes, people subvert them, so a few cases down the line may be excusable. But that has not been the case For many years, the most prevalent form of representation for disabled people was in these villains. Imagine if the only representation you had for yourself was narratives surrounding how the way you look or what your disability is and have it only be equated to evil people. It leads to a villainization of disabled people. People react to facial differences with disgust, because they are "shown" that it is "evil", or "ugly", or equal to being a horrible person. As stated by The Nora Project, "According to the book Disabilities: Insights from Across Fields and Around the World, disabled students are two to three times more likely to be bullied in comparison to their nondisabled classmates. The disabled villain trope contributes to this phenomenon in overt and subtle ways. For example, the trope implicitly encourages fear of disability and difference, while validating, and even elevating, those who fight against the evil, Disabled Villain. Bullying based on fear and disdain is almost a natural consequence of the trope when viewed in this light". Another big issue is that disabled characters have not been given space to exist outside of villainy. There are not many complex narratives surrounding them. This leads to our disabilities being downplayed, us being dehumanised, and we are seen more like props in real life, or simply tools to achieve a message in a narrative.

Tord's disability is never explicitly shown in the show. It is something more prevalent in Fanon, specifically in fanworks that focus on the "Future" era of the show's timeline, where the narrative and outside discussions on the show implies a high tech society, potentially dystopian, potentially a consequence of his actions. These ideas have taken a life of their own in the fandom, with many creators fully expressing these ideas. The problem arises when Red Leader falls in line with this trope. In many works, he is the sole disabled character, a figure of pure evil, or given little nuance in the narrative. Artists illustrate his scars as bright red, crimson, or, in TBATF, green. For some reason. In this way, they attempt to highlight the villainy by equating him with common symbols of evil: facial differences and disabilities. Unfortunately, these are not just symbols. These are conditions and scars that real people have, which the fandom tends to ignore in favor of dramatization.

This was a trope I most commonly saw explored in fanfiction when I first joined in 2016/17. The show, unfortunately, subtly and accidentally perpetrated it by having the only character visibly and irreparably "damaged" by the giant robot fight be Tord, despite the fact that Tom, who had a whole missile directed at him and got buried under a house, was fine with at most a leg injury and a cut on his arm. Luckily, we have grown past the need for ableist tropes, and the faults of the show can be left in the past!

... Not.

Disability tropes have simply evolved in how the fandom treats Tord. Even if it is now done with more consciousness and sympathy towards his character, ignorance still prevails. Let's talk about common pitfalls people fall into when writing him.

The Inaccurate Disability

In fanon perception, Red Leader is an amputee with a high tech prosthesis and a facial difference resulting from burn scars. Like many disabled characters, he suffers from a collective fandom lack of research. But never fret! That is what I have subjected myself to for the past four years, so your friendly neighborhood disabled Fish can tell you how to right your fandom wrongs! Just kidding! Take this as a pointer, and do your own research.

As is common with fictional prosthetics, his arm prosthetic is treated as a perfect fix for his amputation. It acts just like, if not better than an actual arm. The issue with this is that is isn't realistic. Yes, I know, I'm criticising Eddsworld fanfiction for not being realistic. STAY WITH ME HERE. Once again, if it was one instance, or a few, that explored prosthetics being incredibly functional in science-fiction, then it could be a cool concept. But when every sci-fi work has it, then that is no longer a concept. That is a misconception. And I have interacted with people who believed that prosthetics were 100% functional! The thing is, like all disability aids, it does not suddenly make us able-bodied. For example, I have ear defenders that I wear when I experience pain within my ears. But that does not mean my hearing will now become normal, and I will no longer experience pain from the sound I'm hearing. What WILL happen is that I will straight up not hear you. Like, literally. Can you repeat that? I had my ear defenders on. Oh, you're saying that my ear defenders aren't prosthetics and are not a fair comparison? Well, that's fair, but take this as an illustration of a disability aid and how they differ from able-bodied experiences. Also, many prosthetic users do many things without their prostheses, and some even prefer NOT to wear them. Blogs that explicitly cover disabled representation, such as @/cripplecharacters, have posts that cover WHY many amputees are not fans of this trope. The problem comes with that it erases disability, and yet also treats us like we are given a space at the table of representation. It's just another way that authors avoid actually doing research.

Other things that people tend to ignore are how burn scars, or any scars, would not only appear on a character, but also affect them. I have seen, aside from skin tones that looked like they were picked out of a crayon box instead of what would appear on a person, teeth exposed, wounds that look as if they are fresh from the explosion YEARS after they occurred, and what I like to call "paper shredder" scars. Because instead of them looking like burn or shrapnel scars, it appears as if his skin was put through a shredder. Once again, another consequence of the show's at most-30 second scene with questionable decisions that made massive ripples in the fandom. With the injuries Tord received, it is most likely that he would have two kinds of injuries: a burn on 18% of his body (minimum, based on rule of 9s), and/or shrapnel scars from debris. While shrapnel scars would manifest as darker scars, the burn scar would likely be a hypertrophic scar, as "70% of patients develop hypertrophic scars following burns" (Finnerty et. al). The scars, when healed, are warm toned on the boundaries of their areas and cool in between. When on a pale skintone, they are not too dissimilar, and would therefore not have such a drastic color difference as seen on skin. They would also not go down to the bone or skin, as that would be a completely different kind of injury, and are also commonly done to make him look "scarier", which then aids the Disabled Villain trope. It also treats these scars and injuries more like a work of fiction, rather than something that many real people have experienced, adding to continuous misinterpretations of real life disabilities and facial differences.

For writers wanting to include consequences of burns, what would be more likely to be affected are his hearing, vision, and nerves on the right side of his face, as burn scars can go as deep as nerve endings. Also, burn scars, especially third degree burns, require treatments, such as burn-specific skincare. Scars, especially burn scars, can affect you and become disabling. For artists, the main thing I don't see artists do is draw him with damaged hair follicles. Burn scars damage the scalp and eyebrows, preventing hair growth. I am sorry, but he would not still have fluffy, luscious hair. Do not kill me. He just wouldn't. And if you are saying that he had it in the show, I can't hear you because my ear defenders are on, but I hope you heard me, as we've gone over that the show is inaccurate and we should do our own research.

Even well intentioned authors and artists ignore many aspects of the disabilities he would likely have!

Which brings us to the last trope...

The Ignored Disability

Many well meaning people intend to give him nuance by trying to avoid the Disabled Villain trope. Accidentally, however, they end up completely ignoring his disabilities instead.

Just like the high-tech prosthetic, the real disabling aspects of having a disability are at best rarely mentioned. I have seen, in some fanworks, that he goes straight from amputation to having a prosthetic. And that is where his disability ends. Because the prosthetic ends up being a fix-all situation. Authors refuse, or forget, to include aspects of amputation, such as the healing process, stump or phantom pain. Artists will cover up his scars with a helmet or a mask, another trope that undermines his disabilities and attempts to brush it under the rug. I understand that there is a discomfort for able-bodied authors in thoroughly exploring how a character feels about their disability. That is something I think we should. Avoid. If you're not familiar with the experience of being that minority, you do not need to add commentary on it. And if you do, and it just falls into more negative tropes, I will send a salmon cannon at you (/j). However, I do not agree with brushing every disabling aspect of his life under the rug.

People can assume it's not a problem, like it isn't something blatantly apparent. But, if you assume that disability and being disabled is not a "big thing", you end up where your medication is denied because your insurance refuses to see your common procedure as not a necessary medical intervention because you're "too young". And that is not fiction. That is what inspired me to write this essay, because the day that I got that news was the same day I sat down and told myself that I needed to share my perspective on the perception of disabled characters by honing in on one of my favorite characters and how the fandom treated him.

Disabled characters deserve to be included in media, disability and all, with care given to how their life would operate as a result and what they would experience with their specific disability. That's why many people recommend sensitivity readers who can give proper insight upon that disability and can advise people to properly portray it.

But if you cannot afford or access that resource, what can you do?

Fish's Non-Cohesive List of Ways I Tried to Write Tord as a Non-Amputee Without a Facial Difference

Do research!! The more you are to try to understand what you are writing about, the less you are to misinterpret or misrepresent it.

Look into resources that focus on portraying disabled characters, especially with those you wish to write about. Read blogs, research tropes that are common in disabled characters, and hell, read medical journals. They can provide great insight (<< nerd who likes reading medical journals)

Include more disabled characters. Make the other boys be disabled! Want to be canon compliant? Create OCs who have disabilities! I have a bunch! It's 2024! Be cringe and be free! The character's disability would go against the traditional narrative form of "usefulness"? I'm an animator who can't wear headphones and a theatre performer who can't physically handle the volume of a band. And yet, we find ways to persist, to exist. We will always find our way to live in the way we want to, in whatever way we can.

Look into disability activism. Learn the difference between the Medical Model and Social Model of disability. Know what an invisible disability is. Listen to us when we say that we don't want to be treated as special or an inspiration for simply living (inspiration porn). The more you are aware of what we struggle in real life, the more aware you will be to not repeat those mistakes in your fiction.

Write what you can. Highlight little talked about aspects of having a burn scar or being an amputee, such as the recovery, or treatment for the chronic pain, or how different he would be in battle due to decreased depth perception. As a disabled author, I have personally touched on the experience of gaining a disability later in life, and how he copes with it. Now, not all of y'all can do that. But that is a personal experience I do have, and it is something I have highlighted in my own work. So, while I couldn't tell you the ins and outs of having a burn scar or a prosthetic arm, I could describe the shock and frustration that comes with suddenly experiencing difficulties, or even being unable to do what you had done before.

I ask that, if you are willing to do better, or to start on the right foot, you take what I have written, reflect on it, and treat disabled characters, and in turn, disabled people, better from here on out.

Fiction is not reality, but the way we deal with it is reflective of who we are and what we believe. The boundary for our own personal being does not suddenly stop within fiction. When we interact and interpret it and create for it, it is integral that we remain conscious that bigotry runs rampant, albeit often as an unseen force, within fandom spaces, and do our best to counteract that.

I have doubts that the new eddisode will treat this topic with the same respect. I hope you can all go forward with what you have read in this WAY LONGER than I expected essay, and do what those grown British men cannot. Even if they erase it, retconn it, or do not treat it with respect, let's all go forward and do better!

As for always, you can discuss more in the tags or my inbox!

I hope you have a wonderful life,

Fish

[lullabyes22-blog]

Arcane S2 and its Critiques Therein..

There is a reason why I side-eye the 'arcane critical'-critical crowd who insist we cannot equate real world politics with fictional universes, or project our 'leftist' agenda on a world of pretend.

There seems this undercurrent of condescension in the attitude, as if it stems from people who have perhaps not considered why they enjoy the shows that they do, or how a certain character or plot makes them feel; either positively, by representation, or negatively, by erasure.

And yet... we are drawn to stories that resonate with our own experiences.

These stories, in turn, are written by writers who live in our world and who often pull their ideas directly from it. We gravitate toward characters who are reflections of ourselves, and avoid the stories which cause us discomfort for whatever reason. Even 'guilty pleasures' stem from an inner desire to explore themes or issues which we know exist (and may be problematic in social spaces) but which, through fantasy, become more bearable because we can safely distance ourselves from what is real.

Ultimately, most writers put something of themselves into their work. A little sliver of self always peeks through the cracks; a touch of idealism here, an emotion felt there, a comment on a political issue sprinkled somewhere in between.

It does not mean that fictional universes are a perfect mirror image of our reality; but it behooves us not to forget how influential 'RL' has been, and always will be, when writing fantasy or science fiction.

Tolkien was undoubtedly inspired by his experiences of war, all of which would later bleed into the pages of his Middle-Earth tales. Even in a tiny microcosm, I notice how life events and current political attitudes affect the way I write my stories, whether they are fan-based or original pieces.

We live in chaotic times. Fiction, at its crux, mirrors that chaos, because it comes about as a result of real life. As much as we wish to escape from harsh truths or present-day issues... they still seep through the veil between imagination and reality.

Escapism should not blind us to the truth that stories are products of our environment, and therefore, inevitably political.

With that in mind, there's something innately disingenuous about insisting that Arcane is somehow separate from real world issues - when, on so many levels, it borrows from real world problems and confronts its viewers with topics which are inherently political: poverty, inequality, state violence ... even the underbelly of the Piltover elite and their dealings with the undercity echoes how we see corruption occurring in governments worldwide.

That the show, by S2, reduces these issues to aesthetics - for instance, the writers admitting they wrote up Vi's backstory with her parents being killed by Enforcers to introduce an element of conflict into hers and Cait's future romance - or, worse, resolves these conflicts without any further nuance - like Sevika becoming a Zaunite representative on a Council that plainly disdains her, and the narrative coming away thinking this is acceptable in lieu of actual independence - is, in essence, disappointing for the themes that were promised.

It feels like the writers realized halfway through writing these plots, that they either did not have the time, budget, know-how or interest in delving too deep into these gritty, tough-to-solve sociopolitical pickles, and instead opted to pander to a (admittedly broad, myself included) subset of viewers who just wanted a sapphic couple with soft angst and sweet reconciliations to contrast all of the ugly machinations happening around them, while the rest of the cast was going through literal hell.

This is not enough to say we shouldn't enjoy Arcane for what it is. I've made plain, on several occasions, that I found the finale visually spectacular, thematically satisfying, and a masterpiece in terms of animation.

And yet, what elevated Arcane S1 to such high levels of acclaim was also its willingness to probe the uncomfortable issues surrounding power, control, exploitation, abuse, morality and free will; as well as, at least initially, its decision to offer a critical lens into how we approach each of these themes, as refracted to a cast of different characters.

We can acknowledge these strengths while simultaneously recognizing their flaws.

Arcane is far more than 'just a video game show.' It's a beautifully designed piece of fiction that deals with so many real-life issues, in spite of its fantasy setting. Yet the criticism that 'we cannot project real world politics onto it' feels inherently unfair - because no story ever exists in a vacuum, least of all one which confronts us with stark contrasts between poverty and wealth, oppression and liberation, authority and agency.

There is nothing wrong with simply wanting to sit back and enjoy the ride. But please spare me the holier-than-thou attitudes whenever people try and open up discourse on why certain shows should take responsibility when it comes to the messages they broadcast.

Because, believe it or not, there exists a slew of media that, in fact, sticks to the landing re: difficult questions about humanity, society and politics. Media that does not ignore, diminish or erase people who are struggling, precisely because those very same issues resonate in real life - and thus, have real consequences for real people.

It isn't asking much that audiences look past the veneer of aestheticism to find the beating heart within stories. Nor should we be belittled for wanting to hold writers to account if the world they create becomes nothing more than a pretty backdrop.

This can be done without hate-mongering, derision or critique; in fact, I'd go so far as saying that critique is a necessary aspect of engaging healthily with art, media and fiction.

At the end of the day, writers are responsible for the world-building of fictional universes and their plot choices; and both things do have an impact on those who watch those worlds come to life. That doesn't mean writers need to pander to every opinion out there; hell, playing to the gallery (and the shippers) rarely ends well, and more often than not detracts from the message of the tale.

But it does mean we can hold storytellers accountable for the impressions they leave behind, for better or worse - especially when said impressions further compound real world experiences of inequality, erasure or prejudice.

As consumers of media, let's be willing to dig beneath the surface to uncover the meanings of story. Let's not settle for anything less than writers who do everything possible to deliver compelling narratives that ask questions which reflect our humanity in meaningful, resonant ways. Let's enjoy our sweet sapphic ships and our goofy doomed sciencebros, while still looking closely at all of the other issues bubbling beneath the surface.

Let's keep up the healthy dialogues and stop dismissing criticism as merely spiteful.

Escapism is only truly fulfilling when, upon returning to the 'real world,' you feel that something has changed inside you; where you have been enriched, uplifted, inspired even... and sometimes, yes, educated.

Stories carry the weight of imagination; and we must allow ourselves to be transformed by wonder. But never forget to question the reality that is portrayed. Stories are born out of humanity, after all, and thus carry within them fragments of us. When we embrace fantasy, we also learn a lot about the way we see ourselves, and the kind of world we choose to live in.

And if all else fails, I guess we'll have fanfic to fall back on.

But that is another post, for another time.

<3