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#the theme i mean
osachiyo · 1 month
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NEW THEME NEW THEME WHAT DO WE THINK ???????
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beachbummrr · 1 year
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in a new era. no more mr mona nanalan.
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wasyago · 8 months
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ooooohhhh who lives in a small tugboat out on the sea?
ge-mi-ni-tay
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loveexpelrevolt · 6 months
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How about the winner get a kiss from the loser? Do you wanna end up in a coma? You can drain my energy any time, chère. Gambit has plenty.
GAMBIT & ROGUE | X-Men '97 1.03 "Fire Made Flesh"
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strawberryfemm · 7 months
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to you it’s perverted gross sex. to me it’s being creative, working through traumas and baggage, healing my inner child, playing, practicing intense vulnerability, finding even more ways to fall in love with my partner, finding more ways to fall in love with myself, learning confidence & how to ask for what i want, care work, emotional release, relaxing, community building, theater, dance, writing, problem solving, therapy, radical honestly, and so much more. and also it’s gross perverted sex.
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poorly-drawn-mdzs · 3 months
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At your side [End of Season 2]
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#wen ning#jin ling#wen qing#jiang yanli#a-yuan#It may have taken a year but we did it! The end of season 2!!!#(Granted: this season was nearly twice the length of season one.)#It's been a really fantastic season to draw for. So many iconic moments! It was a lot of work but I had a blast B*)#I also enjoyed experimenting more and more with my comic style. I'm growing as a comic artist bit by bit!#There is even a little bit of shadowing in this one for next season. As a treat. All the fun (and not heart breaking) scenes to come!#Comic talk time: Recently saw 12 angry men for first time and I love the coincidence of the themes aligning here.#They both touch upon the horror of judicial systems - in which the most persuasive argument wins and the truth is a nuisance.#All it takes is one person to stand against the crowd and say 'I do not know what is true. And that is reasonable doubt enough.'#When the majority is for condemning someone guilty - that in itself is persuasive enough.#One will set their mind to what the 'truth' is and refuse to see it any other way. That their perspective is the only correct one.#No one is born with a monopoly on the truth.#Everyone has biases and agendas. Some care not for the outcome - only that they can be on the convenient side.#Lan Wangji is putting everything on the line to say 'I'm not going to go with the majority vote.'#And that is a huge deal in a story that is so politically focused as MDZS is. Everything is a careful chess move to these sects -#and to not play the game is basically sacrificing everything you are and your families name. For some it is unthinkable.#And there is no doubt in LWJ's mind. He would stand there and lose everything if it means upholding justice.#More importantly - these two have each other's backs. The bond is unbreakable. This is the most ride or die I have seen two people be.
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crackers4jenn · 10 months
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spn is such a funny show, it'll be like:
Naomi tells Cas he has to choose "us, or them" and 'them' is meant to imply Sam and Dean both, but then
she makes Cas kill fake copies of Dean only
Or Metatron will speechify about how Cas is "in love... with humanity"
and then give Cas another lil speech about how it was all "to save Dean Winchester. That was your goal, right? I mean, you draped yourself in the flag of Heaven, but ultimately it was about saving one human, right?"
Ishim shows up and tries to tell Cas how weak he is for befriending Sam and Dean
and then when he wants to "cure" Cas of his human weakness, that weakness is just Dean
AND THEN you'll have things like
Sam will say that Cas is family, that he'd die for him
but he also refers to Cas as an "it" just hanging around in a vessel strong enough to take on Lucifer (in season 11!! It's not like he said that in s4 or something, it was like 8 years after knowing the guy)
Or in "Regarding Dean," Dean will say to Sam "and our best friend's an angel!"
and then when he's by himself in the mirror, he'll say "and Cast--Cas is my best friend."
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egophiliac · 11 months
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so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!
god I hope this reads properly
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theoldkyokodied · 1 year
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If you follow my main you had to know this was coming… anyway. Enjoy these bloodweave doodles :)
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anteomnia · 10 months
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just endlessly thinking about blue eye samurai.
thinking about how akemi, taigen, and mizu are if a coin had three sides or maybe just the two and mizu is the bridge of metal between them.
akemi being the ideal image for women, for the life they endure. she was simultaneously a princess, a prostitute, and a prisoner. her entire life was men making decisions for her, even the ones that had good intentions, and she believed her deepest desire was freedom. it still is, but she has been revealed to this heinous predicament of her gender, and she’s realized that to reach true freedom as a woman is to be the bird in the cage, to play nice and to earn the love of a man until he buys her a bigger cage and a bigger cage until he trusts her not to fly away. and it'll never be true freedom, but it will come with power. it'll come with the freedom of only one master rather than many.
taigen being the ideal image of a man. not all powerful, but not weak. he had a taste of what it'd be to succeed, and when it was taken from him, that easy success, he mistook it for his honor. he hunted mizu down to kill him, and instead he saved him. he saved him and saved him and he came closer to killing mizu when they were on the cliff's edge, and just when he gets to the point where he may actually fight mizu, he's tortured for information on him. he is tortured. Literally tortured within an inch of his life, enduring such a heinous violence, and he refuses to break. this man was a fight, was the torturer, and the victim of his torturing could've been his salvation from pain but he refused. mizu gave back taigen's honor but not by fighting him.
akemi wanted freedom and learned she would need power to have it.
taigen wanted power and learned that the violence that came with it was infinite and dishonorable.
and then there's mizu. mizu who wants revenge, wants acceptance. arguably the same things as them both. mizu wants acceptance, the freedom of living and the freedom to love and be loved. mizu wants revenge, which follows after violence and power, to get said acceptance. she thinks she must do both, have both, to live peacefully, and she's blatant about how she will not live without either.
she's given acceptance with the blacksmith, her "mother," her husband, but she sees the flecks of avoidance in it.
the blacksmith will not hear of her true gender. her "mother" will not acknowledge the crime of her birth. her husband can't find tolerance for the violence within her, the man of her.
and so she has to balance the woman and man of her, the ronin and the bride. taigen and akemi. and it's meeting mizu that they start to unravel their own identities.
mizu, who is both, and akemi and taigen who thought themselves one but turned out to be neither.
god.
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1980s-slasher-film · 2 years
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Accommodations are not special, they’re not a leg up, they’re not a benefit. They’re not putting anyone ahead in the race, nor are they taking anything away from others.
They exist to put us on a level playing ground to everyone else, and nothing more.
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bitternanami · 7 months
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something i think is really interesting about dungeon meshi is the cast's respective views on food as the story progresses. the way many adventurers get through the dungeon is to eat when they Must, but mostly rely on healing magic to keep going when they're tired or beaten down. death is something you can buy your way out of, here.
having these lower stakes when it comes to running yourself too hard has made a lot of people in this setting kind of devalue food and what it does for you.
im not all the way through the manga yet, but so far i really like how it goes about debunking that mindset.
long post under the cut, cw explicit discussion of disordered eating. textual depiction of unhealthy methods of dealing with it. please be cautious!
it seems like to most folks, food is either a decadent luxury, like when the governor offers mr tance a feast as a show of power and wealth, (although he is the only one who actually eats in that scene as he talks about his ambitions);
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[id: the governor and mr. tance talk politics and hierarchies, while the governor eats from a bowl. mr. tance's meal is not visible behind a speech bubble.
"so you believe the sorceror is an elf?" he asks.
"i can't say with absolute certainty," mr. tance replies, "but the spells are not ones dwarves and humans typically use." /end id]
like the painted-royal feasts laios tries to partake in that never actually nourish him...
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[id: laios, fresh out of the living painting feast, surprisedly holding his grumbling stomach /end id]
or, to the working class, it's pretty much exclusively fuel. i'm thinking about the scene where kabru's party, ostensibly intended to be our view into how adventuring Typically goes for most people, is shown preparing to go to the dungeon by like. walking up to someone and ordering 'a weeks' worth of rations.' purely functional.
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[id: kabru enters a store, and the merchant says "welcome!"
kabru says "i need a week's worth of rations for six, and two days' worth of water."
"sure thing." the merchant then reaches behind him and grabs a large cube-shaped package, wrapped in nondescript cloth and tied in place. it thumps onto the counter in front of them both. /end id]
when kabru hands mickbell his food for the trip, he complains about how heavy it is on his back. it's a necessary liability.
we also see chilchuck, in an early chapter where there isn't much food to go around, grumbling about how he used to be better at not noticing when he was hungry. he's frustrated that he's more attuned to his bodily needs, now that he's starting to fill them with regularity.
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[id: chilchuck, the only one awake, sits in his bedroll and glares at the timekeeping-candle burning down in front of him while he listens to his stomach growl. moving to find his canteen and fill himself with water instead, he thinks to himself, "my stomach has gotten weaker. i used to be able to go two days without food." /end id]
(like im not even gonna lie this is a big mood. the healing process is really really annoying)
even laios, early on, working out the logistics of going back for falin, considers his expenses and ultimately the thing he decides to save money on is their food supply. like, even the guy most invested in eating as an experience kind of just assumes he will Figure It Out. its what hes eating, not how hes eating it that matters to him at that point.
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[id: marcille looks down at the ingredients they've gathered, the walking mushroom and the scorpion in an unappetizing heap on the ground, and asks laios "so how exactly do we eat them?"
he responds "let's just cook them, like normal." /end id]
but its here that senshi introduces the idea of food as art and as healing. its exciting and its fascinating for laios, getting to taste the creatures hes been reading about and fighting, but i dont think it would ever really help him feel full if not for this.
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[id: three panels of laios tasting the scorpion hotpot, looking stunned, and then excitedly telling senshi "delicious!"
senshi matches his energy, asking "isn't it? isn't it?" /end id]
pictured: guy who had resigned himself to kind of just doing his best rediscovers the joy in something tasting really fucking good
what they did last time isnt going to work. falin is gone, and constantly anesthetizing their pain and healing through their weakness is no longer a realistic option for the party. in order to make it through they must all relearn how to eat well, one by one and as a group over and over again, because its either that or nothing.
one of my favorite depictions of this idea thus far is when marcille is seriously low on health and mana, and both of these problems are mitigated by taking care of herself, and trying to get iron and protein
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[id: marcille, looking sickly, wakes to laios saying, "marcille, marcille, can you sit up? we've got something nice for you."
she watches senshi grill pieces of kelpie liver on a low fire, while laios ties a bib around her neck. /end id]
and drinking a bunch of dead water spirits. she gets the idea, she's supposed to get in nutrients and it'll help her feel better, but in aiming for the quick, inefficient fix, namely chugging that shit down like she heard it was good to Stay Hydrated and decided that would be the thing that fixes her,
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[id: marcille throws back a cup of boiled undine-water, her face red. laios asks, "do you really need to drink it that fast?"
she gasps out "...the magical energy stored in nature spirits is actually quite hard to absorb. even if you drink a lot, the majority of it is excreted without being absorbed," and takes another drink. "that's why i need to drink as much as i can."
laios says weakly "you'll get water poisoning," but marcille only stops when senshi puts a hand on her shoulder and says,
"it's easier to absorb nutrients if ye digest them with food. that's a fundamental rule of nutrition."
marcille says, "senshi..." contemplative
and he holds out a bowl of tentuclus and a thumbs up. "let's get cooking!" /end id]
she doesn't immediately realize the answer is that she needs more than that. she's been working hard. she needs care, and she needs nourishment.
once she gets that, though, she makes her boiled water into a stew, and she works to make that stew as good as she can, and everyone can have some.
because in dungeon meshi, to feed yourself or allow yourself to be fed is treated as performing a kindness for yourself. food is what propels you, but there is also an art and a joy inherent to the process of making it; in the way you feel when you've had enough to eat.
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[id: senshi watches as chilchuck and marcille eat and excitedly hash out plans.
"i've got a good feeling about this! maybe it'll work out!" chilchuck says
marcille responds, "well it's easier to feel optimistic on a full stomach!"
senshi smiles, proud. /end id]
^^^ i want to put this image on my wall
when you're working through disordered eating habits, you really do have to keep learning this shit. (in my experience, learning about cooking is one of the best ways to do so.)
i'll have to see if my thesis holds up as i continue, but i think one of the reasons the portrayal here resonates with me so hard is that ryoko kui puts most of her characters at eye level with me on this. they're all working at it, too. the text and i are both commiserating, and encouraging each other, 'have some more, you'll feel better.'
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zarnzarn · 22 days
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Athena shoots upright as soon as her eyes fly open, gasping. She calls on her spear and slashes in a brutal curve, provoking shouts from the enemies who'd been holding her down as they back off. Bares her teeth in a snarl as she grabs the sheets off the bed to whip at the eyes of the assailants and-
Light floods into her eyes as they step away from her attack and she freezes as she remembers a flash of brightness too fast to escape, heat and burning like never before, electricity that seeped into her very bones, thunder that deafened, lightning that hurt-
"Get back!" She hears and turns unsteadily back to- back to where Apollo is pulling Ares back by the cape against the far wall. Apollo. Ares. Aphrodite, Aephestus, Artemis.
"Wh-" She manages, before she's bowled over, coughing. She has never done it before, and she can't stop it from happening- chest rattling as her knees give out, barely holding herself up with her spear in time to reach the bed. It doesn't stop, doesn't stop, plumes of smoke escaping her mouth as she can't stop, can't breathe-
"Athena," Hera whispers, and a rough hand gently touches her on the shoulder, handing her a glass of nectar. She accepts it gratefully, tilting her head back to down it. It's soothing like it's never been before, stoping the coughing at last and it clears her headache long enough to realize that she isn't in her armour- she's in a chiton.
"Where is my armour?" She rasps as soon as she can, wiping her mouth. Looks around- Apollo's chambers.
She'd always known being the favourite wouldn't protect her forever. But repeating the words didn't seem to reduce the hurt.
Nor the shaking fear.
"-not!" Apollo is saying, indignantly setting his hands on his hips. "Do you have any idea how hard you got hit? You're lucky I could even stabilize your aspect enough to reduce some of the damage, otherwise you'd still be having a seizure back at Mount Olympus!"
"Mount Olympus," Athena mutters oddly, without much intent to it. She tries to stand again and her vision suddenly cuts out, provoking a round of screams as she loses her balance.
When the world blurrily comes back into focus- and she doesn't like this, hates this sudden weakness; she's always been able to get back up from any blow, has never visited a medical chamber in her existence, even when they had to fight the Titans- she's in Ares' arms, oddly horizontal.
"Cease this stupidity, sister," Artemis hisses at her as she grabs onto Athena's arms to bring her back to the bed. "Calm yourself. You are alive. You are safe."
"My armour," Athena says, voice cracking, head rolling oddly on her neck, unable to look upright. She catches a glimpse of Aephastus holding onto a sobbing Aphrodite, staring at her with a strange sort of sorrow.
Something twinges in Athena's chest in reply, but she stumbles before she can address it, feeling a fission of panic at the instability before Ares' grip on her tightens enough to keep her upright. They're all staring at her like that, she realizes, with that same horrified heartbreak.
"Didn't Artemis just tell you to cease stupidity?" Ares barks, though it's rather quietly said, for him. He adjusts her on the bed until she can lean back against the pillows. His hands are shaking, and Athena stares at them with curiosity. "Weren't you the one to lecture me half to death about when to remove the armour?"
"What," She says weakly, then moans as an aftershock trembles through her, residual sparks humming maliciously as they exit her skin, leaving her trembling. "I- hmmm, what? What were- what were-"
"Athena, calm down, please, you're scaring us," Hera says, bangles jangling as she sits down next to her, taking one of Athena's hands with desperation. Athena tilts her head to squint, noticing the tears for the first time, before she shudders as her skin registers the heat, the unbearable heat.
"Scaring?" She murmurs when it stops, voice coming out smaller than she intended it to.
"Her fever keeps rising and falling," Apollo reenters the room before anyone can answer, carrying a large tub of some odd liquid. "Here, help me rub this on her skin, it should extract any remaining- any remaining lightning."
They all move towards the tub at the same time, dipping the cloths provided and then taking positions in a circle surrounding her. Athena stiffens, fingers twitching for a weapon, but the first touch of Hera's drenched cloth on her forehead makes her moan in relief, the blessed coolness of it making her melt back into the sheets. She has no strength to complain or protest when her fellow gods each take a limb to rub at, a sensation both horrifically terrible and unbearably good. She has never taken her armour off in her life.
"Easy, that's it," Apollo says coaxingly, lips downturned like he's trying not to cry. She whimpers as the cloth on her left leg suddenly burns as a spark escapes, instinctively pulling it away, but Aphrodite grabs it before she can and resumes rubbing, whispering apologies. She turns her head and weakly opens her mouth for the herb Apollo lifts to her lips, desperate for relief from the splitting headache.
She can't think. She can't think.
Athena has no idea how long it goes on, how long the other gods ignore their realms to tend to her. Slowly, they strike up a conversation, something light-hearted that she can't follow- different from their never-ending arguments and insults, as they talk about the past year and humourous stories and varied anecdotes.
Athena can't help but relax into it, the soft bed at her back and gentle hands massaging her sore muscles and warmth all around her. Feels something trembling within her since she first became aware of herself settling down with a sigh.
Until she suddenly smells ozone.
Hera and Apollo both notice her tensing up immediately, and look to where she can hear slow footsteps approaching. Apollo growls and shoots out a hand, bringing up the shields of his realm.
The conversation dies down as they all look to the side, at the distinct shadow at the other side of the curtain.
Rage, Athena realises, thoughts slow and muddied. They're angry with him.
"I will handle this," Hera says coldly, with the steel undertone that Athena strives for. She moves her cloth aside and leans down to kiss Athena on the forehead, like a mother would. "You rest, my daughter."
Athena's breath hitches, eyes burning. Nobody has ever cared for her, apart from Zeu-
Nobody has ever cared for her.
... Nobody has-
Hera turns sharply at the noise that suddenly escapes Athena, half hysterical laugh and half distraught wail.
"Did I win?" Athena asks desperately, pushing herself upright, ignoring the protests of the others as she pulls her limbs from their grasp. Hera stares at her and Athena grabs the side of the bed as she tries to lever herself up like a wild animal, demanding in a broken voice, "Did I win?"
A silence that stretches for a painful moment before- "Yes," Aephastus says, putting his hand on her shoulder to guide her back from the edge. "Yes, Athena, you won."
A strangled gasp of relief leaves her, making her light-headed as she leans back against the pillows. She shivers, then sobs- humiliation running through her before she hears an answering noise of sorrow from Aphrodite next to her, pressure all around as her five younger siblings embrace her carefully, gently, like she would break at any moment.
She's not the one who's been raped by a Titan's daughter for seven years.
The thought has her breath hitching, wiping her tears away with a hand that refuses to co-operate the first few tries. "I need to-"
"No," Artemis snaps, glaring at her. "I know you think of nothing but your work, but Athena, you cannot do it this time." Outside, Hera's and Zeus' voices rise as they begin to shout and scream. "You must rest."
"N-no, that's not- aah," She groans as another aftershock rips through her, leaving her panting and soaked in sweat when it's done. "I need to- I need-"
"Hermes has gone to his grandson," Aephastus says soothingly. "Peace, Athena. Your hero is free."
For a moment, it doesn't comprehend and she stares at him blankly. "Free," She repeats, words still infuriatingly faint and lilting. "He's free? I- I need my helmet, where is-"
"No, Athena!"
"Sister, please, you cannot resume your duties, you are in no state!"
"I need my helmet, please, please- just give me my helmet!"
Her cry echoes off the walls and she hears herself when it bounces back to her, broken and pleading and so unlike her she feels nauseous. Her siblings have gone silent and still at her begging, staring at her with shock and horror and fear and sorrow alike. Even Zeus and Hera have stopped talking.
Athena shakes, wishing she could rip this awful vulnerability out of her veins, wishes she could find a stone footing to stand on once more, wishes she wasn't in this horrible chiton.
"Please," She whispers.
Quietly, Aephastus gets to his feet and walks in the direction of the nearby drawers, where she can now see her belongings stacked up haphazardly, blood-stained.
"Sister, you must calm down," Aphrodite pleads. She takes her hands and Athena dazedly looks down at her, with her wide, scared eyes. Seizure, her mind registers finally from Apollo's earlier talk. Ah. She seems to have frightened them all. "You cannot afford a relapse."
Athena squeezes her fingers in acknowledgement, but reaches for the helmet when it's held out, dented and worn.
She touches the metal and feels the full force of seven years of silenced prayers hit her at once.
She's crying before she knows she's doing it, clutching the helmet to her chest as the warmth of the worship wraps around her like a shawl, and holds it tight against her as Ares tries to pry it away.
"No, no!" Apollo intervenes, shifting forward. He touches a hand to the helmet and suddenly the hymn bursts forth around them, loud even though the prayer itself is quiet and broken. Athena inhales at the feeling of it, soothing over the cracks in her own mind with their never-ending continuity, desolate, unbroken faith even when she never came to help-
He's still singing.
She shifts her hands on the helmet to make sure but- yes. Odysseus is calling her, still, at this very moment.
Her head snaps up, but even the dizziness the motion causes doesn't take away from how much clearer the room looks. "Where is he?"
"Sister-"
"If you do not answer me, I will take to the skies myself," She says firmly. "Where is he?"
Her siblings exchange looks.
"Three days out from Ithaka," Artemis replies with a sigh. "On a raft. But listen, wait but an hour, at least absorb these prayers-"
Athena stumbles off the bed and pulls on the helmet, closing her eyes.
"Wait, the bandages-!"
"Athena, you'll hurt yourself, please!"
"Daughter, be careful!"
Athena opens her eyes and looks out at the waves, rough and choppy, but not enough to sink the raft. She looks down and looks at the way the faded clothes don't fit him, the way he has no water left to drink but he still continues to sing.
"Odysseus," She says, and he freezes.
A wave rises and falls. They stay silent, unmoving.
"Won't you look?" The words break out of her, cracked and desperate.
He inhales and exhales, tears in the sound of it. "I don't want to look if you're... if you're not really here."
She swallows against the lump in her throat, takes a step forward. "Well, I-" Her voice cracks, but the fragile grin on her face is real as it spreads, the frailest thread of laughter entering her voice. "I would hope. That if you were hallucinating of me, that the spectre would at least have wisdom enough to tell you that you were."
Odysseus sobs and her heart cracks, feels his heart cracking in turn; yet it is akin to a misaligned bone that never healed right and has to be reset- she can hear the laughter before it comes, with relief coming from the brink of madness, with joy they'd both forgotten and missed. "It is you."
"I could not reach you on Ogygia," She blurts out, desperate to make him understand. "Could not hear your call. I would have come the second time you prayed, if I had."
"It is you," He whispers, swaying. A wave rises suddenly and they both burst into movement, grabbing ropes and pulling the mast, balancing together to keep it steady.
The wave passes. They are almost touching now.
"Won't you look?" Athena asks again, raw and grieving. "Odysseus. My companion, my friend. Please."
He turns at that, a stunned expression on his face- before it turns into wide-eyed horror as he looks at her. She laughs breathlessly, slightly dizzy, but- her friend. How lovely it is to see him again.
"Athena!" He rushes forward with unexpected vitality, the parts of him that she knew suddenly rising to light in his eyes, in his movements, becoming unhidden from the defeated, beaten figure he'd been moments before. "What in Gaia's name-"
"I'm sorry," She interrupts as she slumps forward into the hands on her arms, off-balance. "I should have tried better to understand, all those years ago. I understand now and I- Odysseus, I am-"
"Athena, shut up," Odysseus snaps, clearly panicking. She laughs again, because isn't it such a novelty, to have a person who will have the audacity to tell her to? "Of course it's forgiven, I'm sorry too, I should have fucking listened back then- but listen, what in Hades happened to you? Why do you look like this- why do you have bandages- Hermes wouldn't answer when I asked if something happened to you, fuck-"
"Peace," Athena rasps, even as her vision blinks in and out, forcing her to kneel. They both grimace as another wave crashes into the raft, but they don't upturn. Odysseus kneels down with her, staring at her with such worry and concern she can feel nothing but fondness. "The disagreements of gods are often violent."
"Gods-" His eyes flicker to the side of her face, and he frowns, reaching out to push back the helmet. She bends her face down to let him, feeling an odd burning on the left side that she has a vague bad feeling about- proved right when Odysseus' expression falls into blank horror. "You got into a fight with-"
"Yes."
"But he's your-"
"I know. He did not take kindly to my petition to release you," She smiles dryly, without mirth.
"To release me?" Odysseus wheezes, face cracking into anguish and disbelief alike. "Athena, what- I- I'm not worth-"
"It was worth it," She snaps. "Consider it my penance for abandoning my own. I certainly don't regret it."
"I never felt abandoned," Odysseus whispers, taking her hands as she shifts, supporting her body with his own as they lean against the mast. She looks at him, and remembers why Penelope is still weaving, why he's still out on the waters, why Ithaka is waiting out the suitors till Telemachus takes the throne. "I always knew you would come back. I just figured it would take ten years more, perhaps."
Athena is silent for a bit, absorbing that. And then, because she can't hold it back any longer- "I am sorry about your men." His breath hitches under her and she turns to take him in her arms, knowing what's coming. "I am sorry about your friends."
He sobs, ugly and loud, and she holds him tighter. "I am sorry that Titan's whelp had you for so long, and what she did to you. I am sorry the Fates were so unkind."
"Athena," He keens, finally falling to pieces. The sobs are mere loud gasps for air at first, before it dissolves into wailing, screaming, grieving for all the men they'd kept alive through a war, only to lose them to this cruel tragedy instead. Even she hadn't known- hadn't anticipated how wrong things would go after she left. Hadn't even thought that he hadn't reached home.
"It's all my fucking fault," He shouts, shaking. "If only I had- if only-"
"It is not. No one could have known," She whispers. "The Fates are unknown to us all."
He sobs louder and she closes her eyes.
But finally, their tears dry up. She holds him still, as the night fades and the sun rises again, trying to take his hurt into herself so he can be happy again.
"I am sorry," She whispers, seaspray around them. "That my enemies became your own. That I pushed you so hard. That I chose you, and brought pain to your life so."
"Hey now," Odysseus says, pulling back to look at her, a broken smile on his face. "Hold your blasphemous tongue, before you insult the wisdom of Pallas Athena." She laughs, even as tears spill over. "Even if I had the chance to choose again right at this moment, my goddess, I would still choose you."
"That means more than you know," Athena murmurs, overcome. She gathers all her strength and reaches out to run a hand over his head, soothing his mind and driving away the last tendrils of madness that were still holding onto him. He sighs and relaxes under her, some visible weight lifting from his shoulders. "Still. I will learn from my mistakes. If you would give your old friend a chance-"
"Stop right there. Of course I-" Odysseus scoffs, reaching out to hold her left cheek for emphasis. "Athena, your left eye is half gone."
"Ah. Well, that explains the depth perception," She mutters, then bursts into giggles at the incredulous look on his face.
"Are you drugged?" Odysseus demands, but he's already trying not to laugh himself. They both move on fast. "What am I saying, of course you are- have you been drugged this whole time? Who on Earth drugged you?"
"That would be me," Apollo says, crossing his arms.
Odysseus snarls, grabbing his sword and swinging wildly in an arc, half-animal in his panic, pushing Athena behind him.
"FUCKING- whoa, hey, calm down, it's her brother, it's Apollo!" Apollo half-shrieks inelegantly, jumping back. "Honestly! Athena, call off your hero, please."
"Apollo?" Odysseus tilts his head, lowering his sword and narrowing his eyes.
Apollo stares at him. "Wow, you two- really do act the exact same, huh. Yes, Apollo, god of please let me change your fucking bandages, do you mind?"
Odysseus bows and murmurs apologies, clearly wary of getting into more trouble, but to her mild surprise walks behind Athena instead of to the other side of the raft.
"I don't need assistance," She mutters to him, even as she grimaces at the length of the chiton as she tries to pull herself upright.
"You're still dizzy," Odysseus points out, settling in behind her to hold her steady. He wipes at the tears still on his face and smiles at her. She manages a half-smile back. "Do you need to go back to Olympus?"
"Yes," Artemis crosses her hands and Odysseus' fingers tighten painfully on her shoulders.
"I'm not quite certain there's space for so many on this raft," Athena mutters.
"It's a magical raft, it'll survive- but never mind that, could you not have at least sent a message that you were okay?"
"Well, maybe you should have thought of that before running off without a word!"
"Really, daughter, you should know better!"
Odysseus grip is bruising now, and his sword is in front of Athena protectively; she can already tell what moves he's planning to use if they choose to attack. "Who..?" He asks lowly.
"Pantheon. At ease," She replies back shortly, before looking up at the others. "I thank you, my fellow go- my family, for your worry and concern. But we are only two days out from Ithaka and I would like to see this journey completed."
"You are not going to see yourself completed, if you don't rest," Apollo says, roughly at the exact same time that Athena undermines her own argument by throwing up on the raft.
"Athena, go," Odysseus says urgently when it's over, handing her helmet back to her and adjusting her cape as Hera kneels down beside her to hand her another glass of nectar, looking at him oddly. Odysseus grimaces and changes his tone. "I will be fine, patroness. I'll call for you when I reach the shores."
Movement catches her eye and she sees Ares remove his own helmet, giving her a reproving look. She remembers the speech he was talking about now- the one she'd loudly ranted at him when she was drunk a year ago, thinks about how much more at ease he is now.
"Alright," She acquiesces and everyone breathes a sigh of relief. "Two days."
Mania fills Odysseus' eyes as he smiles back, finally home from a war twenty years ago. "Two days."
Athena grins, even as she feels Hera wrap an arm around her to take her away. "Penelope is waiting."
Odysseus' eyes widen, then fill with tears, like he'd never quite truly let himself believe it; but his smile is wide and true. "Penelope is waiting. Thank you, Pallas Athena."
"You don't thank friends," She murmurs, exhaustion settling in. Odysseus laughs and the last thing she feels is a warm hand on her cheek and their foreheads pressed together, before the world goes black and she knows no more.
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beaulesbian · 2 months
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"The world should have protected you, but you have been asked to protect it. What an honor. What an injustice." - NADDPOD, Bahumia campaign ep. 97 (x)
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hinamie · 2 months
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binding vow
#my art#jujutsu kaisen#jjk#megumi fushiguro#fushiguro megumi#megumi#fanart#jjk fanart#done....collapses#up until 3am last night n sitting fr another 8 hours today to finish....#g o d#the things i do fr him.....#let it no longer b said that i only do elaborate paintings rife with symbolism tht feature gojo. megu my one true muse#as is Correct and Just#real talk tho i was just sketching th things i wanted to include without giving much thought to the Themes#w the exception being the spider lilies lmao I Know What Those Mean#but i ended up with a REALLY good life/death/marriage/loyalty thing going on????#w the lotus/spider lily being purity+rebirth/death#((not 2 mention 'far from the one he loves' like HELLO?????))#also w the temari balls being associated w femininity but having him dressed in groom's attire#like???? 90% unplanned but i ended up both cooking And eating#also happy 2 report that betta fish were kinder 2 me than the koi were :) no trouble from these lil guys#in fact everything abt this piece kind of came easily beyond the initial colour swatch??#thank u fr being an easy subject megu ilysm im sorry abt all the death imagery i dont mean it pls focus instead on th Life imagery :((((#i put a ring on it so u gotta wake up.....cant leave yuuji @ th altar ....#SPEAKING OF THE RING IK ITS ON THE RIGHT HAND we've been over this and its Okay#if i read a single comment .........#sorry 2 that one person who was like 'the next binding vow better be at itfs' wedding' ik this probably wasnt what u meant#but it did inspire me smile :)#anyway i need 2 stop looking at this its been over 24 hours
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mimimar · 8 days
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i've been completely charmed by witch hat atelier♡
(art prints)
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