#this applies to most if

[mcythottakes]

I know its been a bit iv been into other fandoms lmao but iv noticed somthing every time I make or relog a post explaining that, no, in fact the CC’s are NOT their c!characters/personas (SHOCKING! I know) and they dont get to dictate how we write these characters in fandom spaces as long as not actually about the CC’S, which yes includes shipping.

And every time without fail people go “Ah yes I agree! Unless the CC has said its against their boundaries/unless its romantic ofc”

LIKE WAY TO THE MISS THE POINT!!!

The CC’s are NOT the ones being written about!! They never get to dictate fandom spaces. I still cant believe that I could write a gore filled, horror hurt no comfort story about the ocs, or hell even the cc’s, being savagely murdered and tortured without ANYONE EVEN BLINKING, and yet people “Draw the Line” at me going ”Oh these two characters have alot of chemistry in the roleplay. I want them to kiss.” and declare me an awful or gross human being??

If you can accept that “Hey in this story this character is a god, this one is a Mob hybrid player, and oh also magic is real and these three are siblings” and know that oh obviously this is about the character the cc’s portray, then you can just leave us alone about shipping.

“But OP!" I hear you say, “The CC’s said they dont wanna be shipped!”

Let me ask you, in most questions about shipping, did people every clarify they wanted to know if they should specially ship their character and not them, or did most shipping questions go “Hi can we ask your boundaries on shipping” or “Hi is it okay if we ship you lol” or something along the lines? Becuase I can guarantee that if I was asked that question Id assume you were talkin about me and Id also say no.

Obviously though, if the fandom work/ship is actually about CC then no you shouldn't ship if they say they are uncomfy with it. There’s a difference between a character portrayed who doesn't have actual feelings vs an actual person who doesn't want to be shipped. Then obviously respect their boundaries and dont ship!! And if you come across people who do ship CCs? Still just block and move on, I can promise they will not change their minds 95% of the time. 

And for the few cc’s that did actually get asked to clarify they were talkin about their characters? Iv said it before and Ill say it again, CC’s do not get to dictate fandom spaces whatsoever, they never have, just like other fandoms dont let source material dictate these spaces either. Yes sometimes something they say can be taken into account but at the end of the day, people who do fandom works get to do what we want. CC’s are honestly more authors/actors of the characters they portray, specially in roleplay circumstances like DSMP.

Becuase if your gonna try and get permission for stuff like that, we might as well ask them permission if hey can we torture your character, hey can we make your character die to motivate another character, hey can we do this or that or this please?.... Do you realize how stupid that sounds? Would you sit and go ask the cc if this is okay before making any fandom works? No? Then neither should we about shipping.

Honestly dont try to bug CC’s about shipping characters and try and look for permission, you dont need it and most of the time CC’s just want to be left out of it or just not know as long as its not shoved in their faces.

If your worried about a CC coming across said shipping, then let me tell you something; Fandom spaces have ALWAYS been for the fans. If they come into fandom spaces and areas, and they see something they dont wanna? That's on them. Specially if its been fully labeled and tagged properly, they fucked around and found out. 

“What if they stumble across it on accident before they knew or didn't understand or, the horror, someone forgot to label something properly?”

GUESS WHAT! CC’s arnt your UwU babies who will break into little pieces when they find out their characters are being shipped. Maybe they wont like it but they’re big boys and girls and others, they can handle it themselves. I promise you they dont need you trying to speak for them, and I can also promise they’d be hella more disappointed in you harassing folks, specially if you send death threats over something harmless as shipping fictional people.

And honestly, if you dont like the idea of shipping even though its pretty established by now we arnt talking about the cc’s? THEN THATS FINE! You have every right to, hell I'm not even a huge shipper myself! I just think its cute sometimes and ill reblog it or read something with it if its intriguing enough.

And even more so, you have the ability to block! Block shipping tags and people who ship and move the fuck on, its not that hard. At this point people are pretty good at making sure shipping stays out of the main tag and has its own tags for it, so if your seeing it enough to bitch about it, it means you either followed someone who ships and that's on you, or you went searching to bitch about which is honestly a bit pathetic.

Leave people alone, make use of the block blog and block tag options, and thank you for coming to my ted talk.

And remember at the end of the day all fandom works are fiction and should not be intended, nor expected to be reflected irl.  

[baristabomb]

...weird amount of dunmeshi fans have been saying being a caretaker in a relationship is the worst thing ever..marcille must want to killl everyone soo bad because doing things for people suuuucks sooo muchh

it's an act of love, not just a job i promise. we all want someone who's willing to take care of us in some way, just like how senshi shows care for others by cooking for them :'|

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[swordsonnet]

i'm sorry but i don't think we should call this the "autism website" when there's still posts with tons of notes mocking people who:

struggle with social skills / have anxiety around social settings

are unemployed / unable to work certain jobs

have intense or "age-inappropriate" interests

haven't had certain life experiences that are deemed universal/essential

struggle with personal hygiene

don't have any friends or dating experience

don't go outside much or at all

take things literally / don't get sarcasm/jokes

have unusual ways of speaking

generally aren't "normal"

[tempo-takoyaki]

Listen, I love the "XL helps HC to see how beautiful he is" scenario as much as the next person... But I also see it like this.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[astraltrickster]

This post is your reminder that you are not obligated to blog about current events.

Things are bad. Really bad. Do not let people guilt trip you into tormenting yourself even further over the fact that things are bad. Doomscrolling is not activism.

If you're just on tumblr to blorbopost or reblog pretty pictures, you are not harming people by inaction.

You are not a bad person for not dedicating every aspect of your life and leisure space to whatever disgusting mask-off attack on human life and dignity some government has decided to enact.

Take action where you can, but don't confuse doomscrolling and digital self harm for action.

If you need to lose yourself in blorboposting, go for it.

If you need to log off for the day, whether it's to take irl action or to protect what little sanity any of us have left over the past 7 years, then by all means, do.

Morale is important. Hope is important. Small joys keep us from burning out completely in times like this. Do not let any "if you don't reblog this I'm judging you" guilt trip convince you otherwise.

[cyanbeetle]

Trinity thesis

[99thpercentile]

places where the audio distorts

image ids under the cut

tmagp 4:

tmagp 5:

tmagp 7:

tmagp 8:

the audio distorts when people lie.

I imagine this knowledge will come in handy later.

[id: ALICE: This is not something you go poking around in. Not if you want to keep your job… or your neck. SAM: (a little amused) Okay, okay! I get it. Consider me scared straight. "Consider me scared straight" is highlighted. end id]

[id: LENA: Now, while I understand your concerns, you need to understand that Colin has held the IT Manager position for some time without incident, and although he is somewhat… frustrated with his current assignment, he can request help from the central IT team at any time. I am certain that should he find his responsibilities unmanageable, he will request assistance. Or resign, of course. Either way, the problem will resolve itself. "Or resign, of course" is highlighted. end id]

[id: CELIA: Is there any way to look up specific files? ALICE: Like what? CELIA: Oh, I don’t know. Every case about… being buried alive, or meat, or… whatever. ALICE: Well, there’s a search bar, but it doesn’t actually do anything. You’d have to dig through them all manually. (suspicious) – Why do you ask? CELIA: Just figuring it all out. Ah well, I guess I’ll need to find Bigfoot on my own time. "Just figuring it all out" is highlighted. end id]

[id: GERTRUDE: I see. Well, I’m sorry, but I don’t think Gerry can help you – GERRY: (casually) Yeah, I barely remember any of it. "I don’t think Gerry can help you" is highlighted. end id]

[id: GERRY: Oh yeah, but I was pretty young. I remember filling in a bunch of forms and questionnaires, then some old men asking me questions about what books I liked to read, who did I look up to, that kind of thing. And then I left. SAM: (disappointed) That’s all? GERRY: Yeah, afraid so. Other than just sitting around with a bunch of other kids in a room that smelled like old books. "Yeah, afraid so" is highlighted. end id]

[id: CELIA: I’m trying to look into… Weird physics stuff: time travel, other dimensions, teleportation, all that good stuff. Freddy doesn’t really do searches, so you could keep an eye out and let me know if any come up in your cases? SAM: Uh, sounds a bit sci-fi compared to our usuals. What’s this for? (amused breath) You’re not doing research for that podcast you were on, are you? CELIA: (surprised) You know about that? SAM: I might have given you a quick Google. CELIA: Then… yeah. I’m doing a favor for Georgie. "yeah. I’m doing a favor for Georgie" is highlighted. end id]

[essektheylyss]

It is WILD to me how many people just loudly broadcast their intention to scab, as if that isn't the fastest way to brand yourself as someone who will throw anyone else to the wolves in an industry that runs on collaboration, so every writer say it with me

[soyochii]

Honey, you're familiar like my mirror years ago.

[macaulaytwins]

asking gay couples who’s the top who’s the bottom is so outdated. instead, ask who is wearing the deer antlers and who has the angel wings

[imjustli]

"This person is obsessed with Etho" "that person is obsessed with Etho" "oh, don't forget so and so person is also obsessed with Etho"

Guys, they're all obsessed with Etho. We're all obsessed with Etho. Anyone that has ever watched a single Etho video is obsessed with Etho. He's an incredibly obsessable person. Everyone is obsessed with him. Peace and love on planet Ethogirl

[zoe-oneesama]

So is the "don't remember names of daughters" a tsundere thing from Audrey or she does it unconsciously???

(also idk if you answerd this alredy but what about Zoe's dad?)

It's def not a tsundere thing, it's an Audrey thing. It's also a thing that I cannot for the life of me justify? It'd be one thing if she got her daughters mixed up with each other, with them looking on the surface similar (blonde hair, blue eyes), and having close enough names, like she did in "Adoration"...but she called Chloe "Casserole" at one point.

Hilarious, sure, but like, wtf Audrey, how do you even fuck up that badly?

And one more time for the cheap seats, this is in no way my explanation for Audrey in canon, this is purely SL's Version of Audrey. I cut out her ordering around the Butler and Andre and left out her falling for Chloe because Chloe was being an asshole to the same Butler, and obviously we never got as far as she did in "Revolution" where she was in near happy tears when her Mayor Daughter went full dictator on Paris. Just like Lila, I cut her off at the knees before she could become her true awful self, but that does not reflect on how I feel about the canon characters.

I made Audrey a tsundere to give Chloe a freaking chance.

[theshriekingsisterhood]

The way I SPRINTED to my computer to make this the second Risky showed me this textpost