BLACKOUT!!!
I jumped around characters in the Henry Cavill fandom for this. Most are 18+ and contain smut, but not all, so heed the warnings as you check these out. 😘
I may try to do another board for @thehighfiveproject this month; we'll see how much time the holidays leave me.
old fic: Afternoon Delight @littlefreya This is sexy, spicy shower scene with none other than big daddy August Walker. Nothing to do with lunch at Clyde's in DC.
new fic: Shaking (Whumpcember - Day 14) @heytheredeann is singlehandedly keeping the yenralt fires lit and I am here for it.
fandom classic: And So Much More @sillyrabbit81 I don't know if a nine month old fic counts as "classic" but I don't really care. If every Syverson/HC fan hasn't read this then they're doing fandom wrong.
underrated fave: 3000 follower prompt @youvebeenlivingfictional writes a STELLAR cavill!sherlock. I recommend this highly.
<1000 hits / <100 kudos: Waves @captainsy-cookiemonster a lovely foray into Will Shaw and his masterful skills.
<1000 words: Cuffed @hope-to-hell can write Walter Marshall any day.
new (to you) author: in your arms I feel like home @152glasslippers another achingly beautiful yenralt story for your pleasure.
>10000 words: the spaces where our garden grew wild chryysaskk (AO3) this was a bit of a departure from my usual haunts, as its geralt×yennefer×jaskier, but it is so hauntingly beautiful I couldn't look away.
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.
so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.
but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.
but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.
i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.
so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.
and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.
Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.
so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.
it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.
i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)
the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.
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a lot of people are using nex as a queer talking point without even mentioning they were choctaw and 2S. without even mentioning that this - harassment, assault, murder, disappearances, lies/indifference/denial about the circumstances of our death - is typical of the violence we face. not once have i seen non-native people address that we, as natives, face this same treatment within queer communities. that queer institutions use our land while declining to offer native-inclusive and -sensitive care. we suffer at the hands of white lgbt+ people just as much as we do at the hands of people outside the community.
nex is not your NB pariah. nex was a 2S, NB, choctaw child. thousands of native people go missing and are killed and no one cares. many are two-spirit. many are LGBTQIA+. many are "queer" in ways only defined and recognised by our closed cultures, that you may never hear of and may never understand.
if you are going to flock to nex, you are not going to take them from us post-mortem. they were choctaw. they were native. their tribal affiliation has already been falsely reported on. if you are talking about nex, you will talk about how unwelcoming and dangerous your communities are for us, too. you will talk about how natives face this violence constantly, everywhere. you will not remove nex from the context of them being choctaw, ever - or you won't say their name at all.
even when we die, you don't care about us. i am telling you to care about us if you want us to stop dying.
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