#which doesn’t mean its bad! or not valid! or anything like that!

[anemoiashifts]

how to detach for reality shifting.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ stop putting your dr on a pedestal.

we’ve heard this before but really. i mean it.

im going to assume if you’ve wanted to shift you’ve asked people what it is, asked shifting creators other questions, looked into theories. you were trying to expand your knowledge by looking for answers outwardly. looking for information isn’t a bad thing, but obsessing over what shifting is / isn’t can make shifting harder because your focused on the “what-if’s” & not living as you are. deciding to set out & rationalize shifting & policing others can be detrimental in your journey. this is why i say, i don’t care what shifting is because it’s something. & that should be enough.

the truth is, there is no 10000% concrete proof that shifting is this or that. there is no experiment that solidifies one theory or another, demeaning it as “correct”. they’re all just theories for a reason. so stop trying to rationalize is. find comfort in the unknown. in my opinion, that is the first thing needed in detachment. the letting go & elimination of overthinking how something works & just allowing it to work within time.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ “ill shift & things will be better. ill be happy, ill accomplish this. ill be better.”

your reality is a mirror of your thoughts & internal world. if you’re someone who thinks “this world is awful” you will subconsciously search for things that affirm those beliefs. i saw this example before & i think it really drives this thought home. if you see yourself in the mirror & notice your lipstick got on your teeth, you’re going to wipe it off your teeth. meaning, the mirror didn’t change. you did.

looking for external validation may unintentionally self-sabotage because you are not in the feeling of having it. you are searching for it which is you reminding yourself you do not have it yet.

don’t put off your happiness. allow yourself to feel everything you’re expecting in your dr at this moment. neville goddard once suggested the practice of living your life & imagine what it would be like if you had your desire. continue your imagination with the mindset that you’ve already shifted / manifested / achieved everything you’ve ever wanted until it shows in the 3d, when you are in full alignment. you are focusing on your desire, thus you will recognize it more & watch it show itself in your exterior. the 3d is a mirror to the mind.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ so how do we detach ?

there is no step by step, how to guide. in its simplest terms detaching is accepting & not obsessing over an outcome (when it comes, how you will achieve it) because you know it’s yours already. detaching doesn’t mean not caring or not thinking about our manifestations or —in this case— our desired realities. it means not overthinking your desires.

detaching is ultimately trusting yourself & the universe. that everything will work out in your favor no matter what.

you must change yourself before anything else. once the concept of self is changed, everything else in your life will follow. you decide what you are worthy of. you decide what life you want to live. you are the only one who can truly define yourself. every one else, every other person you have come across, only has their assumption & interpretation of you.

⋅˚₊‧ ୨୧ ‧₊˚.

i want to take a moment to speak about timing. there is no set time your manifestation will come. everyone attracts at different rates. it takes some people days to shift for the first time, it takes others months and some it can take years. patience & persistence is vital in manifesting.

example. some people are able to solve math problems really fast & get every answer correct on exam. while others need more time to preform at the same rate as the students who are able to complete their work faster. the quality of the work is the same. vs if the person who needed more time on math exams rushed through every single problem resulting in getting the answers wrong. everyone goes at their own pace & that’s okay.

a second example. let’s say your baking a cake. you put in all the ingredients correctly, you have to correct sized pan. but when it comes to baking it — let’s say 45 minutes — you keep opening the oven door to check on it every minute. it’ll never cook. you have to give things time & the seeds you’ve planted time to grow.

⋅˚₊‧ ୨୧ ‧₊˚.

[thriftdyke]

it really does bother me how no one can seem to answer the question “what even is romantic attraction, really.” like some people are like “it’s who you wanna kiss and cuddle <3” and I’m like ok well kisses and cuddles can be either sexual or platonic depending on context. “It’s who you feel passion/desire/arousal for” well that just sounds like sexual attraction which you can have without even knowing somebody so I fail to see how that’s romantic. “It’s who you want to go on dates with” I go on dates with friends all the time plus “date” is a social construct anyway there’s really no innate difference between a date and hanging out. “it’s who you have deep feelings for” great news for you that can be literally any type of relationship. my friend told me she defined it as “who you wanna give roses to” and I’m like do u hear urself??? like the more I talk to people the more I’m convinced romance and romantic attraction is an elaborate socially fabricated illusion that has no real defining characteristics. and like there’s nothing Wrong with it being a constuct but why people are so attached to defending the supremacy of it is something I cannot for the life of me figure out

[traumasurvivors]

I wrote a blog post about how harmful it can be to have your emotions invalidated growing up. It's here if you want to check it out! I'll paste the text below the read more for people who don't like links, but if you're comfortable, I really appreciate getting hits on my site! It feels really validating after all the work I've put into it. I've opted to not have any ads or anything to monetize my site, so it isn't like those annoying clickbait articles.

The effects of having our emotions invalidated while we’re growing up isn’t talked about enough and it can have lasting effects. This can happen when people say things like “you don’t know real struggles” when a younger person is upset about something they’re struggling with. This might include being told “I’ll give you something to cry about” which implied that the reason you were crying then “wasn’t a big enough reason”. Other people may have had to deal with “worse” problems and so we were told to be thankful for what we had because of what other children experienced. Your feelings of sadness, frustration, disappointment or anger were still real and valid. And you were allowed those feelings.

You may have been told to “stop being so sensitive,” which taught that you weren’t tough enough. You may have also been told “it builds character” which may have made you feel that you had to find a positive lesson in every bad thing you experienced. This can also be part of how people invalidate the seriousness of abuse, and other things that happened to you that were someone else’s fault. If someone doesn’t want to take responsibility, they may minimize what happened to you. They may say it’s okay because “they didn’t mean to do it” or “they don’t know any better,” perhaps because of abuse they went through. Your feelings may be invalidated because someone wants you to “let it go.” How serious they feel it was, or the reasons it happened, are not reasons that your feelings should be ignored or disregarded. Your feelings are valid. You should never have to “let it go.” 

These things that we were told, and many more, taught us that our emotions were bad and wrong. It likely felt invalidating. It may have been damaging And it probably affects how we see the emotions of others. I’ve had people say similar things to me now that I’m an adult, and I think it’s likely they do it because they were told things like these when they were younger, too. Over time, this has led to me invalidating my own feelings. I’ve told myself I should be strong and to avoid such feelings, or that the reasons for them weren’t “big enough”. I told myself that others had it worse than me, therefore I wasn’t allowed to be upset. None of these things helped me. Instead, they actually made me worse off. I bottled stuff up and then began using unhealthy coping methods to deal with the emotions. Having our emotions invalidated as we grow up can be traumatizing in its own way. It also doesn’t teach us how to effectively deal with and process our negative emotions. This can lead to people having fits of uncontrollable rage, spirals of depression and guilt, substance abuse to avoid feelings, and any number of other unhealthy reactions that can cause us more harm and prolong everything or make it worse.

Being unable to cope with my feelings was a big part of me not being able to cope with conflict in my relationships. Downplaying any “bad” thing that happened and ignoring it meant, for instance, I wouldn’t point out and deal with a small (sometimes completely unintentional) mistake. Instead, I let my feelings build without communicating about them and let my resentment build. By the time I acknowledged and spoke about my feelings, the problem was a thousand times worse than it would have been if I had dealt with it quickly. And sometimes it was too late to fix the damage done.

It’s not too late to learn and do better. You don’t have to be thankful it wasn’t “worse”. You don’t have to find a silver lining. While it’s important not to get stuck in our feelings long-term, sitting with them and feeling them and acknowledging you aren’t okay is okay! It’s okay to think something sucks or that it wasn’t fair. It’s okay to feel frustrated or sad over “small” things. Sometimes we don’t even understand why a situation or something has left us having such big feelings, and that’s okay, too! Your feelings are real and valid, even if they don’t make sense to you. And you deserve patience and compassion. Especially from yourself.

When you have negative feelings, if you find yourself minimizing them, or telling yourself why you don’t have a right to feel them, stop and try to be aware of what you’re doing. And allow yourself to feel it if you can. I've often had to remind myself that while it is uncomfortable, I can be uncomfortable and sit with my feelings. Think about if there’s a healthy response you can have to those feelings. For instance, if someone said something hurtful to you, talking to them about it might be a lot more productive than acting like you don’t care. Your feelings are valid. And invalidating them yourself is unlikely to be good for you.

Try to remember that, and try to be kind to yourself.

[luffyvace]

Akutagawa as your boyfriend ☀︎

Umm happy late b day Aku…😭 I’m totally super late for this I KNOW. But! I’m doing it anyway! >:3 late or not :P Plus I Just wanted to write for him since I really like this dude (〃ω〃) (Light blood, death and killing mentions but not in detail)

Akutagawa b day hcs first >;}

planning everything out and hiding it from him is kind of a task. 😅 the guy’s pretty stealthy himself so ya gotta make sure he doesn’t sneak up on you while your prepping things.

Buuut with the help of everyone from the port mafia (except Mori- joking! he does help but Elise does 90% of the work) you planned a mini party <3

Gin got the food! (Figs and tea enters chat)

Higuchi got the decorations! (streamers, balloons, tables, chairs)

Hirotsu keeps akutagawa busy (tea and chatting LOL)

Elise makes the banners (hints poorly drawn dead versions of everyone—extra blood for aku<3)

Kajii makes (lemon shaped) confetti poppers!!

Koyo hosted/recorded it all 💗

Chuuya brought wine and the cake (both were really expensive and tasty good job Chuuya)

Q brought lots of presents!! :3

Annnnd Tachihara! Brought some ~port mafia style~ party games (you played mafia LOL)

now general relationship things 😚

He treats you like how he does Gin, there is peace between the two of you and you have friendly interactions. (Romantic as well, for you) he will even go as far as to do favors for you but we’ll dabble in that more later ☆)

acts of service is his #1 love language. There’s no convincing me otherwise. When I say ‘he will do anything for you’ besides killing this is what I mean. You really don’t have to ask either. I talk about this some more later but, examples: done with your plate? He’ll take it. He remembers you said you needed xyz, he got it for you. You said you wanted to ____ but you fell asleep, so he did it.

hope you get along with Gin because to continue a relationship with him past 2 minutes, you need to. He will never choose friends over family. I stand on that.

honest man.

Its canon, of course this would apply to a relationship too :)

you never have to worry about him lying, thankfullly. the bad news is…this guy isn’t just honest..he’s brutally honest 😀

which he’s not dumb, but he’s also not one to pacify feelings. So say you created something and you’ve been working on this piece for a while now, (whether your an artist, writer, sculptor, something else—whatever), he takes a look at it and singlehandedly points out all the flaws 🧍‍♀️

not in a rude way-

just genuinely telling your mistakes. Which- I know can hurt because you spent a lot of time on it…..but as lest you can fix it now..? 🤷‍♀️

He respects you. Of course he does! How could you love someone you don’t respect?!

why I’m mentioning this then?? Because to him, respect is very important. There’s few that he respects personally and not because of his job.

like Dazai (sorta bc of his job but shh), Gin or Atsushi (somewhat)

And just to clear it up those he has respect for because of his job would be mori or hirotsu

so the fact that you have his respect is a mile stone!! 👯‍♀️💃💃

He’s loyal but it ain’t a fault 😋🤪

seriously tho this dude is still chasing Dazai even after he “disgraced the mafia’s name” and left to the ada

So for you?? This is simply proof that he ain’t neva leavin you, and you ain’t neva leavin him 😙 (I don’t make the rules)

even If he disagrees with your actions/opinions he will talk it out with you 😱

now he might sound a bit upset, and if your acting absolute bonkers rn and need some sense smacked into you- he might yell too. But that’s mostly if it’s for your well being.

other than that, yes the hotheaded Ryuu will calm down for you (that kinda rhymes ☝️🤓)

Bonus!:

living with the Akutagawa’s! ( ✌︎'ω')✌︎

going more into acts of service, you and Gin hardly ever have to worry about chores or errands

he doesn’t really do it for the purpose of your validation, and genuinely doesn’t expect a thank you either

”hm? Oh…it’s nothing.”

Is his response when you try to thank him

he does it because he’s responsible not for praise

although I will say, seeing as though he has a lot of respect for you, as I said earlier, you may get a semi flustered/shocked facial expression

not necessarily blushing, just a expression that shows it caught him off guard ;P

Its not uncommon to see him cleaning around the house and asking if you have any laundry

housewife Ryuunosuke LOL 😂

When goes out to get groceries he asks you and Gin if there’s anything specific you want him to buy and if yes, he’ll get it for you

just like in the anime with Gin, he doesn’t mind doing favors for you as well <3

if you decide you wanna clean up or go to the store yourself he won’t stop you and be like ‘nonono I got it you sit down 🥺’. I don’t mean this in a bad way but he’s not a gentleman on purpose

I feel he’s the type of guy to do things that you consider gentlemanly but he just considers it being polite

oh it’s fine he’s got the groceries 👌

got a order for pick up? Oh well he was going out anyway, he’ll get it 🤷

he’s got the door 👍

don’t worry about the bill he’ll pay it (restaurant or house bill 😉)

another thing…! ♡

sometimes when you and Gin wanna watch a movie but Ryuu’s still doing the dishes….

Rashomon!

do the dishes :3 (while he watches the movie with you guys)

I wasn’t gonna write these at first but I’m real glad I did! I love these and finally wrote for our guy Ryuunosuke!!

WHEN I TYPED DAZAI’S NAME IT AUTOCORRECTED FO DASANI AT FIRST HAHAHHAHA

[raven-at-the-writing-desk]

Why do people still go to Mostro Lounge if Azul enslaved 225 students? Like how is he not out of bussines

I DON’T KNOW 😭 I’ve never understood that part???? And how easily everything is resolved????

The end of book 3 tries to hand-wave it off as, “well, Azul implemented a point card system/promotion that was just so good that it compensated for all the negative rumors about the bad things he actually did” but like 💀 even then, I never bought it…

Consider the prices plus how the point card system and its perks work:

Assuming that you need 50 points to get that consultation with Azul + the items listed here are the only ones that qualify toward the point system, that means you'd be spending at LEAST 250 thaumarks (which I'm going to consider the equivalent to 250 USD for the sake of simplicity), if not 300 thaumarks. That's not including any potential tax or tip they may charge on top of the cost of the actual menu items. If you're going for the three-point card perks, you're easily spending 750 to 900 bucks on the Mostro Lounge. Maybe that seems like chump change to some of the rich, privileged kids that attend NRC but that's still a considerable amount of money to spend at one establishment... I'll concede that the argument can be made that this investment is "worth it" because of Azul's consultation being such a useful thing. It seems like you could ask him for anything, so long as its within his means. So yeah, it’s true, his services can be an extremely powerful boon to have on your side (assuming, of course, that he's capable of granting your wish and you agree to the terms set). The issue then becomes a matter of trust between client and Azul.

I don't know about you, but I cannot believe that after Azul tricked and enslaved 220+ students (over a QUARTER of the total student body) with his promises that everyone would so easily forgive what he did and suddenly trust that he wouldn't try pulling similar shit again. And since I doubt any mob would drop 250-300 thaumarks in one day just to get the consultation ASAP (but a bunch of food he can't eat), the points system would be a long term commitment... meaning mobs go into this establishment regularly, knowing that it's run by a guy that would double cross them if it benefitted him, weirdly trusting that he wouldn't???????? Trusting that he had a sudden change of heart and wouldn’t revert back to his old ways???????? Not holding grudges??????? Nah, I don't buy that one bit. AZUL'S REP WOULD BE IN THE TOILET, AND I DON'T THINK A GOOD DEAL ON EATERY LOYALTY WOULD REVERSE THAT... At that point, the mobs are practically begging to be scammed… Also???? The only thing that Crowley technically told Azul he can't do is to take anyone's powers 💀 so literally nothing is stopping Azul from trying to one-up or cheat his clients out of other things... Agreements like the one where he tried to claim Ramshackle Dorm for himself would still be totally valid under Crowley's new but poorly defined restrictions. Why doesn't the headmaster just forbid Azul from running his shady side business altogether 😭 or at least revoke the manager position from Azul?????? The school gets 10% of the lounge’s profits, so maybe Crowley doesn’t want to lose that income—but if that’s the case, why not just put new management in charge and still reap the monetary benefits??? Even just upping the percentage the school takes from their earnings would be more of a punishment…

I'm about to cancel this man on Magicam for his crimes/j I guess this is easily explained by the mob students all being dumb/arrogant, but that’s such a cop-out 😭 My only hope is that volume 3 of the light novel adaptation will go more in-depth about the post-OB backlash Azul experiences (similar to how it did for volume 1) 💦 because the way the game presents it, it feels like he and the Mostro Lounge made an almost immediate comeback 😭 which isn’t realistic at all…

I guess all I have left to say is…

[david-talks-sw]

So, why should I care about Lucas’s narrative? Like seriously why should I care? Not to sound dismissive but a genuine curiosity? Man sold it for one thing and the EU and the fans that made it showed Star Wars was may more then his narrative at some point.

If anything Star Wars moved beyond Lucas’s narrative even before he sold it. Even from a grande perspective his narrative stopped mattering in some sense the minute A New Hope arrived and became a hit.

Oh, you're free not to care about it.

But the fact remains:

When Lucasfilm creatives promote new content, they’ll use George as an authority figure to legitimize what they say.

Big chunks of the fandom do the same by using Lucas’ words to make authority arguments on why they believe the new films and the current direction of the franchise is good or bad.

Seeing as there seems to be a general consensus that Lucas’ word holds some power, I'd rather set the record straight on what he actually stated and intended.

You totally can just say “death of the author, what Lucas intended or what he said outside the movies doesn’t matter, what matters is what’s actually on screen” and I’d have nothing to counter that argument with because this is a subjective stance. We can debate its merits, but that’d result in a much larger discussion about the place of authorial intent in fiction.

But again, you can discard my posts and analyses by simply saying:

“I don’t care what Lucas stated, I’m a free-thinker and I can interpret any movie I watch however I want.” 

At which point, the only answer I can give you is “cool, good for you”. 

You wouldn’t be the only person I’ve met who takes this approach, either. I have friends who are older than me, saw the Original Trilogy films in theaters and felt Lucas’ dropped the ball as early as Episode VI: Return of the Jedi or the Special Editions, let alone the Prequel films. These friends don’t put Lucas on the same pedestal as everyone else seems to do, and flat out tell me:

“David, either the Jedi are the problem or the Prequels are bad, I don’t care what Lucas was going for, the result is crap and the only thing that makes it all have some degree of sense is that interpretation.”

And I mean… what do I say to that? What can you say to that? That’s a personal interpretation of a movie, it’s not an opinion that’s less valid than anyone else’s. 

But when I’m taking this approach, I’m not saying “your read of the movie is inferior to that of George Lucas” (unless you confer some degree of power to his word, as the creator of the franchise).

All I’m saying is “Lucas’ message was X”. 

You can agree with the message, you can disagree with the message, the message may be factually/morally/philosophically right or wrong, that’s all debatable. 

I’m just pointing out that, when you look at all the data and you go by what George Lucas stated, it’s X, not Y, like most of the fandom and even authors of the franchise seems to keep stating.

Finally, on a personal note:

I don't like the fact that every time I see my childhood heroes on screen, nowadays, they're portrayed as protocol-worshipping stoic assholes.

I don't like that 90% of the fandom thinks that's how they're meant to be seen when the data demonstrates it's not.

I don't like that the reason my childhood heroes keep being portrayed in this uncharitable light is because the fans from the generation prior to mine - whom these characters weren't meant for - wanted to ensure that their childhood hero, Luke Skywalker, would be preserved as "the ultimate Jedi" and concluded that the only way to do so would be to reframe the Prequel Jedi as dogmatic and emotionless.

So now the OT fans have Luke, the Sequel fans have Rey, the TCW fans have Ahsoka... all unsullied protagonists.

Whereas pro-Jedi PT fans need to mentally ready themselves for when Lucasfilm decides to release the nth "Windu was more strict than a droid" case.

[bronx-bomber87]

Happy Monday evening all :) Ewww an Ashley episode. Such a bummer after the last episode haha Not a ton of Chenford content but what we do get is good. There is a case involved but they're not in it enough to analyze anything. Oh also this ep is the intro of Chris so double eww. This episode is just one giant display of why Ashley and Chris aren't meant for either of them. But we knew that already didn't we? Let’s get started eh?

4x10 Heart Beat

Start our episode off with why Ashley isn’t right for Tim. Hit the ground running and the reasons are plentiful. First off Tim doesn’t even think to make Ashley anything. This is all for Kojo. Which I friggin love btw. The animal lover in me adores how spoiled Kojo is. Also imma need some more of this pup in S6. You hear me writers? I need this dog back. Ashley says she’s not a breakfast person but still the least romantic morning ever. They are very early in their dating period and its pretty tame. The way he moves around her. No intimacy at all. Avoiding her as he makes his way over to Kojo’s bowl.

Shows more affection towards his dog than her haha It’s the complete opposite of Tim and Lucy in 5x20. Where there is zero space, lots of touching, flirting and food to be had. Can't keep their hands off each other. The blahness that is Ashley is prominent in this opening scene. Also her judgy tone when she mentions that’s what he gets? If I was dating a man who took that good of care of his dog? I would be a goner. But this is Ashley so….

She is far too vapid for Tim. I looked up the definition of that word to reinforce my point. “Offering nothing that is stimulating or challenging.” If that isn’t the definition of their relationship and her as a character idk what is. Tim has found the very opposite from Lucy in Ashley. She is blah, doesn’t challenge him in any way and definitely doesn’t stimulate him whatsoever. All things he gets from Lucy. Interesting...Almost like he shouldn't be dating her....

She continues down her ‘Why she is wrong for Tim path' When she is afraid/doesn’t like Kojo. I already didn’t like her but this didn’t help her case. If I was dating someone and they didn’t like my dog?Goodbye sir. Twas fun while it lasted LOL Maybe it’s the protective dog person in me but I can not stand her first thought being ‘dangerous’ with Kojo. Just because he didn’t like her at first. Tim telling her he took him in cause Lucy couldn’t keep him.

He tries to help her adjust to him but she isn't about it. Just wants to leave. To me if my dog doesn’t like you that is far more telling than anything else IMO. Dogs have a good sense of people so this would’ve been telling to me as a dog owner. Ashley was already on my 'I don’t like you list.' But the not liking Kojo part plummets her to the very bottom…Also watching Tim with Kojo is ovary explosion for me. Way he pets him and loves on him. My heart. That's his kid.

We join our couple in their shop. Lucy asks how it’s going with Ashley? Tim says good but there was some weirdness this morning. Tim mentions he thinks she doesn’t like Kojo. Lucy’s reaction cracks me up. She could not be more telling when she says 'So you broke up with her? Thats too bad….I liked her…’ 'Lying liar. You know she was hoping he did. We all want that.

The way he loves that dog it actually would make sense. To Lucy as well her not liking Kojo is another strike against her anyways. It’s a valid response to anyone who is a pet owner really. Unfortunately we are stuck with her for a long while. Bleh. My dislike for her is very strong. Because she is everything he doesn’t need or want.

Tim says since when? Knowing she has never liked her. That Lucy had been giving him crap cause she’s a lifeguard ha I mean I can't say I blame her. I would too. Her sarcasm continuing with her reply. Fairly certain none of us considered it a career until Ashley came into the picture. Tim defends the training she had to go through. That it was rigorous training at the fire academy. Trying to make her job sound more prestigious than it is in just the name alone. Lucy doesn’t press it further and says my bad with a smile even though I think she is still secretly judging her LOL

Lucy has such a dog-mom moment here. I love it so very much. As she states his full name above LOL I bet you she has supplied that boy with many chew toys he’s destroyed. Makes me happy to think of Lucy going over to Tim's just to deliver treats and toys for their shared fur-child. Seriously going to need some couple moments with him in S6. It's a crime we haven't gotten them yet.

Lucy's transparency continues when she tells Tim 'Clearly Ashley has to go.' If only it was that easy. Saying it’s a moot point if she doesn’t like Kojo. Now anyone can see she isn’t right for him. The person who knows him the best? Can see it from a mile away the multiple reasons Ashley isn’t right for Tim. So might as well cut this off right now in her opinion. The look they share haha Even when talking about his relationship they are flirty af. So married in their disposition with one another. I love it. Also he's not really disagreeing with her...

Lucy ends up getting a phone call and it’s Ashley… She is confused but intrigued by this phone call. Idk how the hell she got her number. LOL Now you know Lucy is in love with Tim when she gives such solid advice to Ashley. It’s the way she talks about Kojo being like Tim. Girl is so gone for him. Something she continually tries to suppress this entire season. Like she is warding it off really.

Ashley tells her she likes Tim but she’s scared of his dog. Asking why she gave him away? Asking if he was too aggressive? Ugh I hate her animal ignorance so much. Maybe it’s because been I've been in dog world for over a decade but I cannot stand her going right to ‘aggressive.’ Lucy defends her boy says 'No! Not at all. He just wasn’t meant for her living situation.'

Lucy asks if she doesn’t like dogs? Secretly hoping she says yes heh Ashley tells she had a bad experience once. Lucy empathizes and says she gets it. Goes on to say Kojo is the sweetest guy. It’s here we see her switch over to gushing about Tim. It’s the way she’s looking at Tim in Grey’s office that gets me. As she explains how Kojo is just like Tim. Careful Lucy your feelings are showing.

He’s big, gruff, and a whole lot of bark but underneath is a sweetheart. I mean Tim is for HER. Let’s get that clear first. Tim is only soft for Lucy. I adore her helping out in this situation though. She didn't have to but it's Lucy. If Ashley could see how she was looking at Tim. She might feel a little threatened. Not only that but her deep knowledge of Tim. Might catch on she’s just the littlest bit in love with him lol But then 4x12 happens later on so.... How she didn’t break up with Tim after that display idk. So maybe she wouldn’t put 2 and 2 together.

I'm giving her too much credit haha Lucy speaks from a place of love about him. She probably has no idea how she is coming off but it's so obvious. Clearly not talking about Kojo in that tone. She loves that good boy but loves his owner more. Lucy tells her to talk to Tim about it. Ashley replies no that she’s not going to make him pick between her or his dog. That there is a whole genre of country songs about that. Before Lucy can defend Tim more or why she should Ashley cuts the convo off and says good night. Awkward…

It’s then we meet friggin Chris Sanford. *glares* The epitome of meh. Earlier in the ep they arrested young boy dealing drugs. He is one of James’s newest mentees. Lucy being the empathetic soul she is cites him out on a lower charge. That way he gets a fighting chance with James to turn his life around. Just has to attend his court date and such. Very kind thing of her to do for this young man.

He comes in like a mega douche. Instant dislike for his character for how he comes at Lucy. Trying to shame her for citing him out like she did. Calling her naive and basically being an absolute asshat. Lucy CRUSHES him in her reply above. I dislike Chris so very much so this was glorious to watch. Tim Bradford doesn’t stand a chance most days against her. You think your puny ass with 4 months of experience had a chance of winning that argument? What a putz…

Lucy catches Tim in the parking garage before he leaves. Ah this glorious place where all our wonderful moments occur. Lucy tells him it was Ashley who called her earlier. Gotta love how open she is with Tim always. As usual Lucy is toeing the line of personal boundaries with him. Possibly overstepping by bringing this up. But that’s kind of their thing.

Also like to note how telling it is that Ashley felt more comfortable coming to Lucy and not her BF about this. That she didn’t think he would listen to her but Lucy would. Because well she did. Lucy does get the other side of the story with Kojo. That is not a dislike but bad experience on her end. Which to be fair is valid when you’ve had a bad experience with a dog. Now that being said I still dislike so very much.

What I’m trying to get at here is Lucy interpreted this as Tim not fulling listening to Ashley’s concern. It’s not surprising Tim gets a little hard headed about things. Especially things he loves. So he’s instantly defensive about said things. I’m the same way. Lucy knows this about him. Which is why they’re having this conversation. So she can bring his attention to it in way only she can. Because Tim actually listens to Lucy. This scene really is more about their bond than his issue with Ashley. How Lucy is the only one who can ever get through to Tim. Her super power really.

He doesn’t listen to anyone the way he listens to Lucy. Especially when she is doling out advice for him. This is a kindness she is doing for him. Letting him know one his GF called her and two the reason behind it. That she is scared and he needs to listen to her about it. Tim shrugs it off like it’s nothing. Which you can see Lucy is a little taken aback with. How instantly shut off he is to this conversation. But like i said earlier he is defensive about things he loves. He LOVES that dog.

This is their dance with advice he is defensive or dismissive at first. Then it sinks in and he truly listens to what she is telling him. She may not like Ashley. (None of us do..) But she would be remiss not to share her opinion on this with him. Tim instead of thanking her for the advice deflects. Because well Tim. Asking why she is so invested in his love life? Asking with a little smile some sass in that question of his. Also gauging what her reaction will be. He is truly curious.

It is interesting how his love life is the only one she intercedes in. Not Nolan or any of his. She didn’t with Jackson for either of his love interests. Just Tim. Because that shows the level of importance this man has gained in her life. Saw some parallels to this moment and 2x03. When she was trying to pair Tim up with Rachel. How Lucy once again is involved in his love life. It’s true that she just wants him to be happy.

Also Tim’s interest in why she is interested in his love life is far different than 2x03. He didn’t question it then. Just thought it was apart of their bet. In S4 he is a lot more aware. Like I said in the last review their bond and their awareness of each other is far stronger than it was in S2. He is so genuinely curious why she is so invested in it?

They’ve had a lot of intimate moments and work flirts since 4x01. Tim can feel the shift that has happened between them. So it makes him curious why she is helping him like she is? Lucy does some deflecting of her own for his question. Saying she doesn’t want to drive around on patrol while he is moping around about this girl. He is so offended by her saying this it's so funny. That if he likes this girl he should listen to her. It’s funny all the things she’s telling him to do with Ashley he naturally does with her. Funny old world lol

Tim’s reply back cracks me up. Saying when has he ever moped? That he doesn’t even know how to. Oh but you do my love. You perfect it in S5. While you pine for her while she is still with Chris the putz. But ok sure you don’t know how. His eye roll is so damn funny Eric always crushes it when he does this. Her little Mmhmm as she walks away smirking. Has this man wrapped around her finger. She drives him insane and Tim absolutely loves it.

Tim follows through on Lucy’s advice and listens to Ashley’s fears. Really Lucy extended this relationship when it was destined to fail. But she cares so much about Tim and his happiness she gave him solid advice. This bit made me chuckle. Saying Kojo needs to be bossed around a little to listen. heh. Just like daddy. There's a reason he only listen's to Lucy.

Kojo being just like Tim of course he needs a strong woman to boss him around to listen. I wouldn't call Ashley strong but she got the idea. I mean that scene in the parking garage kinda a parallel to this one in that regard. Doesn’t listen at first then eventually comes around when they're bossed around ha. Not a ton in this ep for them. Solid moments nonetheless. Sadly we are saddled with a Chris and Ashley for a little while. But we get tons of goodies between all that so it helps.

~~~

Side notes- non Chenford

I do love James and Wes starting up their bromance. They cute.

Thank you to all who continually support these reviews. Your likes, comments and reblogs make it all worth it. See you Wednesday with 4x11 :)

[soulmvtes]

dif anon. you’re so valid about being allowed to have your opinions on ts and her songwriting but saying that it has never been her strongest appeal is truly insane and i'm fully saying this as a casual listener. i study literature and i've had definitely more than a few courses about her composition and writing process and i feel the hate train on stuff she decides not to speak about (even if it benefits her or not, because i believe she doesn’t owe shit to anyone on that department) on her is just so unnecessary at this point of her career that most people (ngl including you) don’t even try to see beyond the basics and surface on her lyricism and is so wild to me that random individuals just comment on her as if she wasn’t a genuine ally of serious literature but well, that’s just me hah :) id be lying if i say she has some cringey lyrics here and there but it’s the bare minimum because even on her earlier albums she’s been putting exceptional wording to express her feelings and emotions all at once.

i have to disagree with you on literally all of this. in my experience of ts like growing up listening to her, her lyricism really hasn't been her strongest appeal (which is not to say she doesn't have good lyrics at times!!! i think ur misunderstanding me bc i have said that her lyrics can be really good at times even in earlier albums) - i think definitely in more recent times there's been more of a focus on it but still, when i have thought about her and her music i have just never ever associated her with Good lyricism (which isn't a bad thing?) so i'm not sure if it's bc you are a fan/you listen to her a lot so it's more meaningful to you or what else you listen to (which i'm not saying in a mocking way at all) but i just can't see that as her entire thing personally. i study literature too so it's fair to say we have had very different experiences in terms of viewing her lyricism in that regard. i completely disagree that she doesn't owe anyone anything in speaking out about things tho, she definitely should use her reach and sway esp when its clear she picks and chooses. personally an artist means nothing to me if they can't engage with the material world around them. that doesn't mean they are required to be well versed on every single thing and make some kind of stance on everything but it's so clear which kind of lives and issues and people she values and i think that matters more to people (such as me) than her lyricism which people are often willing to look behind.

[codename-adler]

is there any reason why Dan specifically? a lot of the foxes have dad issues, but Dan doesn't show any signs of trying to seek out anything romantic from older men becuz of that. if it were any fox, i feel like it'd be more likely to be Andrew? idk how old Roland is but we know he was older than Andrew, and he's a position of authority just like Wymack. I don't WANT it to be Andrew. I just feel like if it had to be someone, its him, yknow?

hmm not sure how to answer this.

i just transposed my experience onto her, as a hc, for shits & giggles. i never said i based myself on canon? was just vibing.

if i did have to justify it, i’d say the EC kind of could point that way, if you really wanted it to be as close to canon as possible? but i’d don’t! cause it’s just for fun! and not that serious!

as for the Andrew thing, um, i feel like i gotta say something. just as nothing in canon points to Danielle having lingering daddy issues / seeking much older male validation because of her past, neither does Andrew. Roland is what? a few years older, max? legally an adult (which is still BAD, in case i wasn't clear......), but not the way Wymack is, a fully grown man in his forties/fifties. he’s not a dad’s age. no dad potential whatsoever. Roland & Andrew is different than the possibility of Andrew seeking out Wymack. you have to know that. it's not the same at all.

the reason Andrew sought out Roland was not specifically bc of his age, but bc Andrew could be in control and Roland would follow his rules, for the most part. when he would not, Andrew could tie him up, and Roland would let him. if there was an age-related reason, it’d be that Roland is a mature, consenting adult in full possession of his independence. Andrew would be inclined to see that as good (for Roland). Andrew would not consider this as also bad (for himself). Roland has no authority at all over Andrew, though. not according to canon Andrew. he may have been his boss at one point, but Andrew is holding the reins of the situationship. Andrew is the one in control.

so to say that Andrew, specifically, would be the one most likely to seek out much older males is… icky. iffy. yucky. you “don’t want it to be Andrew” and why is that? bc of his past abuse, right? and you know that. you know why. i know i’m probably more on the defensive than i ought to be, but there are already harmful stereotypes in aftg when it comes to queer representations and identities. we don’t need more in fanon. i don’t need more in fanon.

Andrew grew up in foster care without a mom or a dad. if he had daddy issues, he’d most likely have mommy issues too, no? but what did he do to his mommy? killed her. for laying a finger on Aaron. that’s a mommy issue alright, but not a mainstream, freudian one. not the kind we’re talking about here. so why would he develop those with older men in parallel? he actively avoids these types of men because of the abuse he endured at their hands. not just Drake's.

it’s just. awfully close to right down saying Andrew is gay bc he was abused by men as a child. that’s a dangerous, slippery slope.

again! in case it wasn't blindingly clear and glaringly obvious! the Danielle post was about Danielle herself. David Wymack would not and never was involved. David Wymack never even knew Dan harbored these misplaced (misplaced!) feelings. she is taking this one to the grave.

if you come from the perspective of personal experience and you’re projecting too, sorry. i don’t mean to invalidate your feelings or your experience.

i think i’m done now.

tl:dr it wasn’t that serious + it doesn’t need to be made serious. just me and my dad-baggage against the world.

[justalittlesolarpunk]

this is 2 questions, but they're both a little depressing, sorry

any tips for just keeping up hope? things just seem so awful as of late. ik bad things happen all the time, but it just seems like things are genocide on top of environmental collapse on top of genocide. how can you stay hopeful?

and any tips for enacting change as a minor? i don't have any income to spend on supporting causes, i'm not allowed to go to protests or rallies or anything of the like, i can't vote. i feel so useless. i know there has to be something i can be doing! i just don't know what.

again, sorry if this is. not the sort of thing you'd like to answer, i'd understand completely. feel free to like. ignore this i suppose

your blog seems lovely, it's nice to see someone determined to fight for a better world. i hope you have a wonderful day.

Hi. Thanks for getting in touch, and please don’t apologise for your questions. I’m sorry to hear you’ve been struggling, and I want to start by saying that what you’re feeling is a normal, healthy result of being a caring human being in a world full of cruelty and suffering. This is a really difficult time for the planet and its people and so I’d start by saying you’re allowed to feel dispirited and hopeless, especially as a minor looking around and seeing this is the world you’re growing up in.

This will probably be quite a long answer so I apologise for that, but you’ve caught me on my favourite topic - hope. To begin with, I have a little mantra that I repeat to myself which is that while despair as an emotional response is valid and to be expected, despair as an ideological orientation is not acceptable. What this means is that I allow myself and others slack and compassion at times when the feeling that everything is just too fucked to fix takes over. But I don’t permit myself to stop that from making me act. I take inspiration from people who have survived and are surviving incredible adversity - from the indigenous people who chose to keep living, to keep preserving their language and religion and culture, to keep fighting for their land and bringing children into the world even after everything they recognised about it was gone. We aren’t the first culture to face an apocalypse. Similarly I think of the low-lying islanders and other people in the Global South or the Arctic Circle seeing their means of subsistence or their homes being destroyed by climate change. I know this doesn’t sound at all hopeful on the surface, but I remind myself that these people don’t have the luxury of nihilism or despair. They have to keep trying, again and again, rebuilding the dams and re-roofing their houses and planting again the crops that they lost to extreme weather. If they give up, they die. They don’t need my tears and they don’t want my pity. And so reminding myself of the solidarity I owe them sort of resets my brain into getting-stuck-in-mode.

One of the most important things I have done and would recommend others to do to keep the despondency at bay is to act, to get up each morning and make the choice to do good, even if it’s just being kind and friendly to the people I see that day, or signing an online petition, or planting something in the ground. Sure, these actions won’t change the world on their own, but they contribute. And more importantly, they change you.

The second biggest thing is to control your media diet. That means getting serious about reining in your doomscrolling. The news and social media are full of appalling images right now and I’m not saying you should look away, or pretend it isn’t happening, but you have to remember that you becoming emotionally numbed out and vicariously traumatised doesn’t help the victims of war or environmental disaster. So balance out the negative news by actively seeking out things that are going well in the world. Remember that every day countless people get up determined to make things better. Visit Positive News, The Good News Network, The BBC’s Uplifting Stories Page, and similar sites. Follow Sam Bentley and Zahra Biabani. Read Rutger Bregman and Hans Rosling and Jon Alexander. Remind yourself that the good things happening in the world aren’t cancelled out by the bad ones any more than they cancel out the bad. Look for signs of care in the world around you: see how the old friends at the train station hug tightly when they’re reunited, or how the schoolboy helps his friend with his jacket, or the crowd parts to let the old woman through. These things seem small but they are the groundwork for everything we can achieve together.

I have hope because even in the midst of appalling scenes in the Middle East, aid workers are going in with food and medicine, risking their own lives, journalists are drawing attention to the situation, Israelis (even some with families held hostage) are calling for an end to the bombing, groups of Palestinian and Israeli communities have been working together for decades and will be the first to pick up the pieces when the dust settles, and because thousands are marching for justice and peace all over the world. Sometimes the moments that reveal the worst of humanity show us its best too. ‘Look for the helpers’ is a cliche but it’s genuinely useful.

Hope is also something you work at, a skill to be cultivated like any other, and I have found the writings of Rebecca Solnit hugely helpful in cultivating my own practice of hope. In terms of the environment, solarpunk shares origins with hopepunk, a genre that is all about triumphing (or even just trying your damn hardest) in the face of seemingly insurmountable odds. You don’t have to become a perfect optimist overnight, you don’t even have to be an optimist at all, you can just hope out of spite. Because the last thing that the corrupt politicians and the war criminals and the fossil fuel billionaires and the media commentators want you to think is that things don’t have to be this way and can get better.

Watch the Earthshot Prize Awards Ceremony even though it’s weird and corporate. Get newsletters from MSF or the UN agencies doing good work on the ground. Watch the birds out of your window. Revisit those good news websites regularly to check out the latest stories. Listen to podcasts that imagine a better future (I am working on a resources masterpost so check back in for that). Bake a cake for someone you know who is having a hard time - maybe that someone is you. That’s ok too. We cannot change the world alone but we can hold and soothe some of the pain in it. And take care of yourself - remember that, as Audre Lorde said, self-care is an act of political warfare. Make joy your resistance whenever you can.

This kind of ties in to your second question - how to make change as a minor. I know you don’t have a lot of power but you can still make a difference. See if you can make an environment society or a group of socially conscious students at your school. Talk to your friends about climate change and social justice issues (studies say this is the single action you can take as an individual that has the greatest likelihood of contributing to systemic change - ahead even of giving up flights or going vegan). Talk to your parents if they’re receptive. Talk to siblings and cousins and the guy behind the supermarket counter. Surround yourself with people who want to make things better, if you can. You’d be surprised how much change you can make even just by asking people or institutions to do better - can your school improve its sustainability, for instance? Write to elected officials even though you can’t vote (they don’t need to know that! You don’t need to tell them your age!) and sign petitions if you can’t go to protests. Sneak out to a protest if you feel like rebelling (though make sure a trusted friend knows where you are and follow safety guidelines available online).

Give yourself some grace to mess up and fall short and fail. It’s beyond unfair you have to be worrying about any of these things, but you are, and that’s because you have a big heart. Take some time to cry in your bed if you need it - I know I have over these past few weeks. Then when you’re ready, get up, wipe your eyes, roll up your sleeves and get to work.

[cluelessbees]

through the whole time I’ve been following you I’ve never once seen you say anything about Palestine before. Since the news broke about Hamas killing Israelis, rightfully so you’ve shared posts etc about it all and it seems like posting about st/byler is the last thing you wanna think about rn. Which is fine! But lately its just seeming like you’re doing it to prove to everyone how smart and informed/outraged you are about the conflict and how dare anyone talk about anything else… in one of your recent reposts you tagged that all the Palestinians that have died in the 75 years shouldn’t be forgotten (they shouldn’t! What’s been done is awful) and fuck anyone who doesn’t wanna read about it bc it makes them feel bad. I would be more willing to agree with you on the things you say/repost if I’d seen you post about it before… but you haven’t. I’ve never seen you talk about Palestine before on your byler based acc (bc you’re here to talk abt byler!) but suddenly it’s like you’re some social justice warrior who can’t bare to talk about byler bc the Israel/Palestine conflict has been brought to attention again on social media. Others who have reposted things have still posted abt things they like in between bc they know the small things they share won’t make a big difference but they want to show they still care whereas yours seems performative at this point.

I'm going to stay as calm as possible here.

Go unfollow me if you don't want to see anything about Palestine. That's it. Point blank. I don't need your validation or your follow or whatever.

Just because I've never talked about the issue before online doesn't mean it isn't an important issue to me. I'm an Arab. I hear news about this every week. I grew up hearing about Palestinians being kicked out of their homes, being bombed, being killed. Every Ramadan I read articles of Palestinians being beaten and killed for praying in Masjid Al-Aqsa.

I have friends who are Palestinians refugees, who can't even return to Palestine. I have a teacher that left my highschool to go back to Gaza to be with her mom. And I have no fucking idea if she's alive right now.

This is everyday for me. And I was so used to the world not caring. Up until a few years ago saying you were pro-Palestine would lead to so much hate.

But the world is talking about it now. And I will not stay silent. I will not let misinformation spread. I will not let Israel destroy Palestine's image. I will not let anyone forget about their lives. They were people. They are my people. They are my friends, my teachers, my family.

Go fuck yourself if you think this is me being performative or me showing off my knowledge. Do you fucking know why I have this knowledge???? Why I know so much?? I grew up with this.

I'm literally an Arab. I can't believe I have to fucking say this so many times. I'm not white or whatever. This is literally all I can think about right now. The Arab community (which I'm a part of) in my university are setting up donations, wearing the Palestinian Kuffeyah in solidarity, talking about this whenever and however we can. This is what it means to be Arab. We are not going to shut up about it.

I am watching my region enter a war. I literally live in the Middle East. I am watching people online call my people terrorists, barbaric, subhuman, animals. What do you expect me to do? Watch and pretend that I'm white or some shit?

OH and because you're thinking I'm just now caring

Here's fucking screenshots of my chats with friends.

Just because I've never talked about it here before doesn't mean I've never cared about the issue. You don't know me stop acting like you do.

Fuck everyone who thinks this way. I don't care if you support or follow my account. I will talk about Palestine until my dying breathe. My love for Palestine is ingrained in my DNA. It is the fabric of my soul.

It's free Palestine, until Palestine is fucking free.

[once-upon-an-animation]

My massive TSATS Review

Hi everyone. In this post, I will sharing my thorough review of The Sun & The Stars by Rick Riordan and Mark Oshiro. I don’t normally do thorough book reviews, but since I’ve invested a lot of time, effort, and money into the hype for this book, I feel like a thorough book review is the best way to top off the journey. In this review, I’m going to be going over my honest feelings, thoughts, and opinions on the plot, the characters, and the writing quality. I took notes as I was reading, so certain things may be repeated/out of order/etc. In addition, I only took notes on the things that stood out to me. Therefore, if it’s not mentioned in this review, it means that it’s a detail that I felt neutral on/didn’t care about. 

When I do reviews, I like to share details about me that may contribute to my perspective on the book, so that anyone reading this review is aware of any biases I may have. So here are some of the opinions I held prior to starting the book:

I am not a Nico stan. I don’t hate Nico, and I actually enjoy his character quite a bit, but I wouldn’t call myself a stan. I don’t worship or feel particularly attached to his character. 

I am not a Solangelo shipper. I like Solangelo as a concept, but have been particularly unimpressed with its execution thus far, especially its introduction in Blood of Olympus (BoO). 

As of ToA, I’m not a big fan of Will’s canon personality. I acknowledge and accept it as canon, and I don’t like it. Ever since Will and Nico’s first interactions in BoO, the way Will talks to Nico about his experiences has always rubbed me the wrong way. 

Not that it’s anyone’s business, but I am currently unsure of my sexual/romantic orientations. Therefore, I don’t know how much this book means to me in terms of “representation”, and I’m not necessarily nuanced on all aspects of queer relationships. \

I did not like the preview. I read the preview of the first few chapters when it was released/leaked, which Mark shared that they wrote. And yeah…I was not a fan. The writing wasn’t bad, but it did feel a little jarring, which was to be expected. However, the characters, jokes, and overall flow felt off. And I’m sure everyone is tired of hearing this, but it absolutely gave off fanfiction vibes. I mean, TSATS is essentially canon fanfiction given that Mark is not the author of this franchise. 

Lastly, the following arguments: “This book isn’t for you; it’s for kids!”, “It’s a kid’s book, it’s supposed to be cringey/corny/silly!”, “If you don’t have anything nice to say about the book, just shut up!”, and “If you think anything was wrong with this book, you didn’t read it right!” do not mean anything to me. Just because I’m an adult doesn’t mean I’ve suddenly lost the capacity to evaluate the quality of children’s media. If adults are allowed to create children’s media, then adults should also be allowed to analyze them and critique them. In addition, if adults are allowed to review a book and say that it’s good, then adults should be allowed to review a book and say that it’s bad. Positive opinions are not inherently more valid or morally better than negative ones. Negative opinions have their place in art and literature consumption and people are allowed to dislike things and share why. If you cannot handle the possibility that people thought this book was bad, then book discussion is not an arena you should be in. Lastly, I do not hold children’s media or diverse media to lower standards. Children’s media can and should be of high quality. Diverse media can and should be of high quality. 

Whew, okay! Now that that’s out of the way, let’s get started! Warning: There will be spoilers! And this post will be very huge/long!!!

Plot

So the basic gist of the plot is that Nico has been hearing this voice calling out to him from Tartarus and he believes that it’s Bob, so he and Will journey down to Tartarus to go rescue him. They stop by the Jackson apartment to get some advice from Percabeth, they spend some time in the Underworld with the troglodytes, and then they face off with Nyx in Tartarus, who is holding Bob hostage. As far as the overall plot, I was very “meh” on the whole thing. I already disliked the premise because A) I think Rick’s version of Tartarus is kind of lame and he always insists on turning things into a joke down there, and B) It felt kind of repetitive with Percabeth’s journey. In addition, Will and Nico don’t actually reach Tartarus until more than halfway through the book, which is actually ridiculous. As a result, the first half of the book feels like such a massive drag and around Chapter 26, I kept wondering “Holy cow, when are they going to get to main destination!!?!??” 

Before anyone comes for me, I completely understand that this book is more character-focused than plot-focused. In some ways, this is a welcome change, but in other ways, it really makes certain portions of the book feel like a slog to get through, especially if you’re not a diehard Nico/Will/Solangelo stan and you were hoping for an exciting story outside of the characters. Just because you’re spending more time with the characters doesn’t mean that your story should be lagging. You’re supposed to weave the character development into the main plot. 

Anyway, here are my specific chapter notes, arranged in groups: 

Chapters 1-5

- So it seems like not much was changed between the preview I read and the final version of the story. I’m kind of disappointed about that because as previously stated, I didn’t really like the preview. 

- The Darth Vader joke: I thought the overall joke was cute, but I think it’s the way it was written that makes it land weirdly. I think it went on for just a tad too long. 

- I’m not really buying the idea that there are zero kids staying at CHB for the year aside from Nico and Will. I understand the explanation that the book gave, but I find it very unlikely that every single kid at CHB has a happy home to return to, especially given Annabeth’s and Leo’s storylines as examples. 

- On a positive note, I am happy to see Nico’s Italian heritage being a stronger part of his character. 

- I really enjoyed Nico’s dream sequence in the beginning chapters. It felt nice to see dreams used not just as a plot device but in a way that says more about the emotions of the character. I hope you’re taking notes, Uncle Rick! 

Chapters 6-10

- I have mixed feelings about the Percabeth cameo. On the one hand, I feel like it’s tradition to have them cameo in books now since they’re no longer main characters and people like having updates on them. I also think receiving their advice about Tartarus made sense. On the other hand, their advice was kind of shitty and not very useful. There were so many practical tips they could have given, such as certain enemies (ie. Nyx) or certain locations (ie. Hermes’ shrine) to look out for, and they just like…didn’t. It kind of kills me because Annabeth in particular is supposed to be the “smart” and “wise” character, but whenever she has an opportunity to actually do something wise and helpful, Rick dodges that shit like the plague. 

- Speaking of WiseGirl, Annabeth’s “Why you, Nico?” line pisses me off and feels like a really stupid question that she should know better than to ask. Unless there are details that I’m missing, Annabeth knows that Percy’s relationship with Bob is quite strained due to the fact that Percy never visited him and Nico being the one to visit is the main reason that Bob was willing to help. Why would it surprise her that Bob would call out to Nico instead of them? Is Nico not the one who actually formed a friendship with the guy? In addition, why should it even matter that Bob didn’t call out to them? It’s not like she and Percy would have actually gone, given how traumatized they are by Tartarus and how they’re trying to live peaceful lives. So again, what is the motivation for asking a rude question like this? Did she actually want to lead the rescue mission? Would a call from Bob that she may have ended up ignoring make her feel validated> Is she offended or jealous or something? Sorry, but this question annoyed me so much and I don’t understand why Annabeth felt like she needed to ask it given everything she knows about Bob and Nico. 

- I appreciate hearing Nico make some positive comments about Percy, especially since a lot of Nico/Solangelo stans insist that Percy is the Devil Incarnate. Hopefully, the fact that their favourite character doesn’t hate Percy as much as they do will inspire some of them to chill. 

Chapters 11-15

- The nightmares/visions during the encounter with Epiales were pretty well done. In fact, I wish some of Annabeth and Percy’s encounters in Tartarus had gone a little more like Will’s visions in this scene; having nightmares about their insecurities regarding each other and questioning their relationship. 

- The troglodyte scene was really dragging. A lot of the dialogue at the beginning of Chapter 14 felt stale and unnecessary. 

Chapters 16-20

- The Nyx encounter in the Chapter 17 flashback was really good, and is everything Nyx should have been in HoH. 

- Nico’s Tartarus recall was a little…underwhelming. Like the Nyx encounter was great, I just expected for more things to happen to him, like more monster encounters and stuff. 

Chapters 21-25

- The ‘story time’ about Nico asking Will out on a date irks me for multiple reasons. 1) So ever since Rick decided to be more upfront about tackling social justice/deeper relationship topics in his books, his writing has developed this preachy quality to it where it feels like he’s just lecturing his readers through the voice of the characters and hand-holds them through his exploration of relationship/queer topics. I hate when Rick does this because the writing is way too on-the-nose and the characters sound awkward and not really like themselves; they sound like someone outside of the story is talking to you. This first date story time reeks of that on-the-nose quality and I don’t like it. 2) I have doubts about whether asking Will out in front of the entire camp (or being the one to ask for a first date in general) is actually in character for Nico. I think Nico could have opened up more as the relationship progressed, but making the first move in the beginning seems more like it should be a Will thing. 3) I am so sorry, but I do not buy for a second that no demigod at CHB felt comfortable in their queerness before Nico came along. It’s a Greek myth camp, for crying out loud. Not only are a lot of the Greek myths and mythological figures hella queer (including some of the Olympians!!!) but some of these kids are also products of queer relationships (ie. Kayla Knowles). Not to mention, one of the biggest narrative themes of CHB is that it’s a place where demigods who have never felt quite at home in the mortal world can  establish a sense of belonging and not feel like they’re weird or unusual. Now, I understand that CHB has shown judgment towards certain things (like children of Hades), but that’s mostly because of Hades’ reputation and misunderstanding from myths. And like I said earlier, those same myths also include some queer relationships amongst some of its more beloved figures, so I don’t know that being non-cishet would have been viewed as weird or unusual at a place like CHB if they’re following the myths so closely. Sorry, this argument is kind of disorganized, but overall, CHB is a camp where kids have all kinds of experiences, powers, interests, family backgrounds, monster encounters and more. A girl who likes girls or a boy who likes boys is probably one of the least notable things that they’ve ever encountered, and I just have a hard time believing that the entire camp would be homophobic to the point where no one was comfortable with being out. 

- So I actually really like the idea of Persephone and Will interacting and talking about how to manage being in the Underworld. However, something about the dialogue in this scene felt…stale. I understood the message that was being sent, but the actual conversation itself felt a little bland. I’m also disappointed to see that Rick/Mark fell into that same pattern that anyone who writes about Persephone does where they try to romanticize things between Persephone and Hades, and make Demeter seem like a bad figure. Like gee, your mother was protective of you and got mad when you were kidnapped and raped against your will; what a terrible mother, huh? And just once, I would like to read a story where Persephone rightfully bears a little resentment towards Hades for dragging her into a marriage that she didn’t actually want afaik.  

Chapters 26-30

- Shout out to the narrative for gleefully reminding us that we are not yet in Tartarus as of Chapter 26, which is more than halfway through the book. Goodness gracious! 

- Will & Nico’s “argument” is…okay. I was hoping that it would be moreso about Will’s comments seeing as that’s been the biggest issue so far. 

- The infamous Lil’ Nas X reference…not only is it kind of random, but I’m surprised that it’s even in this book. Is the ‘Montero’ video actually appropriate for this book’s target audience? (And when I say ‘appropriate’, I’m not referring to the queer themes, I’m referring to the sexual stuff, like the lapdancing on Satan and whatnot.) 

Chapters 31-35

- We are on  Chapter 32 of a 51-chapter book with about 160 pages left, and the characters are just now arriving to their main destination. I’m so sorry, but that is such a silly writing decision that I can NOT take seriously. 

- I enjoyed the Solangelo argument  in chapter 34. Wish it had been a little longer. 

Chapters 36-40

- Ah, the infamous aeternae. When I went to Rick/Mark’s TSATS tour, Mark revealed that their first draft of this scene had initially been super serious and scary, but they eventually felt like they had written something too scary. Mark revealed that Rick’s “strategy” for handling a super scary scene was to “cut the tension” with a joke. And so, Mark took the scary aeternae scene and turned it into a joke by making the aeternae a pair of himbos. Words cannot describe how much I hate this. Why can’t scary things be allowed to stay scary? It’s Tartarus, my guy. It’s supposed to be the most frightening place a demigod can be. Why should any aspect of it be turned into a joke? The unnecessary humor messes with the tone of the story and ruins all the suspense and tension that’s been built up. It also makes Tartarus seem less intimidating than it should be. 

Chapters 41-45

- Words cannot describe how much I hate the implication that Nyx and Nico produced “children” together. Yes, I know they’re not real children, but I still hate the implication. It’s creepy. 

- Now going into this book, I knew damn well that Will wasn’t going to get left behind. I also knew Bob wasn’t likely to get left behind because having them go  on this rescue quest only for him to not make it out would be a little pointless. But the cocoa puff thing felt like such a cop-out. Like how convenient is it that Nyx brought these demons to life at the right time so that they were just oh-so conveniently available for Nico to sacrifice in the most in-your-face symbolism for letting go of his demons? 

Chapters 46-51

- Correct me if I’m wrong, but didn’t Nico tell us in Heroes of Olympus (HoO) that Bianca tried for rebirth? What is she doing in Elysium?

- The dream scene with Nico, Hades, Bianca, and Maria was very sweet. Probably my favourite scene in the entire book. 

- “What an ingenious way of fulfilling the prophecy” Chiron says. Good job, Rick/Mark. Way to not-so-subtly pat yourselves on the back there! 

- Shout out to Shel from finally graduating from being a plot device/narrative tool to being something of an actual character (this is moreso shade at Rick). The fact that she’s Native like Piper is really nice. 

- Nico’s conversation with Piper is fine, but I don’t like the way it’s written. It’s another heaping pile of that on-the-nose, hand-holding, social-justice-lecture, talking-through-the-character style of writing that I don’t really like. Again, I have no issue with the topic at hand. But the characters do not sound like themselves. They sound like Rick talking to the audience. It’s weird, and I can almost guarantee that there was a better way to write this dialogue. 

- Kind of sad that Bob isn’t sticking around, but it’s cool that he’s heading west. Potential reunion with Percy? Hope so. Maybe he and Percy can talk and Percy can apologize/smooth out their relationship. 

Characters 

So in this section, I’m going to discuss the characters individually, and also Solaneglo’s relationship. I will obviously have the most to say about Nico/Will/Solangelo. In addition, I will only point out the things that stood out to me, and I will try not to repeat myself. So if this character section seems kind of short, it’s probably because my thoughts have been spread out in other sections of this review. 

Nico

Overall, I think I liked Nico’s character in this book. I liked that we got to learn a little more about his family relationships, his dreams, his solo time in Tartarus, and his perspective on certain characters and past events. However, his characterization did feel…off…from time to time. I think the reason why has less to do with TSATS in particular and more to do with how Rick has been handling Nico’s character ever since the end of BoO.  I think Rick was so insistent on giving Nico a healing/happy-ending romance as quickly as possible that he not only rushed through Solangelo’s introduction and glossed over their initial development, but he also rushed through Nico’s healing process. I feel like there are large chunks of Nico’s emotional healing that was skipped during all the time jumps between BoO/ToA and within ToA itself, and anything that’s told to us in TSATS can only be told in retrospect. As a result, Nico’s  joking/ flirting/ wisecrack nature in TSATS feels really sudden and maybe even OOC, because Rick never really showed us when and how Nico developed into this version of himself. To summarize, I believe this version of Nico could exist someday, but the transition needed to be longer, and more importantly, more of it needed to be shown to the reader. 

In addition, while we did learn a lot more about Nico, I feel like there were still major things that were missing. His relationship with Hazel was surprisingly absent from his thoughts, and Reyna was barely mentioned, if at all. This represents a larger issue I have with Rick Riordan where, as soon as a character becomes a couple with someone, he tends to shaft their non-romantic relationships in favour of the romance. Like how Grover and Sally lost a lot of narrative importance in Percy’s life in favour of Annabeth during HoO; I really hated that. 

Will

Like I mentioned at the beginning of this review, I came into TSATS not really liking Will and not really thinking that he’s the godsend boyfriend for Nico that the fandom likes to paint him as. I was hoping that TSATS would change my mind about Will, and while his character was improved for me in some ways, I think I walked away from this book still not really liking him that much. 

So Will’s arc was mostly about accepting the darkness within Nico, the world, and within himself instead of viewing it as something inherently bad/evil or something he has to fix. As a part of this arc, he spends a lot of time complaining about the Underworld/Tartarus and associated concepts (ie. death, darkness, misery, ghosts, etc.) during the quest. Look. I understand the whole thing about Will being a child of Apollo and therefore not really vibing with the Underworld/Tartarus well. I understood and actually enjoyed his fear to some extent. However, I have some thoughts about the nature of these complaints. First of all, Will is not a newbie demigod. According to him and some of his background that’s established in this same book, Will has been at CHB for a while now, and he has endured 3 major conflicts in which numerous friends and siblings died. Will has had more than a lifetime of exposure to death and misery, so I don’t understand why this quest is being treated like his first rodeo with death and misery. I can’t really say it’s OOC for him given how limited his characterization has been before this, but still, it doesn’t really align with the established facts we know about Will. The themes of death and sadness should not be new concepts to him, yet this book is acting like he has never been exposed to this stuff before, despite the fact that the narrative literally acknowledges that he’s been through this stuff before. Again, I’m totally fine with him fearing monsters and total darkness and stuff, but loss and grief are things he should be more than familiar with. In addition, the narrative goes so far to even throw in that Will likes true crime podcasts. Now, listening to podcasts and being in the Underworld/Tartarus are two very different experiences, yes. But I just find it odd that Will can tolerate media about murder/kidnappings/etc. But the death and misery associated with the Underworld has him shaking for some reason. 

I also find it odd that Will’s regard to Nico’s struggles with darkness, death, and misery is not always consistent. He can demonstrate the kind, empathetic, snd understanding nature of a healer when he needs to (ie. page 144 when Nico is about to start his Tartarus recall) but somehow he can’t see the insensitivity in the comments he keeps making about the Underworld? Again, it’s okay that Will doesn’t personally like the Underworld, but how is he not realizing how uncomfortable it must be for Nico to keep hearing all these complaints about concepts that he, as a son of Hades, is strongly associated with? On page 185, Will asks Nico yet another question about how he doesn’t find the ghosts disturbing. Nico explains that the Underworld is his second home and Will’s immediate response? “I could never live here.” Like look, this is a totally valid and understandable opinion for Will to have, but it’s also a dickish thing to respond to what Nico said, and the context in which it’s being said makes it frustrating. How and why is Will still acting surprised about what Nico is comfortable with? Nico is a son of Hades, for crying out loud! Him being comfortable with darkness, death, ghosts, and other associated things should NOT be a shock to anyone, let alone his own boyfriend of 6+ months. During the entire book, I couldn’t help but wonder why Will was even dating Nico in the first place if Nico’s domain made him this uncomfortable.

 I’m glad Will and Nico were able to talk about this and smooth things over at the end, but by the time this arc was resolved, my annoyance with Will had already been solidified.

Another component of WIll’s arc is that he felt like he was a burden to Nico on the quest because of how much he was struggling with the lack of light and the fact that he kept getting injured/tired. This is fine and I actually like this. What I thought was a little silly was Will forgetting to bring a weapon or something to fight with. Yes, I understand that Will’s unpreparedness was a  part of his arc, but while I fully understand his unpreparedness for the darkness/lack of light, him not bringing a weapon is very stupid, and the narrative acknowledging it doesn’t make it any less stupid. Again, Will is practically a veteran as far as demigod things go. How he could make such a silly mistake is beyond me.  You’re going into the most dangerous territory in the Greek myth world for demigods, and you didn’t think you should have something to protect yourself with? Seriously? And the worst part is that Nico/the narrative literally mentions that Will has been in three major conflicts so far, but from the way Rick and Mark wrote him at certain points in this book, you’d never be able to tell.

Solangelo (as a pair)

I mentioned at the beginning that I am not a Solangelo shipper, so all the romance in this book didn’t have me leaping for joy as it may have for others. Overall, I still like the concept of their relationship and the themes associated with it, but I’m still not a fan of the way they're being executed. Will’s character arc made things a little harder for me, and the fanfiction vibes of the book were not my cup of tea. I have a smattering of different thoughts about Solangelo in this book, so I’m going to jump from idea to idea. 

First, some of the romance/flirting/bantering did come off quite cheesy in a way that’s unusual in Rick’s better books (part of what gives TSATS fanfiction vibes).. Don’t get me wrong, I’m happy that the two boys like each other and have fun together, but it started to feel excessive at some point. Like Will recalling how Percabeth said being cheesy helps, and then Nico responding “Lay it on me, Will. I’m your grilled cheese” (page 373) made me put the book down so I could take a break. And before anyone come for my neck saying “They’re teenagers, it’s supposed to be cringey”...I have read PLENTY of books involving teenagers in which the romance/humor managed to accommodate the age of the characters AND still be mature enough so that it didn’t feel corny. There are fun yet tasteful ways to handle teenage romance/teenage humor in books and it’s up to the authors to find a good balance, so please miss me with this argument. 

Lastly, this is going to sound rather bitchy, but I don’t want to hear the term “grumpy little ball of darkness” ever again. I know it was mostly a joke, but it was super corny the first time it was said, and it was corny every time after. 

Next up, the circumstances surrounding their first kiss…I don’t like it. I’m obviously not mad at the idea of Will trying to be a supportive companion to Nico in that moment. I’m more so annoyed at what this kiss represents in the larger context of the Riordanverse. To some extent in PJO and to full extent since HoO, Rick Riordan has developed a deeply irritating habit of using romance as the solution to the characters’ emotional conflicts, grief, and traumas. There are too many characters in this franchise whose running emotional issues are magically solved by romance and I hate it. I think it’s harmful messaging to be sending to Rick’s young and impressionable audience that romance is the healing antidote to all of life’s problems. Feeling unwanted and like you’re not sure where you belong because everyone and everything keeps changing on you?  Get a boyfriend! Feeling guilty about your past and like a 7th wheel amongst your friends? Get a girlfriend! Struggling with loss and grief and feeling like you’re always going to be alone? Get a boyfriend! Your ex just died in the midst of you trying to figure out your identity and you’re still in the grieving process? Get a girlfriend! It’s gotten sooo annoying at this point! Like no kids, getting into a romantic elationship will not solve all your problems. And viewing your significant other as the fixer-upper for your trauma is NOT actually a good thing, contrary to popular belief. Treating your romantic other as your only source of joy, hope, and happiness is a terrible approach to healing. Just once, I would like the kids in this franchise to work through their emotions in a way that doesn’t default to romance. Because should Will and Nico ever break up (not that they ever will, because according to Rick Riordan, most people find their soulmate as a teen), or something happens to Will, what will Nico do? Crumble? Fall apart? Waste away? 

This is part of why I felt like it was really important for Nico to heal PRIOR to engaging in a romance because things like the circumstances of their first kiss suggest a sort of dependence that he’s developing on Will for dealing with his grief and inner demons, and I just don’t agree that this is a healthy coping mechanism. Nico doesn’t deserve to be alone or feel alone, but he does need to learn how to heal and cope through his traumas on his own because using Will as his source of healing is not a good thing. It’s okay for Will to support him or give him advice, but Will should NOT be Nico’s primary source of hope and happiness; Nico should be Nico’s primary source of hope and happiness so that if anything ever happens to Will, Nico doesn’t break into pieces because he’s developed the necessary strength to move on and find happiness within his own self, independent of a romantic other. Romance should complement the happiness you’ve grown from and for yourself, not be the source of it. 

Next, Nico telling Will he loves him during the fall to Tartarus as a parallel to Annabeth whispering “I love you” to Percy is…not really something I like. I truly hate to compare a gay ship to a straight one, but let it be known that the critique that I’m about to give has nothing to do with Nico/Will being queer specifically, and more to do with the way they’ve been written. Anywho, with Percabeth, something about that “I love you” on their fall into Tartaurs felt more special given the long history of friendship that they had prior to their romantic one in the PJO series, and the fact that they had been separated so long just prior to the fall. The “I love you” between Nico and Will is sweet on a surface level, but the fact that it’s an obvious copy of Annabeth’s “I love you”, and the fact that we don’t have as much history with Solangelo as we did with Percabeth really takes away from the impact. I think this “I love you” would have held more power at the end of the book. For example, Will and Nico could finally have a discussion about all of Will’s struggles with darkness, and when Will finally accepts the darkness as a part of who Nico is (hopefully) and states that he loves Nico as he is, darkness included, we as readers can feel happy that Nico has found someone who accepts every part of him, even the parts that aren’t so pretty. Will then tells Nico that he loves him, a love that encompasses all of who Nico is, and Nico can say it back, accepting Will for all of who he is. All in all, I think the “i Love you” should have waited, and I don’t think it should have been a rehash of Percabeth’s moment; Solangelo should have gotten their own unique moment. 

Next, Will’s guilt over Octavian’s death and him calling Nico a murderer made me go back and reread the scene in BoO. I can understand and appreciate his guilt from a healer’s perspective, but him thinking Nico was a murderer as a deep hidden grievance is kind of funky. Yes, Nico saying that they couldn’t stop Octavian probably came off really poorly in that moment. But also…Nico wasn’t saying that because he was bent on seeing the guy die. Octavian chose suicide and no matter what Will/Nico did, Octavian would have fought to get on that onager. Viewing Nico as a murderer for this, even by mistake, feels a little…extreme. 

Lastly for this section, when Nico and Will finally had the talk about Will’s complaining, I liked the gist of the conversation, but I didn’t really like the conclusion that Will came to (or maybe it was the way it was written). Nico’s point was that death is amoral. Yes, it’s hard for the people who are still alive and left behind, but it isn’t an inherently evil process, and the place where the dead go isn’t inherently evil either. However, when Will reflects on this, he focuses on the entities that are alive/from the surface and are somehow thriving in the Underworld, which kind of misses the point. The takeaway shouldn’t be that there’s hope in the Underworld because of the living things that are present there. The takeaway should  be that death, darkness, grief, all have their importance and place in our world, and that things that are  associated with them aren’t inherently bad or evil. The Underworld doesn’t need to have life in it for it to be valuable. 

Miscellaneous

Here, I will talk about a bunch of characters who made important cameos, but weren’t present enough to have their own section. If there’s a character missing here, it’s because I had no significant thoughts on them. 

Percy: 

- I’m glad to see multiple characters acknowledge that Percy needs time off. 

- As sadistic as this might sound, I’m glad to hear that Percy is still having nightmares about Tartarus. I’ve always felt like Rick did a shoddy job of exploring the impact of Tartarus on Percy and Annabeth. This update on Percy doesn’t really make up for what could have been, but I’m glad to see the trauma being taken a little more seriously. 

Annabeth:

- I already shared my grievances about Annabeth in the plot section. 

The Troglodytes:

- I kind of like the Troglodytes, but their presence in this story felt a little…long, almost like they overstayed their welcome.

Dionysus:

- Mr. D feels off in this book, both at the beginning at the end. At first, I couldn’t really tell what it was, but by the end, I think I got it. So we all know that under Mr. D’s “I don’t give a shit about y’all” exterior, he actually kind of cares about the demigods. However, he’s always been subtle with it so that he never looks like he cares too much, and I don’t think this is something that he would suddenly change just for Nico, even as his pseudo-therapist. Unfortunately, the way he’s written in the book and his dialogue is a little over the top. His excitement towards Nico at the end especially feels OOC.

Nyx: 

- I like Nyx a lot better in this book than in HoH. She feels less like a bumbling idiot, and more like a truly scary entity, although I was not glad to see that little tourist skit return. I wish we had spent more time with her. 

Writing Style/Quality

So for the last section for this review, I’m going to speak specifically on the writing quality of this book; I’ll be critiquing certain writing decisions made by both Mark and Rick.This section is also a smattering of thoughts, so I’ll be jumping again. Here we go! 

First off, the overall formatting of the story was kind of weird and disjointed. For example, choosing to stick with Nico’s POV for the entire beginning, but then suddenly jumping between Will and Nico’s POV after the encounter with Epiales was giving me a little bit of a mental whiplash. I wish they would have stuck to one POV per chapter just to keep things more organized. The interspersing of the story time with Gorgyra was kind of weird too, especially after I learned that it was taking place at a point midway through the overall story. It’s clear that this part of the story mostly exists to establish the canon version of how Will and Nico developed feelings for each other and hooked up, but I think there were better ways of just weaving this into the main story rather than constantly pausing the main story to do this weird kindergarten story time thing. I mean, the main plot was already taking its sweet ass time, and the Gorgyra scenes made it feel worse. I think the Gorgyra thing should have just taken place at its chronological spot. Lastly, I think Nico’s solo Tartarus flashback would have worked better as an epilogue, like ´oh, this is how Nico’s last trip to Tartarus went and now this book is about how different his 2nd trip will now that he’s not alone and  Will here’ or something like that.

Next, for the writing specifically, I have mixed feelings about Mark’s contributions to the book. One thing I appreciate about Mark’s writing is the heavier emotional weight of things. I’ve always felt like Rick’s writing was too “Go! Go! Go!” all the time and that he never let the emotions of the plot he was writing sit and simmer within the characters, making the characters feel a little hollow at times. I like that Mark is dwelling a little longer on the emotional aspect of the story and isn’t rushing right through them. However, there are certain portions of the book where the language is just a little too flowery and philosophical rather than just like…getting to the main point. This probably contributed to how long it took for the characters to move on from certain scenes. Also, there were portions of the book where the sentences just felt kind of clumsy and awkward, like Mark knew that they needed to write something but wasn’t quite sure what to write. 

Moving on, the pop culture references are definitely a little much. Now, to be fair, pop cultural references are not new to the Riordanverse, but I reread the PJO/HoO/ToA series a little while ago, and I recently read the Kane Chronicles for the first time, and I don’t think the pop culture references in those series occur nearly as frequently as they do in certain portions of this book (ToA might be an exception, but I feel like Apollo’s/Lester’s close relationship with the performing arts makes it more acceptable). In addition, pop culture jokes are not the only way to make good jokes. One thing I really liked about the Kane Chronicles is how Rick often used the mythology/local culture/circumstances of the specific scene as the foundation for jokes, because these feel a lot more organic and natural to the story, and are actually funny, and I wish TSATS had leaned into this more. It also didn’t help TSATS that some of the references felt forced amidst the conversation being had (eg. Nico’s ‘Single Ladies’ joke on page 12. Will makes a comment about not having any monsters to slay, and Nico responds with a joke about making skeletons do a choreographed dance to ‘Single Ladies’. A joke about making skeletons dance felt like a weird response to a comment specifically about slaying monsters, and it didn’t really fit in with the conversation). In general, randomly mentioning things that your audience might be familiar with isn't really humor; the references have to make sense within the context of what’s happening. Puns, play-on-words, sarcastic/smartass comments have been used before in the Riordanverse and worked fine when they were written properly. For example, Will’s “Noble McSacrifice”comment on page 45 actually made me chuckle, as grown as I am. So yeah, Rick has done better jokes in past books, and the try-hard pop references in this book is another thing that made it feel like fanfiction. I cringed very very deeply when I read the “#OnBrand” joke. 

Lastly, I’ve already mentioned my thoughts on Rick’s on-the-nose writing. It’s like he doesn’t trust the audience to connect the dots anymore on certain themes and social justice issues, and that they need it spelled out for them in the most blatant and obvious way possible. Like yay for Rick for wanting to touch on important topics, but there’s a way to do this without sounding like you’re making a social justice lecture post on 2014 Tumblr. Find a way to weave these topics and lessons into the narrative so that you’re showing your readers the lesson rather than just telling them the lesson. 

Also, if you’re going to use the characters as mouth pieces for these things, it would be nice if the characters could actually sound like themselves rather than just a vehicle for what Rick wants to tell the audience. Like, I really hate how the characters are literally just stating and  explaining their character arcs to us, as if we didn’t just literally read the book and can see the arc for ourselves.

Overall Impression

I think this book is pretty mid. It’s not the awful trash that some people think it is, but it didn’t really meet the hype for me either, especially as a non-Solangelo shipper. Certain aspects of it were nice, but many aspects of it annoyed me, and my opinions on Will/Solangelo haven’t really changed. I give it 3 out 5 stars.

[hotchocolatefanfics]

Hi I really loved your fanfics they are so interesting and quirky! I hope you continue to write and explore those ideas and your writing in general. I can empathize with your sentiments about your dad, my father also passed away a few years ago and IK what you mean by being angry with the world and its continuous pace. I really resonate with your statement about being angry about how the world can keep moving when your father is not in it. I really love the PoTA films as I also used to watch them with my dad as well! A question I guess I have for you is if the movies could be played out differently how do you think Koba could be reformed? In other words if things were different how do you think Koba’s story could have gone? Do you think he could ever be written as a reformed character? Thank you for reading and my sentiments and condolences go out to you ❤️

Hello, and thank you! I’ve really grown to love angst and romantic themes since writing PoTA fanfics so I hope to explore them in the PoTA world soon. I’m sorry about your dad too. It feels weird that things keep happening without him there, doesn’t it? I hope re-watching the PoTA movies remind you of good times with your dad as they do with me. 

And now for your question! 

If there were to be any reform in Koba, something would have to change his mind about humans. Thanks to Rise and the Firestorm book, we get a very in-depth idea of Koba’s backstory leading up to his escape in Rise. We know that Koba faced years of abuse and torture at the hands of humans which caused his deep hatred of them to begin with (which I think we can all agree is valid but still). 

Koba rarely encountered a friendly human during this time and when he did they didn’t stay long enough to show him kindness that could have changed his mind. Because of this, Koba has a very narrow view of humans. The ‘all humans are evil and dangerous and must be killed’ mentality we saw in Dawn. 

He was willing to listen to Caesar and express his concerns to him but I don’t think this could have been enough to change Koba’s mind (like even if Malcolm and the humans never entered the forest, I do not think anything Caesar said or done would have convinced Koba otherwise).

Basically, the only way Koba could have changed his mind about humans was if one of them were to show him kindness. For example, what he were the one who got sick instead of Cornelia and Ellie helped him? It doesn’t have to be Ellie specifically, but something serious would have to happen to Koba and he’s put into a vulnerable state and the only one to help him is a human for him to actually see that humans aren’t all bad. 

This isn’t necessarily a solid theory because, for all we know, Koba could very likely still try to kill all humans and just spare that one who helped him but this just means it would have to be more than one human involved (like maybe a few humans and some of the apes). Even if this does happen, Koba would still have to actually chose to change and do what he can to stop the war from happening. 

Plot-wise, I do not know how something like this would have fit in the movies but I could see it easily extending into Revelations (where Koba’s followers sort of picked up with where he left off-mainly Red, Grey…(other apes who’s names I can’t remember at this moment lol). Before War was released, there was some idea of bringing Koba back (that he somehow survived his fall) which could be utilized for this as well but it all depends on how much of the original plot you want to keep or change and what actually happens to Koba.

There’s actually a really good fanfic called Dawn of War on FanFiction that explores all this beautifully. To briefly explain it with no spoilers, Koba isn’t the one who started the war but is involved (sorta) in it’s creation and has a solid redemption arc. I highly recommend it if you haven’t read it!

[stillness-in-green]

Chapter Thoughts — Chapter 391: Rejecting the World + Chapter 392: Villain Name

On Toga’s Accusations

I am somewhat wary that two-thirds of Toga’s accusations towards Ochaco—you’ve never wanted for anything; your life was perfectly easy to live—are worded in such a way that they’re very easily parried by a reminder that Ochaco grew up in poverty.[1]  No, Uraraka never struggled with quirk-based compulsions like Toga did; she always seemed to fit easily into her social surroundings; that doesn’t mean she’s never wanted for anything and has always had an easy life.  It feels extremely akin to the Spinner fanboys yelling at the Black dude that he has no idea what it’s like to be judged by his appearance; it makes the accusers look wildly self-centered, oblivious to hardships suffered by people other than themselves.

That said, Ochaco’s already done the thing where Toga expresses that she finds her life difficult and Ochaco responds by ignoring that statement completely in favor of moralistic scolding about actions having consequences.  One would hope, given the contents of these two chapters, that we’re not due for yet another speech of that sort.  At most, I’d like to see Ochaco use their shared difficulties—different in nature, but both still present—as a basis for empathy rather than an excuse to chide Toga for not trying harder.

A while back, I criticized the Flamin’ Sidekickers for feeling the need to justify their continued association with Endeavor to Dabi—as if their reasoning makes any difference to Todoroki Touya!—and I feel similarly about this. True as it is that Ochaco has faced her own share of problems, her firing back about those problems and comparing her and Toga’s responses to them would not actually be helpful right now in de-escalating the situation.  It’s not always about you and your own problems!  Especially not when you’re trying to talk someone down!  As was the case with the Spinner fanboys, Toga’s in a very bad place right now, and has been for a long, long time.  Ochaco doesn’t have to validate her crimes, but I do think it’s important to validate her pain.[2]

(Hit the jump for more on Toga—her flashback and the intersection of her emotions with her quirk mechanics—as well as some musings on the broader implications of the quirk counseling scene, and the usual assortment of odds and ends.)

   

On Toga’s Emotional Quirk Mechanics

O Nice to finally get a hard confirmation that the doubles are clones of Toga-as-Twice, not clones of Twice himself.  Makes sense, given the speed with which she’s replicating, and makes it slightly easier to justify her own emotional hang-ups interfering with the way Double normally functions, though I’m by no means rescinding my complaints about that whole thing being hella arbitrary. Also, confirming that these are all Togas would seem to make it less probable for Uraraka to be able to pick out the real thing by her tears, right?  If they’re all Toga-masquerading-as-Twice, shouldn’t they all be crying?

O I like the Zeno’s Arrow-esque nature of the problem with Toga’s time limit on her transformation here.  Like, yes, any given double, and Toga herself, will run out of transformation time eventually, but she’s making exponentially increasing numbers of doubles every single second; each one of those doubles is created with the same amount of blood stock its creator had at the moment it started the creation process.  Each double thus comes into existence with one second more time than its creator now has.  So, how thin can Toga slice those seconds?  How infinitesimally close to the timer reaching zero can a double still snap out a new copy, which now has that tiny fragment more time remaining to make a copy itself? Real life doesn’t operate on philosophical time, of course, so she’ll run out of time eventually, prompting a huge tidal wave of Twices turning back into Togas, but it’s a neat thought exercise.

O DELIGHTED that Tsuyu’s guess was off-base, so all the ice-cold, “Toga doesn’t really love the League,” take meta from the people who think the League are toxic and bad for each other is rendered just hilariously short-sighted in retrospect.  Because, hey, maybe you shouldn’t take Tsuyu’s word over Toga’s about Toga’s own feelings!  Imagine that!

O Interesting that, despite the whole horde moving with the feeling of, “All heroes must die!” when they overrun Tsuyu, they don’t kill her on the spot, but rather just bind her and hoist her up as a hostage.  I assume there’s at least some influence from Hori not wanting to kill off any student characters, but extra-canonical explanations being what they may be, it still reflects interestingly on Toga’s own desires and intentions, and certainly her (underutilized) affection for Tsuyu.

   

On Toga’s Flashback

O So like, Toga’s dad definitely hit her in the flashback, right?

His hand is outstretched, specifically visible against the black silhouette of the rest of his figure; he could have just slapped the bird out of her hands, but I don’t think that would have been enough to spin her all the way in the opposite direction from when her parents first discovered her with the bird.  Further, she’s on her knees and hunched over, one arm raised towards the left side of her face, and if you look closely at her cheek in the next panel—

              —you can see a mark on the left side of her face that isn’t there on the right.

I don’t have a particular observation about this to discuss further—just wanted to point it out.  Toga’s father’s first response to seeing his three-year-old daughter holding a dead bird was not to tell her to put the bird down, or to hit it out of her hands, but to slap her so hard it spun her around and knocked her over.  Oh, and then to accuse her of killing it.

The three-year old.  Killing a fully-grown sparrow with her bare hands.  I couldn’t kill a fully-grown sparrow with my bare hands because a fully grown sparrow wouldn’t let me in touching range without flying away!  What is wrong with Toga’s father, exactly, that that’s the assumption he jumps to??

Incidentally, one of the bright little changes the anime made to that sequence back in MVA—one I actually overlooked in the In Memoriam posts—was to specifically animate him slapping the bird out of her hands and then leave her standing there grinning, arms lowered, as her parents continue berating her.  It’s truly astounding that we are still uncovering new issues stemming from the anime’s butchering of My Villain Academia!

O Speaking of Toga material the anime wildly fucked up, let’s talk about ~~quirk counseling.~~

So like, I tried for so long to maintain a layer of skepticism about what Curious said about quirk counseling.  After all, Curious was a villain, a member of a free-quirk-use cult, violently against the current social order.  She was categorically not a reliable narrator about the intentions and outcomes of quirk counseling!  All the same, it seemed safe to assume she was at least partially right, if only because, in a meta view, no one ever showed up to contradict her!  If we were meant to understand that she was wrong, why allow her words to stand uncontested?

Well, it turns out it’s because she was 100% right!

“They attempt to hammer out any bumps in your understanding of the world and program you to fit neatly into society’s little boxes,” she said, and, “The counseling ends up emphasizing the inherent differences among us all.”  And here we find a counselor saying, “Let’s get you all reformed, nice and normal,” thus emphasizing that Toga is very much not normal.

Of course, the counselor then immediately turns around and reveals that Toga’s desires are normal, at least in the sense that “deviant” desires are quite common in “children with powerful quirks.”  It happens all the time, apparently!  Despite the frequency of the problem, though, the best answer Hero Society has come up with is to preach repression, to strictly control who is allowed to use their quirk—and thus alleviate any natural urges that might accompany it.

Remember what Re-Destro said back in Chapter 227?

Wow!  It’s almost like this was an entirely predictable outcome!

O My perennial gloating about the (MVA-era) MLA being justified and correct aside, it’s interesting and, I think, promising that Horikoshi made time to include that bit on quirk counseling here.  Firstly, it reinforces the idea that Toga did not become a villain due to the actions of one discrete villain like AFO; she was failed by society at large, so simply offering her the sanctified blessing of The Sympathy of One (1) Teenager is not going to do a thing about the problems that created her, and will go on creating others like her unless real change happens in the attitudes of the current society.

(Of course, all of that is also true for Spinner, and we saw how the confrontation with the societal problems that created him went, thanks but no thanks, Shouji.)

Moreover, though, it’s yet another element that points in the direction of the Quirk Singularity Theory looming on the horizon.  If quirks are getting stronger and stronger as generations pass (and we’ve got plenty of evidence that suggests that they are) and psychological issues like Toga’s are common in those with strong quirks (and I don’t see any reason for a professional counselor to misstate something like that[3]), then it follows that such issues will also become more common as quirks increase in strength.  Indeed, an irresistibly strong desire to use one’s quirk would be a logical expression of Ujiko’s conclusion that quirks will eventually go out of control!

This is the dark side of Second’s conflation of a person’s intent with the term “quirk” back in Chapter 369.  It’s a place where the translation of the word kosei as “quirk” obscures the sentence somewhat.  Recall that the word Horikoshi uses translates more literally as “personality.”  So, Second says that a strong intent is what makes a person fearsome, and this is why meta-abilities were given the name they were[4]: the power is merely a vessel, a weapon to be used to carry out the intent in question, a characterful, personalized expression of one’s inner will.  In other words, a “personality.”

But the inverse also becomes true.  If a quirk, a “personality,” is reflective of one’s will, then to suppress one’s quirks is to suppress one’s will.  To condemn someone’s quirk becomes the same as condemning them.  To label a quirk deviant is to label the person’s will deviant.  And if a quirk grows too strong to control, then the will-as-embodied-by-the-quirk also goes out of control.  Hence, Toga snaps after too many years of suppression.

So how does that problem get addressed?  The MLA, of course, wanted free quirk use, because Destro foresaw a time when quirks would grow too powerful for suppression to be effective.  Even radical self-acceptance and an even more radical restructuring of society are still just kicking that problem down the road, though, assuming they’d be effective at all—not that it looks like Hero Society is on the cusp of embracing that particular point of the MLA’s ideology regardless!  Indeed, as Team Hero still regards the problem of quirks increasing in strength as “fringe thinking reserved for cults,” they don’t seem to have any intention at all of addressing the problem.  Time will tell if the story itself will do so.

O It’s striking that even after some years of emotional abuse, Toga was still barefacedly begging her parents to please explain to her what made her so different from everyone else.  It’s a telling parallel to her willingness to actively seek out Ochaco and Deku to ask their opinion on things, and makes it not terribly surprising that she reacts so negatively to being rebuffed by them.  Her whole question in the wake of Jin’s death was whether heroes viewed villains as human—when heroes go on to reject her, like her parents did, of course she’d assume that it means those heroes also view her as inhuman.

   

Stray Notes

O ‘Eeeeeey, people picked up on the Death part of the Parade name this time!  I notice it hasn’t been corrected in the online version of 375, though; I wonder if the volume release will fix it?

O One thing I wasn’t clear on from the leaks/scanlation—the former of which are too fuzzy, the latter too murky—but am very happy to see here is that the Himijin Horde is definitely visible on the horizon for Hawks.  You can tell from the difference in the shading: fuzzy, gray, irregularly sized trees on the right and left, but a long black line of much more regular height in the center:

They’re heading for the Todorokis and Iida, too, of course, but Hawks is obviously the confrontation I’m most interested in.  (Read: GET ‘IM.  GEEEET ‘IM.)  Very much hope we get to see that before Uraraka completely defuses this whole situation.

O Love the acknowledgement from both Ochaco and Tsuyu that Ochaco’s efforts here are late, and that’s worth an apology, worth Toga being upset about.  I’m thrilled that the story is finally, explicitly folding villains into that idea expressed by Nedzu that it’s difficult but necessary for someone to be the first one to hold out a hand if society is to meaningfully advance.  I extra love that Ochaco is holding out that hand while also taking a huge risk: offering her thoughts on why Toga’s having problems with making quirk-use-capable clones.

As I said about Chapter 382, Toga resolving that issue would be incredibly dangerous for Team Hero, and I love that Uraraka is still—despite being very aware of that danger—willing to try to help Toga with it.  With no guarantee of reciprocity, with everything at stake, Uraraka still takes the time to carry on that conversation because it’s what her heart tells her is the right thing to do.

After all, if she can resolve Toga’s issue, that stands to win her back at least a degree of Toga’s faith, at which point a Toga-made clone of Shigaraki obliterating this whole stretch of countryside would no longer be what Toga wants.[5] More than the strategic considerations, though, it's plainly apparent that Toga struggling with Jin's quirk is causing her great anguish, and that's really what Uraraka wants to soothe.

Taking the talk-no-jutsu gamble is how Shinsou should have handled Machia; it’s how Deku should have been handling Shigaraki instead of drowning him in his Fist Ocean.  I praised Mirio for making at least a game attempt at it, and Shouto took a crack at it before slipping back into castigation; if Spinner had been coherent enough to hold an actual conversation with Shouji, we might have gotten it there.  This conflict, though, is where I expect the tactic to finally work, as Toga has both the emotional investment in Uraraka[6] and the presence of mind/free agency to actually respond.  I can’t wait to see how it goes!

O Toga’s spitting-mad injunction that Uraraka not dare to pity her based on societal standards that never made room for Toga to begin with is an excellent echo of Jin's indignance that Hawks would dare to say Jin led an “unlucky” life, as well as Toga’s own fury at Curious for trying to paint her as miserable.

----------------- FOOTNOTES -----------------

[1] So far as I can tell, there’s not an officially recognized difference between “being poor” and “living in poverty”—they’re just different parts of speech describing the same condition—though it seems many people feel instinctively that there’s a difference in severity there.  Still, I’ll stick with “poverty” in this case: while Uraraka’s family never seemed so destitute that they were worried about keeping a roof over their heads, we know that, as of the beginning of the manga, she was skipping meals to save money.  I doubt she would have been so blasé about going hungry that it could be used as grist for comedic volume extras if she didn’t have prior experience with it, and not having enough money to have regular meals is right there in what it means to live under the poverty line.

[2] Elsewhere in this same angle, Deku’s frank empathy for and validation of Gentle and his motivations is what made Gentle’s return feel so much more earned compared to Nagant’s, and Shouto scolding Dabi for involving innocent people proved ineffective.  Shouji, meanwhile, took a stab at validating the mob’s pain, but didn’t have a single word of sympathy for Spinner.

[3] You know, assuming she doesn’t turn out to have been secretly on AFO’s payroll or something.

[4] Setting aside Second’s rampant historical revisionism about the origin of the term, of course, because not a lick of what he says lines up with the actual story of the Mother of Quirks.

[5] Though, you know, the clone Shigaraki would probably still want it!

[6] Dabi’s emotionally invested in Shouto, but in an inverted way, not one that primes him to listen to anything Shouto has to say.

[stargirl092]

Behold, an unasked for, frankly concerning, painfully cringy and probably idiotic rant about Bojack horseman. read if you want lmao

first off, I am not that far into Bojack horseman, I am just now finishing up the second season. and even though I haven’t seen that much I am literally obsessed with it, and have consumed a very embarrassing amount of media about it I PROMISE I KNOW WHAT IM TALKING ABOUT I HAVE WATCHED A MILLION VIDEO ESSAYS. I am very passionate about this please bear with me Lmao.

As a mentally Ill person, Most media about mental illness and especially depression misses the mark. Books like “girl in pieces” and “my year of relaxation and rest” seem like they are laced with misery from the start to finish page, and seem like there is no actually depth and everything sits on the surface (I have read both of these books by the way). I believe they very commonly include controversial topics that can be sort of alienating instead of making people feel included, which doesn’t make a ton of sense but I feel it’s very possible to have actual depth without literally actively alienating the people that consume your content.

with BoJack Horseman, I genuinely assumed it was a stupid cartoon about a talking horse. Which it sort of is, but I heard good and bad things about it so I decided to try for myself and I was immediately compelled by how they introduce such serious topics with an on the surface almost stupidity, but also humor and ACTUAL ACCURATE DEPICTIONS OF DEPRESSION. as a person with depression and anxiety, I do not want to see a extremely attractive girl wearing makeup with perfect hair sitting in her bed in her spotless room while a singularly tear falls down her stupid but conventionally attractive face. I mean, not saying that’s not a valid experience of depression but depression/mental illness is messy. It’s disappointing, unbearable, and complicated. For most cases, it can negatively impact things like your character, social life, relationships with people you love, career, or ANYTHING in an awful way. And that doesn’t make you a bad person, but that is realistically The affects mental illness can/will have on you. Once again, not saying that mental illness has to ruin your life for it to be valid but a lot of the Time it can, or almost can.

take BoJack, for example. he is an alcoholic, has strangled a girl, sabotaged Todd’s career, backstabbed herb ETC ETC. So yea, he’s sort of a bad person and that’s a question the show sort of lets you answer for yourself. But he also had an awful childhood and absolutely hates himself. To alot of people, that makes him real because when you have the things that happen to BoJack happen to you, the things he does to people are things that THE CAUSE MAKES SENSE FOR THE AFFECT. despite all of this, BoJack tries to be a better person relentlessly, and fails every time. BoJack is painfully human (which is funny because he’s a horse) and that’s why he is an amazing character and a realistic character. It doesn’t make sense to have a traumatized mentally Ill character that is literally perfect and completely unscathed.

Take Diane, for example. Diane is an example of an amazing complex character. some people don’t like Diane and think she is a hypocrite, WHICH IS LITERALLY BULLSHIT AND I COULD SPEND HOURS TALKING ABOUT WHY ITS BULLSHIT. BoJack and Diane had similar childhoods, where they were both told negative things by their family members/parents but the main difference is that BoJack believed them and Diane did not. Another point is that BoJack and all the other characters make you feel comfortable with being or feeling “broken” but Diane makes you feel uncomfortable about not doing anything about it. Diane does make a sort of recovery, by taking antidepressants, gaining weight, and divorcing Mr. Peanut butter. Diane is complex, realistic and an amazing character. Tbh I think most Diane haters are just misogynistic.

One last example is Todd. Todd is supposed to be the sort of comic relief, stupid character (ex. “Todd pick up your shit”) But he has depth!! He has trauma and issues and he’s asexual, which is pretty cool because I never see asexuals in tv shows. id say a time you get a little glimpse into Todd as a whole is when he tells Bojack; “it’s not the drugs, it’s not the alcohol, it’s not the shitty things that happened to you when you were a kid, you are all the things that are wrong with you. Fuck, Man what else is there to say?” which is an amazing line and a hard truth that Bojack kinda needed to hear. Also may I add the genius use of the word fuck in the entire series, only using it once per season to really put emphasis on something. It is not used casually in the show. The only time it is used in season one is when BoJack tries to apologize to Herb and he says “Now get the fuck out of my house.” Which is a very big deal for BoJack.

Overall, this is way too long and I think it takes actual talent to be able to portray depression so well and have lines like “before I jumped, I should have seen the view from halfway down” (which btw is gonna be my yearbook quote) and also be about talking animals and be animated. Genuinely very impressive.

edit: I CANT BELIEVE I FORGOT SARAH LYNN OH MY GOD

[aceredshirt13]

All right, boys, which culprits got executed after TGAA?

Asa Shinn - Very well may have been based on crimes alone, but wouldn’t actually have been because of her apparently magical diplomatic immunity. It doesn’t matter, though, because Menimemo’s poison and knife made that a moot point.

Nikolina Pavlova - Absolutely not. Regardless of which country’s jurisdiction she was tried in, she both didn’t intend to kill Kazuma and didn’t even actually kill Kazuma. If he’d died, she would have had assault and involuntary manslaughter at best, which wouldn’t be executable offenses even if he hadn’t pulled up later in Britain with amnesia. I’m glad they at least told her he wasn’t dead. Poor girl…

Magnus McGilded - Stronghart seemed to imply that he would have hanged had Ryunosuke not taken his case, but his acquittal and Ashley’s later paraffin inferno (parafferno?) made that a moot point.

Joan Garrideb - No. Unfortunately, I don’t believe spousal abuse was grounds for hanging, and negligent assault of poor Olive isn’t, either.

Ashley Graydon - You bet your ass he was. I regret to inform my fellow Egg stans that if anyone in this game is getting the noose, it’s this guy. The man has two counts of murder - one premeditated, one not - and while that almost certainly would have been enough on its own already, he also has countless charges of high treason. I would be genuinely shocked if Ashley wasn’t executed. (Unfortunately, the Skulkins don’t seem to be aware of their old friend’s inevitable demise.)

Raiten Menimemo - It doesn't seem like it? My good friend Yello combined all his various crimes together and figured he'd probably be in prison for 20-30 years rather than being hanged. So our boy Raiten's gonna be put away for quite a while, but probably won't be dead.

William Shamspeare - Probably not? While he was by no means a good person (maybe consider just robbing your neighbor next time instead of trying to chase them off with poisonous gas), and did have a prior criminal record of some kind (though I suspect it was probably just theft and honestly? If it was anything like his gas theft? Valid), there was no actual point where he successfully committed a murder - he killed one man on accident, and failed to kill another man on purpose. It’s true, however, that Quinby hates his guts, and has a lot of influence - so if he had a particularly bad lawyer, it could potentially sway whether or not he was hanged. Ultimately? It could go either way.

Olive Green - Thankfully, no! It was almost explicitly stated that the fact that she didn’t kill Shamspeare was a blessing, because it meant that her life wasn’t over. So again, probably a hefty prison sentence; but she’ll be free someday.

Enoch Drebber - Nah. He planned the crime, yes, but in the end he only became an accomplice in Asman’s actual murder. A hefty prison sentence, I imagine, but not death - and depending on his behavior, he could potentially get out sooner rather than later.

Courtney Sithe - Apparently not! Until Asman’s murder, I thought anybody who deliberately killed anybody in this universe would be hanged because of Stronghart’s comment about McGilded. However, Maria is far too happy about her mom still being alive during the credits for her death to be impending, so I have to think that Courtney is just going to be in prison for A While - possibly the rest of her life (though as a Sithe lover I can dream that she’ll get something shorter). Perhaps the queen commuted her death sentence because of her many years of work in the criminal justice system, which as far as I can tell was the only way you could evade hanging for murder at the time? Either way, she’d still be alive.

Seishiro Jigoku - Yep. Stronghart and others outright said he would likely never see his homeland again, and given that he committed two murders and organized an attempted assassination, I think he’s getting more than just lifelong prison time. The fact that Stronghart spearheaded all of these crimes and had quite a hand in coercing Jigoku to commit them would probably not be enough to stop him from hanging.

Mael Stronghart- Absofuckinglutely. Because okay, sure, he didn’t directly kill anyone. But there’s no way in hell this guy’s not gonna get executed. He’s ordered so many people’s deaths and committed so many corrupt acts that I don’t think it even matters at this point that he didn’t personally get his hands dirty - and given that Queen Victoria openly hates him now, she’s definitely not going to commute his sentence.