#why I'm even playing this game

[ellenent]

I think it's funny there is a side quest in xenoblade 2 to mesure who got the most Girl Power™ between two characters, and to do that they decide to use their hability Girl Talk™, which is just them talking all night

[thenonbinarydetective]

Things batfam stans need to leave behind in 2023:

Jason's Lazarus pit rage

Thinking Tim's parents were horribly abusive and hated him

Only caring about Stephanie in terms of her relationship to another person (ex: Tim's bestie/ex/gf or Cass' gf/bestie)

Treating Jason or Stephanie like they're stupid

Feral Demon Child Damian

Permanent sunshine boy Dick Grayson

Any "[blank] was the real violent Robin" discourse

Really just any reducing or sectioning of certain traits to certain batfam members and not allowing other characters to exhibit those same traits (ex: see sunshine Dick Grayson)

But also stealing traits from other characters and projecting them onto someone else (ex: Jason getting Dick's personality in fics. He is not the same type of big brother Dick is canonically)

Purposefully mischaracterizing characters for angst (ex: Dick sent Tim to Arkham, my beloathed. also again see Tim's parents)

Trying really hard to nuclearize the family. They are an unconventional family for many reasons, and that's why they're interesting.

"Alfred solos the batfam"

Making Duke "the normal one" and completely forgetting to give him an actual personality.

Cass using sign language because she can read body language (note: does not apply to YJ Cass who has damaged vocal chords)

Cass being used as a prop for her brothers

Tim being weak, woobified baby

Feel free to add on ~~

Don't send hate over these things because idgaf, they are harmful mischaracterizations, and many are built on total ignorance and often racism, classism, ableism, and sexism.

[uncanny-tranny]

The sheer pity party some alloromantics expect of aromantics is really funny to me. The expectation is that we ought to feel broken or afraid that we will never be worthy of anything if not for a romantic relationship, but as the years go on, I've been so much less inclined to feel those ways.

People expect aromanticism to feel like a prison, and I think that's looking at it wrong. My aromanticism never imprisoned me - amatonormativity did. Being aromantic taught me that I can never and will never be "made whole" through romantic attraction. Amatonormativity teaches that to be whole is to be pursued, to be in love, to be possessed, essentially. Being aromantic has freed me of those expectations because I had to break those chains in order to truly understand what will make my life worth living.

I've been finding more and more that being allo will never appeal to me - I don't give a flying fuck about allo being "normal," and frankly if being normal means being allo, I simply just won't be normal.

[cornaceee]

anyone else obsessed with this guy??? I definitely want to do a couple more portrait like i did for portia so lmk if there's anyone yall want to see :3

[hollowsart]

Quentin Beck, master illusionist: ..Mysterio!

alt of the 2nd image (no glitch or effects):

[agender-witchery]

Canto IV was really good

Project Moon does a cool thing that I really like with their stories, which in theory isn't really anything special, but I see so few stories do this that it really does single Project Moon out in my mind.

Each Project Moon game is in a dialogue with itself, having a discussion about politics and philosophy and society in general. They universally present the status quo as Not Great which is... evident for anyone living in the real world, but importantly to me, they do not present any proper answers to this.

This isn't to say that Project Moon stories are fence sitting nonsense that call for the importance of meeting in the middle, that's your own decision on whether you think that's worthwhile. And Project Moon DOES express opinions in the world they have created, so they're not cowards in that sense either. It's pretty clear, at least to me, that they believe things in our world do have to change, that the vision of capitalism that exists in the City is horrendous, and that we in the real world are on a clear trajectory toward the world of the City if action is not taken.

However, the way they frame the two opposing sides of each argument they present is important. And key to that framing is that in every game you play antisocial, morally dubious murderers. This is a constant. The people you're fighting aren't the good guys, but hey, neither are you.

In Ruina, when it comes down to the final confrontation with the Reverberation Ensemble, you are presented with two opposing ideals. Carmen and the Ensemble would love nothing more than to see the world torn down in its entirety, built back up in their own imagining of an ideal society. The Librarians, on the other hand, are there to fight against that notion, that the world they have as it is can be changed.

And while I definitely fall on the side of "maybe there's hope to be had in this dying, hellish apocalypse" I do GET where the Ensemble is coming from. I GET what Carmen's trying to do. It's a naive and childish attempt at creating a better world from the ashes of the old, an idea whose inevitable result is tyranny, but to someone who's already experiencing tyranny, tyranny but this time you're on top seems appealing. And I also understand that, for the Librarians, even if the ultimate goal here is to create a better society without that sort of tyranny, well you're kind of murdering people to achieve that.

And I think all this plays into why I enjoyed Canto IV so much. First off, the main conflict in Canto IV isn't between Limbus Company and another group, it's the conflict between K Corp and the Technology Liberation Alliance, which can be further distilled down to the conflict between Dongrang and Dongbaek.

In the case of K Corp, they're a bunch of utilitarians, people who say that even torture is acceptable if it leads to lives saved. And they quite literally do this, torturing the Tearful Thing in literally every possible way, just to produce the tears needed for regeneration ampules, forcing it to cry for the sake of others. Dongbaek doesn't even fully refute that this might be useful, but she does assert that if you're going to go to these lengths, there better be a foreseeable end to it, you better be curing EVERYONE.

And then we have the TLA, a bunch of anprims who aren't exactly wrong in the assertion that the way technology is used within the City causes immeasurable harm, but do come to the wrong conclusion that ALL tech needs to be incinerated. And, for them to come against K Corp specifically is significant, because sure, K Corp literally tortures people to produce their ampules, but the results are tangible. Lives are, in fact, saved, even if we discount the K Corp Security that will cut their own limbs off just to get healed.

And where Canto IV manages to stop saying "both sides bad" is in bringing Limbus Company back into the equation. A third party, who doesn't adhere to the ideals of either side.

Does Limbus Company have perfect answers to resolve this conflict? No, you're still a bunch of murderers. But they do present a third perspective, that instead of looking only at total harm done and coming to the conclusion that torture is acceptable, and instead of looking at all the injustices caused and coming to the conclusion that the entire world needs to be reset, through exploring the fathoms of Yi Sang's EGO, we can come to consider the possibility of caring for the individual. That yes, this world is fucked up and living in it can itself be considered a crime against humanity, but that doesn't mean you can't help someone in a way that doesn't hurt someone else. Yi Sang went from being horribly depressed with nothing in this world, someone who desperately wanted to die and couldn't even be afforded that mercy, to someone who finally smiled. The world is still fucked up, and we don't really have a solution to that, but we at least made it a little bit brighter for one person, and in the future, we can keep doing that.

And also? Canto IV introduced Alfonso so really it's just the best chapter.

[novelconcepts]

Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?

Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?

Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.

Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?

[spookieloop]

Fighting for my LIFE to not write a fic where Durge and Ascended Astarion approach Enver Gortash to join their world domination polycule.

[kaiserouo]

I originally wanted to replay Titanfall 2 after watching Conduit trailer, but...

I love that ≥≤ eyes sooooo much. I'm glad Houndy's prestige skin have that ≥≤ eyes, too.

Also since I actually remembered to enable timelapse this time...might as well put this here.

[squishosaur]

hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this

[fantasmagoriam]

Exactly one year ago my adventure with FFXIV started, so happy anniversary to me and the loml (lizard of my life)

[chronicsheepdrawing]

AU scenario where AM and the survivors swap places and he expects to be put through the most horrific pain imaginable but instead they treat him with kindness and basically leave him alone by himself for the most part which is somehow worse.

[mysecretdsmpblog]

foolish saying he genuinely trusts bad especially after the election announcement is like. oh

like i knew it a little. i knew they bantered but bad still came to help him when he thought he was dying in that hole. bad still takes care of the eggs, bad shows up, etc.

but leo and foolish are literally talking about how good of a person bad is and like. yeah. yeah even though foolish is all 'oh i hate bad he's terrible and a menace' it's clear he really does trust bad. and he's not the only one

it's easy to forget just how many people trust bad implicitly on the qsmp, especially with all the shenanigans he gets up to. but like. oh

[animalpetcel]

Hey! AK EN translated the Arturia manga! I think some of these are the panels that spoke out to me

When she used her magic on her parents, esp the contrast between it. The first encounter with her mother even establishes that Arturia, with a somewhat childlike yet well-meaning understanding of the difficult situation her mother is in emotionally and decides that if her mother can do what makes her happy, that is what is most important, even if it lead to her death.

And for her father, it shows how it could look to an outsider someone who knows what her power is and fears what they would do if no longer held together by their inhibitions and society. It is obviously a terrifying thought and rejecting it is the logical(?) course of action.

Everything unfettered is not always kind and it is not always cruel. It breaks the social contract everyone agrees to follow in order to live but it is not something that I think is a purely evil action because we all know how the social contract can put the same people it exists to help into horrible binds.

Also Executor explains her motivations better then me:

she's like, an emotional hedonist whose somewhat childish beliefs would always lead to chaos bc society would never work if people just said what they felt and did what they liked but she's not pursuing this out of some malice for the world or a desire to see people succumb to chaos or pain, at least imo.

[plushiehamuko]

every time i find out about atlus making one of their characters aspire to be a police officer i get a little bit more sick and ill. they wouldn't fucking do that. stop doing this to me.

[suburbanlegnd]

tell me why (2020)