#writing is something that i love so much

[evienyx]

any advice for newbie fanfic writers or new writers in general? I always have trouble trying to "paint a picture/ describe a scene and happenings lol thanks :D

I feel like I say this every time, to the point that its like a cop-out answer, but, genuinely, you really do just gotta practice.

Its like with any type of art. You won't get better at drawing if you don't just draw. You won't get better at an instrument unless you play the instrument. I didn't really notice my writing getting "better," but looking back at the earlier chapters of Fractures and comparing them to my newer stuff, it's clear that I have.

Past that, I mean one thing I do is I read all of my stuff out loud. I try to see if the words that I've written put the right image in my head. "Painting a picture" is a hard thing to do with writing, and a lot of the time its less about the amount of words that you write and more about the way that you use a smaller amount of space.

Crack open a thesaurus. Don't use bigger, more obscure words just for the sake of using them, but find ones that might work better. At the same time, though, don't be afraid of common words. I use "said" quite a lot, even though a million English teachers will yell about how basic it is. Much of the time, though, the emotion comes from the actions the characters take outside of the dialogue tag.

There are a few things you can choose to focus on when it comes to "painting a picture" that will set an overall mood quite easily. One of the most simple and yet most effective is weather. Describing the sky, the time of day, what the sun looks like. It can add tension, or drama, or can even stand to emphasize the state the characters are in, like when its a nice day but they're going through something hard.

Everyone's going to have a different writing style, too. Sure, you can copy someone else's, but if you're just writing yourself without trying to emulate another author, you're going to have your own style.

Personally, I tend to do a lot of comparisons to describe things. I pinpoint a few details and call back to them throughout a chapter or a story. Oftentimes I like to get a lot deeper into the character's mindset and examine that for a good while before pushing the plot forward. One of my friends, on the other hand, is a lot more straightforward with her writing, sort of trying to tell it as it is. Both describe what needs to be described, just in different ways.

If you're really struggling with trying to figure out how to "paint a picture" in the reader's head, try thinking through the different aspects of the scene. Anything that you can describe. Then, pick what actually needs to be described to understand what is going on. The positions of the characters, the vague setting, things like that. You don't need to go super in depth, because the reader knows, even subconsciously, how to fill in a lot of the detail on their own. You really are just here to "set the scene."

As I said before, though, no matter what advice you take, the only true way to see solid improvement is through actively writing. It doesn't need to be stuff you publish, but I would encourage it, since feedback is an enormous help as well. Either way, though, just keep writing, and reading it back, and then writing again, and you'll see improvement, just as with any type of art.

(Also, and I mean this with my whole heart, for the love of god, Kill Your Darlings.)

(Thank you and goodnight.)

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[glorious-spoon]

i know we all laugh (mostly fondly) about the paper-thin plots in porn that only exist to make the sex happen, but i was reading some old stargate fic over the weekend, and i really think we're sleeping on the paper-thin hurt/comfort plot that only exists to force the characters to FEEL THINGS.

like, is this scenario realistic? no. does it make any rational sense? no. does it provide a built-in excuse for a character to collapse, bloody and disoriented, into the arms of his beloved/friend/partner? obviously, that's the whole point of this exercise.

i love it. it's my favorite thing in the world.

[redysetdare]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[coffeebanana]

Sorry if some of these overlap a little/if I left out something obvious kajbdsjkd I tried my best haha. And that's why there's an "other" option!

[erwinsvow]

an idea… rafe and shy reader having sex for the first time

everything's overwhelming with rafe, but this is particularly so. you thought you were completely ready for it, from the way you had handled everything else so well. in fact, rafe was the one taking things at the slowest pace possible, trying to make sure he didn’t pressure you into something you weren’t ready for.

you didn’t like it—thought he was trying to be something he’s not. he’s gentle with you but never like this, never to this extent. it must be a big deal then, sleeping with rafe, giving him your virginity, you finally decide, if he’s acting so differently about it.

in fact, you think you’ve been ready to give it up since you first started dating him. rafe brings it out of you, coaxes a different side of you out with gentle words and soft touches. you’re going mad over it. you can’t count the amount of times you’ve crawled into his lap at any given opportunity, anywhere the two of you are alone—his truck, the couch in your living room and at tannyhill, the hidden booth at the country club. you’re begging for it, not sure how much more obvious you can get.

you finally decide tonight’s the night—following a nice dinner with the two of you. you had spent extra long getting dressed up, a pretty white lingerie set on underneath your blue dress, all done up for rafe. finally back at tannyhill, entire body vibrating and tingling with excitement, you don’t wait another moment, crawling into rafe’s lap and kissing him hard. you take off your dress and rafe stops just for a second to take in how forward you’re being.

“hey,” he finally breathes against your lips, pulling away. “c’mon, you’re not ready for this.” 

“yes i am!” you whine, impatient and horny, feeling rafe get hard underneath you. you want him to be able to do all the things you know he wants to do, want them done to you. “i am, i am-” and you lean back to kiss him, ending up pinned underneath him before long.

he knows you’re not, but he plays along. you’re so wet already he doesn’t have to do much, but he makes you cum all over his fingers anyways, hoping it’ll satiate you.

“please, rafe,” you moan against his mouth, pushing in for another needy kiss. “wan’ it inside. please.” and he does know you, knows everything about you, but even he can’t resist when you say things like that.

you watch with big eyes while he lines himself up with your wet hole, hovering over you. you think you’re so ready, that three of rafe’s fingers inside you should be comparable to what you’re about to feel, that you’re more than prepared. your eyes squeeze shut when rafe pushes inside, all the air leaving your lungs. you try to moan out but it’s more of a gasp than anything else, one that rafe swallows into a kiss. 

your eyes get watery—it’s just habit. it hurts, too, because rafe is so much bigger than you expected. you bite your cheek, looking up at rafe through teary eyes and clasping a hand over your mouth—you don’t want to admit that he was right. 

“c’mon kid, give it up. y’not ready for this, i know you,” rafe says, leaning in close to your ear to whisper it quietly. he’s not even half-way inside you.

“i-i can take it,” you hiccup. you hate disappointing rafe.

and it’s not that he doesn’t want to—he does, desperately so, wants to fuck you within an inch of your sanity every time you walk into a room and look at him with your shy eyes and sweet smile. he wants to break you, wants you cumming on his dick until there’s nothing left in your head, no shyness left in your heart. but he wants it when you’re ready for it, not like this.

it only takes another minute, you finally admit you’re not ready, and rafe pulls out of you. you feel like crying, terribly sad and dejected, wishing you could just be normal for rafe for once, be what he wants. 

“stop,” he says, wiping away a stray tear. his arm rests over your stomach, trying to get you to lighten up. “when you’re ready for it, i’ll fuck you until you can’t think. s’just not today, kid.”

you finally agree when he says that, getting over it because you know without a doubt in your mind—rafe knows you better than you know yourself.

[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[gummi-ships]

[darlingboydiaz]

do y'all ever think about the fact that bobby is literally chris' grandpa? like yeah, bobby is a father figure to buck. but buck is also chris' second dad.

that's a dynamic i am reminded of whenever i see eddie and bobby interact outside of the fire station and it's a dynamic that should be explored more overall.

[teethkid67]

PAYDAY

aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!

this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it

happy @mcyt-valentines exchange !!!!

[bellalunadreams]

Merlin Cinderella au 🫣

I’m not good at writing but, I think it would be really cute to have a Cinderella au with everything being the same (setting and Arthur being the prince wise)

It would take place when Merlin just comes to Camelot, and instead of living in the castle, Gauis has a house/healing center in the lower town.

I don’t think the evil stepmother and sisters would come into play. But it would just be Merlin coming to Camelot like in the show and becoming quick friends with people in the kingdom (huge ‘everyone loves Merlin’ believer)

Uthur wants Arthur to marry to continue the bloodline and to secure him as next in line to rule. So he holds a ball for all eligible (noble) suitors in the kingdom (suspended disbelief of Uthurs possible bigotry 💀)

Merlin wants to go cause he thinks it’ll be fun but he can’t since he’s not a noble. He goes looking through Gauis’s old magic books to find a spell to change his appearance and accidentally summons a fairy godmother.

He gets his disguise but it’ll only last till midnight so he makes the most of it and causes as much mischief as possible, when else is he ever gonna get an opportunity to get into the castle and get away with anything he wants with no repercussions? (No one will recognize him 😈)

Arthur is overwhelmed with everyone practically throwing themselves at him so he gets away to the gardens( or something of that sort)

There he spots Merlin setting up a prank or something. He questions what he’s doing and Merlin says something like “are you a snitch?”

Merlin and Arthur proceed to pull pranks on a bunch of the nobles and Arthur has the time of his life for the first time in forever. Merlin doesn’t treat him like the prince, he treats him like just some guy and Arthur loves it.

They settle down back in the gardens with them both in a fit of laughter after their last joke. One of them makes a comment about having not danced the entire night. With the overbearing music of the hall muffled by the quiet of the garden, they dance together under the moonlight.

Arthur makes a comment about not even knowing Merlin’s name when the bells chime for midnight.

Merlin’s eyes widen like saucers and he takes off, shouting apologies as he goes. And in his rush off his neckerchief snags on one of the flower bushes.

Arthur finds the neckerchief and swears he’ll find that mysterious man again.

Merlin makes it back to Gauis’s hut just in time as the spell wears off and passes out in bed

The next morning there’s a royal decree to find the man danced with the prince and lost his neckerchief getting away

I feel that Arthur would be really determined to find him. And he would know that Merlin was not a noble, no noble would behave the way Merlin did.

Arthur would personally go through the whole kingdom, house to house if he had to.

I feel like they would meet again in a really funny way too. Like Merlin would be delivering something for Gauis and they would run into each other like how they met in the show.

As soon as Arthur would hear his snarky comeback he would know that it’s him lol

Arthur would propose to him on the spot with the neckerchief

And they would live snark-ly ever after

[unforth]

Danmei and Baihe C Novels and Manhua Officially Licensed in English

Things are getting licensed fast enough that keeping a list like this up-to-date is basically impossible, but I saw someone asking in the tags so I figured I'd try. All titles are danmei unless otherwise noted (very little baihe is licensed so far). I've included Chinese titles and linked novelupdates for each title when I was able to find them, but sometimes publishers change the original titles so much that I can't track them down, apologies.

Basically: this is everything I know of as of May 7, 2024. There might be more. I tried.

For the latest danmei news, Danmeinews.com is a great resources.

Note that some of this information was sourced from this Carrd, last updated in March 2023.

There is a list of danmei with official licenses on NovelUpdates, and a similar list on Goodreads. Both look fairly up to date to me. Here's another danmei-specific list on Reddit that to my eye looks accurate for the larger publishers but isn't thorough for some of the smaller ones.

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Seven Seas:

The full list of danmei novels licensed by Seven Seas is here. The full list of danmei manhua licensed by Seven Seas is here.

These titles are in various stages of publication, from "entire series released" to "license literally announced less than a week ago." As far as I know, all Seven Seas titles are available world-wide, through major distributors and libraries, and in e-book and print formats.

Mo Xiang Tong Xiu titles:

The Scum Villain's Self-Saving System (Ren Zha Fanpai Zijiu Xitong).

Grandmaster of Demonic Cultivation (Mo Dao Zu Shi)

Grandmaster of Demonic Cultivation (Mo Dao Zu Shi) manhua

Heaven Official's Blessing (Tian Guan Ci Fu)

Meatbun Doesn't Eat Meat titles:

Case File Compendium (Bing an Ben)

The Husky and His White Cat Shizun (Erha he Ta de Bai Mao Shizun)

Remnants of Filth (Yuwu)

Meng Xi Shi titles:

Thousand Autumns (Qian Qiu)

Peerless (Wushuang)

priest titles:

Guardian (Zhenhun)

Stars of Chaos (Sha Po Lang)

Other titles:

Ballad of Sword and Wine (Qiang Jin Jiu) by Tang Jiuqing

I Ship My Rival x Me (Wo Kele Duijia x Wo de CP) manhua by PEPA

Run Wild (Saye) by Wu Zhe

The Disabled Tyrant's Beloved Pet Fish (Canji Baojun de Zhangxin Yu Chong) by Xue Shan Fei Hu

You've Got Mail: The Perils of Pigeon Post (Fei Ge Jiao You Xu Jin Shen) by Blackegg

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Rosmei:

Rosmei licenses are Singapore distribution rights only. There is a list of international partners organizing group orders here. I've personally placed my orders through Yiggybean, as discussed in reply to this ask.

These titles are only being released as print editions.

Eta: titles that weren't originally on JJWXC (of which there are several here) WILL have e-book editions.

Ning Yuan titles:

BAIHE: At the World's Mercy by Ning Yuan

BAIHE (I think???) The Creator's Grace by Ning Yuan

priest titles:

Coins of Destiny (Liu Yao)

The Defectives (Can Ci Pin)

Drowning Sorrows in Raging Fire (Lie Huo Jiao Chou)

Other titles:

Albert from Earth by Jie Mo Jun

The Bat (Bian Fu) by Feng Nong

Breaking Through the Clouds (Po Yun) by Huai Shang

Don't You Like Me (Ni Shi Bushi Xihuan Wo) by Lv Tian Yi

The Earth is Online (Diqiu Shangxian) by Mo Chen Huan

Everyone Loves the Cannon Fodder (Chuan Cheng Wan Ren Mi de Paohui Zhuma) by Qie Zai Shan Yang

Global Examination (Qianqiu Gao Kao) by Mu Su Li

Gold Class Enforcers (Jinpai Dashou) by Pao Pao Xue Er

How to Survive as a Villain (Chuanyue Cheng Fanpai Yao Ruhe Huming) by Yi Yi Yi Yi

Kaleidoscope of Death (Siwang Wanhuatong) by Xi Zi Xu

The Killer of Killers (Sha Qing) by Wu Yi

Nan Chan by Tang Jiuqing

Obsessed (Ki Ma) by Wu Chen Shui

Wine and Gun (Jiu yu Qiang) by Mengye Mengye

Wow, You Guys are Really Good at Gaming (Nimen Nansheng Da Youxi Hao Lihai O~) by Yi Xiu Luo

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Peach Flower House:

Peach Flower House titles are primarily for sale through their website and through some distributors, such as Amazon.com. Whether titles are e-book only, print only, or both varies by title.

Da Feng Gua Guo:

The Imperial Uncle (Huang Shu)

Peach Blossom Debt (Taohua Zhai)

Other Titles:

Golden Terrace (Huang Jin Tai) by Cang Wu Bin Bai

In the Dark (Zai Hei An Zhong) by Jin Shisi Chai

Little Mushroom (Xiao Mogu) by Shisi

University of the Underworld by Ziloi

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Via Lactea:

The full list of danmei novels licensed by Via Lactea is here.

Via Lactea titles are primarily for sale through their website and through some distributors, such as Amazon.com. All titles are either print-only or e-book + print. Only a handful have actually been released, the rest are licensed and presumably in progress.

Jing Shui Bian titles:

Salad Days (Jing Jiu)

Silent Hearts (Mo Mai)

Other Titles:

Dawning (Liming Zhihou) by ICE

Euthanasia by Feng Su Jun

Falling (Luo Chi) by Yu Cheng

Psycho (Feng Zi) by Xiao Yao Zi

Limerence (Wo Xichen Ni Nan Pengyou Henjiule) by Jiang Zi Bei

Lip and Sword (Chun Qiang) by Jin Shisi Chai

The Missing Piece (Maoheshenli) by Kun Yi Wei Lou

Raising Myself in 2006 by Qing Lv

Rose and Renaissance (Wo Zhi Xihuan Ni de Renshe [Yule Quan]) by Zhi Chu

Killing Show (Sha Lu Xiu) by Fox

Soul Vibration (Linghun Saodong) by Dr.solo

To Rule in a Turbulent World (Luan Shi Wei Wang) by Gu Xuerou

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Monogatari Novels:

It is unclear to me if Monogatari Novel titles are available for world-wide distribution, but there are group orders being organized or I think they can be ordered directly from their webpage; they are based in Spain. These titles can also be ordered from at least some major retailers. Note that there has been some controversy about Monogatari Novels.

BAIHE: A Clear and Muddy Loss of Love (Jing Wei Qing Shang) by Please Don't Laugh

BAIHE: Female General and Eldest Princess (NuJiangjun he Zhang Gongzhu) by Please Don't Laugh

How to Survive as a Villain (Chuan Yue Cheng Fanpai Yao Ru He Huo Ming) manhua by Yi Yi Yi Yi

The Legendary Master's Wife (Chuanshuo Zhi Zhu de Furen) by Yin Ya

The Silent Concubine (Ya Nu) by Qiang Tang

BAIHE: Soulmate manhua by Wenzhi Lizi

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Aloha Comics:

A tiny, Hawaii-based press focusing on manhua. Titles appear to primarily be available through Diamond Comics. There are also pre-orders on Yiggybean. All of these are pre-orders, though the earliest are coming out by the end of April 2024 (about two weeks after when I'm posting this).

All these titles are manhua!

Day Off by Qing Cai

Here U Are by DJUN

Link Click by Li Haoling and Haoliners (not technically danmei!)

Nirvana in Fire (Lang Ya Bang) by Hai Yan (not technically danmei!)

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Chaleuria:

As far as I can tell, Chaleuria has not updated their webpage since April 2023, so the current status of in-progress titles is unknown. All titles are digital and/or e-book, and I'm not sure how to purchase them as I haven't tried.

Complete Guide to the Use and Care of a Personal Assistant (Zhuli Shiyong Zhinan) by Why Radiance

Deep in the Act (Ru Xi) by Tongzi

Fake Slackers (Wei Zhuang Xue Zha) by Mu Gua Huang (no longer available)

From Body to Love (Leng Yan E Nan: Xian Shenhou Ai) by Wan Wan Yi Xia

Interstellar Power Couple (Xingji Qiangli Lianyin) by Kun Cheng Xiongmao (no longer available)

Intoxicated Friends (Zui Qing Zhi Pengyou) by Ye Shu Ying

The Long Chase for the President's Spouse (Zongcai Zhui Fu Lu Manman) by Three Thousand Crow Language

Reborn into a Hamster for 233 Days (Chong Shengcheng Cangshu de 233 Tian) by Yi Shu

Records of the Dragon Follower (Cong Long Ji) by Yueren Ge

Urban Tales of Demons and Spirits (Dushi Yaogui Lu) by Qie Er

World Hopping: Avenge Our Love (Ni Wufa Yuliao de Fenshou, Wo Du Neng Gei Ni Song Shang) by Xiaomao Bu Ai Jiao (no longer available)

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Webnovel:

When I first made this list, I heard that Webnovel had a few titles but couldn't actually find them - but now I've found them, thanks to a list someone else put together. I'm including direct links to them, since I had so much trouble finding them at all.

Comrade: Almost a Cat-astrophic Love Story (Jintian ye Yao Nuli Dang Zhimao) by Demonic Fire (link)

My Boyfriend is a Dragon (Nanpiao Shi Tiaolong) by Chubby Strawberry Sauce (link)

The National Sweetheart Livestreamer is a Pro! (Quanmin Zhubo Shi Duiba) by Mo Shang Wang (link)

Honorable Mentions:

There are a handful of titles I know of that are official translations of C Novels, where the C Novels aren't danmei or baihe but are often treated as adjacent within fandom (as in: I've seen people shipping characters from them, lol). I've included two above under the entry for titles from Aloha Comics (Link Click and Nirvana in Fire) and here are a couple others I currently know of:

The Grave Robbers' Chronicles (Daomu Biji) by Nanpai Sanshu (six volumes are available in English from Things Asian Press

The Legend of the Condor Heroes (She Diao Yingxiong Chuan) by Jin Yong from St. Martin's Press

Romance of the Three Kingdoms (Sanguo Yanyi), attributed to Luo Guanzhong, available in multiple translations

The Seven Heroes and Five Gallants (Zonglie Xiayi Chuan), attributed to Shi Yukun, there are two translations to English listed at the linked Wikipedia page

Note that to the best of my knowledge both of these are considered very substandard translations. I've personally read the official DMBJ translations and... yeah... and I've heard the LOCH translation is also mediocre.

I will add to the "Honorable Mentions" list if I find any other more mainstream titles with official translations.

Please don't come at me for including a couple classics. The characters shippable, what can I do? I've written fic for Romance of the Three Kingdoms...

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A handful of other licenses are mentioned on the Carrd I linked at the beginning of this post; I have no idea the status of those titles and wasn't able to find information on them while putting together this post other than what was listed on that Carrd, so I've omitted them.

As a final note, I've personally purchased from every printer on this list EXCEPT Monogatari Novels (I'm holding off because of the controversy and will see how things play out) and Chaleuria (which I vaguely knew existed but nothing beyond that).

Seven Seas translation varies but the editing is general strong and the editions are sturdy and nice. Extras that have come with final volumes are lovely. I am buying literally everything they publish except for You've Got Mail, due to information about the author that was shared with me that the author is a transphobe. Note that Kinnporsche by Daemi is not danmei as it's Thai (and I've heard unsavory things about the author - I don't have a link for that as the information was shared with me on Discord, and I encourage you to do your own research rather than taking my word for it). No judgement if you make a different choice than me, to be clear, I'm just sharing the information I have and why I personally am not buying the books). Note that Seven Seas isn't without controversy, especially for treating their contractors poorly resulting in them unionizing. Some people have also been unhappy with the fidelity of their translations compared to the original Chinese (I've been satisfied personally but ymmv).

Peach Flower House has inconsistent inconsistent editing quality, but the books are very readable, and I'm excited that they're working with translators such as E. Danglars. I haven't bought any of their special editions so can't speak to their extras, but I've bought all their print translations and will continue to do so going forward.

I just got my first title from Via Lactea last week and finished reading it on Sunday, and the translation read very well and there were minimal errors. It also came with a bundle of cute extras, which I wasn't expecting and pleased, and writing this post has caused me to cave and spend $150 to buy the rest of their books. Thank you, tax refund. (Should I spend this money? No. Did I anyway? ...)

No Rosmei titles have actually shipped yet, so I can't speak to their quality, though the previews they've shared on social media (as outlined here, for example) read decently and I'm optimistic. The cover art is also lovely, and they've been communicative and responsive, for example they've already issued a statement related to a recent controversy over perceived poor marketing for At the World's Mercy.

Tl:dr, the above is absolutely everything I personally know about mlm and wlw Chinese novels and manhua that have been licensed for English publication. I hope it helps someone.

Now go forth, and buy some books!

[bandzboy]

from my twitter since i also wanted to post this here

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[fortheloveofexy]

it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.

like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.

I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.