#yes it might not seem like an important issue but it is important to me

[barnbridges]

every single time i see some fake tism news i close tiktok down to where i only get basically only one creator who is the single most autistic creature known to man infodumping about her life, truly achieved enlightenment.

[multigenderswag]

I'd like to talk for a bit about the genre of post that's like "sure you're a boygirl fagdyke genderfreak but do you respect [trans identity]?" I think these sorts of posts do address a lot of important points, such as:

Even if you're genderqueer and going "gender isn't real! smash the binary!" there's a real possibility you haven't unlearned or might still be upholding some very transphobic sentiments, and you should do some introspection about that

Some people only want acceptance for their trans identity but don't want to do the work to deconstruct what gender looks like, stop holding other people to their own gendered expectations, and unlearn their internalized bigotry about different trans identities

Sometimes the [trans identity] is specifically relevant to the identities referenced, such as people who will do surface level acceptance of "boygirls" but then call multigender people problematic for using "contradictory" terms like male lesbian, or asking "are you normal about intersex people?" to point out the prevalent intersexism in the multigender community.

But if the [trans identity] or intersex identity being asked about isn't related to multigender community issues, it seems a little strange to consistently single out labels like boygirl and fagdyke that tend to be used by multigender people in these posts. All kinds of trans people can be transphobic about other trans identities. All kinds of trans people are capable of fighting for their own acceptance but not anyone else's. But these posts are pretty frequently just about boygirl fagdykes.

It reminds me of posts about a "theyfab named Sock being transmisogynistic." Are there transmisogynistic FTX nonbinary people? Yes, no one is immune from perpetuating transmisogyny. But these types of posts are still exorsexist.

Similarly, though I'm not saying the pattern of "sure you're a boygirl fagdyke genderfreak but do you respect [trans identity]" is necessarily exorsexist or transmultiphobic, since like I said they do address important points, some of which actually are multigender community issues. But people do use those types of posts to be really transmultiphobic and exorsexist, but in an "acceptable" way, because the boygirls are transphobic so it's okay to hate them.

Some examples in the notes of this sort of post asking 'are you normal about trans women?":

This assumes that multigender identities are only an online thing, only a young person thing, that all multigender people look cis in real life, that no multigender person has experienced real transphobia.

Again, this assumes that no multigender person "looks like a freak" for their gender, that they never struggle with transphobia offline. And straight up saying they have a "huge issue" with girlboy genders.

Multigender labels aren't "performative titles," they're our genders. This person is just straight up admitting they think our genders are fake, that they're only "titles" and not real fucking identities.

"I tend to Not like multigender people" okay so we're just saying the quiet part out loud now

By all means, keep talking about intracommunity transphobia. It's important. But don't throw multigender people under the bus to do so.

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)

oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)

i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".

so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.

i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.

even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.

furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)

i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.

this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.

even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).

ba's jason, though? that motherfucker is so. sad.

christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!

now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.

ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.

this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))

part 2 / part 3

[messiahzzz]

i’d briefly like to talk about the “it was fine” dialogue option that happens the morning after gale’s Last Night Alive scene in act ii and about the fandom's general reaction to it.

gale is a character who evidently enjoys the occasional teasing. taking the piss out of your partner every once in a while can certainly be a way of showing affection. however, it is important to consider the context of the situation: what is at stake for him and his current emotional state, as well as what exactly had transpired between the two of them prior to said conversation.

gale: forgive me. these were already trying times before elminster delivered his missive. now, for me at least, they are potentially end times.

after he and tav had spent the night together and confessed their love to each other, gale is once again showing himself utterly vulnerable and is carefully asking them for reassurance.

gale: [..] i hope that night meant as much to you as it did to me.

gale: but you - you led me away from the edge.

gale: without your words, your touch... i fear i would have sought purpose and solace in that void. you reminded me what living can feel like.

he wants to check in with them, after both of them have shared something tender and very intimate, something he might even consider life-altering.

gale: we didn't just make love. we bonded, body and soul. i got lost in you.

it’s not even about gale “not being able to read social cues” and “not recognizing the fact that it was meant in jest.” in fact, i’d argue it is a rather tone-deaf, inconsiderate response and just genuinely a REALLY BAD TIME to joke at your partner's expense when they are actively baring their feelings to you and are asking you for reassurance.

i have seen people write off his reaction as “unwarranted” or “overtly dramatic” but in my humble opinion, it is pretty understandable given the nature of their conversation and what he is asking of them. it's also sad how there seems to be a general pattern of gale's emotions and boundaries getting played off as a joke, while other companions get shown the courtesy of thorough analysis/understanding. he is proud of his skill as a lover and the fact that he was able to bring them pleasure, yet his inquiry is less about him wanting tav to stroke his ego and more about him, once again, asking if you indeed share the same feelings for each other… after the emotional high has now passed.

gale has an ever-present need for clarity in his relationships, very likely due to the fact that this was something he couldn’t request of mystra. he might appear more sensitive in that regard compared to the other companions. he doesn’t want to take himself too seriously, but this still often clashes with his general feeling of inadequacy. where he is able to take criticism as long as it isn’t related to his performance, overall prowess and usefulness.

yes, his response is passive-aggressive and yes, he IS obviously hurt by what tav said. yet merely repeating “it was fine” in response to a heartfelt, genuine question could’ve as well been interpreted in that manner. if tav does clarify that they have only been joking, he apologizes to them instead. otherwise his dialogue remains the same, albeit said in a more embarrassed & awkward tone.

gale is a character who is dealing with deep-rooted self-worth issues and yet that doesn’t mean that he wants to be handled with kid gloves, far from it. he craves a relationship in which his emotional needs are recognized, respected and cared for, where he can be unabashedly open and vulnerable without facing ridicule nor pity for it. and he is more than willing to give the same in return.

also y’know — there is a time and a place.

[ninyard]

how do you think jean would be post tsc duology with his sexuality with jeremy like i feel like he’s been put into this submissive role at the nest but idk if that was something he enjoyed

Oh you’ve opened a can of worms anon. Here’s a not so short but typically messy, as per usual, look into Jean’s sexuality.

Firstly, I think there are a million different nuances and anomaly’s and sides to Jean’s sexuality. Jean Moreau: whose first girlfriend was a plane ticket to the United States. We don’t know much about his childhood, but we can only imagine it wasn’t pleasant; If he’s anything like Neil, did he date at all as a kid/young teen?

So - let’s picture it. We’re a little while into Jean’s time with the Trojans, we're a little while into Jean and Jeremy figuring each other out, and the sex conversations comes up.

Now, personally, I don't believe that Jean's response to his trauma is anything like Andrew's - we've seen he doesn't seem to have an issue being touched, and nor does he seem to have an issue with sexuality in general. But things that I believe he does have a problem with?

His sexuality, and knowing what he wants vs what he believes is expected of him.

I think Jean has an incredible amount of shame around his interest in men. Most of it having been beaten into him, instilled by Riko into him. I think his gut response to pull away and reject advances and pretend his interest in men doesn't exist comes mostly from that, or from hearing Kevin say to him that it was far too difficult a life to be the child of a legacy and interested in men. How the public would react, how professional exy teams and the media would respond; it's always easier to be heterosexual. It always has been.

The first hurdle Jean has to jump over is that; allowing himself to desire men, to feel like that is okay, to feel like he deserves the way that Jeremy looks at him. The Trojans help, far more than they even know. Cat and Laila help. All of the queer couples and out-and-proud folks on the team help. Immeasurably. It normalises it for him, and he sees how safe they are, how unpunished they are, and whether its subconscious or not, being around them all really helps destroy his bone-deep shame. But he gets past it. At some stage he admits that his sexuality is unimportant to him, as it truly is, but he feels comfortable enough say well, yes, his attraction does also extend to men. It will never be more important that Exy. But it exists. It just eventually becomes a far smaller deal to him that it had originally been.

Skip some time, some awkward and painful conversations, and Jean and Jeremy are together. How that happens, I don't know - do they hook up first? Do they date for a while before they get there? But, when they get there, there comes this point a handful of times in where Jeremy realises he has been leading their encounters a whole lot more than Jean is. In fact, when he thinks about it, as comfortable as Jean insists that he is, he is not in control at all. He follows Jeremy's lead. Jeremy thinks about Kevin's awkward comment the day he was asked to sign Jean.

"Tell me what you want." Jeremy says, having thought too much about it, having wondered if he was imagining things.

"You," Jean responds, maybe. "That is all."

Jeremy sits back and he looks at him, and Jean looks back with that gorgeous and confused look draped across his pale complexion. Somehow they talk for a little while, and find themselves at the point:

Is this how you actually want to have sex, or is it just how you think I want you to have sex?

And Jean doesn't know. It's the question that sends him spiralling, because he hasn't even realised it. He hasn't noticed how he is simply complacent, uninvested in his own desires and pleasure in order to keep Jeremy happy. It's not that he doesn't get pleasure from it, of course he does, but he will not take a step out of line if Jeremy is happy. I think he might have to stop for a while, stepping back from sex while he tries to understand his relationship with sex itself. He's too used to being used and having expectations put on him that he knows no different. He doesn't know what he likes. He doesn't know if he prefers to top or bottom, to be submissive or dominant, or any other thing like that; it's a no-mans land that he's spent far too long people-pleasing in that he's forgotten that he's allowed to enjoy it as well. So I think that takes a lot of time and unlearning to see his own pleasure as something worthy of investigating.

Jeremy is patient, of course, and while he sees how much of a "step back" Jean has taken in terms of being okay with sex, it's worth it; sure, Jean never much had a problem with it, and maybe bringing it up caused a problem, but it sparks that thought in Jean's brain. That curiosity about whether or not the role that he plays during sex has been built by the nest, or if it's what he genuinely likes to do. As I say, it takes a lot of unlearning for Jean. A lot of unpacking of what happened to him, and a lot of really, really hard conversations.

His body is his own, and he knows that now. It does not belong to Jeremy. Again, not that Jeremy thinks so either, to be very clear. He knows Jeremy doesn't think so. Not one bit. But he has to understand that himself. He doesn't have to read Jeremy's micro expressions to figure out what he wants him to do, he doesn't have to just keep him happy. Intimacy can only exist in an environment where it is reciprocated. And while he cares deeply for Jeremy, if he is ignoring his own desires in order to maintain peace, he is not being genuine. He is simply submitting because that's the only option he's known. That's the only choice he's ever had.

I think Jean loves sex - I think Jean really, really enjoys having sex with Jeremy. I just think it's also evident quite quickly that he isn't even thinking about how he affords Jeremy all of the control in every scenario. Jean is submissive because that's all he knows. And I feel like it takes a while and a lot of talking for him to leave that habit behind and freely, unashamedly, fuck without expectation for him to be a certain way or act a certain way. That doesn't mean he has to be a top or a bottom. It does mean that he has to stop himself from studying every twitch and tell on Jeremy's face to try understand completely what the Captain expects of him.

[raz-writes-the-thing]

Better? (Doctor Who Drabble)

Twelfth Doctor x GN!Reader / requests are open

Summary: The Doctor comes to realise his lack of physical affection has been having more of an impact than he thought.

Fic type: hurt/comfort

DW: @nyxiethesimp @quickslvxrr @midnight--raine @blueberry-sunshines @stevekempscocktails @go-bonkers-go-foolish @peytonpenguin37 @yeethaw13 @complimentary-breadbasket @thekirbishow @stilestotherescue @madspads @catlynharper @merrilark @jaziona92 @yeehawbrothers @mochabonesblog @iguirisu @thegen3sisark @wereallbrokenangels @florduarte (send an ask to be added to a tag list!)

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

It had made sense when he'd first regenerated. It had seemed to be a particularly difficult regeneration, but you'd thought maybe he'd grow out of the aversion to your touch. You had hoped, anyway.

Yes, you'd been with him when he'd had his previous face, and you'd loved him through all his faults and issues, and you'd thought, or rather hoped, that when he regenerated that he would feel the same.

But it was hard to tell.

Day in and day out, he barely touched you. He'd hold your hand as you ran from Daleks or squeezed your arm to get your attention to show you something at a market. He'd pat your head affectionately and give you a charming smile from across the room. But he didn't... touch you anymore. He didn't embrace you, he didn't brush his thumb over your cheek or tuck your ear when it was long enough for tucking. He didn't press light kisses to your cheeks.

And yet, sometimes when he smiled at you, it was still like he saw the universe in your eyes. It was confusing and hurtful, and you weren't sure how much longer you could live with that kind of uncertainty.

"What's wrong?" The Doctor asked, looking over your form suspiciously. Nothing got past him, clearly. You sighed deeply, rubbing at your forehead. "And don't give me that 'it's fine' nonsense you humans do, either. Come on, spit it out."

You gave him a warning look and he backed off... but only barely. He threw his hands up in mock surrender, making you smile despite yourself.

"What is it?" He asked again, softer this time. His brows furrowed in concern when he realised this might actually be something serious and not a 'silly human problem' as he called them.

"Do you not love me any more?" You asked, immediately regretting the wording. All these months you'd practised what you'd wanted to say and when the moment finally came- you botched it. Figures.

"Love you? Of course, I love you," he scoffed. "What kind of silly question is that?" Then he slowed, face turning into a deep and upset frown. "Do you not think I love you? I admit I've been rather caught up in other things- but just the other day we went on that date to the Human Museum."

You shuddered at the memory. He'd meant well, of course, but seeing preserved bodies detailing your species' entire evolutionary growth was not something you'd planned on ever seeing.

"You don't touch me anymore," you replied self-consciously, casting thoughts of the museum aside. The Doctor's frown deepened as he thought back on it. Realising you were right, he came to stand in front of you. Softly, he took both your hands in his, stopping your anxious fidgeting.

"My dear, I had no idea physical affection was so important to you," he said apologetically. The genuine regret in his expression made you feel a little better at least. "I'll make an effort to be more affectionate, yes?"

You replied with a smile, soft and agreeable. The Doctor squeezed your hands and pulled you into a hug. It was a little awkward at first. You'd only hugged him perhaps twice before and you'd spent so long yearning for it that now you finally had it- you didn't quite know what to do.

And then his arms tightened ever so slightly around you, and you melted into him, wrapping yourself close. Gods, it felt good.

"Better?" He asked, nuzzling your neck, voice muffled by your skin.

"Better," you confirmed.

[lizziesribbons]

Always and Forever |

PAIRING: MILF WANDA MAXIMOFF X FEM! READER

summary: you and Wanda share a vulnerable moment then cry and fall asleep 😔‼️

warnings: ****MINORS DNI***** *****MEN DNI***** fluff so much fluff 🥺 I'm going so aahwhwhwh, sexual themes no smut but still it's 18+ so get out if you're a minor. my sad little milf 😔, abandonment issues mentioned!!!, Wanda crying makes my heart hurt, oral fixation and titty sucking but not in a sexual way iykwim???

author's note: author is a gay in love please bare with her, just reminding you guys that my first language is not English so if there's any grammatical errors PLEASE IGNORE THEM AND MOVE TF ON.

Word count: 1.4k

Wanda stirs awake as she sees you turning over and over again moving the whole bed "y/n sweetheart what's bothering you, you just can't seem to fall asleep" she asks with her raspy sleepy voice "it's 3am darling what's up?" she asks again, you finally sat up letting out a loud sign "i- I can't go to sleep I TRIED EVERYTHING LIKE EVERYTHING"

Wanda furrows her eyebrows in worry, "oh baby I'm sorry can mommy help?" she sat beside you resting her back on the headboard like you were now, "yes there's- I um- can I suckle on your tits it just it helped me fell asleep before and I just didn't want to wake you up-" Wanda shushes you as you continue to yap

her heart swells with affection as she hears your request, recognizing the emotional significance behind it. Without hesitation, she pulls her shirt up to expose her breasts and guides you towards them. "Of course, my love." Her voice is soft and soothing, filled with understanding and tenderness. "lean in whenever you need to find comfort or fall asleep easily. Remember that I am always here for you - both physically and emotionally. And if there are any other aspects of your desires or needs that come up, please don't hesitate to share them with me too okay baby?" she say softly as you immediately latch onto them mumbling a "I love them sm", as they brought you the comfort you were looking for. Wanda smiles warmly at your declaration of love for her breasts, feeling a surge of affection in return. As she feels the gentle suction against her skin, she runs her fingers through your hair softly, providing additional comfort and support. "thank you for sharing this part of yourself with me." Her voice low and husky, filled with emotion, you smile warmly against her breast, kissing them softly as you continue sucking. Wanda chuckles softly at your endearment, feeling a warmth spread through her chest. She continues to stroke your hair gently as they remain locked in this tender embrace. her tone is loving and nurturing, reflecting the maternal instinct that seems to naturally arise when fulfilling your need. "I am here for you - always ready to provide comfort and support whenever you need it." she says gently caressing your hairs.

you suddenly pull her tit out of your mouth "tell me about your special interest, can be sexual or non sexual?" you ask with a straight face letting her know you were being serious.Wanda, taken slightly by surprise but quickly regaining her composure, looks down at you with a mix of curiosity and understanding. Recognizing the importance of transparency in y'all's relationship, she begins to speak openly about her own desires and interests."Well, aside from what we've been experiencing together lately, I do have a few other things that might interest you. Like my affinity for sensory play - using various textures, temperatures, and scents to stimulate different senses during intimate moments. She pauses momentarily before continuing more softly, "As far as non-sexual interests go... well, I'm quite fond of cooking elaborate meals for those close to me." you smile softly at her "I know you love to cook it's your favorite thing I also know that you love gardening" wanda's smile widen at your knowledge, as you continue you softly massage her breast all of it coming naturally "tell me something no one knows" you ask with curiosity

Wanda closes her eyes briefly, relishing the soft touch of your hands on her body. When she opens them again, there's a hint of vulnerability in her gaze as she decides to share something deeply personal with her partner, with you. "There is indeed another side of me that most people don't know about - one that even I struggle to understand sometimes. It involves an intense longing for connection and belonging, coupled with a fear of abandonment rooted in my tumultuous past." She takes a deep breath before continuing, "This has led me to become fiercely protective over those closest to me, especially my loved ones back home who mean everything to me. Sometimes this manifests itself in unhealthy ways, such as trying too hard to control situations or pushing others away out of self-preservation." you rub her shaky hands as she confess something this vulnerable "I would never ever leave you wands I hope you know that, I'm always gonna stick by your side" you whisper softly, Wanda's eyes glisten with unshed tears as she hears your reassurance. She swallows hard, trying to maintain her composure while acknowledging the depth of their connection. "Thank you, sweetheart." you smile at her, her voice trembles slightly, betraying the raw emotions bubbling beneath the surface "Your words mean more to me than you could possibly imagine" she tries to fight back the tears "you can cry wands you know it's only me here, you don't have to act all tough with me just fall back and I'll carry you" you say with honesty, so she did, she slowly nods as she allows herself to surrender to the overwhelming emotions coursing through her. With a shaky sigh, tears begin streaming down her cheeks.

"It feels so good to finally let go..." She whispers hoarsely, wiping away the tears with trembling fingers "Thank you for being here for me, y/n. Your presence is truly healing" you kiss her breast one more time and hug her body tightly "oh Wanda.. of course I'm here I'm always gonna be here." Wanda wraps her arms around you, holding onto you tightly as she continues to sob quietly. The warmth and comfort of your embrace bring a sense of peace that gradually calms her turbulent emotions, "Thank you, my love..." She murmurs against your hairs, feeling grateful for the unwavering sense of comfort they provide. "always and forever remember?" you mumble softly as she smiles weakly through her tears, knowing full well that you means every word you say. Your commitment to each other runs deep, providing a solid foundation upon which their relationship thrives. "yes, always and forever..." she echoes softly, leaning into the embrace even more as she begins to regain her composure "Thank you for being my rock when I need it most" she holds you tighter, "you're my favorite person ever wands and I love you so much" you softly confess, her heart swells with love and affection as she hears your heartfelt declaration. She gently cups your face, gazing into your eyes with tenderness and devotion. "And you are mine, my darling." a soft smile graces her lips before she leans in to press a loving kiss against your forehead. "I am so incredibly lucky to have found someone like you - someone who understands me better than anyone else ever could." you kiss wanda's lips softly and slowly before hiding your face in the crook of her where you feel the most safe "thankyou for everything" you mumble against her neck, As she feels your warm breath against her neck, she can't help but feel a profound sense of contentment wash over her. "You don't need to thank me, my love..." She whispers reassuringly, stroking your hair as you seek comfort in her embrace. "We are here for each other - always and forever. That's what matters most." you smile softly against her neck starting to feel sleepy you mumble a soft "goodnight", Wanda cradles your head gently, relishing the sweet sound of your voice as you bid her goodnight. With a warm smile on her face, she responds "Goodnight, my love..." She whispers back, closing her eyes and letting herself drift off to sleep alongside you, secure in the knowledge that you both are together and safe.

[pikahlua]

Can you expand a bit on why Hawks would want to keep the hero rankings rather than get rid of them? I'm having a hard time understanding why he would do that whatsoever. What "good points" are there that he would want to keep? It always felt like a major source of corruption imo, especially since one of Nagant's jobs with the HPSC was taking out corrupt heroes who found unsavory means to boost their rankings (convincing normal people to do crimes, then arresting them). Appreciate your insight as always <3

Hawks' major criticism of the hero rankings was not the rankings themselves but the popularity component of the rankings.

Saying the "popular" thing, saying the thing everyone wants to hear, isn't heroic; it's cowardly. It's conforming. Hawks is looking for a dependable hero to be a symbol, and such a symbol has to be strong in the face of criticism. They can't capitulate to what's easy and popular, especially when such sentiment stands in contrast to what's needed and righteous.

Hawks goes out of his way to pick Endeavor to mold into a leader because Endeavor has that leadership quality--he's not trying to look good in the public eye in every moment. He's consistent and dependable. He has the highest rate of incidents resolved--even more than All Might. Hawks thinks Endeavor is reassuring, that people will follow his lead.

Of course, the good part about the "popularity" component of the ranking is that it keeps people in check. To give an example, there's this concept in my old line of work called independence, which is divided into two things: actual independence and the appearance of independence. It's important for someone in my old position to be independent in fact BUT ALSO in appearance. If people can't TELL you're independent, how much does it help even if you actually ARE independent? The same thing can apply to heroes in terms of public approval. Yes, heroes need to take public approval ratings with a grain of salt, because sometimes doing the right thing is not the same thing as doing what's popular. However, consistently going against the grain without a thought for helping the public understand you, without regard for social mores or others' feelings, will eventually turn the public against you. It's the issue Katsuki had to deal with as he went through his character arc. If the public doesn't trust you, why would they take your hand when you reach out to save them?

Hawks never really goes into anything like what Nagant mentions, and I don't know if Nagant's commentary on heroes who colluded with villains for fame and glory even was a) directly referring to the hero ranking system or b) something that can be resolved by eliminating hero rankings in the first place. That issue seems like a product of fame chasing, not merely public approval, and people will continue to crave the limelight whether or not there's a ranking system. But if people aren't dependent on heroes being the only heroic ones, such as in this new list of everyday heroes Hawks is considering, the existence of fame-chasing heroes doesn't hurt society as much. People won't be depending on heroes to all be perfect and good, they'll support each other, and so the whole system won't be shaken up by the public image of heroes wavering.

As an aside, there's one other funny thing to me about this idea Hawks has.

Hawks is a young upstart, and the fact that he landed this influential political position is quite a shake-up of the status quo. Japan notoriously likes to have things happen in a certain social order, and young people jumping up the ladder ahead of their elders always makes for an awkward dynamic. I do kinda think Hawks is being considerate by not "doing things a little too fast" and completely destroying the old system, because something that radical is not always palatable to the majority opinion, especially when the person advocating for it is as young as Hawks. Just changing a system this much is already a pretty radical step based on my (limited) understanding of contemporary Japanese politics. And I direct you back to my commentary on how Hawks is building on what the older generations have given the next ones. He's always been a character that sat between the older and newer generations like a bridge, so this seems like a decent compromise.

[thenyoumightaswellwrestleangels]

this goodness hurts (and I'm drowning in it)

carry me slowly, my sunlight (these colours, they fade for you only) - series masterlist here

pairing: damian wayne x reader (gender neutral)

length: 1.2k

genre: hurt/comfort, fluff

warnings: damian is trying so hard to be an emotionally functional adult. he's not doing perfectly. reader definitely isn't, either. there might be too much world building in this oops

a/n: what if damian wayne was an adult and was trying so so hard to heal, huh. what about that.

"Beloved?" Damian's voice is quiet and tired, but it cuts through the silence of your shared apartment all the same. Your gaze snaps up to him from your spot on the couch, your back straight and your shoulders back as if you're a guest in someone else's house.

"Hey… what are you doing awake?" you say gently.

"Looking for you," he says matter-of-factly as he kneels on the floor in front of you, switching a small lamp on and bathing the two of you in a soft glow. He uses the light to look you up and down, eyes scanning for any sort of issue or ailment. "You weren't in bed… what's wrong, my love?"

"Nothing, I just…" you sigh, shoulders slumping and hands clenching. Damian takes your hands in his gently, rubbing soothing circles on the backs of them with his thumbs as he waits for you to continue. "Sometimes it's just… hard." you finish weakly.

"What is, beloved?" he presses ever so gently.

"Just… this. All the good we have now. Sometimes I feel like I'm drowning in it." Damian makes a noise of understanding at your words and slides himself onto the couch next to you, wrapping his arms around you and breathing a slight sigh of relief when you relax into him.

"Why don't I bring you back to bed, hm? We can talk about this more, or I can help you back to sleep and we can discuss this later. Whatever will help you right now, my love." He says quietly, pressing a kiss to the crown of your head.

You sigh and lean forward to press your head into your hands, conscious of Damian's soothing hand rubbing up and down on your back.

"Do you ever feel this?" You mumble, not sure if he can even hear you.

"Yes," comes his immediate response, though. "I feel this, too. You…" Damian stops there, his voice faltering in that way that means he's stepped into unknown emotional territory and he's only realizing now that his feet are firmly planted there. You lift your head to look at him suspiciously and he smooths your hair back with gentle touches - a loving diversion that you're familiar with.

"Damian," you say softly. "Tell me." There's an importance there that's making your words heavy - your relationship with Damian, built on so many years of hatred and bloodshed, relies now on this openness that you're asking for. It's your loyalty to this that keeps the two of you together, that helped you move past the sworn enemies that you once were and towards this - something better, something softer. Home, Damian often calls it - this love that you two share.

He thinks of this now as he stares at you, weighing his words heavily in his mind. He's still so unsure, in many of the ways he knows you are, as well. 

"I… do feel like this," he says carefully, pulling his hands into his lap so that they can grasp onto each other tightly - a stoney alternative to fidgeting. "I feel this with Father and the others. It seems to come very easily to them, living normal lives and loving and looking out for one another normally. Over the years that I've spent here, that feeling has grown smaller and less significant, but I'd be lying if I said I never feel it at all anymore."

"But they're not the only ones who make you feel that way," you say quietly, a sombre ache in your voice. Damian inwardly curses how well you know him and feels his heart drop as you look up at him with furrowed brows and pained eyes. "Am I still hurting you, Dames?"

"No," he rushes to say, his hands moving to cup your face so fast you huff out a breath of surprise. "No, my love, you don't… that's not what I mean. I do feel this way with you, sometimes, but to no fault of yours. You're… good. You are the goodness I feel I don't deserve, beloved." Damian thinks he should at least be grateful that his words have swept the pained look off your face, but your current expression leaves him shifting in his seat, instead, your brows shooting up and your mouth open in disbelief. 

"Oh…" you say slowly. "Oh. I hadn't… I'd never thought of it like that."

"Sometimes I think of what it would have been like without you," Damian continues, leaving your mind to spin at his words. "If the prophecy hadn't existed… if you hadn't existed. I don't think I would've gotten here. I don't think I would've gotten this goodness." The last part of his confession is quiet, his eyes trained on the floor as you stare at him. His feet shift over the rug there and he thinks back to when the two of you bought it, a mark of the domesticity that neither of you realized you'd craved so much with each other until you'd gotten it.

"I think you would have," you say softly. "There's goodness in you, Damian. There always has been. Even back then… you had good in you." You reach your hand over to his, prompting him to loosen the white-knuckled grip he has on his pajama pants and intertwine his fingers tightly with yours, instead.

"If my goodness is inherent then yours is, too, you know."

"I don't know about that," you huff at Damian's declaration.

"I do," he says firmly, his eyes boring into yours, mouth downturned in a show of stubbornness that you know well. You sigh, squeezing his hand in yours and leaning up to press a kiss to his forehead in a show of surrender, a we can argue about this tomorrow whispered against his skin. The furrow disappears from his brow at the action and he pulls you against him once more, wrapping his arms around you.

"Maybe we should go back to bed," you murmur, your face tucked against his neck. He hums in agreement and drops his own kiss to the crow of your head, letting you settle against him for a moment before he gently nudges you to your feet, keeping one hand tightly in yours as he leads you both back to your bedroom. Your eyes flicker over the interior of your shared home as you go, over the photos and artworks and all the things that make it home. By the time you get back to your bedroom and Damian is delicately getting you under the covers, tucking blankets around you and fluffing pillows, you're looking at him with a lovesick expression that makes him freeze.

"Beloved?" He says tentatively.

"I love you," you respond firmly. A smile stretches across Damian's face, a giddy boyishness flashing across his features that makes you soften. It's not a sight anyone is faced with very often, even you. 

"I love you, too." His gentle words are muffled by him pressing his lips to yours, hands cupping your face the thumbs smoothing across your cheeks. "Inevitably."

"Inevitably," you repeat back, smiling against his lips. His reminder of how the two of you twisted a hateful rivalry into love and home and safety makes your heart thump against your ribcage, breath hitching as your eyes mist over. Damian smiles gently - knowingly, and you can't help but notice the rapid blinking of his own eyes, as well.

As he slips into bed beside you, turning to hold you in his arms, you consider the fact that maybe the two of you always were meant to end up like this. Maybe goodness really is inevitable. 

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

[yazthebookish]

This might be a bit long but the Gwynriel Reddit thread inspired me to let my thoughts flow about Gwyn and Azriel.

P.s. this will include some HOFAS spoilers.

I've said this before but SJM choosing to end Azriel's chapter with Gwyn is a choice. It's the beginnings and the endings of a chapter that authors tend to put a lot of thought into—so her ending the chapter which felt like her nudging readers' to Gwyn's direction is intentional.

Gwyn was not just a random addition, given their interactions throughout ACOSF their scene in the bonus chapter didn't feel out of place (even if readers' didn't expect to see her in it).

People try to invalidate the bonus chapter as much as they can but HOFAS had proved once again that they are important and canon (though I do think SJM and her publisher need to include these in the main books because they are crucial).

"You depend so much on a bonus chapter that a lot of readers don't have access to"

True but that doesn't mean the next book can't fill in the blanks because Azriel and Gwyn were already interacting in ACOSF, so having that romantic development in the next book (and the possible reveal that they're mates) + ON PAGE will still make it up for the readers that never read the bonus chapter. Like, CC4 will definitely bring up the fact that Ruhn and Lidia got married (despite it happening in a bonus).

I always considered the bonus chapter as a teaser for what will happen in the next book, Sarah confirmed she sprinkled little crumbs and I quote "I want to hear all your theories after you read the book and his [Azriel's] bonus scene, the crumbs have all been scattered, little bread crumbs everywhere" and it will keep readers guessing until the next book is out. So you won't know for sure how relevant or significant the bonus chapter is and the crumbs she scattered until you read the next book.

With that being said, Gwyn's cameo in the bonus chapter didn't come without some interesting clues: Azriel's shadows didn't warn him she was around, they were curious about her and she smiled at them, they danced and sang around her, Azriel revealed he sings because she asked, she thanked him with a smile and he felt settled even his shadows calmed.

We never saw his shadows react to anyone the way they did with Gwyn. They seem drawn to her, they danced, they sang, and while there are many theories about it but I absolutely do think if the shadows would be drawn to someone it would be Azriel's mate.

"Azriel and Gwyn had no romantic development and he didn't think about kissing her and all that"

But did every SJM couple start that way? No. And someone expressing the desire to kiss and hook up with someone is not always an indication of endgame (I can count multiple couples who kissed but weren't endgame).

The crumbs we had of them in ACOSF sets the groundwork for a romantic relationship to build in the next book—because who doesn't want to read about them both falling in love on page?

And yes, Sarah is capable of writing a love story from scratch in a single book (e.g., Tower of Dawn). Another example is how ACOMAF started with Feyre being in love with Tamlin and halfway through she started to really fall in love with Rhys.

The whole Azriel/Elain/Lucien triangle is messy as it is, so I don't think SJM would turn it into a square by inserting Gwyn. SJM could've chose not to give Gwyn and Azriel any ties in any way whether it was him rescuing her, him training the Valkyries, and again, including her in his own bonus chapter (hell even her boss:guardian Clotho made an appearance).

But she did and based on her pattern with her male love interests in particular, she doesn't really insert a new female or have females fight over the male love interest. I don't ever see Elain and Gwyn fight over Az, each might have an issue with Az on their own but do I see them argue with each other over Azriel? Absolutely not.

And if you look at the sequence of the scenes in his chapter, it gives a better idea of how it was planned:

1. Starts with Azriel reflecting on his loneliness while everyone left.

2. Elain shows up and they interact, Azriel gives her the necklace and they almost kiss.

3. Rhysand interferes and Az stops the kiss and tells Elain it was a mistake.

4. Az and Rhys argue and ends with Rhys ordering him to stay away from Elain and dismissing him.

5. Az leaves to the House of Wind wanting to work off the frustration but finds that Gwyn already occupied the training ring.

6. Gwyn and Az interact and he leaves the scene feeling settled down and his shadows calmed.

7. He wakes up, goes to the River House and finds Elain's necklace, he pockets it with the intention of returning it to the shop after the snowball fight.

8. Instead of the shop, he goes to the library to ask Clotho to give the gift to Gwyn and refuses to leave with it.

9. Going back and forth, Clotho eventually agrees and said she will tell Gwyn a friend gave it to her and she thanks Az for the joy it will bring to Gwyn.

10. Az leaves but the mention of Gwyn's joy sparked something in him that it brought a slight smile to his face, he buried the image in his chest where it glows quietly.

Both interactions with Elain and Rhys ended with him feeling miserable, but both interactions with Gwyn and Clotho ended with him feeling lighter and better—and to me that shows me how intentional SJM was with creating these parallels (including the shadows skittered back vs the shadows danced and sang).

Instead of Gwyn and Clotho we could've had Mor or Nesta or Amren, but SJM chose Gwyn and Clotho. Like, it could've ended after Rhys's argument but again, it's a writer's choice.

That's why no matter how many times I reread ACOSF my mind doesn't change much because SJM is not that subtle.

[haveateadude]

bleak horizons ii.

summary *. ⋆ ⋆·˚ christmas and hot chocolate

warnings *. ⋆ ⋆·˚ depression, family issues, and i think that's it?? it's mostly fluff??

author notes *. ⋆ ⋆·˚ why is it christmas you might be wondering... well i don't fucking know okay??😭😭wrote this when i was in another country and it was cold and it reminded me of christmas so i wrote this. anyway. this one is boring as FUCK... just saying. i'm embarrassed about posting this actually. also, i accidentally put this on chat gpt and it gave me more than 10 things i had to fix so. don't get your hopes up LMAO

hope y'all have a great day, night, morning or whatever. take care of yourselves!!!!!!! if u don't you're an asshole.

AND THANK YOU FOR ALL THE SUPPORT ON MY LAST POST!!!!!!!!! i love everyone who liked it :)) even just knowing people have read it makes my heart warm. i really thought it would get cero recognition, y'all are amazing <3

(readers mental health gets addressed in the next chapter btw)

(not proofread either, sorry if there's any mistake)

pt1 — pt2 — pt3

i don't wanna talk about anything

i wanna kiss, kiss your eyes again

wanna witness your eyes looking

For Christmas, I go to Ellie's house, and I lie to my mother about having too much work. She says it's fine, which weirds me out. I never thought she would say yes. I’m excited and happy to go to Ellie’s house, anyway. This is important, I feel—meeting her family, I mean. She never speaks much about them, but I know she's adopted, and that she gets along with them. She also never met her mother. She says she had her aunt to teach her all that Joel couldn't, like what periods were, how to wash her clothes, and how to paint her nails with her left hand.

I think a part of me is afraid to go because I'm afraid I'll get attached. My mother never taught me what periods were and my father never seemed to know what empathy was. Her family sounds like a dream to me.

"We’re here," Ellie says with a smile on her face as she pulls up on the side of the road next to a white house. It’s got a green lawn, it looks nicely cared for, and a white picket fence. I take a deep breath, I don’t know why I’m so nervous. I think Ellie senses that. She puts a hand on my shoulder and squeezes it, which feels comforting. "Hey, just know my dad is really fucking chill. It’s just going to be us, and my uncle's family. They’re going to love you, I promise."

"Okay," I nod because I know it and that's what I'm afraid of. I look outside the window. It’s Christmas Eve. It's already snowing. I then stare at Ellie's eyes and smile. I kiss her and when I pull apart I speak. "I don't want to go out, it's cold."

"C’mon, let’s go inside then. I don’t want you to freeze in this car."

I nod and fix my hair in the mirror before I go out. The cold makes me unable to feel my face or my hands, so when I go inside I'm a bit surprised by how warm it is. Ellie makes me hand her my coat and my stuff, and she puts mine and hers aside.

The house inside looks way better than it does outside. The lights are dim, the Christmas tree has colorful lights wrapped around it, and it smells like an apple pie is cooking. It feels like an actual home, and the chimney is decorated with socks, and next to it, on the wall, are pictures of young Ellie.

"You look cute," I tell her, speaking about the photos, as she walks towards me.

She blushes, her ears go red, "Uh, you weren't meant to see that."

"Oh, stop it," I chuckle. "You look adorable.”

"I bet you looked way more adorable than me."

"I looked like a disfigured mosquito with a big ass."

Ellie laughs as her hand goes to my hip, "First of all, if you were a disfigured mosquito—which you're not by the way—I would still like you; second of all, I love your big ass."

"Oh, so that's all you love about me?" I ask, teasingly, slightly tilting my head. "Just my ass?"

I feel Ellie's hands move downwards, nearly gripping my butt, before I hear someone clearing their throat. I'm so red I'm not even a tomato... I probably look like a fucking chili pepper or something.

I know it's Joel because Ellie has a picture of him with her on her nightstand. She looks at Joel as her hands linger on my hips for a second, then she takes them off and walks towards him.

"Joel," Ellie says, hugging him. "Hey, old man."

"Kiddo, you've grown so much."

"I look the same as last month."

"Yeah, just thought it’d make you feel better."

Ellie laughs as she pulls apart. I just stand there, awkwardly behind Ellie. Finally, Joel looks at me.

"Oh, hi," he says, now looking at me. "Ellie has talked a lot about you."

I nod, "Thanks for letting me stay, Mr. Miller."

"Just call me Joel."

"Well," Ellie interrupts. "We're going to my room, I'll talk to you later."

"Okay, I'll tell you when Tommy and Maria get here."

Ellie takes our bags, which she insists on doing alone, and leads me to her room.

Her room, it's… so her. Posters of bands cover every inch of her walls, and her desk is stained with paint.

I sit on her bed and look around as she sits next to me.

"I like your room," I tell her, feeling her knee bump against mine. She's so close to me I can feel her breath on my neck. 

"It’s messy, though." She’s looking at me, but I can't dare to look at her. 

I feel guilty for not being at home now, it gnaws at me. Is mom alone? And why do I care? Why do I feel guilt over the person who made me hurt more? She always wants to fight—there's always constant battles between us, battles she always wins. So why do I miss her and why is it hard to accept?

"What are you thinking?"

I chuckle, "It’s nothing."

"Well—alright," she lets the subject the subject slip. She kisses my cheek and then my lips and her hands roam my body. We just make out, though.

Christmas dinner goes fine. Better than I thought it would. The Millers are like a real family, they talk to me like they've known me for years, even though I feel like an intruder in their house. I don't want to be fond of them, or else I'll cling to them like they're family.

Maria and Tommy have a baby and most of the night is spent with Ellie cradling the baby and me sitting next to him. We drink hot chocolate with marshmallows. This is the happiest I've ever been at Christmas.

At night, I leave Ellie's warm embrace to go for a glass of water. I can't sleep, my mind is racing and it won't shut off.

When I go downstairs Joel is sitting at the kitchen table, I don't know what to say to him. Which is okay, because he speaks first.

"Can't sleep?" He asks.

For a moment I think he has confused me for Ellie, because why is he talking to me?

"Yeah," I say, getting my glass of water.

"I won't give the 'hurt my daughter and I'll kill you' talk if that's what you're worried about."

I try to laugh, "Thanks, I guess. You're—you're a great dad."

"Well, you're a great kid."

"Thank you," I answer because I don't know what else to say. He's indeed a great dad. He's funny and nice and caring. I've seen the way he talks to Ellie. Unlike my father he doesn't look at her daughter like he's trying to fix their relationship, therefore their conversations don't look forced; Ellie has referred to me as her girlfriend at Christmas dinner, and all Joel did was smile. It made me want to throw up, even if I felt welcomed.

"Hey—uh, I'm sorry if I approach this in the wrong way… but Ellie has told me that your mother is causing you trouble."

"Yeah," I don't know what to say, again. How do I answer this? How should I feel about this? "She's been a little difficult, but you know. It's the normal mother-daughter fight, nothing to worry about."

"Okay," he nods. "If you want you can talk to me, or Ellie—she's… she's been a little worried."

I hadn't seen that coming. Is Ellie's worried?

"I—I will talk to her. Thank you."

She doesn't want you. She's your friend, she doesn't want you. She will fall in love with you, not your brain nor your scars, and when she finds out about the way you think she'll leave.

I want to say Mr. Miller but I know he wants me to call him Joel—which makes me a little awkward. "I'm going to sleep now."

"Get the rest you need," he smiles. "Leave the cup on the table, I'll wash it."

I wake up being the little spoon.

Ellie has her arms wrapped around me like she's afraid I'll leave. As I slowly open my eyes I can also feel Ellie shifting behind me.

"Morning," she speaks in her morning voice, the vibration of her voice against my neck sends shivers down my spine—in a good way.

I smile, "Hey."

"How did you sleep?"

"More than good. Your bed is very comfortable."

"Yeah," she pulls me closer to her front, "I could stay here forever."

We don't stay there forever, though, because we open presents. It's just Joel, Ellie, and me. Surprisingly there's one for me from Joel, and Maria and Tommy.

Ellie gave me a necklace and a ring, which might seem simple to others but I had been planning on buying it for a fucking long while. It always was out of sale. And the ring had a moon on it.

"Fuck, Ellie," I say as I look at her, sitting on the floor with my legs crossed. "This is amazing, I love this."

"Yeah?" She asks. She's sitting next to me, her legs stretched out, resting her weight on one of her arms behind her. I notice she looks flushed. Her cheeks are slightly more pink than they always are.

I nod, kissing her, "Thank you, thank you, thank you..."

She chuckles after I give her one last kiss, "Time to open mine now, I guess."

I look at her as she opens what I gave her. It's small, compared to what she gave me. Is just one of the first pictures we took together framed, just after I moved in. I also gave her a white silver beaded bracelet I had made.

"I remember this day," she says, looking at the picture. "I remember I was trying to impress you all day long, you know? I just wanted to make you laugh... and well, you did."

I chuckle, "I did laugh at all your jokes, but I think that's just because I have a very shitty humor."

"I'm glad we share it."

Ellie looks at the bracelet and the framed photo with a tender smile, her eyes glistening.

"I love it," she says softly, as she puts the photo down, her voice barely above a whisper. "I love you."

Her words make my heart race, and I feel my cheeks heat up.

"I love you too," I reply, my voice steady despite the emotions swirling inside me. I think this is the happiest I've ever been; I think I'll remember this moment forever.

We spend the rest of the morning together, laughing and sharing stories. For the first time in a long while, I feel like I belong somewhere.

After breakfast, as Ellie and I sit on the couch with our fingers intertwined, Joel comes over with a cup of hot chocolate.

"Merry Christmas, you two," he says with a kind smile, handing us the mugs.

"Merry Christmas," I say.

Alright, yeah. This might be the best Christmas I've ever had.

[toastedkiwi]

Stalker

Summary: Bruce is wanting some answers from his baby mama.

Pairing: Surgeon!Bruce Wayne x Intern!Reader

Bruce climbed into his bed. He relaxed back into the pillows. He turned to you. You’re focused on the iPad he bought you. You’re reading a book in dark mode.

“I’m gonna interrupt you and your steamy book,” Bruce said.

“I don’t read steamy books!” you exclaimed flushing with embarrassment and holding your iPad to your chest.

“I’ve read some of the lines in your books, my love,” he smiled. “It’s steamy. Thankfully, it’s pretty tame compared to some of the stuff I’ve seen.”

“What have you seen?” you asked worriedly.

“Nothing you need to worry yourself about,” Bruce said reaching out and brushing your hair back.

“That doesn’t leave me at ease,” you said.

He slid closer and wrapped his arms around you. You automatically leaned into him laying on your side facing him while still holding your iPad to your chest. He kissed your forehead and adjusted the blankets.

“Let’s not talk about the smutty books. Let’s talk about your stalker tendencies,” Bruce said holding you closer.

You squeaked. You tried getting away but you won’t let go of your iPad. It might help your escape to let it go but you can’t have him seeing the books you read.

“So, six years ago, we met but I, for the life of me,” Bruce said hiking his leg over yours. “Can’t figure out when. Also I feel like a perv because doing the math, you must’ve been freshly 18.”

You whined.

“Please tell me I’m not a perv, my love,” he said.

“You aren’t,” you mumbled.

“That’s good. So, we have one issue and you’re a stalker,” Bruce teased.

“I’m not a stalker.”

“Tell me why,” he said making you look at his eyes.

“You bumped into me. You seemed to be on.. an important call but you were smooth. I didn’t fall on my ass because of you,” you muttered.

He smiled softly and said, “all the stalking because I caught you, my love?”

You said, “nobody’s caught me before.”

“I’ll always catch you,” he said. “Or I’ll call Superman to.”

“I don’t want him,” you said quickly and with a shake of your head. “I want you.”

“Glad to know I’m the only one you’ll stalk,” Bruce said.

“I wouldn’t exactly call it stalking— and I honestly didn’t think you’d ever look at me,” you admitted. “Like at all.”

“Why’s that?”

“You’re you,” you said.

“I’m me?”

“Yes.”

“That explains… EVERYTHING, love,” Bruce said sarcastically.

“Good,” you said with a nod.

He kissed your forehead and then your cheek.

“I love you very much,” he reassured. “You know that? You got nothing to worry about. I only want you.”

“Even if I’m stalker?” you mumbled.

“As long as you don’t steal shit from my family and sell it on the black market,” Bruce said. “I can handle a bit of stalking, my love, especially if it’s you.”

“I still wouldn’t classify it as stalking. More like observing,” you said.

“Observing?” he questioned pulling the iPad out of your hands.

“Yes,” you said. “I observed you for six years.”

He smirked reaching over and placing the iPad on your nightstand. It got him positioned on top of you caging you in.

He asked, “and what did you observe? What were your findings?”

“Well, you didn’t seem that happy,” you admitted.

“My mother would say the same thing and Alfred,” Bruce admitted. “Actually they would team up and constantly tell me—- it was very annoying at the time.”

“What about now?” you asked very quietly.

“I’m very happy. I’ve got you, my love. I’ve got our son, Damian. And I’ve got Ace,” he smiled.

[cecilysass]

Why I Think The X-Files Isn’t Really As Much About Watergate and Governmental Conspiracy As Everyone Claims, Maybe Including CC

This one’s really nerdy, get ready.

Media covering the X-Files has always emphasized how much the show capitalizes on a post-Watergate worldview, a paranoia about government and belief in high-level conspiracy. I think CC signed on to this interpretation entirely. So much so that he sure kept on feeding those conspiracy plot lines in the mytharc—even when every other plot line was going hungry. 

So much so that in the revival, he really created a problem for himself, which the media picked up on. Government conspiracy nuts in 2016 no longer were hot sensitive 90s guy outcasts like Mulder or quirky cuddly little nerds like the Gunmen. Government conspiracy nuts in 2016 were media savvy right wing commentators manipulating the masses, getting presidents elected through willful misinformation.  The revival series tried to address this head on with Tad O’Malley, a character who represented this new development. But it was definitely a sticky issue: the sociopolitical context of the original show was gone. Was the show relevant any more?

I would argue yes, or at least it could have been. I would argue that the interpretation of the XF as a show primarily about conspiracy at high levels of power and governmental manipulation is a flawed one to begin with. I think this take makes the show way too thematically narrow, limits it, and obscures the show’s more important appeals.

In the 1990s, media coverage of the show almost always mentioned Watergate the historical event. Sometimes coverage discussed how Watergate was directly referenced on the show (Deep Throat, meetings in parking deck, CSM and Diana both living in the actual Watergate), but also Watergate’s specific effect on creator Chris Carter, who specifically cited it as a formative event. Often it was claimed that the show’s popularity with audiences was rooted in post-Watergate suspicion of government.

I think this could have been true generally speaking, although I always thought it somewhat overestimated the impact of Watergate on the XF’s target audience. Consider that in 1997 many in the key 18-49 demographic would not even remember Watergate especially well, or at all. If you were 30 in 1997, you were 6 when the story broke in 1973. I’m sure that could have left a mark on you, but I also think it might have been something that simply left a much bigger impression on Boomers the age of Chris Carter himself.

Me? I was in college in 1997, and I was nonexistent / unborn during Watergate. So I didn’t remember it, and it held no personal significance in my worldview regarding the United States. I don’t think it ever would have occurred to me to trust that the government was telling me the truth all the time, and I wouldn’t ever be shocked to learn I was being intentionally misled. As a late Gen Xer growing up in the Reagan administration with post-Watergate ideas floating in the air, I just assumed the worst from the get-go.

So I admit: sometimes the earnest speeches from Mulder and Scully about the Truth and being lied to from men in power and a government we purport to trust seemed a little repetitive and obvious to me. It’s taken me a while to realize that these speeches are voicing something very specific and historically real, the furious indignation of Boomers that we can’t trust our institutions. I think I felt like, yeah, okay, okay, I get it. I never had the same kind of trust in institutions to lose in this respect, but this was a major betrayal for people my parents’ age.

All of this to say, I don’t think that the conspiracy worldview and the appeal of the paranoia about government was a big part of the draw for me. I’m not saying it wasn’t for many or even most others. But my instinct about storytelling is that that is a little too abstract or bloodless of an appeal to really hook most viewers anyway. Like, you might be interested in conspiracy to get you to watch initially, sure, but that’s probably not going to keep you watching for years. And it’s really not going to be enough to motivate you to tune in to a revival series in the 2010s.

So what was the big hook for viewers? You’re probably expecting me to say MSR, and if so, I’m going to surprise you a little. I do think that was part of it for some percentage of viewers, but I think it is more complex than that.

I think the show tapped into a late 20th century urge for individuals to become part of something greater than ourselves. Something we might think of as numinous or transcendent. Maybe something meaningful and good (like a quest for truth) — or maybe something that will look down and judge us, for good or ill. Something that means that we are not lonely in the universe. This puts X-Files squarely in an overall 1990s angels and aliens otherworldly trend. 

(Personally, and this could be an only me thing, but I can never quite separate out Tony Kushner’s Angels in America and The X-Files in my mind; Angels debuted on Broadway the same year X-Files first aired, and I was exposed to both at about the same time. They’re both about apocalypse and personal crisis and the end of the millennium and the transformative power of authentic relationships with others. I could do a whole thing on this.)

The desire for transcendence is the part of the show that is summed up by Mulder and Scully watching lights together in the sky, by Mulder’s wonder at seeing ships or aliens, by the entire notion of “I Want To Believe,” by the idea expressed in the last episode of the original series that both Mulder and Scully share—that the dead aren’t lost to us, that “they speak to us as part of something greater than us - greater than any alien force.” Mulder says to Scully that if “you and I are powerless now, I want to believe that if we listen to what’s speaking, it can give us the power to save ourselves.” There’s definitely a part of the show that is about little lonely human beings finding how they fit in a big, unfeeling universe.

The show's interest in conspiracy figures into this. Because after all, what are conspiracy theories but reassurance that there is some meaning behind everything after all? That there is some powerful system running the show, even if that system might be kind of evil. A grand organized secret an individual can actually uncover, rather than a bunch of random haphazard incompetence and chaos. I think this is part of the show's interest in transcendence, but only one part.

And there’s also part of the show that’s about a hero who is wracked with loneliness and alienation — and then two heroes who are wracked with loneliness and alienation—finding a kind of salvation in Truth, in Justice, in Trust, in Partnership, and, ambiguously, Love. (Sometimes Mulder sounds more like a 19th century Romantic hero than anything else.) This makes it a little allegory about late 20th century individualism and alienation and desire for meaning and authenticity and connection with others. 

I think what appeals to people emotionally in the show is that part of us that wonders: is there a universe that pays attention to me? Is there anyone who listens to me and who really, really knows me? Does anyone besides me care what is true and what is a lie? Will I find those who are lost to me and repair the parts of me that are broken? Is there anyone who would give up their life for mine?

I think that the desire to connect with others is a really basic human drive, and it’s most obviously foregrounded in the show the Mulder-Scully partnership. Even romance aside, we see from the first episode that these are two people with distinct worldviews who want to communicate, who see something in one another, who are hungry to be understood by one another. They ultimately see the other person as someone who reflects and affirms who they are. The partnership is definitely the emotional hook of the show, whether you see that as a romantic ship or not, and it thematically echoes the show’s overall themes of wanting there to be more in the universe. 

When the show was at its most emotionally devastating, it was one or both of its protagonists losing a relationship or connection that was important to them, or it was their frustration that their efforts were not meaningful on a larger scale: grief over a loss, a coverup that meant Justice wasn’t served or Truth was concealed.

When the show’s moments were most emotionally triumphant, they were always moments of overt connection, usually between Mulder and Scully, both more dramatic (“you’re my touchstone”) and subtle (reaching out to take a partner’s hand in Pusher or Field Trip). When there were moments of triumph concerning the government conspiracy, it felt more allegorical, like information (Truth) getting free, not progress made in specific governmental reform or anything. 

(And honestly, the moments of triumph against the conspiracy were pretty few and far between. We left the original run of show with the protagonists on the run, pretty sure there was going to be an alien invasion in coming years that had been facilitated by complicit human conspirators, so this conspiracy thread of the plot apparently didn’t even seem like the most important and emotionally satisfying story to resolve.)     

CC wrote a NY Times piece addressing the changing landscape on conspiracies in 2021, discussing why he was skeptical of a new UFO report. He was perceived as having the authority to write this because he created a show that quintessentially addressed government conspiracies about visitors from space.

But for me, the question of whether the government was hiding evidence of extraterrestrial life was really not the main takeaway from TXF. At least no more than the question of whether there needed to be an investigation into the undue influence of witchcraft in Scotland was my main takeaway of Macbeth.

I do acknowledge that I may have been in the minority. Maybe this is not how most people felt. But I also wonder if sometimes the urge to make the show primarily about political paranoia became a distraction from what it did best—these larger, more universal themes. I wonder if that is partly what was so frustrating about the storytelling of the revival.

[paragonraptors]

YEHAW DA:V REVEAL THOUGHTS BELOW!!

Overall: Feeling so excited for this game. I'm climbing up the walls. I can't believe that was 20 minutes, it felt like 10. Need this in my hands yesterday.

What I liked:

-Holy fuck wow wow wow the hair looks like nothing I've seen in a video game before.

-Combat seems very different but also a natural progression of gameplay past. Real-time turn-based was always a little on the clunkier side, and while it never really bothered me, moving towards something more ME-style was expected. Very excited about being able to aim a bow. Would like to know what difficulty they were showcasing bc I'm considering jumping right into a Nightmare run.

-Now that I've been soulsborne-pilled the prospect of a parry mechanic has me buzzing.

-I feel like people are gonna dunk on the "stiffer" animation, but I prefer it so much more than the BG3/HZD constant wobbling. It'll make the key performances stand out instead of mostly jangling keys in front of a baby and letting the big moments get lost in the sauce. (Not that the aformentioned games didn't have good animation, just. If your characters don't need to move their whole body to convey dialogue I'd prefer if they didn't.)

-The sublety in the facial animations is CRAZY.

-The roleplay dialogue seems really reactive!! And the cuts to inject the unique dialogues feels smooth. I'm sure there will still be moments where it's easy to tell, but still cool. Seems like they're gonna be paying more attention to your personality type like DA2 too.

-So excited about Harding and Neve as companions and can't wait to meet everyone else.

-Neve's staff/wand makes me excited to see what kinds of focus options we'll get as a mage AAAA.

-God the costumes have so much swag. One of my hottest of many BG3 takes was that the costumes were overall flavorless. (Really hoping they didn't change the Grey Warden uniforms though that would really disappoint me.)

-Cinematography looks fantastic. Lots of well set up shots.

-NGL I felt something when Solas showed up. Wasn't expecting that. And while not perfect, I liked his interaction with Varric. Their relationship from Inquisition really slips under the radar if you're not bothering to look.

-Varric has never gotten over the trauma of what happened with Anders and it breaks my heart in a good way. God you could see it in his eyes!! [chef's kiss]

-However, I definitely have to kill Solas now for what transpired in this preview.

What I'm iffy about:

-The voice peformances feel a bit stilted. Not really what I'm used to from Bioware and I feel like it's important when the animations are more subdued. Hopefully this feeling will change when I get more of the game.

-The dialogue also felt a bit dumbed down. "Solas is doing his ritual!" "Yes. Solas' ritual. The ritual that we have to stop." Again, hopefully this is symptomatic of a tutorial level/trying to onboard newbies quickly and not the whole game lol. While I prefer this to dialogue that tries to sound smarter than it is, I'm really hoping we see an overall improvement from Inquisition.

-Sort of wish they went with the Andromeda dialogue system instead of bringing back Inquisition's, but I do like that it seems all dialogue options are getting tonal indicators again and they're not as easily conflated with morality. (Though I imagine people will STILL interpret it that way.)

-A little confused about them introducting Minrathous' panopticon shit and then immediately swerving into Solas' ritual. Would have liked some breathing room on that kind of worldbuilding.

- While I'm generally open minded about the change, I Do Not Love not being able to switch to playing companions. Might turn around on this if your ability to issue them commands opens up the closer you are to them/the more you grow into a leadership role. I do like that it seems you will eventually be able to command when they use abilities a la OG Mass Effect bc that was my biggest beef with the Andromeda gameplay, esp on Nightmare/Insanity difficulty.

-Not crazy about the new Pride demon design where are their leggies.

-Not really a Criticism, but they are definitely setting up for Varric to die and while I get it, narratively, I'm NOT HAPPY. Dragon Age has been almost allergic to scripted deaths so it's also gonna feel like being dunked in an ice bath. EVIL STUFF. IN DENIAL.