#I don't know if someone already compared this but here it is

[gaywarcriminals]

Shen Jiu is an Abusive Mother

Yeah this is my Mother's Day post <3 This is just for funsies, and I by no mean think its the best lens through which to see SJ and LBH's relationship— its just a comparison I find interesting, and I was feeling festive 🥰.

To start, none of this is to say that SJ is a feminine character. I don't believe that, and I think that he's often misinterpreted as more feminine by western fans due to differences in gender norms/gender roles (which is a Whole Other Coversation). Maternal/mommy are being used loosely here.

Secondly, I don't think we'd even be looking at SJ through a maternal framework if the man who took over his body wasn't Shen "I would never abort you" Yuan. SJ is mostly pulled into this because he exist in juxtaposition to Mr. Freud's Wet Dream (go read tshirt's SVSSS Freud zine btw, several points here are inspired by it).

The fact remains, though, that even without Wifebeam Supreme playing the part, there is something distinctly parental about the role of Shizun. Shizuns cannot be compared to teachers or tutors, who the child either go to visit durning the day, or who come to the child's home when it's time for lessons. Even with the respect due to them, a teacher remains distinct from a child's home and family. They do not overly incorporate themselves into these things that define a child's life. 

Shizuns are a little different. There is, ofc, lots of variation within the xianxia and wuxia genres, but in most of the stories I've encountered— and more importantly for our purposes, in SVSSS itself— unless the child’s family home is their sect, when a child is accepted as a disciple, they're expected to join their shizun/shifu either in the master's home/sect, or in free-roaming travel. In both cases, the shizun's home becomes the disciple's home, and their shizun becomes the main adult responsible for the child. The master will take over in guiding the child's development from here, shaping them by their hand. Is that not a parent? I think some such imprinting is inevitable, even among more well-adjusted disciples. Do you know who's not well-adjusted?

Luo Binghe enters the sect soon after the death of his mother. There is a mommy shaped hole in his heart. Though absolutely nothing could replace her, he's a sad, lost, and angry child, coming to a mountain of immortal masters, desperately hoping for one of them to take him as their own. As much as he's motivated by fulfilling his mother's wishes, isn't he also looking for a place to belong in this world, now that the hut that he once called home is ruined by his mother's absence? Doesn't he hope, if only for a short time, that someone else will see fit to care for him? As much as Luo Binghe is already hurt and hardened in many ways, he's still just a child; he's not yet blackened beyond dreaming of someone to love him.

Shen Jiu is very much Not That. Shen Jiu is not a merely a lofty immortal ambivalent to his disciple’s emotional needs. No, Shen Jiu hates Luo Binghe enough to unfairly punish and ostracize him, and even puts him in deadly harm's way twice before just outright trying to kill him (the manual, the demon invasion, the abyss). Going by the framework of SQQ as a parental figure, he's undeniably an abusive one. In what way could this be said to be maternal, though? In my eyes, it comes down to motive.

Shen Jiu has a lot of motivations for abusing Binghe, mostly coming down to the fact that's he's more trauma response than man at this point, but one of these is more explicitly outlined in the text than the others: Shen Qingqiu saw three things on the original flavor’s face: envy, envy, and more envy. Envy that Luo Binghe had a mother who was “the kindest in all the world to him,” envy of Luo Binghe’s talent, envy that Luo Binghe would enter Cang Qiong Mountain Sect at the best age for cultivating. He was indeed the kind of person to brim with envy and resentment toward a young child.

Envy and jealously, at least in the western canon, are usually associated with female characters (and though it’s outside the scope of this post to dissect, let it not go unremarked that this trope is deeply misogynistic in origin). They are almost always envious of a younger, more beautiful, and/or more skillful woman, who are posed at the moral superior to the jealous woman. That's right, Shen Jiu is an evil stepmother! He tolerates having no superior or equal on his peak, needing his power and superiority to go unquestioned. Outside of his abuse of Binghe, and the references early in the novel to SJ chasing away talented disciples, I think this is also shown by how the male disciple SJ tolerates the most is Ming Fan, who has only middling talent and is obsequious before his shifu, never challenging SJ in any way, and never threatening to surpass him.

But of course, SJ’s relationship to Binghe is the most obvious example. Shen Jiu sees himself in Luo Binghe (derogatory). He sees Luo Binghe as a symbol of everything he never had. Luo Binghe is a creature like himself that, for no rhythm or reason, was given so much more than SJ. It is also notable that, at least as far as Shen Qingqiu, as an outside observer, can tell, the thing which first sparked SJ's ire was the mention of LBH's mother. Never mind that LBH says in the same breath that she's dead; the fact that when she lived, she was a kind and loving mother to LBH is enough for SJ to envy him, and as he finds more to envy, it comes justification to hate the boy, and to punish him for daring to have someone who died loving him. 

(Side note: after consulting the qijiu server about the implications of SJ’s reaction, my reading is that SJ never knew his mother. The only alternative is that she was a bad mother, but I don't think he would find such unilateral comfort in women if that was the case. It's made me wonder if SJ ever believed that having a mother, a protector, would have spared him his fate. But alas, this post is not about SJ's mommy issues. Another day!)

Even outside the realm of cartoonish villains, I think this particular brand of envy is, in some ways, associate with motherhood. There's a natural tendency in parents to see themselves in their children, but as mothers are almost always the ones more involved in raising children and more expected to foster emotional connections with their children, I think this is both more common and more encouraged in mothers than fathers. Mothers are expected to be in charge of and over-involved in most aspects of a child's life, and in turn their lives are expected to revolve around their children, blurring the boarder between the self and the child. The child becomes symbolic of the mother's past self and what she can no longer be. The expectations on the child are the expectations of the mother's idealized self, and whether the child meets them or not, the mother will resent them for it, for daring to fail when they are her, or daring to succeed when they are not.

That's not to say SJ ever had such deep identification with LBH— he certainly never cared for LBH, and if anything, he's more like a mother who resents her child being born (as though he did not pick this boy out of the dirt himself)— but the hatred for a child under his care being like him but supposedly better off feels evocative of this characteristically maternal form of envy.

And finally, there is the fruit of SJ's actions, and the most explicitly/textually maternal aspect of SJ's abuse: it created Luo Bingge.

“Has Shidi ever considered that, if you hadn’t treated Luo Binghe like that in the beginning, everything that unfolded today never would have happened?”

He had singlehandedly created the Luo Binghe of today,

Luo Bingge, the all-powerful demon, the ruler of the three realms, and Shen Jiu's own personal torturer, would never have existed without SJ's intervention. Luo Bingge is shaped in Shen Jiu's image, and everything Shen Jiu ever did to destroy the boy only twisted him to further fit this mold. Luo Bingge's fate, the shape of his very soul, have been defined by SJ. And what is more maternal than giving someone their life defining trauma? 

[reyreadersblog]

My unpopular TIG opinions.

Since y'all are expressing opinions out here..who am i to leave out? Now have in mind that these are MY opinions, some of these are unpopular some of these are NOT, some of these are even underrated facts but let's just ignore that..

(Please don't hate me)

1. I DON'T CARE ABOUT EVE, and i don't want her to be with Grayson..bcs APPERANTLY and very unfortunatly there are people out there who ship Gray and Eve..crazy..i know, i really don't care about her, i already made a whole post about why i don't like her at all, she's a manipulator, she's a liar, she's a backstabber. She traumatised poor Gray and threatened Ave. I respect your opinion if you like her and i truly understand where some of you are coming from, but i just can't manage to like her, don't hate her i just dislike her. Even if she gets a redemption arc..i can't seem to understand how i'll like her character after what she has done, but if i will..."forgotten but never forgiven"

2.underrated characters, there are so many of them in this books, for example Zara Hawthorne. I love her honestly, i could never hate, i understand she may have done some wrong things...but i love her nontherless♡♡ and same goes for Alisa Ortega.

(Honorable mention) also come on, give my man Oren some appreciation he deserves, you think following teenager around is easy? Even if it's his job and he gets paid, it's still tiring..😔

3. Uhh..i am scared to say this...i prefer Nash and Alisa to Nash and Libby...WAIT, WAIT, WAIT...DON'T KILL ME YET..LET ME EXPLAIN FIRST🙏🏻🙏🏻🙏🏻, i saw @hawthornesbiggestfan 's post, and that encouriged me to say this, read that post bcs that explains exacly how i feel. I love Nash and Libby, they're super cute, i can't wait for their wedding and think they are going to have a very happy family...but..i'm still at the restaurant😔, EVEN THO we never got to know Nash and Alisa's story, smtg about those two had me invested in them from the beggining, like imagne Alisa growing up and Nash slowly developing a tiny crush on them..young love..passion..childhood lovers...love confession..ughh, also the fact that Gray, Xan and Jamie already saw her as their family, like an older sister. Such a shame we never got to see their story. Again, i'm not saying i dislike Nash and Libby tho if it had been love triangle between Nash, Libby and Aliso...i would choose Nash and Alisa...

3.Avery is freaking underrated, yk what's sad? SHE IS THE MAIN CHARACTER, and she doesn't get enough hype (i've made a post about this too) meanwhile people are swooning over Hawthorne brothers, and yes i am one of them but i love Avery to death, i even saw someone comparing Avery and the brothers saying "oh she's so boring..Hawthorns are way better than her..blah..blah..blah" technically they were saying fuck poor people, i know for a fact NONE of the brother would last an hour from where she came from (iykyk), she's a girlboss, and a main character for a reason.

4. As much as i love Averyjameson, i have to say their story is pretty much over, We'll probably get some cute moments from them in tgg or in games untold, but they ARE NOT a main couple anymore.

5.TGG IS A NEW SERIES, please understand that it's new book series with new characters (at least most of them) stop attacking JLB, it's her books, it's her choice.

6.Lyra Kane's haters don't make sense to me, especially those one who mock, and laugh at her lovers saying "you don't even know her, i'm gonna laugh at y'all when she turns out to be Eve 2.0" uhm...sir..miss..shut it. I respect your opinion if you're a Lyra netural bcs it's true we don't know many things about her and i totally understand if you can't love her yet, but don't hate, we know we're delusional most of the times, but that's what headcanons is for, for fun, alight, let people have fun.

7. Will all due respect i have...Averygrayson shippers are...dumb..yikes..sorry, but it's the truth, i'm tired of talking about this, it's been 4 books, Avery is happy with Jamie, they're perfect for each other, their relationship status is great and Gray is most definetly getting a new love interest..but of you still ship and have faith in them..do so..who am i to stop you? Just don't be disappointed when it won't be ture.

8.i may be judging too early but Savannah and Gigi being in the game..doesn't sit right, tbh honest it'a NEPOTISM at it's finest, i love both of them so much..but..nah. again, idk for sure..it may be some trick, it's JLB after all.

9.there are too many repetitive charcter traits..Jameson and Rohan, Grayson and Savannah, Gigi and Xander, Eve and Emily, every single dad, exept for Isaiah.

10.Speaking of Isaiah, he is extremly underrated, i mean he is the best dad in the series and somehow people talk about Sheffield Grayson more than him.

Sheesh...don't kill me in the comments please, i'm too young to die🙏🏻😔

(I'll probably do a part 2...

[ecoamerica]

Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared

The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!

[youchangedmedestiel]

Dean reacting to Cas and Sam having a beard

Dean: Nice peach fuzz (8x02)

VS

Sam: Some people say I look good (14x03)

Dean: No Sam, no people say that (14x03)

[sprinedankle]

guys i think im going to buy my first vinyl record and its going to be the boygenius ep and I DON'T HAVE A RECORD PLAYER!! BUT I DONT CARE!! actually my mom's partner has one so im going to steal it from him

[brittlebutch]

still can't help but empathize deeply with Hob's anger and affront over the duel during the 'Southern Lawn' episode, mostly because I also cannot understand the social steps taken to land him in that position during any part of those confrontations

[unproduciblesmackdown]

one in a million when i watch smthing in the horror genre and don't end up disappointed to/and/or pissed off about it so like "also yeah i liked it. ooo" is like relative to that an off the charts rave review of media of the millennium. also i did think about mh a lot along the way so would recommend its affect/effect if you like mh's horror too

[ecoamerica]

Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc

The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!

[pochapal]

pokemon b/w kinda flawless games if you really think about it.

[dimiclaudeblaigan]

starts another anime

watches some eps

turns on next ep

character: koko-

me: KOYASU YOU LITTLE RASCAL!!! SO YOU’RE HERE TOO, HUH!!!

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[glow-in-the-dark-death]

Talk (Silence)

~

Danny has gotten used to not having to watch what he said as the years went by.

In Amity everyone basically knew he was Phantom and just treated it as normal, and he had already told his parents what had happened,

They did a total 180 on their opinions, now chasing after ghosts to question them about everything they could squeeze out of them.

They were very proud of Danny too, often helping him with their technology.

Having said that he got used to not watching what he said in Amity, everyone knew so why bother right?

Unfortunately he was not in Amity

He was in Gotham visiting Jazz, who had moved for University.

They were currently in a cafe catching up, talking as their used to.

Not realizing that their conversation without context sounded very worrying.

~

Jazz: " So how are mod and dad?"

Danny: "Oh you know the usual, they're making new weapons, hopefully this time they wont target me, getting shot sucks, but I prefer it over getting electrocuted "

Jazz: " Good luck!"

(TOPC)The other people in the cafe: What the fuck

~

Danny: " Vlad keeps putting cameras in my room, so I went and confronted him about it again, I don't care that he's the mayor! "

Jazz: " He really needs some therapy"

Danny: " He's a fruitloop, he's beyond help"

TOPC: *concerned side eye*

~

Jazz: "You know I was a bit more worried about the criminals here, but honestly weak, I miss actual competent villains"

Danny: "I told you!"

TOPC not sure if they should be offended or wary of where they live

~

Jazz: " You know I kinda miss the food back home"

Danny: "What that it would come back to life and fight you to the death?"

Jazz: " I mean that too, but I was talking about the taste"

Danny: " Oh yes the chemically contaminated food really has some extra flavor compared to this" *gestures at his plate*

~

Danny: " I went to the park to play with Cujo and got kidnapped and they almost cut me in half"

Danny/Jazz: "Typical Friday!"

TOPC recording on their phones to make sure they're not hallucinating, someone is live tweeting.

~

Just an Idea

[luveline]

spencer one shot where he’s angry at somebody else [bc he so does look so kissable when he’s angry >:(] maybe someone at one of the precincts they’re working at said something rude about r and he defends u and maybe he gets a lil kiss <3

im thinking “this is calm and it’s doctor” vibes bc that scene does things to me 😭

ty for requesting ♡ fem, 1.1k

cw for sexual harassment

"Jesus," Spencer says, rushing to stand behind you as you bend over. 

"Mm?" you hum. You're fishing for your dropped change unsuccessfully by the precinct vending machines. "They have your chips, did you see?" 

"Your pants are ripped," Spencer says, hand ghosting your thigh. 

"What?" you ask, shooting up. You turn on the spot to hide, hand leaping back. You feel at the seam. "Where?" 

"Top of your thigh." 

"Shit, really? Can you see my–" 

"Yeah," he says, meeting your wide eyes while you locate the rip. "How did you do that?" He laughs. 

"Don't laugh!" you demand, though you're giggling as you do, hand covering your thigh and the bottom of your butt inefficiently. 

"Do you want my jacket?" 

"Don't cover it up, toots." 

You and Spencer both blink. There's a crowd of grinning beat cops by the door of the cafeteria who've obviously witnessed your misdemeanour. "Toots?" Spencer asks. 

"Sorry, boys, that's the end of the show," you say with a grin. Not because you particularly enjoy having been oggled, but it's always been like this. Men will always make weird comments to you, and you've learned to play nice until they're out of your jurisdiction. 

"Turn back around," one says bravely, though you aren't sure which one. 

Spencer stands in front of you subtly. "Do you know that thirty eight percent of women experience sexual harassment in the workplace?" he asks, quick but measured. "Thirty eight percent, but I'm sure a much smaller number of those women are federal agents, and a smaller number again have the capacity to break your arm. I've seen her give serial killers radial fractures. I've seen her do worse." 

"We were just messing around," one says. 

"No need to get defensive," says another. "Don't get mad, boy." 

"I am defensive, but I'm not mad."

His tone attracts the attention of a precinct sergeant who barks at them to stop messing around and get back to work. "Were they bothering you?" he asks after they've filtered out with their heads down. 

"No," you say swiftly. "Everything's fine." 

Spencer frowns, worse when the sergeant leaves, turning to you to take your hand. A few weeks ago at a company picnic, when the sun was high and your spirits comparatively lower, you'd apologised to him for flirting. You love to flirt and especially with him, puppy eyed Spencer with his head of brown hair and his big brain, but some of the team suggested you were taking it too far. You apologised, but Spencer didn't really get what you were saying sorry for and took your hand to lead you out of the sun. He protects you. 

"You okay?" he asks. 

"I'm fine." 

"You sure?" His voice fries. 

"I'm sure," you say. His hand is an interesting thing on yours. He has long, long fingers that seem to possess their own willpower, moving even as they're sewn through yours. "I don't know what to do about my pants." 

Spencer's eyebrows pinch together. "Well, I'll take care of that. I'll find you something. I can't believe those as–" 

"Oh," you interrupt, taking your hand back in want of a better thing to hold, his cheek a mix of soft and scratchy against your palm. "You're still mad." 

"I'm not mad," he insists, though eventually he relents, "Alright, I'm angry that they'd think it was okay to objectify you." 

"What else?" you ask, letting your voice drop in pitch, the sound smooth as angora silk. 

"I'm thinking about if I hadn't been here." 

"I can protect myself," you murmur, endeared by the heat in his gaze. "You said it yourself, handsome. Radial fractures." 

"You shouldn't have to." 

"We both already know that," you say, the side of your hand slipping down his cheek reverently. He squints gently, his lashes dark triangles, his irises a browned sugar. His jaw clenches under your touch. "You're handsome." 

"Right now?" he asks dryly. 

"Are you handsome right now?" 

"Are you really flirting with me right now?" 

"Why wouldn't I be?" You draw a line under his ear whisper soft to curl a longer strand of his hair around the tip. "You look hot when you're winning." 

"What did I win?" he asks, like he doesn't want to know. 

You grin at him, stickying. "Would you like an itemised list?" you ask, rising on tiptoes to speak into the shell of his ear. "What do you think you deserve, handsome? For such a fearless defence?" 

He's not immune to your whims, but he is used to them, planting his hands on your shoulders to ease you back on sure footing. "I don't want anything. I'll always defend you." 

"Can I give you a small token of my gratitude, at least?" 

His pinking cheeks practically emanate heat. "We don't have time for this," he says regretfully, "I still have to find you a coverup." 

"Just a small token," you say. 

He hums and haws. "Alright. Okay, whatever you want." 

"You sure?" 

He nods once, his jaw working with something unsaid. You touch his neck, fingertips trailing along the underside of his jaw until you're sure it's what he wants before you brace your hands behind his head and press a chaste kiss to his cheek, close enough that the corner of his lips align with yours but don't overlap. His neck is hot in your hands, his hair soft, his breath hooking as you lift your lips just a touch and your nose digs into his cheek. "Thank you, Spencer," you whisper. 

He pulls you closer. 

You shudder as his hand presses into the small of your back, wondering what it is he wants to do. His fingers spread. Your thoughts turn to white noise. Like he can sense it, he breathes out and steps away, but any sense of urgency is gone. 

"As much as I might tease, I really do need some pants," you say. "I'm not very interested in anyone else seeing my panties today." 

He rushes off to find you something and you press the backs of your fingers to your cheeks, feeling the heat there with a resigned embarrassment. He has no idea how much power he has over you, in his stony anger and his eager reception. The phantom of his hand warms your back until he returns, his sweater in hand. "Sorry, this is it." 

"If you want me to wear your clothes, just say so." 

"Hotch is pretty pissed at us." 

"Ah," you sigh, tying his sweater around your waist, "another day in paradise, baby." 

[ave661]

Post about art-theft, AI and tracing of my render:

Unfortunately, one of my renders I made a year ago, was traced, copied, edited by AI by "brothers in arms" store and now sold as a merch aimed towards CoD fandom. They are currently sending this out to various cosplayers asking them to promote it.

As someone who is affected by this, I have to speak up about it.

(post about it on twt & insta)

I found out about it by accident when I saw promoted post on my insta feed. When I started talking about it in my stories, this store sent me a private message saying they had been working on this design for weeks and had never heard of me so they definitely didn't steal anything, and offered me free stuff. When I disagreed with them and sent them files comparing our works, they stopped replying to me, so I continued talking about it again on my insta. Only when my followers started leaving comments under their post saying this is wrong, they decided to continue discussion on the next day.

2. They mentioned that they could have been inspired by some pictures they found on the internet and showed me their "first sketch" of design… which was made by AI.

3. During the conversation, they mentioned that their artist could have based his work on a picture he found on the Internet, but he defended himself by saying that they might not have known it was mine. But even if they didn't know about me, even if they found some fanart on the Internet - it doesn't mean you can copy something detail by detail and sell it as your own. What is most important here, their offer to solve the problem was to give me credits in their design. IF they worked hard on it, why would they want to give me credits? My offer was to remove it.

4. Why do I mention that it could have been done by AI? because many lines are unfinished and a lot of details don't make sense.

5. Below is a comparison of my render that I published on March 18, 2023 with their first sketch they showed me, which apparently they drew themselves:

I am saying this so that the CoD community, which is very large, will be aware of this, because there are many people who have already bought it and after my insta story, they felt bad and said they want return it because they don't want to support art theft.

It's not just about me anymore - it could have happened to anyone who creates fanart and share it on the Internet just for fun. One day someone may use it for their own profit without us being aware of it. It doesn't matter if it's a 3D render or a drawing. All artists in this (or any other) fandom do not deserve to experience such thing, and we need to speak out about it to prevent it from happening in the future.

Reposting fanart is, as this example shows, dangerous and hurtful, so please respect artists and don’t do this. Especially on pinterest.

Their only proposal and offer to give me credits for the work they traced is something I will never agree to.

[drchucktingle]

Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!

very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.

all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.

i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.

now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.

the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.

if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'

do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is

by creating ANYTHING you are proving love is real, and that is something to be proud of

[noxtivagus]

back home <3

[mrpenguinpants]

Low Battery Warning - Touch Starved HCs

— If he goes too long without you by his side, he starts to get irritable and too frustrating for anyone to deal with. For the sake of everyone, please remember to recharge your battery before leaving for extended periods of time.

— Tartaglia, Kaveh, Ayato, Alhaitham, and Dottore

[Masterlist]

I JUST WANT TO WRITE WHIPPED MEN OKAY? What do you mean I have to write a part 2 for two different fics??? I'm honestly surprised I managed to finish this. Also, ALHAITHAM NATION REJOICE, YOUR BOY IS HERE AND I CAN FINALLY MAKE A BANNER. I wasn't going to write him (I'm a kaveh stan) but now that he's here...

Tartaglia

While Tartaglia is the most favored to work with compared to the other Harbingers, that's only by a very slim margin. The closest you'll get to death is when the man gets bored and randomly picks someone to fight, but they usually make it out alive. Maybe a couple weeks in the medical bay and a few broken bones but they aren't dead for the most part. He's also the youngest and therefore the most easy-going even if he's a bit childish. He's a soldier first so he knows the pain of listening to someone verbally beat you down and not having the power to do anything back. But he's still a person at the end of the day and after so many people messing up and delaying his work, he's starting to get irritated. First, it was someone spilling tea onto important documents that he just finished signing, then the Fatui agents stationed near Jueyun Karst being defeated by some no-named treasure hoarders, and then finally being held hostage in his own office because the Liyue Qixing wouldn't leave him alone. God, he slumps over his desk, he just wants to go home and see you!

By the time he finally stumbles through the door, you're already passed out on the couch. He can't blame you, it's very late into the night and he would probably be more upset if you forced yourself to stay awake just to welcome him home. But he can still pout that he was taken away from you for so long, he didn't even get to see you all day. That's borderline torture. But he supposes he can forgive you since you look so cute bundled up in his red shirt. If he happens to take a picture or two that's for his knowledge and eyes only. So he easily scoops you up into his arms, taking a couple seconds to just stand there as he basks in the comfortable weight before he takes you to bed. Just for tonight. This will be the last time work takes him away from home for so long.

It lasts for two weeks. Usually, Childe could hold himself together, he's been away for far longer, but the fact that you're right there and he can't hold you is driving him insane. By the 14th day, Childe is ready to snap his pen in half and hurl it at the next person that comes through that cursed door. He doesn't though because it's usually Ekaterina, the only one that has the balls to talk to him right now, and she deserves far more than she's paid to deal with. But he's touch-deprived and tired. Even Zhongli with his infinite amount of patience advises him to sort himself out before inviting him out to lunch next time. He tried to deal with it on his own, this isn't the first time he's felt claustrophobic, but after the fifth Hilichurl camp he doesn't feel any better which only makes his mood sour further. He might even beat Scaramouche in how short-tempered he is right now. There's heavy air wherever he goes and whatever carefree persona he usually has on is thrown out the window.

It's Zhongli who clues you into how bad Childe's demeanor has gotten, the rascal looks horrible both physically and mentally. Despite the consultant and Childe being on friendly terms, you don't really know the man that well. But he doesn't seem like the type of person to lie so you thank him for the information and make your way to the Northland Bank. To be honest, you've been feeling the effects of not seeing Childe as often as you usually do. You know his work can get so hectic that it keeps him cooped up in his office but it's been a while since you've even seen that fluff of ginger hair. He usually doesn't want you near his work considering how it might put you in danger, but if he isn't taking care of himself then what kind of partner would you be if you didn't help?

Even outside the building, you can feel the effects of what Zhongli talked about. All the agents look like they're on their last legs, there's a gloomy atmosphere surrounding the building even though the sun shines brightly across Liyue harbor, and you can vaguely hear an annoyed Harbinger scolding someone. As soon as you set foot into the building Ekaterina nearly tackles you off your feet. Desperately thanking you for coming and looking at you as if you're the Tsaritsa herself.

As soon as Ekaterina says your name, Childe whips his head around at such a speed that you're afraid his head might fling off as his eyes lock onto yours. You know Childe wouldn't hurt you, never you, but he's looking at you like he's about to devour you and you're suddenly very glad you've never been on the receiving end of his anger. He shoves the papers in his hands into the agent's chest he was probably reprimanding and marches over to where you are.

"C-Childe?" "S-Sir?"

Ekaterina mirrors the wary call of his name until he's finally in front of you and without a word, throws his arms around you. You stumble a bit under his weight but you quickly circle your arms around his back and hold on tight so you don't trip over your own feet. You can only imagine what it looks like for Ekaterina to see her stiff boss suddenly deflate in your arms. A pleased groan escapes from him as he basically lifts you off your feet just so he can hug you closer to him. You almost feel like a child's teddy bear with your legs dangling in the air trapped in a crushing hug. You know that your relationship with Childe isn't a secret but you both don't show any displays of affection, you don't even really interact in public in general, so this is pretty open for the two of you. Well, for you at least. You don't even think Childe is registering anything around him except that you're here.

"Are you okay милый?" you whisper into his ear, nuzzling into the side of his head that's nestled into your shoulder. Your snezhnaya is a little rough around the edges but from how he seems to purr you think he enjoys it nonetheless. "Although I'm happy to see you too, don't you think we should move so we aren't blocking the main entrance?"

He sleepily blinks awake and slowly starts to acknowledge that you're both very much standing at the bank's entrance with everyone shamelessly staring. He frankly looks like he doesn't care, people have working legs, they can walk around you both. But he also doesn't want anyone to find another reason to take him away when he's very comfortable.

"If you need me, don't," is the clipped order that rings out through the bank. You know he's heavily censoring what he actually wants to say but from how everyone cowers away, they can probably tell what would happen if they disobey him. They all give him a nod and a salute before he's picking you up, cradles you into your arms, and swiftly walks upstairs. With a kick of his boot, the door slams shut and he sinks into his chair, you seated pretty on his lap.

"Please never leave me, I think I might die," he groans, re-wrapping his arms tight around your waist. You can only sigh fondly as you gently run your fingers through his hair, rubbing small circles into his scalp and he melts into goo. As if you would want to leave.

Kaveh

You know Kaveh is a bit...eccentric to say the least. He always says what's on his mind and most of the time his thoughts are things he should keep to himself. Even you're not totally immune to his blunt honesty despite the fact he tries to watch how he phrases things when directed to you. He doesn't want to accidentally hurt your feelings, regardless if you know he means no harm. It's rather cute that for someone who doesn't care about what others think of him, he's a bit insecure around you. He likes you, really likes you, and he often finds himself plotting out what he's going to say hours before your lunch date with him. But as soon as you greet him with that charming smile and a brief hug, he turns into putty and whatever flowery language he conjured in his mind is swept away. The confident architect that graduated with honors is reduced to a red-faced mess of stumbling words. It doesn't help that you find it adorable enough to press a chaste kiss to his red cheek and he swears that he's going to pass out from a heat stroke.

He's both extremely glad and terribly conflicted that your love language seems to be touch. He loves it when you brush your fingers through his hair but it always lulls him into sleep so he doesn't get any work done. He loves it when you hug him tightly but then he never wants to leave so he doesn't get any work done. He loves it when you cup his cheeks and pull him into a kiss but then he goes in for seconds, then thirds, and so on that he doesn't get any work done. If he went into alchemy rather than architecture he would dedicate his life work to studying why you have the touch of an Archon that compels him so. But he didn't and now that he's drowning in debt, he really needs to concentrate and finish his work before the deadline.

So now he has the painful task of trying to find an extremely polite way of asking you to leave him alone without you taking offense and breaking up with him. He would be devastated if he couldn't see your loving gaze on him again. But the situation is dire because as soon as he sees you, all he wants to do is curl up in bed with you in his arms. Preferably forever but he'll cross that bridge when he gets there. But every time he tries to bring it up it only takes one look from you for him to stutter and wave off his words. He tries to pep talk himself and every single time he claims that this will be the day that he, very politely, pushes you off, it ends with him melting into goo and waking up the next day with all his untouched work judging him from the table.

It gets to the point that he begins to air his grievances to Alhaitham of all people. To be fair, he doesn't expect the scribe to listen to a word he says and if he did, it would only be because Kaveh needed to pay his share of the rent. But he's pleasantly surprised when you pop up with a guilty smile and that Alhaitham explained his circumstances to you. He tries to clear up the situation, he has no idea what Alhaitham said specifically but it must have been put in the worst way possible, but you take his hands and he shuts up immediately. You give him a light giggle that melts his heart and you tell him to call for you once he's completed his work.

It was the worst decision he's ever made. Second to moving in with Alhaitham. Maybe his judgment of you being an angel was a lie and you were secretly the devil from how often his thoughts were plagued by you. He could draw a circle and think of your eyes. He knows that he's smitten in your presence but he didn't expect that to double when he's suddenly alone. His only motivation is that as soon as he's finished, he'll be able to see you again. But his mind and his work bleed together and he ends up drawing your face instead of buildings and pipes.

He ends up locking himself in his studio and slowly deforming into slime with how awful he's taking care of himself. Alhaitham has to pry him from the table only for Kaveh to flop in his arms that the scribe gives up and hauls the corpse over his shoulder and makes his way to your home. Kaveh still needs to pay his share of the rent so he's not allowed to die before then.

When you opened the door you weren't expecting Alhaitham at your doorstep with Kaveh over his shoulder. He doesn't seem to want to be in this situation either because it looks like he's two seconds away from throwing your boyfriend across the room. But he manages to reign everything in front of you and quickly explains Kaveh's situation, dumping said man into your arms, and telling you to fix it. You shoot him an apologetic smile that he waves off, it's not like it's your fault, before turning around and making his way back to his own home.

"Kaveh?" you whisper gently against his ear to not startle him. It only takes him a second to register your voice before he's perking up and beaming at you. He easily shifts positions so you're in his arms instead. Twirling you around and using the momentum to tuck an arm under your knees and smoothly picking you up, somehow supporting your entire weight in one arm while the other closes the door. Sometimes you forget that Kaveh is really strong despite his lean stature. He is a claymore user after all.

"Darling! What are you doing here?" Kaveh questions while he makes himself at home. If only your living space was big enough for him to store all his work otherwise he would have moved in with you by now.

"Alhaitham mentioned that your recent commission was taking up all your time and you weren't taking care of yourself. Are you alright?" you ask, wrapping your arms around his neck to steady yourself while Kaveh takes his shoes and coat off. In these types of moments, no matter what you do or say he'll refuse to let you out of his arms. If he has to live with one arm then he'll gladly do so just so long as his other hand is wrapped around you.

"Never better," he replies with a smile. He's obviously lying given the dark circles under his pretty red eyes but the soft look he sends you is enough to tell you that right now, he's never been more comfortable. It makes you a bit flustered to have such an intense gaze on you but Kaveh is always forward with his affections and this isn't any different. With you in his arms, there's nowhere for you to run to when he tilts your chin down and brushes his lips against yours.

"Be still for me..." he whispers, the vibrations of his voice tingling against your skin as both of your eyes slowly close. Only for the moment to shatter by loud knocks on your door. You both jerk apart and turn to the disturbance with varying expressions. You're a flustered mess while Kaveh scowls as if the door offended his entire life's work. He finally sets you down on your feet and gives you a quick peck on the cheek. Before marching to the door, flinging it open, and telling the man on the other side to shoo before slamming the door in his face. Unless the world is ending, don't knock.

Ayato

To say Ayato works hard is an understatement. There are several nights when he's glued to his desk rather than resting in bed. Such are the woes of him being forever dedicated to his duties as the Yashiro Commissioner. On days when there are big events and everything needs to be perfect, he's nearly inconsolable that Thoma weighs how much he can get away with if he knocks Ayato out with a frying pan. His pondering doesn't go far because even though Ayato looks like a corpse from the lack of sleep, he'd probably knock Thoma off his feet before the housekeeper could even raise his arms. Ayaka has better luck but she's only able to drag him away for a few minutes before he points in a random direction to divert her attention before disappearing as soon as she turns back. It's just something everyone is aware of and they try their best to support Lord Kamisato. But if it starts to look really bad, like Ayato might drop dead at any second, then you're called in. The last defense and their ace up the sleeve. Not to brag or anything but you have a spotless record and you intend to keep it that way.

It only takes one word from you to have the dignified and cunning Ayato turn into a scared rabbit. His name. None of the wary calls of Lord Kamisato, a dismissal of his titles, and certainly not your affectionate terms of endearment. It always brings the temperature of the room to zero and Ayaka has to double-check that her cyro vision didn't accidentally activate. Unlike Thoma and Ayaka, you're not soft on him and you set your foot down when it comes to his extremes. One of the many reasons he fell in love with you but it's coming back to bite him now. He hates seeing you unhappy, doing anything possible to wipe that frown off your face, but when it's him that's making you so displeased he can't help but look like a scolded puppy.

It doesn't take much for you to know that Ayato has overworked himself to the breaking point again. You understand his duties mean that he's going to be riddled with work but you're his partner first and foremost. You're there to care about Ayato, not the Yashiro Commissioner. And Ayato looks like he's falling apart at the seams. Heavy eye bags, pale complexion, and his body swaying back and forth before he catches himself from falling over. It pains your heart to see him like this and yet still push himself to keep going. So you take one, two, and three steps towards him to delicately take his hand in yours, rubbing soothing circles into his palm before intertwining your fingers together.

Unlike Thoma and Ayaka, he doesn't disappear as soon as you take your eyes off him. Just stands there and stares dopily at you while you issue orders to take over his work. God, you look so attractive when you're in control. It's been a while since he's seen anything but paper and ink but did you always look this beautiful? He's so glad he's going to marry you. Maybe he can force the elders to move the ceremony date up. Everyone in the room politely ignores the fact that Ayato is saying these thoughts out loud and how red your face has gotten.

He doesn't object when you pull him out of the room with you, blindly following you wherever you happen to lead him by the hand. As long as your hand is in his, he'll follow you to the ends of the earth if you'll allow it. It's a bit comical how the dignified Yashiro Commissioner recedes into himself and crumbles away into a love-sick man just by a simple touch. At much as it makes you feel a bit shy, it's nice to know that Ayato won't try and weasel his way out of your grasp and return to his work.

If anything he clings to you like an onikabuto on a tree. You have to waddle your way to the baths with an oversized blue-haired man refusing to let go and draping himself over your back. You know he's making this as hard as possible on purpose, just do you can dote and pamper him a bit longer before he succumbs to slumber and has to return to work. It dampens his mood thinking of the future but it's quickly ushered away by the warm water poured over his head. It's fitting that his vision is hydro because he fits himself into the space you provide as you begin to scrub his hair clean.

There's something meditative about having his hair washed by your hands that no one else can replicate. It's a luxury that he only receives when he works hard enough that his arms hang uselessly at his sides and his body slumps into itself. Soft and malleable, completely willing to bend and mold in whatever shape you wish. But your hands scrub through his hair gently, rubbing all the stress out of his body and never complaining. Right now there's nothing else that matters more than being here with you and you with him.

"I'm going to rinse your hair out. Close your eyes now," you softly say and he follows your instructions. The rush of warm water is soothing to his ears although it sparks something in his memory that momentarily takes him out of this romantic moment. He reaches blindly behind him to take your hand, rubbing circles into your palm to halt your actions.

"It's just occurred to me but aren't you supposed to be on a trip to Watatsumi island?" he opens his eyes to peer up at you, his long eyelashes tipped with water droplets reminding you of just how pretty Ayato is. It's almost a good enough distraction for you to forget why exactly you're here rather than speaking with Kokomi right now. Almost.

"I was but someone had to go and work himself to death again. You need to take better care of yourself Ayato. I don't want to see Thoma running across all of Inazuma just to drag me back because you can't seem to sit still for a few seconds," your frown deepens with each sentence. Your free hand that's not in his grasp is knocking against his forehead, albeit not hard enough to cause any actual pain. He only chuckles before pulling you into the water with him until you're sitting on the edge of the bathtub. His head lay comfortably against your thighs.

"Apologies." He's not sorry at all. "When you're not beside me I have to throw myself into my work or else I may go insane."

"Oh so now all of this is my fault," you huff exasperated but he can hear the undertones of how happy that sentence makes you. "Come on, you'll catch a cold if we stay here any longer."

"Mmm, indulge me," he mumbles into your skin, his eyes closing once again with a content smile on his face. He doesn't need to see to know that you have an equally fond expression.

"Oh, so now my lord wishes to relax?"

"Only because you're here."

Alhaitham

You know that your relationship with Alhaitham is unusual to onlookers. You're both polar opposites and yet somehow stumbled into a rather healthy and committed relationship. To others, Alhaitham is a talented and intelligent man. The perfect bachelor if it wasn't for his "extraordinary sense of individualism" that he doesn't pay attention to people around him. He's notorious for being hard to get along with that not even his handsome face is enough for people to sit around for too long. Meanwhile, there's you. A wandering traveler who takes work whenever anyone needs an extra pair of hands. You're a bit well-known for accepting any job that pays well regardless of how dangerous or weird it might be. But unlike Alhaitham, you're more than happy to make conversation and you're often seen conversing with scholars from every one of the Six Darshans.

To everyone's knowledge, it's you that's the clingy one. You always have a hand around his arm or throw yourself at him shamelessly. Everyone assumes that Alhaitham tolerates it because he never pushes you off but he doesn't reciprocate affection to the degree that you do. If only those nosy scholars could see him now. Your newest job has you traveling to the Chasm to help collect and study the newly opened area. While the Chasm is close to Sumeru, a series of mysterious accidents led the entire mine to be closed. With the Liyue Qizing gradually reopening the area there's a lot of ground to cover. Alhaitham doesn't care much for the details except that this means you'll be away from him for a few years rather than a few weeks. As soon as you told him the expected date you'll return his face instantly soured. It was so cute that you couldn't help but press kisses to the corners of his mouth until they lifted. But one thing led to another and you're now trapped underneath his strong figure for the past couple of hours with no signs of him letting go. Every day you're gone equates to one minute he gets to keep you here.

No matter how much Alhaitham wishes to make you stay, even going so far as to bribe you, you eventually gather your things, press one last kiss to his lips, and leave him in his too-quiet house. He doesn't want to admit it but as soon as he closes the door he already feels lonely. But he'll learn to cope and continue with his life. He's been through more challenging obstacles and made it through. It's only two years, 3 months, 14 minutes, and 58 seconds. Alhaitham sighs and leans against the door. He's not going to make it.

Everyone else is content to whisper behind their hands about how the scribe seems to be more hostile. While Alhaitham doesn't have the most friendly personality, he's still somewhat polite until someone gives him a reason to exit the conversation. But now Alhaitham can barely get two sentences in before insulting someone. He doesn't even mean to do it on purpose, it just slips out. A girl who happens to share your eye color is met with a backhanded compliment that she should eat more fish. A man whose skin color is just a shade lighter than yours is met with an irritated scowl before he could even say anything. It's only now that people start to miss your presence because anything is better than a walking warning sign.

It only takes a few weeks for him to crack. He's not usually this starved of attention but the knowledge that he won't see you for another two years has him itching at his wrists. While on the outside there doesn't seem to be any changes, he's perfectly calm and collected, but his facade breaks when he starts making rash decisions. When he heard that his senior Kaveh needed a place to stay due to his financial situation, he offered to live with him much to everyone and his own surprise. Even Kaveh suspiciously asks why Alhaitham is being so generous. He doesn't dignify it with a proper answer, only that he better get his situation fixed within the next two years or the scribe is kicking him out.

As the second year rolls past, it's Kaveh who brings up Alhaitham's sudden mood change. He seems...excited. Kaveh chalks it up to Alhaitham being happy that Kaveh is finally moving out but that'd be kind of low even for someone like Alhaitham. As someone who cares about the arts and romance, there's a certain care in how Alhaitham cleans the house. Every systematic movement is laced with a longing gaze. His wrists are rubbed raw that Kaveh has to physically step in or he might rub so hard he reaches the bone. But above all the dangerous aura around Alhaitham is replaced with something Kaveh can only describe as restless patience.

"Honey, I'm home!" your happy voice is accompanied by the loud slam of the door crashing against the wall. Kaveh is startled by a random stranger entering their house but mostly at the term of endearment. Alhaitham only lowers his book at your voice before going back to reading. A bit rude in Kaveh's opinion but he can see the small smile that Alhaitham tries to hide behind the pages of his book. It's not like you aren't a bit devious yourself. So you retaliate by plucking the book out of his hands, taking a quick glance at his page number before placing it on the desk.

"Welcome back. I assume your job went well?" Alhaitham sighs as you kick his legs apart, plop yourself down into his lap, and rest your head against his chest. If you weren't so enthralled by the masterpiece that was Alhaitham's physique, you would have laughed at how the blond-haired man seemed to stare owlishly at the scene. His eyes almost fall out of their heads when Alhaitham doesn't push you off, doesn't throw you over his shoulder, or even make the slightest hint of being irritated or embarrassed. He just places his hands around your waist, rests his chin on your head, and sends an icy glare to which the blond-haired man scoffs before excusing himself. It's not anything different from what he usually does to onlookers although this is you and you can tell just how weary he is. How deeply he relaxes in your hold as the tension melts from his shoulders. How his eyes search over your body for any injuries that you might have gotten. It does look like you got a bit roughed up during your stay at the Chasm. Your hair is cut shorter than he remembers, you've put on some muscle, and there are a few nicks and cuts running along parts of your skin that are visible. But none of that matters because you're here. You're finally here.

"Aww, Haitham did you miss me?" you tease only to quickly eat your words when he manuever's you sideways so he can pin your back against the couch. You're hit with a sense of deja vu back to two years ago when you were about to leave for this trip.

"The next time you take a commission that lasts longer than two weeks, I'm coming with you or you're not going at all," he grumbles as he tucks himself into the crook of your neck with no signs of leaving. You laugh now but he's dead serious.

Dottore

You aren't sure when it started but at some point, you've been labeled as "Dottore's Favourite". He always seems to be the slightest bit nicer if you happen to be there, his voice a smidge less aggressive, and a lot more touchy. He's a Doctor first so he doesn't want to be contaminated by whatever bacteria people have gathered. But with you, he always seems to have a hand on you. Either harshly pinching your cheeks like a child with a crazed grin whenever you mumble something he deems stupid or pulling your arm of out its socket as he yanks you through the hallways of his lab. You act almost as his shadow, permanently glued to his feet and forced to follow wherever he goes.

You wouldn't consider yourself exceptional at your job but you did know how to listen. Perhaps it was your blatant disregard for your lack of safety since your head was always in the clouds that let you do your job with a steady hand. You don't blame your college's, it's hard to work under so much stress. If you had to do quantum physics and whatever the hell smart people do with someone who could, and would, kill you on the spot if you couldn't tell him what 3567 x 438 was on the spot, you think you could have exploded and crumbled on the spot. But you were just the ditzy receptionist who twirled a pencil on her nose more than on a paper. The only thing you were required to do was make sure Dottore was never bothered and let him know if anyone important needed his attention.

You've seen the Regrator the most compared to the rest of the Harbingers. You don't know what a banker needs from a doctor but you're not about to ask. It's not your business and you aren't paid enough to care about what your boss does. Besides, for such a handsome face his presence creeps you out which is saying something considering there's a maniacal doctor that treats human lives like numbers on a stats page. But since you are his "receptionist" you have to make conversation with him. Most of your interaction extends to him asking if the Doctor is in and you politely saying that he's out. You both pointedly ignore the loud crashes and angry yelling from one of his segments behind the closed steel door.

Once again, you don't consider yourself exceptional at your job. You're just a lousy receptionist at a place that doesn't require it and who spends all their time spinning in the office chair than doing actual work. You're just as replaceable as any grunt in this hell hole. So when Tartaglia waltzes through the doors, blinking at you with his dead fish eyes, before nodding to himself and hauling you out of your chair you can only hope that Dottore manages to remember that he has a meeting with Pantalone at noon.

You're hardly gone for an hour. Tartaglia was just bored, bored enough to come to Dottore of all people, that he happened to spot you who looked equally as bored. He just roughed you up a little before he deemed you completely useless and a horrible fighter before sending you back on your way. Seriously, if he wanted a fight he should have just picked one of the skirmishers instead of a damn receptionist. Although you may have to reconsider your position because as soon as you walk back into the lab, a girl is throwing herself at you and demanding where you've been.

You don't get the chance to answer before she's hurriedly running down twisting hallways, down the stairs, and punching in codes so complicated it looked like she was trying to make music out of them. Whatever questions you have are ignored in favor of getting you somewhere as fast as possible. It begins to make sense when you're finally shoved into a room, the girl who dragged you all this way throwing herself onto her knees and begging for forgiveness for letting you wander off.

The lab is an absolute disaster. This isn't the organized chaos you're acquainted with but the aftermath of a manic episode you're familiar with. Glass shards dripping with fluorescent liquid, research notes torn apart that flutter around the room as faux snow, and one mad doctor in the middle.

"Where have you been?"

For someone who destroyed years worth of progress, he sounds oddly calm and collected. His deep voice is firm while he fiddles with a test tube of blue liquid, watching it slosh around before placing it onto a broken table. He barely pays any mind to the girl currently on her hands and knees, forehead pressed to the ground while she glares at you to say something.

"Out," is your reply. A casual shrug of your shoulders even though the Dottore's back is to you. He's not wearing his usual white coat. That's too bad, you think it looks kinda cool. Really goes with his bird aesthetic.

"Out...out you say. Out. Out. Out," he mumbles softly, each time he say's the word "out", he taps the test tube harder onto the table. The lull in conversation only makes the pressure of the room drop lower before the tension snaps and he hurls the test tube at the girl still on her knees. It's only thanks to your reflexes that you manage to grab the collar of her uniform and throw her back just as the test tube collides with the floor, the liquid melting away the concrete where her head was. You can only give her a nudge and a look towards the door for her to scramble to her feet and flee as far away as she can. The slam of the door behind her acting as the nail in the coffin as Dottore's body seems to slump in on itself.

"Where have you been?" he asks again, running a hand through his messy hair. He sounds and looks far more tired, his fingers twitching to reach out and hold you but his pride stopping him. So you push yourself and step forward into his space, reaching your hands out to cup his face and rubbing soothing circles into his porcelain skin. He doesn't lean into your touch but he doesn't push you away either.

"Getting tossed around by Tartaglia. He came by saying he was bored and I just so happened to be there," you say absentmindedly, twirling the long lock of blue hair that hangs off the sides of his mask. He responds by snatching your wrist, squeezing hard enough until your bones creak. "Were you worried? Did you think I ran away?"

He doesn't dignify your question with a response. Simply shrugging your hands off his face before he reaches up to pinch your cheeks, a familiar cackle vibrating from his chest.

"As if you would have anywhere to go."

———

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