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#I know not all the characters are like. obviously the element of their vision but like
aftermathing · 2 years
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!!! What if I did Genshin Impact Vision-swaps?
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writingwithfolklore · 10 months
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Following a Trail of Clues
                Lots of plots have at least some aspect of figuring out a mystery or uncovering some hidden truth. While it may not be a traditional murder mystery, writing a plot that revolves around the gathering of information and uncovering of clues can be written using a lot of the same techniques.
1. You should probably plan it
If you’re strictly a pantser, give it a shot, but I have never been able to pants mysteries like this. I would recommend planning it from the beginning and saving yourself a lot of time and headaches trying to piece it together later.
2. Start with the beginning and end
When planning a mystery, I start with the beginning, and then skip to the point that they uncover the truth or figure it out and work backwards to fill out the middle. What is the last hint they need to uncover the full truth, then, what leads to that hint, rinse and repeat until we get back to that beginning you created.
                For example, say the MC is trying to find their missing friend. The last point would be ‘they find their friend’, so that’s where we begin. Maybe right before that, they’re told the location, to get their location, they’ve kidnapped one of the bad guys who knows it, to get to him, they need to break into the evil lair, to find the lair, they need to spy on the organization, and so on.
3. Diversify the hints
I talk about this a bit in my post about written elements (here), but essentially, you’ll want to diversify how your characters get their hints. It will seem cheap if they find everything they need to know on conveniently spaced notes or journal entries (unless you can really justify that), or it’s all told to them by someone who happens to know it all (such as the ‘wise man’ trope).
                Maybe they find the last clue written down, but the one before was told to them from a key character, and the one before was puzzled out through a riddle, etc. etc. Here are some places to find clues:
Someone else knows something
This could be either an ally or an enemy. Family members, friends they weren’t aware of, a hidden partner, seemingly a stranger who knows more than they’re letting on. If they are an ally, there should be a reason they haven’t come forward yet, or justification for why their testimony is where it is in a story. Maybe they are somewhat accidentally guilty in the mystery, maybe they are afraid to be involved, maybe they aren’t aware anything has happened at all.
If they’re an enemy, maybe your protagonists need to corner them, best them in a battle, talk to them away from their boss, kidnap them, etc. Consider why this person would betray their ‘side’ to provide a clue to the protagonists.
Journal entries, notes, letters, ledgers, or otherwise written down
Physical evidence—footprints, pieces of clothing left behind, an object, photos, drawings
Biological evidence--fingerprints, DNA, hair, etc. If your character already has access to the equipment for this, great! If not, consider how they could find this out.
A prophetic dream or vision (use in cases in which it would make sense for your character to have this, obviously)
A riddle, poem, or song, if you can justify it.
An educated guess (for small jumps)
Timing—if they can figure out a timeline, they may be able to figure out something else
Something is missing or off place. That’s odd, character always leaves their book on the bedside table, so why isn’t it there?
Any other ways to get hints or clues to your characters?
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kouyou-arc-when · 7 months
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ON DAZAI AND EMPATHY: A character study Before you read: Obviously diagnosing any character in fiction seriously is a fool’s errand, but I am a fool, so let’s just do this for amusement. The main thing I desire is to discuss is the extent to which Dazai is capable of various types of empathy, as well as how that influences the way he sees and interacts with others. It will be chaotic and all over the place because I just sat down and wrote this in a fit. Let me explain some factors in analyzing Osamu: The author's intention is clearly to make Dazai's internal world a mystery. Since we don't have enough information, all we can do is hypothesize based on external elements. Generally, across all novels, the only time we’ve seen anything of Dazai’s perspective is in “The Day I picked up Dazai” (Beast continuity) – where he “saves” Oda and tortures that random dude. We don’t hear his thoughts narrated from first-person perspective, unlike many of the other novels.
Now, the crux of the issue. For years, it’s been discussed whether Dazai is a “sociopath”. If we disregard that sociopathy is a very loaded term that can mean a lot of things depending on which specialist you consult, at the very least, Dazai does strike me as someone with a unique expression of empathy, who could qualify for Anti-social personality disorder or a related condition. I will abandon the idea that Dazai is a sociopath, and use actual concepts that have legitimacy within this post. Whether Dazai could qualify for ASPD or any other disorder is something I've seen discussed for many years within the fandom. I'll try to analyze how these concepts could apply to him. In regards to mental health and Kafka (since it is a contentious matter) and the validity of any of this: I understand that a lot of people are resistant to the idea that any of the characters could have conditions more complex than depression, anxiety, and PTSD. This is my counterpoint. I have noticed that Asagiri emulates a lot of characteristics commonly attributed to “geniuses”, without confirming or potentially even intending to write these characters as having a specific condition.
A great example is Ranpo – who will read as autistic to any decent mental health professional (Untold Origins). Did Asagiri intentionally sit down and say “I am going to write an autistic character”? Maybe not. However, the “genius” stereotype is profoundly connected to visions of autism, even if people aren’t aware of it. Take people like Sherlock, House and L from Death Note – they’re commonly believed to be autistic by fans. All of these characters borrow from the same group of traits, that just happens to correspond with a certain condition - savants have always been popular in fiction. It's been known that the favorite type of character for Asagiri is the “prodigy” type, and he has used geniuses across fiction for inspiration of most notable intelligent characters within BSD. For Ranpo it was Sherlock, for Fyodor it was Joker from the Dark Knight (a classic sociopath), for Dazai it was Patrick from The Mentalist.
What I’m trying to say is, you can see various personality disorders connected to the portrayal of these geniuses, and even without confirming their state, it is clear they are either intentionally or unintentionally coded to be that way. Extremely intelligent characters not being able to read social cues, lacking empathy, disregarding rules etc. is something we commonly see in fiction. Basically, a lot of people don’t even know that these stereotypes are based on certain personality types, disorders, and illnesses. It’s sort of like drawing a character and dyeing their hair a certain shade of blue that you don’t know the particular name of: it doesn’t change the fact that you used that color, and the fact it has a name. Most authors are not mental health experts anyways, so they may not be entirely aware of every detail of the psychological framework they write the character to possess. They also may not write it consistently, as they're mostly emulating stereotypes. I mention Ranpo and autism because a character can embody traits of a stereotype without the author even necessarily having the intention to do so, however, to anyone who knows a thing or two, it is clear Ranpo is on the spectrum. If Ranpo were to express a few traits that go against this, it would not necessarily take away from the large-scale portrayal he is meant to exude: an autistic coded genius.
Why am I saying this? It is entirely possible for the author to write Dazai as a person with anti-social personality disorder, to “code” him in that way, but to not be entirely aware of how an individual with ASPD realistically tends to act.  Because he may be emulating a certain "stereotype" of a genius, he may also end up emulating specific psychological states, without making them entirely consistent in a realistic way. Writing the way individuals with ASPD tend to deal with empathy can be extremely difficult for anyone. It's easy to emulate a sociopath on a superficial level, but beyond that, it gets more challenging. How would a person with limited empathy act when they're hurting someone? That is an easier idea to handle. But how will they act in a friendly relationship? This is where it gets tricky. That is likely why someone like Dazai can never be consistently compatible with a very specific disorder: but, he can come very close. Besides, concepts such as anxiety and depression are pretty well-known, but more niche mental health conditions are not as well understood. So, BSD Osamu was written with specific attention to mental health issues because the author himself was someone who spoke heavily on the topic. I’ve read a lot of real-life Dazai Osamu, with special attention to No Longer Human (the main inspiration for BSD Dazai was Yozo) – and neither RL Dazai nor Yozo gave me the impression they could qualify for ASPD at all.
I know BSD Dazai is the opposite of the RL author in so many ways, but I guess it’s relevant to mention this because we know so little of BSD Dazai’s internal working processes, and Asagiri's main inspiration can tell us a lot about the intentions behind Dazai's portrayal. Generally, an intention or idea behind a character can give a lot of clues to us - more than anything, I am under the impression some of the main ideas behind Dazai's creation was that: 1) He doesn't feel like he belongs among humans 2) He has mental health issues However, we have difficulty defining the exact source of why all of this is in more realistic terms.
Naturally, since Dazai, an extremely socially intelligent person, sees himself as "othered", it is logical to assume he is not capable of fulfilling some emotional function most people can in a successful enough way. If he were just mentally ill in more typical ways (only depression), I theorize he wouldn't feel that "othered". He specifically is not meant to feel human. Obviously, his extreme intelligence is one of the things that isolates him, but the question is what else?
We are led to believe Dazai "sees" something the rest of us don't, and that is one of the reasons he wants to die. However, there is something more to it, as I believe it to be. We have two characters who are as intelligent as Dazai: Fyodor and Ranpo, and neither of them is suicidal, as far as we know. I believe Dazai "feels" a certain way, and then finds a way to logically justify it. Due to his intelligence, he likely falls into a complex loop which leads him to existential nihilism: but you usually don't end up in a place like that if you tend to feel alright in the first place, regardless of how smart you may be. While Dazai is certainly isolated due to his extreme intelligence, most of the people who made an impact on him are nowhere near him in that respect. In fact, I'd argue Dazai isn't even looking for someone equally intelligent to him, unlike Fyodor (this would take another post to explain).
The man who means the world to him, Oda, is more emotionally intelligent and full of common sense, but definitely not his cognitive equal. You can tell a lot about a person depending on what they value: and due to this I believe that Dazai's main issues relate to emotional matters. He primarily feels isolated due to his emotional state, and his intelligence pushes the problem further. Otherwise, he would treasure people like Ranpo and Fyodor over guys like Oda and Atsushi: he's looking for something to ease his emotional pain. Dazai doesn't seek out raw intellectual stimulation as much as comfort/excitement. This post will be an analysis of how Dazai compares to the "average" psychologically and some of the reasons he may feel so othered. Basically, my theory is that the feeling of being "othered" comes from his emotional profile, as much as it comes from his intellectual capacity. Those two take equal parts in his psyche.
Why would Dazai feel so emotionally "othered"? I believe it may have to deal with a specific personality disorder or condition, and mainly how he experiences empathy. One of the possibilities is ASPD. Anyways, let’s look into common ASPD symptoms, and then we'll look into common behavioral patterns the character shows. Dazai is equal amounts portrayed seriously and in a “jokey” way, but his worst traits and moments are usually described without humor. To preface: Keep in mind that you can have any or all of these traits without it qualifying you for a certain disorder. It is the extent to which you show it that makes a person, like Dazai, out of the norm.
1. Repeatedly breaking the law: This one goes without saying, he was in the Mob as Young as 15, and seemingly a violent criminal even before that age. To differentiate him from other members of the Mafia, it is stated by tons of people throughout the story that Dazai was practically born for this job.
Oda in Dark Era:
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He was openly murderous before the age of 15, according to both The Day I picked up Dazai and Fifteen:
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Dazai and Oda interacting in TDIPUD When talking to Kyouka, it seems that he has an “interesting relationship” with murder as a whole:
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One thing is for sure, Dazai is much calmer, calculated, and more Machiavellian than most criminals in BSD, and this all started at an extremely young age. Many people kill when they're young, but they're not this casual about it.  The age at which he was this cold about would be of diagnostic significance.
2. Lack of remorse: Everything mentioned above, it is clear that Dazai has an even more complicated relationship with guilt and empathy. I’m pretty sure anyone in real life would consider him out of the norm, as it’s explicitly stated Dazai doesn’t feel remorse for all sorts of things he does, but there are some hints he is either ashamed of the way he is, or regrets his nature, but accepts it. What is particularly significant here is how young Dazai is when he shows a marked level of these traits. A key event that stuck with me is from the Dragon Head event in Mayoi (from my understanding it was written by Asagiri), where Shibusawa mentions Dazai will regret something (to me it sounded like he meant that killing Shibusawa will end poorly for Osamu). However, Dazai’s reaction was interesting – it was like he was almost amused that anyone would believe Dazai “could” feel regret for anything.
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Mayoi Later down the timeline it’s quite questionable whether Dazai feels regret for some of his actions because he hides his feelings like a snake hides its legs, but there are implications he is somewhat remorseful if you read between the lines. More on that later. Dazai has changed compared to his past self, but to talk about that, and the extent to which he has changed would take a whole other post.
More on his lack of remorse, In “The Heartless Cur” Dazai is very young when he gets some randos from the Mafia killed in front of Akutagawa, yet his main emotions are amusement and boredom. This is not the “typical” emotional range of most people, even practiced criminals. For example, Chuuya kills people just like Dazai, but his reactions to it are entirely different.  
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from The Heartless Cur Murder tends to not be the preferred or first solution Chuuya goes for: there is an expected amount of hesitance if you read into Chuuya. He put a bomb below Chuuya’s and sabotaged Ango’s car without much bother. I’d say even if you do see It as a “means to an end”, the way he did it was really cold. Usually, when people of all kinds do bad things, they have remorse and empathy they need to suppress, but with Dazai we don't see much of that. It's like he can just "do it'. He’s also really great at torture, in Side B at age 15-16, he already describes himself as a “specialist”. This is also touched upon when he speaks to Kouyou:
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No matter how "grey" a character is, torture is a very specific process that takes a particular psychological profile to pull off. To be a "specialist" at it, you definitely need to possess dented empathy. Lack of remorse and empathy does not mean a person is going to be a criminal at all - it simply opens the opportunity that they may get lost in those waters more easily compared to the average person.
3. Repeatedly being deceitful I’m pretty sure we don’t have to cover this one. Yozo, the character he was loosely based on, is a big liar, and commonly uses “clowning” to distract from his real personality. Even the real Dazai Osamu wrote extensively about the concept of “lying”.   There is a lot to talk about Dazai and “masking”, and I’ll get to that in the second half of the post. Generally, Dazai lies a lot, one can’t even be sure what his personality really is. He lies by omission, manipulates, and intentionally deceives people without any issues. There are so many quotes about this that I’d probably reach the image limit right there if I wanted to reference them all. 4. Being impulsive or incapable of planning ahead Does not apply
5. Has difficulty sustaining long-term relationships: Dazai is famously a hoe. From “All women are his type” (and it seems he has zero issues getting together with any woman, young, old or even taken) to being known as “the enemy of all women” (said by Chuuya), it’s clear he is very promiscuous. Wan is in the gray area of canon, but in one of the earlier chapters he has so many love letters by different women that Atsushi burns them all. Kunikida said he hits on any woman he sees in the Entrance exam novel, which is further supported by random Wan! Chapters, silly crossovers, and everything else (literally anything female).
Not only that, but Dazai sounds like a consistently manipulative and toxic romantic partner. In an Otomedia interview, written by Asagiri, Dazai’s real type was basically something like: “Any woman is fine, because he is confident he can shape her to suit his tastes” which shows a remarkable lack of care for the personhood and individuality of his partner.
When answered what he’d do if his partner cheated or betrayed him, his answer was even more concerning. Depending on the translation, it goes something like: “He has not been cheated on, but he has cheated on others” or “he set up women to cheat on him/betray him” where both are a lot, just in different ways.
Either he is compulsively unfaithful, putting all above together, or he plays mindgames with his partners. He’s also told Kunikida that: “And from my experience, it takes only a smile and some kindness to get a woman swooning over you when she's fallen on hard times” painting an image of someone who takes advantage of people’s weaknesses to get what he wants.
Regardless, it’s clear he is very manipulative and likely emotionally abusive. I won’t even touch upon his obsession with double suicide. There’s also the fact that he seems to use sex to get what he wants – insert scene where he fucks the nurse to get his phone back.
Other than that, Dazai appears to be rather solitary. Ango and Oda are said to be “the only ones close to him” because they respected said loneliness. Even in ADA, Dazai seems to be professionally close to people, but very few people seem to know him on a personal level. I’d say he keeps people at a distance intentionally – before it was violently, later it is by being avoidant. For as much of a womanizer he is, there was that early comic where he spent Valentine’s Day drinking at Lupin “with Oda”, instead of going out with any particular person. I think this demonstrates how emotionally distant he is from all the people he interacts with
6. Being irritable and aggressive:
Dazai is not particularly aggressive, nor irritable, but he has moments where he slips. Tbh, reading back, it says a lot about Dazai’s character who he gets angry at and why. It’s important to say that when Higuchi calls him out on “Hollowing out the hearts of his opponents” in incredibly brutal ways, Dazai replies that he thinks “Sadism is just a method, and how it’s boring”.
Akutagawa is the receiver of a lot of his violence to a disproportionate degree. He beats up Akutagawa beyond what could ever be “just training”. There’s something that ticks him off about Akutagawa, which is interesting, since Dazai tends to not react this way to anyone who doesn’t touch him “intimately” in some way. A lot of people justify Dazai’s physical abuse by saying it is “training”, but it stood out to me how he kicks Akutagawa in the stomach even the first time he meets him in “Beast”, when Akutagawa is just an extremely traumatized and deprived kid he refuses to recruit. There is not much utility to that kick, to me. It felt personal.
Another example of him expressing anger is when people “called him foolish for wanting to die” – clearly he did not take it well since all of those people ended up dead. This is from “The Day I picked up Dazai” when Oda tells him he is a fool for wanting to die.
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Other times Dazai expressed rage was in relation to Ango and Oda, particularly anything that related to Oda’s wellbeing.
He snaps at his subordinates when they tell him he shouldn’t be friends with someone “of such low status”, and the only time we really hear Dazai say he hates someone is when he’s torturing one of the guys who put Oda in trouble in the Beast timeline of “The day I picked up Dazai”. Obviously, he is resentful towards Ango and incapable of forgiving him. “Dead Apple” guidebook touches on it.
“Though they were once good buddies who used to drink together, to Dazai, Ango is one of the persons who caused the death of Odasaku. He still holds that resentment up to now, and is unable to forgive. Ango also seems to feel Dazai’s silent wrath towards him.”
Harukawa has said to pay attention to how cloudy the eyes of a character are to accurately interpret their psychological state. I don't think there are many times Dazai's eyes are drawn in such an extreme way - there is no "light" she talks about here. His eyes are pure black when he talks to Mori during the Guild arc.
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He also agrees with Fyodor on “Malice being the best fruit that God Bestowed upon Mankind”
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There is also this with Jouno:
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Basically, Dazai rarely gets angry, insults don’t work on him (as he tells Chuuya), nor does beating him up, but when he does get irritated he flies off the handle and has no issue crossing any normal boundaries.
That detail is what stands out to me – usually, people have a line they won’t cross when getting mad, but for Dazai it’s like most moral lines disappear. Imo, his anger is for social standards over disproportionate in how far he’ll go and how he'll act on it– he usually has a clear intention to harm the individual he's mad about. In comparison, Chuuya is someone who gets angry more than Dazai, but Chuuya clearly has a line he won’t cross. There is also no pointed sadism in his reactions. Dazai will likely do almost anything.
Basically, it's not how much Dazai gets angry, but the way he gets mad that sticks out to me. Most importantly, Dazai only ever gets enraged if it concerns something very personal and intimate: Oda and his death, his suicide attempts etc. At this point, for me, It’s safe to say that if Dazai gets extremely angry, it means the topic affects him on a deep level (a hint to whatever Is happening between him and Akutagawa, I could talk a lot about that). 
More on Dazai’s unpredictable and violent nature:
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Stormbringer I think there is a valid argument in seeing Dazai’s aggression as just a tool he uses to keep others at bay, something to hold over people and control them – but even then, it shows a marked disinterest in social norms people usually respect.
7.Having a reckless disregard for their safety or the safety of others This one builds upon all the others. However, it’s always been interesting to me how it’s clear something flies over Dazai’s head when it comes to regularly empathizing with others.
This is often seen with Chuuya. In my opinion, most of the bullying Dazai gives Chuuya is not motivated out of rage, but rather some form of spite. He goes at length to Rimbaud about planning Chuuya’s murder in “15”, then he also lets Chuuya be tortured in “Stormbringer”.
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I am under the impression he sees these moments as “amusing” and doesn’t fully emotionally understand why this is something bad, even if he does on a rational level. I’ll say that Dazai did seem to show some rage whenever anyone hurt him physically in the past (seems likely to be a hint to a traumatic past), which Chuuya did when they met, but I don’t get the impression he is generally angry with Chuuya, it’s more like he just enjoys fucking with him. Ironically, for how rarely Dazai gets angry, it seems he reserves his rage/irritation exclusively for people and things he cares about, so Dazai being specifically irritated at Chuuya is just a sign of how much the guy gets to him.
If Dazai were angry at Chuuya, it is in character that he would try to hurt him a lot more than he does. However, I'd say Dazai has a blurry space for what's ok between "keeping someone purely safe" and "deeply hurting them". There is some lack of emotional empathy there - to him, it is more amusing than anything to see someone he finds interesting struggle.
Dazai sees boundaries differently. He’ll put people into danger or through discomfort without worrying much, especially if he’s sure they’re going to walk and live after it, but sometimes not even that. (there’s so many examples of it). I’d say it’s not that Dazai doesn’t care, he just cares about people differently compared to what we’re used to socially.
Regarding personal safety, it’s pretty obvious: he’s a suicide maniac, but even more, he also puts himself in harm’s way all the time without any anxiety present. Examples are when he provokes that sniper in Dark Era (when Oda gets angry at him and wants to punch him), knows he is going to get shot by Fyodor, but lets himself get hurt anyway. When he “dies” in 55 minutes, he seems “lightly” surprised, but there’s no strong reaction to it.  To me, it seems that the only physical harm he dislikes is pain he suffers from another person (when he doesn’t plan it). Dazai apparently doesn’t feel much “anxiety” – I remember many different times when he comments on another character’s timidness or meekness, seeing it as something unusual.
8. Behave irresponsibly and show disregard for normal social behaviour He’s extremely eccentric, and even Ranpo says he doesn’t get him. Dazai asks women to commit suicide the moment he meets them, and often attempts suicide around people even if it distresses them (Entrance exam).
While I think he made this excuse in Dark Era to Taneda because he didn’t want to work with Ango, I do believe he believes what he said: “You’d lose your job if I did that.” Dazai wryly smirked. “I don’t like places with lots of rules.” Not being able to accept conventional rules is very often a telltale sign of a personality disorder. Clearly, Dazai fits many of the criteria necessary for having ASPD, so let’s look at some other details that are common for people with ASPD.
Masking: In psychology and sociology, masking is the process in which an individual camouflages their natural personality or behavior to conform to social pressures. Masking is common with many disorders, such as autism, ASPD etc. I am pretty sure it’s canon Dazai masks – on a BSD exhibit, the key element Asagiri wanted to talk about in Dazai’s personality was related to this.  
“When I describe Dazai to the staff, there is a phrase that I always use, “an unworldly being with a mental age of two thousand years.” Dazai has far surpassed the mental dimension that human can reach, thus no-one can even tell if the emotions he shows are the real things or not.
There are rare moments when that Dazai shows his very “human” side. That is when he talks to another superhuman who is on the same level with him. The other is when he talks about his old friend who has passed. This is the scene when Kyouka wondered “Maybe I’m, after all, just a murderer at heart.” and refused to be saved. And Dazai’s reaction to that. When he said “Don’t give me any of that!” here, he really meant it. That was an outburst from Dazai, as a 22-year-old boy, in this scene.” Light novels often describe his smile as fake, mask-like, and I could probably find 20 panels where Harukawa clearly drew him to intentionally seem like a fake smiler. From “15” to “Entrance exam”, Dazai often drops his mask, and then goes back to acting silly just to make the other person relax. He does this with everyone, Mori, Kunikida, Atsushi, etc. Chuuya also mentions that Dazai’s “happy-go-lucky” personality in ADA is something new, and he believes it doesn’t fit him.
Kunikida says this in the Entrance Exam: "For someone so full of eccentricities, there is something about his behavior that makes it seem as if he has an unobstructed view of the world. I don’t know exactly why, but all his emotions strike me as an act to some degree. Is he just playing dumb? Could there be more to him than he’s letting on, lurking behind his ambiguous mannerisms?"
More than anything, Dazai himself says that Oda was the person closest to seeing his “real” personality. That pretty much confirms he keeps his real self hidden away. I’d say that there are several possibilities to why this is: He hides it because he dislikes being vulnerable, he doesn’t know how to act “normal”, people are unable to understand him, so masking makes it easier for him to communicate with others…there’s a lot of theorizing I could do here.
Dazai also tends to have interesting thoughts about personalities as a concept.
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You’ll commonly see Dazai say something serious, followed by a severe reaction of the other character, ending with Dazai changing his demeanor and saying “just kidding” to lighten the air.
Manipulation: Dazai is extremely Machiavellian – he is prone to manipulating everyone around him, regardless of how much they care about him or not. He manipulated Chuuya into joining the mafia, he does the same with Akutagawa even today: Here we have him preying on Aku's insecurities to sabotage his self-confidence
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He seems to be able to cut off his emotions from any situation, seeing people in a raw, factual sense.
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There are several moments throughout the novels where Dazai talks about people as if they’re purely resources or pawns. An example of this in Dead Apple (where Chuuya gets angry because he doesn't respect people or show enough sympathy)
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The way he speaks of Atsushi, when asked what he thinks of him in a guidebook, is something like “developing as expected”. Especially in the original, it sounds extremely factual, mechanical, and cold. To me, that doesn’t mean he doesn’t care about Atsushi, he’s just the type to compartmentalize his emotions in opposition to his thinking. This is very common for a few personality disorders and mental health conditions: the capacity to totally cut off your emotions from the equation.  Obviously, many people are capable of doing this to one extent or another, but the amount to which he does it is what makes it significant.
Lack of traditional empathy: Personally, I think everything comes down to this. Dazai's experiences with empathy are one of the main themes of his character arc. I believe one of the things that makes him feel othered is his lack of emotional empathy.
People with ASPD tend to have issues experiencing what a lot of people consider “typical” empathy – however, ASPD is also on a large spectrum, so experiences certainly vary. Keep in mind that "lack of empathy" is common for all sorts of disorders, but since ASPD seems to be one of the most popular choices for Dazai, I decided to start there.
Before we continue, there are 2 types of empathy: Cognitive empathy is the ability to recognize and understand someone’s feelings and experiences and imagine yourself in those scenarios. Emotional empathy is experiencing shared emotions with someone or feeling emotions as though the experience is your own.
People with ASPD can commonly do the first type easily, and struggle with the second one. It does not mean they cannot experience emotional empathy, it’s just rarer for them to feel it. In my opinion, Dazai heavily relies on Cognitive empathy compared to Emotional empathy.
You can see often that he seems to not entirely understand “why” something is wrong on a personal level, but he can logically see it. This is a running theme, and you can commonly see that Dazai doesn’t fully understand “normal”.
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“15” Asagiri seems to be writing Dazai as someone who has gone “beyond the human dimension” in his skills and intelligence, so other people can’t fully understand him, but I think this goes both ways. Dazai has lost touch with what’s the standard human experience.
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One of the times Chuuya specifically calls out Dazai for not "acting human-like" is when he's not expressing empathy and respect. It is clear that Dazai's lack of empathy is one of the aspects which make others see him as "inhuman".
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There is another situation with Kunikida  during the Azure Messenger arc where Dazai seems to apologize for not getting something “is normal”, it slips by you very easily. It is framed as a joke, and it can be read as him making fun of Kuni, but Kunikida asks himself why Dazai apologized. It does read a bit unusually.
To me it seems like Dazai doesn’t fully emotionally understand other people, so when his mask slips you can see that he struggles a ton with getting what’s exactly “typical”.
Because Dazai is extremely intelligent, he masks in order to fit into society, and he does it successfully since he can intellectually understand most social and emotional functions and processes. However, he slips up like everyone does. This is why he got along with Oda well – since Oda just let him act like himself without having ulterior motives. Dazai didn’t have to “mask”. He didn't see Dazai as "just anyone", but he also realized Dazai was human. Basically, to Oda Dazai was a kid that had empathy issues, but he was struggling much like everyone else.
Personally, I feel like Dazai doesn’t feel entirely “human” because he doesn’t feel “emotional empathy” on the same level as other people, and this is one of the key issues of the character (as it's clearly stated in the Dead Apple manga, where Dazai does seem a bit upset by Chuuya's reaction)
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. The reason he felt “seen” by Oda is because Oda fully recognized this and still believed Dazai could do “good”. In our society, it is common for people to think that "empathy" and "sympathy" are conditions for being a good person, but it isn't so simple. The possible complexity of Dazai's moral state is why I find the character so interesting - a person without traditional empathy choosing to be good is really fascinating. (more on this later).
Boredom and general emptiness: “Boredom” is an extremely common complaint for people with ASPD – in fact, intense, non-standard boredom, along with other symptoms such as atypical experience with empathy, is one of the easiest ways to recognize ASPD. A “numbed” emotional state is common for people with ASPD, and due to their different emotional range and inability to connect with others in a more typical fashion, they are prone to “boredom” and seeking out extreme experiences.
Alcoholism/Substance abuse is common for people with ASPD, and it’s pretty much canon Dazai drinks a lot (alcohol is even in his likes). Aside from that, Dazai often cites boredom as one of the main reasons he wants to die, and I remember so many instances where he complains about it in bizarre circumstances. This is common for people with ASPD: depression/suicidality is comorbid, and I have heard people with ASPD mention they wanted their life to end once they no longer have enough stimulation. Dazai is often stated to be “bored”, or look bored even when extremely horrifying things are happening (people dying around him/telling their life stories..).  An example with Mori where he talks about wishing to die (from 15):
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Another really funny thing, a lot of people with ASPD I have seen tend to dislike “dogs”. Obviously, this hatred comes from the real life Dazai being scared of them and thinking they can attack at any moment, but it’s a funny coincidence. They tend to dislike dogs for an entirely different reason than Dazai does, to be fair.
How Dazai seems to see himself and morals in general
Generally, to me it seems like Dazai is not entirely happy with his nature. He admires Oda and doesn’t understand why he wouldn’t use his talents to rise up in ranks within the Mafia, simply because that is logical to Dazai – perhaps it is that difference between them that he enjoys so much. He is frequently attracted to displays of empathy:
Examples: 1. Ango documenting the deaths of people within the mafia even if it’s “just a waste of money” 2. Almost everything Atsushi and Oda do
He often describes altruism as “interesting”. I am also under the impression that Dazai has a tendency to project his nature onto others, which we can gather from his “Evil expects evil from others” quote to Mori. Furthermore, he sadly remarks in Dark Era that he is “a man despised by righteousness”. so I feel like there is something up here, some sort of guilt, distaste or shame.
This tells me:
a)Dazai sees himself as “evil”
b)He is constantly assuming the worst in others or is prepared for the worst
Another thing this tells me is that Dazai is someone who is likely extremely wary of people’s intentions. This is a ubiquitous theme all across BSD, especially when we see him as a kid. Osamu tends to be skeptical of everyone and everything, as if he’s waiting for people to betray or fuck him over at any corner. In TDIPUD, he keeps getting upset that he can't figure out Oda, since it makes no sense for him to be so charitable for absolutely no reason. Oda said “good and evil are the same to you” – personally I interpret this as Dazai being largely amoral rather than immoral.  Whether Dazai can be described as “good”, “evil” or “neutral” largely depends on your view of ethics. Just because someone lacks traditional empathy, it doesn't mean they are necessarily sadistic or bad at all. Immoral and Amoral are two words that sound similar but have different meanings. Immoral is an adjective that describes “something against pre-established morals, ethics, or standard societal practices.” Amoral, on the other hand, is an adjective that describes “something or someone completely lacking morals.” In common society, if you’re not “good”, you are often automatically “evil”. Basically, a person who has "no morals" is just as bad as a person who has cruel beliefs, but those two fundamentally differ. However, in a technical, utilitarian fashion – this is often seen to be true. More or less, “good” is the neutral state, and the more you step away from it, the more “evil” you are perceived to be. The more moral conventions you break, the more "evil" you are, regardless of your intentions. The results of the actions matter more than the source and motivations. In the end, a person is dead, regardless of why you killed them or how you felt about it. The reasons why people do conventionally moral things can be all over the place too - people aren't always kind because they have sympathy. When I hear “evil and good are the same to you”, it sounds like Dazai has no need for either, meaning, yes, he has no inherent need to do good, but no need for bad, he is simply not opposed to either of them. Regardless of what he's doing, he feels the same way. They're both tools to satisfy particular needs. Many people read this and say "aha, so if he sees no difference between the two, that means he is evil", but I think the truth is in the middle. I always say that to estimate Dazai's moral framework, you need to judge him outside of normal conventions. Basically, his starting point in making decisions is different. He begins his process likely by thinking "what will this bring me?" Most of his “evil” is not out of pure sadism, it’s just that he feels no need to stop himself due to moral conventions, he mostly cares about practical results. This is opposed to Kunikida who cares about ideals and morals in a vacuum and pursues them in their most idealized version (and it's well known Asagiri writes duos as opposites). Entrance exam as a novel was about how idealism can lead people to ruin when it's unrealistic.
He’s naturally immune to socialized pressure that forms the moral frameworks of most people on an emotional level. All of this is very common for ASPD, and a few other conditions. The more I see Dazai talk about how he sees the concept of personality, murder, morality – the more I am convinced his ethical framework is focused on results rather than the inherent morality of said actions. Example: He's going to lie to you to make you happy, even though "lying is bad". There is no inherent value in staying honest if it makes an individual miserable in the long run, even though society sees frankness as a virtue. That way, most actions are “open” for Dazai to undertake, he has no qualms most people have against them, since he doesn’t have socialized morals. A lot of the time, we only see certain things as "unconditionally bad" because we've been socialized to see them that way, even if it's not necessarily logical. He simply lacks socialized morals, leading to a tendency to be amoral. Everything is a means to an end, every action is alright if it's a tool that has more pros than cons. Oda's death was a useful character arc, since it led Dazai to taking Oda's moral framework as his own. He doesn't believe he is better than others, nor does he enjoy hurting random people, he doesn't kill or rob randos to get something and believes he is justified in it. Things of that type would make him “immoral”. Most of Dazai’s evil actions seem utilitarian, rather than committed for the pure act of pleasure or cruelty. When I say “amoral”, I mean this from Dazai’s point of view. Since he has no “moral boundaries”, all actions are open for him to undertake. He can go as far as he wants to any extreme largely depending on his subjective worldview and feelings (as seen in Beast, where he breaks all sorts of ethical codes of being "a good man" so Oda could get a decent life). However, since he is aware that there is a fight between good and bad in every person, and that evil tends to win out compared to the good, under enough pressure, he admires people who selflessly continue to be kind. That is why Oda, a highly moral person even beyond what is logical (his insistence to not kill even if it harms him) is the opposite that pushed him to change. Ulterior motives tend to be something Dazai is worried about in people, perhaps because he is possibly projecting all he is, or can be, on others. He describes Oda specifically as:
"a man who has no ulterior motive". Oda is obviously being a good person partially out of self-interest ("people live to save themselves"), but this self-interest is not destructive. I think for Dazai, it was difficult to find people who didn't have an ulterior motive that was ultimately hurtful, and he projected that onto everyone. Oda acting in his self-interest was ultimately beneficial to everyone. All in all, while Dazai does admire Oda's morals - I think a lot of this appreciation comes from an intimate and subjective place, where he feels comforted someone like Oda even existed. Continuing Oda's work is likely an extension of this as well. Keep in mind, any person has the right to see Dazai's actions as bad, as they often are. I am more speaking of Dazai's internal mental framework. Conclusion: Dazai has no inherent need to do good or bad, for the most part. He just goes as far as he needs to to satisfy his emotional needs.
Oda saved Dazai’s life in the day I picked up Dazai, and listened to him, but expected nothing in return. I feel that Oda saw this struggle within Dazai, and the way “good and evil don’t mean much to him” due to his disorder, but recognized that Dazai perhaps didn’t want to be this way.
Since Oda saw Dazai’s “irregular” nature, and still believed he could be a good person, Dazai was touched and decided to change his life. I believe Dazai had some distaste for himself, regardless of his lack of empathy, he could recognize what he was doing was not entirely right. As Asagiri mentioned, Oda told him exactly what he needed to hear, and the fact that these words were so life-changing to Dazai tells us a lot about what he had on his mind.  In my opinion, to see who Dazai is, you need to follow exactly which words got to him.
In my opinion, it likely meant a lot that a person he actually admired wanted to be in his life, especially a person he considered so kind like Oda. He often says that Oda is “the most interesting person he knows”. Imo, this is because “empathy” is one of the things Dazai doesn’t fully understand. He had to learn it. Since he understands human nature so well, cognitive empathy comes easy to him, but he still fucks up sometimes.
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Here, I also feel like he is talking about himself – he sees himself in Kyouka. It doesn’t come naturally to Dazai to be “good”, but he is trying his best, that is his ideal now. (Asagiri said this was one of Dazai's rare human moments). For that reason, I think Dazai admires empathetic people and tends to dislike those who are naturally violent, or even choose to be violent out of sadism.
On the BSD exhibit, Asagiri said Atsushi was "an empathy user", and how that is the key to his character. During one interview, the author mentioned that Dazai keeps testing Kunikida's ideals, but Osamu secretly hopes that Doppo will prove to be right, and Dazai wrong. This to me paints a picture of someone who hopes that "good" is worth it, at least from an intellectual point of view. When talking with Fyodor, he seems to admire people who live emotionally, thinking god doesn't prefer perfection, logic and harmony.
"The ones who actually make the world run Are those who scream in the storm of uncertainty and run with flowing blood"
Dazai seems to reject the idea that him and Fyodor and better because they are more calculating and cold - like I mentioned earlier in this god-forsaken post, this to me says Dazai believes empathetic and emotional people are better than him.
"I've come to see it many times, his gimmicks are the accidental and illogical that's a weakness two of us have in common" He suffers because he is not like them, and that contributes to him feeling "othered".
Negative emotions and Akutagawa
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My guess is that one of the reasons Dazai has so many issues with Akutagawa is because he is projecting his own issues with his lack of empathy onto him. This makes him relate to Akutagawa, but also dislike him beyond how he usually treats people. Akutagawa questions why Dazai's acts of violence are justified, while Osamu is judging Akutagawa: to me it sounds that Dazai sees his actions as at least partly justified because they are "logical" and utilitarian. He puts a difference between him and Aku, as if Dazai's natural instinct is not to mindlessly hurt others. However, it's interesting he needs to draw this line.
I believe Dazai sees a lot of the hurt he enacts on others as either "justified" or subconsciously defensive. "If I don't hurt others, they will hurt me", and he uses this against all kinds of people to keep them in control. In the Dark Era novel, Dazai speaks of Akutagawa like this:
“When I first saw him over in the slums, I was horrified. His talents are extraordinary, and his skill is extremely destructive. Plus, he’s stubborn. If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.” Interestingly, Dazai was "horrified" at what Akutagawa was capable of, where most things don't seem to exactly phase him. I think something about Aku's capacity for violence even scares him, and he "lashes" out in response to control him.
Later on Oda calls out Dazai's thinking indirectly in Beast, saying that hurting Aku is still bad no matter why he did it. (more on this in the next section) However, it’s very clear he cares for Akutagawa in “Chopsticks and a Spoon”, so I do feel like he’s likely aware of it. In fact, that story contains one of the gentlest expressions Dazai has pointed at anyone, so I think he partially sees Akutagawa as "innocent" in nature, and more like a wounded animal. I'll likely write a post about it. Since Dazai has expressed some lament or even shame regarding him being a person "hated by righteousness", I do think he is a bit ashamed of who he is. This part is a theory: When talking about "No Longer Human", Asagiri mentioned that he felt the book was about "embarrassment". Since Dazai is canonically famously based on Yozo to some extent, I feel that we can guess that Osamu likely does feel some shame - the question is about what. The rare times we see BSD Dazai express something similar to shame is when talking about his moral nature (when he beat up Akutagawa in Dark Era), but it's a "blink and you'll miss it" type of thing. Yozo and RL Dazai's relationship with his father was one of the cornerstones of his work (NLH even ends with him mentioning how he would have been alright if he had a better relationship with his father). Within the book, Yozo feels all sorts of things which make him feel "inhuman", but he is terrified about being open about it due to his strict father who sees him as somewhat strange. Since the theme of "fatherhood" was lightly touched upon when Atsushi's orphanage director died, I do think this is potentially a sore spot for BSD Dazai too. My guess is that Dazai likely had a poor relationship with his father figure, who saw him as "strange" or "inhuman" due to the way he acted: leading BSD Dazai to feel shame over his nature. Perhaps one of the things that made his father see Dazai as inhuman was his lack of typical ethics and empathy. Osamu internalized this - and ended up becoming a criminal at a very young age, perhaps in an attempt to confirm what hurt him, seeing himself as someone who could mostly do bad (which could be one of the reasons he wanted to die so young). Perhaps Oda making a way for him to "act good" was life-changing because of that too - it targeted a specific wound. All of this is speculation, but Dazai did mention that "self-pity leads you to living a life that is an endless nightmare". My guess is he was talking about himself there: and his own experiences with shame. To extend this: I think one of the reasons Dazai is so harsh on Akutagawa is because he is possibly projecting his relationship with his father onto Aku. Akutagawa is violent and troubled, and Dazai was shamed for the same thing. (but it would take a lot of time to work through this theory, so moving on..)
Dazai exhibiting empathy However, Dazai does show empathy for Oda, and a lot of it. I’d go as far as to say that he over-empathizes with Oda, while he underempathizes with everyone else. His relationships with the people closest to him tend to be why some people think he may have BPD. Especially due to devaluation and the "favorite person" concept. For someone with this type of BPD relationship, a “favorite person” is someone they rely on for comfort, happiness, and validation. A FP is a person who someone with BPD relies heavily on for emotional support, seeks attention and validation from, and looks up to or idealizes. For Dazai, this is Oda. On the other hand, In the context of BPD, “devaluation” refers to a psychological defense mechanism or coping strategy that individuals with BPD may employ in their interpersonal relationships. Devaluation involves a shift in the person’s perception of others, where they view someone they previously idealized or held in high regard as unworthy, flawed, or worthless. They become unworthy of their affection and praise. The person with BPD may engage in behaviors such as intense criticism, verbal attacks, withdrawal, or even cutting off contact with the person they have devalued. These actions are often driven by the individual’s fear of rejection, abandonment, or a desire to protect themselves from potential hurt or disappointment. For Dazai, the clearest example of this is Ango. However, a person can exhibit the "favorite person" and project the phenomenon of devaluation without having BPD. In my opinion, Dazai does show heightened polarity in his feelings toward others, but I am not sure if BPD would be my choice for him. It's very difficult to say, as many conditions mask as BPD, and Dazai's expression of empathy is unique.
Dazai idealizes Oda, and deeply sees his pain as his own, while he always frames Akutagawa in a negative light, even though he is likely one of the people Dazai cares about the most (next to Oda, Chuuya, Ango, Atsushi, especially according to Beast). Another example of his heightened negative emotions are Ango, and Chuuya to a much lesser extent. My guess is that Dazai doesn’t deal with caring about people well, especially when they are any sort of “threat”: which is why he tries to “bully” them down. The reason he goes easier on Chuuya than Akutagawa is because he feels Chuuya is in his nature more sympathetic.
In my opinion, the moment Dazai warmed up to Chuuya was when he realized that The Sheep were pushing Chuuya around: he was no “King of the sheep”, he was acting out of empathy and care. Since Chuuya is so powerful, it was likely admirable to Dazai that he didn’t abuse his abilities for self-gain. This is when he decided to isolate Chuuya from the Sheep: and I think the reason above is specifically why
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I'd say Dazai is likely "spikey" to anyone he cares about but has less confidence they won't hurt him. There are two camps of people: 1. Atsushi, Oda, Kunikida, Sigma (generally upright, meek, moral at the end of the day) 2. Chuuya, Akutagawa, and lastly Ango (people who are aggressive, challenging, and need to be put down in Dazai's eyes).
He cares about both camps (Sigma is debatable, I spoke of the type of personality Dazai seems to deal with easily in his case), but he likely feels "less safe" with the second type. Mori could potentially go into the second camp - there is some respect and resentment there at the same time. He even talks about this with Kunikida in Entrance exam.
"“I guess. But you, Kunikida, I’ve got a good idea of who you are now, so nothing you do will ever surprise me. I mean, compared with me, you’re just a simple man with a simple mind, after all.”
See? You wear your heart on your sleeve. You don’t hide how you’re really feeling. It’s nice. You know what else is nice? Just knowing that you’re going to be worrying later to yourself, ‘Am I really that simple?’”
“Why, you—”
But I refrain from arguing. Whatever my response, he’s just going to end up telling me, “I knew you’d say that.”
I suppose that being around Kunikida comforts him since he is predictable, yet kind. On the other hand, someone like Chuuya excites him, because he is wild and challenging enough, but is still a good person when it comes down to it. Basically, Dazai is hypervigilant of pain.
Akutagawa is “off the chain” in comparison to all of them. I am under the impression that Dazai can care about people without treating them well at all, and 2 of the people who are at the top of his list (Chuuya and Aku) are people he “seems” to dislike (In Chuuya’s case rather openly in his profile).
It appears that the more “intense” and “unpolished” parts of Dazai’s personality are strictly reserved for people he cares about, but he is extremely selective about who he shows emotional empathy to as it’s such a rare experience for him. He may capable of "cutting off" empathy to protect himself emotionally. It is quite clear some aspects of empathy miss him broadly in Beast, when he appears shocked that Oda would react so strongly to endangering Akutagawa since “it’s all supposed to end well if he survives”. That sentence itself is totally tone-deaf, yet Dazai is acting as if Oda is supposed to take that normally. It’s quite clear that Dazai doesn’t treat Atsushi all that well in Beast either, as he exploits his fears for Atsushi to be totally obedient to him.
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I really like this moment, because it demonstrates that even if Dazai does have some point regarding Akutagawa and the way he goes about things, the way he has treated him is still too much – and Dazai can’t exactly convince Oda, a decent person, why this is ever justifiable under any circumstances. There is an aspect of regular empathy that misses Dazai – it doesn’t cross his mind why his actions are inherently bad. Perhaps it is possible that Dazai was treated with little to no empathy growing up, so he accepted that as a model for acceptable behavior. A lot of the time, cruel actions don't seem to even register to him as bad, in an almost innocent way. It's like it doesn't cross his mind that stuff is out of the ordinary. When talking to Oda about this, he was described as "childlike".
However, Dazai shows a lot of extreme emotional empathy for Oda, which tends to be rare for people with ASPD (obviously, all traits of it are on a spectrum).
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Dazai clearly feels as if he himself is being beaten when Oda suffers. Furthermore, “Beast” shows that he is willing to endanger multiple people he cares about so Oda could live and write his book. In his words “the me from other worlds doesn’t care about the world” – showing that even though he may “care” about people, it’s really hard for him to fully emotionally connect with others.
This leads him to severe feelings of loneliness and isolation, but it’s quite clear Oda is the exception to this.
Dazai has multiple anxiety attacks when meeting with Oda in Beast and TIPUD:
“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”
Dazai’s expression becomes distorted.
He opens his mouth, and closes it again, as if he can no longer breathe.
If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.
“Odasa…”
Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is."
and obviously the whole showdown at the bar. Earlier, Oda mentions that Dazai looks like he is about to cry:
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 An interesting part here is that Dazai gets shocked that Oda would even consider that Dazai could hurt him:
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It almost sounds absurd that Dazai, who is known for scheming even against people he likes, would be that surprised someone would expect this from him. This, to me, shows that Dazai does have that underdeveloped, childish emotional side to himself, where he doesn’t understand everything he does. It’s quite logical why Oda, or anyone else, would be consistently doubtful of Dazai, yet he is so used to not caring about anyone, that when he does feel things he is remarkably unpolished and just as illogical as anyone else. I’d say his heart is like a knife that went blunt from lack of use. Since he has no experience dealing with people he feels strongly about, it always comes across very messy – and Asagiri himself often describes him as childish at his most vulnerable.
Furthermore, the lyrics of the song for Beast have these words to say: “Loving you to death won’t kill me Because I don’t love this world enough” And in the Beast novel, he mentions all he has to give to the world is love. I think we can certainly see that Dazai is not emotionless.
To me it seems like Dazai is capable of selective emotional empathy. I feel like one of the reasons Oda was “the one” Dazai attached himself to the most, is because Oda was a struggling man who was also depressed (rather clear the more you read), but he was empathetic and accepted Dazai for who he was.
Him and Dazai had difficulties in common (the guy was a killer as a kid too), yet Oda did his best to be a good person – that is one of the reasons, as Asagiri mentions, why he had an “outburst” when Kyouka implied former killers can’t be good people. Oda was a good person in his eyes, and his role model of “empathy”: someone he wished to emulate. I am pretty sure that Oda became the blueprint for the moral compass he strives towards.
Most importantly, Oda didn’t really judge Dazai when he showed his lack of empathy, while he remained firm in what he believed in.
“Odasaku is the type of person who will never lecture anyone. Because he does not consider himself a superior person who can teach and guide others. However, it doesn’t mean that he has nothing he wants to say. The sentiments that he couldn’t convey in these two scenes were finally delivered to Dazai in the last scene through the words “Become a good person.” Very meaningful scenes when read as a set.”
is how Asagiri described Oda during the exhibit. As Asagiri says, one of the reasons he didn’t tell Dazai anything when he provoked the sniper was his modesty. Since Oda didn’t look down on him, yet showed concern and fully understood Dazai wasn’t just a struggling depressed kid, but someone with serious issues who also happened to be a child – Dazai grew to deeply care for him. Oda didn't shame him, likely avoiding Dazai's hypervigilant sensor for pain.
Selective empathy is common for many disorders – and Dazai, after not feeling “seen” his whole life, ended up making a true connection with Oda. I guess, in that sense – Oda was the one who really reached Dazai’s heart, and since he was the only one who came that close, all of Dazai’s emotional empathy is reserved for him.
In my opinion, the reason Dazai was so difficult to “get to” was that even people who had good intentions toward him never truly saw him.
To see Dazai as a depressed woobie who just needs to be saved is to idealize him – which wouldn’t exactly help him. They’re talking about a version of him that doesn’t exist. If the only way he could be seen as worthwhile was someone seeing him as more “traditionally good” than he truly is, it’s not going to work. He needs to be seen for exactly who he is, and still given a chance to be better.
Likewise, it had to be someone who wasn’t helping him in order to get something from him. I would say that one of the main reasons why Dazai got so attached to Oda was because his friend had no reason to save him, he gave him space, and didn’t even force himself into Dazai’s life.
It was purely altruistic, and for Dazai, who expects the worst from others and seems to fear people’s intentions, this was perfect. One of the main aspects of Dazai's character is his anxious-avoidant attachment style, where he is likely so afraid of potential pain, he pushes others away, or punishes anyone he cares about who might hurt him preemptively. A lot of this is not impulsive, but calculated, which is why he feels a natural resistance to Akutagawa (but relates to him and cares all the more because of it). He understands the self-destructive nature of Akutagawa.
"If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.”" I believe Dazai likely allows himself to fully empathize with Oda because he feels only Oda is "safe" in this world. The fact that Oda is dead and gone perhaps makes caring for him even safer, as his image of Oda will never change.
Conclusion: I'd say Dazai is someone who is probably extremely traumatized, with a specific emotional profile that doesn't allow him to experience empathy like normal people do - and this is one of the defining traits of the character for me. He is able to isolate himself from normal social pressures and boundaries - and because of this and his extreme intellect, he feels like an alien in this world. A lot of his struggle likely deals with the fact that he dislikes the hurtful person he is, but has difficulty seeing why he should be better - all while he has a distaste for sadism, cruelty and senseless violence in others. In my opinion, a lot of his own cruelty is "reactive": he acts "evil" because he expects the same from others ("evil expects evil from others), and decides he wants to beat them to the punch. He is comforted when he is in the presence of altruistic and empathetic people, because he doesn't have to be what he dislikes (as "enemy" evil will always make him react since he is threatened). In the end, he rationally sees that cruelty is negative, but he still feels it is an effective tool. If Dazai weren't this way, he wouldn't consistently choose empathetic people for his company throughout the story, while acting callous himself most of the time.
A lot of things Dazai does to me feel like he is avoiding hurt, or attempting to "control the pain" he gets in his life. Notably, Dazai mostly lets himself get "bullied" by people he sees as innocent and simple like Kunikida, since "Kunikida will never surprise him" - he knows that Doppo won't cross the line. Ironically, he famously says he "dislikes physical pain", but often gets himself into physically dangerous scenarios.
It's like he doesn't mind pain if he's the one in control (when Fyodor let the sniper shoot him, when that dude from Mimic shot him point blank). Avoidance of pain and control are other keys to Dazai's character. In that sense, I think Dazai was possibly traumatized and learned to almost completely disassociate from empathy early in his life. There are so many theories I could think of here that we'd get nowhere.
It is clear that Dazai is capable of extreme emotional empathy due to his relationship with Oda, and it's possible he doesn't allow himself to feel it in most scenarios due to his avoidant nature regarding pain. However, whatever the reason behind it, it is clear he doesn't feel a ton of emotional empathy in his day-to-day life, and this disassociation from empathy has crafted him into a person who doesn't fully understand "normal humans".
That is why he sees them as fascinating after Oda dies - he reaches Dazai's heart and opens him up to the idea that not all people are unempathetic and cruel - meaning Dazai doesn't always have to be on guard. Does Dazai have ASPD, or is his lack of empathy a result of other things: PTSD, CPTSD, is he perhaps autistic? I can't say for sure, as it could be so many things. Personally, anyone could make an argument for any of these in my eyes. Above, I mostly analyzed his displays of empathy and tried to study which emotional patterns he appears to follow. I think Dazai's character arc has a lot of worth specifically because we see someone for whom emotional empathy may not be natural trying to be good. It's a unique ethical dilemma, and that's one of the reasons I feel in love with the series. Since it isn't natural for him, his efforts mean a lot, and the struggle feels real and genuine.
Thank you all for reading if you made it this far <3 I've taken a lot of posts and translations I've gathered over the years, and I am sure I won't be able to thank everyone, but, I'd like to show appreciation for popopretty, aja154ever and many others for sharing info from exhibitions, databooks and so. Have a nice day !
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a-998h · 7 months
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Hello! Before I ask for this request I just wanted to apologize, I hope I’ll be able to make my requests more organized and shorter, so it’ll be easier to digest! And my time is Eastern Time Zone so yeah!
SAGAU + MODERN!TEEN!READER
Instead of asking for the usual Child!{Reader} who’s technically from another universe and fights monsters, I would like to request one where {Reader} was from our world, but is still around 13-14 years old
Also I would say that {Reader} had just began to play the game, so they would barley understand how the world works when they were Isekai’ed into said game—while panicking at the same time because oh my god they’re in a game—But they have school tomorrow, and their homework!
When {Reader} descends to Teyvat they go through the whole “Oh my god the Creator!” From characters and endless praise, with only confusion on their part—
But while they question their life choices—they also decide to interact more with most of the characters, as they begin to question how this magical world exactly works
Of course people like the Archons were confused on why you seemed like you had forgotten all about your creation of Teyvat and that you came back in the body of a child—though they decided to put off those thoughts for now as they explained Elements like Geo, Pyro, Dendro—you get the idea [though I myself barely know what half of those powers or called or how they work]
I headcannon that in Teyvat—while they seem far advanced despite being thousands of years younger than {Reader}’s world, I feel like in certain areas of study like Medical and Science is often ignored
Of course not fully ignored but is far underdeveloped [Unless I’m completely incorrect than just ignore this whole ask I guess💀] since in Genshin you can easily cook up foods that have odd healing abilities, even to the point of reviving dead people [If we’re sticking to game lore even when {Reader} arrived in Genshin] people have Visions which allow them to wield powers to let them heal or harm things, and this also goes for the statues of ‘The Seven’ that can heal your party
And I would suspect that they wouldn’t know too much info on things like cells, atoms, energy and more [Ex. Water is made up of H2o, but in Genshin water is water and also used for Hydro] or how their Medical equipment would be like as advanced only up to like the 40-60’s in {Reader}’s world, and only have basic medicines and cures—since humans exist in Genshin and they most likely don’t have powers from what I know
So to say the least {Reader} would be confused and questioning everything about Teyvat and how it works
Like when the Archons explained elemental powers {Reader} would question if some powers branch off of others, and if {Reader} accidentally taking it literally—like they think that Electro was actually summoned from the clouds, so they’re like “Oh so Electro is made from Pyro and Anemo?” And when the Archons are like: “?? Wha—“ And {Reader} is gonna be like ‘🤓👆’ “Because thunder is when the lightning channel’s temperature reaches up to 50,000 degrees Fahrenheit which immediately after the air cools it down and caused the sound of thunder from the rapid contractions. So Electro would be made from Pyro and Anemo—right?” [Yes I had to look that up to write that, I don’t even know if that’s correct—]
And after that the Archons just look at {Reader} like they’re crazy but also very worried for them
Soon a few characters, who probably are smart—at least in Teyvat they would be considered would approach {Reader} with questions about science and more, thinking that since {Reader} is the Creator they would obviously know more, and would basically treat their knowledge like the greatest gift they’ve ever received
And just imagine a scenario where {Reader} gathers a group of characters [Which you can pick who would want to learn more] who are interested enough in science to want to learn more, as {Reader} pulled out their phone—which somehow teleported with them to Genshin, as they play a YT video about Life Science, and after the video ends the characters are amazed and in awe, as one speaks on how this has to be the most informative piece of film, and how many scientists must have had to research for this video— and {Reader} is just like “This video is made for like 11 year olds to learn” and the characters are like “Wha-“
And a lot of times people like Tighnari [who I think would be interested enough] would spend time with {Reader} by listening them ramble about Life Science
I feel like {Reader} would be really interested in characters who have inhuman characteristics—especially the ones with animal ears and tails
Like when {Reader} first met Kirara they found Kirara’s toe beans adorable, and was amazed by her two tails
And {Reader} would pet Gorou if he let them [Of course he would since {Reader} is the Creator🙄/j]
Aswell as when {Reader} met Sara they were really interested in her wings and asked if they were real and if they worked
And another scenario where it’s late and an Archon[of your choice] goes to the depths of the Avidya Forest where Tighnari resides, since they had dropped {Reader} off there to spend time with him, and they find {Reader} and him in his hut/house, with him sitting on the ground while {Reader} had gloves on and was in the middle of piercing his ears—Tighnari just gives the Archon a little wave, while {Reader} happily talks about putting little ropes in the holes where they pierced his ears so they can go out and get earrings for him tomorrow!
That’s all I request! I hope it was easier to read this time! Have a good day!
-🍉ANON
Teen Creator Isekei Adventures
When they see you
Everyone across Teyvat was awaiting the return of their beloved Creator. There were many artist who have drawn depictions of the Creator over the centuries by now they get to see what you look llike. The archons are the ones who will greet you. They weren't expecting a teenager by they can work with it.
The reacts are mixed. Some are filled with joy and don't notice the fact that their God is a teenager, some brush it off, and some are worried/ wondering if it's like how Nahida was born after Rukkhadevata's death. They all notice one thing, and it is that you seem to be freaking out.
Everyone tries to comfort you, and try to figure out why you keep mentioning home work and school, you're a god you know ow everything.
Having world mechanics explained + Life Science
Well, they're a bit worried that you seem to have forgotten that fact that you created everything. So when the archons, shcolars, historians, etc sit you down and explain stuff to you they hope it makes sense. You then hit them with this.
"Oh so Electro is made from Pyro and Anemo?” you ask.
They'll all very confused because what are you talking about and they ask you to explain.
“Because thunder is when the lightning channel’s temperature reaches up to 50,000 degrees Fahrenheit which immediately after the air cools it down and caused the sound of thunder from the rapid contractions. So Electro would be made from Pyro and Anemo—right?”
They still don't understand but a few such as Tighnari, Xianyun, Alhaitham, Albedo, Surcorse, Layla, and literally any character who can be affectionately be classified as a nerd.
When you find that your phone, not only came with you but that it also still worked you get an idea.
In the halls of the Akademiya you pull out your phone, go onto YouTube and play the first video you can find about Life Science.
They enjoy it a lot more then you thought they would. Thye all praise how much research went into his amazing piece of film and you responded with.
“This video is made for like 11 year olds to learn”
This confused them but they still enjoyed it, especially Tighnari.
Ears, toe beans, tails, and wings
When you learn Kirara has toe beans, your next course of action is to walk unto her after her work day ends and ask her if you can touch them. She is shocked at first but let's you touch them. Did you know that cat claws are retractable? And that pushing slightly on toe beans causes the class to come out, well you do now. You put a little pressure on Kirar's toe beans to watch her claws go in and out. Then you ask her if you can touch her ears and tail, to which she lets you. She blushes as you fawn over her two tails. She also tries to answer your questions about how she has two tails.
Gorou would blush a bit when you ask if you can pet his ears. Under his tough general facade he is a good boy it needed headpats. He blushes the whole time you pet his ears. When you get close to his tail though... in the words of Kuzco.
"No touchy! no touchy! no touch."
He keeps his tail away from you. It's very sensitive and he just doesn't like people touching his tail.
While expressionless on the outside, Sara smiles on the inside everything you fawn over her wings and ask her many questions about them. She doesn't mind you asking questions, but she doesn't let you touch them.
Adventures in the Avidya Forest feat. Tighnari
After your Life Science stunt in the Akademiya Tighnari was genuinely curious about you knowledge, because he is a curious fox boy.
The archons think you need to de social in order to grow into a well rounded god. Well, at least Nahida thought so. When your life science stunt was over Tighnari asked if you would like to come to Gandharva Ville with him.
You said yes and he let your rant about life science. Now everyone you go to Sumeru it is a priority to visit Toghnari. The archons thought this friendship was cute while some people were jealous.
One day Zhongli dropped you off at Tighnari's and told you two to have fun. You two were having the best time two people could have. As night came Zhongli went to puck you up. He walked in and saw you, with gloves, trying times piece Tighnari's ears. Tighnari waves at Zhongli. Zhongli sighs and tells you it's time to go home. You say no and that you need to finish Tighnari's ears. Zhongli offers to let Tignari stay the night with you two, and then will help him find a good place for ear piercing. You both agree and have an awesome sleep over.
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starphenie · 7 months
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my nikki x genshin au design
class doodles + notes! i have thought about this deeply and extensively (the hour and half that is my programming lecture)
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the og design and a low detail bobo and kimi + my attempt at crossover worldbuilding (i am not a writer. i don’t think this makes any sense story wise. like i picked aeon as the archon for apple at first but he is so blue and water themed and i refuse to NOT make cloud the hydro nation but he is not from cloud. guess who’s not blue? desire. i think there are better fits for most of the archons i picked i just don’t know who.)
- everyone’s visions are based on vibes and colors
- nikki’s vision is fake because she’s the traveler it’s a fashion thing
- i have not played genshin impact since inazuma came out
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highly critical important footnote:
((characters whose appearances already translate well))
(into Genshin…)
((& that I remember))
aka i drew favs that i have committed to memory and gave them a vision that i think makes sense, doesn’t take a lot of thought bc they have sprites that are super ornamental compared to like nikki and kimi who def need redesigns lol
here is my list of characters + visions because sorting is fun, i might update this periodically
anemo: bobo, noah, royce, mercury, shade, bai yongxi
geo: nikki, yvette, orlando, loen
pyro: zoey, zhu yuxian, mela, ozeca, lilith, qin yi, cesare, peachy
cryo: agata, louie, neva, kimi
hydro: lunar, aeon, marina, ming shuiyuan, vulture, chloris
dendro: nanari
electro: ace, elle, ai, caprico, sofia, grey raven
- pretty much all the elves fall under anemo or dendro, except for Evil Vampire Flame Sword Cesare, who is an outlier and should not be counted
- nidhogg reads geo to me but ozeca is pyro obviously and they could serve such overload slay he could be an electro wielder i see it. i just can’t pick <\3
- shade got his vision when he was flynn. hc that it doesn’t respond to him since he’s changed he just uses guns now. non magic ppl with a gun in magic universe are my favorite thing
- lilith qin yi and zhu yuxian need to stop burning down buildings
- a lot of characters are omitted actually because i can’t pick an element for them. but reid doesn’t get a vision he’s just some guy
some guys: reid, hiber, toto timi aron etc all the citizen npcs
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cheezeybread · 2 months
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Random Twisted Wonderland Headcanons I have that I feel the need to share with the world, sucks to be anyone reading this!
KALIM
Kalim wasn't going to be invited to NRC, obviously, since he didn't have "exemplary" magic, as either Jamil or Crowley said in the game (I forgot which, FORGIVE ME), but it's clear that he would have been accepted into Royal Sword Academy due to his nature.
Kalim's family knew that Kalim would have been safer at Royal Sword, but they also knew that the school wouldn't accept their "donations" as well. Plus, they knew Jamil was going to NRC, and knew how much Kalim had bonded to the boy.
And, obviously, Jamil would be more than happy to watch over Kalim and ensure that he gets better at magic and has a good time, right? So off to NRC you go, Kalim! Oh, lookie here, you're in the same dorm as Jamil now! How convenient!
So, to sum it up, the Asim family made sure Kalim got into NRC despite the "dangerous" students because they knew Jamil would be there to protect and serve him. Ouchies
MERFOLK
Two different kinds of merfolk- sirens and fishfolk (aka, the kinds of merfolk desended from animals-- not sure what to call them, so fisfolk is a placeholder lol--, like the tweels and Azul). Sort of the same vibe as Beastmen and humans
While it's not technically cannibalism for a "fishfolk" to eat the creature they're descended from, a lot of cultures believe it to be a sin to do so, and some just get the willies from it.
Nudity is really not a big deal to merfolk. Like, most of them don't wear clothes, and those that do only wear robes and stuff to symbolize their class/status in society underwater. On land, they have to have a crash course in how to wear clothes and what to wear when. Floyd was very prone to accidentally forget to wear clothes and wander the halls of Octavinelle naked during his freshman year (much to the horror of his dorm members)
The Merfolk don't eat each other 24/7, nor pose as much of a threat to each other as wild animals do- some find it extremely offensive that land-dwellers assume all mer-predators eat whatever other merpeople they can sink their teeth into. They live together in a society similar to the one on land. Of course, the elements and wild creatures pose more of a threat to them than natural land-predators, but the merfolk themselves aren't in the habit of killing one another.
HOWEVER, there is a special law amongst them that if another merperson is causing undue harm to them/a loved one, murder is justified. And, of course, they must consume the flesh of the merperson killed and send the head back to the killed one's family for closure reasons. They may not eat each other that often, but in the Ocean, it's more natural and well-accepted to eat whoever you killed (in self-defense, ofc, if it wasn't in self-defense, then you are going to JAIL, queen!) to show that you respected the fight they put up and to honor their memory. It's more of an ancient tradition that's now just a part of what they do.
HEARSLABYUL
This one was brought to me in a VISION (aka me reading part 3 of Cater's Vignette for one of his cards when I noticed the background Heartslabyul students all had Suit characters on their faces)
All of the dorm members are assigned a "card suit" after their orientation- this suit is determined by the Housewarden (who is assigned the role of the "king/queen" of the dorm and doesn't need a suit), who bases his decision off of the personality of the student, their grades, and their ambitions. No one but the Housewarden knows why they're put in the suit they are.
There's a big initiation ceremony when the Housewarden finishes deciding the Suits for the freshmen, and they host a special ceremony in their dorm's yard that involves a series of tasks for the freshmen to go through- involving a maze-run with juniors chasing after them, a hedgehog obstacle course, and a special game that the Housewarden makes per year off of one of the Queen of Heart's rules. Once the initiation ceremony is done, and the suits are given to each freshmen, they will then be responsible for painting their suit on their face wherever they want to for the rest of their time on campus.
IGNIHYDE
For most Housewardens, a student needs to challenge the existing housewarden and duel them to claim their title.
For Ignihyde, they do things differently. Because they're all more skilled in technology for the most part, they'll have a challenge to see who can build something the best (whether it be a robot, a toy machine, etc etc- the decision of what to make will be voted on by the dorm members). At the end of the challenge, all of the students in the dorm will vote on who did the best- but they aren't told which invention was made by whom as to avoid favoritism, and boom! That's the new Dorm Leader.
Idia brought Ortho into the dorm and everyone just assumed that that was his challenge to the existing dorm leader LMAO
It really wasn't....but the current dorm leader was so in awe of Ortho and Idia's intelligence that he gave up his position (practically forcing it into Idia lol) for him.
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pankekesito · 2 months
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Rust Cohle's tattoos - A mini-essay on their possible meaning
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Hi, this is probably my longest post, I may have to split it into two parts due to the length but I will try to see that everything can be compacted into one post.
DISCLAIMER!
This mini essay is done purely as a hobby by a die-hard True Detective fan, none of this is actually 100% confirmed (other than the interview part of ‘The Last Magazine’). While this is as logical and accurate a research as possible, it's just a hypothesis of what Rust Cohle's tattoos seen in the series could mean; if you don't think it's reasonable, that's fine. All opinions are valid as long as they are made on the basis of respect!
Without more to say, I hope you find this Mini Essay interesting and fun, I made it with all my love for you (and obviously because of my love for Rust); I would like to know your opinions about it, even if they are not the same as me! (I will leave a section in my profile to give you the sources used in the research in case you want to know more about the arguments to support my opinion).
An apology if something is not fully understood, English is not my first language ⸜❤︎⸝
And remember, ⥁‘Time is a flat circle’⥀
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Rust Cohle has two tattoos which are a bird of unknown species on his right forearm and an unidentified symbol on his chest; right where the heart is located.
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Focusing on the forearm tattoo, thanks to a short interview in “The Last Magazine” published on May 10, 2016; Josh Lord who is a renowned tattoo artist who has worked to perform various tattoos in the entertainment world along with Joji Fukunaga who directed the first season of the series mentioned that they wanted the tattoos presented in this one to have the same detailed realism that is reflected in the audiovisual product. For the case of Rust Cohle initially in Pizzolatto's original script his tattoo would consist of a pair of flaming dice. Personally I'm glad to know that this didn't happen because while they tried to give him that wild and dangerous meaning, Rust doesn't believe in the randomness of fate and every action he takes he does it consciously, carrying in him the responsibility for his actions and not granting it to fate. Josh and Fukunaga had something clear and that is that the tattoos would go from being a decorative element to a characterization, a symbolic element of the souls and the truth of the guts of the characters.
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For this very reason they chose to draw on Cohle's undercover past as a member of a criminal motorcycle gang, whose emblem was originally intended to be a raven. Subsequent revisions turned the gang into the “Iron Crusaders” where very aptly the tattoos of its members refer to anvils, bones, engine parts, demons, weapons, etc. Something important to note is that the vision of the Iron Crusaders is dark, mysterious, funereal and gloomy (as all its operation within the series), the initial idea where the raven would be its emblem makes sense because in general the raven is associated with death because they are scavengers, predators and for some civilizations they embody death and the underworld.
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But while the terrain where the Iron Crusaders unfold has a close relationship with the first and best known negative view (symbolically speaking) of ravens, its positive meaning has more to do with Rust Cohle's behavior and reason. The raven can also be a powerful animal totem, a protector and spiritual guide, a shape-shifter, a messenger and the symbol of transformation. In its benevolent symbolism, it represents giving up on the human world in search of wisdom, as well as being a cunning and intelligent animal capable of adapting and embracing change. In the Scandinavian tradition, the raven is a sacred and wise figure that brings virtues of “reflection” and “memory” while in Native American tribes, ravens are revered for their intelligence and spiritual importance. They are considered messengers of the spiritual world, possessors of universal wisdom and protectors against evil forces. It is also said that in Norse mythology there were two ravens that always accompanied the god Odin, whose names were Hugin and Munin. Hugin represented the power of thought and Munin represented memory and intuition; every time the sun rose both were sent to earth in search of information and every night at sunset they returned to Odin's palace and whispered all the news and events of which they had learned on their visit to planet earth.
A fact that may not be so relevant (and most probably I am just adding it to be interesting) is that there is a constellation called Corvus having four points in its constellation that make it to be, which is related to the raven (it is all due to a Greek myth). I like to think that this has a lot to do with Rust's tattoo because of the position of his tattoo (more properly speaking the wings) with the resemblance to the graphic references usually used for the raven of the constellation Corvus and the close relationship it has with the universe and the cosmic. Also the four points of the constellation remind me of the four stages of Rust Cohle seen during the series (1995, Crash Comeback, 2002, 2012).
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Now we can't overlook the fact that the Celts held ravens in high esteem, associating them with battles and the Celtic Goddess of war and destruction (Morrigan). Ravens were seen as protectors and warriors, embodying the qualities of intelligence and strategic thinking. The raven's ability to shape-shift, attributed to Morrigan, further emphasizes its transformative nature. All of the above meanings attributed to ravens provided by various cultures, whether with a positive or negative focus curiously fit perfectly well with the ideology of our armored detective Rust Cohle. Rust is surrounded by silent anxiety, tragedy, death, chaos and pain. He himself struggles even with internal battles, his demons from the past. Yet he has a strong mentality, he uses his reason to adapt to even the most unsafe territories even if it means changing shape (like Crash). The fact that he more than likely made the decision to get the tattoo during his infiltration as Crash when he was in the narcotics department is reasonable as he was like a predator within the gang, a shape-shifting scavenger trying to get answers as he shrewdly roamed the rubble of human evil. The raven was his way of remembering his purpose and no wonder, Rust is very skilled with manual tasks. His hands allow him to do his work properly; watching them constantly do the dirty work and hide or reveal the ashes when necessary makes him evoke his intention in this world and how ephemeral it is on the earthly plane. It is not for nothing that the raven is on his forearm, showing his bones as a sign that death will always be with him until his last breath.
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To focus on his last tattoo (and the most intriguing in my opinion) we must go back to Celtic culture. As we have seen throughout the series, symbols and religions (beliefs of something beyond comprehension) are always present because they touch the most sensitive parts of human beings. Their constant search for belonging and the meaning of life. In Celtic culture runes are used as signs, talismans, symbols and runic alphabets. Basically runes are a writing system that was used in Scandinavia and parts of Northern Europe from the Iron Age to the Middle Ages. Although it is not known exactly who invented runes, it is believed that they emerged sometime around the 1st century AD. Specifically “Rune” means secret. Runes are magical instruments of power, carriers of secrets and wisdom. There are several types of runes with vast meanings however in my research I found four runes which I will use to support my hypothesis about the possible meaning of Cohle's chest tattoo. First we must be certain that the tattoo on the chest of Rust does NOT exist as such in the Futhark Runes, or in any other compilation of symbolism so we can say that this symbol is a composite symbol; referring to the fact that although it is based on the Celtic runes, it has NO direct relationship, nor systematically objective. We can notice it even more thanks to the inverted cross of the tattoo (soon we will return to this point).
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Talking about the possible runes used for the composition of the tattoo we have:
•Rune Thurisaz ᚦ
Meaning: Door. Reflection. New options. Magical use: Regeneration. Concentration. Override negativity. Meditation. New beginnings. When you need luck and control of any circumstance. Protection and defense. Neutralize enemies or opposition.
•Rune Raidho ᚱ
Meaning: Wheel. Travel. Communication. Help in taking risks. Self-healing. Magical use: Changes. Protection. Transformation. Justice according to good. Safe and comfortable travel.
•Rune Wunjo ᚹ
Meaning: Joy. Comfort. Harmony. Security. Tranquility. Magical use: Triumph. Motivation. Recognition. Achievement of goal. Success in travel. Luck in love or work.
•Rune Berkana ᛒ
Meaning: Growth. Awakening. Rebirth. Development of creativity. Magical use: Healing. Wholeness. Clarity. Motherhood. Self-realization. Fertility. When seeing the runes presented we can relate them with Rust Cohle because they present several descriptive concepts that define him; but to my point of view, of those presented the rune more linked (and similar to his tattoo) is the rune Raidho.
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Throughout the series we can see the entire journey Cohle goes through both through the Lange case that is presented to him, as well as his growth individually. His journey in general has been dangerous, putting him in a vulnerable state but never fully achieving it, having Rust in a cathartic state of progression where although the road was arduous, it always ends with him having a safe process of introspection. This path was just like a wheel where he repeated over and over again aspects of his life that he had already lived (Time is a flat circle) but thanks to communication these repetitive aspects had a significant change. The clearest example of this is his relationship with Marty Hart; in the series they had a partnership that while solid was undeniably chaotic. Marty did not want to listen to Rust and Cohle could not stop spouting his pessimistic ideology until the issue related to Maggie happened which made them separate. It wasn't until 2012 that Rust swallowed his depressing verbiage in order to talk to Marty and he, took his time to listen to Cohle and support him in his plan. Changing their relationship and the situation through communication. Precisely to this, both were able to give the due justice that the case deserved and finally Rust was able to be a little warmer with himself, finally accepting the past that haunted him and taking the first step to self-healing.
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Of course, the Raidho rune and the symbol on Rust's chest are not the same because as I mentioned earlier, Cohle's tattoo is (probably) a composite symbol but the resemblance both physically of the rune and allegorically to the detective's ideology is something worth mentioning. Rustin Cohle's first step in understanding his pain and being able to allow himself to open up honestly and vulnerably with someone as he did with Marty was to be humble about his feelings. Humility was an important factor in this, as well as dealing humanely with his penance given by the past. These two issues are ideological characteristics given in the Christian symbol of the inverted cross of St. Peter. According to tradition, Peter asked to be crucified upside down because he did not consider himself worthy of dying in the same way as his master, Jesus of Nazareth. However, in other contexts the inverted cross is often used as a symbol of atheism, humanism and occultism. This is also notoriously seen in Rust's philosophy as we know that the belief in something greater than the human being which governs the commandments of humanity seems ridiculous to him. A simple stoic belief to alleviate the rottenness of reality. That is why perhaps that rune was transformed according to Rust's philosophy (which makes sense, Josh Lord does not do work without tying up loose ends; much less from the hand of Joji Fukunaga).
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While we don't have an exact answer about the meaning of the tattoos of our endearing and cold-hearted detective, I like the idea of trying to unravel the hidden meanings among the symbols that physically characterize his personality, trying to investigate as logically and clearly as possible the probable exact representations of Rust's philosophy embodied in his skin. I believe that the series is so well designed that even the smallest details count and that's why I took the time to try to dig into the secrets of what Rust's tattoos want to tell us.
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If you made it this far, thank you so much for taking the time to read this mini-essay! It was really fun to do, I think that while I'm not sure what his tattoos really mean; I was able to better understand Rust in different and meaningful ways. I hope someday we can know for sure what they mean (although part of me doesn't want to, because that would take the fun out of it). I'd really appreciate it if you could leave a like if you found it informative or entertaining, comment on what you thought, if you have any other theories of its possible meaning or reblog this mini-essay so more people interested in True Detective could see it! A kiss to whoever reads this and I hope the Yellow King never finds you! 💛
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doodleplus · 9 months
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genshinified them…i wanted to know what zoro would look like with a vision and it devolved from there (first six are splash wips)
bare-bones details/mechanics of how this au would work under the cut hehe
Luffy is a young adventurer who wants to find all the gnoses (reasons unclear), was mockingly called ‘king of the archons’ as a result, then adopted that as his goal. He meets Zoro in Inazuma, where he was imprisoned under the ruling of the Raiden Shogun, and upon temporarily defeating her, they escape with no destination in mind. Nami decides to hitch a ride with them, promising that she’ll navigate their wave rider to the next place they are trying to go. (And they meet Usopp and Sanji and leaves for her hometown in Fontaine to pay off Arlong etc etc)
It follows the main story from then on, except it’s much more condensed (Teyvat is much smaller than the One Piece world), and there’s much more of a spotlight on how archons (and gnoses) work. Devil Fruits, Haki, Points, and other magical combat abilities are condensed into Visions (for the sake of world placement), though Vision strength levels get introduced to accommodate power levels of characters in One Piece.
Anyhow! I’ve thought of all the strawhats’ countries of origin + element + weapons so I’ll list them here: (since I’ve not gotten super far into the anime it’s not perfect (past Robin it gets hazy for me))
- Luffy
* grew up in Mondstadt, nation of origin Natlan, Khaenri’ah (though he doesn’t know nor care)
* has an anemo vision that he activated by grabbing a hollow vision out of a chest the red-haired pirates had found (matches his eating of the devil fruit in canon)
* catalyst user as he can’t fight with weapons well
- Zoro
* grew up in Inazuma
* has a dendro vision that he gained when he promised to become the world’s greatest swordsman with kuina (who already had a pyro vision)
* sword.
- Nami
* grew up in Fontaine, country of origin Inazuma
* gained her (hydro) vision after Arlong took her away and tried to sell it. when that failed, she refused to use it until she was free from Arlong. However, she doesn’t really know how to control her powers until she fights Ms. Double Finger with a spear specially forged for her.
* polearm user, most specially her clima-tact (as she calls it)
- Usopp
* from Mondstadt, father is from Natlan
* gained his geo vision after meeting Onion, Carrot, and Pepper and creating the Usopp Pirates, and he used it to avoid as much trouble as he could—he still usually uses it defensively
* bow user (obviously)
- Sanji
* grew up in Fontaine, born in Snezhnaya
* gained his (pyro) vision not when he tried cooking as a kid in the palace, not on the Orbit, but on the last day of him and Zeff being stranded on the empty island, starving. Zeff had already had a vision then, and it solidified his choice to take the kid in and teach him cooking
* he fights with his legs. catalyst
- Chopper
* from Snezhnaya
* got his cryo vision when he tried to help an injured member of his reindeer pack, which changed him into more of a humanoid reindeer hybrid, leading to him being ostracized until he met Hiluluk, a doctor
* bow user, to mimic the sniping function of brain point. other points function as his elemental skill and burst
- Robin
* from Snezhnaya, but has been in Sumeru for the last few years
* got her vision as she learned to read Khaenri’ahn, which then made her an outlaw
* catalyst user—her attacks make organic mimics of hands, formed by flowers and vines
- Franky
* grew up in Fontaine, country of origin Mondstadt
* got his (electro) vision when apprenticed to Tom as a shipbuilder
* claymore user because in-story he’d be the only character who would be able to use one comfortably
- Brook
* from Mondstadt
* gained his anemo vision when he was about to die on an island near Fontaine, and somehow it kept him alive, blowing food and causing rain storms constantly to where he was stranded (the strawhats have contemplated whether he has a gnosis on him)
* sword user! with great elemental mastery
- Jinbe
* from Inazuma
* gained his hydro vision almost immediately after seeing the ocean for the first time (he was born as a youkai and lived right next to the ocean so it was rather soon after he was born)
* polearm user, and is partial to tridents
BONUS:
- Ace
* grew up in Mondstadt, countries of origin Natlan, Khaenri’ah
* got his pyro vision when he got shipwrecked and stranded on an island after leaving Mondstadt
* is also a catalyst user
- Vivi
* from the desert portion of Sumeru, though has been traveling around Teyvat in disguise
* got her geo vision after fighting Kohza but doesn’t find it useful at all (she wishes she had a hydro vision and is confused as to why Nami rarely uses hers…irony)
* her assigned weapon is a polearm (the peacock feather whips do not have a direct translation into the game, which is frustrating)
If you read all of this, oh boy (and also thanks!)
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icouldhyperfixatehim · 9 months
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another really strong ep holy shit. and also one that has me really wondering about p'aof's writing history - does anyone know has he written or directed for stage? obviously bad buddy is littered with stagecraft; the romeo and juliet, the play within a play structure, so many one to one conversations and actions that speak in quiet rooms. stories that are built largely off of the strength of two characters speaking to each other, literally or figuratively.
but the way i can see it carried through last twilight too is so fascinating to me. i'm thinking especially of night and his ripped from stagecraft line a lá "the hero enters, and so the villain must exit" and literally taking his leave to the camera's wings beyond the lens. and The Kiss. another rooftop kiss, like bad buddy, like a tale of 1000 stars kiss on the top of the mountain. all i can see is how incredibly stageable these moments are. a dropcloth painted background, the right lighting, a little prop ledge to give it perspective...setting these emotionally intimate, quietly explosive moments against boundless backdrops. giving so much AIR to them, giving characters their room to breathe.
he writes/directs/envisions like a stagecraftsman first - and then completes the vision with some of the best elements cinema can offer that stage can't - close ups, scenes that move through irl locations, camera as performer and informer. it's just magical. because it's all in service of story. it feels so whole. what an auteur he is.
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taus-inc · 9 days
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My thoughts and feelings on Uglies the movie
I'm starting to think I understand a bit of how people who read Percy Jackson before watching the movies feel. Uglies was... a movie. I have thoughts that I wanna share with a condensed version of my rant with the notes I took at the very bottom. I know in the end it's just a movie but at the moment it's important to me. Obviously SPOILERS for Uglies, the book (mainly the first one) and the movie.
I want to start with the things I liked since that's a much shorter list.
i LOOVEE the casting for Dr. Cable as Laverne Cox, Keith Powers as David, Brianne Tju as Shay. I also like the casting for David's parents, Croy, Sussy, Dex and An.
Not all the design elements hit for me but the look and sound of the hover cars and boards i really liked. As well as how the interface rings looked and worked, kinda showing how easy it was for things to be "hacked". The look of the operation tank wasn't something I thought too hard about but I like how they brought it to life. And "THE SMOKE LIVES" was beautifully done. While reading the books I imagined something more childish given the sparklers but the movie did them wonderfully.
And something small and rather insignificant, Tally telling Shay that Peris was the one who gave her the necklace makes a little more sense than some random person giving it to her and her caring enough to wear it all the way to the Smoke.
Now... on to the nitty gritty of the things I didn't like as much. Some are kinda nitpicky so take my word with a grain of salt as these are all just my personal opinions. I took notes as I watched so they will kind of be in chronological order.
First is the casting of Tally and Peris. I knew when I saw the trailers I wouldn't like Joey King as Tally Youngblood, I don't think she's that bad of an actress, she just doesn't fit my vision of Tally. I like alternatives of someone like HAVANA ROSE LIU !!!, Sophia Lillis, Emma Myers, Paris Berelc, Chandler Kinney, Inde Navarrette, Talia Ryder, Quintessa Swindell. Basically, anyone other than Joey King. Someone I could see being book 1 Tally but also becoming who she was in later books. And for Peris maybe someone like Archie Renaux, Archie Madekwe, Nico Hiraga, Brodie Townsend, Connor Sherry, maybe a Finn Little or even a Charlie Plummer. Clearly, I don't have a set look for these characters just vibes.
I don't like that Dr. Cable is a public figurehead. Most of the things she does and are capable of are because she's more secretive. She's a manipulator who works behind the scenes. I could've appreciated it if they had done more with it and made it a purposeful change but like many other things I don't see the point in it.
Tally's relationships with anyone are honestly one of the most disappointing things done and my #1 gripe with this movie. It just does not make me care at all. We're missing so many vital scenes that I'm sure they couldn't fit all of them in but because of what they cut out I couldn't buy into them as people. Everything just felt so temporary and non concrete. I know it was probably to save money from actors ( f you btw netflix) but I'm sad the only other scene with Tally's parents, them convincing her to give up Shay and the Smoke, was missing. Her and Peris' relationship falls very one note and her and Shay's just falls flat. No real friendship between the two, bonding over feeling lonely and (at least to Tally) beginning their next step to prettiness together. Shay's constant reassurance that she doesn't think Tally is ugly and how she feels about keeping her original face because she doesn't think of herself as ugly either. Shay's anger is completely missing for me when in the book it was a very big thing considering how much Tally's betrayal cost her. The same anger thing with Maddy happened too but more on that later. Even with Dr. Cable manipulating her I think it was so poorly done. She just straight up lied to her about what was going on in the Smoke instead of using everything Tally had wanted for the last 16 years against her.
Next is what I think to be one another major failing on the movie that I have to force myself to understand that they simply didn't have time for but.. Cutting basically all of Tally's journey to the Smoke really hurt me because I feel like throughout all the books Tally's relationship and outlook on the wild is some of the most important because it shows a lot about who she is as a person when she really has to be alone with herself in such dangerous conditions and situations. The wild is always the start of her radicalization and her free thinking. It helps her be more open about the Smoke and it honestly informs a lot of her decisions later down the line. Her puzzling through Shay's note and learning to survive (with the help of some city things) were very detrimental and sad almost none of it made it into the script. And they didn't even get the note right!!
Short and to the point- replacing the rangers who helped Tally (and gave lowkey clues about what she learns later) with the Smokies.. Again, I understand time and money restraints but still Ugh!
Them making Croy immediately overly aggressive and skeptical of Tally also just takes away from his character. Even in the books we have little to go on, but I think taking away making him slowly put pieces together about Tally's stories and the math of the SpagBols simply not mathing is a small but disappointing takeaway.
The entire time in the Smoke went by wayy too fast, they never let you or Tally just sit and exist with the people living there already so again i just don't care that it was raided! We missed out on Tally discovering the people who lived there along with more of her relationship with Shay being discarded. Taking out the library, Tally discovering all of the people and faces from before through books and magazines and the man who looked over all of that. Which flattens her character more seeing as that was one of the first deaths she experiences that she feels is her fault. Tally meeting David's parents felt rushed and their conversation about the lesions just felt like it was her entire reason for suddenly not wanting to listen to Dr. Cable instead of her forming her own opinions and that being her final straw.
Something the movie loved to do was take away so many crucial parts of the story, a major thing being the raid of The Smoke. In the movie it happens so quickly even though I'm sure they could've included a majority of it. Tally's desperation in fighting for something she had inadvertently helped destroy, her and the Boss fighting to protect the last of the books and her watching him get killed because of it. Because of her. Her getting captured and gaining trust and respect from people (Croy!) who previously doubted her, but at the same time her relationship with Shay hitting the fan because she instantly knew Tally was at fault. Her being smart enough to outwit and out maneuver a Special Circumstance soldier and escape. Her hiding in the cave with David. Her coming back to see Croy had convinced people to leave their shoes because she didn't have any while hoverboarding away. All which fuels her guilt and need to protect and rebuild The Smoke seeing as she felt it her fault. In the movie she hid out in the open.. ran out screaming when Az was killed... outed what she had done in front of everyone. Then she blew up a building and Dr. Cable literally just let her go for no apparent reason. David finding out what she had done and what she caused should've warranted more anger but of course we get none of that. Next we just jump into helping the captured Smokies escape and Tally's crazy ass plan that actually helped show the depth of how smart she is was glazed over. We lose the reveal of Dr. Cable testing on Az causing him to pass away which, on top of being a doctor, fuels Maddy's need to have someone give informed consent before testing the cure for the lesions. The movie also took Maddy rightful anger toward Tally away from her. It might seem small in the grand scheme of things but agreeing to be the test subject for an untested brain alter for a woman who dislikes you for having a part in her husband dying is a step in her trying to earn forgiveness.
Shay's reveal to be turned pretty was completely under done and felt because of the lack of depth they gave to her character along with her relationship with Tally. Shay never wanted to be turned pretty and Tally is a big part of the reason her choice was taken away from her. Her becoming pretty was another thing that made Tally completely regret all that she had done and showed more of the ripple effect of the consequences of her actions. Plus that fuck ass wig and ugly silver dress they had her running around in !!
Overall so many of the choices made by netflix just lets me know they never intended on continuing the series in future movies regardless of the outcome of this one. Like them making Peris special and then killing him off ??!! The Specials having special suits and not special bodies. Changing out the rangers to not expand on the lore. ((Edit: The flowers being made by the cities actually does so much to harm the story which also explains why they removed the rangers because it was cities fighting against yet ANOTHER rusty invention that was destroying the world. The cities (who knows how many) were fighting to preserve nature which lends to them dulling people to slow down their overconsumption and later Tally's mission to make sure the wild was protected when people eventually got their free will back.)) Making the ending open ended because there was no way they could fully close it out because of the nature of the books but every other choice felt so definitive as to an ending and nothing more, like showing Tally pretty at the end when the closing of the book was just her surrendering. The movie itself didn't expand on even just the first books’ lore and it just felt like an extremely lukewarm version of the story that happens over a 30 minute period even though the movie is an hour and a half long. Everything felt rushed and not true to Uglies the book at all and it upsets me to see these books introduced to people in this way.
Ok, rant over. Peace out.
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TLDR, my sparknote ver.
Things I liked:
Lavern Cox as Dr. Cable
Keith Powers as David
Brianne Tju as Shay
Design of the hover cars and boards
Design of the operation tanks
Design of the "THE SMOKE LIVES" message
Thing I did Not like:
how this movie is a TERRIBLE introduction into this world
their failed attempts at humor
joey king as tally youngblood
dr. cable being a public figure head
the montage that skips basically all the world building
tally and shays watered down relationship
tally and davids watered down relationship
tally's parents not coming to see her before peris and really showing she was pushed into working with dr. cable
making the crash bracelets work like a bungee jacket and not using the mechanics from the book
dr cable lying abt what david and the smoke were doing to that extent
montage of the tallys journey in the wild
replacing the rangers with smokies
croy being over aggressive abt not trusting tally when he was sly and smart abt figuring out her story doesn't make sense
david just going "these are my parents" and no one clarifying their names
tally not slowly coming to realize that the smoke isn't that bad and her doubts before learning abt the lesions
the talk abt the lesions
peris being special
the attack on the smoke
not meeting the boss who keeps track of the books/magazines
tally and david hiding out in the open during the attack on the smoke
peris killing az bc az dying from medical testing was important !!! + az's "wah are yu doin"
tally outing herself in front of everyone 😒 + her dumbass escape scene bc she literally just got let go
not explaining or using tally's very smart plan to get into special headquarters
no pretty speak
shays ATROCIOUS ASS WIG that thing looks like a lego piece on her head and them contacts and that dumb ass dress
that glass breaking as soon as the fire touches it
the pt 2 of the solution being so easy to find and maddy not stealing dr. cables interface ring
the body suit for the specials bc their body is what made them special not the suits
joey king breaking up peris and david's fights was giving the fighting from the kissing booth
peris dying ??!!(!(!(
maddy not RIGHTFULLY being mad at tally for destroying her home and getting her husband killed
croy all of a sudden being on tallys side 
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stinkytrashman · 21 days
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I've been seeing a lot of hate for dragons rising and the later seasons of ninjago and I have my thoughts. As usual. Im a very thought filled person. So I'm gonna tell you all my very correct and right opinion on the matter. Also it's very long be warned now 🧙‍♂️ (little recap at the very end in case you dont wanna read the whole thingg)
The later seasons of Lego ninjago and the entirety of Dragons Rising is not bad. It's just different.
The first season of lego ninjago came out in 2011.
The expectations for a kids show in 2011 are different than the expectations in 2024. The humor kids like is going to change naturally over the years. The tropes in media that kids like is going to change over the years.
We were the target audience when the show first came out, because we were kids. It's a show aimed for a younger audience. Unfortunately, the intended audience did not change as we got older. The show is still aimed at a younger audience, but guess what? There's new kids. The age range is filled with new people. And to still have their target audience hit, they are obviously going to have to change a few things so the kids nowadays will want to watch the show.
The original seasons had more focus on the character vs character conflics. Of course it dabbled in characters having internal struggles and side plots related to building/destroying relationships, but those were more episode specific and he newer seasons just delve more into it for multiple episodes. There was a focus on the fighting, on the action, on the cool outfits and mech armor. The new seasons are still fighting bad guys, with all of the cool effects, but also fighting feelings. You can do both at once. Shocker, I know. Why is there more focus on emotions? Because that's the standard in well written shows these days.
The humor is less characters making fun of eachother, and more a dead silence filled with a silly sound effect. This is one of the things that irked me, but it's okay. My humor is not the humor of the intended audience. The space is intended for the audience to have the audible laughter/reaction. Quick reminder who the show is intended for. (I hold up a sign saying "new generation of young people with different humor then people my age".)
The characters are not annoying. The characters are not weak, or pitiful, or embarrassing. A character having emotions other than love or anger or happiness is okay. Arin not feeling worthy enough for his team? Guess what? That's an emotion lots of people feel. This character is allowed to have self doubt. Lloyd having panic attacks from his visions? Hey, his visions scared him! Characters are allowed to be scared, and have a reaction to being scared.
Characters are allowed to be replaced. I know, I loved the original elemental masters, and wish they could come back for a cameo now and then. Would love to see Griffin Turner once and a while. But you have to remember in the canon, it's been years. Time passes. Wanna know what happens when time passes? People die, people move on, people come into others lives. The new elemental master of air is fine. She's allowed to exist. Do you honestly expect Morro to show back up and be like "omg hiii >< I'm here I want my power back !!" Be honest with yourselves.
Final thought: who cares if characters are gay. A background character wears a nonbinary flag on their jacket?!?!?!? It must be armageddon!! Come on now. One or two flags in the background isn't the end of the world. Cole and Geo's relationship has no effect on the main plot. Geo could be replaced by any character, or even removed, and the plot would still go forward. Gay people aren't out to get you, or turn your show woke, or indoctrinate your kids. They're just there. Cole is still Cole, and Geo is cool. Another thing about Geo: I will not take Geo slander from lava shippers. He is very sweet and kind and just because Cole is not with Kai doesn't mean yall should hate on him. Also I don't even think Cole and Geo are 100% confirmed. So why is everyone going bananas over it? Very silly behavior if you ask me.
That's all I have to say thank you for coming to my tedtalk 🧙‍♂️
Recap: the target audience is young people, young people are different now then when we were young, they have different humor, it's fine for characters to be emotional, new characters aren't the end of the world, gay people are fine.
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recreationalfanfics · 9 months
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Some Assassin's Creed x Genshin Brainrot I've been having:
1. A reader whose like Barbara. I have her and I would absolutely kill for her. Like, the reader is the daughter of a doctor who isn't necessarily an assassin but married one so they help when one of the assassin's get hurt and the reader sings as she works to help them and the assassin's can't help but smile. AND I MEAN THIS IN A PLATONIC WAY, LIKE, YOU ARE THE SAME AGE AS BARBARA but I just think it'd be a cute idea because you're a very good medic and doctor and the assassin's enjoy seeing you. Like if you're in Connor's time period, he will be silent as you sing but he does have the smallest smile on his face and if you ask him: "Are you feeling better, Mr. Ratonhnhaké:ton?" he's internally adopted you already- JACOB ABSOLUTELY ADORES YOU, the only child in London who HASN'T tried to rob him, and Evie definetly has a soft spot for you two. When you tell Evie that you really look up to her and that you want to be just as smart as her someday, she gets kinda shy and Jacob gets jealous BECAUSE WHY WOULD YOU WANT TO BE LIKE HER, HE'S SUPER COOL TOO- I can see some of the more crude assassin's trying to watch their language around you. EDWARD STRUGGLES SO HARD but he doesn't want to make you feel uncomfortable so he TRIES HIS BEST. Arno is very gentlemanly so if he's ranting to someone while you're fixing him up, he'll politely tell you to cover your ears. And so on and so forth-
2. Childe x Ratonhnhaké:ton! Reader. Like in the sense that the reader has his personality and beliefs. This dynamic would be interesting to me in the sense that Childe fights because the Abyss gave him that need but the reader would fight because it is their duty. Also because of the dynamic that'd they'd both be unhinged in their own way. Childe is more obviously unhinged but let's not forget that Ratonhnhaké:ton ran through a city that was being BOMBED just to get to the man who he was after. So let's say the reader's target is Childe and they just run through an entire army. Normal people would be terrified by that kind of persistence, especially if that person wants them dead, but Childe just having the biggest grin on his face because he might be in love- However, Childe also loving the kind and compassionate side of the reader and how that kindness and compassion never falters. Not to mention that he'd definetly admire how honest the reader is and like how the reader does have some sympathy for Childe and his childhood but how they can't let that sympathy distract them from doing what's right.
- OKAY SO YOU KNOW THOSE SAGAU GENSHIN STORIES? Maybe something like that where the reader is an ISU hybrid so they have the golden blood and skin markings that light up but because of how the ISU act in the Assassin's Creed verse, THEY ARE HELLA DISTRUSTING OF THE ARCHONS AND THE ARCHONS ARE SO HURT BC WHAT DID THEY DO-
- Just an Assassin's Creed reader in general somehow getting into the Genshin universe PURELY BECAUSE I think it would be funny how they would absolutely outclimb everyone. Like, I have a hard time with climbing in Genshin because I always forget the stamina bat but in AC, most of the game play is just climbing really tall things so the reader just escaping everyone by climbing taller than them. Or like, they're constantly found brooding on some sort of high ground. Also because imagine they get a vision and one of the characters is all: "Okay, now we'll teach you how to use Elemental Vision-" and the reader is all: "Oh, is it like Eagle vision?" and they're all: "Wtf is eagle vision-"
- THE ASSASSIN CREED READER HAVING AN EAGLE SIDEKICK, IDK, I JUST THINK THAT'D BE COOL.
- Diluc would actually be a good member of the Brotherhood, like, I don't have the creativity to write it but someone give that man a hidden blade.
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anistarrose · 2 years
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Hello, TOH fandom, I am here once again to talk about accessibility!
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[Image description: a screenshot of Lilith Clawthorne excitedly holding up a sign, which has been edited to read: "Image Descriptions for The Owl House (and why they matter)" in all caps. End description.]
Image descriptions, like the one I just used above, are exactly what it says on the tin: descriptions of the content of an image included to make the image maximally accessible.
Blind and low-vision people who use screen readers, people who rely on increased font size in-app or in-browser to read text, and neurodivergent people who have trouble interpreting elements of an image (for example, expression) all benefit from image descriptions.
And all images on the internet should be accessible regardless of topic, of course, but I've recently been trying to spread awareness in the context of The Owl House specifically because it's a show with multiple disabled and/or neurodivergent characters! In fact, Principal Bump is canonically low-vision with a service animal to help him in that regard — and I'd argue that making content about disabled characters accessible is extra, extra important!
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[Image description: a screenshot of Principal Bump with his palisman Frewin removed from his head, revealing the scars over Bump's eyes. Frewin is in staff form, smiling, and Eda looks on from the side. End description.]
I know it's within this fandom's ability to make our posts about the finale as accessible as possible — and I know that because I've already seen a decent increase in described posts over the course of Season 3! I've seen more artist-described posts especially, which means a lot to me, and even more to a lot of other people, too <3
So, on that note, how to write an image description? It may seem intimidating, especially if describing someone else's post or fanart, but honestly, there's no definitive "rubric" to follow, just a list of general guidelines:
Indicate where the description starts and ends, with "end description" or "end ID".
Place the description immediately under the image, not under a read-more (this allows people who rely on IDs to experience the post the same way anyone else would, whereas read-mores are inconvenient, especially if OP changes their URL)
Minimize caps lock, italics, bold, and strikethrough, which can be hard to read and/or troublesome for screen readers. Generally, it's just best to transcribe in lowercase without particular effects, then indicate in the transcription if something is emphasized.
Likewise, don't put descriptions in Tumblr's special small text. It's difficult to read and inaccessible to many.
Don't make jokes or add commentary in IDs. If an image is meant to be humorous, obviously it's fine to phrase things in a way that tries to capture that, but it's not the place to add your own jokes, nor is it the place to declare subjective qualities like "this art is beautiful".
Descriptions can vary in length, but if one is getting long (if you're describing a comic, for example), then be sure to break it up with paragraph breaks.
Specifically, while I've heard that too many breaks (ie, every sentence) are annoying for some screen readers, long walls of text are conversely difficult for people with visual processing problems to parse. So, it's good to strike a balance.
With regards to length and amount of detail, it varies by personal preference! Most images don't need a whole small essay, but there's also value in describing certain small and symbolic details, subjective as it is.
Speaking of which, if you're the original artist, then you are automatically the expert on what you wanted the image to convey — the nuances of expression and body language, which details are important and which details are not — and for that reason, I love seeing artist-described works!
Below the cut: more on describing Owl House images specifically, on IDs versus alt text, and other possible questions!
When I transcribe TOH related posts, there's a few other guidelines I use, though these rules aren't as immediately important as the ones above. I generally start by indicating the type of image we're dealing with (a screenshot? fanart? a photo of a cosplay?), then mention what characters are depicted.
Unless I'm describing something long, like a comic, and relying on summarization, I usually mention which character designs we're dealing with (is Lilith in her dramatic black dress from Season 1? or is she in her low-battery shirt?). If it's fanart and the artist has come up with original outfits to put the characters in, I'll summarize those too.
(This is the other reason I love seeing artist-described works: because I, personally, am just kinda bad at describing fashion lol.)
Now, I'd like to go over some other questions that I've either encountered before, or anticipate:
What about alt text? Doesn't that accomplish the same purpose as image descriptions?
In a lot of senses, yes, so alt text is certainly much, much better than no description! However, remember that not every person relying on descriptions is necessarily someone who uses a screen reader every day, or uses a screen reader period. Some people do in fact read the descriptions themselves.
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[Image description, identical to alt text: a screenshot of Luz Noceda from Season 2, smiling and blushing. End description.]
As you can see above, alt text takes an extra click (or tap) to access. In general, it's also prone to displaying walls of text, and — as far as I know — sometimes just doesn't show up if the Tumblr app isn't updated enough. (Not to mention that, in my opinion, making image descriptions visible to people who don't use them is an important part of spreading accessibility awareness in the first place!)
On the other hand, I've heard some people who benefit from descriptions say they actually prefer alt text, so I'm not going to come out and take a hard "absolutely no alt text ever under any circumstances" stance by any means. But, long story short, this is the reason that in my own posts, I almost always defer to in-post descriptions — the only exception might be if I'm writing a meta post, and functionally describing the images in the text anyway.
I've seen that sometimes you use [ ] brackets and sometimes you don't. Is there a reason?
Basically personal preference. I use brackets in posts like this when I have a lot of non-description writing, and want to make it extra clear where the description ends and the non-description begins. If I'm just captioning some fanart in a reblog and not adding any commentary, on the other hand, I leave off brackets because they're pretty redundant.
I'm nervous about describing images, but I still want to help make the fandom more accessible. Is there anything I can do?
Well, my first piece of advice would be to start small! Hell, start with just making sure you include a description whenever you post an image with just text, like a screenshot of a reply or someone's prev tags. You can build up little-by-little from there!
(My personal accessibility journey went from describing only tweet screenshots whose text I could just copy, to describing simple memes like cat pics, to deciding it was important to at least describe fanart of disabled characters like Eda, to finally describing almost every post I reblog. Trying to make that jump without any of the intermediate steps would've been overwhelming, but at this point, it all feels natural to me.)
But secondly, I would encourage showing some love to artists who describe their pieces! Queue up some described fanart, especially artist-described stuff, and help normalize it!
Get into the habit of checking the notes for descriptions (go to reblogs and filter by comments only) before you share! If someone describes your art, copy it into the original post, so the version of the thread reblogged directly from you will be accessible too! (And if you want to make some little tweaks, no one will be offended.)
You can also look into making your blog theme accessible, such as making sure the font size is large enough (and ideally sans serif, for readability). And if you feel more confident with describing audio, then writing transcripts of audio is always incredible as well, to help out those who are deaf, hard of hearing, or have auditory processing disorders!
I've heard that AI is able to describe images for screen readers pretty well these days. Are descriptions still important/going to remain important as the technology advances?
Well, let me say first that I'm very glad this technology exists, for sure! But I'm of the opinion that human described (and especially artist described) captions are, at least generally speaking, still going to be the gold standard for the foreseeable future — AI doesn't have the context we do for our art and our fandoms; it's much less likely than a fan of the show to pick up on what's an important or symbolic detail.
Are there actually people who need image descriptions in cartoon fandoms? I mean, the source material has such a visual component!
First off, blind and low vision people do in fact watch things like TV, movies, and plays — ever notice the "audio description" option to add narration to a given show in a streaming service? That's there to provide basically the real-time equivalent of image descriptions.
And, second, I'll leave you with this — don't you think a lot more disabled people would participate in fandom if fandom were more accessible and accommodating to disabled people in the first place?
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mermaid-trash · 1 year
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Hi! I’m crazy shy about this but I have a NSFW oneshot prompt with the archons (Ruka not Nahida for dendro obviously) but I only have ideas for the first three so I wanted to share it… please don’t hate me…
All vision holders suddenly went missing, on the same day Celestia informed the archons that they’re sending down a god whose been kept in captivity. Most archons wonder if the two events are related, many worry that this god is supposed to replace one of them.
1. Venti was told the god would travel to each nation, starting with Mondstadt. He hopes to endear himself to this new god in hopes they won’t kill and replace him. As he’s waiting at Stormbearer Point, cecilia petals fall from the sky and completely coat the ground. From the petals emerges a girl wearing a white frilly lace-covered corset romper whose hair ombrés into glowing pink. Her god name is Asmodeus, but goes by Y/N, she is the goddess of fertility. She’s nervous and asks to go somewhere more private where she tells Venti that Celestia sent her to complete a mission. The vision holders where kidnapped and murdered by the abyss, Celestia managed to obtain their souls and wants Y/N to birth new bodies for them… but they want to make them more powerful by infusing their bodies with the power of their element, however, this would require Y/N to procreate with each archon. Venti is disgusted by the idea, by Celestia, and is initially disgusted by Y/N until he discovers she is being forced, bound by celestial chains which get tighter and hotter the more she resists or is unsuccessful. Venti pities her and is very kind, comforting and gentle with the poor traumatized girl.
2. Venti informs Zhongli before Y/N shows up, Zhongli starts off very hesitant, but instincts take over and he gets a little… rough, when breeding her. Wholesome aftercare ensues.
3. Ei is also told ahead of time by Venti, and her genitalia changes upon meeting the goddess. This makes extremely uncomfortable and it takes her a bit to get into it, however, once Y/N has birthed new bodies and recreated all the electro vision holders, Ei kidnaps her and tries to force her to revive Makoto by birthing her a new body, however, Y/N refuses as it’s morally wrong and she doesn’t have access to Makoto’s soul.
That’s my only ideas for now, but Zhongli and Venti would have to save her and deliver her to Rukkhadevata, and Y/N would eventually have to go through all archons.
bestie I have been thinking about this ask for days now and I love it
Venti's relationship with Celestia is strained at the best of times, and he's furious that they would force someone into a situation like this, but after seeing how much pain his refusal is causing you, he changes his mind. He's careful and tender, all soft touches and gently rocking his hips against yours, kissing your tears away and whispering promises of safety into the crook of your neck. When he cums, the pain of the celestial chains subsides a little, and he helps you clean up with a sad smile.
Zhongli, on the other hand, whilst also being furious at Celestia, is a dragon who has been thrown a piece of meat, and it gets harder and harder for him to resist. Then, he finally snaps, and apologises profusely as he flips you onto your knees, lifting your ass in the air with ease and thrusting in as deep as he can go all at once. He's too far gone to control his movements, too eager to pump you full of his seed, but in the afterglow he makes sure to kiss your bruises and apologise for his loss of control.
And Ei....bestie I don't even know what to add, she's petty and possessive and maybe a little yandere here? And I'm so into it <3 I cannot write for female characters but I love your interpretation of her
thank you so much for putting this in my inbox ;;-;;
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aeroblossom · 10 months
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thoughts about rhinedottir, alchemy, albedo and so on
☆ i just remembered i made a post suggesting naberius as the third descender and was suddenly struck with the realization that rhinedottir was also called the flower not of this world. what does that mean. what did she do with him. did she kill and eat him and gain his otherworldlyness. no but really
> Neuvillette and the Traveler later speculated that elemental power might be intrinsic to Descenders, given that both the Gnoses and the Vision-less Traveler are imbued with said power.[5] If this is true, it would be expected that other Descenders would be able to wield elemental powers, as well.
☆ and if visions are smaller versions of gnoses, this only makes me think of how albedo, a creation of rhinedottir, is a vision wielder - but his vision is the smallest one in the game, implying he uses it very little compared to alchemy, and since he's made of chalk, the power of geo may be intrinsic to him. so if she was trying to recreate the primordial human, and descenders have intrinsic elemental power, and the first usurper aka the primordial one has all this "golden" aura associated with him...
☆ if the stages of alchemy in genshin are reversed. if remuria was able to attain the philosopher's stone. if everything was once made of gold... then azosite... could it be the philosopher's stone? the khaenriahn robots use it to function. remus employed the use of ichor with one other ingredient i'm forgetting to create the golden symphony.
☆ adding on that, the standard ruin guard model has always reminded me of talos, the first robot, an automaton made to guard an island. the fuel it ran on was called ichor, blood of the gods.
☆ i know the word petrichor refers to the smell of the earth after rain, but now... perhaps they used it for a different reason.
☆ i have forever been curious about the intention behind rhinedottir's name. the daughter of the rhine - the rhine river. a river. river... time flows in a river. the river between life and death. the starry band across the teyvat sky, that i always thought of as a river. obviously her name is derived from the wagner play, but why would the creator of (mostly) geo entities be associated with rivers?
☆ an idea i proposed a long time ago: albedo is the only character aside from obviously sus ones like gods and the traveler, whose fate mona doesn't read. his constellation is also the weirdest thing to be a constellation. remember that the people of teyvat do actually utilize these asterisms, and like in real life, most (aside from gods or godlike entities) are based on things found in life and nature. albedo's doesn't seem like something that could just naturally occur. albedo's constellation may be fake.
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greenreticule · 4 months
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There's this very adorable, nerdy through-line between "Cool As I Think I Am" and the reprise in Nerdy Prudes Must Die.
See, in "Cool As I Think I Am," we get this gem from Pete:
Princess Leia told me "I'd just as soon kiss a Wookiee"
This is obviously a Star Wars analogy (yes, Richie, calm down. Star Wars is good anime too. Watch some Visions, you'll see), specifically for Empire Strikes Back when Han tries to insist that Leia likes him and she snaps back with this line. And while there's no direct Star Wars analogy in "If I Loved You," the energy of that song is reminiscent of Leia insisting throughout all of Empire that no, she doesn't get excited by Han, no she doesn't like scoundrels, etc.
Personally, I don't enjoy this element of Empire, because it actively denies Leia her boundaries by allowing Han to ignore her "no" time and again. But the point remains for Nerdy Prudes: there is a repeated analogy between Han and Leia for Pete and Steph.
Side Note: We also get Ruth's reference about Pete being Steph's "only hope" and that is the first time we get a Star Wars comparison for their romance. However, that line is never applied to Han. That is directed at Obi-Wan and is witnessed by Luke. Han doesn't even know about any of this until he's on the Death Star. Honestly, when Richie chided Ruth for that reference, I first thought he was going for a "god, you're not shipping the siblings are you???" So I only partially count this towards repeated Han/Leia analogy.
Said analogy comes to its conclusion with "Cool As I Think I Am (Reprise)" delivering this:
[STEPH] If I really, really did love you You'd have to say [PETE] I know
If Steph (Leia) really did love Pete (Han), he'd have to say...
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This line is said by both Pete and Han as they think they are about to die. Furthermore, for this moment in Empire, Harrison Ford said he played it as Han giving Leia permission to move on after he dies. This is exactly what Pete says to Steph in "Cool As I Think I Am (Reprise)".
[PETE] Let me be cool this time Let me take the bullet Is it really a crime If you get to live your life to the fullest?
I think this genuinely adds to the musical. You don't need to catch the references for either character's arc or the music to work, but catching it does add a little more depth to that moment where Pete says "I know." It might not be the deepest of Star Wars cuts (wake me up when they make a Maz/Dex analogy), but the fact that it's specifically a nerdy reference falls right into the ethos of the play itself: that nerds have depths worth exploring.
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