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#I love story focus games and this is THE story focus game!!!
lgbtpopcult · 2 days
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What Should You be Watching Right Now Gay Girl?
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Affair The Series
Why? It's the story of the all-consuming love between two friends turned lovers. The love is passionate, and one was so obsessed to find the other she even married to get her to show up (she left the husband). She finally finds her and brings her to live with her to make sure she'll be all hers from now on. Go watch, I tell you.
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Chaser Game W
Why? Season 2 of this beautiful love story sees the two lovers reunite after last season's events. The boss that cane back to get revenge from the woman who left her but was actually still in love with her has turned into a love sick puppy the minute she found out the truth and you have to watch their sweet times.
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Agatha All Along
Why? A Disney+ show that turns Marvel characters into actual, canon gay for each other? Yes, it is happening and you should be watching it.
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The Loyal Pin
Why? If you like period pieces that focus on a lesbian romance you will love this, if you don't like period pieces you will love this. This gay Bridgerton uses the beautiful setting as decor while focusing 100% on its lesbian lovers who have all the tropes you love, jealousy, friends to lovers, secret affair etc. etc. What are you waiting for?
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Unlock Your Love
Why? The couple from the miniseries Lucky My Love is back and better than ever in this lighthearted romcom about a girl who has been hurt one too many times by love and has become an ice queen and the girl who conquers her heart.
Coming up soon?
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Arcane Season 2
Why? I can’t say much but here's what I'll say: our fave couple is canon.
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Pluto
Why? The much anticipated passionate, unpredictable love of the novel comes to life with a couple that has just amazing chemistry.
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From
Why? A supernatural show with a lesbian couple is always fun to watch.
Are you behind?
Series recently finished that you didn't watch? Go now!
The Secret of Us is the lesbian telenovela you always wanted, all the tropes, supercouple!
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Under the Bridge will scratch your mystery plus lesbians itch.
23.5 is the school girl romcom you need.
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ssa-dado · 2 days
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6 - Synthesis
Aaron Hotchner x bau!fem!reader
Genre: angst, fluff, slow burn
Summary: After an intense case, you and Hotch struggle with unresolved tensions from a previous argument. On the train back, Hotch overhears Peter comforting you about a recent tragedy, realizing he’s been blind to your pain. Later, Hotch unexpectedly shows up at your apartment, opening up and apologizing for his emotional distance, leading to a heartfelt moment of mutual vulnerability. That evening, you attend Peter’s welcome-back party, feeling lighter and reconnecting with the team. That's when Peter makes an unusual bet with you.
Warnings: death, grief, emotional abuse, domestic violence, family dysfunction.
Word Count: 7.6k
Dado's Corner: Phi posting two chapters in less than 12 hours? More likely than you think. I was supposed to wait until tomorrow, but I just couldn’t help myself. Thank you all so much for the love and support you’ve shown for the series so far! Each of you holds a special place in my cold little heart. Please don’t hate me after this - it hurts me, too - but hey, there’s some interrogation room Aaron to sweeten things up. I’m particularly proud of this cute, lovely chapter. It doesn’t make me want to jump out the window. Not even a little bit. Embrace the pain.
previous part ; masterlist
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Gideon smiled knowingly, his eyes shifting between you and Hotch. “Thesis, antithesis, and synthesis,” he mused, almost as if he were speaking to himself but loud enough for you to hear. “Funny how life always seems to come back to that, doesn’t it?”
The observation room was dimly lit, casting long, uneven shadows over you and Peter as you stood behind the two-way mirror, your heartbeat seemed to echo in the quiet, barely audible over the hum of the fluorescent light. You watched Hotch on the other side, preparing to interrogate the suspect, he appeared calm as usual, wearing his mask of stoicism proudly on his face, but you could tell the tension was palpable.
The room beyond the glass was stark, the suspect sat at the metal table gleaming under the harsh light with a smug expression, arms casually draped over the back of his chair, utterly unbothered. Te view was borderline infuriating.
The hair on your arms stood up, not just from the cold, but from the overwhelming sense of helplessness that had settled over the case. You couldn’t shake the nagging thought that you were grasping at straws, the weight of the local police’s blunders pressing heavily on your chest. They had fumbled, and badly. Critical evidence had slipped through their fingers, lost or contaminated in the chaos. You didn’t even want to hear the whole story—you were too furious, your senses shutting down as the same detective who had once doubted your work stumbled through a pathetic apology. All you had now was Hotch. No physical proof, no solid evidence to tie this man to the crimes you knew he’d committed.
Your gaze flicked back to the suspect, his arrogance nauseating. He knew the game, knew the system, and worse, he knew how to manipulate it to his advantage. There was a clock ticking in your mind, every second precious, the sense of urgency suffocating. If Hotch couldn’t break him - if he couldn’t find a way past the layers of lies and smug indifference - you’d lose him. You couldn’t afford that, not now.
Peter’s jaw clenched as he observed the scene, his frustration evident. “This was a mistake,” he muttered, running a hand through his hair. “We warned them not to bring him in without something solid. Now we’re stuck trying to clean up their mess.”
You nodded, your mind still reeling from the argument with Hotch the night before, as if all of this mess wasn’t already enough for your nerves to handle. The tension between you two had lingered, unresolved and heavy, adding another layer to your frustration. You tried to shake it off, but it clung to you, making it even harder to focus. “Yeah, and now Hotch has to pull off a miracle,” you said, your voice tinged with both a tinge of annoyance and worry. “He’s got one shot to get this right.”
Peter turned his attention back to the interrogation room, his eyes narrowing as Hotch sat across from the suspect. “If anyone can do it, it’s him. I’ve seen Hotch work multiple times, and somehow he even looks sharper, more intense.”
Inside the room, Hotch began his interrogation with a measured calm, his eyes locked on the suspect, who lounged back in his chair, exuding a quiet confidence. Hotch started with the basics, the routine questions meant to establish rapport, but the suspect was playing his own game, answering with a smug smile and evasive nonchalance.
Hotch leaned back, crossing his arms as he observed the suspect’s every move, every twitch. “You’ve been careful,” Hotch said, his voice steady but probing. “I’ll give you that. You’ve covered your tracks well. But you slipped up, everyone makes mistakes, especially when they think they’re untouchable.”
The suspect smirked, feigning boredom. “You’re wasting your breath, Agent Hotchner. You and I both know you have nothing on me - no evidence, no witnesses. You’re grasping at straws.”
Hotch’s gaze remained unflinching, but you could see the subtle shift in his demeanor, the way he leaned in just slightly, narrowing the space between the two of them. “You’re right, we don’t have physical evidence, but we do have you, and that’s enough. Because here’s the thing - you’re not as smart as you think you are. You’ve made this personal, and personal is messy.”
The suspect chuckled, tapping his fingers lightly on the table as if this were a game to him. “Oh, please. I’ve seen every tactic in the book, and I’ve got an answer for all of them. You can’t intimidate me, Hotchner. I know my rights. You’ve got nothing.”
Hotch’s expression remained stoic, but there was a flash of determination in his eyes. “You think this is about intimidation? You’re missing the point. This isn’t about fear, it’s about you and the mistakes you’ve made. You’ve left a trail, little hints of who you really are. You think you’ve hidden them, but they’re there, buried in the details.”
The suspect’s confident facade faltered for just a second, but he quickly recovered, scoffing. “You’re reaching. This isn’t some TV show where the bad guy breaks down in a dramatic confession. I’m not saying a damn thing without my lawyer.”
Hotch’s demeanor shifted, a cold, calculating edge creeping into his voice. “Your lawyer? You think your lawyer’s going to save you? They’ll do their job, make sure you’re comfortable, make sure you feel safe. But at the end of the day, they’re not in here with you, they’re not the ones facing the consequences of your actions - you are. And you’ve got no one to blame but yourself.”
From the other side of the glass, you watched Hotch methodically chip away at the suspect’s arrogance. Each line of questioning was a carefully placed strike, designed to weaken his resolve, but the suspect wasn’t giving in easily. He deflected, twisted Hotch’s words, and tried to turn the conversation back on him.
“You think you’re so righteous, don’t you?” the suspect sneered, leaning forward with a glint of disdain in his eyes. “Sitting there, acting like you’ve got the moral high ground. You don’t know me, Agent Hotchner. You don’t know a damn thing about what I’ve been through, the people I’ve dealt with - you think you’re better than me?”
Hotch didn’t flinch even if the last words reminded him of the argument he had with you down at the lobby. “No, I don’t think I’m better than you, but I do know who you are. You’re the guy who blames everyone else when things go wrong, the guy who hides behind his intellect because he’s too scared to admit he’s just another coward trying to prove he’s not afraid. But guess what? That act doesn’t work on me.”
The suspect’s composure slipped, his anger flaring as Hotch hit a nerve. “You don’t get to judge me! You sit there like you’re some kind of saint, but you’re just as flawed as the rest of us. You have no right—”
Hotch cut him off sharply, his voice cold and unyielding. “You’re right. I’m not perfect. I’ve made my mistakes, and I own them. But I’m not the one hiding behind excuses, you are. You’re the one who thinks he can play God, decide who deserves to live or die based on your twisted sense of justice. But here’s the thing: you’re not in control, not anymore.”
From the observation room, you felt your chest tighten. Hotch was relentless, pushing the suspect further than you’d ever seen him push anyone before. It was as if he’d tapped into something raw and unforgiving, something that drove him to keep going, to tear down every last defense the suspect had.
Peter glanced at you, his brow furrowing. “I’ve never seen him go this hard. It’s like he’s on a mission.”
You nodded, the tension from last night’s argument still simmering inside you. You knew why Hotch was pushing himself like this: because of you, because of the unresolved words between you, and because he needed to prove something, maybe even to himself. “He’s not going to stop until he gets what he wants.”
Inside the room, the suspect’s attitude was crumbling. Hotch leaned in closer, his voice dropping to a near whisper, laced with a quiet menace. “You think you’re untouchable, that you’ve covered all your bases. But I’ve spent years in courtrooms taking down men just like you, men who thought they were too smart to get caught. I know every trick, every lie, every pathetic attempt to weasel your way out of the truth.”
The suspect’s face tightened, his hands clenching into fists as he tried to maintain control. But Hotch was unrelenting, his gaze piercing through every layer of the man’s defenses. “You don’t want to admit it, but you’re scared, I can see it in your eyes. You’re terrified that the truth is going to come out, that all your carefully crafted lies are going to fall apart right in front of you - so, here’s your last chance. Tell me the truth. Tell me why you did it.”
There was a beat of silence, a heavy pause as the suspect’s composure finally shattered. His shoulders slumped, his defiance giving way to resignation. He looked up at Hotch, defeated and angry, his voice breaking as he finally confessed, each word a bitter surrender. “Fine. Fine, you want the truth? I did it. I killed them. But you have no idea why. You don’t know what it’s like to be powerless.”
“No you’re right, I don’t.” Hotch sat back, a flicker of triumph in his eyes, though his expression remained guarded: he had what he needed. The confession was out, raw and unfiltered, pulled from the depths of the suspect’s desperation.
Peter let out a low whistle, still reeling from what he’d witnessed. “That was... intense. I’ve never seen Hotch like that, he’s kind of intimidating.”
You nodded in agreement, your gaze still fixed on Hotch as he calmly gathered his notes, preparing to leave the room. You could see the toll it had taken on him, the emotional weight he carried even as he walked out victorious, and as much as you wanted to celebrate the success, the confrontation from the night before still lingered, leaving you with the unsettling realization that this fight wasn’t just with the suspect - it was within Hotch himself.
When Hotch stepped out of the interrogation room, the tension in his posture seemed to ease, but only slightly. His face was set in its usual mask of calm control, yet there was a heaviness in his eyes, a flicker of something raw that he couldn’t quite hide. Peter clapped him on the back, a mix of admiration and relief in his expression. “Hell of a job, Hotch. You tore him apart. I’ve seen you work, but that was something else entirely.”
Hotch gave a tight nod, his jaw still clenched, but his gaze was already shifting past Peter, landing on you. His eyes were searching, almost like he was trying to gauge your reaction, seeking some unspoken acknowledgment from you. “Thanks,” he said, his voice measured but tinged with exhaustion. “It had to be done.”
You stood there with your arms crossed, leaning against the wall, trying to maintain a composed exterior, but inside, you were anything but calm. Watching Hotch in that room, ruthlessly tearing down the suspect’s defenses, stirred something deep within you. It was impressive, yes, but also unsettling. You had never seen him so relentless, so driven - and you knew exactly what was fueling his determination.
As Hotch’s gaze lingered on you, there was a silent understanding between you, a shared acknowledgment of the emotional battlefield you both were navigating. The words from your argument the night before still echoed in your mind, sharp and unresolved, like an open wound that hadn’t had the chance to heal. The case had forced you both to set your personal issues aside, but now, in the aftermath, they were still there, hovering between you like a shadow neither of you could ignore.
Peter glanced between the two of you, sensing the charged atmosphere but choosing not to comment. He knew better than to pry, but even he could tell that whatever was going on between you and Hotch went deeper than the usual tension of a difficult case. “We got what we needed,” Peter said, trying to break the silence. “That’s what matters. Now we can finally put this bastard away.”
Hotch nodded, but his eyes never left yours, and in that moment, it felt like the rest of the room had faded away. It was just the two of you, caught in a silent standoff where neither of you knew how to take the next step. You wanted to say something, anything that would bridge the gap that had formed between you, but the words caught in your throat, tangled with the emotions you’d been trying so hard to keep in check.
The triumph of the confession felt hollow against the weight of what was still left unsaid. You and Hotch had always been able to read each other, but now, standing on opposite sides of this unspoken rift, it was as if the connection you’d relied on had fractured. There was so much you wanted to ask him: why he’d pushed so hard, why he seemed so desperate to prove something today, and why he couldn’t let his guard down, even for a moment. But instead, you just nodded, swallowing back the questions that burned at the back of your throat. “You did what you had to do,” you said, trying to keep your voice steady, though it wavered slightly. “Good work, Hotch.”
Hotch’s gaze softened for a brief second, a flicker of regret or maybe gratitude crossing his features, but it was gone as quickly as it had appeared. “Thanks,” he replied, his voice lower, more personal than before. “We all did.”Peter’s presence was a reminder that you weren’t alone, but it didn’t ease the tension that thrummed between you and Hotch. As Hotch turned to leave, the weight of your argument still hung heavy, unresolved, and painful. You watched him go, the distance between you feeling wider than ever, despite being just a few feet apart.
And as you stood there, with Peter by your side and the echo of Hotch’s footsteps fading down the corridor, you realized that the hardest part of this case wasn’t just about catching a killer, it was about facing the fractures in your own relationships, the ones that no amount of profiling or interrogation could ever fix.
The rhythmic clatter of the train wheels against the tracks was a dull, constant noise that filled the otherwise quiet cabin. You sat alone, your head down and your pen moving steadily across the paper as you filled out your case report. It was a task you’d thrown yourself into, your way of avoiding the one thing you weren’t ready to confront: Hotch.
Hotch sat a few rows behind you, his back to you, mirroring your actions as he worked on his own report with a similar intensity. It was almost poetic how the two of you were so much alike: both of you throwing yourselves into your work to avoid the harder truths, and neither willing to make the first move toward reconciliation.
As you focused on your writing, you heard footsteps approach. You didn’t need to look up to know it was Peter; you’d recognized the casual confidence in his stride from a mile away. He slid into the seat beside you without asking, his presence a familiar and oddly comforting interruption.
Peter glanced at your half-filled report, a faint smile tugging at his lips. “You never could sit still, could you?” he said, his voice soft but laced with a hint of fondness. “Always working, always thinking.”
You tried to muster a smile, but it didn’t quite reach your eyes. “Just trying to get this done before we get back,” you said, your tone evasive. You knew why he’d come over, and you weren’t sure you were ready for the conversation you’d been avoiding since you’d seen him again.
Peter watched you for a moment, his expression shifting from casual to serious. He took a deep breath, glancing at the report before returning his gaze to you. “Y/N,” he began, his voice quieter now, “I’ve been wanting to tell you this since I got back, but I didn’t want to bring it up while we were in the middle of the case.”
You stiffened, knowing exactly what he was going to say but hoping he wouldn’t.
“I’m sorry I couldn’t be there for your dad’s funeral,” Peter said, his voice heavy with regret. “I wanted to be, but I was stuck overseas. I hate that I wasn’t there.”
You clenched your jaw, staring down at the paper in front of you, your pen hovering uselessly above the page. The memories of that day flooded backstanding at the grave, the heavy weight of loss pressing down on your chest, and the overwhelming feeling of being completely and utterly alone. You’d been surrounded by people, but none of them had truly understood, none of them had been him.
“It’s fine, Pete,” you said, though your voice was shaky. “You were doing your job. Besides, it’s not like it would’ve changed anything.”
Peter shook his head, frustration flickering in his eyes. “No, it’s not okay. You were always there for me, even when we were just kids trying to figure out what the hell we were doing with our lives. And I couldn’t even show up when you needed me the most.”
Peter studied you, his eyes searching yours. He could see the cracks you were trying so desperately to hide, the way you were holding yourself together with sheer willpower. “I should have been there,” he insisted gently. “I know how much you went through with him… I remember everything you told me about him.”
A knot formed in your throat as you thought back to your childhood, your father’s relentless work ethic, his unyielding drive for perfection. He had been your hero in so many ways, but he’d also been your downfall. You’d inherited his toxic trait of overworking yourself, the constant need to be better, to be more. It was how you’d coped with the chaos at home, the screaming matches between your parents that had been your daily soundtrack. Your mother, exasperated and exhausted, would often switch languages mid-argument to keep you in the dark, to protect you - or maybe just to exclude you - from the mess they had created.
“I was just a kid, you know?” you said quietly, your voice tinged with bitterness. “All I wanted was to understand why they were always fighting. I started learning every language my mom switched to, Italian, Spanish, anything that would give me a clue, but instead of finding answers, I just… found more reasons to stay away.”
Peter’s eyes softened, a flicker of pain crossing his features as he listened. “You drowned yourself in books, in knowledge, just to escape,” he said, his voice low. “I remember you telling me that once, how you’d sit in those lecture halls at the university, absorbing everything because it was better than being home.”
Your childhood had been filled their voices rising in heated exchanges that always seemed to end in silence, your father retreating to his study to bury himself in more work, and your mother seeking solace in her books. To escape the turbulence at home, you’d thrown yourself into your studies with a fervor that bordered on obsession. You’d devoured literature, philosophy, psychology, anything that could distract you from the reality of your parents’ failing marriage, to gain a semblance of control in a world that often felt chaotic and out of reach.
You had become fluent in the languages they used to hide their pain from you, and in doing so, you became fluent in the art of distancing yourself from your own emotions. The habit of overworking, of pouring yourself into every task with unrelenting focus, was something you had learned from your father, a toxic legacy that you couldn’t quite shake, even now. It had been the source of countless arguments with your mother, who had begged you not to follow in his footsteps, to find balance, to live a life that wasn’t dictated by the demands of work. But it was easier said than done, and as the years went on, you found yourself mirroring his habits more than you cared to admit.
You nodded, swallowing hard against the emotion that threatened to choke you. “I kept pushing myself, kept chasing after something I couldn’t even name. My dad… he always told me that hard work was the only thing that mattered, he never slowed down, never stopped, and neither did I. Even when their marriage fell apart… even when he got sick. I just… I couldn’t stop.”
You hesitated, your eyes welling up with tears that you refused to let fall. “I didn’t even cry at his funeral, I just stood there, feeling nothing. And I haven’t been to visit his grave since.”
Peter gently reached out, guiding your head to rest on his shoulder, tightly hugging you. “It’s okay not to be okay, Y/N,” he murmured. “You don’t have to carry this all on your own. The least I can do is be the shoulder you can lean on.” Peter squeezed your shoulder gently, his eyes filled with compassion. “Your dad was tough, but he loved you, Y/N. And you don’t have to prove anything to him, not anymore. You’re allowed to grieve, to feel lost, to not have all the answers.”
You nodded, blinking back the tears that threatened to spill. “I know. But sometimes it’s hard to remember that.”
Hotch sat just behind you, his back facing yours, he had intended to keep to himself, to give you the space you needed, but the quiet murmurs of your conversation had carried over. He couldn’t help but overhear Peter’s words, and as he listened, a wave of guilt and realization washed over him.
Hotch had always prided himself on his ability to read people, to see through the masks they wore, but he hadn’t seen through yours. He hadn’t seen the pain you’d been hiding, the grief that had been eating away at you just beneath a slim surface. And suddenly, your words from the night before came crashing back: how he didn’t know you, how he’d never bothered to look beyond the professional facade you’d built.
His own mind flickered back to his childhood, the memories of his father’s anger, the violence that lurked behind every door. Hotch had spent years burying and hiding those scars, never letting anyone see how deeply they ran. He had kept it all locked away, just as you had, believing that the only way to survive was to keep moving, to never let the pain catch up.
For the first time, Hotch truly understood why you had lashed out at him. You had seen in him the very thing you feared in yourself: the relentless drive to work, to control, to avoid facing the hurt that lingered beneath. He realized now that you were so much more alike than he had ever imagined, both of you haunted by the ghosts of your pasts, both trying to outrun the pain that always seemed to catch up.
As Hotch stared out the window at the passing scenery, he felt a deep sense of remorse. He wished he had known, wished he had been able to offer you the support you so clearly needed. But all he could do now was hope that you would one day trust him enough to let him in, to share the burdens you had been carrying alone for far too long.
Peter’s voice broke the silence, pulling Hotch from his thoughts. “You’re stronger than you give yourself credit for, you know that? But it’s okay to let someone else be strong for you, too.”
You nodded, wiping away the tears that had finally escaped. “Thanks, Pete. It’s just… it’s hard.”
“I know,” Peter said softly. “But you don’t have to go through it alone.”
Hotch listened to the quiet exchange, the raw honesty between you and Peter striking a chord deep within him. He knew now that he couldn’t keep pretending that everything was fine, that the walls he had built were enough to protect him or you. As the train sped toward Quantico, Hotch made a silent promise to himself: he would do better, he would be better. For you, and for himself.
Because in the end, you both deserved more than just the comfort of solitude. You deserved to be understood, to be seen, and to finally let go of the burdens you had carried for far too long.
Peter on the other hand had always been the kind of friend who could read you like a book, even when you tried to keep the pages closed. And after this emotional confrontation he knew he didn’t have to push further. He could see the exhaustion in your eyes, the way you were holding yourself together by the thinnest thread. So, he did what he always did best, he tried to lift your spirits, if only for a moment.
He leaned back in his seat, studying your expression with a knowing smile. “You know, Y/N, you don’t have to unload everything on me right now. You’re allowed to keep some things to yourself. You don’t owe anyone your pain.” His tone was light, but there was a deep, unspoken understanding beneath it. He knew you were struggling, and he wanted you to know that it was okay to take your time.
You gave him a small, tired smile, grateful for his patience. “I know, Pete. It’s just... hard to talk about. I’ve been so focused on work, it’s easier that way. It’s all I know.”
Peter nodded, his eyes softening with empathy. “I get it. But maybe it’s time to leave work behind, just for a little while. You don’t have to think about everything right now. Start small. Maybe try coming out of your room every once in a while?” He said it with a teasing grin, nudging your shoulder playfully, hoping to coax even the smallest laugh out of you.
You couldn’t help but chuckle, shaking your head at his attempt to lighten the mood. “I know, I’ve been a bit of a hermit lately. I guess it’s easier to just shut myself away.”
Peter’s smile widened, and he leaned closer, his voice dropping to a conspiratorial whisper. “Well, lucky for you, your presence is strictly required at my welcome-back party tonight. The team’s putting it together, and you have no excuses not to come. I already told them you’d be there.”
You groaned, though there was no real annoyance behind it. “Seriously? Peter, I don’t know if I’m up for-”
He cut you off, holding up a hand. “Ah-ah, no excuses. We’ll be back by early afternoon, you’ll have plenty of time to rest, take a shower, and then you’re going to show up and have a good time, even if I have to drag you there myself.”
You rolled your eyes, but his enthusiasm was infectious. There was a warmth in his insistence, a reminder that you weren’t alone and that there was still joy to be found, even in the smallest of moments. “Fine, fine. I’ll be there. But only because you’re the most obnoxiously persistent person I know.”
Peter laughed, giving you a mock bow from his seat. “I’ll take that as a compliment. But seriously, Y/N, it’ll be good to see you outside of the office for once. We all miss you, and I promise, you’ll be glad you came.”
You nodded, feeling a small flicker of anticipation amidst the exhaustion. For the first time in a while, you allowed yourself to look forward to something that wasn’t work, something that didn’t involve endless reports or painful memories. It wasn’t a solution to all your problems, but it was a start—a chance to reconnect with the people who mattered, to take a breath and remember that there was more to life than the shadows that had been chasing you.
As you looked at Peter, his familiar smile reminding you of all the good things you’d shared over the years, you felt a small surge of hope. Maybe tonight wouldn’t be so bad after all.
The train ride back to Quantico had felt endless, but the weight of the unresolved emotions made the journey back to your apartment even more suffocating. Peter’s words lingered, tugging at wounds you hadn’t dared to touch, and Hotch’s distant presence weighed heavily on your mind. The familiar solitude of your apartment was supposed to be comforting, but tonight, it felt more like a reminder of all the things you’d been running from: your grief, your past, and the fragile, fraying connection with the person who had come to mean so much to you.
You dropped your bag onto the floor, letting it fall with a thud that echoed through the empty space. You leaned against the kitchen counter, feeling the cool surface against your palms as you tried to ground yourself. You wanted to cry, but the tears wouldn’t come. It was as if you’d locked them away, buried them beneath layers of duty and distraction.
But then there was a knock at your door, soft and tentative, almost like the person on the other side wasn’t sure they should be there. You hesitated, wiping at your eyes quickly as if to compose yourself, and moved to answer. You half-expected to find Peter, still worried about you after the train ride, or maybe even no one at all, just a mistake. But when you opened the door, it was Hotch who stood before you.
He looked different, more vulnerable and uncertain than you had ever seen him. His usually composed demeanor was frayed, and there was a rawness in his eyes that spoke of sleepless nights and heavy burdens. He stood there awkwardly, clutching the doorframe as if it were the only thing keeping him upright, his face etched with a mixture of hesitation and determination.
For a moment, neither of you spoke, the weight of everything unsaid hanging between you like a fragile thread, one wrong move away from snapping. Hotch looked down, swallowing hard as if searching for the right words. He wasn’t in his usual pristine suit but rather dressed in a simple shirt and jeans, his attire as out of place as the uncertainty written across his face.
“Hotch?” you asked, your voice barely a whisper, tinged with both surprise and concern. “What are you doing here?”
He didn’t answer right away. Instead, he just looked at you, as if he was struggling to find the right words, struggling to let down the walls he had spent a lifetime building. He stepped inside, and you quietly closed the door behind him, your heart pounding as you waited for him to speak. He took a few slow steps into the living room, glancing around as if trying to ground himself in the unfamiliar space.
“I’m sorry,” he finally said, his voice strained and brittle, every word heavy with unspoken pain. “I know this isn’t… I shouldn’t have just shown up like this, but I needed to talk to you. About… about what you said last night, and today on the train. I’m sorry, I didn’t mean to overhear your conversation with Peter.”
This wasn’t the composed, confident man you knew at work, this was Aaron, someone you never got to see, someone who was barely holding it together. “ You were right, Y/N. You were right about everything.”
You stood there, frozen, as his words hit you like a wave. You had never heard Hotch sound so vulnerable, so broken. He was always the strong one, the unshakable agent who never let his guard down, but tonight, he was just Aaron, and he was struggling.
“I’ve spent my whole life trying to keep things separate,” he began, his voice trembling. “I thought if I could just focus on the work, I could ignore everything else—everything that hurt, everything that felt out of my control. But I can’t keep doing that. It’s not who I am, and it’s not who I want to be anymore.”
Hotch’s hands shook as he tried to steady himself, his eyes brimming with emotions he had kept buried for so long. “My father... he was abusive. He was cruel in ways that I can’t even put into words. He’d tear me apart with his words, his fists, anything to remind me that I was never good enough. I grew up in a house that felt more like a battlefield than a home, where silence was never safe and every day was just another fight to survive.”
His voice cracked, and you could see the weight of those memories in his eyes: the fear, the shame, the endless need to be perfect because nothing less would ever be enough for a man who thrived on control. “I tried so hard to protect my mom, my brother, but I was just a kid. There were nights when I’d lie awake, praying he’d leave us alone, praying I’d be strong enough to make it stop. But it never did. And I swore that when I grew up, I’d never be like him. I’d never let anyone see that weakness.”
You listened, your own tears finally breaking free as his pain washed over you. You had never imagined Hotch’s past had been so brutal, so deeply scarred by violence and fear. He had always seemed so put together, so composed, but now, you could see just how much he had been hiding, how much he had been carrying all this time.
“I thought if I kept that part of myself locked away, I’d be able to move on. I thought… I thought if I became Hotch, the profiler, that it would erase all the things he said I’d never be. But it’s just made me more closed off, more afraid to let anyone in. And I’ve been doing it for so long, I don’t even know how to stop.”
He looked at you, his eyes glassy with unshed tears, and you could see the desperation there - the plea for understanding, for forgiveness, for something he couldn’t quite name. “I don’t know how to let people in, Y/N. I don’t know how to not be this… this guarded version of myself. But if I’m going to try, if I’m going to let anyone see me, I want it to be you. Because you were right when you said I don’t know you, but I want to. And you deserve to know me, too—the real me.”
The vulnerability in his voice shattered something inside you, and without thinking, you closed the distance between you and pulled him into a tight, desperate hug. Hotch tensed at first, unaccustomed to such unguarded intimacy, but then his arms wrapped around you, and you could feel him finally letting go. His head bowed against your shoulder, and his entire frame shook with the silent sobs he’d been holding back for too long.
You clung to him, your own tears mingling with his, and in that moment, it felt like the dam you’d both been holding back had finally broken. You were no longer the stoic agents who always had the answers, always kept it together. You were just two people, scarred and hurting, trying to find solace in the only way you knew how: by holding on to each other.
Hotch’s hand moved to the back of your head, his fingers tangling gently in your hair as he held you closer, as if you were the lifeline he had been searching for. He whispered apologies between his tears, his voice cracking with the weight of his regrets. “I’m sorry… I’m so sorry… I didn’t see it. I didn’t see you.”
You shook your head, burying your face into his neck, your tears soaking through his t-shirt as you let out all the grief you’d kept buried: the loss of your father, the unresolved pain of your parents’ broken marriage, the way you had thrown yourself into work to keep from falling apart. You had been running for so long, hiding behind your accomplishments, just like him.
“No, I’m the one who’s sorry, Aaron,” you whispered through your tears, the use of his first name slipping out naturally in this moment of raw honesty. “I had no idea. I was so angry, and I—”
He shook his head, his voice soft but firm as he whispered back, “You don’t have to apologize. You were right… about all of it. I needed to hear it. I needed to face it.”
The two of you stood there for what felt like an eternity, wrapped up in each other’s pain and understanding, the weight of your shared burdens finally feeling just a little bit lighter. There were no perfect words, no easy fixes, but in that embrace, you found something neither of you had expected—comfort, solace, and the beginning of a new kind of trust.
“It’s okay,” you whispered through your tears, clutching him tighter. “You’re here now. That’s all that matters.”
For the first time, it felt like you were truly seen, truly understood, and the relief of it was overwhelming. You didn’t have to pretend anymore, didn’t have to be strong or perfect or put together. You could just be, and he could just be, and that was enough.
Hotch pulled back slightly, your eyes finally met, both of you still teary but no longer hiding. There was a silent understanding there, a promise that from now on, things would be different. “No more walls. No more hiding.” He murmured, his voice shaky but filled with a quiet determination.
You nodded, and for the first time in a long time, you believed it. You didn’t know what the future would hold, but as you held each other in that quiet, tear-stained moment, you knew that you weren’t alone anymore. You had each other, and that was a start. It was messy, and it was painful, but it was real. And in that, you found hope - hope that maybe, together, you could begin to heal. You weren’t just partners in the professional sense anymore; you were something more—two people learning to let each other in, to lean on each other’s strength when your own wasn’t enough. And in that simple, fragile moment, you both knew that whatever came next, you wouldn’t have to face it alone, that your new friend would be right there at your side.
The evening had settled over the city, and the Irish pub next to your apartment block was buzzing with energy. For the first time in what felt like forever, you allowed yourself to feel a glimmer of lightness, excitement bubbling at the thought of spending time with Hotch, Peter, and the rest of your colleagues from the BAU. After everything that had happened, the weight of unresolved emotions had eased, if only slightly, and you found yourself looking forward to reconnecting with your team outside the pressures of the job.
Earlier that afternoon, you’d stopped by a bookstore, the small shop tucked between a row of cafes and boutique stores you often passed but rarely visited. As you browsed the shelves, your eyes fell on a book titled "Hegel for Dummies." It was a perfect, lighthearted gesture, a small symbol of your newfound friendship with Hotch, and a callback to the night you’d spent poring over Frank Lloyd Wright’s designs at the library. You thought that maybe, after his recent dive into architecture, he might take an interest in philosophy too, especially Hegel, one of your favorites. The book felt like a tiny olive branch, a way of letting him into your world a little more, just as he had let you into his the night before.
You imagined him reading it, piecing together Hegel’s ideas on thesis, antithesis, and synthesis, and maybe learning something about you in the process. And who knew? Maybe one day, if you were lucky, he’d hand you one of his favorite books, offering you another glimpse into the parts of himself he rarely showed.
When you walked into the pub, the warm light and chatter were an immediate comfort. You spotted your team at a long wooden table near the back, and to your surprise, you saw Gideon sitting there, crutches leaned against the wall, his leg injury having kept him out of the latest case. Rossi was beside him, the two of them looking as inseparable as ever, trading stories and laughs over pints of beer. It was a sight that immediately lifted your spirits.
“Look who finally made it!” Rossi called out, waving you over. “Come on, we saved you a seat.”
You grinned, making your way through the crowd. “Rossi, Gideon, you two didn’t tell me you’d be here.”
Gideon leaned back, a mischievous glint in his eye. “Well, you didn’t think we’d miss the party, did you? Besides, someone has to make sure Peter doesn’t get too full of himself.”
Peter shot you a wink, raising his glass in greeting. “They’re just here to bask in my glory, Y/N. But don’t let them fool you, they’ve been talking about you all night.”
You rolled your eyes, laughing as you took a seat between Gideon and Peter. “I’m sure they have. So, what did I miss?”
Before anyone could answer, Hotch walked in, his presence as commanding as ever, though there was a new softness in his eyes when he spotted you. You exchanged a smile, a silent acknowledgment of the night before, and of the steps you were both taking toward something new, something vulnerable.
“Hotch!” Rossi greeted, patting the empty seat beside him. “Come sit, we’re debating where Peter’s new desk should be. Since Y/N’s parked herself at his old one, we might need to reshuffle the whole bullpen.”
Hotch took his seat, glancing at you with a teasing smile. “I think she’s gotten too comfortable. I doubt she’s giving it up.”
Peter leaned in closer to you, his voice low and conspiratorial whispering into your ear “Wanna make a bet?” he asked, his eyes twinkling with mischief. “See that woman behind Hotch’s shoulder? If she doesn’t come talk to him, you get to keep your desk.”
You eyed the woman briefly, noticing her casual yet elegant demeanor, but she seemed engrossed in her own conversation. Hotch was engaged in a discussion with Rossi, showing no sign of noticing her. You were confident this would be an easy win, especially given Hotch’s typically reserved nature. “Alright,” you said, turning back to Peter. “And what do you get if you win?”
Peter’s grin widened, the playful edge in his voice unmistakable. “A date. With you.”
The unexpected proposition caught you off guard, and for a moment, you felt your cheeks warm. You glanced at him, trying to gauge if he was serious, but his expression remained light, teasing. You brushed it off with a laugh, pretending he was just messing with you. “Okay, you’re on.”
But no sooner had you accepted the bet than the woman, as if she had somehow overheard your conversation, moved toward Hotch with an expression of surprise. You watched in stunned silence as she approached, her voice soft and familiar. “Aaron? What were the odds?”
Your heart sank as Hotch’s face lit up, a rare and genuine smile crossing his features, his cheeks flushed slightly, and there was a familiarity between them that made your chest tighten. You felt Peter nudge you, his voice breaking through the shock. “Looks like you owe me a date.”
You barely registered his words, too fixated on the interaction unfolding in front of you. Hotch returned to the table with the woman by his side, her presence seeming to fill the room in a way that made you feel suddenly small and out of place. Hotch’s voice cut through the noise, introducing her with a casualness that belied the weight of the moment. “Everyone, this is Haley.”
You barely managed to hold your composure, the pieces of this unexpected puzzle falling into place as you processed Hotch’s flushed expression and the warmth in his eyes when he looked at her. This wasn’t just anyone, this was someone from his past, someone who clearly was very close and definitely had shared some sort of romantic history with him. The bitter thoughts stung more than you wanted to admit.
Before you could say anything, Gideon, ever the observant one, leaned over, catching sight of the corner of a book sticking out of your open purse. “Hegel for Dummies?” he asked with a raised eyebrow, amusement flickering in his voice as he picked it up to inspect.
You nodded, still too stunned to fully engage, your mind elsewhere. “Yeah. It’s… it’s just a little joke,” you managed, though the words felt hollow in the moment.
Gideon smiled knowingly, his eyes shifting between you and Hotch. “Thesis, antithesis, and synthesis,” he mused, almost as if he were speaking to himself but loud enough for you to hear. “Funny how life always seems to come back to that, doesn’t it?”
The words hung heavy in the air, and as you sat there, watching Hotch interact with Haley, you couldn’t help but feel the truth in them. Life was messy, a constant push and pull of opposing forces, and you were caught in the middle of it, trying to make sense of what it all meant.
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thydungeongal · 3 days
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Hi! Been following you for a little bit now and your takes have made me think a lot about intent with gameplay in my own games. I was wondering if you have a recommendation. I have a homebrew 5e campaign that I've run before (it fell apart bc of player times conflicting) that I'm looking to revamp, but maybe a new system might be better to invest in. It's a story driven campaign with a defined end point. It's very much a traditional fantasy story. I love working collaboratively with players and have a heavy focus on roleplay and character development and sometimes find what 5e offers outside of combat lacking. I also find 5e's combat kind of monotonous. I also find the exp system kind of lacking as something rewarding for players, but haven't been able to wrap my head around alternatives.
Thank you in advance!! <3
I would personally check out Fellowship:
Fellowship is a PbtA fantasy adventure game about a fellowship consisting of the free people of the fantasy world going up against a big old evil overlord. The game very much supports a type of campaign play with a defined end-point (the defeat of the overlord) but with the players free to pursue various directions to come about that goal.
It's lighter on the crunch and heavier on characterization and mechanics that tie directly into characterization than something like D&D, and it also encourages various ways of overcoming obstacles. Characters can also build connections with the world and its people which actually manifest concretely and mechanically.
(also sorry for taking my sweet time to reply to this message, the past month has been a mess)
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thegreatyin · 7 hours
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@blastlight fallen london is a browser game ive been just. super duper really totally absolutely subtle and low-key about liking. it hasn't driven me to any sort of state of perpetual bat-centric madness or folly or obsession whatsoever. it definitely hasn't taken over my blog and also every single one of my remaining 5 braincells or anything like that. nope. nada. not in the slightest.
jokes aside, it's a free text-based browser game you can find here. if you've ever read a choose-your-own-adventure novel, it's essentially that, but in online form (with the "small" bonus of having over a million words and counting). it's got a big focus on both humor and horror in equal measure, and a huge depth of worldbuilding and choices- enough to keep one occupied for years to come. and it's still updating, to boot!
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to cut a long and very complicated story summary short: roughly 40 years ago, victorian london was dragged underground by a swarm of bats. now you, the player, arrive in the dark and marvelous world of "the neath", seeking to fulfill one of four ambitions- and things only escalate from there. it's full to the brim with love, loss, and a lot of heart. and also The Horrors. The Horrors are there too.
if you're looking for a more traditional gaming experience, i highly recommend you check out one of the spinoff games set in the same universe- sunless sea, sunless skies, and mask of the rose are all individually good and serve as great standalone experiences if mainline fallen london isn't precisely your style. the lore is charmingly batshit insane, the characters are memorable and delightful, the OC-making potential (as i've thoroughly displayed over the course of the past year and a quarter) is off the charts-
it's a good time!! i can't recommend it enough!! go play it!!!! it's free!!!!!!!!!!!!!!
(also please go check out the song the stupendium made about it because "all ends / swords, pens" has lived in my head rent free for months now. it's so good.)
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nondelphic · 3 days
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hey! i was wondering if you have any advice for me: I am wanting to write an epic/high fantasy book, and i started with my worldbuilding, then i moved to characters and their individual arcs. my main struggle is coming up with the overarching plot, the main conflict. any tips for coming up with ideas?
thanks for the ask, anon!! (˶ᵔ ᵕ ᵔ˶) ♡⋆𐙚₊˚⊹
tbh i don't have a lot of experience writing fantasy, but! just because i don't have "a lot" doesn't mean i don't have any!! i was in a similar situation to you literally just a few weeks ago when i started worldbuilding and outlining a fantasy plot :D
so!! i'll just tell you the process of how i came up with my plot!! i hope it can help somewhat!
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♡ pulling from your worldbuilding
the beauty of worldbuilding and having complete characters is that you literally have everything you need to START writing. but as you said, coming up with an overarching plot can be difficult. i don't know how extensive your worldbuilding is, but for me, my planning included a list of major historical events/eras in my fantasy world. from this, i just decided "okay, the plot is gonna take place during the *insert historical era from my fantasy world*."
then i'd think "okay... what was society like during this historical period?" what kind of power struggles, conflicts, or changes were happening at that time?" from there, the plot practically started writing itself! by narrowing down a specific time and place within your world, you're essentially placing your characters in a pressure cooker of events that are naturally going to generate conflict.
♡ character-driven plot
another approach you can take is to look at your characters’ arcs and ask yourself what situations would force them to grow or challenge their beliefs. think about what each character wants most in life—what would happen if they couldn’t get it? or what if they got it, but at a great cost? you can build the main conflict around these personal stakes, and that can really help drive your plot forward.
for example: say you have different species in your fantasy world, and one of your main characters belongs to a species that’s an outlier in their geographical area. maybe this species has been historically oppressed, or they’re seen as a threat due to some misunderstood ability or ancient conflict. you could focus on how your character fits into the world—they might struggle with their identity, trying to prove their worth in a society that fears or rejects them. this inner conflict could be the spark for a much larger plot, like starting a rebellion or becoming the key to resolving a long-standing feud between species. their personal journey, then, could naturally tie into the broader conflict of your story.
the key here is to use the uniqueness of your character's background and situation to fuel the plot. how they navigate the world around them can lead to choices and events that shape the entire story!
♡ external threats
sometimes the easiest way to spark an overarching plot is by introducing a big external threat. it could be anything from an invading empire, a natural disaster, or even a rising rebellion. something that shakes up the world your characters are comfortable in and forces them into action. this external conflict can intersect with their personal journeys and create some interesting tension.
♡ combining personal and world stakes
the most gripping plots often combine both personal and external stakes. maybe your character is fighting for their home or family, but there’s a much larger political or magical conflict brewing that they become a part of. it’s not just about saving themselves, but the entire kingdom or world. the trick is to make sure the personal stakes are always tied into the larger conflict, so it feels cohesive.
♡ take inspiration from your fav fantasy works
don’t be afraid to pull ideas from the things you love! if a specific scene, mission, or plotline really stuck with you in a book, game or movie, ask yourself why. for example, when i came up with my fantasy plot, i was inspired by a mission in the witcher 3 where geralt and triss are navigating the tunnels under novigrad. triss, living in secret as a mage, is forced to use these hidden passageways to carry out her plans. i remember thinking, “hmm… tunnels or catacombs are a great way for people with secret missions to carry out said missions!” that one detail sparked an entire subplot for me, where certain characters use an underground network to secretly move around, gather intel, and plot revolutions.
you can take bits and pieces from your favorite stories and use them as springboards for your own original ideas. sometimes it’s a specific setting, a character dynamic, or even the vibe of a scene that can get your creative wheels turning. the key is to make it your own and let it evolve naturally in your world!
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i hope these ideas don't sound too "obvious" or like "well, duh," but rather a reminder that you've already done the worldbuilding, so use it!!
good luck with your epic fantasy!! sending digital hugs filled with all the creative energy i have left today to you and anyone else reading this (´。• ᵕ •。`)
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stars-on-fyre · 1 year
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Beat Disco Elysium and 1) because Kim was shot I had Cuno and he became a junior detective, 2) I’m so upset that Kim wasn’t with me for that fucking Phasmid so we could’ve had a picture of it for my best friend Lena :’( and 3) this is the best game I’ve ever played
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fictionadventurer · 10 months
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Yes, President Snow tried to make the people of Panem focus on Katniss and Peeta's love story to keep them from focusing on the rebellion. But that doesn't mean the love story doesn't matter. The irony at the heart of the Hunger Games trilogy is that the Capitol thought the love story was pointless, but it was actually the entire point all along.
President Snow tried to frame Katniss and Peeta's act of love--trying to die for each other--as something irrational. No sensible person would do anything so stupid and rebellious! They only did it because love puts you out of your right mind! Emotions make you irrational and unpredictable, a danger to yourself and others! Falling in love turns you into a fool--only following the rational ideas of the Capitol will keep you and your families safe from the irrational effects of love.
Unfortunately for him, the audience begins to see that the foolishness of love is wiser than the Capitol's wisdom. A society where emotions can flourish, where people can act selflessly, where children are cared for, enemies are honored (or at least treated as people), and other people are worth dying for, might require more trust, might require you to risk yourself, but it makes for a much more beautiful world than the rational oppression of life under the Capitol's rule.
Snow thought that a love story would prove to the people how important their society was. He thought it could distract from revolution, because he couldn't see the deeper truth.
In a society built upon the principle of kill-or-be-killed, love is the revolution.
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g0nta-g0kuhara · 4 months
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I see a lot of discussion in the DR fandom on some characters that die early having "missed potential", and while I agree that definitely a few of them could have been written better or differently, part of me wonders if that missed potential is kind of the point? A character is shaping up to be something, so you get invested in their story, which then makes their early death all the more tragic. I mean, of course it's still a tough needle to thread to get it to land as tragic versus falling flat, and I'm not sure how closely some of these characters hit the mark. But I Do think some characters aren't actually "missed opportunities" and instead played their role in the plot how they were meant to, if maybe a little suboptimally.
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fiendishartist2 · 11 months
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I saw him at a birthday party once. All the older kids were down in the basement playing video games, to hide from everyone. He was down there, too. He was older than the rest of them, though.
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puhpandas · 4 months
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hi mutuals im just curious.
#im a ggy lover myself and would obviously love to see it realized in a game#but i also like gregory as a character more than his semi-canon backstory#and have complicated feelings on if i want them to confirm ggy at all.#i love ggy but dont want it to take screentime away from gregory#who alongside vanessa havent been focused on in years#(ruin was mimic basically the whole time#doesnt count) and need the screentime desperately.#personally#after THIS long (2 and a half years since gregory screentime and over a year since GGYs release)#i cant help but always wonder if theyve just. waited too long and they shouldnt confirm it.#at least just that they shouldnt release something just for the sake of confirming it and just leave it as book knowledge.#if they did focus on ggy in a game i'd want it to serve the plot involving multiple characters and progress slowly#i dont want it to be confirmed then its just background knowledge i would want there to be a plotline of#gregory remembering it throughout the plot of a game and dealing with it.#it'd confirm it then but it'd also still be wholly focused on Gregory alone and also be a natural reveal for people who dont read the books#for me its option 3 i guess. by all means its for sure canon at the moment im just talking about how it would be revealed in a game#or if at all and left as knowledge someone who read the books would know#my idea is wishful thinking we'd never get something that intricate#i can hope though#i could be so cool#but damn theyre just handling the story so strangely rn#pandas.txt#pandas talks#poll#thoughts#pre hw2 dlc#jic
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animentality · 8 months
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Baldur's Gate 3's biggest writing flaw is the fact that they were so obsessed with accounting for every single player choice that they spread themselves out too thin, and ended up telling a half-baked story because of it.
Rather than giving characters long, thoughtful, UNIQUE scenes that enhanced specific companions' arcs and the overall story, or hell, actually gave you DIFFERENT DIALOGUE later on, they focused on making a story so general and loose that it could account for every possible way a player might interact with it...
And as a result?
It's so diluted with flavors that you cannot tell what the fuck you're tasting anymore.
It's mellow and weak, because it has to be mellow and weak in order for everyone to love the taste...but the result is.
You love nothing. It's surface-level and shallow, and you're forced to do the fanfic and analysis work for it, to account for its milquetoast, non-committal narrative shrugging. That's why the fandom is so big and fun and diverse.
It's a nothing cake, almost like a Disney project designed by marketing executives, trying to appeal to every demographic imaginable.
And some of you like that sort of thing.
But I look at it and say...it's a cake with layers of potential, but none of the decoration, none of the finesse, lacking daring decisions or inventive baker flourishing.
There I said it. Take me to church and beat me with a bible.
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I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2
Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!
I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.
What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.
But that's just my two cents of course!
#asks#tloz#timeline#totk critical#thanks for the ask!#I do... feel two ways about that myself#I think pure evocation is genuinely one of zelda's greatest storytelling strengths#that mood is sufficient and enough in itself and doesn't always need justification#it is the way the games center story --and that's genuinely wonderful and a strong take on narrative in games#as something freeflowing and accompanying gameplay rather than the opposite#and to ignore that and focus on hard facts all of the time kind of misses the point of the games' stories to a degree#BUT#I also get quite annoyed at the weird condescencion towards fans that do decide to engage with the stories more factually#especially since this is either revelatory regarding some of nintendo's choices#(that the aesthetics of evil are so tied to The Desert TM while taking so many inspirations from european fairy tales for example)#(it's not neutral even if we ignore ingame “lore”)#or just a great fodder for creativity and narrative play#and it is a part of the IP too!! just as much as dungeons and items and musics and curiosity-driven exploration!!#I do have beef with people not resonating with that aspect thinking others that do so are just stupid or childish#and that you can only have an enlightened relationship with zelda if you like it “the right way”#(which is somehow always mechanics/logic-driven which is. interesting to me.)#(or in a completely passively aesthetic way as in “I like fairies they're pretty”)#but you know it's the weird Triforce Shirt Dude stigma thing#that notion that you can (and must!) Love Zelda Deeply and Defensively#but you cannot be *passionate* about Zelda#then it's weird and immature#I don't know I feel like there's a lot to analyze in that arbitrary dychotomy#anyway sorry for the mega novel in the tags!!
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just-a-madrigal · 1 year
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Coucou want fruit!
Ransom of the Seven Ships
Nancy Drew Embroideries
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hellishgayliath · 26 days
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Oooooooooohhhh im gonna feel bad for saying this and it kills me cuz i love epic with my whole heart but
Wisdom Saga did not hit right :v
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I'm already know for being very opinionated and having some Hot Takes, but I still usually keep it in line and fairly reasonable. Typical "Unpopular (but still somewhat safe to voice) Opinion" territory, where I might get some blocks and some scowls, but like, nothing major.
However I'm... gonna be posting an uncharacteristically rancid take this time.
I cannot fucking STAND vibes based design. Its become a trend lately to explain game systems by vibes, and it feels EXACTLY like the tropification of romance novels. A thing so many other people have complained about far more than I have, where so many works of fiction are now just being advertise as "Its a queer little slow burn, found family story that features enemies to lovers" OKAY, BUT WHATS THE FUCKING BOOK ABOUT?
And I feel like over the past 15-20 years, the TTRPG industry has been having the exact same issue. I can go through dozens of listings on itch.io for indie games and not see a single fucking game mechanic mentioned, and its frustrating. "This game is about gathering your friends to turn your local farm into a sustainable commune!" WHAT KIND OF FUCKING DICE DOES THE GAME USE? DOES THE GAME EVEN HAVE A GM?
And like, this isn't just about the feel good warm and fuzzy games. OSR is JUST as fucking guilty in this. "This game is a black metal death crawl through your worst nightmares." IS IT A RETROCLONE? IS IT A RULES LITE D6 SYSTEM? HOW THE FUCK DO I RESOLVE AN ACTION? DO ENEMIES USE STATBLOCKS?
If a video game showed absolutely no gameplay in any of its advertisements, only showing concept trailers and cutscenes and talking about its plot, you would probably shy away and think the game isn't worth playing if it can't even stand on the merits of its own gameplay. So why the fuck are we accepting that as the norm in TTRPGs?
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bastart13 · 1 year
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I caved and read Remarried Empress because of your post and honestly I strongly agree that the fandom is very nasty towards Rashta. I mean yeah, the story is very much set up to frame her as a villain no matter what she does since the Empress is the main character, but I feel like Rashta also has some strong points as a character and she's reacting like anyone would to some of the offences she receives from the Empress (imo the story rationalizes why Navier is mean towards Rashta a bit too much for my liking). Idk, I know it's popular to pit women against each other in romance stories so there's a scapegoat, but it's a bit infuriating when most of the fandom demonizes Rashta when she's literally just a gal who's out of her depth.
I am in desperate need for a story along these lines where you can have women in opposition to each other but neither are demonised. Please... I just want a story with flawed women who the fandom appreciates for their complexity....
I've said it in the comments of another post, but it always bears repeating that Rashta was born a slave! Slavery is one of the greater evils of society! She was physically and mentally scarred, sexually abused, had her baby stolen from her, and hounded by her slaver even after gaining freedom! Of course, she's doing everything she can not to go back to that! Like, I know suffering doesn't automatically justify your actions, but y'know, I don't blame her for trying to win the protection and love of literally the most powerful person in the country.
Navier has every right not to like Rashta, but dear god, the fact that slavery exists while she's the Empress is not a good look for her, and Navier is my favourite character!
If the author really wanted a story about a manipulative homewrecker getting her just deserts, she should have been anything other than a former slave. Otherwise, you need to treat both Navier and Rashta as two sympathetic characters in a morally-grey conflict.
In the end, Soveishu is the villain of The Remarried Empress. He refuses to tell Navier he thinks she's infertile. He refuses to tell her he loves her romantically and wants that relationship. He refuses to understand Navier's situation, and he puts Rashta in danger without care, abandoning her the moment his ploy to make Navier jealous blows up in his face. Unlike Rashta, he doesn't have any sympathetic motivation to justify his actions. He just wants Navier to be his obedient wife, accepting whatever he does without respecting her intelligence by talking to her. Soveishu is not treated like a good person, but frankly, the narrative doesn't treat him like the central antagonist he is. No, that spot goes to Rashta because she's a homewrecking harlot who's too poor to belong in high society, despite everything to the contrary.
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