#actual archive

[hoeswater]

I'm Talking about MagPod and Archives Again

I know that those of us in the middle of the Venn diagram of “Magnus fans” and “People who actually know how archives work” have really given Jonny a hard time about the way that the Magnus Institute archives and artefact storage are shown as working (or, I mean, not working) in the podcast. Not just in terms of best practices (where) but also like… archives can be spooky, it can be a spooky job, but not really for those reasons, you know? Anyway, I think that Protocols Episode 9 actually engages with the archives’ role as an archives in a way that’s really, really interesting. Qualifications: I’m almost done with my master’s in Library and Information Science/Archives Management and have been working in actual archives of various types for a year and a half. 

Specifically, I’m really interested in how Dice Guy engages with the horror within the context of the donation process. We hear a lot about the horror that objects in this universe cause while they’re still in the possession of their pre-Institute owners-slash-avatars, and a lot about the horror that these objects cause when they’re mishandled (looking at you, Jon “It is Remarkably Easy to Buy An Axe in Central London” Sims) while being stored at the Institute, and every now and again we get to see Jon or Gertrude accept or turn down an offered object (the teeth apple, Eric Delano’s page, etc) in TMA. But this is one of the only places in the podcast(s) where the process of donation and acquisition registers as a part of the horror story for the people giving or receiving the object. I’m thinking specifically about the beginning of the “statement proper,” where the statement giver says:

“So yeah, I tell you all about them, how I got them, all that crap and you just… You take them away, right? You accept them. Good. I think. I’m pretty sure that’s how it works. It’s how it worked for me, at least. Put them in whatever vault you like, bury them, drop them in the ocean for all I care. All that matters is that they’re yours now.” 

At surface level, this disclaimer seems pretty similar to some of the other things that statement givers say in TMA: I just need to tell someone, I just need somebody else to know, You have the power to do something about this and I don’t, etc. But this statement differs from the ones we saw in TMA because it’s not just about catharsis or reaction to a terrible thing happening; it’s the actual change of ownership of the dice that gives this moment meaning within the horror story for Dice Guy. And this hinges on the fact that Dice Guy, like a lot of real-life people, sees the purpose of an archives as being locked vaults designed to keep non-expert people away from things they don’t know how to handle, rather than their actual purpose, which is to preserve things for the express purpose of making them accessible to the public. I imagine that the Magnus Institute, if it were real, would have some pretty strict access policies due to, you know, special circumstances– the stuff it holds generally having the ability to kill or maim or otherwise make people’s lives miserable– but it’s fun to think about. If Dice Guy had understood the fact that archivists and staff and conservationists and sometimes researchers interact* with the materials in their care, would he have still donated the dice? Was he at the point where it didn’t matter who got the bad luck, as long as it wasn’t him, or was he leaning on the stereotype of archives being locked vaults as a way to absolve himself of the guilt of giving the dice away to a person, because people use the things they're given and he thinks archives don't? 

It also raises some interesting questions about ownership. Real archivists think about the ethics of donation, acquisition, and ownership a lot. What does it mean for somebody to give something to an archive? What does it mean to accept it, therefore a) accepting responsibility for the preservation of the object and b) assigning cultural/historical/ideological value to it? This is where TMAGP comes pretty close to real archival theory: Dice Guy thinks that he’s nullifying the dice’s power by giving them to the Institute, but isn’t it true that to accept an object into an archive assigns it a level of power? The notes at the beginning of the statement seem to suggest that the dice coming under the Institute’s ownership lends them power beyond what they had originally, as well: “Viability as Subject,” “Viability as agent,” “Viability as catalyst,” “Recommend referral to Catalytics for Enrichment Applicability Assessment.” To me, this says that maybe the dice were in the running to potentially be chosen for the role that the tape recorders fill in TMA– to facilitate, or serve as a catalyst for, the narrative/the fears’ growing power by being passed to the “agent” (Jon or Jon-equivalent) through the Magnus Institute. We, the audience, know that, if the dice had been selected to fill the tape recorder role, that would give them the potential not just to make one individual’s life more miserable, but to fundamentally change the entire world a la TMA 160 and 200. 

*In TMA canon, the Web uses the Magnus Institute as a site for agents and catalysts to interact, just as much as the Eye does if not more. The fact that the archives is a site of interaction between people and particular objects is critical to the narrative as told by the Web, even if it seems incidental to Jon–and even if Jon doesn’t understand the archives that way. It’s an interesting way to look at the Magnus Institute and archives as functioning in a similar way to actual archives, which serve as sites of interaction between people and historical objects (in spite of Jon’s complete lack of ability to function as a regular archivist.)

[randalltier]

Good morning Mr. Jigsaw I noticed that this trap has a time limit of 60 minutes but as per my accommodations through the school Center of Disability Resources I get time and a half on exams and quizzes is that still something I can apply to this game right now? Thank you for understanding have a nice day

[wolfythewitch]

Jon sketch

[reasonsforhope]

If you're feeling anxious or depressed about the climate and want to do something to help right now, from your bed, for free...

Start helping with citizen science projects

What's a citizen science project? Basically, it's crowdsourced science. In this case, crowdsourced climate science, that you can help with!

You don't need qualifications or any training besides the slideshow at the start of a project. There are a lot of things that humans can do way better than machines can, even with only minimal training, that are vital to science - especially digitizing records and building searchable databases

Like labeling trees in aerial photos so that scientists have better datasets to use for restoration.

Or counting cells in fossilized plants to track the impacts of climate change.

Or digitizing old atmospheric data to help scientists track the warming effects of El Niño.

Or counting penguins to help scientists better protect them.

Those are all on one of the most prominent citizen science platforms, called Zooniverse, but there are a ton of others, too.

Oh, and btw, you don't have to worry about messing up, because several people see each image. Studies show that if you pool the opinions of however many regular people (different by field), it matches the accuracy rate of a trained scientist in the field.

--

I spent a lot of time doing this when I was really badly injured and housebound, and it was so good for me to be able to HELP and DO SOMETHING, even when I was in too much pain to leave my bed. So if you are chronically ill/disabled/for whatever reason can't participate or volunteer for things in person, I highly highly recommend.

Next time you wish you could do something - anything - to help

Remember that actually, you can. And help with some science.

[mangozic]

archivist be upon ye

[givemeureyes]

day 1 without ao3: i have gone through all 5 stages of grief multiple times and have invented a 6th. i will not disclose what the 6th stage of grief is.

[itsdefinitely]

i've noticed a pattern

[darknesspervades]

Jonathan “deeply annoying child” Sims autism vs Martin “keeps trying to touch the explosive” Blackwood ADHD

[abellarts]

[ID in alt]

jon should have been able to sock him at least once before s5

[noodles-and-tea]

Jmart is such a cute name too 😭

[bebx]

so rude that fantasizing about writing alone is not enough to actually get the fic done. you have to actually sit down and write it. insane.

[froopa-coopa]

"I live a lonely life without you. And I may be troubled, but I'm gracious in defeat."(in dreams - ben howard)

fanart inspired by the fic "buried my love in a shallow grave" by iamcringebutiamfree on AO3 / @grahamfolgersdeliciousnotebooks !!Set right after Jon made it out of the buried. I love it so much🍊💙

[sepezzz]

this stinker, Tma character sheet #6!

[wolfythewitch]

Frames,,

[arthur-lesters-right-arm]

Thinking back to the time I was about halfway through TMA and was explaining the plot to a friend who has never listened to a single episode and they tried to make one of those "Soup was invented by John Soup when he wanted to drink a chicken" jokes and ended up saying something along the lines of "The Magnus Institute was created by John Magnus when he wanted to make an institute for all the fears" and at the time I was like haha good one bro but in hindsight I think I need to fucking throngle them with my bare hands

[mangozic]

michael shelley I would die for you