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#and actually started opening up and getting a new better family
imaredshirt · 17 hours
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I'm kinda really into the idea of Fiddleford meeting Stanley before meeting Stanford.
Pretty early on after being chased out of New Jersey, Stanley ends up being chased out of Kentucky and drives the night through Tennessee until his car breaks down somewhere west of Murfreesboro. He gets the car towed to a nearby garage, where a young mechanic takes one look under the hood and says he'll have it ready in a jiffy. All Stan will have to do is pay a few bucks inside, and he can be back on the road in no time.
Sounds great to Stan, except - well, he's broke. He can't pay the guy. He knows this, but the guy doesn't know this, so Stan spends the next few minutes trying to talk up one of the old-ish Stan-vac Vacuums he's got stashed away in his trunk, hoping to give it to the guy in lieu of cash.
Turns out the mechanic is a chatty guy himself, and Stan learns a few things about him: his name's Fiddleford (Stan calls him Fidds right off the bat, and for some funny reason the guy's over the moon about it) he likes building little gadgets and the like in his off time, and he's working at his uncle's garage for a few months to earn some spending money before he heads off to some back-up college in California.
Next thing you know, Stan's got the trunk popped open and Fidds is examining the vacuum, humming and hawing and narrowing his eyes at the shoddy design. The car's fixed up and ready to go at this point, but Fidds is taking the vacuum over to a workbench where he's got a set of tools nearby, and Stan's following him, trying to explain that the vacuum isn't bad exactly, it's just --
"So, the thing doesn't actually suck stuff up," Stan says as Fidds deftly pulls the machinery apart. "I mean, it'll pick up some dust bunnies for a few minutes before giving up, but then it kinda - uh, spits them back out."
"Well," Fidds says, squinting one eye to look into the dust bag. "Aside from the clogged exhaust port on this one, I reckon you just needa fix that shoddy wiring to the motor and adjust the coolin fan. That'll take care of both problems."
"Shoddy wiring?" Stan groans. It wasn't like he was the one who had made the thing. He was only slapping his name over the handle and selling it. "What am I supposed to do about that?"
"It's an easy enough fix ," Fidds says. He rubs his chin and plucks the motor up, looking at it thoughtfully as he twists it to and fro and then adds, "If you want it to perform its most basic functions, that is. But I bet if I tinkered with it enough, I could make it even better."
Suddenly, he's got this almost manic gleam in his eyes, and Stan would be worried if the guy hadn't already piqued his interest. "Yeah? Better how?"
Fidds glances around the corner at his uncle, who's snoring away in a plastic lawn chair, then looks back to Stan. "Better as in it could pick up a dust bunny hiding under a bed on the third floor from the kitchen." 
Stan's feeling a little manic himself. “Pal, as far as I’m concerned, you’ve just made this thing marketable to every single sucker from here all the way back to Jersey.”
Fidds doesn’t have the right tools there in the garage, so he says he’ll have the thing ready in two days. Which is fine with Stan, he doesn’t have anywhere to be anyway, so he asks if there are any secluded places where he can park his car for the night - which prompts Fidds to cheerfully offer up a spare bedroom back at his family’s farm. It catches Stan off guard, until Fidds explains the terms - he just needs to do some chores around the farm from sunrise to sunset, and that’ll take care of the room and the car repair, no problem.
So that’s how Stan finds himself in this little room somewhere out in the hills, sitting in a cushiony bed, suitcase at his side and car parked out under some sycamore and hickory trees. Fidds is at the door telling him what time dinner’s at and what time everyone gets up the next day to start with all the chores, and Stan is nodding, suddenly feeling like he could fall asleep where he’s sitting, even with the mechanic’s rapid-fire twang going on and on, which he doesn’t mind - the guy’s voice is nice. The bed is comfortable. The room is warm and dry and it’s about a thousand times better than sleeping in his car for two nights.
He kicks off his boots and he’s still nodding when he falls back, drowsy and relaxed, and falls asleep to Fidds’s voice explaining how the room’s available for a few weeks, as long as Stan’s up to working on a farm.
Stan wakes a few hours later to a plate of dinner sitting on the bedside table and some banjo tunes being plucked out somewhere outside. He looks out the window and sees Fidds sitting under a tree, sticking his tongue out as he adjusts the strings on his banjo before looking up and waving cheerfully at Stan. Stan waves back.
He wouldn’t mind staying here for longer than a couple nights, he guesses. Working on a farm wouldn’t be too bad.
(Throughout the weeks, they learn things about each other - like how Fidds’s family wants him to marry a nice girl, have a few kids, inherit the farm, forget about computers and physics and college - and how Stan’s dad kicked him out for ruining his brother’s future, and how his brother hasn’t talked to him in months and probably won’t for years)
(and once the vacuum is done, they try selling it together, and it goes well - until the vacuums are so strong that one dummy gets their arm sucked up into it right up to their shoulder, and someone says they lose a hamster to one - not that the dummy or the hamster suffer anything worse than minor injuries, but an angry mob chases Stan and Fidds right out of Tennessee and through Arkansas and all the way to Texas, where they find themselves feeling kind of despondent in some seedy little motel, and then Stan turns to Fidds and asks “Hey, you know anything about making the adhesive on the backs of bandages better? Or maybe just less painful?” and Fidds’s eyebrows shoot up and the manic gleam is back, and needless to say, they spend the rest of autumn being chased from one city to the next.)
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potpiehead · 11 months
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ive been more depressed lately
#if you cant tell#during the summer i had some zest for life and felt actually happy lol but with the turn of the season it just disappeared.. so annoying lo#i keep having thoughts that boil down to "id be happier if i were happier' like lol#i know that spending time with my friends and family; always having something going on; engagine with my interests and keeping myself busy#all make me feel good and i think those things came easier over the summer#when im doing something of interest i just feel this whole world open up and everything feels lighthearted and easy and then when i fall ou#of those habits and start doing less everythig just feels dark#the depression i have now is 100x better than the depression i had as a teenager though. i didnt have the life experience to know that#things could be better#it does make me feel good to know that there are things that help#i just feel so mentally weak like there are times when i think of the thing i want to do but the effort it would take is monumental#and it stresses me the fuck out#i applied to a couple of jobs today because i just need a change of fucking scenery and i feel stagnant.#evereythig feels bleak and meaningless but i have moments where i feel everything open up. idk#i have hope for myself lol just that today in particular has been shitty like a concentrated version of the past few months#but i did apply to jobs which is something i was stressing about! and i bought some shit i needed to buy that i kept putting off#i often have so much on my mind and am so overwhlemed i cant even think of getting shit done. this shit is ruining everything#catastrophizing was my specialty in early high school ive been here before its just that being a young adult is a new frontier.#and i feel like ive been sitting in one place not moving even though i have been doing things i need to CHANGE things#i have moments of strength but i know that overall im struggling.#anyway thanks for reading. i have work tomorrow gn!
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nightingale-prompts · 26 days
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Nightwing gets a sidekick introducing: "Batboy"
Continuation of this post: "Danny has Bat wings"
|Next|
Dick tries to tell himself that he's better then Bruce. He's not going around taking young orphaned boys with unique abilities willy-nilly. No, he very carefully. Besides this is first-well second sidekick.
He's doing a public service anyways. You can't have a kid with giant bat wings just falling from buildings. If Nightwing hadn't stepped in to stop those goons trying to catch the kid and sell him then who knows what would have happened. What if they tried to cut off his wings and turn the boy into a bloody trophy for the Bats?
There are many villains in Bludhaven who'd take the boy out or take him in. Dick already had a sinking feeling that Heartless would try his hand at killing the kid after all he targets the weak and helpless like a coward.
It was easy enough to convince the boy to be his friend. Dick did have natural charm and charisma after all. All it took was a meal from batburger and a fruit cup to get the kid to open up.
Danny (apparently his family gave him a normal name) didn't live with his family anymore due to ideological differences. That difference was that they thought he shouldn't exist anymore and wanted to turn him into an experiment. Poor kid didn't even get to finish his freshman year of school before he had to leave. He was a small town vigilante for a few months before the incident.
Dick saw an opportunity but was subtle about it. He invited the kid to live with him until he got his education. Its also totally ethical because the kid was a vigilante already.
Everything kind of went by quickly. Dick had done everything possible to hide Danny until he could come up with a plan of how to tell everyone.
True Dick didn't "need" a sidekick but come on, look at him! He's a boy with bat wings! Dick could put a little cowl on him and dress him up like Batman. I mean he's not a dog but it would be funny. The irony there, the bird-themed hero now had a bat-themed sidekick. That is the universe's way of sending a message.
After training Danny Dick learned that the kid had an endless supply of energy and ADHD that rivaled his own at that age. The kid also couldn't fly, it was actually closer to gliding which was still useful but he kind of looked like a flying squirrel when he jumped off ledges.
The term issue with taking Danny in was that Dick was still a Wayne and while he could hide the kid while he was swinging through Bludhaven, Dick Grayson could not.
Danny could hide his wings like they weren't even there whenever he wanted to look human. Which was a start, next he needed a new identity. One that wouldn't tip anyone off.
Dick needed to pull some strings without alerting Barbara or Tim. A new name was forged: "Daniel Nightingale" (Dick patted himself on the back for that one).
With that Dick was ready to let Danny out in the field. For the most part, Danny was as reliable as any Robin if not a bit crazy. Danny was way too charming for his own good but also completely feral. The public adored the domino-masked kid in his green and black costume. Danny didn't wear a cape because of his wings so he used them as a cloak.
When citizens saw them in public they'd offer the kid fruit cups and candies just to get close enough to see his wings. The people of Bludhaven were also excited to have their own version of Robin since Gotham had so many. Also, the kid was so marketable. Look at the way his wings flapped when he was excited.
Danny's or more specifically "Batboy's" presence would not go unnoticed.
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Well, this can't end well.
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Welp. Dick should have expected this. He couldn't even be upset. He doesn't regret anything that he's done.
Danny was still in bed, actually it was a hammock which was more comfortable for a bat. Dick wondered if he could sleep upside down. The kid was comfortable here and probably better off here than in Gotham. Once the adoption goes public however things will get complicated. Danny may end up Bludhaven's sweetheart or outcast. He'll probably end up fine...probably.
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authorhjk1 · 5 months
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is it possible you make a smut about karina? where you fuck her infront of a mirror as you watch her body bounce as you rail her hard and groping every inch of her body.
P.S i really like your works and your writing is supurb, i hope you continue writing more stories.
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I apologize for the long wait. I had to put these two requests together, because I can't keep up with ones I already got and the new ones that are coming in. Hope you guys enjoy it.
Mirror Mirror on the Wall...
(Karina X Hwang Yeji X Male Reader)
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You look across the table. Dinner tasted delicious and you also prepared cake for the birthday girl. The older one of the two sisters stares down at the chocolate cake, carefully taking a bite.
It's hard to say you hate her. She is your friend's daughter after all. But you can't help it. You've watched her grow up for more than just a couple of years. You treat both sisters almost the same, but Karina started to become something that you were afraid of. A stuck up, self-centered bitch.
It's a shame actually. But by the way her mother behaves, it's not that big of a surprise. She and your friend are sitting at your table as well. You invited the family of four, because of Karina's birthday. Because you wanted to be polite. Not because you wanted Karina to be around you.
The complete opposite applies to Yeji. The younger one of the two sisters. She has her rebellious side, for sure, but she has always been a sweet sunshine. Even now, her smile lights up your dining room as she takes her first bite of the cake.
"Mmmh. It's so delicious. You are a really great cook."
You crack a smile at Yeji's compliment.
Unable to not compare the two sisters, you notice that Karina hasn't said a word. Not even a thank you. She does eat the cake, which already is something, but she is just as rude as her mother is.
You sigh in disappointment. Your friend should've done better. Of course every parent makes mistakes, but Karina's mother is just on another level. But Yeji still turned out well. You can't get behind it. What exactly went wrong?
"Please let me help."
Yeji smiles at you as she stands up to collect the rest of the plates. She is the only one of your three guests who offered her help. To be fair, her father is currently on a call with his client. Mother and daughter are both busy with their phones it seems.
"Thank you, Yeji."
"I should really come over more often."
Turning around, you see Yeji, who is walking after you into the kitchen.
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"Please don't. You are a lot of work."
"Very funny."
She puts down the plates, looks outside the kitchen and looks back at you.
"Who is your favorite? Me or Karina?"
You roll your eyes at her question. A question you've heard more than a thousand times over the last years. From both of them.
"I don't have favourites."
"Oh come on. I know you like me more."
"What would make you think that?"
"You invite me more often than her."
Holding the towel for the dishes in your hand, you throw it at her. The white cloth covers Yeji's face.
"You always come here uninvited. When was the last time I asked you to come?"
Yeji pulls the towel off of her head, pouting at you.
"You invited me for today. Didn't you?"
You turn towards your sink, getting ready to wash the dishes. Your stupid dishwasher broke two days ago.
"I invited all of you. That doesn't count."
Yeji steps next to you.
"You can be really mean sometimes."
"Just honest."
Yeji takes the cleaned plate out of your hand.
The two of you finish washing the dishes in silence. Once you are done, you motion Yeji to sit at the kitchen table.
"Got something as a reward for helping me."
"Really?"
Yeji looks at you with excitement in her eyes.
You open the door of the fridge. The young woman tries to look around you, wanting to know what you are going to give her.
"More cake?"
She smiles brightly as you turn back around.
"Not just any cake."
Grabbing two forks on your way, you sit down in front of Yeji. The cake in the middle.
"It's the cake I got from the publisher for finishing the last book."
"Wow. So that really is the last book of your series?"
You nod.
"I will write more. But I think there is not much more to tell about this one."
Yeji nods in response as well. She puts a piece of cake into her mouth.
"That's delicious."
You shush her.
"Be quiet, or we have to share"
Yeji giggles, before eating some more.
"If it was you last book though, you must've gotten a lot of fan letters and stuff."
"I did."
"Can I check them out?"
"That's kinda private, Yeji. Those people send their letters to me not you."
The young woman pouts.
"Hey, man."
Your friend walks in.
"I have to meet a client. I'm sorry about this, but I have to leave now."
"No problem, mate. I will makes sure the girls get home safely."
"Thank you."
"By dad!"
"Bye sweetie."
He kisses Yeji on the head, before he walks out.
"Well, this makes my original plan way easier."
You raise an eyebrow.
"What plan?"
"Having some alone time with you."
The tone of her voice starts changing. The sweet, innocent girl starts to fade into the background.
"Your sister and your mom are still here."
"Oh please. As if they are going to check on us."
Yeji takes another bite. More slowly this time. And with way more eye contact.
"We shouldn't be doing this with anyone around."
She gets up, walking around the table.
"No one will go into your study without permission."
"But-"
Yeji gracefully takes her seat on your lap.
"Am I right? Daddy?"
The 24 year old kinky college girl has finally found its way to the surface.
Fuck. You just can't resist her.
It happened around three or four years ago, if you remember correctly. Spending a lot of time with you growing up, Yeji naturally started to enjoy the things you enjoy too. One of them being writing. She didn't just enjoy it, she loved it. You helped her improve and let her beta read all your new stuff, before publishing it. You went with her to small classes and even competitions for young writers. It was nice to share something like this with her.
And before you could even realize what was happening, Yeji already graduated. You felt like time flew past way too quickly. But on that day, you found yourself sitting in the school's gym, applauding as she got up to receive her diploma. An honorary mention for being the founder of the school's writing club and being part of a nation wide competition was of course a given.
After only a couple of hours on the day, which should've been one of the best of her life, she stood at your doorstep, looking up at you. Her black hair a mess, puffy red eyes and tears running down her cheeks. Her father always planned for her to work at his company and eventually take over. But she decided to take a different path. The path you took. Or at least a very similar one. After she told him, she already got a scholarship at a local college, her dad wasn't fond of the idea at all. The two of them fought hard that day. The only person Yeji wanted to get comforted by that day was you.
Only a couple of minutes after she arrived and dumped all of this on you, her father called. Your friend was worried about her, since she just ran off and he didn't know where she was. You told him that she was with you and would stay the night. The two of them should have a calm discussion the next day.
Yeji was incredibly thankful and eventually went to the room she always stays in when she sleeps over. After having talked to her for several hours, you wanted to make sure that she was alright one last time, before going to bed yourself. You walked in on her lying on the big bed, her skirt on the floor, her fingers knuckle deep inside of her. The way she moaned your name is the reason why you are here now.
"Fine."
You sigh in defeat, feeling Yeji slightly grind against you.
"Go upstairs. I will tell your mom we are going to write on your project for college."
Yeji suddenly attacks you, pressing her lips against yours. Her tongue aggressively demands entrance into your mouth. The two of you engage into a hot but quick kiss.
"I'll be waiting."
With one last wink and sway of her hips, Yeji is gone.
You clear your throat, before standing up. Everytime you do this, you feel like the greatest sinner on earth. She is your friend's daughter. She is half your age. You were there on her first day of school. It always feels wrong when you think about it. And it always feels wrong afterwards. But if you only glance at Yeji, all that doubt goes out the window.
"Yeji and I are in my study in case you are looking for us. She needs help on her project."
Your friend's wife just nods, while you can see Karina rolling her eyes. You know what she thinks of her younger sister. You wish she could be only half as good as her. From what you've heard from Yeji, Karina likes her own college life. Or rather the boys in it. The stories her younger sister told you makes you think that your friend and his wife raised a self entitled slut.
Opening the big oak doors to your study and library, you see Yeji sitting at your desk.
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Her warm smile makes you walk a little faster.
"Come here."
Once you reach her, you grab Yeji's chin, tilting her head upwards to meet yours. The two of you engage in another passionate kiss. While keeping your lips locked, you start to peel Yeji off your chair. You guide her towards the edge of your desk. Yeji hops onto the wooden surface, disconnecting from your lips for only a second.
Her new position enables you to properly run your hands all over her body. She moans into your mouth as she feels you exploring every inch of her.
"(Y/n)."
Yeji sighs your name, feeling one of your hands on her ass, while the other dips underneath her top. Your reach upwards, until you find her chest. Squeezing her tits over her bra makes Yeji moan again.
She eventually brakes away due to the lack of air. She smiles back up at you, excitement sparkling in her eyes.
"Let me give you head."
Yeji slides off the edge of the desk, landing between your legs on her knees. You have to bite your lip as you watch Yeji unbuckle your belt.
"It has been so long since last time."
You chuckle at her eagerness as she pulls down your pants. Your cock springs free, landing on her beautiful face.
"Wow."
She gasps, like she does everytime.
You rub your cock all over her face. Yeji closes her eyes, enjoying the feeling of your cock.
You never met someone who was this passionate about worshipping your cock. But Yeji is one of a kind. She was more eager than skilled at first. But you've trained your friend's daughter to be your personal slut. One would never see Yeji as that, when they would meet her on the street. But she can be a naughty little devil in your ear. Especially when her family comes over, or you visit them. She always tries to sneak off with you. Just like right now.
Yeji starts to suck you off in your study. Her eyes are still closed in bliss as she savors the taste of your cock. Her blowjob becomes more messy by the second. Soon, she is almost drooling on your cock. You take a fistful of her gorgeous orange hair and you start to thrust into her mouth. Yeji moans, opening her mouth as wide as possible, relaxing her throat.
"Damn, princess."
You've always called her and her sister that. But since the two of you started having sex, this nickname has a another layer to it. A dirty one at that. Because right now, Yeji doesn't look like a princess at all. She is on her knees, drooling spit onto your cock, her thighs and the floor. Your dick starts to hit the back of her throat as you begin to thrust into her harder. Soon, only the sounds of her gags fill your study. It's a beautiful melody. One that you would love to hear every day.
Yeji takes your mouth fucking like the good girl she has been raised to be. No complaining, no dirty look, not even the hint of a struggle. She seems to be in her element.
You unfortunately don't have the stamina to keep up the pace for too long. Eventually, you have to slow down, enabling Yeji to take a proper breath through her nose. Spit is covering her chin by now. You keep thrusting into her mouth. Slow, but still with purpose. But Yeji's eyes slowly start to turn dark with lust. Signaling you that she can only hold out this long without getting touched.
After a while, you finally pull out of her completely. A tear is rolling down her cheek, which she scoops up with the back of one of her fingers. Yeji takes a moment to catch her breath properly.
"B-Bend me over."
Her voice sounds raspy and dry. Which is odd, because there is spit covering everything. Her chin, lips, shirt, thighs and the floor too.
"Your manners, Yeji."
You're reminded how often you said that years ago. When you had important visitors and the two sisters stayed at yours over the weekend.
"Sorry. Please, daddy?"
She pouts cutely. Like she always does, when she wants something.
"We still have to be quick though."
Luckily, you always keep your desk clean. Quickly putting your laptop to the side, you turn Yeji around afterwards.
"Daddy..."
She moans as she feels your hand pressing against her back, making her bend over the wooden surface. Since your desk is quite high and quite big, Yeji can barely hold onto the edge on the other side. And she has to lift her feet off the ground, if she wants to do so. Only her tiptoes stay in contact with your wooden floor.
You reach around her, quickly unbuttoning her white pants, pulling them off of her.
"You came prepared, I see."
The lack of underwear has an obvious meaning. Yeji wiggles her butt at you, tempting you to just enter her immediately.
"Just for you, daddy."
Everytime she calls you that, you can't help but think about how wrong this all is. She could be your own daughter. Buth there she is, bend over your desk, telling you what she wants you to do to her.
"Can you please fuck me now? I've waited the whole day for this. I need it..."
Yeji sighs in desperation, her cheek resting on the dark wood.
You stand behind her, aligning your cock with her wet folds. You can see them glistening, when you pull her cheeks apart a little.
"Fuck, Yeji."
You can't believe how beautiful she is. How good her body looks. You wait for just a little longer, making Yeji squirm in anticipation, before you finally push inside of her.
"Oh god!"
A deep moan echoes through your study as you part Yeji's walls. Her tight pussy is dripping wet, making it easy for you to slide into her completely. You wonder, how she is so turned on. Because of you? Because you're her dad's friend? Because she has been waiting for this all day?
You are not sure. But you can say that this makes up for all the bad attitude her sister threw in your direction today.
Soon, you find yourself indulging in the pleasure that you take from Yeji's young and tight body. Every part of her seems to be made with perfection. You can't help but let your free hand roam her body. The other one is holding her waist as you keep thrusting into her.
Reaching under her shirt, you grope her breasts. A string of moans escapes her mouth. One louder and dirtier than the previous one.
"Harder, daddy! Please!"
You finally give into her begging. You know, if you fuck her harder, you won't be able to keep your orgasm off for much longer. And you still want to enjoy more of her body.
"Get on the desk."
Yeji takes a moment to comprehend what you just said. But she eventually manages to peel herself off your desk. You turn her around and push her back on it. Now on her back, Yeji looks up at you as you start thrusting into her again.
"Yes, daddy!"
You reach forward, bunching her shirt up over her tits. You push the bra up as well, finally revealing her small perky tits. Your other hand is holding onto one of her luscious thighs. Fingers digging into her soft skin.
"Keep going..."
Yeji slowly starts to lose the ability to speak. Her words start to turn into letters loosely strung together. It tells you that she isn't far away from her own climax.
You play with her tits, kneading them and pinching a nipple occasionally.
"Oh..."
She tries to say something again, but your strong thrusts make her eyes roll back. Her head, just like her back, is rubbing against the wooden surface of the desk in the rhythm of your pounding.
Your own desire for release starts to overwhelm you. The sight of Yeji, squirming and moaning on the desk she used to sit on and watch you write a cute story for her, makes you want to ruin her completely. Both of your hands are now holding onto her full thighs, enabling you to pull her back into you way harder than before.
The sound of your skin hitting hers echo through your study, accompanied by the young girl's moans.
"Daddy! Cuming!"
Yeji cries out as the pleasure finally proves too much for her. Her body shakes atop your desk as her orgasm overwhelms her. You don't slow down, pounding her through her high as you chase your own. Yeji's body often has that affect on you. That desire to completely wreck her, leaving her a whining, dirty mess.
"Ohhh..."
Yeji's drawn out mix of moan and cry sounds like music to your ears. Her pussy contracts around you at the same time, demanding that you cum inside.
"Princess..."
You groan, realizing that you don't know if this is a safe day for her or not. You want to fill Yeji with your cum, but you don't want to knock up your friend's daughter. Yeji is too far gone to care at the moment. Her body keeps squirming on the wooden surface, moans leaving her body in irregular intervals. You try to hold on for longer, but you eventually can't stop yourself.
With the last ounce of strength you have left, you regretfully leave Yeji's snug hole. As you pull out, that last squeeze of Yeji's inner walls makes you explode. You shoot your load all over her body. Her midriff is the first thing that's covered in your cum. Her chest quickly follows as strings of your semen hit her tits.
You feel your legs weaken as you calm down yourself, taking in the view in front of you. Yeji lies on the desk, her eyes still partially closed. A light smile plays around her lips as her heavy breath makes her chest heave. Her upper body is painted with your cum as she just lies there. Like a beautiful painting. A piece of art.
You walk down the hallway, heading for the bathroom. Yeji kept you busy with her project after the two of you had some fun. She does need to finish it soon, which means you didn't lie earlier. You are really helping her.
Opening the door to the bathroom, you suddenly stop moving. You look at Karina, who is standing in the middle of the room.
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You notice her phone, which is standing on the sink, leaning against the lower part of your mirror. Karina isn't just taking a normal picture. She has hooked a finger inside her cleavage and is pulling the hem of her dress down. Despite looking at her from the side, you can see her breasts, almost completely exposed, through the mirror.
"Karina. What the hell are you doing?"
You see the young girl jumping, when she hears your voice. She looks at you as she takes her hand off her dress, letting it fall back into place. You see her roll her eyes before answering.
"Nothing."
"This doesn't look like nothing to me."
"Whatever."
Despite her disgusting attitude, Karina is still your friend's daughter and Yeji's sister. You still care for her. You glance at her phone, before looking back at her.
"Were you taking pictures of yourself?"
"So what?"
She reaches for the phone.
"Are you sending them to someone?"
"Not your business."
You hold back the desire to just give her a small clap on the head. Just a really small one.
"Karina, you shouldn't send this to anyone, whom you don't trust."
"I can do what I want."
You nod.
"That's true. I'm just saying, please be aware of the consequences."
"Stop annoying me already."
Karina is obviously checking the photos she took, while you are still trying to talk to her.
"I wouldn't need to annoy you, if you wouldn't act like this."
She raises an eye brow, but keeps looking at her phone.
"You can't tell me what to do."
Karina places the phone back on the sink. She goes through her hair, looking at the mirror. She hasn't even looked at you properly yet since you came in. It makes your blood boil even more.
"Actually, I can. This is my house. Plus, I'm your godfather."
"Oh no, I'm scared."
You watch as she bites on her nail and winks at the phone. You hear it taking a picture. She probably used a timer or something.
You take a deep breath.
"Get out."
She keeps going as if she didn't hear you. When she is about to pull the top of her dress down again, you stop her by grabbing her arm.
"I. Said. Get out."
You speak through your teeth, trying to stay calm. You pull her towards the door.
"Ouch. Stop it!"
Karina uses both hands to push you away. You let go, expecting her to get her phone and walk out on her own. Your eyes widen when you see her standing in front of the mirror again, hooking a thumb underneath one of the straps on her shoulders, smiling at the phone.
"You can wait outside, you know."
You were already annoyed by her attitude during the meal earlier. Her manners are pretty much non existent. You managed to hold yourself back. And Yeji did an incredible job to make up for her older sister's behavior. But there is only so much you can take. If Karina was a couple of years younger, you would've just picked her up and carried her out. You used to do that, when she was being a brat at an younger age.
"Karina."
You realize your tone has become threatening. You reach out for her shoulder, wanting to stop her from letting the strap fall off of it. She swats your hand away. It lands in her hair. And before you can even think about it. You've already taken a fistful.
"One last time. Get. Out."
You growl into her ear.
"Let me go!"
She tries to push you away again, but this time you stay steady.
"Stop it. You know I'm stronger than you."
"I'm gonna tell dad!"
"So what? You think he is gonna like the fact you take this kind of pictures of yourself?
Karina winces as you tug at her hair a little too hard.
"Leave me alone you ass!"
She finally reached the limit. She broke the last wall of self restraint you had left.
You push her against the sink, slightly bending her over it. The both of you stare at each other in the mirror. She finally looks at you properly.
"Stop being a rude bitch first."
The words left your mouth before you could think about them. You planned on saying something different. They just came out. You almost expect Karina to cry, when you see her eyes grow wide.
"Fuck you!"
You were wrong.
Karina reaches behind her with one hand to push you away. The other holds onto the sink.
"No. Fuck you. You have no manners at all."
"So what, huh!?"
She glares at you through the mirror, slightly raising her chin.
"Apologize and behave properly. Or this will have consequences."
You used to say that line when the two sisters were younger. It always worked. You were like a fun uncle for them. Whenever you became this serious, they knew they did something wrong.
But now, Karina just scoffs.
"I'm not ten anymore. What are you gonna do? Punish me?"
"I will."
"Oh, please. I'm a grown woman. I can do what I want."
"Not under my roof."
You point at her phone.
"Delete the pictures you took and go downstairs."
"No."
"Karina..."
You growl, pushing her forward with your hand on the back of her head. She stumbles against the sink.
"Delete them."
"No."
Karina crosses her arms and glares at you, once she has regained her composure. You reach for it yourself. She tries to stop you, but you are too strong for her.
"Give it back!"
You take a step back and hold her in place. Since your arms are longer than hers, Karina can't reach for her phone.
You delete the first to pictures without even looking at them. But when you see more and more of them, you start to realize how sexy she looks in them.
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What she lacks in manners and attitude, she seems to make up for with her body. You can't deny the fact that Karina's beauty rivals her sister's.
Once you are done, you look at her again.
"Did you seriously just delete all of them?"
Karina asks with disbelief in her voice.
"Yes. Now, get out."
"No. I need some content for this weekend. You just deleted like twenty pictures or something."
"What content?"
You furrow your eye brows.
"None of your business. Give me my phone back."
You ignore her outstretched hand, quickly scanning through the apps on her phone. You see a white icon with a blue O on it. You realize what she is doing.
"Are you serious?"
"What?"
You show her what you found.
"So? I need to pay my bills somehow."
"Does your father know about this?"
"Don't you dare."
Karina glares at you.
"Oh trust me. I will tell him."
"No way."
Now she finally looks a little concerned.
"Karina, you shouldn't be doing this. Just because you look nice, doesn't mean you have to sell your body for some money."
"You think I look nice?"
She mockingly raises and eyebrow.
"That's wasn't my point Karina."
"Come on, you can be honest. Do you know how much guys pay me for these pictures?"
"I don't give a fuck."
"But I do. If you are gonna tell on me, I'm gonna tell on you too."
"I'm a grown man and your dad's friend. What could you possible know about me that would be worth his time?"
"Hmm, I don't know. Maybe the fact his best friend rails his daughter on a regular basis?"
"What?"
You are too surprised to hide it. You and Yeji made sure that no one would find out. You were always careful. How...?
"See? Seems like I do have something of value."
"How do you know?"
"Me and Yeji share a dorm at college. Whenever she doesn't see you for longer than a week, she plays with herself, when she thinks I'm asleep. I can't believe she calls you daddy."
You close your eyes in disbelief. Yeji... Why does she have to be so fucking horny all the time?
"Fine. Alright. I won't tell on you. You won't tell on me."
A sly, victorious smile plays around Karina's lips.
"Deal."
"That doesn't change the fact that you are rude all the time."
"I'm not rude."
It's your turn to raise an eyebrow.
"I have my reasons."
You let go of her hair earlier. She crosses her arms in front of her, looking away.
"I don't care what your reasons are. So leave."
You gesture towards the door.
Karina doesn't move.
"You deleted all the pictures. I need new ones."
"I still don't like what you are doing. Leave."
She shakes her head.
"Help me with this."
You realize that your argument isn't flawless.
"You're my friend's daughter. No way."
"Seriously? You creampie my sister, but you don't want to fuck me?"
How are you going to get out of this?
"I'm not shooting a movie here or something. If you want someone to fuck you on camera, find a pornstar or something."
Karina rolls her eyes.
"That's where you draw the line?"
"Karina..."
She ignores you, taking the phone out of your hand.
"You don't need to do anything but fuck me. Shouldn't be that hard."
She sets the camera to record, before placing it back on the sink.
You think about it for a moment. It really isn't that hard. You are fucking Yeji already. So why not go all the way? It's not like she is gonna tell her dad.
Karina leans over the sink, looking back at you over her shoulder.
"Give it to me. Daddy."
That last word makes you jump into action.
It sounds so much different to when Yeji says it. The younger one uses more affection. Whenever she says it, you feel like she would do anything for you. Or rather your cock.
When Karina says it, it's sounds more lustful. Maybe even slightly condescending.
Yeji is the good girl, while Karina is the bad one.
You quickly unbuckle your belt and let your pants drop to the floor. Karina watches you through the mirror as you reach for the hem of her dress.
She glances at the phone, when she feels you pushing her dress up. You reveal her ass. Slightly bigger than Yeji's. You can't help but compare. Your hands wander over her skin. The same thrill you feel whenever you have sex with Yeji enters your body. The thrill of doing something forbidden. The fact that she is filming this makes it even hotter, now that you think about it.
"Don't tease me, daddy."
A knowing smile plays on Karina's lips.
You align your cock with her entrance. Her wet folds make it easy to slip inside. It seems like taking the pictures earlier turned her on.
"Damn, daddy."
Karina breaths heavily as you push inside. For some illogic reason you expected her to be not as tight as Yeji. You are proven wrong.
"Fuck you are tight."
You can't help but give her ass a rewarding spank.
"That's right daddy. Punish me for being such a slut."
You slap her again and again with every inch you push further into her. Karina moans whenever you do so. Her body is being pushed forward with every slap. Her ass cheeks jiggle deliciously.
Once you bottom out inside of her, you look at Karina in the mirror. Her half lid eyes stare back at you. She is biting her lip, trying to contain a loud moan.
You place both your hands on her waist, pushing down a little. Karina's back arches as a result, enabling you to push just a little bit further.
"Oh fuck, oh fuck, oh fuck."
It seems like you've reached her limit. Karina hisses as she tries to get accustomed to your cock.
"If I had known you are this big..."
She isn't able to finish her sentence, when you pull out of her.
You watch Karina's eyes roll back as your cock rubs against the length of her inner walls.
"Don't give me all the credit."
You chuckle as you push back inside.
"Fuck."
Another moan escapes Karina's lips.
"Am I tighter than my sister?"
A question you've never even dreamed of hearing. One so dirty, you never thought one of them would be able to say it.
"You are."
Your honest answer makes her smirk. You wipe it off her face a moment later. Because you start fucking her properly now.
"Holy shit."
Karina watches as you thrust into her again and again. Your hips snap against hers, making the sounds echo through the bathroom. She tries to silence herself once again by biting her lip, but your thrusts prove to be too much for her. Eventually, her mouth hangs open, lewd sounds coming from the deepest parts of her throat.
Your eyes, which were focused on her face, are now slowly wandering downwards. You get captivated by the way her tits move, while you fuck her. Reaching forward with one hand, you grope Karina's boobs over her dress.
They are bigger than Yeji's. You don't have to touch her to know it. It's obvious.
"You like mine more than my sister's. Right?"
Karina manages to ask another question like this.
"I would like you more if you would just shut up."
Another grin flashes across her face.
"If I'm still talking, you are just not fucking me hard enough."
You take it as a challenge. With one hand now in her hair and the other on her waist, you start to fuck Karina harder and faster. You push her against the sink with every thrust into her. A red line where she hits the sink appears on her skin.
"Look at yourself. Getting fucked in someone else's bathroom like a whore."
You don't know where these words came from. This situation, Karina herself, makes you do things you never thought of doing. You pull at her hair, forcing her to lift her head, which dropped between her shoulders earlier.
Karina's wide eyes stare at you as you take her from behind. Her tight walls squeeze you and try to stop you from leaving, whenever you pull back.
"Mmh, yes."
Karina moans, some spit falling out of her mouth in the process. She starts to lose her composure as you hit just the right spot with every single thrust. Her and Yeji's body feel similar to you. You can tell where her sensitive spots might be and you stimulate them properly, making a squirming mess out of the young woman.
You move your hand from her waist to her shoulders, quickly pulling the straps of her dress off. The upper half slips down her body, until the whole dress is bunched up right above her waist.
Karina's tits sway from side to side as you pound her from behind. You take one of them into your hand, squeezing it and earning another deep moan.
By now, you think Karina has forgotten about her phone. She seems to let herself go, submitting to your thrusts. Your hand keeps exploring her voluptuous chest, squeezing her tits and tugging at her nipples randomly.
Your cock in her pussy keeps hitting just the right spots. The combination of your pounding and your groping has Karina moaning and shivering. She watches herself getting fucked. It's something she starts to enjoy very much. Her pussy tightens even more around you in response.
You let your hand explore more of her body, while the other one keeps her head in place by holding her hair. You admire her collarbone and shoulders for a moment, before quickly moving past her chest. You feel the toned muscles of her stomach underneath your palm. As you keep fucking her and your hand moves further down, you could swear you can feel your cock through her belly.
You press against the spot and suddenly, Karina starts to shake more, her pussy squeezing you tighter.
"Daddy, fuck!"
It's the last words she manages to force out. From that moment onwards, Karina is a mumbling mess. You can't tell what she is trying to say. Her lips quiver uncontrollably. Her pussy is almost painfully tight as you feel more and more of her fluids leaking out of her.
Eventually, your hand reaches her clit. You start rubbing it, encouraging her with your fingers to cum on your cock. Karina's closed eyes shoot open. Saliva still drips from her parted lips.
"Ohhhh!"
A loud cry is the only thing she can do to announce her orgasm. Karina watches herself climaxing. She sees how her body twitches and squirms. How her muscles on her midriff seem to flex. She feels her own pussy tightening around your cock, contracting uncontrollably. Her arms and legs grow weak.
You keep fucking Karina through her orgasm. She can't do anything but take it. She can't tell you to stop. She tries to watch herself as long as possible. But when you somehow drive yourself into the deepest depths of her vagina, Karina's eyes roll to the back of her head. She sees stars, her mind eventually breaking from the pleasure.
You feel yourself chasing your own orgasm as you watch your friend's daughter through the mirror. Her breath has left fog on the glass. Only now do you realize her hands don't rest on the sink anymore. They are pressed against the surface of the mirror.
The sight of Karina like this slowly makes you reach your high.
"Fuck, Karina. Your pussy is gonna milk me dry."
You manage to push out the words as you try to hang on as long as possible. Her tight snatch keeps squeezing your cock, making it harder for you to properly fuck her like before.
"Let me taste your cum, daddy. I need it."
Karina's eyes reflect her desire and need for your cum. She almost unconsciously licks her lips.
You count to ten, trying to stay as long as possible inside of her. You want to savor every last second of her tight pussy wrapped around your cock.
But you have to pull out eventually. You leave the snug tightness of her snatch.
"Come here."
Karina drops to the tile covered floor, kneeling in front of you.
Just like you held Yeji an hour ago, you grab Karina's chin. But not to kiss her. You make her crawl towards the glass wall of your shower.
You press her cheek against it, signaling her to stay like this. The sight quickly makes you cum.
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You start to shoot your load all over Karina's face. You paint her skin with your cum. She looked almost cute a moment ago. Now, she looks like a cheap whore.
"Fuck, that tastes good."
Karina is sucking her finger clean, after having scooped up some of your cum. You can't believe you came on both of your friend's daughters within two hours.
The older of the two now looks up at you, her tongue cleaning the cum off her face around her mouth.
"Would you like to become my partner for my content? You would get a cut off the profit."
"Karina-"
"You think we can convince Yeji to join us?"
"I don't think we should-"
"I think people are gonna be willing to pay if they know the two of us are actual sisters."
It feels like you are drowning in sin. It's bad enough you had sex with one of your friend's daughters more times than you could count. You now managed to fuck the older sister as well. And now she wants you to help her make money by filming you, fucking her and her sister?
"This isn't right Karina."
You try to do the right thing. But that ship has kinda sailed already. And you can't deny that a threesome with the two sisters would be mind blowing.
"Come on, daddy. You can do with me what you want. As long as we film it. And I'm pretty sure you are already using Yeji like a sex toy anyway."
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moosesarecute · 3 months
Text
YOU’RE MATES???
“Two weeks?” Your brother asked.
“I know it’s a lot, but I need a break. And I want to make sure I actually feel better by the end of it. I might get back earlier, but I want two weeks in case I need it,” you answered.
“You should have told me that you felt overwhelmed, Y/N. I could have helped you. I still can help you.”
“I know, but I want to fix this on my own.”
Rhys hesitated.
“Okey, you have two weeks. But make sure you give me some signs that you are alive every few days, okay?”
You nodded and hugged him.
“My two best spies needing a break at the same time,” Rhys continued. “What will I do?”
You froze, but tried your best not to show it. There’s no way he’s realized it now.
“Azriel is also on break?” you asked, doing your best to sound surprised.
“Yeah, he also said he needed two weeks, maybe more,” you fought a blush, “he didn’t give any reason for why, but I would never say no to that.”
“Weird,” was all you replied before you made a bad excuse to leave his office.
You closed the door and immediately winnowed to the cabin furthest away from Velaris. It was the cabin that was used the least by your family, but it was your favorite. You also knew that when the two weeks were over, the smell would linger for a long time, so you didn’t want it to bother your family with it.
You felt excitement spreading through your body as you made your way to the kitchen. With your hair set up and your mother’s old apron on, you started making an apple pie.
It didn’t take very long to make the pie, so you soon sat at the kitchen table, tapping your foot on the floor as you waited.
And waited.
And then you finally heard the door open and in walked your beautiful, sweet, majestic, mysterious and wonderful mate, your Azriel, ready for you to accept the bond.
********************************
It took exactly 48 hours before your brother reached out and asked if you were alive.
“I’m fine, Rhysie, just enjoying the peace and quiet. I’ve read two books so far and started a new crochet project.”
“And you’re remembering to eat?”
“Yes, I’m well fed,” you answered.
“Then I’m happy,” Rhys finished with and left your mind.
Most of it was a lie of course. You were well fed, both you and Azriel had brought lots of leftovers so that you quickly could heat up something when you became hungry enough to take a break from eating each other.
But you had not even opened the books or picked up the yarn you always kept at the cabin.
“He’s worried?” Azriel asked.
“Yup, but he’ll be alright,” you said as you moved to kiss your mate once more. “And I’m extremely alright.”
Your mate met your kisses. You were straddling him on the couch with minimal clothing, doing your best to take a break from ravishing each other…the break didn’t last very long.
********************************
Two more days went by and your brother took contact once more.
“You know I told you to give me signs you are alive, right? I don’t like that I have to reach out to you.”
“You worry too much,” you answered pretending to sound annoyed. “I’m doing good. Just relaxing.”
“You’re not going crazy being alone?”
You had to hold back a little laugh. He obviously didn’t know that you were far from alone, being embraced in a cocoon of your mates large wings as you took a nap.
Luckily for you, you didn’t mind spending time away from people. You didn’t leave often, but it had happened multiple times before and Rhys knew that.
“I enjoy being alone sometimes, you know that.”
“Yes, but-“
“I’ll come home early if I need to,” you cut him off by saying.
“Okay, okay,” your brother said and left your mind.
“He hasn’t reached out to me yet,” Azriel told you. His voice was heavy with sleep and you spent some time admiring how cute he looks when he’s tired.
“He wants to give you space, I’m sure he’ll reach out to you soon.”
“I don’t mind, really,” he said. “I’m perfectly happy talking with you and you only.”
You grinned and nap time was over.
********************************
“I have to tell Rhys I’m alive,” you told your mate in between kisses.
“Right now?” He sighed.
“He has taken contact at 8 o’clock the other times and he’ll probably do that today too,” you explained and left his lap, but stayed beside him, playing with his hair.
You brushed your brother’s mental shields and he immediately let you in.
“I’m alive, I’m alive, I’m aliveeee,” you sang in a little song.
“Good, thank you,” Rhys replied, not joining your joking mood.
“What’s wrong?”
“It’s nothing,” he told you. You were about to call him a liar when he continued. “I just miss you.”
You started to feel bad for lying to and leaving your brother. Azriel picked up on your emotions and started hugging you.
“I miss you too Rhysie, but I really need this,” you told him.
“I know, little one. Thanks for taking contact.”
Rhys closed his mental shields and you were forced out of his mind.
You were about to start talking to Azriel, when he let go of you and silenced you with a finger in front of your lips. He stayed like that for a few seconds and you realized your brother must have taken contact with him.
“He just asked if I’m alive and alright,” Azriel explained.
“Good,” you replied. “Then we can continue our activities.”
You leaned in and kissed his forehead, then his eyes, his nose and lastly his lips. After each kiss, both of your smiles grew larger.
********************************
You were making dinner the next time you felt your brother’s claws on your shields. You carefully moved away from Azriel’s embrace and kisses and took a sip from your glass of water as you opened your mental shields.
“I know why you’re gone,” Rhys said before you could greet him.
You spit out your water and Azriel looked at you with shocked eyes.
“I don’t know what you’re talking about,” you replied trying not to sound nervous.
Your brother spent a long time before he continued.
“I needed the book on Illyrian history for a up coming meeting.” Your heart sunk. “I saw on the library card that you borrowed it last, so I thought I should look in your room. I know I should have asked, but I figured you didn’t want for me to bother you, so I just went inside.”
“I’m sorry, Rhys. We just-“
“I’m sorry you didn’t feel comfortable telling me. If you two are dating and you’re happy, I’m happy. You could have just told me if you wanted a couple’s vacation.”
“I’ll explain everything when we get home, I promise.”
“Just enjoy each other’s company. I won’t tell the others.”
“Are you mad?”
He again waited a little before he answered. “No, I’m not mad. But I’m definitely fighting Azriel when you get home.”
Both of you laughed.
“I’m looking forward to seeing that,” you answered. “See you soon.”
“See you.”
Azriel looked at you with wary eyes.
“He knows about the relationship, but not the bond.” When you felt and saw the anxiety spread through his body, you added “he’s not mad, but he will fight you when you get home.”
You closed the gap between you two and caressed his cheeks. “He’s happy as long as I’m happy and if I haven’t already made that clear, I’m the happiest I have ever been.”
You stood on your toes and kissed him. He kissed you back, lifted you up and sat you on the counter.
He picked up a plate and filled it with food and gave it to you.
“From this day I’ll give you food. It doesn’t matter if you made it or I or someone else, I’m giving you the food.”
You looked confused at him. “why?”
“We are mates, equals in every way. You had to feed me to accept the bond, to show that we’re equals I’ll feed you from now.” He kissed you as soon as he finished talking.
“I love that, mate,” you kissed him back. “It’ll be our thing.”
********************************
“Not going to ask if I’m alive?” You asked your brother two days later. “It’s 5 minutes past 8! I started to worry!”
“I now know that you aren’t alone, I don’t want to interrupt anything.”
You failed to mention that he had interrupted you and Azriel having sex more than once during the 12 days you had been at the cabin.
“When are you coming home?” Rhys asked. “I’m starting to go crazy with Cassian and Mor bickering around me all the time.”
“Two days time I think,” you replied. “So you’ll have to survive without us a little longer.”
“It’s so weird that you two are dating.”
“We might be a little more than just dating,” you told him and immediately left his mind.
You felt him claw on your mental shields multiple times, but you didn’t let him in.
********************************
“Wow,” you said in awe as you looked at your mate’s shadows.
“What?” Azriel asked. He was seated on the couch.
“Have they always looked like that?”
“Looked like what?”
You walked closer to your mate, straddled him as you tried to get a closer look of his shadows.
“It’s like they’re a little violet.”
Azriel commanded his shadows to stand before him. His eyes widened and were soon at the same size as yours.
His shadows did indeed have a little violet tint to them. Not a lot, but if you looked very closely, you could see it.
“I didn’t know they could do that,” you said. Still looking at the shadows. “They’re beautiful.”
“I love it,” Azriel said. His eyes met yours. “I love you.”
“I love you too,” you replied.
********************************
The two of you walked hand in hand into the townhouse. After having been sneaking around for two years, showing your relationship felt a little weird.
However, being mated mates felt as though everything was as it was supposed to be. It was 40 years since the mating bond had snapped, so it was about time that you accepted it.
Your brother had previously told you that the rest of your family would be at the townhouse that evening, so you decided to just show up as mates.
Together you opened the doors to the living room.
“Finally! You’ve been gone too-“ Mor stopped talking. Her eyes looked from you to Azriel to your hands. “Holy shit.”
You just laughed and held Azriel’s hand a little tighter.
“YOU’RE MATES???????” Cassian yelled at you.
“How didn’t we know that?”
Your eyes found your brother’s. He wore an amused grin and just shook his head.
“It’s almost like both of them are spies,” Rhys said.
“Or that you three just never spent enough time with both of them together,” Amren spoke. “They were quite obvious at times.”
You didn’t know for sure that Amren knew about the two of you, but you weren’t surprised to know that she did.
“You have to tell me everything!” Mor said as she started to move over to you.
You started to back out of the room. “I think I’m going to take a bath first,” you said, met Azriel’s eyes and started to leave for your bedroom.
Azriel luckily understood what you meant and followed you in a way Mor later would describe as “a love sick puppy”.
********************************
“Please don’t,” Azriel begged you.
“I told you I would do it if you continued to act too possessive,” you just told him.
“I’m not possessive.”
“You hissed at Rhys…,” you said a little annoyed. “My brother.”
He knew that he had lost the discussion and you didn’t waist anytime spraying him with your new spray bottle filled with ice cold water.
A few meters away from you, Cassian and Rhys stood laughing at the two of you. They would never let him forget it and even after 500 years, they still sometimes threatens him with “getting Y/N’s spray bottle”.
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goggles-mcgee · 9 months
Text
Phantom Fudge
I love the fics of Danny settling into Gotham and having some sort of business and just absolutely confusing the Batfam with how flippant he is about the crime.
My take is, instead of a coffee shop or bookstore or occult shop, Danny opens a fudge shop!
His parents taught him, and he found he actually really loved it, and besides, his dream of being an astronaut was out of reach due to his unique medical readings. In this au, his parents learned about him being Phantom and took it well after a good period of spiraling because-Holy shit they shot their son. You may be asking, Goggles, didn't you just make a post that was all about Jack and Maddie not taking the news well? Yes. Yes, I did.
I go back and forth with wanting to salt them and not. I like both.
So anyways, Danny is the heir to the Ghost Throne, but he won't actually take up the official title until his time on Earth is naturally over. After everything got better with his parents and his regular ghost fighting buddies, he actually was able to raise his grades and graduate. Many teachers were amazed at the progress but really, Danny may not have been as smart as his parents and sister (he is an unreliable narrator and is actually very smart just not as conventional as his family) but before his accident he had done pretty good in school. The GIW was still a thing, but without the Fenton technology, they weren't doing as well as they previously did. His parents broke their contract after they rescued him from the GIW labs, it was a little after he told his parents about his halfa status and they came storming in to save him and all the other ghosts that were captured. After that, life got so much better. His parents listened to him, and he got to teach them all about his people. They started publishing more papers with actually accurate information and were doing their best to overturn the anti-ecto acts. They haven't accomplished it, but Danny was sure they would.
That's actually why he moved to Gotham. Tucker had the idea of contacting the Justice League to help with the anti-ecto laws, but their calls weren't being answered. Neither were the...strongly worded emails Sam sent in. So Danny did what he did best and jumped into something not entirely thought out but hoping for the best. He moved to Gotham so he could get close to Batman and ask for help. He got accepted into Gotham University on a scholarship. But he wanted to make some money on his own without his parents sending him some kind of allowance, and he didn't want to work at Bat Burger. He started selling fudge around winter at his school, and he got permission to do so.
From there, he got enough money to actually open a small fudge cart. Then he got enough for a small shop near his apartment which was rather close to Crim Alley so he hired some working girls to help with the shop and he employed any Alley Kids looking for some cash as delivery workers. (They only delivered in Crime Alley, though, but that was fine with Danny.) Danny loved his little fudge shop that he lovingly named Phantom Fudge, and the sign had a cute little ghost eating some fudge on it. When he was in school for classes, he left the shop in his friend Ginger's hands. She had been a working girl before, but before that, she had had experience working a small mom & pop kind of shop, so Danny felt good leaving her in charge. When Ellie visited, she helped out with the shop too.
Danny was thriving. Then he started getting customers of the ecto variety because, of course, he would. Apparently, he was something of an ecto filter for the shades and ghost of Gotham, so they would visit his shop to soak up some of the pure ectoplasm in the air. Then he experimented and made some ecto-fudge, which is what he gave to any ecto beings that entered his shop. Most couldn't pay, but they would give him a heads up if they saw anything shady happening around his shop.
Like a little heads up that some robberies were happening in the area, or some rogue was getting close. It was a nice little system they had. Though some ghosts came in just to tell him their unfinished business and like...he wasn’t King yet, but these were his people, so he tried to help them out as best they could.
One particular couple showed up a lot and would ask him to help warn their son of any danger they heard was brewing. They would ask him to leave messages for the son or any of his kids but also the butler if needed. Danby thought this guy had some great parents. They didn't cross over because they needed to make sure their son was safe and taken care of. It was most likely that they wouldn't cross until their son did by the sounds of it. He got permission to call them Grandma and Grandpa, which was weird, but he didn't question it.
Martha and Thomas were nice spirits, so he had no problem helping them out. But Danny is Danny and his well-intentioned help of course caught the eye of the whole batfam.
They had been receiving letters in the Manor that appeared mysteriously. The first one they had all thought was a prank from the many people there. It was a simple, 'Don’t go to the gala. Something bad will happen.' That started it all. They were all baffled but laughed it off, and those who went to the gala didn't know how to feel when the seeming wait staff took over the event and held the guests hostage.
A coincidence surely.
Then they got another note, 'Freeze is planning to do a B&E and snatch some equipment from a Wayne lab. Idk which one since you have so many.' And just like last time, the note was speaking the truth. It continued from there, and everyone tried to capture whoever or whatever was leaving the notes, but any cameras they had glitched out before returning to normal and showing a new note had showed uo somewhere in the Manor. Bruce was going crazy trying to figure out who or what their messenger was.
Alfred once found a note that said, 'Tim has been awake and pushing himself too far. He is going to crash.' He took it to heart though and made Tim rest and take a break. He would not let the note happen. Tim had had far too many crashes the past couple of months.
The note that broke Bruce, though, was small in words, but it made him feel crazy. It was his parent's death anniversary, and when he went to visit the exact spot, he saw a sticky note on the floor. He shakily picked it up to see all it said was, 'It's okay.'
Now he is really worked up and determined to find the note messenger.
While that's going on, Danny also gets some local vigilantes visiting his shop, and he is so excited to see them and try and be their friend so he can ask for help. Plus they seem to be fans of his fudge and that just makes him happy.
The batkids thing the Phantom Fudge shop owner is suspicious, but hot damn did he make some bomb ass fudge.
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ahundredtimesover · 7 months
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I Want You to Stay (07) | JJK
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Pairing: Jungkook x (f.) Reader
Genre/Tags: boss!JK x assistant!reader; idiot strangers to lovers; slow slow burn; k-drama feels; angst, drama, fluff, smut
Chapter (Series) Warnings: foul/explicit language; alcohol consumption & passing out, unhealthy coping mechanisms; family drama; minor injuries; power dynamics (JK starts off as a jerk); work-related anxiety, feelings of helplessness, insecurities; childhood traumatic experiences, nightmares; sexual harassment, prior incidence of domestic violence (PLS PLS BE CAREFUL WHEN READING); arts and business/property devt talk that’s probably inaccurate; commitment issues & emotionally constipated characters; cold and detached JK; eventual explicit sexual content (specific warnings stated per chapter) (18+)
Chapter Word count: 15.4k
Series Masterlist
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Status: Ongoing
Series summary: Working for Jungkook isn’t the same as working for Hoseok. For starters, Jungkook doesn’t smile, he doesn’t appreciate you, and he gives you too much work. It doesn’t help that he’s incredibly handsome and has women at his beck and call. But as the tension grows, it becomes impossible to resist him. You’ve dedicated yourself to your job for 8 years so when you finally decide to put yourself first, he asks you to reconsider. And while you know that leaving is difficult, you learn that when it comes to Jungkook, staying is always so much harder.
Playlist 🎶: on the way home
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A/N: One of my fave chapters! I hope you like this one! And just a heads up that intervals between posting days will be longer as the chapters get longer, too. And bc u know, life... HAHA but again, thank you so much for all the love for this like??? HOW. PLS you've all been so nice so thank you! 🥰 Also… JK in that SNTY suit.
And as always, my biggest thanks to @wonwoonlight  🥰
PS. If I can’t tag you, pls fix your settings!
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Mr. Ri loads the luggages in the trunk and you double check that all bags - which you helped pack yesterday - are complete. You enter the car right after and head to the airport where Jungkook will fly to Singapore for a few meetings and to attend Seokjin’s alcohol launch party. 
It’s been over a month since the Arts Center event and so much has happened since then. Jungkook went to Jeju to meet an artist and then to Japan over a weekend to meet another two. He’s been on calls with a few more with plans to meet in their country of residence in the next months, and he’s gone around different local towns to meet with craftspeople for souvenirs and future exhibitions. He’s also touched base with various national and international Korean arts and culture organizations for promotion and joint projects. The event opened doors for a new network that he hoped for. There are now proposals for other collaborations and side engagements that’s doing a lot for the company’s brand and expansion. 
To say that Jungkook and the team have been busy is an understatement. You went back to work after those few days of recovering with everyone overwhelmed by all the things they had to do but like you expected, you all managed and got things organized. There are still multiple things to handle all at once, but everyone’s just been on top of everything and showing how competent you all are as individuals and as a team.
Within that period, Jungkook has stopped by the team’s office and the pantry more times than those first months. He also managed to laugh at Do-hyun’s unfiltered remarks a few times and even slipped his own that got the team giggling. He’s seemed a lot more relaxed and so has the team. Lunch meetings have been regular given all the work you all have to do. Yohan and Chin-sun even say that they’ve gotten to know Jungkook a little better through their visits to the Arts Center. And while they do think he’s still a bit detached and catch him in his own world sometimes, he’s a lot more engaged and is actually way smarter than they’d initially thought. 
Jungkook checks his phone and sighs, prompting you to turn to him.
“Seokjin says the party is an intimate event but there’s gonna be over two-fifty guests so I don’t know about that,” he shakes his head, showing you the restaurant bar where his friend will be launching his alcohol brand. “For some reason, he expects me and Tae to entertain guests on his behalf.”
This was another development you hadn’t expected. Since that morning when Jungkook sent you food when you were unwell, your relationship changed. It’s still professional but there’s more openness now, as if that prompted both of you to be comfortable around each other. 
There’s more trust and honesty, too - he lets you make decisions, lets you handle the team when he’s away, and asks you for your unfiltered opinion. You feel like all the time you spend together has allowed you to learn how he sees and understands things; you even finish his sentences sometimes. 
He’s also loosened up a bit and allows himself to laugh and smile more. They’re still rare occurrences but you never point them out, not wanting him to feel awkward and then stop. They often catch you off guard so you haven’t been able to fully appreciate them but at least he feels comfortable around you, enough to even talk about non-work stuff and things that fill his mind, like random questions or small concerns. 
You’re unsure if he notices how uninhibited he’s become but you don’t point it out either. He still has his moments of living in his head, his faraway thoughts rendering him quiet and observant, and his perfectionist attitude means he’s still critical sometimes. But he doesn’t take anything out on you - not his frustrations nor his fears. He’d usually keep to himself and talk to you once he’s cooled down and you’d take that any day, so long as you keep your sanity and are able to do your tasks as instructed.
In return, you let yourself be the same. You’ve fully restored your confidence and that’s allowed you to show just how capable you are. You’ve been more vocal with your thoughts, too, and don’t take it personally when he doesn’t agree. You smile a lot more, joke with him even, and have been more generous with words of encouragement and affirmation. They come more naturally than you expected, and you appreciate that he doesn’t turn you away whenever it happens.
He’s actually okay to be around when he’s not being grumpy or difficult. You suppose that the situations he was put in - and how you responded with patience and understanding - allowed him to see that you’re truly on his side and that let him put his guard down a little. You’re past trying to please him for the sake of making your job bearable; there’s actual joy in it now, and while the search for who you are outside of all this continues to ring in your head, you think that sticking around for now isn’t so bad either.
“Perhaps Seokjin has seen how good you are with entertaining guests now and deems you worthy of being an extension of him,” you respond to Jungkook’s earlier musings. “And he wouldn’t be wrong. You’ve become really good at it.”
“You know, I think you oversell me sometimes,” he chuckles. 
“Hmm, I think I don’t,” you counter. “If I may say so, Mr. Jeon, it's just that the bar was pretty low so the improvements are quite striking.”
“Fair enough,” he laughs, not taking offense.
“You can still do better at charming people. Maybe you can learn a thing or two from Seokjin and Taehyung,” you push.
“Those two flirt, they don’t charm,” he playfully rolls his eyes.
“Well, I completely disagree, sir. I mean, I’ve seen it firsthand. And I’m not one who’s easily charmed.”
“Fine, I’ll see what I can pick from them, then,” he concedes.
“Kidding aside, I think you’ll be fine, Mr. Jeon. Plus, it’s unrelated to work so there’s no need to impress anyone,” you state. 
“True,” he hums. “But just thinking about these next few days is already making me tired. Tae rented a yacht for tonight. We have Seokjin’s launch tomorrow, and to celebrate, he’s throwing another party the day after.”
“Hmm, must be that you’re getting old,” you tease, earning you a hum in agreement. “But you’re used to that though, right? They always said that was your life back in Singapore.”
“It was. I had less responsibilities and people to manage but back then, everything seemed too much,” he shares. “I took the weekends seriously and really just did whatever I wanted. I haven’t done much of that these past weeks because I’ve been so tired and I feel like I’m under the microscope when I’m here. So yeah, I’ll probably just take advantage of being back there and just enjoy it.”
“As you should,” you say. “You’ve worked hard and you deserve to spend your weekend however you wish. Just, uh…”
“What?”
“Probably give Lucas a heads-up in case a half-naked woman greets him in the kitchen on Monday morning.”
The silence is deafening and you think you’ve crossed a line with this one. You turn towards him and he looks stunned at your unfiltered remark.
“I’m so sorry, Mr. Jeon,” you bow in apology. “That was too personal.”
“It’s okay,” he responds after a beat of silence. “I guess I deserve that. I mean, I never apologized for the morning when you experienced exactly that. And for when you found that underwear on the floor, which I forgot to clean up. So, uh. I’m sorry.”
“It’s okay, too. I got over it,” you assure him. “And if anything, I’m pretty sure she left that on purpose so she’ll have a reason to come back.”
“That’s exactly it,” he groans. “She saw me again and wanted to go to my apartment so she could get it. I told her I threw it away.”
“How brutal,” you tease again.
“Not my finest moment but yeah, I’m sorry to put you in that position. Must’ve been tough seeing proof of all the washroom gossip.”
“You know about those?” You gasp. 
“I’ve heard about them,” he sighs. “Mr. Ri’s got eyes and ears in the office.”
“It’s hard to defend so I just don’t try,” the older man shakes his head. “Not like you deny it anyway.”
“Not like I really care,” Jungkook shrugs. “But even then, I guess it wasn’t the best start for us,” he tells you.
“Perhaps not, but I’m not one to judge, Mr. Jeon. That’s all in the past now, and that feels like a lifetime ago.”
“It does,” he hums. 
It’s during these casual exchanges when you get to see a bit more of Jungkook as the person that he is, beyond the perfectionist executive who still harbors fears and worries about his new role. He’s still a human being who finds ways to deal with the stresses of life, someone who needs time to step away from his burdensome responsibilities, someone who seeks intimacy and connection and finds ways to attain them in his own ways. The doubts and worries are still there, but the foundation has stabled a bit. Somehow you think that you’ve created a space safe enough for him to talk about them, to apologize, and to try to be better. You hope he gets to create that for himself, too, and if that’s what you’ll leave him with by the time you decide to step away from this job, you think you’d be satisfied. 
Silence engulfs you both and like he often is after being vulnerable with you, he keeps to himself once again. You wait a while before running through his meetings for today and next week and inform him of what the team will be working on while he’s away. Jungkook responds with a few last-minute instructions, especially about the tasks he needs done in time for your team meeting on Monday. You’re both back to professional talk and you don’t really mind; there’s something about being honest and open that could be a bit disarming.
The car stops and Mr. Ri exits to retrieve the luggage from the trunk. Jungkook, in his navy blue suit, gathers his things and says goodbye. Before he can close the door, you call out his name.
“Yeah?” He asks, his one hand carrying his bag and the other, on the roof of the car as he bends to look at you.
“Happy birthday,” you say. “I know you think it’s just an ordinary day but I hope you celebrate well.”
“Thank you,” he says after a few seconds, basking in the softness of your smile for the short moment that he can.
Jungkook steps away then closes the door. He heads to the airport lounge before taking the 6-hour flight to Singapore, spending it on reviewing reports and design proposals. He goes straight to the office when he lands, settling down in his room where he responds to emails. He munches on some dumplings for lunch, thinking he’s missed the ones from the restaurant across the street, but then Lucas enters and sets down a bowl of seaweed soup.
“Ms. Cho asked me to get this for you, Mr. Jeon.”
Jungkook is caught off guard but manages to dismiss Lucas and tastes the dish. It’s nothing like his mother’s, but then again, he hasn’t had it in years. When Jungkook moved here, there were no celebrations apart from getting drunk at a club, which is also why he’d stopped thinking of his birthday as anything special. There were no traditional meals or well wishes or birthday cakes.
He’s here again. There’s that yacht party tonight but it won’t feel like a celebration. Somehow, with this bowl of soup, this does. You’re a thousand miles away but even then, he still feels your presence. Even then, he feels more cared for than he has these past several years combined.
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Jungkook wakes up the next morning with a splitting headache. His neck feels a bit strained, given that he’d slept in an awkward position wearing his clothes from last night. He also barely remembers much. One minute he was drinking with a woman around his arm and the next he’s… here. 
He shifts and lays flat on his back, groaning as last night’s happenings manifest in the soreness of his entire body. The yacht was fancy, as he’d expected from his best friends. There was overflowing food and drinks, the music was great, and the guests were honestly too many for his liking. There were familiar faces and new ones, but he mostly stuck around with those he knew. What he also remembers is not being able to taste his cake. He’s definitely calling Seokjin to complain.
Suddenly hit with the thought of not knowing how he’d gotten home last night - or with whom - Jungkook sits up and groans once more, the incoming call adding to the ringing sound in his head.
“Mr. Jeon,” Lucas answers on the other end. “How are you feeling today?”
“Terrible,” Jungkook says, now finding the strength to get off the bed. “Did you take me home?”
“Yes, sir. You wanted to leave so Mr. Ri and I took you to your penthouse,” Lucas answers. “Your valuables are on the table.”
Jungkook sighs, knowing it was one of those nights. Removing his clothes, he sees the fresh marks on his chest. Wanting to prepare himself before finding some stranger in the other room, he asks his assistant if he’d brought someone home with him.
“No, sir. It was just you. She, uh, she asked to come but you told her you were too tired so she stayed behind.”
“Oh, good,” Jungkook exhales in relief, not wanting to deal with any of that this morning, which is one reason why he always asks them to leave. “How long do I have until I have to get ready for tonight?”
“About five hours,” the younger man replies. “You have a scheduled dinner with your friends at 5:30 and then the event at 8. I’ll be there before that to help you get ready.”
“Alright, thanks. I’ll just workout to deal with this hangover.”
“Medicines are in the cupboard, sir. Please just let me know if there’s anything more you need.”
“I will.”
Jungkook hangs up and presses on his temples as if that’ll do anything. He retrieves the medicine as advised and thinks of something else he needs - a cup of lemon ginger tea. Ever since you’d prepared one for him that one morning, he’s been having it after every night out. He calls the butler to have it prepared for him, given that he doesn’t have the energy to do so himself. 
It arrives, and coupled with the aspirin, he’s starting to somehow feel better. He knows that heading to the gym will do the trick, as it always does, but it still makes him think that he shouldn’t have drank as much as he did last night. 
For someone who’s not particularly fond of people, even Jungkook sometimes wonders why he goes out and parties as much as he does. 
He wasn’t always like this though. His weekends used to be spent on food trips and travels, but after the breakup with Chaerin, those days became free, and he’d stay out late so he could sleep the rest of the next day. The women were to make up for the loneliness; the alcohol was to forget why he needed them in the first place. He hates loud and unnecessary sounds, but the music and the chatter started to become white noise for him; they’d become a companion to help deal with the noise in his own head, or the lack of it. 
Years later, the remaining thoughts in his mind were just all about work, and he’d revert to the same habit for relief - the women became his thrill; the alcohol was so he wouldn’t remember them. 
And it works. The ecstasy lasts only through the night. It’s fleeting as his desire for them is. He doesn’t recall names, just that they made him feel good and that they felt the same; they often try to hook up with him again after all, seeking him in the clubs they know he frequents. But he rarely entertains them; a second time leads to a third, and he can’t be assured that they won’t ask the same tiring questions he hates hearing - why doesn’t he have a girlfriend? Why doesn’t he want to commit to anyone? Does he see himself settling down and having a family? What’ll make him want that?
It’s happened a few times, during the rare instances that there’s a lull in between and they take advantage of his brief period of vulnerability to make him open up. He never does, and it’s not because he thinks it’s a weakness to do so, but he just never really let the moment linger to find out. 
After a light meal, Jungkook heads to the gym and spends three hours expending his energy so he could get it back. 
This is his other means of dealing with his stress. Working out makes him focus on something else and it helps in releasing all his anger and frustration. As he stares at his bare body in the mirror right after - the marks from last night still visible - he scoffs at himself. 
He’s so stereotypical, it makes him sick. He’s allowed himself to let his life revolve around the shallow and fleeting sensations of pleasure to counter the permanence and inevitability of his job. This is his world and he made it this way. And while he drowns in the nothingness inside the walls that he created, he still thinks it’s better than being outside; somehow he thinks it’s lonelier and more burdensome out there. At least in here, he’s all he has to deal with; he’s all he can disappoint.
But there are still moments when he wonders what it could be like if he just dared to live differently. Like when he watches Seokjin animatedly explain the history and creation process of Korean traditional alcohol during the product launch that evening and how his passion is moving and infectious. Or when he observes how Taehyung freely moves around the club and makes connections with others as deep as his smile. 
Jungkook thinks about all this as he glances at the woman next to him later that night, bare under the covers like he is, her body curled into a cocoon as she takes a break. 
She’d caught his eye earlier because she wasn’t trying to get his attention like the others were. She spoke less and screamed more, let him do what he wanted but touched him softly as she pleased.
“You’re a good lover. Why do you waste yourself with something temporary like me?” She’d asked. 
It left him speechless and he shrugged - a change from his usual dismissal - but there’s really nothing to say. 
Why does he? He doesn’t know. He doesn’t want to. 
But it’s at this moment that he tries to imagine what it would be like if it were the same face he saw next to him every morning, if it were the same hand he held everyday, if it were the same warm body he curled into every night. His mind wanders too far, into the depths of a place it can’t go to, beyond boundaries he can’t cross, and the sight is both terrifying and calming. 
It’s safer where he is.
So when she wakes up from a short nap, she looks up at him, her soft eyes wishing for something she knows she shouldn’t.
“You should go,” he says, the softest he’s ever uttered the words. 
“Okay,” she whispers in submission. 
She gets up from the bed, finds her stray clothes on the floor, and puts them on. Jungkook follows her to the door, a first for him. Maybe it’s her gentleness, or the unspoken understanding between them, or maybe because she doesn’t ask for more even if she seems to want to. 
But though he contemplates pulling her back to try to feel what that’s like - seeing her in the morning, holding her hand, curling into her embrace - he doesn’t. He knows even that desire would end; it’s fleeting just as everything around him is.  
He holds open the door. She turns around with a smile.
“I hope someday you find someone you’ll ask to stay,” she says, surprising him again. “I’m sure they would.”
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You walk around the store in awe of the luscious plants displayed on the shelves, your eyes as bright as the lights that shine over them. There are so many to choose from, and though you have an idea of what you want to have, it’s tough deciding which ones to get right now. The money tree is a must, so is the Chinese evergreen. But do you go for the orchid or the peace lily? Can you keep up with a spider plant? How many of the asparagus ferns should you get?
Your eyes flit from one plant to the next, eventually deciding on getting everything on your list then placing them on the cart for payment. 
Jimin chuckles next to you. “Since when were you a plant mom?”
“Since she got that aloe vera from Yoongi and she was convinced that she has a green thumb after it didn’t die,” Soomin deadpans next to you as you frown at her sarcasm. “That’s also after my weekly reminders to water the plant because ‘no care’ doesn’t actually mean it’s going to survive on its own.”
“Oh, shush,” you scoff at her. “You told me I was doing a good job.”
“You’d send a photo every few days, hun,” she laughs. “What else was I supposed to say?”
“True. I needed the encouragement,” you shrug, paying for your haul. “But also, I’m a plant newbie. Yoongi said that I probably need some of them at home and in the office for positive energy and he’s not wrong. All the frustration from months ago just accumulated in my apartment and I need a change.”
“So… Is Yoongi a plant dad, too?” Soomin wonders.
“No. He just knows about a lot of things,” you reply. “Plus, he’s an architect and a designer. He knows a thing or two about plant decor.”
“Why isn’t he here with you, then?” She arches an eyebrow.
“Because I’m with both of you, duh,” you roll your eyes. “And before you say anything more, I don’t really like mixing my work friends with my personal friends. It’s different.”
“Well, I’m glad we could join you on this new phase of your life,” Jimin tries to be encouraging. “It’s like turning over a new leaf.”
You scold him over his terrible pun but laugh anyway, enjoying the comfort and playfulness that only your best friends could bring. They picked you up from work last Friday then you all headed to a club after dinner. You spent yesterday at a beach at their insistence then stayed in during the evening. It’s now Sunday and you’re dragging them around as you run errands before saying goodbye to them again, and it’s not a normal day without Soomin mentioning Yoongi. Perhaps it’s because of all the guys you’ve mentioned that have taken interest in you, he’s the only true green flag; he’s also the only one you didn’t entertain at all. You suppose that’s something she’ll not really get over. 
The three of you head to a nearby cafe. Jimin excitedly talks about the latest menu item in their chain of restaurants while Soomin groans about the stuff she has to deal with as she manages her family-owned shipping company that’s the biggest in the port city of Busan. They turn to you and ask how the rest of your week is going to go, with slightly surprised looks when you don’t talk about work with as much disdain as you used to. There’s excitement, even, something that Soomin points out, and when you mention that Jungkook is on an overseas trip, she assumes that’s the reason why.
“Not really,” you clarify. “He arrives tomorrow evening, but the week’s packed - we’re visiting the Arts Center for inspection and then I’m doing an ocular with Chin-sun for the VP events we’re holding in the next few months. I mean, I won’t be buried in files nor will I be in meetings all week. So yeah, it’s not bad.”
“That’s good,” Jimin beams. “At least it’s nothing like how it used to be. Right?”
“It’s a lot better, I told you guys,” you say, reminding them of a similar talk you had the last time they were here, which was a week after you’d gotten sick. “Jungkook is… rational, less grumpy and impulsive; he also listens to me and trusts me. He’s even smiled a few times.”
“Wow, he really set the bar low for you, huh,” Jimin chuckles, earning him a nod.
“Does that also mean that he’s now completely bearable and no longer your type because he’s not an asshole anymore?” Soomin chimes in, being the blunt and bold one among the three of you.
“He never was my type in the first place,” you scowl. “Plus, he’s literally my boss, Soo. That’s like, not some flag, it’s a whole ass brick wall that shall not be crossed.”
“Right. That’s why Mr. Min didn’t make the cut,” she points out. “Told you you should’ve just quit your job so you could date him.”
“And I also told you that wasn’t the only reason why I didn’t want to,” you remind her. “Yoongi’s exactly the type of person I need in my life, and being more than friends is the surefire way of making sure that doesn’t happen. Like, why would I risk a good friendship for something that may not work out? Whether I break his heart or he breaks mine, it’s pain I can’t handle. There’s just no going back from there.”
“Right, that is your biggest fear,” Soomin replies softly, the sympathetic tone in her voice telling you that she does understand where you’re coming from. “I mean, it’s still possible that you wouldn’t hurt each other but I get it. It just sucks, I guess. The good ones often start as your friends.”
“I know. And I’d rather have them and be single than none at all,” you sigh. 
The thought is simpler than it seems. You won’t deny that you’ve thought of how things would’ve been if you gave Yoongi a chance, but the fear of what you’d lose always trumped that type of possibility. 
There’s a kind of pain you don’t want to experience, one of a broken heart caused by losing someone you’ve given your all to. It’s how you think you love, after all; you can’t give any less. But it’s also why you’ve never done it. No one’s inspired that kind of devotion for you. 
Soomin has pointed out before that it’s probably also because you don’t open yourself up to the possibilities as you should. Maybe you’ve just been too focused on other things. But maybe you also just haven’t felt the kind of all-consuming desire for someone who would be worth it, one you’d want so much that you’d willingly face the fear of paralyzing heartbreak just to be with them. 
You suppose that’s the difference. That’s the irony, too. You’re scared to love because you’re scared of the pain, so you keep your distance to keep yourself safe but it’s also why you haven’t found someone you’re willing to crawl out of your walls for.  
There’s not much you feel passionate about in life. Maybe it’s love. But you’re too cautious to feel it, to look for it, so you don’t really know. Maybe it’s something else completely, and working in the environment that you do hinders you from discovering it. You’ve kept your distance from a lot of things over the past years and the thought that one day, you’ll be able to feel free from all the burden you carry because of a past you couldn’t control, makes you look forward to the day when you get to walk away from all those and hopefully, find whatever it is you’re looking for. 
Jimin nudges you after you zone out, and you switch the subject and ask about the latest gossip in their hometown. You enjoy living vicariously through their social life back in Busan. They not only come out here to Seoul to see you but also to take a break from all the drama that they can’t really escape from, given the type of people in their circle of friends. You always thank the heavens you got lucky that at 10 years old and making a new life in a new city, you found Soomin and Jimin, perhaps the only other people aside from your mother who make you feel safe and protected, a feeling you don’t take for granted. 
They indulge you and share some stories, but when Soomin goes through her social media feed to show you something, she gasps instead when she realizes that the men in her friend’s Instagram post include Jungkook.
“Did your boss just go there to party?” She asks, showing you the photo.
“Partly,” you reply. “His best friend hosted the launch of his alcohol line there but there are a couple more parties because it’s his birthday weekend. Your friends went?”
“Yeah, some of them are Kim Seokjin’s friends, apparently,” Soomin says. “Small world. But then again, I shouldn’t be surprised. Seoul and Busan socialites attract each other.”
“Why aren’t you there, then?” You chuckle. 
“We’re choosy socialites,” Jimin clarifies. “Or like, pretentious. We just act like we are but we really aren’t, just to say that the Park and Cheon kids are interesting and sociable like the rest of them.”
“Who says they’re interesting and sociable?” Soomin states incredulously. “My eyes roll to the back of my head every time I’m in those shitty events. The lack of self-awareness of rich people repulses me. And I obviously don’t count us in.”
“And you shouldn’t,” you confirm. “I attract good people, I guess. I’m glad you’re not like them.”
“Well, what about Jungkook’s friends?” Jimin asks. “How are they like?”
“What I can say about the Kim brothers is that they’re nice people,” you say. “Very charming, ridiculously good-looking... And they sound like good friends, too. I can’t say much else. Their dating game is pretty strong though.”
“I’d assume. I mean, when you look like that, how could you not be?” Soomin states. “I mean, even Jungkook’s on point. That’s some hot girl he’s got.”
She shows you a couple of Instagram stories from her friends posting about the launch party. It turns out, there were a lot of Korea-based personalities who were invited. You spot Jungkook immediately, wearing the all-white ensemble that you packed for him the other day. His hair is a bit curled and the knitted top underneath the simple coat highlights his taut physique. There’s also that gorgeous woman around his arms, and if what you know about him is enough, you’d guess she’s probably one of those he seeks for a good time. 
The sight of him loosening up a bit and enjoying himself is something you appreciate. He’s always stressed when he’s here and you’re glad he could spend a few days partying elsewhere without having to think about work, especially during the week of his birthday. You don’t know how much of this aspect of his life he enjoys, but he does seem a bit free yet still somehow detached. You suppose that’s something he’ll always be - a man trying to live his life while separating himself from the meaning of it. You’re unsure of how he does it but perhaps it’s not that different from how you are, too. 
After lunch, Soomin and Jimin do a few more of your errands with you before dropping you home and then heading back to theirs. You spend the rest of the evening arranging your plants in your tiny apartment and feeling like more life is breathed into it with every one of them finding their home in a corner or on a shelf. Oddly enough, you feel a bit less lonely. That’s how you think you’ve been doing things, after all - finding substitutes for the kind of company you’re yearning for, for the kind of relationship you’re so afraid to have.
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Jungkook wakes up that Monday morning feeling a lot better than he did the days before. For one, there’s no ringing in his head nor the feeling of dehydration. Bare under his soft covers, there also aren’t any fresh marks on his chest that signify the kind of night he usually has. In fact, he remembers most of it - he stayed by the bar and briefly chatted with the women who’d approached him. 
Suzy was there last night, too, the only one he’s hooked up with more than once, and probably the only one he’s had proper conversations with, given that she’s a landscape designer. She’s been away on business trips and had just gone back, her bluntness about going back to his apartment that she’s too familiar with being met with a rejection that she didn't take personally. 
“Has Seoul changed you?” She asked, her eyebrow arched in anticipation of his reply.
“Do you think a place would do that to me?” He laughed.
“No, but a person would,” she shrugged. 
“None of that,” he shook his head. “There’s no one. I’m too busy, too tired.”
“But not too lonely?” she asked. “It’s the only reason why you would call me.”
There was no bitterness in her words but still, he asked. “And why did you always come, then?”
“To see if each time would be good enough for you to not make me leave.” 
The conversation took a turn that he didn’t expect, the usual honesty in her words being too honest for him. He fumbled for something to say but she shook him off, claiming that she knew what she was getting into every time he took her home and that constantly hoping for something doesn’t guarantee that she’d get it one day. 
He drank a couple of glasses of whiskey after she left but managed to call his butler for a sandwich and lemon ginger tea in time for his arrival at his penthouse. The meal did the trick, as he’d slept soundly after a warm bath without a splitting headache and regrets the next day. 
It’s Monday, after all, and it’s back to work as usual. He has a few meetings to attend before flying back to Seoul, one of which is with the team. He gathers the energy to get off the bed for a half-hour exercise before getting ready. He eats the breakfast that the butler orders for him then heads to the office where he briefly meets with Lucas. 
Settled on his desk, he proceeds to virtually meet with the team, who all promptly greet him from the conference room. He asks how their weekend was, with most of them looking surprised because he rarely asks them about it, but they answer anyway. That’s when he notices that you’re not around, prompting him to look for you.
“I’m here, Mr. Jeon,” you answer off camera before appearing on screen with a candle-lit cake in your hands.
He’s surprised when the team sings him a happy birthday, your eyes fixed on him as you mouth the words with a soft smile on your face. Do-hyun giggles at his silence, saying that he probably forgot it was his birthday or he maybe didn’t expect that they’d prepare something for him. 
“We like you now, Mr. Jeon,” she teases, earning him a nudge from Chin-sun but she doesn’t seem to mind and neither does he. 
It’s what makes him laugh, hoping that the pink on his cheeks aren’t visible on screen. He hadn’t expected this. He also knows he doesn’t deserve it, but he’d bet that you had everything to do with this.
“You’ve probably been too busy to celebrate but we haven’t forgotten. More like, Ms. Cho made sure we remembered,” Manager Lee chuckles. “We hope you enjoy this little something we prepared.”
“It’s an ice cream cake so it’ll just be in your refrigerator and you can have some when you return,” you say. 
“Thank you,” he finally manages to say. “You didn’t have to but I appreciate it. I’m looking forward to having some when I get back. Ms. Cho should also buy another one big enough for the team to share.”
You nod in acknowledgment of his instruction before starting with the meeting. There’s a lot to talk about, given the Arts Center construction and activities, as well as the upcoming year-end events that they have to organize and coordinate. It goes on for over two hours and it ends with your gentle smile after he says goodbye.  
The rest of the day feels too long for Jungkook, especially during the late afternoon flight and eventual ride home. He stares at the photo you sent of the cake, making sure he sees the greeting on it. 
“Get home safely, Mr. Jeon,” you text him after he says thanks. “I’ll see you tomorrow.”
With the reminders of the impermanence of things and people this weekend, Jungkook finds comfort in the stability that you provide. It’s in your smile, in your reminders and organization of his life, in your thoughtfulness and patience. It’s in the assurance that tomorrow is another day, one in which he gets to see you once again.
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The cake is simple but sophisticated. The mint chocolate flavor is exactly how he likes it and in ice cream cake form, it’s really delicious. He’s glad he gets to have this all for himself, as the team was able to enjoy one yesterday as per his instruction, and you’d sent a group photo of everyone enjoying it to him, the small smile that formed on his face no longer surprising him. 
For one, the comfort is there. He’s seen just how much better the team is working together because of it - they’re more open to giving him feedback and receiving his, any moment of frustration is easily mended with laughter, and his encouragement and affirmation have been motivating them as well. In the midst of it is you who makes sure that communication flows smoothly and that everything is on track, acting as the glue that keeps everyone together. 
He sees firsthand just how good you are at handling things, and how despite all the stress, you manage to get him seaweed soup and a cake for his birthday. It’s more than just the details regarding work that you’re on top of; it’s also details about his life, and how he’s responding to it tells him that maybe, whatever change there is like what Suzy observed, a big part of it is because of you.
“I’m glad you like it, Mr. Jeon,” your voice cuts through his thoughts. 
He looks up and sees you with a portfolio in hand, motioning towards the cake that’s now one fourth eaten.
“Ah, yeah,” he says, not denying it. “I feel like I haven’t had sweets in a while. Where did you buy this?”
“Oh, uh, I asked the baker who made desserts for the Arts Center event if she could make a customized ice cream cake,” you explain. “Fortunately she could. And thankfully it’s delicious. She enjoyed working with us so she gave us a discount.”
“You… had this made for me?”
He’d expected it to be store-bought, but learning you made the effort to reach out to someone reminds him once more of your thoughtfulness, of your care.
“Yes, I, uh, I just assumed you’d receive a few and I thought to give you something a little different.”
“It’s the only one I got actually,” he says, catching you off guard. Your face falls a little so he follows it up. “Like I told you, I don’t celebrate my birthday so I don’t let people know about it. And the ones who do also know that I don’t make a big deal out of it so they don’t really give me anything.”
“Oh,” you say, feeling a little sad. 
You’re not one to have big celebrations but you do have a bit of it. For your 30th birthday at the start of the year, Jimin and Soomin threw you a little party in your humble home in Daegu where they performed some of your favorite songs and enacted your favorite drama scenes to make you happy. There was no need for anything fancy - just your loved ones and your mom’s and Min-woo’s amazing cooking. 
But even before that milestone, your friends always made sure to at least get you seaweed soup and a birthday cake; they want you to remember that there are lives impacted because you were born. You can’t really say that Jungkook’s impacted your life the same way but you still value his existence; a small cake is just a little something to celebrate that. But the idea that his family and friends pass up on the cake - and perhaps the gifts, too - makes you think that there’s really not much in Jungkook’s life he feels he could share with others, that there’s not much he could give and receive in return. 
“I hope I didn’t cross a line if it’s something you don’t like people knowing,” you continue. “I just thought… it would be nice to receive something from us.”
“It actually was,” he admits, his voice soft and low. Turning away, he says, “it’s been a while since I actually thought about my birthday as anything other than ordinary. It’s nice to be reminded sometimes. So thank you, Ms. Cho. For the soup, too. I appreciate it.”
Perhaps it’s his honesty that does it, but you can’t help the smile that forms on your face. If learning how to express gratitude is something you could teach him, you already feel accomplished. 
It’s the next day when you find yourself back in Jungkook’s office, staring at the potted plant in your hands. You’ve gone from debating on whether to leave it on his desk or the coffee table, to even giving it at all. You won’t lie and say you didn’t know what you were thinking when you passed by the plant store after work last night to get this specifically for him. You did - you wanted him to feel that joy of receiving a gift, which you suppose doesn’t happen, especially for someone who can literally buy anything he wants. 
But still, it doesn’t mean that your good intention will be received well. You’ve given Hoseok a small gift every year for his birthday, partly because he likes receiving them and also because it’s your way of saying thanks. 
You want to give this to Jungkook as a form of gratitude, too. Despite how you both started, the amount of things you’ve learned from him and continue to have somehow made up for it, and you also know that he’s learning from you as well. He’s given you agency to make decisions. He’s also given you events and small projects to manage, making you realize it’s what you really enjoy doing. Seeing things come together the way you envisioned it is so satisfying. Perhaps without intending it, Jungkook’s showed you a way out, a path that you want to explore so much that you’re willing to let go of all that you know in this company for something new, for something that feels more like you. 
Your thoughts have completely digressed and with the time you took debating and reflecting, you hadn’t heard his footsteps, and so you jerk a little when he calls out your name.
Turning around, you bow in greeting, remembering at the same time that you have something that you’re not 100% sure yet you want to give right now. But as always, he calls you out on it. 
“Is that a snake plant?” He asks, walking towards his seat.
“Yes.”
“Is that the one on your desk?”
“Uh, no, actually,” you laugh dryly, knowing you can’t turn back from it now. “I… I meant to give it to you, sir. I just thought that, uh, the money tree on the shelf might be too lonely so I got you a desk plant. I heard it’s good for positive energy and to filter the air.”
“It is,” he hums. “Is that why you got yourself one?”
“I suppose. I figured it could help improve my mood. Yoongi suggested it before but I just kept pushing it back. I finally got some for my apartment last weekend,” you explain, just so he knows it didn’t come out of nowhere. 
“And you think this will improve my mood?” He arches an eyebrow. 
“Maybe,” you shrug. “We’ll probably need a dozen of them here but we could start with one.”
He matches your soft laughter with his own, which you’re thankful for. He reaches out for the plant, nonchalant like you when your fingers brush against each other. 
“Hopefully this will work,” he says as he places the small, white pot next to his desktop. 
You leave him so he could prepare for a conference call while you’re set to meet with the marketing team. Jungkook gazes at the plant and notices the little note attached to the string around the stem. 
Happy birthday, it reads. 
This wasn’t just something to match the money tree that Hoseok left for him that he hasn’t been caring for much. This was a gift for him. You probably assume that if he doesn’t receive birthday cakes, he wouldn’t be receiving gifts, either. And you’d be right. His best friends just throw him parties. And once he left Seoul to obtain his MBA in Singapore and stayed to work in their Southeast Asian headquarters, the distance between him and his parents grew. They’d reach out but he didn’t bother much, so he’d stopped expecting anything. After he broke up with Chaerin, he stopped receiving anything at all. This is the first time he’s gotten something from someone after a long time. 
It’s simple in its meaning and honest in its intention, and he doesn’t hold back the smile that forms on his face.
You watch the realization dawn on Jungkook from outside. You’d remembered the silly note you left right as you sat down and didn’t have time to take it back, which really wasn’t much, but you suppose it’s enough to tell him that the plant indeed is a gift. You don’t know if someone like him even receives them, or would even appreciate something so cheap and humble, but the gentle smile he has on tells you that he probably doesn’t get much, but that this is something he welcomes. 
Your smile follows soon after but it feels different this time. There’s pride somehow that your little gift could elicit something so rare out of him. There’s also a bit of awe; this is the softest he’s ever looked, with that tinge of gratitude and yearning, a complete contrast to what you know of him, to how you’ve always seen him. It’s… it’s actually beautiful. 
And this is when things start to get confusing, especially as your phone beeps with that SMS from him.
[From: The Boss] Thank you, ___.
It’s the non-work message. It’s the use of your name. This is personal for him and you acknowledge that it’s the same for you. Perhaps there’s a reason why you made the effort to get the gift last night, why it mattered to you that he received something to celebrate his birthday, and why seeing him appreciate it the way he does is making you giddy and satisfied at the same time. 
Maybe it’s the care you’re starting to feel for him that’s beyond just wanting to make your job bearable. You’ll dissect what that truly means later on, but right now it’s just you, him, and the glass wall in between the both of you. There’s distance, there’s a boundary, but there’s a transparent barrier that allows you to see what’s on the other side, one which allows you to know who he is behind the man you’ve come to know. And you admit, he’s not so bad after all.
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The construction of the Arts Center is going better than expected. Given some of the delays due to the wrong materials delivered and some permits that took a while to get, the workers were able to make up some ground, largely due to Jungkook’s supervision. When you both visited a few weeks ago, there were many things to work on, and he managed to identify the priorities and find ways to get the project back on track. 
It was during those few days of constantly being on site that you saw how efficient and effective he really works. You admired his precision and attention to detail, how he instructed the team leads and project managers and laborers, how he put together the design of one of the rooms just as he’d envisioned it. 
He was commanding and decisive, and you appreciated his thorough and simple explanations that allowed you to keep up with him. He’s said that he wants you to understand what’s happening so that you’re well-informed should you need to communicate to others on his behalf, and what initially intimidated you turned into something you became interested in. Since then, you’ve been watching design shows to help you further. The challenge was welcomed, and now you feel like everyday, you’re learning something new on the job. 
His instructions from that time were followed, and you’re back today to inspect the rest of the spaces. Everything is so massive, and with one half of the wall of the performance hall already done, you can clearly see the upgrade. The details are impressive, and the way that the traditional designs merge with modern elements is a feature itself. 
You’re immersed in the intricacies of the ceiling, walking towards the wall to get a closer look that you don’t immediately notice the workers walking past you with a massive slab of marble. The moment that you do, you step back too quickly, tripping on your heels, and just as you brace yourself to hit the ground, you instead feel your back against a firm chest, with hands on your elbows breaking your fall.
You sigh in relief, even leaning your head back because nothing could be more embarrassing than falling on your ass in front of many people, including your boss. That is, until the familiar scent of jasmine and bergamot wafts through your nose and you realize that what you just did is debatably more embarrassing than what could’ve happened. 
The familiar clearing of the throat is what finally does it for you, and with wide eyes, you turn around and face him to apologize. 
“I’m sorry, sir. I—”
“Was so much in awe that you didn’t notice the workers passing by,” he finishes, his slightly teasing smile calming you down.
“Ah, well of course. The details are too pretty,” you reason, stepping back only a little. You look at him shyly. “But thank you. I was about to fall.”
“I know. And I was about to lose it if my assistant got injured on the job.”
“True. It’s bad publicity, I guess,” you shrug. “And distractions could cause delays. And that’s bad, too.”
“Or you know, I simply just can’t have you injured, simple as that,” he says with a little frown on his face. 
“Imagine if I didn’t see them? They could’ve dropped the marble and I would’ve completely lost it!”
“Why?” He arches an eyebrow.
“That slab is like, two months’ worth of salary, Mr. Jeon.”
“It’s actually more but that’s not the point,” he fully frowns now. “If you didn’t see them, then they could’ve hit you, and then you would be whining in pain right now. You could’ve gotten seriously hurt, ___.”
His voice is firm and low, and you nod in acknowledgment because you also know he’s right. The workers’ vision was limited but yours wasn’t; you were just too distracted and if you hadn’t pulled early enough, that marble really could’ve done damage to you. And if it wasn’t for Jungkook catching your fall, then something bad still would’ve happened to you.
“But are you okay? You didn’t twist your ankle or anything?” He asks.
“No. Uh, the heel’s just a bit loose but I’m fine,” you reply, still trying to wrap your head around how he’d said your name - informally, in this setting, as he told you that you could’ve gotten hurt. Maybe you weren’t imagining the worried tone of his voice earlier.
“Okay,” he sighs. “You have to be careful next time.”
“I will, sir,” you reply. 
You step aside and Jungkook sees you from his peripheral vision as he returns to assessing, staying put and only glancing at the ceiling unlike earlier. He’d seen you marvel at the design of the hall earlier, and while he was initially doing the same, seeing you wide-eyed and impressed caught his attention more. 
Many times, he’s seen you look dejected, frustrated, angry. He’s seen your moments of focus and joy, too, but this is the first time he’s seen you be in awe. There was this softness on your face that was still filled with emotion, and he’d been drawn to you enough to see that you were about to fall. He’s glad he has quick reflexes and was able to get to you in time, the worry he felt at the thought of you getting hurt in any way was quite overwhelming for him. And while it’s partly because you’re his responsibility in this case, he also knows it’s more than that. 
He gestures moving to another room and you follow him outside, and just as you try to stay close to him, Jungkook also makes sure you’re away from any kind of danger. He moves to your side when there are workers nearby with their heavy equipment and large materials. He shields you from the drilling. He glances at you as you both walk towards the other performance hall. And when you get there, you see the ceiling installation is ongoing, and Jungkook immediately calls for hard hats for the both of you. 
He hands you one and you put it on, fumbling with the strap underneath your chin. You groan in frustration when you’re unable to lock it, and that’s when you see him move towards you. 
“Let me,” he says.
You stop your movements and shyly nod in agreement, and he waits for you to let go before he fixes it himself. 
It’s a little odd being on the other side, since it’s always you who fixes his tie or his coat. But you’re the one watching him now, with his furrowed brows and seriousness in securing this safety gear on you making you feel warm inside.
He steps back then looks at you, trying hard to control his laughter.
“Are you laughing at me, sir?” You pout.
“No. I don’t make fun of people,” he says, turning serious now, but you don’t miss the grin on his face.
It’s unfair that he looks good even with a hard hat on.
One of the project managers calls him and he goes around, with you staying close by. This performance hall is bigger and boasts of a more traditional design, which would hold the cultural performances that the Culture Minister is very excited about. You watch Jungkook inspect the space with thoroughness, checking each wall panel and each seat. 
It’s amazing to you just how involved he is with this project even with the project managers handling things relatively well. He wants to be on top of everything, he’s said; it matters too much for him to not know what’s going on. 
You see Yoongi enter the room and approach him. Once he sees you, he laughs as well.
“Do I look that bad?” You groan. “Mr. Jeon was laughing at me, too.”
“It’s a little big, and I guess I’m just not used to seeing you in one,” Yoongi shrugs.
“Why don’t you have one?”
“I don’t need it. I’m here all the time and nothing happens.”
“Well, I’ve been here a few times and I almost fell earlier,” you say, recalling the almost-embarrassment.
“I know, I saw it,” he chuckles.
“You were there?!” You gasp.
“No, I was totally in the other room that’s why I witnessed you almost get hit by the marble then trip on yourself,” he deadpans. 
“I didn’t see you, that’s all,” you shrug. 
“I was by the doors. I checked these spaces yesterday and I just wanted to be around in case Jungkook had new instructions,” he explains. “But I gotta say, you guys were kinda cute earlier.”
“Almost falling on my ass isn’t cute, Min Yoongi,” you scowl. “I could’ve either ruined the marble slab or hurt my bum. Either way, it would’ve been embarrassing.”
“I didn’t mean just you. I meant you guys,” he gestures towards Jungkook. “He caught you, didn’t he?”
“Yes… That was embarrassing, too,” you frown. “What’s cute about that?”
“He looked worried. It’s just not something I’ve seen him be towards other people, that’s all.”
“It’s because an injured employee on site isn’t good, okay? Plus, if I’m incapable, then no one’s gonna be around to make his life easier,” you reason.
Yoongi stares at you for a while before shaking his head. “Wow, you really are dense.” 
“I don’t know what you’re on about,” you cross your arms in frustration. 
“Forget about it,” Yoongi shakes his head, deciding not to push it. 
He’ll tell you another time that he’s glad you’re becoming more of yourself again, that the light has somehow come back, that there’s now comfort you exude around the man you’d once despised. Yoongi feels assured now that there’s someone else who seems to be looking out for you, and that it’s something you don’t seem to mind at all.
“Yah! You’re being all mysterious again!” You pout, something he chuckles about. 
“Me? Mysterious? Come on. I’ve always been an open book,” he teases. 
You’re just about to nag him again when you hear Jungkook clear his throat, and you turn towards him and ask if he’s already done inspecting.
“There are still a few things I want to run by my design lead before leaving,” Jungkook says. “Please move my meeting to 3PM.”
“That’s noted, sir. I’ll give Mr. Hong’s assistant a call.”
You excuse yourself and step outside, leaving both men alone.
“Angering my assistant, are you?” Jungkook asks Yoongi, the curious yet playful tone in his voice evident.
“Nah, just teasing. That a problem?” Yoongi answers back. 
“No. It’s good she has someone she’s comfortable with at work.”
“Could be you, you know? That isn’t so bad,” Yoongi remarks, surprising him. “And it doesn’t cross whatever boundary you’re trying so hard to stay behind.”
“We’re not… on that level. I mean, I don’t know how to be someone other people are comfortable being around,” Jungkook admits.
“I don’t know about that. Seems like you’re already that for her,” Yoongi says. “I was just teasing her about how you guys looked cute earlier, when you broke her fall.”
“You were there?”
“Both of you really don’t notice other people when it’s just both of you, huh,” Yoongi laughs. “But yeah, I was. I saw her relief. And I saw you worry.”
Jungkook merely shrugs, not wanting to confirm. Even if he denies it, Yoongi will still believe what he wants to believe. But the older man knows you well just as much as he knows him. 
“You care about her, don’t you?” Yoongi responds to the silence. “And I mean not in a superficial way, or a good boss caring for his employee type of way. Like, you worry when she’s sick or overworking, when she’s hurt or in danger. You want her to always be safe, to get rest. You like having her near. You wanna know that she’s happy.”
“You know I can’t do that,” Jungkook finally answers. “I can’t think of her that way.”
“I know. That’s why you were the way you were,” Yoongi says. “How else do you respond to things you can’t control than through anger and detachment? But just because you shouldn’t, it doesn’t change the fact that you do.”
“It doesn’t change the fact that it’s wrong,” Jungkook counters.
“Well, irrationally calling her out and being angry were wrong, too, and you did those because you weren’t being honest with yourself,” Yoongi argues. “I guess what I’m trying to say is, the least you can do is be true to yourself about how you feel. Because the more you deny, then the more you resist, and when you do that, you end up hurting her. Is that what you want?”
“Of course not.”
“Then just… accept things - what you feel, what you both are, what you can or can’t be.”
Jungkook looks at his friend as if some epiphany had just transpired. It’s been difficult for him to make sense of what he feels around you. There’s always that air of familiarity, but the warmth and comfort are new. There’s the reality that you come from different worlds, but that you both somehow feel and experience and maybe desire the same things. There’s that sense of fear over change and of what he can’t control, yet you somehow provide the calm and stability that he hasn’t felt in a long time. 
It’s all these contradictions that have been messing with him, and Yoongi’s right - because of all the times that Jungkook had wanted to create that distance, all it did was hurt you. That’s the last thing he wants, he realizes now. He’s seen you struggle, and even if that’s just a fraction of what you normally go through, it’s enough to tell him that he doesn’t want you to experience that again, especially not because of him. It’s too early to say the extent of his care towards you, and it’s not something he’s willing or ready to explore right now. But just as Jungkook’s about to comfort himself that it’s fine, and that he shouldn’t dwell on it anyway so as not to further nurture it, Yoongi speaks again.
“Just… just a heads up, though,” he adds. “The care that I felt, that’s how it started for me.”
“What started?”
“Me, liking her.”
It’s at that moment when you come back from your call, and you inform Jungkook that the meeting’s been moved and that he has a scheduled one with some of the directors on Monday. 
“Alright,” he says, directing you and Yoongi towards the souvenir shop, temporarily disregarding what he was warned about.
“You two looked so serious. Everything okay?” You whisper to your friend. 
“Yeah,” Yoongi hums, giving you the most genuine smile he could give. 
There’s that sparkle and softness in your eyes that had captured him all those years ago. They dimmed throughout the years and they’ve just been sporadic, illuminating only during specific moments. He’d seen them again a lot more regularly, and even today, as you looked around the halls and admired the designs of the space. 
Yoongi doesn’t know if a certain person is the reason for that. He knows you enough that you wouldn’t even notice it, so you definitely wouldn’t know what caused the change. But as your friend, he hopes one day you will, so that if you’re brave enough, too, you’d try to make sure that the light stays. 
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The inspection ends and you get back to the office at 4. You return to piles of documents you have to sift through and encode, and your original plan of leaving on time changes. 
Jungkook spends over an hour talking with Yoongi and the construction lead about the Arts Center, and once that’s over, you see just how exhausted he is. He’s massaging his temples and sighing deeply, and you know that whatever just transpired, he’s going to be thinking about it all throughout the weekend, which he doesn’t really have time for. The gala that one of the Board members throws annually is tomorrow night, an event you’ll be attending with him as well. 
You enter his room to remind him about it and to give some forms for his signature. He signs them off, and when you say you’ve got a few more requests that you’ll leave on his desk for Monday, he tells you to just wait until then.
“Go home, Ms. Cho,” he says. “It’s been a long week. And it won’t end until after tomorrow night.”
“What about you, Mr. Jeon?”
“I’ve got some stuff to sort through after inspection. I’ll probably leave in an hour or so.”
You frown, a mannerism of yours that he’s gotten used to seeing. It’s mixed with a pout that often makes him internally laugh because it seems unlike you. It also always means there’s something you want to say that you’re holding back.
“Should I not?” He arches an eyebrow.
“Hmm. Just thinking that it might be better for you to take a rest tonight, too,” you advise. “The gala could be quite draining and it would be good to save your energy for that.”
“I’ll think about it,” he hums.
“Then I’ll think about going home, too,” you answer back. 
Jungkook chuckles, knowing you’re always going to counter him in some way. And he’s glad that you do.
“You may go. And get a good rest, too.”
You nod and bid him goodbye, exiting the room to start packing your things. It’s five minutes later when the door opens and you see him with his bag, ready to head home as well.
You smile at his tender doe-eyes as he admits through them that you were right - he doesn’t have a reason to stay behind, so he’ll call it a night and get as much rest as he can. 
He pauses by the entryway, and you pick up that he’s waiting for you, perhaps to make sure that you’re indeed going home. You quicken your pace and walk next to him, steps in pace as you both go to the elevator and down to the lobby. 
“Mr. Ri can bring you home after me,” Jungkook says. “It’s late already.”
“Not late enough,” you reply. “I’m okay, Mr. Jeon. It’s not necessary.”
He concedes, and you wait for the car to arrive and say goodbye to him again. 
There’s a softness on his face as he lingers before he enters. A small smile forms, and it’s what you see until you fall asleep that night. It’s the same one that’s oddly been giving you comfort lately - it’s a little restrained but somehow it still looks vulnerable. Perhaps it represents how Jungkook’s been to you - there are some contradictions, but beyond all that, there’s care.
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Mr. Ri happily greets you as you enter the car that late Saturday afternoon to head to Jungkook’s penthouse. He compliments your dress, saying it’s nice to see you in something formal that fits your style - it’s simple yet elegant, and you tell him that your mother wouldn’t stop gushing over you through the screen, nagging you to send full-body photos so she could appreciate you more.
Jimin and Soomin surprised you in the morning to help you fix up, insisting that they wanted to make sure you spoiled yourself for the event. If you wouldn’t, they would, so they treated you to the hair salon and had your nails done. They’re the ones who took so many photos like some formal dance, and Jimin commented that the only downside was that they were sending you off to pick up Jungkook. 
Defending your boss the way you did surprised you a little; it surprised them a lot more. You’d said that he bought you the dress, that he’s been nothing but kind, and that whatever negative feelings you had towards him are all in the past. Your friends understood, deciding not to ruin your night and then letting you go so they could eat out and meet you back at your apartment once you’re done. 
You chat with Mr. Ri about how things have been at work, your friends, and your family. You also talk about the gala and how it feels a little nerve-racking attending this time, given your experience with Jungkook. 
It’s a grand event that the company’s executives attend, and guests are asked to refrain from going solo. For such requests, it’s not unusual for them to bring their assistants. You’re expected to attend anyway, and assistants usually partner up with each other and it always worked. You went with Hoseok last year because A-yeong had a work event, and while you expected that Jungkook wouldn’t care for such request and maintain that he’d go by himself, you also didn’t think that CEO Jeon would insist that his son take you as his date so he wouldn’t be alone. 
The elder Jeon had reasoned that business discussions usually take place during the gala, and it would be good for you to be around and be familiar with the new people on the scene. Hoseok had said that they’re expected to stay through the whole thing, and it’s much better for his cousin to have a companion so he could survive the night. That was months ago when things were still a little shaky for you both. You still remember Jungkook’s displeased look when it seemed like he had no choice in the matter, especially since he probably thought that his father just wanted to make sure he’d act accordingly. It feels like a lifetime ago, really, as you think about his soft smile from last night. 
You don’t know exactly what you’re feeling, why his gestures or mannerisms suddenly mean something to you, or why there’s excitement when you think about seeing him outside of work. You’re unsure why the curve of his lips when he grins or the deep huff that follows his laugh makes you a little giddy, or why his eyes lingering on you makes your heart beat a little faster than usual.  
Just like right now, as they gaze at you while you seemingly do the same. 
“You look, uh—” he starts, unable to find the accurate but appropriate term to describe how you look. 
“Nice?” You finish, recalling the term he’d used when you tried this gown for the first time. 
“Something like that,” he chuckles, earning him a giggle from you.
He playfully shakes his head, perhaps knowing that you’re used to him not making grand compliments or anything. But he does smile after, and there goes that blissful feeling again. 
Maybe it’s because for the first time, you’re being appreciated. Maybe just like how it’s been recently, he likes being around you, prefers it, even. And given how you felt so unwanted during his first few weeks here, this is a blessing, as if in his appreciation of you, you’re liking yourself as well.
“Well, in my opinion, you look quite dashing, Mr. Jeon,” you say bravely. “Except your waistcoat seems to be uneven.”
“Exactly what I thought,” he sighs. “I can’t quite align it properly.”
And as you always do, you approach him, your hands immediately going towards his shoulders to flatten the vest, then his sides to pull it down. You adjust it a little bit more then fix his collar after, and suddenly this feels so natural - being close to him, taking in his scent, and smiling as he glances at you. 
“Do you need help with your coat?” You ask once you finish.  
He nods and you follow him to his walk-in closet where you take the last piece of clothing and assist him in wearing it. He adjusts the lapels while you assess if all wrinkles have been flattened. You watch him look at himself in the mirror and you can’t help but admire him as well. He exudes confidence, which you can say now is strikingly different from the Appointment Dinner where he still looked a bit unsure. But now, he commands respect. The deep black color of his striped three-piece ensemble with his slick hair parted in the middle makes him even more handsome, and you manage to hold in the gasp you were about to release as he faces you for a final look.
“All good?” He asks. 
“All good,” you smile, turning around and walking back to the living room. 
He follows, and he takes this time to bask in your beauty before he has to act like it doesn’t affect him again.
There’s a reason why he was rendered speechless the first time he saw you in this gown at the tailor shop, so much so that he had to step out to get some air. You look even more stunning now, with your classic but natural-looking makeup and your styled hair. You exude a certain kind of glow that sucks him in, that makes his heart race yet soothes him just the same. 
It’s a little dangerous for him, given that he’ll be spending this entire evening with you as his date, looking the way you do while he has to act disinterested, as if his attraction isn’t slapping him in the face and his internal alarm bells aren’t ringing.
But he has to act professional. He has to stay behind the lines even if his mind is yelling all the words about your beauty that he has to ignore. So he gives himself this short moment where he gets to admire you, and when you make it to the elevator and become confined in a small space, he holds his breath as you smile at him shyly, hoping that he doesn’t give himself away. 
He’ll get himself together, he orders to himself, and he’ll make sure he doesn’t scare you off. 
You make it to the lobby and enter the car. The drive to the venue is quiet at the beginning. It’s technically not a work day so there’s no reason to discuss work. You and Jungkook may have started talking about non-work matters but it doesn’t mean you readily talk about actual personal things. They’re occasional, as it’s not something he seems to do much and you’re often guarded about yours. It took a while for you to open up to Yoongi and even then, there are many things he doesn’t know. You’re comfortable around him, there’s no denying that, but there are still parts of you that you don’t like to share with others, and you suppose that Jungkook is the same.
But still, you ask how his evening was and how his day went, expecting he’d give a basic answer.
“I just stayed home last night and watched soccer over drinks,” he says. “Then I did my workout and went for a swim this morning. I did a bit of work in the afternoon and then got ready.”
“Ah, no party last night and then recovering from it in the morning?” You tease, knowing that’s a usual occurrence for him. Lucas did mention about the Singapore trip and how he’d taken home a passed out Jungkook on the night of his birthday. 
“Well, there was a party,” he responds. “There always is, but I passed up on it. I didn’t want to feel out of sorts tonight. There’ll be a lot of new faces and I don’t wanna mess up.”
“Oh, you won’t. You’ve been doing really well, Mr. Jeon. And that’s me being honest.”
“Why wouldn’t you be?” He arches an eyebrow. “Would you tell me otherwise?” 
“Well, the me of now, would. The me of a few months ago would want to but wouldn’t.” 
Jungkook dwells on your answer. “Hmm. What changed, then?”
“I got used to you.” 
He meets your gaze and somehow it feels too long. You don’t really know what prompted you to say it but you felt a little bold, a little too honest.
“In what sense?” he wonders, turning away now.
“I’d say I got used to the mood swings but then again, they haven’t been intense compared to those first few weeks,” you admit. “But surprisingly, it’s the calmness I’ve become accustomed to. And the seriousness and occasional zoning out, but also, the…”
Care, you want to say. Or the thoughtfulness. 
“Consideration,” you say instead. 
Jungkook’s throat dries up as he finds the words to say. He’s now afraid to look at you because he might give in and say something he’ll regret. He’s been praised before for his work and his designs, but he supposes that no one’s really complimented him for something he does for other people, specifically for you. Maybe that’s why he thinks he doesn’t deserve it; he’s unsure if he’s really considerate by nature or if he just is towards you. It’s why he brushes it off, insisting he just has his moments.
“But those moments could mean a lot to the one it’s shared with or directed to,” you counter. “Even if it was just once. Or even if it was so trivial that you probably forgot already. But the other person doesn’t. Or they would, but something about that moment stays.”
Jungkook thinks about the moments you’d shown him consideration. Or even care or thoughtfulness, but he wouldn’t word it that way to you. There are the big ones - when you showed your support of the Arts Center to his father, when you calmed him down during that first Board meeting, when you gave him the noodles when he was sick, when you stayed with him during his interview with the magazine publications.
When you stood up to him. When you didn’t quit after that first week.
There are also the small moments - the ginger and lemon tea on Monday mornings when he looks like he’d drank too much the night before, the biscuits you serve with his coffee, the affirming looks during team meetings, the comforting smiles from outside his office when he’s stressed. 
There’s a lot of those you show him, and he realizes now that he remembers each one. 
The silence returns soon after, as you both seem to prefer basking in the soft music that Mr. Ri plays. 
It’s 15 minutes later when you arrive at the venue. You get out of the car and meet Jungkook by his door, surprised when he offers his arm that you take. 
“This is how they do it, right?” He looks at you questioningly.
“Yes,” you chuckle. “It’s a little over-the-top but the hosts treat this like it’s some red carpet event and I just follow what the others do. Bitna says it’s the one time we could feel like proper ladies or something, whatever that means.”
“Hmm, makes sense. I guess I’ll be a proper gentleman, then. Whatever that means.” 
You hold onto him lightly as you both make your way inside. You try to disregard the firmness of his arm and the way it feels under your touch, so you gently let go not long after and clutch onto your purse instead, not wanting to give off the idea that you’re anything more than each other’s dates. You greet the guests and establish your position to those who are unaware in an effort to show that this social event is a work function as well. 
Jungkook talks about the Arts Center when he can, and you mentally take note of certain projects, sites, events, artists, and patrons that are mentioned, quickly typing them on your phone for future reference. He talks to you about them in between flutes of champagne and canapes that are some of the most delicious you’ve ever had.
Jungkook laughs as you down another brie and cranberry bruschetta.
“What? I like fancy food,” you pout.
“Yes, your normal people’s taste buds like fancy food,” he teases. 
It’s a statement you make often and you smile that he now uses it against you.
Your moments of casual ignorance of what’s going on around you are ones you find yourself enjoying too much. You internally sigh every time a guest approaches him, and even more so when you find yourself with a few others and someone stands a little too close, or has his hand linger on your elbow, or whispers something in your ear as if you’re at a bar and the music is too loud, which it isn’t, so there’s really no reason for this son of some business tycoon to be asking you to head outside “to talk.”
“Don’t you have a date?” You ask after he insists. 
“Yeah, some girl,” he shrugs. “She’s kinda boring. Lucky I found you.”
You awkwardly smile, knowing it’s not your place to reject him and make a scene. He looks to be the type who always gets his way and if he doesn’t this time, you’re afraid of how he might take it. 
You don’t budge and call for another flute of champagne instead, finishing it in one gulp that has the man releasing a deep breath in front of you.
“So you’ve been working for the Jeon’s for 8 years, you say?” He speaks again.
You nod, looking around to avoid his eyes.
“That’s quite a long time, yeah? I’m sure I can get you a spot at my company,” he brags. “I mean, we sell luxury cars. That’s way more interesting than buildings and shit.”
“I don’t drive,” you say too quickly. “I mean, I don’t know how to.”
“Perfect. I can teach you then,” he smirks. 
It’s the look that heightens your level of discomfort, and just as you’re about to make some excuse and run away, Jungkook calls your name that has you immediately turning towards him.
“Yes, Mr. Jeon?”
He’s not too far away; he comes closer yet still maintains a bit of a distance. 
“Hoseok’s asking for me but I want to speak to Mr. Saito before he leaves. Can you go to my cousin on my behalf?”
“Of course,” you say, excusing yourself and scurrying away from the scene, sighing in relief at the sight of a familiar pair of faces.
A-yeong gives you a hug and you return it, then you turn to Hoseok and ask what he needs Jungkook for.
“Nothing,” he says. “I didn’t call for him.”
“Oh, okay. Well, he said you did.”
“I haven’t spoken to him since we got here,” Hoseok replies. “You know how this gala goes. So many people to meet. Is everything okay?”
“Yeah, just… uh. Well, I just met Mr. Kwon’s son. And let’s just say, I don’t want that to happen again.”
“Oh, ___,” A-yeong sighs, knowing exactly what you mean. “Just stay with us. Or don’t leave Jungkook’s side.” Turning towards the man who’d just arrived, she adds, “stay close to her, okay?”
Jungkook looks at you, his eyes asking a question that you know the answer to but neither of you says anything. 
“I will,” he nods. 
Both of you stay where you are for a while before heading back to your seats for the sit-down dinner. You converse with those at your table, thankful that they’re all decent and entertaining. After that, Jungkook doesn’t leave your side. It almost seems like he’s your date rather than the other way around, but you appreciate his presence, especially when he calls your attention once you start looking uncomfortable.
“I’m sorry,” you sigh. “I just… I just get a little uneasy when people I don’t know get too close.”
“I understand. I’m the same,” he says, prompting you to look at him. “But I just feel uncomfortable, not unsafe. There’s a difference. And it’s not okay if that’s how they make you feel.”
He knew without you saying the words. It takes you back to that night at the restaurant with Hajoon and how Jungkook had looked the most guilty he’d ever been when you said that his staring made you feel uncomfortable. You supposed then that it was mostly because he thought he was causing a rift between you and Hajoon but you realize now that it was more than that. For all that Jungkook is, you’ve come to see that there are things he can’t stand himself doing; deliberately making you feel unsafe is definitely one of them. Perhaps it’s why at this moment, you feel the exact opposite being around him. 
And that’s how the rest of the night goes. He stays close but when he’s caught up in a conversation he can’t get out of, he gives you that look to remind you that it’s okay to step away, that you have the ability to remove yourself from a situation you don’t feel good being in. And you do, and the worry you used to have about being a mere assistant fades away. You never thought that one Jeon Jungkook would give you the permission to do that.
You’re seated on a chair some time later, the hours of walking in your high heels taking its toll on you. You wave to Hoseok and A-yeong, no longer having the energy to walk up to them for a proper goodbye. You sigh to yourself, feeling the tiredness slowly overtake you. It was still a good night, but it took a lot of energy from you, too. 
“Hey,” you hear Jungkook call out. 
You turn to him, still looking handsome as he stands nearby, his hands in his pockets as he mirrors your exhaustion.
“Ready to head home?” He asks.
“Yes,” you say too quickly, earning you a laugh. 
You stand up, limping only a tiny bit, but you think Jungkook notices, as he offers his arm just like he did at the start of the night.
“This is what a proper gentleman does, right?” He asks. 
“I suppose. Although I might say, Mr. Jeon, that’s what you were the entire time. So thank you.”
Jungkook nods in response, unsure how to receive your gratitude. He knows what you mean, as the first sign of your discomfort had him looking at you constantly. He was worried all night but he supposes there’s no reason to feel that way now, as your faint smile just signifies that you’re tired more than anything. 
For the short moment it takes for you to walk closer to him, he basks in your beauty once more. The night will be over soon, and he’s glad he could give you some reprieve this time. He tries not to lose it when you tighten your grip on his arm for support though, but that’s something he can think about later on. 
The walk to the car isn’t that long and you let go of him eventually. You head towards the other door then enter, the space in between reminding him of where you both belong - on either side of a line, one that he shouldn’t think of crossing.
You sink into your seat, fighting the urge to curl your body and take a nap, so you sit up straight and hold yourself together after once again feeling Jungkook’s arm under your touch. Most of the alcohol has left your system but perhaps not enough, as you boldly look at him and smile in appreciation. He returns it, perhaps knowing why you are.
You look out the window, appreciating Seoul’s night sky, until the vision starts getting unclear, as the rain falls steadily on the window. The tapping of the droplets on the glass is a sound you’ve come to appreciate, among other things that you used to be terrified of. 
There’s just this calmness, as if the rain is greeting you, accompanying you in your thoughts. But the sound of the radio getting louder disrupts that a little bit, and in looking at Mr. Ri in question only to find him glancing at the rearview mirror to see the man next to you, do you realize why he’s doing so.
Jungkook’s demeanor has changed, a complete 180 to how he looked not long ago when he seemed satisfied, fulfilled, almost proud of himself for surviving the night. He’s now cross-legged and cross-armed, with his eyes closed and jaws clenched, as if he’s trying to hold himself together. Or trying his best to drown out the sound of the rain, the way Mr. Ri is trying to do for him.
Your face falls at the sight. You’ve seen Jungkook stressed and angry and disappointed; you’ve seen him anxious, too, but this is different. There’s a bit of fear in there, and with the way he flinches and how he’s clutching onto his arms, you know this comes from somewhere and this was caused by something. If it’s anything similar to what you know, then this was because of something painful.
You want to reach out to him but you know you shouldn’t. You helplessly look back on the road then glance at Jungkook every few seconds as the rain continues. It doesn’t seem like it will be a terrible downpour but it’s stronger than usual. 
You try to remember instances in the past where he’d acted this way. A few come to mind, and you think now there’s a reason why he becomes uneasy when it starts to drizzle. That happened the other week while you were on a site visit with him for a small project, but you hadn’t thought much of it, given that he was on his fourth cup of coffee on the way there. 
But right now, you wish there was something more you could do; anything is better than nothing. But you feel constrained - by the distance, by your position, by his boundaries that seem to always be there.
By some miracle, the rain weakens, and it’s stopped by the time you arrive at Jungkook’s apartment building. The car halts and with him still in the same position, you think he probably doesn’t realize he’s home. 
“Mr. Jeon,” you say softly, gently tapping his arm to get his attention. “We’ve reached your place. And the rain has stopped. It’s… it’s okay to open your eyes now.”
It takes a few seconds but he takes a deep breath, opens his eyes, then looks around. It’s just droplets frozen in time on his window and he sighs in relief. Somehow the assurance that he’s okay means something to you this time; you hate to think of what burden he carries that he hides away.
He opens the door, and there’s a bit of disappointment you feel when he closes it and leaves without a goodbye. You suppose he just wants to get to his place immediately and rush to safety. But you don’t want to intrude, not if distance is what he needs, so  you settle with just watching him walk away. 
But then he turns around, and with that bit of boldness left in your body, you open the window and give him another smile. You wish he feels the tenderness in it; you wish somehow it’s enough to let him know that you understand, and that he’s not alone. 
“Good night,” you manage to say, and he hears it despite the distance.
“Good night, ___. And thank you.”
It’s the use of your name. It’s the softness of his smile and the words of gratitude. It’s the way he lingers as the car starts to drive away and you’re left watching him even from afar. 
It lets you know that he knows. And it’s the reason why you sleep soundly that night and why for the first time since you’ve met him, you can’t wait to see him again. 
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majorblinks · 11 months
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DOWNRIGHT ICONIC (aespa karina)
(smut, male reader, screenwriter you, stranger karina, public sex, rough sex [choking/slapping/biting/spanking/hair-pulling etc], oral, anal, facefucking, titfucking, facial, bondage, degradation, name-calling, other weird stuff, 26k words, it's been 1 million years..., BUT WE'RE SO BACK BABY <3)
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Hey, turns out the critics really are onto something:
You’re going to win an Oscar for this.
You aren’t surprised when the nominations are announced. It’s all anyone’s been talking about. You’re this up-and-coming screenwriter, this newly-minted visionary, and - cue the applause - you’ve just made the movie of the year. Clips go viral everywhere; the reviews are calling it extraordinary. They all want to know how you - a relative nobody - managed to pull it off. What’s your secret? What’s your inspiration? Where’d you get this billion-dollar box office idea? 
And here’s one version of the truth:
“Well,” you’re quoted saying in every single interview: “honestly, it’s about a girl.”
Everyone eats this up, of course. It’s so fucking romantic.
You’ll tell an abridged version of this story for the rest of your life. A blip in time in early January - a certified slow-motion movie moment. You’ll say things like she was the most beautiful girl you’ve ever seen. You’ll say things like, I know it sounds lame, but that’s how it went. She took my breath away. She fascinated me. I saw her and I don’t think my life has ever been the same. 
You’ll never once say her name. 
“It’s weird, actually,” you’ll say in an interview after the news of the nominations drops. “Making this movie about her. She’ll last forever there, you know? She’ll always exist in this film, in this one moment in time. She’s in all of it, basically - every scene, every line. It’s all her.”
“You make it sound like she’s dead,” the interviewer will say, all open-mouthed melodrama.
You’ll laugh. “Oh, God, no,” you’ll say. “She’s alive and well.” As if it hasn’t been years since you last saw her face, watching you from down the corridor, looking lost and torn apart and very, very small. “She’s okay. I mean - I think - yeah, she’s okay.”
As if you’d know. 
Because here’s another version of the truth:
You’re going to win an Oscar for this. You’re going to stand up on that stage and thank your family and your friends. You’re going to stare at all those faces until they swim together into one golden, glittering blur, and then all you’ll see is her - her dark eyes, her glossy hair, her wrist in your grip, her throat between your fingers - her in your sheets, her smiling in your doorway, her shivering in your shower, her sobbing into her hands, her bleeding in your bed, her walking away. Her, her, her. Immortalized forever in this perfect thing you made, winning awards off the reconstruction of a memory. Art imitating life; reality warped into something magnificent, and beautiful, and better. 
And the only thing you’ll feel like doing is throwing up. 
Sure, you’ll bask for decades in the thrill of it: the fame, the fortune, the glory; the adoration, the worship, the attention; the eternal, endless love. You’ll be able to look back on your life when you’re decrepit on your deathbed and know that you - brilliant you, utterly superior you - were divinely blessed with earth-shattering success, and no one will ever be able to take that away from you. You made your mark. You meant something. You were the best, for fuck’s sake, and you have the accolades to prove it - you really, really were. 
So here’s the full truth - the final bottom line:
You’re going to win an Oscar for this. You’ll live the kind of life people beg God for. You’ll get everything you ever wanted. 
It won’t be worth it at all. 
-
First, though, there’s this. 
-
Disturbingly enough, you’re in the romance section of a bookstore when everything starts. 
This is really not your genre - that’s the funniest part. Historically, you’re bored to death by the cartoonish pastel covers; you don’t get your kicks from seeing the same delightfully quirky heroines fall for brooding bad boys, or whatever the fuck goes on in those books. You have your standards. You prefer your art a little gritty, a little fucked up, a little more interesting - the kind of thing that can leave you shellshocked in a movie theater, overcome with the sort of full-body, lightning-struck epiphany only truly good work can manage. It’s not a judgment call - you’re not trying to be pretentious. It’s just that you prefer something with some fucking bite.
The second funniest part is this: 
You’re pressed against the shelves, surrounded by the cutest, chastest love stories ever told-
“Are you serious?” 
-and Karina’s on her knees, about to take your cock down her throat. 
Maybe this is what your contemporaries call cinematic irony.
That’s gotta be the only phrase for it, really. The scene itself dripping with classless, crude, erotic filth - the way she ducks her chin to spit on her hand, the slow pump of her fist around you, the rough hum in her mouth at how achingly hard you are - nasty and irredeemable, too fast and too loud. The gross lack of subtlety in her sex appeal: all pale thighs and porn-star tits, the wet pink flash of tongue. Seductive in a way that screams at you. It’d be so easy to write this off as some deliberately controversial opening scene, gory shock value, horror-film suspense - starring you and the slut you’re about to ravage and ruin and potentially leave for dead. 
“Baby - are you sure?” 
It’d be so easy, if Karina didn’t look like an angel incarnate.
“I mean, you-” You’re stammering. You’ve got both hands in her hair, fingers sliding through the glossy black in petting, soothing motions - your clumsy attempt at reassurance. “You don’t have to, if you don’t - we’re in public - I’m not expecting you to - I don’t need it-” 
Karina’s fine, sculpted eyebrows twitch upwards. Her lips are a twist of scarlet, distinct and amused. She doesn’t quite smirk, doesn’t give a voice to the sarcasm, but the sentiment is the same - yeah, right. 
And then she lowers her mouth to lick. 
“Jesus fucking Christ-” 
Scratch that, then. This is the funniest part. The most inhumanly beautiful girl you’ve ever seen, debasing herself in public like some sort of desperate common whore - come on, bring in the laugh track. 
Not that anyone’s laughing now. 
You’re no poet - they’re a few sections over, Plath and Yeats and Dickinson - but Karina’s the kind of thing that makes you understand the motivation completely: only capable of being captured in metaphor, without context, painstakingly interpreted hundreds of years from now by people who will never get this right. All carved-out cheekbones, fluttering lashes; tight fuckable body clad in a little low-cut dress, feet tucked neatly behind her like she’s simulating worship. Dirty and religiously devoted in how she stretches her full glossed lips around your cock and lets your grip tangle in her hair and- 
“Karina,” you get out, but her only response is to blink sweetly up at you and suck. 
Well, who gives a shit about the poets, anyway? You doubt any of them ever got to fuck a mouth like this. 
There’s an unfamiliar caution to the rut of your hips, a wincing fascination every time she gags - and she gags loud, choking and heaving, saliva dripping slick around you and down her chin - that seems to both entertain and confuse Karina. A skeptical crease in her forehead, saying everything she can’t: you don’t wanna fuck me up? Ruin me? Cloudy spit falling in strands to her tits, seeping into the crimson fabric of her dress; she’s wearing a worn black sweatshirt that’s slipping off one shoulder, exposing the clean line of her collarbone. The hollow of her cheeks, the obscene painful sound of your cock clogging her throat - it’s subtext, explicit suggestion. A preternatural understanding. I know what this is. I know what you want from me. 
Which - she couldn’t possibly. 
“Baby.” You sound so wretched that it’s humiliating. Karina’s sharply lined eyes seem to flash with humor, smug and lazily self-satisfied. “You’re gonna make me fucking cum.” 
The thick, sloppy, choked noise she makes is the closest she’s gonna get to a laugh. 
Oh, sure, whatever, it’s not like you’re not thinking about it: digging your fingertips into her scalp and really fucking her face, relishing in the way those eyes would go wide and glassy with unshed tears; refusing to let her have control, to let her lick and lap and breathe. You’re scripting it in your head already. You’d strip her bare and make her sob. You’d wreck her throat and cum all over her face and force her to walk out like that: coated in the sticky, filthy evidence of everything you’ve made her - look at this, you’d say, look at what I have. Look at what I did - all this, all me. 
“God.” Your thumb braces against Karina’s temple, like the gentle stroke of a brush, like you’re painting her right into existence. “You’re just-” A harsh gag; a fall of dirty, drooling spit. “You’re really enjoying this, huh? Getting on your knees in public for a fucking stranger?” 
That’s why the fantasy of fucking her into brutal submission is actually so understandable. You don’t know her. You don’t owe her shit. You could destroy her and it’s not like she could do anything to fight back - not when she’s already below you, looking up. When she asked for this. 
Except-
“Karina.” You can’t stop saying her name. “You’re - fucking perfect.” 
And it’s true.
So you cum. 
Karina swallows it all with the same amount of sultry grace she seems to do everything - how she laughs and walks and talks and takes your cock like a fucking professional - languishing in the practiced bob of her throat, the preening flicker of her eyelids, her face shiny and pale. It tugs the same feeling out of you as a flawless shot in a film, a well-timed bit of dialogue: watching an expert at work, pulling out all their stops. One hand through her hair. Her nails the same rich color as her mouth and her dress. Nasty, slutty, impressive attention to detail - Christ, get this girl in front of a camera, get the moon to be her limelight - you’re breathless, you’re enthralled, you’re so fucking far gone. 
Then: the sticky retreating glide of her pouty mouth, lipstick smeared badly down her chin, stark and arresting as blood. 
“In my experience,” Karina says, finally, “being perfect’s never gotten me anywhere good.” 
She pulls the sleeve of her sweatshirt up and wipes her face with her wrist. 
“You’re unbelievable,” you say, dizzy.
“Thank you,” Karina says, sweet like she means it, and sits back on her heels. 
You can’t help yourself; you’re petting back her hair again, cupping her face softly in your hand, caught on the dark glint of her irises. Angel was an understatement. She looks more than that - looks like something holy and all-powerful, something omniscient and blindingly beautiful, something who knows exactly what you need and knows exactly how to follow through. Something worthy of mythology. Something like a god.
And any sort of rough, ruthless, fucked-up fantasy - it’s never going to happen. 
You just can’t ruin a girl like her. 
“So?” Karina’s voice is a smoky bombshell lilt, like she’s just stepped out of some film noir from the 1950s. Hands folded primly in her lap, fingers interlocked like a lady. She could be a pop culture icon, an eternal sex symbol - a Marilyn, a Bond girl, a timeless universal beauty. “What now?” 
You think your brain actually short-circuits. “Sorry?” 
Head tilted, lids dropped low. Smirk still sharp and scarlet. “Are you gonna take me home?” 
You open your mouth to respond, but then a customer walks by the aisle. 
You’re a panicked flurry of motion - zipping up your pants, turning away, frantically patting down your clothes - but Karina just stays kneeling on the floor, little chin on an incline, utterly incriminating. It doesn’t matter. The customer passes you by. The world returns to the way it should be: just the two of you.
“Karina,” you say, flabbergasted by her composure. 
Karina’s lips quirk. “What?” 
You shake your head and offer your hand to help her up, but Karina laughs instead - actually laughs. It’s peculiar, beautiful: raspy like a chronic chainsmoker, as though there’s something foreign she’s trying to dislodge. The raw, gravelly aftermath of a skinned knee, a grisly scrape over skin. 
“Wow,” she says, and stands all on her own, tugs the sleeves of her sweatshirt over her fingers. “That’s a yes to taking me home, then?” 
“What are you doing?” You’re laughing too - you can’t help it - reaching for Karina’s tiny waist to pull her in. “What are you - what do you want?” 
When Karina smiles, it seems to set her eyes aflame. Bright and dancing, lashes like a shroud of smoke. “What do you mean?” 
“You just met me.” It sounds feeble, somehow: a thin, useless excuse. Nothing against the way her body slots between your hands, a smooth effortless fit; nothing compared to how she kisses you between sentences, so quick and easy it already feels like a habit. “You don’t - you don’t know me.” 
Karina’s mouth puckers, coy. “No?” 
“No,” you shoot back, grinning, but it doesn’t sound convincing at all. “Come on, baby, seriously. What do you want?” 
There’s gotta be some motive, you’re thinking. There’s gotta be a reason. Karina is so still, so soft and pliant under your hands, all the carved porcelain perfection of a marble sculpture but with none of the cold stiffness. Spine curving under your fingertips, jaw tilting into your touch. 
A complete stranger, maybe - but every part of her body is begging to be known. 
“Don’t you get it?” Karina says. “I want whatever you want.” 
It’s so simple and earnest it takes your breath away. 
“I - Jesus.” You’re biting on the inside of your cheek, drinking her in. “What if I told you I don’t know what I want?”
Another rasp of a laugh, sound like the serrated edge of a blade. “I’d say fine, okay.” Karina’s voice is low, conspiratorial. “But I’d think you’re lying.” 
And here’s the thing you know for sure:
The very second you saw Karina you swear you saw the next hundred pages of a manuscript unfurling in front of you, lines and themes and gorgeous dark-eyed heroines, tragically beautiful endings and stunning cinematography - infinite narratives in the glossy sweep of her hair, in the seductive stretch of her legs, in the way she looked at you in a crowded room and smiled a lovely, secret smile and told you she’d follow you anywhere. She’s worth making art about. She’s worth devoting lifetimes to. The most honest thing you could say to her right now is baby, I’m writing a movie about this one day, and I think you’re really gonna like it.
Karina couldn’t possibly know any of this, but it still feels like she does - impractical knowledge in how she loops one arm around your neck and kisses you again, no hesitation. Like she actually knows you. 
“I want to fuck you,” you murmur against her mouth, because it’s the next most honest thing. “Is that enough for you?”
You’re a screenwriter. You know your horror movies. A small part of you recognizes that this is precisely how they start: fanged vampires, wicked succubi, femme fatales out for blood. Karina’s so gorgeous she can’t be human - teeth so sharp there’s no way her intentions are pure.
“Sure,” Karina says, smirk glimmering like starlight. “Then I want that, too.” 
It’s a murder plot waiting to happen. 
You take her home anyway. 
-
(Oh, and about your Oscar-winning script-
In theory, this is how it begins.
It’s classic. There’s a stranger and there’s a beautiful girl and they’re both sitting at a bar, talking for the very first time. The girl has a rose tucked behind her ear; it matches the crimson color of her lipstick perfectly. The stranger had asked her what the deal with it was, but she’d said something vague and nonsensical about it being a gift, so now they’re talking about normal, average things. Jobs, names, flirtatious pickup lines. It’s obvious because it’s meant to be, like a set-up to some predictable porn - everyone watching knows they’re going to fuck. 
She keeps getting closer to him. At one point he thinks she’s going in for a kiss.
Instead, all she does is pluck the rose from behind her ear, and hand it to him. 
It’s okay, she says. No thorns. 
He stares at the rich furled petals and the whittled-down stem. 
Thanks, he says, amused, charmed. He thinks there’s something odd about her. He likes it, though; if she were as beautiful as she is - which is very beautiful, exquisitely fucking beautiful - and she behaved like most people do, he’d find her terribly boring. 
He takes it from her. Turns over the rose in his hands absentmindedly as she keeps talking. She’s got all this hair: wild and glossy black, pouring over her thin shoulders, her ribs, her tiny waist. After a moment he feels the sharp prick of a thorn against his fingertip and releases the rose in surprise. 
You said there weren’t thorns, he tells her, laughing. Ow. 
Whoops, she says. Then: Did it get me too? 
She turns her head, pulls her hair out of the way. There’s a scarlet bead of blood trickling down the side of her perfect pale neck. He can’t quite tell where the point of entry was, where the thorn had dug in and broken skin. It’s bleeding a bit too heavily. Covering its tracks. 
She swivels, slightly. She sees the look on his face. Is it bad? she asks.
No, he says, though he can’t really tell. But - couldn’t you feel it, though? The thorn? 
The girl presses her hand to the side of her throat. It comes back bloodstained, a neat smear of red along the lifeline of her palm. 
No, she echoes, though this can’t possibly be true. Hey, you wanna get out of here or something? 
Alright, he says, smiling. They both stand. They leave the rose where it is. Let’s go. 
He cups her cheek instead of her neck when he kisses her for the first time, so he doesn’t have her blood on his hands.
It starts simple like that.) 
-
Karina’s so out of place in your apartment that it’s almost laughable - or it would be, if you were capable of thinking about anything but her mouth and her hands and her tits crushed up against your chest as you pin her to the doorframe. She keeps making these little sounds into your mouth: low and throaty, almost agonized. You swallow all her moans off her lips - oh, baby, you’re okay - and you only kiss her harder. She doesn’t belong, among your carpet worn-down from pacing and your laptop still open and idling and the mess of incoherent colorful post-it notes pasted to your fridge. She doesn’t fit here. Here kissing your mouth, here in your arms, here on fucking earth with the rest of you heathens-
“You wanna fuck me so bad,” murmurs Karina, chin on an incline, staring up at you, “then do it already.” 
She doesn’t squirm or fidget; she doesn’t get needy or start begging. She stays pinned down by your body, lips parted, and stands completely still. 
It’s like she’s telling you to make your move. Waiting for something inevitable. 
“What happened to patience?” you say, anyway. 
Karina’s mouth curls. She palms your cock through your pants. “What the fuck is that?”
You try to laugh, breathless and turned on, but all she does is kiss you again.
You’re a creative - you’re ready to attribute meaning to every movement - but there’s nothing so profound about it when you get Karina on your bed, all that thick black hair fanned out on your sheets, her hands grasping to get your shirt off - off, she murmurs, off. Even that comes out measured. She never shakes. She’s so sure. You kiss her everywhere you can reach, her face and her neck and her collarbone and her tits, drunk on the soft, humming sounds she makes when you do. You’re so fucking gorgeous, you can’t stop saying, and Karina keeps laughing that same raspy laugh, like it’s the most hilarious thing she’s ever heard. 
“You told me you already know that, right?” You’ve got her face cupped in one of your hands and your other one at the neckline of her scarlet dress. “So what’s so funny?” 
“Everything.” Her teeth glint the way fangs would, a deliberate trick of the light. She’d be villainous if she weren’t so content to be trapped underneath you. “All of it.” She presses her palm to the side of your neck. “You’re too nice.” 
“Fuck.” Your thumb accidentally digs too hard into her cheek. She doesn’t wince, but you feel it - the stomach-turning thrill, the possibility of leaving a bruise. Your hand drops low - lower, down her throat and her tits and her flat midriff - and slips between her thighs, up her dress. It feels safer, somehow. “How do you manage to make the word nice sound like an insult?” 
“It’s not,” she says, simply, and spreads her legs. 
And it must not be - because Karina’s so wet. 
She makes another low velvety sound when you first touch her, seems to melt into the stretch of your finger in her cunt - just one finger, and her back arches faintly, prettily, hips lifting to take more. “Jesus,” you mutter, but Karina’s not looking at you: her eyes are shut tight, lashes fluttering black, tits heaving in her dress with each draw of breath. You’ve fucked girls who’ve seemed unsure of themselves - embarrassed by their own wantonness, how wet they are, how bad they want it - but all Karina does is wrap her hand around your wrist and tug, once: a clear soundless plea for more.
For a second you’re actually, positively certain that you’ve lost it. 
It’s abject fantasy. It can’t be real. You in your apartment with the dream girl - the personal Aphrodite - the muse; God, if anyone was ever made to be a fucking muse, it’s her - underneath you with her ridiculous tits and her tight little pussy, face like a Hollywood dream. Ludicrous. Impossible. Bucking as she tries to fuck herself deeper on your fingers, all the way to the knuckle - slowing down only to say you wanna fuck my cunt open with your big fat cock or what? 
“I,” you try to say, strangled - her mouth’s so fucking filthy. “I was - I mean - we could take it slow-”
“How romantic,” says Karina - and this, too, sounds like a heinous insult coming from her - but she drags your wrist to her lips and sucks her own slick off your hand anyway. 
You choke on your next breath. “Karina-” 
She looks up at you, unflinching, tits half out of her dress and cunt dripping down her thighs. Lipstick worn-down, kissed-off. All over your mouth, or your throat, or your shirt. Mouth chapped from the cold and stained marvelously pink. There’s something in the way her smile forms slight and crooked every time you say her name, as if there’s some private joke you’re not in on. 
“You’re such a gentleman,” Karina purrs, all syrupy-sweet condescension. Then: “You really don’t have to be.” 
She licks the pad of your finger. She’s so completely shameless. You feel monstrous on top of her, in this sick, superior way, like she’s just too small to be so sopping wet and slutty and fuckable - too beautiful to be anything but treated just right. 
“If you want me to fuck you like a whore, baby,” you tell her, half-joking, “then just say that.” 
It’s a mistake the moment it leaves your mouth - a line crossed. Because all Karina does is cock her head, your wrist gripped delicately in her hand, her legs parted underneath you, and stares. Almost droll, bemused. Like you’re so goddamn predictable.  
“Didn’t you hear me?” That perfect face sears right through you. You’d nearly fucked that face. Not quite. Not yet. “I want whatever you want.” 
She’s even tinier than you originally thought she was. You only realize this now, tracing her stomach under your fingertips, feeling the sharp relief of each rib straining beneath her skin. You don’t know it until you touch her, but you can span the width of her thigh under one hand. It sends a strange shiver through you: mapping every jut of bone, every startling edge. She’s tiny. Breakable, practically. Men meaner than you have probably thrown her around, fucked her up against walls, used her like a toy. 
“So,” says Karina. “What do you want?” 
Your fist clenches tight in her grasp, right in front of her face, knuckles going horrifically white.
Like you - like you’re going to-
An accident. A primal sort of gesture, like you’re less than human, turned under her touch into some feral hot-blooded animal who can’t control itself: carnivorous, predatory. You stare at your own hand and then the sharp scythelike curve of her mouth and feel revolted embarrassment crawl straight up your spine. 
It’s abhorrent. 
It also doesn’t even seem to matter.
Karina doesn’t go wide-eyed and nervous; she doesn’t look at your wound fist like she’s scared of what it could do to her. She clicks her tongue, once. Like this, too, is something she already saw coming.
“I thought so,” she says, anyway. Maybe this is it, what does it for her; looking the devil full in the face and begging to be burned. “Then do it.” 
“I can’t do that to you,” you mutter, but you tug her dress up, and you fuck her anyway. 
-
She’s a stranger. This is the point of fucking strangers. To do things to them that you’d never do to anyone else - to take out your worst impulses and tell your best lies and know that none of it matters, in the end. Because they’re nobody, and because you’ll never see them again. 
But you just can’t. 
She’s too indulgent and stunning and soft, with her low moans and the addicting drenched heat of her cunt, hand gentle and careful on the nape of your neck so she can keep pulling you into a kiss. She’s made up of curves, delicate edges - those hips and those tits you can’t keep your hands off of and her lips in a dreamy smile - and you find yourself stroking her hair back from her face so you can drink it all in: the blush in her cheeks, the almost serene way she lets her eyes slip shut and her mouth drop open, slack and enticingly wet. So good, baby, you keep telling her, because she is, her entire body warm and wanting and so easily fucked open, little pussy swallowing your cock right up. She doesn’t fidget or plead. She’s so sweet, such a perfect fit, humming into your mouth as your cock eases her open; so wet you can hear it, the sloppy squelch of her cunt when you bottom out. Your voice comes out coaxing. You like that? That feel good? Taking my cock so nicely, huh?
“Mmm,” Karina breathes, in an exhilarating moan, right into your mouth, against your tongue. “Mm, mm-”
She never quite manages full sentences. Never finds it in herself to make any more obscene demands. Just gets all small and soaking underneath you, licks messily at your bottom lip, and lets you do all the talking - lets you draw a careful hand through her hair and drop your other one between her thighs, clenches tight around your cock when you rub at her clit, keens low in her throat and listens. To the good girl, to the I got you, baby, to the that’s it, there you go, this is what you wanted - I know, honey, I know, you just needed to get this cunt fucked right, you just needed to cum real bad. I know what this is. I know what you need. 
“Fuck.” She’s flushed pink to her chest, delightfully ineloquent. “Yes-” 
Well - good thing you’re decent with your words, when it counts. Let Karina blush and drool and slick up your cock with every stroke. That’ll work just fine with you.
It’s the kind of juxtaposition you’d really lean into - the kind of thing you’d write just to get so self-indulgent with, a personalized note to the director, a wink and a nudge to every audience member. Look at that. Look at her eyes like something straight out of poetry. Look at her body like a pornographic fantasy. Look at how she gets so tamed and docile and compliant when she gets her tiny pussy stuffed full, creaming all over that cock, huge tits bouncing - look, that’s art, isn’t it? What else would you call it? What else could it be?
“You gonna cum, baby?” She’s so fragile underneath you. Color staining her cheeks apple-red; lips swollen and begging to be kissed. Fictive little fairy tale. “You gonna cum for me?”
“Yeah.” It’s breathy and barely-there. Her chin trembles, jerks in a weak nod. “I’m - I - fuck-” 
See: you just can’t rough her up. It’d be blasphemous. Sacrilege. Taking one single look at the stained-glass windows of a church and tearing it all to the ground.
Still, you’re mesmerized by how utterly vulnerable she looks: the glossy shine to her irises; the way she inhales all slow and shaky, body slipping from some sort of precipice. Not just like she’s near-tears, but like she’s stunned - struck dumb from a violent blow, mouth wide open in the aftermath. And it’s just sex - and, fuck, you’ve said it, you see things the way every obsessive artist does; sex is never just sex. Every one thing means something more. A metaphor. An allegory. You get nasty and debauched and dirty because you know exactly what you can spin it into. Put the entire scene in a silent film and everyone can swoon about the things you might be saying to her, this impossibly captivating stranger in your bed with her graceful name, her dizzying moans, her shuddering frame in her orgasm. Don’t you get it? you could be telling her, hand brushing gently over her sweat-damp hairline. Don’t you feel that? You’re a stranger to me, baby, but you don’t have to be. There’s a reason we met. There’s a meant-to-be here, somewhere. I’m not a believer, sweetheart, but you could make one out of me - I swear you could, I promise-
But that’s the reason why these things are best left to the imagination, anyway. 
A million scripted sweet nothings - and none of them manage to make it out of your mouth. 
“Karina.” Your hips jerk hard. You sound half-possessed. “So pretty, cumming all over my cock like that. Such a perfect little cunt, baby - so fucking good-”
Her eyes suddenly shut tight; her body arcs into your touch, lips parted in a silent gasp. And for a second it seems like such a snapshot of innocence, like she’s brand-new to getting fucked quick and rough and dirty - though you know this can’t possibly be the truth, not with the way she flirts and whines and drips for more like she’s made for it - but she’s trembling under your fingertips, and you can dream. She’s your beautiful stranger, your pristine muse; you can pretend she’s whatever the fuck you want. 
“God,” Karina murmurs, so soft and weak it makes your head spin. 
Before you know what you’re doing - before you can even think twice about it - you’re pulling out, and cumming all over her stomach. 
You can’t help it. You shouldn’t have had that thought about innocence. Jesus. This is what you mean, about you and your own painful humanity; you’ve got all the same vile desires. When you see a pure thing - all that porcelain skin, all that thick glossy black hair, all those gleaming white teeth in her open mouth - your very first instinct is to fuck it up bad.
You’d do worse, if you were worse - you’d make a real fucking disaster out of her. 
“Baby,” you say, breathlessly. “Are you…”
And Karina, then, does something truly evil: 
Sighs luxuriously, stretches her arms above her head, eases those gorgeous eyes open, and smiles. 
As if she’s reveling in it. The scent of sex - the defiled tautness of her tummy - the way you’re not sure where her little red dress or her shoes or her panties are, how her cunt’s dripping wet onto your sheets, her hair a glorious mess. Grinning in the face of utter filth. 
“You,” you exhale, running your palm down her side. “You’re so…” 
Karina’s mouth pulls up at a corner, like she’s daring you to finish the sentence, but you never do. 
You can’t stop staring at the stretch of cum-covered skin before you. Coating her belly, pooling into her navel. You realize with a start that there’s a new bruise blooming on her chest, a vicious sort of bite mark. You can’t remember when you did that. You’d been kissing her - of course you kissed her - her mouth and her neck and her tits, but you’d been so gentle, sucking light and soothing her skin with your tongue after-
“You didn’t want to cum inside me?” Karina asks, hoarsely. 
You blink so hard your vision blurs. “What?” 
“Right.” Her eyeshadow’s smudged dark underneath her eyes, making her look deliciously used up. “You did want to cum inside me.” 
“Karina,” you warn - or, at least, you mean to make it sound like a warning - but her name comes out too faint. It’s horrific. Your hand traces her hipbone so reverently. You’re no match for her. 
Karina arches a brow in unhurried challenge, ghosts her hand across her tummy. Takes two fingers and drags them through the cum you spilled, pulls back with it clinging thickly to her skin. Drifts down, down, down. 
“Karina,” you try to say again, even more pathetic than last time. “Jesus-” 
But you saying her name holds no weight here; she’s made that more than obvious. Nothing to stop her as she smears her cum-slick fingers across her glistening pussy, gaze locked amusedly on your face, tracking your reaction. She’s still so fucking wet - she rubs your cum in circles across her clit - tossing her head back a little, chest heaving and falling, fingertips just barely dipping inside her cunt-
“I can’t.” Karina lifts her hand to pop her fingers in her mouth, sucks them clean. Pointedly flashes her too-sharp nails at you like she’s unsheathing claws. “If you want it, you’re gonna have to do it yourself.”
“You,” you say, though your hand’s already pressing hard into her ribs, “are fucking cruel, baby.” 
“And you,” replies Karina, head tilting, “just want to see my cunt all filled up and leaking your cum.” 
Oh, she hasn’t been wrong about you all night. She certainly won’t start now. 
“What?” A sly, languid smirk tugs at her lips. “Afraid you’re gonna knock me up or something?” 
Your breath halts right in your lungs.
You’d been right about her too, it seems. Succubus. Vampire. She must be; she’s bloodthirsty. Tits gleaming with sweat, the scarlet stain of that bite mark you can’t remember leaving, cunt all dripping wet and desperately empty - body like a fatal fucking blow. 
Karina’s eyes glint. I want what you want, she’d said. 
With the way she spreads her legs, she’s gotta be ready to prove it.
So you never stood a chance. You give in and scoop up cum with one finger and sink it deep inside her aching cunt, feeling as she clenches down, as she takes it so well; like a good girl, you tell her, letting me do whatever I want with this needy little cunt; that’s my good girl. Karina lifts her hips - goes so still and so obedient - and lets you repeat it over and over again, fucking into her with your fingers until the plane of her stomach is bare and sticky and her cunt’s dribbling your cum onto your sheets. It’s completely nasty. It’s hot. It’s Karina craning her neck back and shutting her eyes as you bury three fingers inside of her and fill her with your cum, every part of her in utter surrender, entirely at your mercy, breathing out hard through her nose until your thumb rubs at her clit and she’s cumming again, all over your hand. She gets this look on her face, afterwards - exhausted, every line of her face gentle and lax - staring up at you like you’re the only person still left on this planet. Adoring, almost. As if you’re something out of another world. 
It’s an expression too sweet for a scene like this - and it’s exactly what men like you make art about. 
“There,” you say, soft and mesmerized, wiping your hand across her chest. “Satisfied?” 
Karina laughs her strange, gravelly, gorgeous laugh. 
“No,” she says, shamelessly. “But that’s not your fault.” 
Your fingers curl around the curve of her jaw. “No?”
She barely looks like she belongs in your bed - she must be something divine, lit from within, god-blessedly gorgeous. She’s a fucking fever dream: stunning eyes and the bob of her throat and her tits and her curves and all that hair. Stay, you think of telling her. Let me see what I can make of you. I don’t know you yet but I could, baby, I really could. 
“Nope.” Karina smiles, and somewhere, soliloquies are writing themselves. “I always want more.”
“Okay,” you say, mouth hovering over hers. “Then stay.” 
-
So she stays.
-
(An update on your script:
The stranger and the girl are back at his place. They’re sitting on his couch. Nobody has cleaned off her neck. He’s been too busy pawing at her: at her face, between her legs, at her tits in her tight dress. I need you, he’s been murmuring to her, and it feels like he really means it: like he’ll die if he doesn’t get her desperate and whining underneath him, his cock stretching her tight little cunt wide open. He doesn’t feel too bad about it. She���s a dirty slut. She’s said as much. She’s got her own needs, too. 
What happened to your window? she asks, suddenly.
He pulls back from her chest, his spit clinging shiny to her skin. 
She isn’t looking at him. He has the sudden, unnerving feeling that she hasn’t been looking at him the whole time. Not like she’s had her eyes closed in blinding, overwhelming pleasure - but like she’s deliberately been trying to look at anything else. 
But his hand falls between her thighs, and he realizes she’s already wet. 
A bird flew into it, probably, he says. That happens, sometimes. 
They’re talking about the stain on the once-clean glass of his window. The backdrop of the night sky behind means it’s barely visible, but the suggestion of it is enough. Implicit gore. Tiny little black feathers, caked in blood from the impact, dark and dried. It’ll be scrubbed off soon enough, he knows. It’ll be all gone eventually. 
Oh, she says. She doesn’t apologize for potentially killing the mood. She hasn’t, anyway, not really. She’s still wet and small underneath him, begging for it. Poor thing. 
Yeah, he says. 
She turns back to him. Her hair’s everywhere, all over the arm of his couch, wayward strands beneath his fingers. She’s clearly expecting something - to be kissed, to be fucked hard, to be called baby and angel and good girl. It doesn’t really matter either way. Those are the only things he can give her. 
He stares at the blood on her neck. 
Let me clean that off for you, actually, he says, and goes to the kitchen to get a washcloth.)
-
Much, much later:
“I admire you,” Karina says, all tucked up in your bed, underneath your sheets, half-buried into your side. Moonlight bleeds into the room. Her eyes gleam like galaxies. “For showing some self-control.” 
“What?” 
Karina’s hair pours over your pillowcase. She takes your hand and brings it close to her face, working your fingers into a tight fist. 
“Fucking bitch,” you mutter, and then regret it immediately. It lands too harshly, too strange and serious. “Sorry. I didn’t - that came out weird. I don’t think you’re a bitch.” 
Karina’s lips brush your knuckles. “Not the meanest thing I’ve been called.” Her voice twists with humor. She shouldn’t be so comfortable curled up with a man she doesn’t know in the middle of the night. You think of kissing her hard, of scraping her neck with your teeth, of warning her about self-preservation - sweetheart, you could tell her, this is how people end up dead. “Not the meanest thing I’ll be called, either.” 
You shift. Your fist, unconsciously, goes tense in her hand. “What’s your deal?” 
Her mouth tilts. “What’s yours?” 
You huff out a laugh. “You’re unbearable,” you say softly, which feels much kinder than calling her a bitch. “What are you - what do you mean?” 
I’m not hard to figure out, you want to tell her. I’ll let you in if you ask me to. But you - you, you imagine saying, cupping Karina’s face in your hands and saying her name like you’re praying to her, drafting scenes in your head with each whispered syllable - you. Look at you. I’d fill a thousand pages trying to find a way to understand you. 
“If you want to hurt me,” Karina says, “then hurt me.” 
Your throat dries up. Your fist falls open. “What?” 
“I wouldn’t blame you.” Her voice is matter-of-fact. You see her tongue dart over her bottom lip, the slick glimmer of spit. “If that’s what you wanted.” 
You stare at her, hard. 
It’s not difficult to make out her silhouette in the dark; she’s illuminated so distinctly by the moon, like it’s her own on-set spotlight, professionally arranged - she’s got the cosmos calling her shots. You think about how careful you’d been with her: doing what she wanted and making her cum and kissing her like you have history and maybe fucking her like you love her, just a little.
You think about that bruise you left on her chest, her skin between your teeth, the feeling of biting down. 
“It’s not,” you say, and the lie tastes acrid in your mouth. “It’s - it’s not, Karina.” 
“You fucked my face in public within like an hour of meeting me. And fucked me and came on my stomach. And fingered your cum inside of me.” It’s far past midnight. She sounds more alert than she should. “You’re gonna start being polite now?”
It sends an odd knot to your gut, the way she puts it. Equating all of that to hurting her. Laughing in the face of your clenched fist - not because she thinks you won’t do it, but because she knows how bad you want it. 
Hurt me. She says it like it’s so easy. Fuck me. Let me stay the night. Hurt me; you’ve earned it. 
“I’m not polite.” The truth doesn’t taste much better. “I just have, you know, common fucking decency.” 
“Hm,” Karina says, a nonchalant little noise, and nothing else.
You brush her hair off her neck and your fingertips graze the hollow of her throat. You feel her swallow under your touch. You open your mouth, though you’re not sure what you’re about to say - Karina, like a chant, like she’s consumed you in a matter of moments, Karina - but she shuts her eyes delicately, and curls close to you, and just like that the moment is over. 
I have common decency, you’d said. I won’t hurt you. I promise. I can control myself.
So maybe you weren’t right about everything. You’re not the devil. That’d be a delusion of grandeur - the idea that you’d ever have that kind of power over a girl like her. 
Not for long, she’d replied, in the knowing tilt of her smile. Not if I can help it.
-
In the morning, it’s a picture of crime-scene proportions. It takes a little work to piece it all together.
Karina’s not in bed when you wake up, but there are traces of her everywhere - telltale, incriminating bits of evidence. Strands of her hair on the pillow. Blood-red lipstick stains on the fabric. Her crimson dress crumpled on your bedroom floor, sporting a tiny tear in the hem that you don’t remember leaving; you can still smell her perfume all over your sheets, like a calling card. If this was a TV drama - a clichéd police procedural - she’d probably be dead in your living room right now, blank-eyed and beyond saving, rigor mortis deforming her perfect body into something grotesque. 
This is also probably not a thought you should ever relay to Karina, but you do anyway.
“Sorry to disappoint,” she replies. She’s perched on your kitchen counter, dressed in one of your t-shirts, bare legs swinging. “I’m very much alive.”
“I was being dramatic,” you try to say, gesturing with your hands to set the scene - the lighting, the fake blood and the special effects, the potential pallor of her face. “I’m - I’m a screenwriter. It’s in my nature. I didn’t mean I wanted to find your fucking corpse out here-”
“It’s okay if you did.”
You choke. “What?”
“I’m right with you, babe.” Karina leans forward conspiratorially. There’s a sharpness to the dark glint in her eyes that kind of makes you think she really does understand: that she has the same tendency to jump to the worst possible conclusions. A kindred, morbid spirit. “I get it. I’m pretty devastated that I’m still breathing, too.”
She says this all in a scratchy, sultry voice, hoarse as though she’s been sleeping for years instead of hours. Lashes fluttering like she’s just told you something very adorable and sweet.
“God,” you say, desperately charmed, and laugh until you feel light-headed. “You’re sick.”
Karina’s mouth curls. “Right.”
“I’m serious.” It’s surreal: her wearing your clothes and sitting on your counter like this is an everyday occurrence, indulging every fucked-up thing you say to her. Maybe you’re still caught somewhere in a dream, just waiting to wake up. “You’re, like - not normal.” 
“Hey.” A light, careless shrug; her palm rests over the back of her neck. “No arguments here.”
You rub a hand over your eyes, smiling like an idiot, and take a breath. 
It’s late January, and cool sunlight drips into the room, over your furniture and your floors and the angel right in the middle of your kitchen. It should wash her out, blur her at the edges; it doesn’t even come close. Turns her to a freeze frame instead, carefully color-graded, every hue just a bit too intense: skin ghost-pale, lips pouty and pink, hair jet-black and tangled to her waist. Your shirt hangs off of her slender frame like it aims to swallow her up. You thought you’d been stunned by Karina before, lulled by the late night, the electric rush of touching her - you’d assumed you could blame it on the alcohol, the slutty dress and the sultry makeup and the long-held habit of artistic romanticization-
But it’s nothing compared to seeing her now. 
Karina crosses one leg over the other, and waits as though expecting a rating: to be starred out of five like a film. 
Face scrubbed clean. Bone structure a study of faultless symmetry, delicate in a way that feels both inhuman and invulnerable. She’s so classically breathtaking - a miraculous second coming of a tragic, iconic movie star, a phenomenon back from the grave; jaw and nose and mouth all clean lines, aesthetically precise art - but God, those eyes. Enormous without the thick liner, suggestive only of impossible innocence. Like some darling baby animal, some long-lashed lamb to the slaughter - something pristine and completely untouched. 
The morning after, the direct light, the exposed behind-the-scenes - she’s still beyond beautiful. 
And somehow she’s still here with you. 
“That’s insane, by the way,” you say, unable to stop yourself. “That you stayed.” 
There’s a loud cracking sound. 
You squint, disoriented. “What-” 
Karina blinks at you, wide-eyed; her jaw shifts. The sound echoes again, startling and sudden. “What?” 
“Are-” You step closer. “Are you chewing on fucking glass or something?” 
“Or something,” Karina replies, smile’s tiny and closed-off. She gestures to the cup next to her. “It’s just ice.” 
She’s so calm watching you approach her. You’re waiting for the other shoe to drop, for the freakout, for the breakdown - or, at the very least, the scrambling excuses before the walk of shame. Here’s the truth: she doesn’t know you. Here’s an even worse truth: judging by her hickey that looks like you might’ve tried to rip her throat out earlier, she’d have every right to take one look at you and run. 
Karina doesn’t do any of it. Just raises her cup to her lips and tips it back, the arc of her neck so inviting. 
“That’s so fucking bad for your enamel.” You’re laughing again. You’re in front of her now, settled between her legs. “You’re gonna break a tooth.” 
Karina sets her glass down. Wipes the corner of her mouth with her wrist, eyes locked amusedly on yours - heavy-lidded enough to seem lazy, but pupils blown enough to be a siren call, a deliberate suggestion.
“Oh, no,” she says, all smoky sarcasm. “Who’d ever want me then?” 
She parts her thighs the second you touch them; her body’s so obedient under your fingertips, like a doll’s, something to be dressed up and posed and played with. Daring you to do everything you’re already thinking about doing. 
“You’re ridiculous,” you murmur, and give in completely.
So:
Look, you know exactly how the movies would frame this. Pandering to the wide-eyed teenagers and hopeless romantics; adding the swell of strings every time your eyes or hands or lips meet, each motion accompanied with unsubtle cues - there’s the meet-cute, there’s the moment, there’s the love-at-first-sight. It’s ridiculous to drag any of that into your real life, of course. It’d be like believing in God. Giving up logic to put your faith in something silly and mythic and implausible - to follow true love like a religion, expecting it to save your soul; to pray to the one like a healing property, a benevolent higher power. 
You can’t believe in that. You can’t. 
But-
Karina pulls back the barest amount, eyelids fluttering open like a new day dawning, and smiles when she sees the look on your face. So sweet and gorgeous; so struck and adoring. So comfortable wrapped up in your arms.
“Hi,” she murmurs. 
And - as though it’s some bone-deep instinct, saturating your bloodstream - you just have to kiss her again. 
Don’t you feel that? you think of telling her again, your hand slipping to cup her cheek - the sentiment always seems to come back around. You swear you can see scenes flashing behind your eyelids, the beginnings of a creative epiphany; it must be seeping through your fingers, staining her skin with ink, every possible action depicted neatly between brackets. A laugh, a look, a touch. A version of Karina projected across the silver screen to a wild, wanting audience. Don’t you see what you could do for me? What you’re capable of becoming? 
You can’t believe in any of this, but it’s gotta be something close. 
The feeling doesn’t end when the kiss does: only intensifies, made tangible somehow. Sculpted into the spit-slick curve of her lips, the flinty gleam in her eye. Like she feels it too. Like she knows. 
“And it’s not insane that I stayed,” Karina says, belatedly. “You asked me to.” 
For a moment you just stare at her, seconds from her mouth and speechless. 
It’s the truth without difficulty. It’s a confession with no strings attached. It’s the fucking dangerous way she says it - as if whatever you want extends to a lot more than sex. 
“And you don’t-” Your throat closes over a swallow; you find your eyes darting between hers, searching for anything but honesty. “You don’t think that’s insane? Doing whatever a stranger tells you to?”
Karina only laughs her strange laugh, gritty the way good music is, demanding to be heard.
“Nope,” she says, like this is all so simple. “That’s just what I do.”
It’s unbearably filthy in its implication - and it’s exactly what you need. 
The room seems to fill with potential, fantasies pouring in from the ceiling, enough to bloat any manuscript to its breaking point. You let out a breathless laugh, loud and unabashed. You think of pushing for even more, pressing your nails in and digging deeper - why me, why this, why now - but Karina leans in close before you can and slots her mouth to yours, and you’re no fool: there’s no line of questioning worth giving that up. 
Seems like you’ll have to come up with this character motivation all on your own. 
-
“Look at us,” she murmurs against your lips - meaning this very minute, the chemistry, how every glittering star must’ve conspired to get you here. “Kinda feels like this was meant to be, huh?” 
She’s clearly kidding, because it’s too soon and too fucking crazy, but-
Well, the way you kiss her then is absolutely your version of a yes. 
-
Here’s something people should probably know about artists like you:
You’re rather enamored with the idea of a magnum opus. 
It’s a natural thing to reach for, to visualize - the concept of your one great masterpiece. Something you can pour years and years into, water into roaring reckless oceans; time transforming the things you make into something worth remembering forever. Everyone you know - your sculptors, your songwriters - has their own version of this, somewhere. When I finally create this one perfect thing I’ll be - go on, fill in the blank. Fulfilled. Gratified. Happy. When I finally do this, I’ll feel whole. 
It’s strangely fantastical. A lifelong dream a kid would have - a childlike, storybook aspiration. 
Yours - as far as you’ve figured out - looks a little like this:
“It’s not as romantic as it should be,” you admit, now. “I’m not really into that as a theme. True love, I mean. Or optimism. Or hope. I want something more…” Something rougher, you mean. Something with pain. Something with blood and bruises. “Nuanced, you know? Complicated, messy.” 
“I get it,” replies Karina. She has her hands twisted in her lap, watching you very closely. You’re obsessed with the way she looks at you - like she’s drinking every word in with those smoldering dark eyes, greedy for more. For you. “All the best art is about pain, huh?” 
You snap your fingers, pleased to be understood. “Exactly.” 
Karina smiles, small and knowing, and gestures you on. 
In your vision, your magnum opus is always about a girl. Like you said, it’s the way it goes with all the best films ever made: not about love, but the futility of it lasting. Think of all the famed examples - think of the filmmakers and their obsessions, sneaking the great loves of their lives between each line: there’s something she said, there’s a dress she wore, there’s a conversation they had in the middle of the night, tangled up in sheets and whispering against skin. Your future muse will be just like that. A reincarnation of the infamous women who haunt all the greatest artists - an amalgamation of their bodies contorted into narratives and replicated in loving, graphic detail. Someone with skin like marble, a statue you could take a sledgehammer to. Someone who looks unfathomably pretty when she cries. 
Someone like-
“Uh-huh,” says Karina. She must’ve just gotten out of the shower before you found her, because her hair’s damp enough to have left wet patches on your t-shirt. She licks her bottom lip, once. “Sure.” 
Someone to be what you’ve always wanted: a flawless girl to fall from the sky into your lap. To fulfill your promise to yourself: when I meet her, I’ll know. I’ll be able to make this movie. When I meet her, everything will slip exactly into place. 
Karina cracks another ice cube between her teeth.
“So,” she says, low with insinuation. “When you told me last night that you found me inspiring…”
She doesn’t need to finish the question. She knows exactly what you want.
“You’re…” You shake your head. “You’re the most beautiful girl I’ve ever seen. I saw you and I just - I felt like I knew. I knew. I wanted you.” You shrug helplessly, smiling. “Do you think I’m nuts?” 
She should, probably. You’re a total stranger, a practical lunatic, an artist talking of your visions like you’re possessed. You don’t know her - that’s the reality of the situation. You don’t know her. 
But then there’s everything else.
The unbelievable sex, the staying the night; the way she lets you touch her, blinking slow and subservient, like you already have a claim to her body. You think muse and you think in abstract concepts, glittering stars, guiding lights; you think of skin cut up and sewn together, of creators and their finest monsters, of the implicit poetry in the undoing. You think muse and you think of the way Karina smiles at you now, full lips and frail bones, a painter’s portrait reference. Unmoving, unafraid. Too otherworldly for your day-to-day but just right when she’s in your arms, like a trial-run demonstration: this is what we’re capable of. You could make it happen. You could make me fit.
You swear you’ve been dreaming of someone like her your whole fucking life. 
You think muse, and now you can only think of her. 
It’s a sign. It must be. And this, the next one:
“No,” Karina says, easily. “I think you’re just like everyone else.” But she raises an eyebrow, so you know it’s a joke. “I think you’re all the same.” 
You laugh, delighted; Karina’s smile widens, shows her teeth. “Shut up.” 
Karina acquiesces immediately - claps a hand over her mouth like it’ll keep any other words from escaping. It’s so adorable that you can’t keep yourself from pouncing, suddenly all over her like an animal: wrenching her thin wrist down, fingers threading through her hair, tugging her lips to yours as if you’ve been starved and she’s something to devour. She’s so cold, ice still melting on her tongue; even her body feels glacial, more porcelain than real. It drives you wild - the stunning impossibility of her. The desire to see it all reworked, unwound, shattered. 
“So,” you breathe over her mouth. “I can write about you?” 
“Babe.” Karina’s dark eyes sparkle, frozen-over streets in the mid-winter sun. “You can do anything you want with me.” 
That’s the whole point of having a muse, after all. Everything they are becomes yours. 
-
“But,” you can’t help saying right after: “you don’t have to be, like - concerned. About what I said. About art and pain. I mean…” You falter. You’re standing in between her spread legs now, thumbing the sharp curve of her jaw. “It’s fiction. I’m not that kind of guy in real life - I’m not going to hurt you.” 
Karina just stares at you, sentiment clear and unspoken. 
“Not like - not seriously.” You roll your eyes, laughing it off. “Not like that.” 
“Not like that,” Karina echoes. The hickey on her neck seems to flush redder every time you look at it - a photograph in a darkroom, developing. “But in other ways.”
Your mouth opens, but whatever defense you might’ve had gets traitorously stuck in your throat.
Karina laughs hoarsely, lets you trace her bottom lip with a finger. She seems to get the picture - that you’d love to see it bitten and bloody, but only ever in the name of art. There’s a kind of sick, sadistic beauty in destruction, battles waged and lost. She leans into your touch like she’s seen all the war films and knows precisely why they’re so well-loved. 
“For the record,” she tells you, arms looped loosely around your neck: “I look very pretty when I cry.” 
“Jesus Christ.” You’re smiling. She couldn’t be more perfect if you’d dreamt her up yourself. “Then I guess I’ll have to make it happen.” 
-
It’s like fate, probably. 
-
(Up next in your script:
The girl is standing in the stranger’s bathroom. She’s turning a little glass perfume bottle over in her hands when he stops in the doorway. He’s perfectly content to watch her; she’s the kind of beautiful that deserves to be observed, like some exotic wild animal caged between four walls in an elaborate exhibit, mildly unaware of all the attention. Her hair is messy; her head is tilted down. Unseeing. 
Oh, he says. That was my-
Except he doesn’t even get the rest of the sentence out before the girl whirls around, and the bottle slips from her hand and shatters on the floor. 
Jesus. The stranger jolts back. Jumpy. He’s not too concerned about the broken bottle; it’s not his, anyway. Why the fuck did you do that? 
Sorry, the girl says. She’s leaning rather casually against the counter, observing the glass covering the ground, the sickly-sweet smell of the perfume sticking to the tile. Honeysuckle and the sharp note of alcohol, rendered unrecognizable. You scared me. 
He looks down. A crystalline stretch of tiny little shards - if she tried to move she’d slice her foot open. 
No worries, he says. Hold on. 
He ducks into the kitchen to get a broom and when he comes back he stops in his tracks. There’s something slightly off about the picture in front of him. She’s small against the background counter, frozen, barely blinking. Everything about her looks suddenly frail, fair skin ghostly underneath shitty bathroom lighting, cheekbones gaunt and sunken-in, hair pouring ink-black in endless waves. A vengeful spirit. An incorporeal haunting. 
Did you…? he starts to say, thrown. 
She blinks, finally. Did I what? 
He pauses, reassesses. She’s gorgeous. She’s art. She’s vibrantly alive. 
Never mind, he says. 
It seems kind of like she’d moved, but he can’t tell. He forgets about it. She’s still beautiful and she seems okay and so he steps forward and clears the worst of the glass out of the way. 
It’s silly, she says, watching him. I used to know someone who wore that perfume. 
It was my ex-girlfriend’s, he says. She left it here a while back. I think it’s a common brand or whatever. Hey, let me help you. 
He��s very chivalrous about it, sweeping her off her feet, cradling her bridal-style across the possible remnants of glass. She laughs all the while, playing into it - a princess out of a fairy tale, being carried to safety by some gallant knight. But then he sets her down and cups her ass and says, You gonna pay me back for the property damage or what? and she laughs harder, because there’s nothing funnier than that: sweet moments turned filthy, a startling hairpin turn in intention. 
Or - conversely - a revelation of the absolute truth. Because what else could he ever want from her?
So she says, Yeah, sure, take everything, and leans in to kiss him.
It’s a normal kiss, mostly. It’s just that it begins pointedly erotic but seems to turn strange after a second, like he might be gripping her hair too hard, like she might be corpse-limp in his arms, like at any moment he could unhinge his jaw and sprout fangs and swallow her whole, cannibalistic, viperous. There’s too much spit and sound. There’s too much teeth and selfishness. It stretches on too long and lingers where it shouldn’t and overstays its welcome terribly - the score seems to fall off-beat, the lighting seems to shift dark and discolored-
But then the kiss breaks, and it’s over. 
When he pulls off of her she looks like the perfect picture of flushed contentment. Eyes half-lidded and lashes fluttering, her pouty lips swollen and rosy. Smiling like she wants more, like she wants it so, so bad. 
It didn’t get you? he asks finally, looking at her neck, thinking of thorns and pinprick pain and the rivulet of crimson that’d decorated her throat. The glass? 
No, she says. Don’t you wanna fuck me now? 
Oh, God, he says, grinning, and every other thought melts away into nothing. He likes how she doesn’t play coy. He likes how she’s smaller and has to tilt her chin up to look at him. He wants to fuck her, so he does. 
It’s excellent sex. The blood on the tile doesn’t really matter.)
-
Before you really start writing, there’s just one singular problem: you don’t know anything about her. 
“That’s not true,” Karina replies, right away. 
You open your mouth, then close it, because - okay, she’s not completely wrong. 
For about an hour now you just haven’t been able to stop talking to her. About anything, everything: your start into screenwriting, your favorite novels, your greatest inspirations, your neverending passion for eerie, erotic art. You can’t seem to shut up. And it would be bad - would be making you feel self-conscious right now, if it were anyone else - but it’s just not. Because it’s, well-
It’s you, you told her, thoughtfully, watching as the sun climbed higher into the sky, golden light grazing each scalpel-sharp edge of Karina’s body. You’re easy to talk to. Has anyone ever told you that?
Karina blinked at you. Tucked a strand of silky hair behind her ear and looked away, considering it. 
She has this way about her: this serene openness to her big eyes, her body language. Leaning back on her hands, humming and nodding and saying I get it, I feel that way too, I understand with such sweet sincerity that you can’t help but believe her. Like a Catholic confessional, a pristinely blank page - something you could pour hours and hours of words into that would never, ever complain. 
Yeah, Karina said, finally. She pulled one leg up to her chest; you could see the lacy black of her panties. I get that all the time. 
Just one of those people, huh? Her character was taking shape already. A vault for everyone else’s thoughts and ideas, cradling them between her fingers like something infinitely precious. A listener. Such a lovely trait; a perfect protagonist characteristic. An observer. 
Yeah. Her cheek rested gently against a knobby knee. Exactly. 
It’s something of an art study. You’ve been filing away these details about Karina since the moment you met her, unraveling her bit by bit.
She always seems to think deeply before she speaks, a sort of charming self-scripting, like she wants to make sure she gets every sentence just right. She makes silence seem like the most natural thing in the world. She doesn’t laugh nervously or blush or get embarrassed, ever. She’d mentioned offhand during one of your tangents about your most beloved movies that she tends to like films about gorgeous, dangerous, scarily self-possessed girls: Thirteen and Black Swan and Girl, Interrupted. She seems both intensely present and consistently lost in thought, there one moment and gone the next, her long-lashed gaze falling in and out of focus like a camera lens. A contradiction, you think to yourself. An enigma, even. Profoundly complicated. Not just a girl but something more. 
Art in and of itself, displayed deliberately on your kitchen counter, waiting to be understood. 
“No, you’re right.” Your fingers have strayed to your open laptop; you’re seconds from typing Karina’s name like a title, something you’ve created all on your own. “I know…”
You’re trying to think of something nonchalant to say and failing. I know you - the first instinct, somehow. I know you’re something brilliant and remarkable and new. I know I’ve never felt this way before about anyone. I know there’s something here, I know what I feel, I know what I want - you, you, you. 
Karina stares at the ice melting in her glass. 
Then she says, mouth tripping up at a corner: “You know I’m a world-class fuck.” 
“Jesus.” You laugh out loud, surprised. “Okay, yeah. That.” A pause. “And, obviously-” 
“Obviously,” Karina echoes, like she knows where this is going. 
“I know that you’re, like - outrageously fucking beautiful.” 
Karina hums once, letting the compliment wash over her, and turns to look out the window. 
You bite down on your lip - bite back all the other too-soon things you could say about her, threatening to claw their way out of your mouth - and go in on your script instead. 
It’s shockingly easy to write with her in the room. The details seem to stitch themselves together on-page, the restorative aftermath of an autopsy: sealing the slit chest cavity back up, prepping a corpse for an open casket, making something disconnected whole and beautiful again. You’d pulled these specifics from her like pulsing, throbbing organs - her tits, her tone, her tiny waist - and now all you’re doing is repurposing them. You know her body now. You turn stretches of pale, bruised-pink skin into prose, the curl of her little fingers around her thigh into dialogue. You imagine taking that perfect frame and picking it apart again, bit by bit; not just undressing her but peeling back layers of flesh, familiarizing yourself with the stark scarlet of her bloodstream. Until there’s nothing to hide and you can finally say it - I know you - and it’ll feel earned, and real, and honest. 
All very melodramatic, of course. It’s just the process: the natural consequence of being a writer. 
Your eyes trace the jutting protrusion of muscle in Karina’s throat, and you think about fucking her again. 
“Also,” you say, as though your earlier conversation isn’t long over. “I want to know-”
Karina makes a huffy, half-impatient noise.
You grin, gaze flicking back to her face. “What?” 
“You want to know more?” Her brows furrow in exaggerated confusion; her smile is absurdly self-deprecating. As if there’s anything she could possibly be insecure about. “You already got the two most interesting things about me, babe.” 
“Stop.” Your mouth twitches. “No way.” 
Karina’s smile stills in place, expectant. “No?”
“Come on.” Your hand slips from the keyboard to trace her knee. “I’m sure there’s all kinds of interesting things about you I haven’t learned yet.” 
The laugh she lets out is quiet and nearly secretive, legs parting to let you touch her. You’re already half in some faraway daydream, wondering if you can bottle the color of her eyes and turn it loose on the page.
“Okay,” Karina says, easily. She nudges your laptop away, scoots closer to you, her sharp chin pointed down at you. “Come and learn them, then.” 
“God.” As if that’s what you’re doing. Memorizing her body as some private education; taking her apart in a classroom dissection. “Can I - I’m trying to write, Karina. I’m being productive. I…” You’re shaking your head as though you’re not already giving in, fingers slipping up her thighs - she’s smirking at you like she knows it. “You’re fucking insatiable, you know that?”
“Then satiate me.” Karina’s head tilts, lids heavy. “Fuck me. Use me.” She leans down like she’s telling you a filthy, sordid secret. “Cum in me like I know you want to.” 
There’s something surreal about how certain she is: never tripping over her words or waffling over intentions, the most practiced actress you’ve ever seen. Every move - her tongue wetting her bottom lip, her hand sliding gracefully through her hair, her mouth forming a sweet little pout - all clean, choreographed precision. 
I know you, she says - like it’s earned, real, honest. Inexplicable, but there anyway. I know you want to. 
“Karina.” Her name comes out embarrassingly strangled. You’re pulling her thighs further apart, toying with the edge of her underwear. “You’re such a fucking - you’re so needy.” 
Her smirk sharpens even as you tug her panties roughly to the side. “I’m what?” 
“Needy.” 
“No.” She’s so wet - she’s probably seconds from dissolving into a whimpering breathless thing, begging to be underneath you, begging for more. That damn smirk is probably seconds from shattering completely. “What were you going to call me?” 
“Nothing.” You drag a finger down the slick drenched heat of her cunt.
“A slut.” Her voice is a purr, gravelly and sensual. “You think I’m just this fucking slut who needs your cock all the time, huh?” 
But it’s the kind of question that you already both know the answer to. Karina takes your finger-fucking so well, hips raised and rutting, hair cutting across her cheekbones - seems to give herself over to desire so fucking easily, with her whole body, back arching and neck craned and hot little cunt a sloppy mess. Never puts up a fight, never demures or acts shy; never says wait or don’t or stop. Only spreads her legs, and drips down your hand, and waits to be fucked good and hard.
And - hey, there’s one dirty word for a girl like that. 
“Well.” You raise your eyebrows at her: a challenge. “Are you?”
It’s dangerous. This is all dangerous. Stumbling down a treacherous path, asking a stranger something like this. Are you what I think you are? Do I know you? Do I really? 
Karina makes a low, luxurious noise at the stretch of your fingers in her cunt, buried to the knuckle. 
“Sure,” she says - and the gleam in her eye tells you she knows exactly what she’s getting herself into. “I’m whatever you want me to be.” 
-
So, it’s possible this is really the most interesting thing about her: she’s the kind of girl who never says no. 
-
That scene goes down how all scenes should:
“Fuck, fuck, fuck-” 
Karina’s choking out curses like she can’t recall any other words, head lolling back to expose the pretty bob of her throat. You thrust deep right then and she lets out a sound like an aching gasp, like you’ve doubled down with a fist to her gut, like you’re knocking the the air right out of her; you might as well be - oh, she moans, like she could be in shock or awe or pain - with the way you’ve got one of her thighs pulled up so you can fuck deep into her tight dripping cunt. It’s not nice, not really. Her back keeps hitting your counter. You keep staring at her neck and her hair and her face: the faint flush of her cheeks, the flawless construction of her bones underneath - there’s so much unmarked skin - God, she’s so clean, it’s like she’s never been fucking touched-
“You gonna cum for me?” you murmur, voice coming out thick and half-animalistic. 
She has one hand curled around the back of your neck. She’s got those ridiculous clawed nails on her but she never presses down. Her pussy can’t stop clenching around your cock but she takes it so well, lets you make room inside her little cunt, shuts her eyes and trips over her own breath as you force her spine hard against your counter over and over again. 
“Karina.” 
“Yeah,” she exhales, raspy and strained, as your cock stretches her out. “Fuck, yeah-” 
“Cum for me, honey. Cum all over my cock - oh, there you go, good girl-” 
It’s hypnotic. The tiny bitten-off sounds spilling from her ice-cold mouth - that small pristine face and all that hair tangled to her waist, just available to be knotted and tugged and fucked all the way up - Karina clings to you when she cums, and you feel so much bigger than her when she does, like you’ve got her sloppy and open around your cock and you could do anything to her, that’s what she told you, and even if she hadn’t, it’s not like she could stop you - she’s gorgeous but she doesn’t have it in her - she’s just too fucking delicate-
It happens too fast to process. 
One minute you’re buried inside her pussy and the next Karina’s on her knees, on the ground, and you’re jerking your cock until you’re cumming all over her. 
It’s obscene. It’s fucking inevitable. Thick ropes of creamy cum coating her forehead, her cheekbone, her nose and mouth and getting all in that hair-
Her hair. You don’t realize how hard you’re gripping her hair with one hand - balled in a brutal fist at the back of her head - until you disentangle your fingers from it and Karina sinks to the floor like she’s just been cut loose from marionette strings, breathing fast and hard. She doesn’t even say anything: doesn’t comment on the fact that you’d just shoved her straight to the ground or complain when the head of your cock smears cum across her jaw. Doesn’t even flinch when your cock slaps heavy across her cheek, at the indecent sound of the impact. 
You’re staring at her, open-mouthed. At her gorgeous, breathtaking, defiled face. 
Karina’s not looking at you. Instead, she’s preening in the most lewd, pornographic way possible: swiping her thumb through the cum streaking across her forehead, popping it into her mouth to suck. Halfway through she seems to remember you’re still in the room - seems to recall the value of a performance - and she redirects her gaze up at you, lids heavy, and smirks. 
“Did I…” you start, without knowing how the sentence will end. “Did I - was I-”
Karina lifts a cum-covered eyebrow. Her mouth’s an arresting pink, puckering around her thumb like it puckered around the cubes of ice, how her lips formed a ring around your cock back in the bookstore yesterday. She lets it slip free, shiny with spit. 
“No,” she says. “You’re good.” 
You can’t stop looking at the cum caught in her hairline. She’d been so fucking clean. 
You glance down and realize there are strands of black hair broken off in your clenched fist. 
Karina’s looking at her hair in your hand too, now, but with a sort of amused detachment. She stands shakily, using the counter for support. There’s cum all over her. Her knees are red from how hard she’d been pushed down.
“You’re so cute,” she tells you, grazing the side of your neck with her fingertips. “There’s no shame in being rough with me, babe.” 
“Right.” There’s an unnamed pressure coiling in your chest. “But - but you-” 
“Hey.” The word comes out in a rasp, and then Karina laughs, pushing the low hoarse lilt of her voice to its limits. She steps closer, angles her little cum-stained chin up at you. “Are you really gonna tell me you don’t like seeing me covered in your cum?” She’s tonguing the corner of her mouth. “Turning me into a-” her smirk pulls wicked; your next breath hitches so badly- “messy fucking whore for your cock?” 
“God,” you get out, because she’s winding an arm around your neck, and her pretty face is still sticky with your cum. “I-” 
“It’s what you wanted.” Karina blinks, in a show of such doe-eyed naïveté that saliva begins pooling hot in your mouth - like you’re feral, like you’re rabid. “Isn’t it?” 
You’re looking down again. Her knees are going to bruise. Black and blue, as if someone’s bullied her in the schoolyard, pulled her pigtails and knocked her to the asphalt. An echo of something teachers could’ve told her years ago: oh, look, he’s mean to you because he’s got a crush. It’s okay, really - he only hurts you because he likes you.  
“You like me like this,” Karina murmurs, dangerously low. “All sloppy and slutty for you.” Her gaze is trained on your mouth. “Marking me up.” Her hair slips from your hand. “Owning me.” 
Her name clogs your throat, cloying and candy-sweet. “Karina-”
Karina’s head tilts. “Yes or no?” 
She’s too close to you. She’s so filthily beautiful she seems somewhat alien, some kind of foreign invention. Her jaw is smeared with your cum and her flawless teeth shine like jewels and she’s like every creative vision you’ve ever had cut in clips and playing back in a movie theater, made to be scrutinized. 
“Yes,” you tell her, winded. “You’re fucking - you’re unreal, you know that?”
You’re smiling like it’s flattery, like it’s an exaggeration. Like she’s not living, breathing, visionary art. 
She smiles back, like she knows just how much you really mean it.
“So I’ve been told,” Karina says, and taps your neck, lightly. “Go make breakfast.” She shakes her hair out; some of it gets stuck to the cum on her cheekbone. “I’m taking another shower.” 
“Right.” You bite into your bottom lip, hand skimming down her side. “Go get clean.” 
“Clean?” She steps back and flashes a disbelieving grin, gestures pointedly at herself - her creamy thighs, her porn star tits in your t-shirt, her body like sex itself. Dirty by design. “Never happening.”
Some cynical part of you keeps waiting for a slip-up, some mistake in a masterfully crafted script - no one can be that gorgeous and still be here with you. But Karina moves and your eyes are hopelessly drawn to the disheveled curtain of her hair spiraling down her back, the sharp distinct lines of her calves, the flex of muscle in her thighs. Her hands, balled into little fists. She’s alluring as if manufactured that way: engineered to be perfectly bruisable, ruinable. It defies logic. It’s movie magic.
“Well.” You snort with laughter, swat at Karina’s ass as she turns to go. “At least you can try.”
You don’t even think she can help it - that’s the thing. It’s just what she was made for. 
-
“What would you have done if I said no, though?” you ask after a moment, as she wavers in the doorway. “Like - what if I told you I didn’t like you like this?” 
Karina shrugs.
“I would’ve been something else,” she says, and closes the bathroom door behind her. 
-
(Next:
The stranger and the girl fuck and afterwards he promises her breakfast and then he realizes his cabinets are bare, his fridge painfully unstocked. Sorry, he says, as she pokes around his kitchen. I don’t know how that happened. I usually have something to eat here, I swear. 
I don’t mind, she says. Her fingertips sweep his shelves. She seems fascinated by the emptiness, admiring the vacancy. Oh, wait, look. 
She finds a half-eaten jar of honey that she ends up scooping up crudely with her fingers, dripping sticky amber down her hand. He’d tell her that’s disgusting but she makes it - as she seems to make everything - into a pointed seduction, her tongue pink and wetly visible, her skin gleaming as she licks it off. It’s funny. He’d never thought it possible to turn eating into some sort of sexual performance but she manages it anyway: meets his eyes, sucks loud and lewd, smacks her lips and wipes her mouth with her thumb, ill-mannered and stunning. 
I can’t imagine that’s very filling, he says, delighted by her commitment. 
Yeah, well, she says. It’s a good thing I hate feeling full. 
But it seems like a moment of hilarious irony when ten minutes later he’s got her bent over his kitchen counter, tits pressed punishingly to the flat surface, honey stuck to her neck and collarbone as she’s fucked hard again and again, stuffed with his cock, his fingers everywhere, like her own body barely even belongs to her - all mine, he keeps saying, and means it; you’re all mine. All filled up. Overfed. Bursting. 
Sex is a manner of consuming, it seems. He might as well be eating her alive.)
-
“Do you do this a lot?”
Eventually, it turns into one of those lazy Saturdays. An afternoon of sitcom plot points. 
It’s just so easy to fill the time, the space, the page - you tell Karina some inane story from your college years and she reacts in all the right places like your own built-in studio audience; she says something off-handed and enticingly vague and suddenly you have a new thread of dialogue to explore. You’re both sprawled out over your couch, Karina’s got her thighs tucked over your legs, wearing another one of your t-shirts, a fresh hickey bruising over her throat. There’s something delightfully domestic about it - like you’ve been doing it for a lot longer than you have, or like you could do it eternally if given the chance, holding all the silken comfort of an old routine. When you’d mentioned it - I kind of feel like I could do this forever - she’d laughed her scratchy laugh and said forever’s nowhere near as long as you think it is, babe. A perfectly cinematic line. You stared at her, leaned over, and added it immediately to your draft. 
“This whole…” You’re trying to elaborate now, staring at the blinking cursor on your laptop screen. Your knuckles skim her bare, bony knees. “You know.” 
“Eloquent.” 
“Shut up.” 
“I thought you were a writer.” 
“Karina.” You’re charmed by the drawl of her voice, the raspy roll of sarcasm. “I’m just wondering.”
Karina shifts in your lap. You’ve got one hand sneaking up the hem of her shirt - your shirt - skating up her tummy, her ribs. You’re probably about five minutes from snapping your laptop shut and pulling her on top of you and saying something crass about her tits and passing it off as a character study. 
“What do you mean?” She’s as close to clean as she can be. You made sure of it - licked the hollow of her collarbone earlier after she got out of the shower, tasted nothing but soap and skin. “Do I have a lot of sex with strangers? Or do I stay the night a lot after I have sex with strangers?”
“Both.” You think of taking her hair down, sifting your hand through it, wrapping the strands around your fingers. “All of the above.” 
Karina shoots you a look, fluttered lashes, suggestive understanding. You hear it without her having to say it. You want me to tell you that you’re special. 
“I’ve kind of been going through a phase,” she says instead, nonchalantly. 
Your eyebrows fly up. “A phase?” 
“I’ve been, you know.” She gives an airy sigh. “Trying to find myself in the big city. Running wild. Terrified of monogamy but being very brave and quirky about it. Sordid past with love and romance and general human connection. Doing the whole manic pixie dream girl thing.” Her eyes flick to your open laptop, abruptly too wide and innocent. “That sound about right?” 
“Fuck off.” It’s a complete non-answer. You run a hand past her stomach, laughing. “You’re fucking with me.”
“What?” Karina inches closer. “Isn’t that what you wanted? Your textbook rom-com love interest?”
You make a rather disparaging sound in the back of your throat. “Ugh.” 
“Oh, my bad.” Her mouth curls, contradictory. There’s nothing apologetic about her. “I forgot. You don’t believe in art about love. You wanna see broken people and broken people only.” 
“See?” You’re obsessed with her tone; all flirtation, some distorted version of come-hither charm. Talking of suffering like it’s a seduction tactic. “You get it.” 
Karina rakes a hand through her hair; her fingers fall to the back of her neck and linger there. She pulls herself out of your lap and turns, hooks one bare long leg over you until she’s straddling you. Your hands find her hips. You’re disarmed by her strange weightlessness, like she’s seconds from either shattering or taking flight.  
Then she asks, “Is that what you’re doing with me?”
It’s gotta be a very roundabout request to fuck her stupid, because she follows it up torturously: ducks her chin, parts her lips, rocks her hips down until you groan. You watch her throat, the way muscle works over bone, picturing unspeakable things: taking her by that pretty neck and pinning her to the wall, ripping your shirt right off of her with your fingertips leaving bruises - bending her over to fuck her fast and cruel until her cunt’s raw and aching and leaking your cum - until she’s begging pathetically, saying please, God, please - and you’re triumphant, victorious. Telling her you asked for this, didn’t you? You said anything. You said anything I want. 
“Depends,” you reply, when you can breathe again. “Are you a broken person?” 
Karina stops, moments from your mouth. 
“Depends,” she echoes. “Is that what you want from me?”
It actually takes a beat for the question to sink in. Then two, then-
“No,” you say, loudly. “Obviously not, Karina, Jesus. Why would I…”
You falter. 
Karina only looks back at you, patient, tolerant. Like if right now you said that’s exactly it: I want you broken, I want you ruined, I want you decaying and dead and buried, she’d smile and say do your worst. Flashing those white, white teeth, perfect like pearls, ready to be knocked right out and strung together. 
You blink the bloody vision away. “Why would I ever want that?”
Karina studies you for a second longer, expression indecipherable. 
“Okay,” she agrees, breezily. “Then I’m not broken. I’m just going through a phase, like I said. I don’t like being tied down.” Her shirt rides tantalizingly high up her thighs; her hand slips down to palm your cock. There’s a twist to her lips, a dirty sort of smirk. “You understand that, right?”
You stare at her.
“Right?” Karina prods, again, low and sultry. 
“Right,” you say, unable to fight your sudden smile. 
The pout of her mouth’s an inevitability; her little body in your lap’s a seductive form of foreshadowing. You dig your fingers into her protruding ribs, playful, and you don’t quite get the squeal of laughter you were expecting - all Karina does is curl closer, expecting more, expecting harder. She knows what you’re capable of. You’re both just biding your time until you cross the same line you’ve been crossing and you fall back into bed again.
“A phase,” you add, considering. It intrigues you, anyway - the casualness, the connotation. “So - I’m not special, then. That’s the moral of this story.” 
Karina’s fingers sift gently through your hair. “You wanna be special?”
“I mean, yeah.” Your palm falls to her neck, presses down. She doesn’t seem to mind. “Doesn’t everyone?” 
Her eyebrows rise in vague, unconvinced amusement. It makes sense: she’s the most special of all, a cosmic glitch, an angelic fluke. Someone like Karina wouldn’t understand the aching, clawing, consuming desire to be extraordinary. She’s already there. 
Your hand on her throat looks even bigger now, tendons straining from underneath skin.
“I think we all want to feel important,” you mumble, thumb grazing gently across her jaw. “Don’t you?” 
You’re pretty sure the wry, glittering smile that sits at Karina’s mouth is an answer in itself. 
-
Alright, forget your television metaphors - you’re not sure there’s any sitcom out there that goes quite like this.
“By the way,” you say, grinning against her hair as you pull her to the bedroom. “Did you say you don’t like being tied down?” 
Karina turns in your arms and doesn’t even flinch when you force her too hard against the doorframe and its edge smacks into her shoulder blade, digging in hard. You should apologize but you don’t; the possibility of her in pain seems laughable, a distant fantasy. This is how it goes, fucking a girl who looks like a god - your brain is convinced she’s wholly immune to hurt. The universe wouldn’t actually let someone so pretty bleed. 
“Oh, sorry,” she says, voice raspy with insinuation. “Let me rephrase.” 
“Karina,” you say, not really like a warning - more like you’ve got something to prove. This is real. You’re really here. You’re really this perfect, gorgeous, greedy thing. You’re really made for me. 
Karina only lets her lips tilt in a smirk, devilish and knowing.
“I meant that I don’t like commitment,” she says. “I love being tied down.”
She’s still smiling when you shove her through the doorway, across the threshold - across that same old fucking line.
-
Not that it makes a difference now, but one of the reasons you and your most recent ex-girlfriend broke up was because of what you’d both referred to as sexual incompatibility. Actually, there were about fourteen other things, too - she was a trainwreck and a textbook attention whore; you spent all your time writing and she took offense to the fact that you found your scripts more interesting than her - but the crux of the sex problem between the two of you was that she thought you wanted too much power over her. She seemed to assume that was the point of potentially tying her up and shit like that: to exert power. To put you and only you in control. To make her into this helpless little toy - and I hate that, she’d said, working herself into a fit, I hate feeling helpless. 
You hadn’t pushed her. You’d also tried to justify it in a number of ways. It isn’t about that. It’s not about control. I’m not trying to make you feel bad. But it hadn’t made a difference and she hadn’t believed you and you’d come to the reluctant, inevitable conclusion that that particular dream would never actually get fulfilled. 
Until-
“Look at you, baby.” 
Until now, when you’ve got Karina stripped bare and tied to your bed, thighs parted as you kneel over her, pretty little cunt glistening wet and tits heaving with every breath as she waits, and waits, and waits. 
Eyes half-lidded. Utterly fuckable. A curated collection of every salacious desire you’ve ever had. 
“You’ve been looking at me forever,” murmurs Karina, her tone still humorous, like the reason her voice is run so ragged is because she’s holding back a fit of giggles. “You gonna fuck me anytime soon?” 
To Karina’s credit, the idea of tying her up didn’t seem to bother her one bit. She’d let you knot her wrists to your bedframe and only grinned sharply when you asked her if it was too much. She didn’t seem to care about feeling helpless or feeling bad. Actually - judging from the wetness that collects on your fingers as you rub two of them over her cunt - it all seemed to turn her on either way. 
“You’re so fucking mouthy.” You lift your hand only to ghost it over her stomach, leaving a lewd shiny streak across her skin. “It’s like you want to be punished.” 
“Well, you put in all this work.” Karina yanks at the ropes tethering her wrists to the bedframe until they bite so severely into her skin that it turns white. “I’d hate to see it go to waste.” 
“Not a waste.” 
“No?” She’s got that seductive little smirk on, legs spread shamelessly, head back and throat bared. 
“Nope.” Your eyes rove down her body. “It’s a great view, actually.”
You’re shocked by the sound Karina makes, then: harsh and derisive, scratchy and painful, like she’s choking badly around some injury in her throat. You’re half-expecting her to turn her face and spit blood onto your sheets - all murder-scene evidence, horrifically vibrant gore. Coughing up her own vocal chords. 
It’s so awful it actually takes you a minute to realize that she’s laughing. 
“Karina?” you say, perturbed.
“Oh, please.” Karina hacks out one more horrid laugh. “Cut the shit.” 
You draw your hand back uncertainly. “What are you-”
“Come on, man.” There’s a glint to Karina’s gaze as she looks up at you: bored, mocking, infuriating. Irises flashing like the darkest corners of haunted houses, set-ups for a summoning; lashes like cobwebs, self-spun and delicate. “Fuck me or leave me alone.”
For a second you just stare at her, unmoving, something caustic and furious threading up your spine. 
And then-
Look, none of this next part is on you. You can’t blame yourself. It’s her - her tiny hands in tight clenched fists, tummy so flat it seems caved-in, hollowed-out; her own glimmer of slick smeared on her belly, physical proof of how desperately slutty she really is. The bruise on her chest; the one on her throat. Her goddamn eyes. Her lazy, lilting drawl, the exact matter-of-fact casualness she’d had last night when she’d told you to hurt her - fuck me or leave me alone. 
It’s so obvious what she’s trying to do - provoke a reaction out of you. It’s gotta be the only reason she’s talking to you like that. Like, what else are we here for? Like, what else could I possibly want from you? 
So - no, God, it’s not your fault. 
But-
It’s over before you can even think about it. Before you’ve even rationalized doing it, before you recognize the sound ricocheting through the room as the perfect violent land of a blow, the hot whiplash of skin on skin, your palm connecting with its target. Before you blink, and recalibrate, and you take in the rapid reddening of her cheek, and her angled jaw, and her hair falling starkly past her chin - it’s too late. It’s already done. 
Because you’ve just slapped Karina clean across the face - hard. 
“Oh.” You’re babbling as if on autopilot, all your nerves on shutdown. “Oh. Oh, God. Karina-” 
Karina licks the corner of her lip, like she can taste the impact. 
“Jesus Christ,” you’re saying, panicking; you can’t shut up. You don’t know what to do with your hands; you find yourself kneeling carefully in front of her, cupping her face, stroking her temples with your thumbs like it’ll soothe the sting. You can’t believe you hit her. All the things you could do to a girl like that, and you - “I’m sorry. I didn’t - fuck, baby. I’m sorry.”
Karina blinks up at you, expression placid and blank, porcelain-doll cool. 
“For what?” she asks. 
You freeze, her face still between your palms. “For-”
But the serene tilt of her mouth makes the words die in your throat. 
“Seriously.” Karina’s voice is softer now, a kind twist of mirth. “Isn’t that what you wanted to do with me this whole time?” 
Her features seem to fall out of alignment, occurring to you in cut, edited fragments - the baby-animal eyes, the bone-white glint of teeth, the pretty blooming flush of her cheek, blood rising underneath skin but never breaking through. No evidence of a limit breached; she doesn’t wince or wail or cry. She wears the hit so well. She’s smiling. A you-don’t-need-to-be-sorry smile, a you’re-forgiven smile: I’m strong, I’m good, I can take it. Whatever you need. Whatever you have to give. 
You blink and Karina reassembles, stitched up at the seams, beautiful and uninjured and intact.
“You want this,” you exhale, a wondrous revelation.
“Of course.” Karina’s shoulders rise as much as they can with her arms so tightly tied back. “You do, don’t you?” 
The panic recedes, and something else - something electric and brutal, visceral, intoxicating - takes its place instead. 
It’s the way she says it: rhetorical, all-knowing. As if she’s seen exactly what’s in your mind - what repulsive daydreams have settled right behind your ribcage, clawing to be set free - and she’s offering her own body in sacrifice. Saying here, put them here. 
So you do. 
She doesn’t even look surprised when you slap her again. 
“See?” Karina’s chin tips upwards in delicious, submissive invitation: eyes darkly pleased, pale skin a burning wildfire, curled mouth a beckoning. Like it’s been what she’s waiting for, all along. “There you are.” 
And when you’re finally able to catch your breath:
Oh, you think, in some exhilarating epiphany. Here I am. 
Every single reservation falls out the window. Karina’s smirk slants viciously and then you’ve got your hands all over her, on her shoulders and her tits and her hips and her throat and her face, thumb digging hard into her cheekbone. Any sort of gentle caution is gone when you’re getting on top of her and burying your cock deep inside the suffocating vice of her aching little cunt, half-drunk on the high mewling moans you’re forcing out of her, head swimming at the drenched audible sound of her pussy every time you fuck into her - at how tight she clenches down around your cock. Fuck it all, then, it’s not like it means anything - hurt me, she’d said, running through your head on loop; I want it so bad, I need it, hurt me - and so you do, wrapping a hand around her delicate neck and pressing down, slapping hard against her heaving tits, salivating over the marks that you leave. She doesn’t even struggle. Takes it like a good girl, an obedient girl: something meant to be hit and torn up and pulled apart. A hands-on art piece. A disassembling, made purely for audience consumption; a sign hung around her neck that says leave your mark, that’s the point. You’d been so naïve, thinking of being careful with her - like she’d ever even fucking want that-
“You like it like this.” Your voice sounds raw, almost unrecognizable; your fingers press into the base of her throat. “This is all you needed, huh? You just needed to be roughed up real hard.” Your hand trails up to grip a fistful of her hair, merciless. Karina shuts her eyes. “Like you’re just a slutty fucktoy-” 
Karina chokes out a small, wet gasp.
“Oh, baby.” You yank harder at her hair. “It’s okay to admit it.”
But in a way, she already is. Doesn’t fight against the restraints tying her wrists, doesn’t flinch at how rough you’re fucking her, doesn’t whine or blink back tears at the harsh graze of your thumbnail against her nipple. Like she’s a plaything, here in your bed for your pleasure alone. Like-
“Like you were just fucking made for this, yeah?” She comes undone so easily: cunt a wet sticky mess when you reach down to rub her clit, teeth pearly-white where they’re caught on her bottom lip - though nothing can hold back the anguished noise Karina lets out at your pace, the thick stretch of your cock, your palm smacking at her tits over and over. “Look at you. That face, these tits, this little fucking cunt-”
Like it’s her one and only purpose - to have all her fair skin turned searing red and bruised under someone else’s hands. Her cunt just begging to be split open and stuffed full, railed so hard she could break. It’s gotta be what she was created for. She’s more than mortal, so above the concept of imperfection; a nasty little fuckdoll of a girl, meant to be used hard and licked clean. She looks too irresistible all fucked-out and ruined. It has to be in her nature. Made for this, you keep telling her: to be fucked until she can’t walk. To be treated forever how you’re treating her now. 
Your ex-girlfriend couldn’t have been more wrong. It’s not about power or control at all.
“You’d really just let me do anything to you, huh?” you murmur, awed, but you’re holding her throat too hard for her to reply. 
You fuck her, and fuck her, and fuck her. Rub at her clit until she clamps down and cums around you, until you can really get on top of her, force her to hold those huge tits together so you can fuck them. You can’t handle how tiny she is underneath you, her face and her mouth slack with lust, eyes glazed over entirely. She squeezes her tits around your cock. She’s hardly even human. It’s the best thing about her. 
“That’s how I know you’re a fucking whore.” Your grin feels wide and manic on your face. You’re gonna cum all over her - again. “None of this even matters.” 
And it’s only after - after you’ve painted her collarbone and chest creamy white and let up on her throat so she can fight for air; after you’ve groped her tits and grabbed her face after just to see your cum glistening all over her perfect slap-marred cheeks; after you’ve rolled off of her and you finally leave her alone - that Karina gives you a response. 
“No,” she says, hoarsely, staring up at the ceiling. “It really, really doesn’t.” 
-
Power just isn’t the right word for it. It’s something much more beautiful than that. 
Desire. You’re dozing off, halfway in a sleepy fantasy. You imagine rolling the word around in your mouth, using it in speeches, citing it as an obvious central theme. It’s about desire, you’d say, in interviews, at film festivals, patiently explaining your motivations to the masses. That irrational animal instinct. That innate human greediness. You’ll maybe even throw in some fun anecdote about how people in past relationships never agreed with you. It’s never been about power, though, you’d explain: how foolish, how crude. It’s about the ache of truly wanting something. Isn’t that so much more romantic?
So you’ll make a movie about this one day. So you tied Karina to the bed and slapped her hard and fucked her senseless. Actually, you picture yourself explaining, foggy and on verge of falling asleep: actually, it’s about hunger. Irrepressible, all-consuming hunger. That’s why I did this. That’s why I’ll keep doing it. You’re all like me; you get it. That makes sense, doesn’t it? 
And it will, to raucous, riotous applause.
Good. You’ll laugh so hard. You’re dreaming, now; you can’t tell if you’re talking about the sex or the hypothetical future movie. I’m glad you understand. Anyone would’ve done what I did. 
Because - honestly - what’s the point of starving yourself of something that’s right in front of you?
-
(Let’s pull back from your script for a second. Here’s a real story:
A few months back you were visiting a museum with one of your friends when you got into this conversation about performance art. He’d told you about a woman back in the seventies who walked into a gallery and laid out various objects and let the audience do whatever they wanted to her for six whole hours. Her as the artist, in title only; herself as the art. A free, untethered canvas. 
And what happened? you asked, morbidly curious. 
Your friend grimaced. What do you think happened? 
It was a rhetorical question. The performance had been a test of what the general public was capable of - a reflection of their moral compass, of what they’d do if left unchecked. The setup spoke for itself. You didn’t have to get all the gory details in order to understand. 
Seriously, though, your friend said, about the artist: I don’t know what’d compel someone to do something like that to themselves. He’d shaken his head, baffled. Like - I think it takes a deeply fucked up person to just give up their body like that. Like it doesn’t even matter to them. 
It’s strange. It’s an almost universally accepted fact that, at least on some level, artists are inclined to put pieces of themselves into the things they create. A memory; a feeling. Condensing twenty different emotions into a single acrylic painting, or a lyrical reenactment of heartbreak into a song - something personal and unique and lovely. Often inspired, sure, but yours. 
I think that’s what’s funny about it, you told your friend, before you realized that funny was a fucked up word to use here. There’s nothing personal about that. It’s so detached. It’s about the rest of the world, whatever they might make of her - it’s not about her at all. 
You were both quiet, thinking. Visualizing what it might’ve been like. To be there, one of many in the audience, watching this woman who had thrown herself to the wolves and asked to be ripped apart. 
She’s just - material for them to use, I guess, you said, after a moment. A blank page. 
Removing her own identity; becoming nothing, no one. A ghost. An empty vessel. A slab of clay, taking on the impression of everyone who’s ever touched her: the ridges of fingerprints, the half-moon cuts of nails, molding her into something new. Even if it took some force. Even if it hurt. 
Still, it’s what she’d asked for. 
You can’t imagine she’d ever expected anything else.)
-
There’s this fascinating complaint people have about films these days, you’ve found. It’s actually quite the phenomenon. You talk to your colleagues and scroll through social media and read comments on movie trailers trying to get a grasp on it all: market research. This isn’t realistic, people gripe. It’d never sound like that. She’d never look like that. This would never, ever happen - God, are you kidding? Who are they trying to fool? As if they’ve somehow missed the point of fiction - of a sweet, escapist fantasy. As if they’ve convinced themselves that the real world is better. 
Which is moronic, obviously. 
“So what’s the solution?” Karina asks.
Well, you’re no expert; it’s been a while since you’d finished your last movie.
“But you have an idea,” Karina interpets. She’s perched on the edge of your coffee table, nursing a new glass of ice. She’s watching you with her head at an angle, eyes shrewd. “Otherwise you wouldn’t be telling me this.” 
As with most of her guesses about you, she’s right. 
“It’s all about the details,” you say, after a moment. “It humanizes a person. Having little bits and pieces about who they are - it makes them alive. Their likes, their dislikes. Embarrassing stories. Things that make them laugh. Diary entries, favorite foods - first loves, first heartbreaks. So on and so forth.” You’ve got one of Karina’s ankles between your hands; your thumb brushes against the bulbous protrusion of bone. “It’s what makes people real.” 
Karina’s mouth twists, sharp and strange; it takes a second for you to realize that she’s grinning. 
“Oh, right,” she says. “You want me to spill my guts to you.” She pushes her ankle further into your grip. Her legs are just like the rest of her: thin and pale, waifish. Like a nineties catwalk model. “That’s how you’re gonna make me real. In your movie.” 
You pull a face, letting her ankle slip from your hands. Spill her guts; what an ugly figure of speech. As if you’re doing something much more invasive and violent than just writing about her. 
“Basically,” you agree, anyway. “I mean, it helps that you’re already, you know - a real, whole, living person.” 
“Ugh,” says Karina, dry and amused. “Barely.” 
You wonder if she’s also thinking about this morning; you, stunned and staring at her cum-streaked hair, calling her unreal.
She’s got a point, in a way. There’s something slightly uncanny about her sitting in front of you, as if she’s been taken straight out of some wildly different scene - some spotlit stage, some movie set, some glossy high-budget existence - and haphazardly edited into your life. You reach out and press two fingers to the side of her neck, like they do on television if they think someone’s bleeding out. 
Karina tips her head to allow you access. Her pulse throbs hotly under your touch. 
“I don’t know,” you say, smiling at the swanlike line of her throat. “You seem pretty alive to me.” 
“Sure.” Her hair tickles your wrist. “But you want more.”
She says it like it’s this given - as if she’s always faced with people wanting more from her. You wouldn’t doubt it, little tease she is. You can picture her in motion so easily. Always running. Letting people pine and plead for more. 
“Yeah,” you say. It seems pointless to lie to her. “I want more.” 
Karina leans in closer. She reaches up and touches one of your knuckles with the pad of her thumb. Without makeup, you can see the shadows of dark circles underneath her eyes, but even those look painted-on, pre-planned; a study on the aesthetic allure of bruises. She lets her gaze drop to your mouth, then bites down on her bottom lip. Impish.
“Karina,” you say, grinning wider now. 
It’s one of those unspoken things: the translation of body language, the transcription of the tilt of her mouth. Then have me, she’s saying, almost certainly - like a swooning melodramatic heroine, throwing herself into your lap, wanting to be saved. You want more? You want me? I’m right here. I’m yours.
“Fine,” Karina purrs, and kisses you again, like sealing a contract. “Take it all.” 
-
You don’t fuck her again - not at first. There’s more than one way to take someone apart. 
Karina says she’s got a story for you and then she pulls out her phone. 
“This was back in high school,” she explains, scrolling back through her photo gallery. There don’t seem to be a lot of recent additions to it; you’d expected selfies, pictures of her with friends. There are more photos of food than anything: plates of pasta and donuts and burgers and pastries piled with whipped cream. It’s cute. It makes you laugh. “When I won prom queen.” 
You splutter. “When you what?” 
“What?” Karina gives you a bemused, sideways look. “Does that surprise you?” 
It floors you, actually. At first you can’t quite put your finger on why, but then you look at Karina again - at her intense dark eyes and pouty fuckdoll lips and the exaggerated pinup proportions of her body - and you realize you’re making that mistake writers often do: buying into archetypes. It just makes sense that she’d be some kind of brooding bad girl. Mysterious, promiscuous; in your creative vision she’s probably cutting classes and chainsmoking in the girls’ bathroom. A favorite of the rumor mill. A pretty little delinquent.
“Wow.” Karina makes a funny noise in the back of her throat when you tell her this. “No. I was - I did fine in school. Perfect attendance, almost. And I can’t stand the smell of cigarettes.” But she doesn’t look offended, either; you imagine people make these assumptions about her all the time. “The prom queen thing - it wasn’t my idea, though. My best friend did all the campaigning for me.” 
“That’s sweet.” You watch as she reaches the year she’s looking for. Flashes of her in a sparkly dress with her arms thrown around another girl - a tiny doe-eyed brunette - slide by. In one of them, Karina’s got her head tipped back, clearly mid-laugh; in another, she and the girl have their heads bent close together as if they’re trading secrets, unaware that they’re being photographed. “Well - I think it’s sweet.” 
Karina’s fingers stall. “Why wouldn’t it be?” 
“I’m just saying-” You shrug. “It’s a nice gesture if it’s something you wanted, I guess. Seems like a lot of attention, otherwise.” 
“Oh.” There’s a pause. “Yeah. It was - I didn’t get to go to junior prom, so it was kind of - this was - senior year. Senior prom.” Another pause. “Yeah. She did it to make me happy.”
“And did it?” She passes by pictures that fill up with more people: friends with big grins who stick close to her side, wrapping her up in an embrace. “Make you happy?” 
“Of course.” Karina’s thumb pauses on a video, the preview dark and unfocused. She says it like she doesn’t even have to think about it. “She was my best friend. She always knew what I wanted. Hey, look at this.” 
The video’s of her in the back of someone’s car, prom queen tiara askew on her head, satiny sash falling off one shoulder. She’s yelling, laughing; the sound isn’t on, but her mouth’s wide open and her dark eyes are crinkled to half-moons, creased underneath heavy false lashes and glittery makeup that’s begun to smudge and fade. It makes her whole face look very soft. Young, too - cheeks full and flushed pink with excitement, hair blown-out and everywhere, glossed black. As if she’s having the time of her life. 
“How old were you here?” you ask, in awe. 
“Eighteen. Just turned, I think.” 
“You look-” Like a baby, you almost want to say. It’s true, though. Big brown eyes, scrunched little nose - grinning like the rest of the world hasn’t quite dug its claws into her yet. Skin unmarred and infant-smooth. “You look pretty.” 
Karina doesn’t look at you, but you can see the slight, entertained upturn of her lips. All the nasty things you’ve called her - all the irredeemable ways you’ve touched her - and now, inexplicably, you’re going for pretty. 
“Thanks,” she says, and clicks the volume up.
“Shut the fuck up,” baby Karina is saying, delightedly. Her voice sounds high, childish and carefree. “You’re so dumb. It wasn’t - it wasn’t even like that, I swear!” She flaps one hand in the air, her nails all short and painted the same rich deep maroon as her dress. “No - you’re just saying that because you’re jealous, you idiot, I know you - you just-”
The person behind the camera says something that you can’t quite make out. 
Baby Karina presses one hand to her sternum, pearl-clutching, and gasps. 
“I would never,” she admonishes - over-the-top like an actress from a movie - before she throws her head back and laughs. 
It’s a startling, wonderful laugh. A little-kid laugh. A mess of wild, unabashed giggles, hiccupy and sweet, so loud and infectious you can hear the other people in the car start cracking up with her; out of frame, someone reaches out to interlace their fingers with Karina’s, waving their joined hands until they smack against the car window and Karina only laughs harder. With her whole body, shoulders shaking and all. Streetlights flashing across her face, making her look sort of blurry and surreal, like something out of a painting. 
“Your laugh,” you find yourself saying, stunned. 
Karina’s touching the back of her neck, completely engrossed in the video. “My what?” 
You don’t laugh like that anymore. That’s what you mean to say. That scratchy, almost painful laugh that she’s been gracing you with since the moment you met her - there’s no trace of that in how baby Karina wriggles with laughter in the backseat of the car until her happy, breathless blush spreads to her neck and her chest. Head tipping back against the seat, like she’s all tuckered out. 
“Um,” you say, voice caught in your throat. 
On the screen, her eyes fall shut, lashes fluttering so delicately. 
You can’t do anything but stare. Brilliant, past-life, prom-queen Karina - grinning at nothing, and sleepy from a perfect night, and laughing as if she’ll exist as this version of herself forever. As if she just doesn’t know any better, yet. 
“You,” you start to say, again-
Karina shuts her phone off, and turns.
And you’re about to say something - something about the gnawing, uncertain feeling you get when you watch this former self of hers. It’s on the tip of your tongue. You don’t laugh like that. Something happened to you. For a moment the whole image just seems off - like the way people make posthumous holograms of pop stars, superimpose faces of long-dead actors on stunt doubles. A kind of intense wrongness. A murmured, uncomfortable: that’s not really you, is it? It can’t be. I barely recognize her. 
“What?” Karina asks. Her smile reveals her teeth. “Why are you looking at me like that?” 
Then reality hits you, all at once. 
“Sorry.” Your hand finds her thigh. You laugh because you’re being ridiculous - how would you know who she really is, anyway? “I was just thinking - I don’t know. Never mind.”
She seems to take that at face value. You like that about her. How she seems to trust so easily - going home with you, winding up in your bed, staying when you ask her to stay. Giving you whatever you want: her body, her story.
“So,” you say, eventually. “I can put in my movie that you totally peaked in high school, huh?” 
Karina snorts. “Yeah,” she says, playing along, and taps her dark phone screen with a clawed nail. “Say it was the last time I was happy.” She pulls a face, like the thought of it is just unspeakably pathetic. “That’s a tragedy if I’ve ever heard one.” 
“Shakespearean,” you agree, and let her clamber into your lap. “It’s perfect.” 
But you know she’s kidding. You’d like to think that you understand girls like her. They live in a different world than the rest of you - the kind of world where every person on earth looks at them and falls to their feet, falls madly in love. You’ll write about it one day; you’ll feel out the narrative for her, a curious exploration. That rose-tinted life she must flourish in, closed-off and flawless like a snow globe, her spinning and protected in the glass.
“Perfect,” echoes Karina, and kisses you - like she’s proving she really means it. 
That’s the reality, here. That’s it. This is all there is. 
-
Well, almost.
-
Karina lets you scroll through the rest of her photo gallery, front to back. You take the opportunity, because you’re greedy for as much as you can get. 
There’s a lot of photos that are just her, funnily enough - selfies posed in front of the same full-length mirror, over and over again, clad in unholy outfits. Swimsuits, sports bras and little running shorts, lingerie: shit that makes your mouth water, eyes lingering, groaning out loud as she laughs at you. But it’s also her in faded old t-shirts, holding the hem up to expose her stomach. Body angled to the side in girlish sundresses. Hair pulled up, showing off her neck, her gorgeously sharp collarbone - in makeup or out of it, stare intensely focused and sultry. 
“That’s hot,” you comment. “Self-obsessed as fuck, but hot.” 
Karina smiles - her tiny private-joke smile - and doesn’t say anything at all. 
There’s one video in particular that catches your eye. It’s recent, relatively - the date reads late December, last year. Less than a month ago. Christmastime. You click on it, curious. 
Karina’s immediately recognizable in it, black hair winding past her shoulders, drowning in a large black sweatshirt. She’s smiling, but it looks sort of tense and tired - bags under her eyes, like she hasn’t slept in a while. She’s got both hands balled up into fists, held close and protective to her chest; her sharp chin rests on her pale knuckles. There’s a tiny smear of red across her mouth, lower lip bitten bloody. 
“You just got here,” she says. She’s looking at something behind the camera. “The first thing you wanna do is hear me sing?” She laughs once, scratchy and hoarse. “Why are you even filming this?” 
The answering strum of guitar strings, a pretty, perfect chord. An invitation, or a demand.
“You’re kidding.” Karina’s voice is flat.
Another chord - evidently not. 
“Wow,” says Karina. Her smile, out of nowhere, goes very soft at the edges. “You just do this because you know I can’t say no to you.”
“What?” you ask Karina now, laughing. “Is this - what is this? Do you - are you really going to sing?” 
And then - crazily enough - she does. 
“Oh,” you say out loud, adoring, and Karina turns her face into your shoulder. 
Her voice in the video is breathy, sweet. Shyly unpracticed, raspy from disuse, completely and utterly gorgeous; lids slipping shut and open again, laugh leaking into her melody line in lyrics about black eyes and kisses and wanting someone who’s just so, so bad for you. But what surprises you more than anything is the look that dawns on her blurry on-screen face - irises sparkling and smile bashful, hiding her mouth behind the sleeve of her sweatshirt, curled up with her knees to her chest. You see now that she’s wearing pajama pants, fuzzy and patterned with snowflakes. 
She looks radiantly pretty. She looks vulnerable. And not even in a sweaty, satiated, filthy post-fuck kind of way - actually, genuinely vulnerable. Soft and wide-eyed and tender.
Suddenly, you just can’t tear your gaze away. 
“Stop.” 
The song’s over. On-screen Karina’s fully grinning now. Porcelain-fragile, but undeniably happy, too. 
“I hate you,” she says. “Baby, I really do.” 
“You love me,” says the person behind the camera. “You’ll love me for the rest of your life and you know it.” 
And in the video - in vivid, fluid motion - Karina laughs. 
Whole-hearted, lovely. Familiar. For a moment, you swear she’s still that girl sitting in the backseat of a car with her prom queen tiara on, giggling free and uninhibited, unhurt, untouched. A month ago - less than that, even - looking like she’s coming back to life. 
That’s where the clip ends. 
It doesn’t change anything, if you actually think about it. It’s just another version of reality. A Karina from a whole other universe, laughing like a child, and so, so far away from whoever she is now. 
-
(Back between the lines of your script-
The stranger and the girl drink to get drunk and that’s about it. She reads the label of his wine; he makes fun of her for being a snob. She doesn’t really drink, she says at first, but he laughs like this is a challenge, and pours her a glass anyway. She flushes pink and fidgets around. She seems to shed hair like a cat and he thinks this is the most hilarious thing he’s ever seen, picking up thin black strands off of the arm of his couch, teasing her about girls and how they really like to leave their mark, huh?
Leave their mark, she repeats. There’s some trick of the lens here, some sort of strategic camera work - he’s in the forefront and she’s in the background, and she looks so much smaller than him. Why do you say that? 
He still had his ex-girlfriend’s perfume in his cabinet. He probably still has some of her clothes in his closet. Not out of any particular emotional attachment, but sometimes this is just the way things are: when you spend years intertwining your whole existence with someone else’s, it’s hard to rid yourself of that connection. You’ve grown into each other’s spaces, tangling limbs and heart lines, putting down roots. It’s gonna take a little force to get them out. 
They’re just so much, he says, gesticulating with his hands. And they affect everything in your life, like a fucking infection. And then it doesn’t work out, and you - he makes a wide, sweeping motion here, attempting to encompass the wreckage. You have to fix everything they broke. Purge them from your system and all that. It’s so fucked up. 
It’s like this, he means to say - you love someone and then they leave you behind and you’re left staring at the blown-up decimated crater that used to be your life together. You love someone and they don’t love you back and all you have now is the debris.
They’re both drunk. There should be music here and there isn’t. It’s only eerie, too-still silence, suffocating the both of them with every passing second. 
Well, she says, laughing, and takes another sip. You and I can agree on that, at least.)
-
It happens like this:
There’s a monologue you want to write. 
You tell Karina this after you’re finally fucking her again, when she’s balanced on the edge of your glass coffee table with her legs spread and your mouth slick with her cum. Well - not after, technically. She’s between orgasms and you have your thumb on her clit, tracking the expression on her face, the split-second moment where she comes apart. It’s then when you realize so badly that you want to write some great speech for your heroine - something about the sweat beading on Karina’s midriff and her tits that you can’t stop touching and the jerky movements of her hips, trying to get your tongue back on her clit, panting and delightfully desperate. Something about desire. 
“Desire,” repeats Karina, voice halfway into a raspy, worked-up moan. 
“Yeah.” You’ve replaced your mouth with your fingers, fucking up into the obscene tight heat of her cunt. She’s trembling, dripping everywhere; she’s the very picture of what it means to want, probably. “But I just can’t figure it out.” 
Karina laughs roughly, and then she cums. 
“Is that funny?” you ask her, after, when you’re wiping your wet mouth with your wrist and she’s sucking on your glistening fingers, licking the taste of her own cunt off your skin. Her eyes big, lips all full and pink - slutty angel on her pedestal, perched above you. “Me writing about desire?” 
Karina lets your fingers free with a loud pop. She’s still clutching your hand close to her mouth, thumb dragging through the sticky gleam of her spit. “No,” she says, eyes distant. “It just reminded me of something. There’s this Anne Carson quote, about men and desire…” She shakes her head. Presses her lips once to your fingertips in a small, startlingly sweet kiss. “It doesn’t matter. Tell me more.” 
There isn’t much to tell, truthfully. Except that you’ve got this love for movie lines that are just so utterly quotable - things that make their way into the pop culture consciousness. That’s the kind of work you want to be doing: creating something that has an impact, something that’ll exist long after you’re gone. Everlasting. If you had to pull for an example, you’d say-
“You ever seen Closer?” 
“Yeah.” Karina drops your elbow into her lap. “Oh, I get it. He tastes like you but sweeter. Lying’s the most fun a girl can have without taking her clothes off - et cetera.” She hums the melody line. “So you want an early 2000s pop-punk band to make a song about your movie? Ambitious.” 
“More or less,” you say as she shimmies her shirt back down, hem falling back over her midriff. “But like I said, I’m kind of stuck.”
Karina rolls her neck. Her hair is everywhere, sweet-smelling; snapped-off strands decorate your table, looking like cracks in the glass. 
“Any suggestions?” you ask, thumb skimming along the pale bruised inside of her thigh. 
She smiles, mischievous. “Maybe.” 
That’s how you both end up curled on your couch together with your laptop in front of you, Karina’s eyes glued to the movie playing on the screen, watching as the four main characters fuck and flirt and cheat on each other and scream at the top of their lungs. Melodramatic dialogue. How do you feel about him using your life? You’re lying; I’ve been you. This will hurt, which Karina laughs at - as if announcing the pain will make it better, playacting at exoneration. 
It’s also - predictably - how you end up fucking again. You barely make it an hour in, and then-
“Hey.” Karina’s breath tickles your ear. She’s already seconds from climbing in your lap already; her thigh is hooked over yours, bare and inviting. “Are you inspired?” 
You’re swallowing back a grin. “Sure.” 
“Oh. Great.” She’s no actress herself, clearly. She couldn’t be subtle if she tried. “Do you wanna be more inspired?” 
And - whatever. It’s a movie about sex. If anything, at least you’re sticking to the theme. 
The dialogue plays in the background as Karina rocks her hips down on your lap - you can feel how wet she is again, like she never stops wanting to be fucked. You’re telling her something about how she’s the most insatiable girl you’ve ever met; the sound of the film saturates the room, setting the tone like it knows its purpose. How? How does it work? How do you do this to someone? This big, infidelity-ridden confrontation. Did you phone her? Beg her to come back? Asking him why he falls for another girl, getting this ridiculous answer - it’s because she doesn’t need me.
“Huh.” You smile into the curve of Karina’s neck, already palming her ass. “That one’s funny.”
“Is it funny?” Karina’s sharp jaw brushes against your cheekbone. Her eyes are so dark, shadowed by her long lashes. “I think it’s pretty realistic. People don’t like needy girls. It’s a burden to be loved so hard.” Her tongue darts across her teeth; her smile’s somewhat caustic. “Too much to handle, I guess.” 
“What are you talking about?” This strikes you as fairly fucking ridiculous, too. “What men have you met who don’t like needy girls?” 
Karina just laughs and leans in for another kiss. 
It’s easy to let the rest of the film float away in the background, the lines coming disjointed, unconnected. A spoken-word soundtrack, tone perfuming the air: the angst and pain and eroticism seeping into your clothing. Once in a while you’ll pull back from kissing Karina’s neck or tits or mouth and see a thoughtful little quirk to her mouth. Like she’s genuinely listening, even as you’re taking off her shirt, slipping a hand back between her legs. Where will you go? Disappear. I can’t still see you - if I see you, I’ll never leave you. I amuse you, but I bore you. 
“I bet you’ve never felt that,” you say, half into the silk of her hair. 
Karina pauses. Her shirt’s on the floor; she’s gloriously naked on top of you. “Felt what?” 
“I amuse you, but I bore you,” you recite. You already sound sort of fuck-drunk, far gone. “You’re the farthest thing from boring.”
Back in the movie, the female lead sobs into her fists. Karina studies you, fingertips grazing the nape of your neck. You try to imagine it - her as one of those heartsick heroines, crying herself to pieces, begging a man not to leave her - but you draw an utter blank. Some people just aren’t breakable in that way. 
“You’d be surprised,” Karina says, after a moment. “People get bored of me all the time.”
“Oh, please.” Even when she’s the one top of you, you can’t help feeling so completely in control. It’s gotta be the look in her eyes, dying to be obedient. “I bet you have lots of ways of keeping guys interested in you.” You smack her ass hard just to make a mark. “I bet you let them fuck you however they want.” 
“Exactly,” Karina agrees, without missing a beat. She moves in close until your noses bump together. Lets her voice go all smoky and suggestive. “Wherever they want, too.” 
You open your mouth - probably about to say something very rude about what a dirty whore she is and how you should’ve realized it the second you saw her; I knew it, I know you - but then your hands slip lower and Karina presses her lips to yours and licks into your mouth, over your teeth, making you swallow your words. Filling you up until there’s nothing but her and the movie, playing on.
I think I’ll be happier with her. 
You won’t. You’ll miss me. No one will ever love you as much as I do. Why isn’t love enough? 
“Romantic, right?” murmurs Karina, sweet against your tongue. 
“Shut up,” you say, and grab her by the hair, tugging her off your lap as you stand. “Bedroom. Now.” 
Later, you’ll take the time to consider the different ways filmmakers illustrate a power dynamic - it’s playing on your laptop screen right now. The heroine’s sitting on the arm of the couch, clutching desperately at the hero’s jacket. Gorgeously emotional and pleading for another chance, her tiny chin tilted up, eyes so large and watery. Made fragile and fearful by everyone: the protagonist, the narrative, the director, the audience beyond. By herself, even. It’s a stylistic choice - she wants to look that pathetic.
And you-
Well, you’ve got Karina’s long hair wrapped up in your fist, tits bouncing as she stumbles to her feet, ankle knocking hard and horribly loud against the leg of your table. Cute little ass all red from your hand. Thighs shimmering from how drenched she is, cunt dripping from how you’ve treated her. She hasn’t managed to work her mouth into a trademark smirk fast enough: when she looks at you over her shoulder, her eyes are abyss-dark and bottomless, crease between her brows, lips parted in pained surprise. 
The definition of pathetic, too - but that’s exactly the point. She’s just so much more fuckable like that. 
“Ouch,” you say, touching her hurt ankle with the side of your foot. 
“It’s fine.” Karina’s skin feels clammy and cold. Her smirk’s intact now, camera-ready. “I’ve been through worse.” 
Her ankle throbs under the pressure of your touch; you still haven’t let up on her hair. You’ll go through worse, too, you think of telling her: a sly comment about how rough you’re about to fuck her, what vicious marks you’re about to leave. How you’re gonna hurt her exactly like she asked you to. 
You don’t say a thing.
She must already know all of that, anyway.
-
So, Karina’s not breakable like the helpless, weepy, soft-hearted girls in the movies - but that’s alright. She’s breakable in much more enticing ways.
Case in point:
“Oh, get real, baby. Don’t pretend you don’t love it.”
Well, breaking someone down doesn’t really get better than this.
It’s all a scene of your own making, a perfect pre-arrangement. You on your bed, Karina limp and bent belly-down over your lap - you in control and Karina as the most impressive toy you’ve ever gotten your hands on, creamy ass and needy cunt and skin that turns bruises to artwork. You’re goading her and failing - trying to get her to just admit to what she is, what a filthy slut, what a nasty eager fuckdoll - but it’s hard to get a response when even breathing seems to be a chore for her right now. Every noise out of her mouth is nothing but a gasping, choked-out whimper. Her face is buried in her forearm, hidden. And through the shine of lube dribbling down your hand and her ass and into the sticky wetness of her cunt, you’ve got two fingers stretching out her little asshole - and you’re just getting started.
“I know you fucking need this.” Your other hand slides up her back, slips to tangle in her hair. “You’re just too good at it.” You pull hard, wrenching her head from the crook of her elbow. “Too good at being an obedient fucking whore for me, huh?”
Karina’s whole body stiffens when you fuck your fingers deeper, as if tugged taut on a string: the flex of her feet in the air, shoulder blades straining, neck craned back almost painfully. You pull harder. It’s a buzz at the base of your skull, live-wire thrilling: the knowledge that you can yank her into whatever position you want - fuck her anywhere, work her ass open with your cock, fill her up with cum - and she’s just going to have to take it. Like she’s this pliant, powerless thing. Like she’s yours. 
Your self-satisfaction seeps right into your voice. “Answer me.” 
You hear Karina gulp down a breath. “I,” Karina mumbles, but she can’t do anything but babble. “I - fuck-” All teeth-clenching nonsense; she shoots a baleful glance over her shoulder, desperation clawing its way into every word. “Please-”
Your fingers pause. “You want more?” 
Her cheeks are splotchy and pink; you swear there are tears wobbling in those big dark eyes. The heavy arousal in your stomach turns to violent hunger, as though your mouth could start watering at any second. You can’t help it. The thought of seeing her cry is fucking exhilirating. “You - oh-” 
“Answer me. You want my cock?” You’re waiting for the breaking point. “You want me to really fuck your ass?” 
“Fuck-” 
But that’s not a proper reply and Karina knows it, so she doesn’t protest when you pull your glistening fingers out of her and smack your palm hard across her ass. Once, then twice, and then you just don’t stop. She yelps like a hurt animal - trembles uncontrollably, her thighs and her shoulders and her quivering bottom lip - and makes a sound in the back of her throat that might be a sob, but she still lets you hit her: gives into the harsh crack of skin on skin, over and over again. Listens as you tell her that she deserves this, that she wanted this, that you’re making her into a good girl and this is what good girls get when they’re too cock-hungry to follow orders or answer a fucking question, you know that - you know I’m this rough for a reason. It should hurt. It’s so much more fun that way.  
“I’ve been too fucking nice to you,” you mutter, teeth gritted in an effort to hide your grin - as if you even need to. It’s obvious how much you enjoy this. It’s the point. “That’s the problem with girls like you - you never learned your fucking place, huh? Never really been punished for anything?”
Karina mumbles out something unintelligible, slurring from her drooling mouth to the sheets.
“Yeah.” Your hand comes down again - she flinches just before her body goes slack. “That’s what I thought.” 
And after you’ve spanked her so hard that her fair skin is ravaged and raised with goosebumps along the slope of her back - her whole body in revolt - you finally, finally stop. 
Karina doesn’t budge except to breathe, and even that releases shallow, unsteady. You read it all in the shaky lift and fall of her thin shoulders, her hands in white-knuckled fists, her face pressed to your sheets and hidden - her hair coats everything, all ink, all words written but left unsaid. She shivers beneath your fingers. Her cunt’s dripping all over your lap. She’s a masterpiece. She’s a wreck. 
You’re filled up with thick, swollen pride. “Karina.” 
Karina. Your own personal creation, transformed under your touch. Might as well have your name carved into her, too. A brand right across her back, slicing through tissue, scarring to seal her fate - this is who you fucking belong to. 
“Poor baby.” You follow the sharp ridges of her spine, tracking notches, keeping a tally: counting how many times you’ll hit her, how many days she’ll stay in your bed. How many movies she’ll let you make out of her, being your brilliant muse for decades. “It’s painful when you don’t listen to me, huh?”
But then - inexplicably - you think of her bruising ankle. Her twist of a smirk, detached and humorless. I’ve been through worse. 
You’re abruptly glad you can’t see the look on her face. 
“Come on, sweet girl.” You dig the heel of your palm into her lower back, half a warning. “Pull it together.” 
Between the strands of glossy hair tumbling over Karina’s skin and your sheets, you spot a reddish mark on the back of her neck. Like the impression of a thumbprint, small and round. Blurry enough in the dim light that your brain starts conjuring up strange theories; an old wound, maybe. A birthmark or a burn, a childhood injury.
You graze her shoulder blades with your fingertips, exploratory. She feels so small draped over you like this, a tiny wet wisp of a girl. A doll. 
She still hasn’t moved.
“Karina.”
Nothing.
“Karina,” you say again, suddenly uneasy. Your hand stops. “Are you-”
For a few terrible seconds, you can’t even hear her breathing. 
But then Karina shifts. Slow, sensual, deliberate. Pushing herself up off your lap, arching her back, the slick pucker of her asshole obscene from where you fucked it open with your fingers. Her bruised knees dig into your mattress as she straightens up, and her gorgeous pale face seems to glow in the midday light - heavy dark eyes, bitten-pink mouth, black hair curtaining her cheeks like a frame to a portrait.
“You,” you start to say, feeling suddenly like you’re looking at her for the first time. 
“I’m really sorry,” Karina murmurs.
She doesn’t look close to tears at all. She’s so unfazed, as if having her ass spanked punishingly raw is something that happens to a girl like her on the daily. A run-of-the-mill occurrence - a consequence of having a body like that, made to be brutalized. She’s already reaching towards the nightstand for the lube. 
“I just wanted it so bad I couldn’t think straight,” Karina tells you, with erotic-film certainty - reciting all the lines that’ll make her seem the most insatiably slutty. “I’m sorry. I’m sorry.” Her lips form a pout; she leans down to press them to the tip of your cock, all sweet and demure, like she thinks she needs to convince you. Eyes flicking up at you through her thick lashes, molten-hot. “I should’ve listened.” It’s only a breath, warm and torturous. “I deserved that, I know.” 
Your hand winds tight in her hair. You want to force your cock down her pretty throat, make her gag and choke over her simpering apologies, spitting up your cum until it trickles down her chin, her tits, her tummy. Both a game and a power play: prove how sorry you are. 
Karina pulls back before you can, and holds up the lube. 
“Babe,” she says, the term of endearment almost a singsong - a lilting reminder. “I thought you wanted to really fuck me now.” 
“Uh-huh.” Her tits heave as she moves, crawling closer, offering herself up. “And I always get what I want, right?” 
You feel drunk with power. You forget that this isn’t supposed to be about power. You watch as Karina coats her palm with lube and pumps your cock, her fingers slick and hot, her veins starkly blue at her delicate wrists. Expression delighted at how hard you are, pink little tongue poking out between her teeth - seduction down to an art form, meticulously calculated. 
“With me?” Her smile burns. “Obviously.” 
You pull her in by the neck to kiss the smirk off her mouth. 
It’s interesting. There’s this other thing regular critics and moviegoers have been saying about films these days: sex scenes need to have a purpose. Some sort of coherent motivation. Strip your lead actress down to nothing and get her keening and moaning and you’ve got to explain it away somehow. It forwards the plot, you could insist, pitching it to producers and directors. It does something for the character dynamics. It’ll draw in just the right audience, the ones dying to see their favorite celebrity debauched and getting dirty on-screen - they’ll see it over and over just to get a taste. Isn’t that enough? To satisfy the masses? Isn’t that why we’re all here?
Because otherwise all people are staring at is a play at pornography: useless half-convincing make-believe. The heroine can writhe and whine and arch her back all she wants. Everyone knows she doesn’t feel anything. 
“Tell me the truth.” 
Oh, if you two were a movie - you don’t know how anyone could justify a sex scene quite like this. 
It doesn’t matter what artsy angle you take. It all comes down to the same unforgivable details: Karina face-down ass-up on your bed, the perfect bowed curve of her spine, the depraved wide stretch of her asshole around your cock - the sweat shining along her shoulder blades, the hard smack of your palm against the red raw skin of her ass, your other hand at the crown of her skull with your fingers wrapped entirely in her tangled hair - her cunt fucking ruining your sheets, wet all the way down her thighs, each brutal shift of your hips sending her little body into full-blown shudders-
“Tell me that you fucking love it.” Your hand slips lower until you’ve got her pinned down by the back of the neck, fingers pushing down: a grip she couldn’t escape even if she wanted to. “Whoring out your slutty little ass like this for a stranger. Getting on your hands and knees for me just because you’re so fucking needy for cock, baby - don’t even try to deny it, you’re so wet, nasty fucking girl-”
You just can’t stop yourself. It’s so easy. She really is so fucking pathetic. Too fragile to get free - too easily manipulated and manhandled. Trembling and drenched and giving way as you make room inside her, forcing space. She’s just so tight - it’s godless, how you make your cock fit in her lube-slicked asshole, how she moans like a bona fide bitch in heat over it: needing faster, needing harder, needing more. Cheek pink and pressed hard to your mattress, sharp nails digging into the sheets rough enough to tear through the fabric. Giving herself up to be fucked cruelly and stupid and senseless. 
Like she’s a real-
“Natural fucking cockslut, huh?” 
Look, seriously - you can’t be held accountable for the things you say to her here. 
Because when you say shit like you’d just let me do anything - like you’d let me fucking tie you up and keep you here forever, be an eager fucking cumdump for me whenever I want you, I know it, I know you - that’s just the moment talking. The circumstances. The pretty arch of her back and the drooling wetness of her cunt and the indecent tightness of her ass, conspiring to make you lose your mind mid-fuck - that’s the whole reason you even tell her any of it. You think you’re good for anything else? Right at her ear, your body covering hers, your cock buried deep. You’re not. Just made to get this slutty ass fucked open, and your mouth, and your cunt - this is all anyone’s ever gonna want from you and you know it - better get used to it now, baby. This is all you got. This is all you are. 
It’s Karina’s fault, really. She just takes it - all of it. She doesn’t even try to fight it. 
“But that’s okay,” you murmur, as she gasps and squirms and cries out like you’re killing her. “I’m still gonna make you cum.” 
And with your cock filling her ass and your hand between her legs, slapping hard at her sopping cunt until she can’t do anything but collapse - shaking, shattered - her whimpers fucked-out and drool-soaked and bleeding into one big nonsensical mess, everything about her used and ruined-
“You’re mine,” you tell her, laughing as she falls apart. “You get that? You’re mine.” 
-then, you do.
When it’s all over, Karina rolls over to face the wall, breathing hard. She’s slick everywhere, sweat and saliva and lube, your creamy cum dripping out of her well-fucked asshole and trickling down her thigh. You trace her lower back and grin at the way her skin seems to give into you, turning pink with a press of your fingertips. You’ve come to realize you adore her like this, the fugue state after you fuck her: utterly dead to the world. 
Like she could become a permanent fixture in your bed. Too tired to move. Too tired to ever leave. 
“Mine,” you say again, softer.
Karina doesn’t argue. 
It’s basically all the confirmation you need. 
-
So, really, if you two were a movie-
It goes like this: life can imitate art, too. It happens all the time. The line between fiction and reality blurs together until it’s indistinguishable - until you can’t tell where the fantasy ends, or if it ever did at all. 
-
(It goes like this: the heroine smiles sleepily and tells the hero he’s the best she’s ever had. You’ve seen this film before. The movie stars with their fake on-screen fucks might not feel a damn thing, but at least it’s still fun to pretend.)
-
Also, the mark you saw on the back of her neck isn’t actually what you thought it was. 
“It’s a tattoo,” you realize out loud, drowsily awed, brushing her hair away so you can get a better look. You’re both tuckered out, an inevitability when you fuck like you do; you’re seconds from dozing off. Karina’s looking away from you, on her side to escape the soreness of her ass, sheets loose across her chest. She lets you touch her wherever. “I can’t believe I didn’t notice that before.” 
“You don’t know me,” mumbles Karina, half into your pillow. “It’s not your job to notice anything about me.” 
The tattoo’s crimson-red, all delicate linework. It really does look like it hurts: like someone painstakingly cut the shape into her skin. It’s of a heart, rendered in anatomical detail - valves and ventricles and arteries. It’s beautiful, you realize belatedly. Bright instead of faded, and obviously cared for. Lovely. 
The only permanent stain on her perfect body. You press your thumb against the ink, fascinated. 
“What does it mean?” you ask, but Karina’s already fallen asleep. 
-
(In your script, the girl and the stranger watch some gory crime show, except they don’t pay very close attention and he tugs her into his lap and makes her ride his thigh. The episode they’ve got on is about a serial killer who murders so-called sinners - liars, adulterers, the like. Slaughters them like sacrifices, cutting their throats with vicious efficiency. Fake blood drenches the screen with every crime scene: a form of fucked-up baptism, a psuedo-religious cleansing. 
The girl’s putting on an equally decent show on top of the stranger: head thrown back, eyelids fluttering, high-pitched little moans. He sinks his teeth into her shoulder and keeps watching the TV.
Hey, he says, a murmur against her skin, a close-up on his mouth. You’re a sinner, right?
She’s got her hands on his shoulders, hips rolling. Sure am. 
How do you think this guy would kill you? 
He thinks this’ll shock her, but she doesn’t even pause. Like he kills all the rest, she says. Like an animal.
I think he’d be more careful with you, the stranger muses. You’re too gorgeous. He’d have to use, like - a scalpel, or something. Something cleaner. Something that’d keep you intact. 
It’s no use. Nothing he says seems to scare her. Her eyes are far-off, almost glazed in recollection. Like she’s thought about it too - her own untimely end. Her own vivisection, skin flayed and organs visible, viscera and bone. There, hold the shot: now the audience can consider it with her, ponder all the ways she could be torn apart, all the repulsive things they could do with her desiccated body. All the ways flesh can warp under a human touch: the blue-black yellow-green purpling of bruises, a whole palette on one tiny girl. There’s value in that, isn’t there? There’s something intimately, incomparably beautiful in suffering. There’s art. 
Isn’t that why everyone’s watching? 
I get it, the girl says, still soaking his thigh, smiling as if it’s an inside joke between them. You want me dead. That’s been obvious since the moment you met me. 
I don’t want you dead, he says, and grabs her by the jaw. I just want to fuck you. 
Okay, she says, uncaring, like there’s barely a difference. Fine. Whatever you want. 
They don’t turn the TV off. They let the characters scream and bleed out in the background; he fucks her like she’s got a death wish. It’s funny - he expects her to get louder the harder he fucks her, ruthlessly working over the tight clench of her cunt - but she keeps getting less and less responsive, as if he’s pushing her little body into some sort of trance: expression vacant and blank, body limp and lifeless, mouth open and speechless. It makes him angry. Give me something, he’s saying, frustrated, clawing at her hair: baby, it’s not fair, it’s no fun like this. The on-screen shrieks aren’t enough - he wants it from her. Actually, he keeps saying he needs it - as if fulfilling desire is on the same level as food or air, as if he’ll drop dead in seconds if he doesn’t get her sobbing. He gets his overlarge hands on her face and starts contorting it, pushing her mouth open, her eyes wider, his fingers down her throat until she spits and gags and chokes. Oh, the audience will love this one: it’s reminiscent of those filthy exploitation films with their cult followings, so cleverly referential. Look at her pathetic and pinned down. Look at her helpless and struggling. Think of your favorite on-screen murder scenes, and then think of this.
Anything I want, the stranger reminds her, yanking back her hair as she drools down his wrist. You asked for this, didn’t you? You said anything I want. 
Except now the girl can’t say anything at all. 
This moment will start rumors, invite horrified scandal the same way some purposefully marketed horror movies are passed off as snuff films - that really went down, they really died like that. This scene’ll get a similar response. Did he actually fuck her? Did he actually hurt her? Did everyone - the writer, the director, the crew, the captive audience - actually just stand by and let that happen? 
Sure. Or she might just be a really, really good actress.
There. The stranger’s murmuring to her now, watching her manufactured expression, watching the tears fill her eyes. There you go. There’s my girl. And she is his, she really is - transformed into something all beautiful and new under his clumsy fingertips, molded right into art. The camera will zoom in close on her gorgeous, cadaverous face, a perverse little gift for the audience: here, have this, take a look. She’s all yours now. 
There’s something to be said here about the manmade link between sex and violence - inescapable, brutal, primeval; bodies in all shades of red - but he forgets it the second he touches her, and she’s being fucked too hard to remember.
Maybe they’ll get to it next time.) 
-
AND WE'RE BACK!!!!!!!!!!! <33333
all my luv ever to @capslocked @worldsover @passingnotions @braaan for beta reading my dumbass shenanigans and also for being the best ever I LOVE U!!!!!! AND ANYONE WHO IS READING THIS I LOVE YALL TOO.................. PART 2 COMING SOON!!!!!!!!!!!
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thicctails · 1 month
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I need more info on the get better children au, especially about when Bill shows up.
*rubs hands together* I finally got some extra time to draw up some new art for this AU, so let's give it some substance >:3 Long post below the read more with extra art :D
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Before Euclydia was destroyed, Euclid and Scalene Cipher were some of its most powerful members. Bill saying that everyone loved him as a baby was true for a time; children aren't born very often, and the Ciphers are considered to almost be royalty. It wasn't until Bill's mutation became apparent that people began to shun him. If he had been born to any other family, he likely would have been abandoned.
Though neither Euclid nor Scalene could really comprehend the concept of something being "up", let alone what "stars" could possibly be, both of them used their status to try and find any scrap of forbidden information, hoping that they could find an answer, could find some confirmation that their son wasn't crazy, and didn't need to be blinded by his "medicine."
It was this research that eventually saved their lives. Having the knowledge that it was possible for things to, hypothetically, exist in a three dimensional plane allowed them to pool their powers and create 3D forms for themselves when Euclydia began to burn, pulling themselves off the 2D plane like a sticker being peeled off a page. It wasn't a smooth transition in the slightest, and the flames managed to damage parts of their bodies before they managed to fully free themselves. The rest of their power went into escaping their collapsing reality, and when all was said and done, they were left near catatonic and floating in the space between time and space for many, many years.
They don't really start to recover until a certain frilly guy upstairs nudges them into a new, stable dimension. This one is almost entirely 3D, and inhabited by creatures that look completely alien to the Euclydians. Creatures called humans.
They meet Dipper and Mabel not long after, and the two triangles attach themselves to the babies, doing their best to care for them in their weakened states when their young, unprepared parents fail to be adequate caretakers. Being 2D is far easier for them, so they stick to the walls like shadows and find ways to speak to the twins, slipping into videos and pictures, music and books, their forms changing slightly to match whatever media they slipped into. They teach Dipper and Mabel their colours, shapes, ABC's, ect, comfort them when they get sad or scared, and once they're old enough, how to do basic things like getting themselves food and water when they get left alone too long.
Neither Pines parent really notices their children making grabby hands and babbling at open air at first, though they do become a bit concerned when years pass and they still stare at walls and empty corners like there's something there.
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Eventually, as we all know, the Pines twins get shipped off to a sleepy town in Oregon, and Euclid and Scalene are, of course, coming along to watch over their little stars. However, they become deeply uncomfortable when they start to see visages of their son carved into every room of the twin's temporary home.
It doesn't take long for the show's antics to start, but Grunkle Stan gets involved in the twins adventures far earlier because during The Inconveniecing, Euclid uses his ability to manipulate televisions to play one of those old PSA's on loop until he gets spooked enough to actually check on the twins, only to find them missing.
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Eventually, through the help of Scalene using a radio to drag up an old advert for the Dusk 2 Dawn, he figures out where they are and arrives just in time to see the tail end of their ghostly encounter. Unable to deny his knowledge of Gravity Falls' weirdness, he and the twins have their Season 1 finale talk that night, and Dipper shows Stan Journal 3, which leads to all three of them searching for Journal 2 (Stan doesn't reveal the portal yet)
Bill gets summoned by Gideon like in Canon, but things veer wildly off course when, upon entering Stan's mind, Mabel asks him if he knows Euclid or Scalene. He freezes up upon hearing the names of his parents, and he immediately calls off the deal with Gideon, ripping himself out of Stan's Dreamscape. Before he can process what happened, he comes face to face with someone he's only seen in daymares for the past trillion years
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Bill dips the fuck out once he realizes he's not hallucinating, disappearing to Axolotl knows where to do fun, productive things such as: scream, cry, break shit, sob on the floor, drink until the teeth in his eye ache, stare at the space between stars for days on end, and interrogate every single one of his henchmaniacs to see if they spiked his drink.
Mans has absolutely zero clue on how to navigate this situation, eventually settling on stalking the Pines because he genuinely cannot think of any possible way to approach his (apparently alive????) parents. How do you go about atoning for the extinction of your entire species?
Bill Cipher has never been one to do things for others for any other reason than to get something back, but he figures the best place to start is by protecting these fleshy human young that his parents seem so attached to.
Wait, would that make them siblings? Axolotl, he sure hopes not.
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monstersflashlight · 25 days
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how about a male kitsune x fem reader. Maybe they are childhood friends and he loves to tease her a lot and acts really cocky all the time but scares away any potencial rival. Unknown to them both their parents who are good family friends ,have been trying to set them up together partly due to the fact of some very old promise their ansestors made or something but won’t force it and see it as if it happens it happens. But male kitsune has a secret, his true form and accidentally shows the reader this while confessing but she reassures she doesn’t care how he looks (if anything she finds him quite handsome like this) and she likes him too. His secret form I guess could go two ways I’m not sure which sounds better 1: she never knew he was a kitsune, and them being childhood friends was really just her playing around with a baby fox that she thought belonged to his family. Or 2: she knew he was a kitsune all along but he has a 3rd form he never showed her this one looking more like a bipedal humanoid fox a form of which not even his family has thus being self conscious of. Thank you so much your writing is really cool!
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A/N: Hi! This request was very fun to write, hope any of you mind that I mixed both, made sense in my head. Also, as a great mind said “daddy is a state of mind”, I imagine this story as them being very close in age, like max three years apart. Enjoy!
The nine tails
Kitsune x fem!reader || daddy kink, arranged marriage, mates,
When you thought back to your childhood, you always had blurry memories of an animal. A fox. A white fox that followed you around and played with you when you went out into the garden. Your parents thought you were talking about a plushie or something, but you knew better, there was an actual fox that approached you as soon as you stepped outside. But when you were about twelve, he disappeared.
It hurt you so bad and so profound that you cried for days. You cried and cried and your parents didn’t know what was wrong. Your neighbor came around, a nice lady that you’ve known all your life, the mother of your crush… She said it was a pain of heart, and also disappeared. It was ominous and weird, and it woke you off a stupor that you didn’t know you were into.
You woke up and kept living. Even when your friend, your crush, left, you kept going.
And kept going.
When past your twenties, your parents announced that you were to marry an unknown person, or not so unknown. When you walk to the altar and see your long forgotten childhood friend… you are lost of words. You are so confused you dissociate through all ceremony. Before you realize you were married and living with a man you thought forgot about you.
You are calling him husband and he’s calling you wife, and your life is boring. You came back to your house one day, a bit earlier than anticipated because you signed a big contract and you want to go out for dinner with your husband, even if you barely talk. But what awaits for you there is not what you expected.
There’s a white fox in your living room. A white fox that turns into a human, a very naked human in the form of your husband. You gape at him, speechless.
You turn around to leave when he stops you. “Wait! Hear me out, I…”
But then it clicks. “You are the fox,” you deadpan.
“What?” He’s as surprised as you.
“The fox from my memories. It’s you.” Everything starts making sense, why they left, what his mother said when you were a kid.
“I- I thought you didn’t remember that,” he whispers, more to himself than to you.
“Of course I do, it broke my heart when you disappeared. I was so sad my parents bought me a puppy.” He doesn’t answer, staring at you like you grew a new head. You look into his sad eyes and can’t hold back anymore: “Why did you leave me?” Your question is filled with sadness and disappointment, the wound that you thought forgotten is once again open and bleeding. You thought you could get over the fox leaving, probably something to do with nature, but knowing it was him… That it was him who abandoned you…
“I’m sorry. I- They told me I had to. I couldn’t keep visiting you because I could throw everything into the wind if my fox got too attracted to you. So I pulled away, but it pained me, it pained me so much I could barely transform for so long after I stopped seeing you. And then we moved away and I… I couldn’t stop thinking about you.” His voice is broken as he explains, his words rushed as if he’s trying to convince you as much as he tries to convince himself.
And you get a new realization at that. “That’s why you came back? That’s why you married me? Not because they signed some papers when we were not even born?” You ask for confirmation.
“Of course not! I love you. Always have. Always will,” he tells you, eyes filled with tears and emotions showing in every twitch of his body. You stare at him, so moved by his words that you just stare. You stare for so long that he starts to squirm and moves to walk away, accepting your silence as a rejection.
But this time is you who stop him: “Then make love to me until I can’t walk anymore. Breed me until I can’t think of anything else. Fuck me until the sad memories disappear and I can only think of you inside of me,” you pronounce the filthy words as if your life depends on it. As if his body and his soul are what you crave more than air.
He chuckles, swallowing back his tears as he tells you: “You can’t say that and look at me directly, or this would end sooner than expected.” You look down at the same time as he does, seeing his dick twitching and growing hard in front of your eyes.
“Does me saying dirty things arouse you, daddy?” His groan is so loud and desperate that you have to bite back your own moan.
You throw your clothes off your body like a soul followed by death and stare at him, naked in all your glory, as his eyes flash in different colors and his ears morph into fox-like ones. And then you see his half form, his tails behind him, all nine of them swinging as he approaches you slowly, making you grin at him until you are chest to chest. He grabs you by the waist, holding you thigh as he lowers his head and kisses you in the most dominating way ever. Your knees give out under you, but he grabs your ass and pushes you up, inviting you to wrap them around his middle.
He gropes your ass as he grinds his dick up to your wet center. You keep whispering “daddy daddy daddy” as he rocks your body against his. He’s as desperate as you are, your kisses consuming, trying to get your love across his lips. Trying to show him all the longing and pain that he caused you, as he tries to kiss it away. It’s intoxicating and deep, so emotional and intense that you are breathless.
When he finally pushes his dick inside your dripping cunt, you shiver with the force of the sensation. He pushes your body against the wall, plastering himself against your front as he leaves your mouth to kiss your neck, leaving marks as he goes.
He fucks you against the wall, desperate, uncoordinated… and perfect. “Yes. Yes. Yes,” you chant over and over, his dick hitting that special place inside of your pussy that makes you see stars.
You start to shake in his arms. “Are you going to come for daddy? Are you going to make a mess out of your pretty pussy for me?” You nod eagerly, biting his neck and making him cry out as the first shoot of cum hit you deep inside, hot as lava.
You groan as your own orgasm rocks your body, convulsing against his arms as his tails caress your legs like the softest touch. It drives you to a new level, head thrown back, mouth open in a silent scream as he fucks you through your aftershocks. He breathes hard against your neck, biting softly with his long fangs.
“You are so good, such a good girl for daddy,” he keeps whispering soft things against your ear as you come down, breathing hard and blushing harder than ever. He kisses your sweaty forehead as he walks you to the bathroom, not letting you go as he runs you a bath.
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pumpkin-cake · 21 days
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Family Man Farmer Logan
dad!logan howlett x fem!reader
i cannot get this out of my head- logan out in the country with his little family has my brain rotting!!!!! also girl dad logan has me in a chokehold!
part two
divider by @cafekitsune
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The rooster's crow echoed in the wide open space of land, stretching across the fields and barns and the small wooden playhouse he himself had built. To ensure Logan's consciousness, the small alarm clock started ringing. He groaned. He hated that damn thing, but oh well. His wife insisted on keeping one around.
That wife, you, were regretting your decision. You matched his groan, shoving Logan as the beeping continued to invade the silence you'd been enjoying. "Turn it off." You grumbled, and he grunted in response. He reached over and sloppily felt for the button and hit it like it had personally wronged him. He inhaled deeply and rolled over to wrap his buff arms around you.
"Mornin'." He said in his raspy morning voice, his beard tickling and pricking your neck. You didn't mind. It was a good look on him.
"Morning, honey." You yawned, turning around to face him. "Who's on daughter duty this morning?" You murmured, and Logan's heart fluttered seeing your eyes open halfway sleepily. God you were perfect, even with a bedhead.
"Baby duty." He corrected a bit grumpily.
"She isn't a baby anymore, honey."
"Yeah she is." He said, absolutely no room to argue. He sat up and stretched, his back popping as he did so. He gave you a kiss. "I'll meet ya in the kitchen, yeah?"
You offered a tired mutter in response. He chuckled and left the room, dressed only in gray sweatpants. He gently creaked open the door to his little girl's room, which was filled with toys and anything of the like. She had a lot of wolf plushies. Her favorite animal. It made him feel warm, like she subconsciously loved him everywhere. She of course didn't know what the hell an actual Wolverine was (she called it a woofewine), but word association apparently.
His heart swelled at his sweet girl passed out sleeping in her new big girl bed that he had built for her. He'd painted the wood white and found some stencils of some butterflies, which were painted yellow. Her favorite color. Logan gently sat at the edge of her bed, reaching over and gently shaking her shoulder.
"Hey, sweetie. Time to wake up." He whispered, like he didn't actually want to wake her up. He loved the peacefulness of her expression when she was sleeping. Looked so much like her mother.
His little girl squirmed a bit, whining and trying to pull her blankets over her face. It just made him laugh a bit, softly but firmly pulling the covers back down. She squealed.
"Daddy!! It's cold!!" She exclaimed, trying to reach for the blanket with her eyes still closed.
Logan laughed and grabbed her from her spot, gently pulling her into his lap and holding her tight. "How's this? Daddy's warm, yeah?" He smiled.
She huffed sassily. "Not as warm as the blankies." She argued, and Logan just laughed again. He grabbed the blanket you'd knit her and wrapped her up. "Better, Daddy." She hummed, leaning into him. He stood up off the bed and kept her close.
"You need to go potty?" He asked her as they walked to the bathroom so she could brush her teeth. Never in a million years did he think he'd have a perfect little girl who he was asking to go 'potty', but God did he not care about whatever dumb child lingo he had to use. Especially if it meant less dirty diapers. Ugh. Sometimes the smell was unbearable.
"No!" She said simply, letting him place her on the bathroom sink's counter. He handed her the Bluey themed toothbrush and she frowned. "You do it!" She demanded.
Your words echoed in his head. "She needs to be a little more independent, she can learn to brush her own teeth."
He sucked in a breath. "Why don't ya give it a shot yourself, sweetheart?" He asked, trying to keep his voice from straining. "You have a big girl bed, how 'bout brushing your teeth like a big girl?"
Your little girl just pouted. “No, Daddy.” She said firmly, baring her little baby toofers. “You do it.”
His heart strained. Oh her little eyes. They were so cute but she had the same little crease he himself got when he was upset. “Okay, sweetie. Maybe tonight.” He gave in almost immediately. It was pathetic, he’d killed so many people without a second thought, but this little girl had his heart in the palms of her itty bitty hands. Just one look and he was giving in.
He held the little toothbrush and got a small amount of bubblegum toothpaste (she didn’t like the ‘spicy’ kind) and gently held her face while he took care of her teeth for her. She grinned the whole time, very proud of herself for winning once again.
After that ordeal was done, Logan picked her up in the blanket and brought her to the kitchen where eggs and bacon reached his nose. You stood in nothing but Logan’s shirt and very short shorts, yawning while you cooked for your family.
"Mommy!" You heard your child shout, and you looked over your shoulder to see her snuggled up against Logan's hairy chest.
"Good morning, sweetie. Did you brush your teeth?" You asked.
"No! Daddy did it!" She chirped, and Logan smiled rather sheepishly at your unimpressed look.
"You know I can't help it." He sighed, placing her in one of the ranch chairs at the table. He tried to make up for it. "Breakfast smells delicious, honey." Well, he would have said that either way, but it made you smile as you served the food, two egg eyes and a bacon smile.
"There's more if you want seconds." You hummed, sitting down and beginning to eat.
Your daughter freed her arms from the blanket cocoon so she could eat. "Can I feed the horsies today?" She asked happily, pointing to the apples in the fruit bowl.
You and Logan exchanged glances. "'Course, babygirl." Logan said simply. The two horses at the farm were both gentle, but your baby could be pretty loud and scare them. You trusted Logan to keep her safe.
"You have to listen to Daddy and be careful." You warned, really not wanting your baby getting bitten or kicked by a horse.
"Okay, Mommy!" She said, hurriedly finishing her breakfast and was going to go outside.
"Clothes, sweetie." Logan reminded, and she ran back to her room to change. He smiled at you. "She'll be fine, darlin'. I got her."
"I know, I know." You said softly as Logan finished eating and went to change too. The two came back down in matching denim: Logan with jeans and your little girl with overalls.
"Bye Mommy!" She said and ran out, the screen door slamming shut.
"Bye, hon." Logan said with a wink, heading out to spend time with his girl.
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i'd love to do a part 2! i probably will, thank u for reading!
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zzencat · 2 months
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Your Best Qualities - Current ⏳
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From left to right. Breathe and choose.
Some of your best qualities in 5 bullet points! Decided we’d get a post to remind you of your best qualities, in case any of you guys are feelin’ down or going thru some tough weather. Let’s bring it back and focus on the good :)
To enhance accuracy before choosing: Clear your mind. Time is now patient and still. Close your eyes, inhale deeply, fill your chest up to the fullest, feel the soft air brush up against the ridges of your nose. Breathe out.
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Pile 1. Feels like family…
• you’re definitely capable of bringing peace to others or keeping harmony within your own relationships, whether they be platonic or romantic — mediator skills or a person with good judgment
• you think twice before making moves or saying things — able to find balance between being the listener and being the speaker
• your resilience is unmatched!!!! — emotionally stable and can manage finances well
• loyal and uncaring of what others think — you stick to your crew and keep good people around you
• you’re super creative and your sense of timing is impeccable — you grab opportunities like it’s nothing. it’s like you always know what to say to make others feel good, reassured, comforted, confident
Points of Interest: good natured person or has good intentions in general; balanced af; leadership skills; a good head on your shoulders; extrovert-ambivert/very healthy introvert; entrepreneurial skills; ceo/vice president/secretary vibes; the type that listens to both sides of the story before acting; calm and peaceful; bounces back easily; thoughtful; considerate; family oriented; cares for others as well as oneself; clear minded; good work-life balance; open-minded; cautious in decision making; “confident” - justin bieber; good self esteem; good attitude; faith in your abilities; optimistic; creative; cares a lot for animals; people like being around you; possible mbti: healthy exxj, enxp, ixxj
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Pile 2. I got your back.
• intimidating and classified as a loner, but in the best way possible — you either have an expanse of knowledge OR do a great deal of self-reflection — very intuitive person (EXTREMELY)
• BIG, BIIIIIIG defender energy. when it comes to defending yourself or those you love, no one can do it better than you (have you ever considered being a lawyer btw?) — potential to be materially abundant and wealthy
• you empathize and feel for others easily, even when nobody else sees it or thinks that you do (but I’ll tell ya rn, most of the time you’re the most empathetic person in the room) — in a world full of evil, you’d make villains cry and can actually help them turn a new leaf — your level of empathy and understanding is on a totally different level
• independent and mature — if people come to anyone for advice or counseling, or just a good ear, it’s you
• you are very deep and insanely caring under the surface — you might approach things logically first and try to see things from all points of view before making a decision or advising other people — you really do have the biggest heart and only those who are close can see it
Points of Interest: introvert; very smart; spends a lot of time alone; VERY LOYAL !!!!!! (almost to the point of possessiveness); may need to work on control issues and rebalancing social life; communicates differently from others; sees things from a different perspective; offers good advice; good listeners; prone to pushing people away bc you start caring too much; knows who to trust and who not to; selective; secretly creative; very nurturing but kinda doesn’t want to show it; humble/modest/doesn’t want to be seen; wants to help people but doesn’t want to be put in the spotlight for it; you’ve felt more hurt/seen more trauma than those around you; defending like their lives depend on it; perfectionists; behind the scenes, extremely intuitive; possible mbti: inxj, healthy exxj
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Pile 3. Life of The Party
• confident, outgoing, charismatic, funny as hell — there’s a lot of charm to you — you carry the energy fam, no you ARE the energy — you laugh/smile easily or cause others to
• highly ambitious and have the will to fight for what you want — you’d prob be the last one standing in a mr. beast challenge
• you light up the room !! (i keep hearing “baby, you light up my world like nobody else by 1D 😂😂😂) — potential for fame/someone in the public eye/someone in a position of power
• mischievous and fun to be around/has the most jokes — always up for a challenge or touching grass activities lmfaooo you’re always down to hang out — you don’t care if you look like an idiot as long as you’re having fun or are out with friends/family
• you don’t give up easily and take opportunities as they come — persistent, stubborn and strong-willed — you’ve achieved many things or definitely will in no time
Points of Interest: A-Class comedian; daredevil; extroverted or highly energetic; prominent fire energy, possible zodiac signs that are prominent in your natal chart (sun, moon, or rising): aries, leo, sagittarius; mistakenly seen as the leader of a group; impulsive; instigator; jumps on opportunities immediately; wearing what you want; impatient/bored easily; fast-paced; has the most friends/wants to have the most friends; easily sociable; questionable decision making, but has the most experience; likes to experiment; has seen a lot in life/plans to see a lot in life; probably a fan of fast and scary rollercoasters; among leaders, you’re the “fun” leader; confident with self-image
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Teddy note: what is guuuuuuud guys!!?!?! I’m feelin pretty nice today so I thought I’d put this out for you all as a reminder of your good qualities 😊👍 we’ve all been working pretty hard lately!! Whether that’s on your physical, mental, emotional health—it’s all very draining to do SO I hope this reminds you of things you should remember to be proud of!! It’s a checkpoint! I hope it resonates with you and if not, leave it. Thank you v much guys 😎😎
Feedback through likes, comments, and feedback and very much supported!!
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penelopepine · 1 month
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Mother Knows Best!
Simon "Ghost" Riley x Reader x John "Soap" MacTavish
Summary: Soap's mom trying to set Ghoap up with Reader! She loves Reader and she's going to make her a part of her family! Content: fluff Word Count: 1012
You had started working in Mrs. MacTavish's bakery a few months ago. She was a kind older woman who had welcomed you with open arms when you first started. Her two daughters were just as kind as well. 
They had come in one day, just checking in on their mom, and the rest was history after that. The three of you quickly became thick as thieves. After spending so much time with Mrs. MacTavish’s family they honestly felt like your own now; the only member you have yet to meet was her son, John.
If only you had known what Mrs. MacTavish had planned for when you did. She brought you into her family, and what better way to make that official than by having you date her son. The son who was already in a long term committed relationship with his lieutenant. That was just a two for one deal for you in her eyes. 
-
The day Johnny came into the shop it had been a surprise for everyone. He hadn’t told anyone that he was arriving home early. When he first stepped into the bakery he was expecting to see his mum, but instead saw you working behind the counter. He remembers her mentioning getting a new worker at the shop. 
“Hello, lass! You must be the one who has captured my mum’s heart! Anyone who can do that might as well be family; feel free to call me Johnny.” He introduced himself to you with a wink. “Speaking of my mum, is she in right now?”
You're shocked for a second upon a stranger coming in and introducing himself to you. Regaining your composure though you quickly introduce yourself to himself as well; excited to finally be meeting the son you’ve heard so much about. “Oh, yes! She’s back in the office right now, and I’ve heard my fair share of stories about you as well.” 
“All good things I hope. Would hate it if she gave a bad first impression.” 
“Don’t you worry I’ve only heard the best!” You two bantered with one another before Johnny steps away and makes his way towards the office.
He knocks on the door, and waits until he hears his mum’s muffled voice come from the other side, “Come in!” 
Without waiting for another second he throws the door open, and there sitting at the small desk is his mum. Standing in the doorway he basks in the surprised and excited shrieks when she realizes that it's him.
"Oh, Johnny! Come in come in! Let me see you." She calls him further in as she stands up herself with open arms. She holds him tight when she finally gets her arms around him. Johnny knows she's probably feeling a bit overwhelmed right now, and lets her hold him as long as she needs. "I've missed you so much!" 
"It's good to see you again mum." He whispers into her hair, "I've missed you too."
She pulls away and her eyes have a glossy sheen to him as she urges him to sit down in one of the chairs alongside her. Once there she asks him about Simon, and tells him what's been happening while he's been away. 
They continue to talk and catch up with one another before his mum asks him about you, "So … what do you think of her? She's cute isn't she!" 
Johnny couldn't deny that you were rather pretty; if he wasn't currently in a relationship he would have been all over you. He didn't know why his mum was asking him that though. "Yeah, she's cute. Why? Are you planning on playing matchmaker again? Which one of your friend's sons are you thinking about for her?" 
"Actually I think you should ask her out; I think she'd be good for you." 
"Mum! You know I'm with Simon!" Johnny's voice rising with anger at the thought of his mum wanting him to leave his partner. 
"She'd be good for him too!" She quickly reassured him, “I can see it now. The three of you living life to the fullest with one another.” 
Johnny feels absolutely shell shocked right now; unsure of how to really respond even, "Wait? You want me and Simon to date her?"
"Exactly!" She exclaims, "She'd be perfect for the two of you!" 
"Mum-"
She interrupts before he can continue though, "Just talk to her! If you don't like her like that, or if you and Simon don't want that kind of relationship then I won't mention it again. I promise!" 
"Fine, fine I'll talk to her," He agrees, "only because she's working for you though, and I need to make sure she's not a troublemaker."
"Of course! You should do that now then." She stands up and ushers him out of the office, and shuts the door behind him. Johnny is left standing there mouth agape as he stares at the office door. 
After coming to terms with what just happened he turns and makes his way back to the front of the bakery. He didn't go to talk to you with any romantic intentions, but it seems his mum really does know him too well. Not that he’s going to complain about it right now; not when it seems there honestly could be something romantic here. 
He ends up staying for the rest of your shift talking and helping you with the customers, and afterwards he finds himself calling Simon. Telling him all about the bonnie lass that really is perfect for them. All he needs to do is meet her to find out for himself to see that it’s true. 
If after that Simon ends up in town as well as coming to the bakery who can really say why. It's also a coincidence that the three of you are seen out at a pub together just a couple days later. 
Mrs. MacTavish is very pleased with herself when you, Johnny, and Simon are then coming to her and informing her that you are now a part of their lovely relationship. 
Taglist: @zarsghost
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livin4woso · 1 month
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Not so little anymore (leah williamson x sister!reader)
Summary- reader who is leahs younger sister comes back to Arsenal after a loan spell at athletico Madrid, and it seems that in that time, you've grown more than leah wants too accept.
Your loan spell in spain had come to an end, and it was time to come back home to Arsenal. It was a bittersweet moment for you as you knew you had missed your family and friends, but you're also gonna miss the guaranteed playing time and not being known as leah williamsons' little sister.
Now, dont get yourself wrong. You absolutely adored your sister, but after her recent success with the euros and womens football on the rise, you slowly slipped in the shadows from the williamson sisters to leahs little sister. She was 7 years older than you so she has always had a bit of a protective streak over you and always viewed you to be that small little girl that you used to be not who you are now. An adult.
You were now 19, and after your season long loan, things had changed. Arsenal had practically got a whole new squad with newer bigger players, but they also had sold some players some who were close friends to you. But also you had changed due to athletico Madrid more intense training style and not knowing the language so you found yourself in the gym more often than not you had grown to be quite a force not to be reckoned with on the pitch. When at madrid, you had also changed your position to right back after playing in centre back your whole youth career to be like leah, you now wanted something different or maybe you needed something different.
When arriving back home, you had decided to stay in your childhood home with your parents while mid search for an apartment near the training ground. Driving into the training ground felt weird. It was a strange feeling of comfort but also unfamiliarity as you knew the place but not the people in it, and those you did know had surely forgotten about you in that time you had been gone. You made your way through the grounds with small chats to staff who were quite happy to catch up with you and ask about your time in spain which had left a linger on you due to your tanned skin.
Your arrival back had been a secret as jonas had insisted to make it some social media post to have hype to your return but in all honesty you weren't a fan of the cameras so this was like a worst nightmare suitation. Jonas greets you at the entrance of the fields before telling you to wait about 10 minutes before coming down into training. "Right, girls, before we start the next drill, i need you to get into pairs," he says, knowing the squad is an uneven number. "We dont have enough for everyone to be in pairs," leah says to him " oh right well leah i have a guest coming in 5 minutes if you want you can help introduce them to everyone" he suggested back and leah gladly accepts his offer.
You have finally been signalled by staff. You can go onto the field, and as you walk down to the girls, you see leah stood next to jonas. She has to double take to see if its you because she swears she's hallucinating that your walking towards her " have you missed me or something lee you're gonna swallow a few flys if you keep you mouth open" you shout towards her dragging the attention of your other teamates. " girls im happy to announce y/n is back from loan" jonas states, and leah pulls you into the most bone crushing hug ever. However, this time, you're not the smaller williamson. You're actually a decent size bigger than her, and your arms had grown, and so had your legs.
"Woahh mini williamson isn't that mini anymore maybe we should start calling you big williamson?" katie shouted at you as she almost tried to size you up. "Yeah well a year in madrid paid off and surely im now the better looking sibling" you joked flexing your bicep at katie knowing she'd find it funny until leah cliped you the back of the head. "Ow, what was that for?" you asked her. "For being a knobhead now come on, we have new people to meet," she said. She had dragged you around to make you meet people and scoled you if you were a foot out of line it felt like she was trying to be your mother than your sister and truthfully that pissed you off.
You had proved to everyone you could live by yourself at just 18 when you went to madrid, now you're 19 in london and being babied. You loved leah. However, she never knew when to stop pushing you until you break. You could easily get over the throwaway comments of "you're my baby sister man" or when she would tell one of your teammates an embarrassing story. However, this time, she went too far.
Kyra alessia lotte and vic had invited you to come out drinking with them and of course you accepted as it would be nice to be able to talk to them without leah shoving the fact shes you're older sister down there throats. You were having a good time and an even better one when a brunette woman asked you to dance with her. She was in her early twenties, and it seemed the other arsenal girls not fussed, so you kissed her, and she kissed back. " You are so pretty, but im really sorry. i have to go, but here's my phone number you should call me," you said, letting go of her waist and walking back to your friends "Don't tell leah i dont need a lecture on sex" you said to them "we wont" kyra says wrapping an arm round your shoulders as you began to make your separate ways home.
However, the brunette had left a mark on you, more specifically, your neck she had littered hickeys down the side of your neck and well it wasnt a big deal everyone has had one so it didn't fuss you. Yet, coming into training, you were in for it. "Y/n come here" leah demanded "mhm yeah sure" " can you please explain why you have been fucking attacked by a vampire on your neck you're not old enough for that at all !" She shouted in front of everyone, yet you had reached your limit and couldn't keep quiet anymore "leah grow up im not 12 anymore you had no issue with me leaving the country for a year and not one of you bothering to come see me so i dont know why you are so hung up on a hickey on my neck" you shouted back and rather then making the suitation worse you walked out the room slamming the door.
Leah was quick to chase you though "y/n wait please" " what leah i don't want a shitty apology or whatever i just want you to treat me like im your friend not your baby sister who needs protecting i grew up and its time for you to realise it" you said trying to make her understand your frustrations.
"Im sorry i will do i guess you're not so little anymore and i forget that but really you need to stop growing i dont want to be the little williamson" she said breaking a smile and since then you found balance between sister and friends and it was perfect.
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tarotwithavi · 3 months
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You have been blessed
What blessings are coming into your life/headed your way? How will they make you feel?
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
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**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
How to choose a pile?
Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.
Masterlist
Paid services
I have been scammed recently and am now in urgent need of money. Any help you can offer would be greatly appreciated.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
Pile 1
This might not be the blessing that you imagined, but this will be something that you actually need in your life. You will finally realize who is actually your friend and who is your foe. This is a blessing in disguise, so at first you may think, "Why is everything going downwards all of a sudden?" But after some time, you'll understand why it all happened.
If you have been having trouble finding a suitable career path for you, you no longer have to worry about this because I see that in the upcoming 2-3 months, you will be offered a job opportunity that will be the most suitable for you.
Some of you will get accepted into your dream college/university. Some of you may even get a full scholarship. If you have not applied to your dream college because of self-doubt, this is your chance to do so. You'll get a positive response.
One of your long-forgotten wishes is going to come true, and I got a vision of somebody dancing around in happiness, so this could be you.
Some of you will be receiving or giving someone a really precious gift. I see some gold jewellery.
July could be an important month for you.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
Pile 2
(some of you may resonate with pile 1)
Something that you have been working on for a really long time is going to come to fruition; you will finally get the rewards of your hard work. I feel like this is something that you started around 2020-2021.
Some of you will get to meet one of your online friends, or you could be invited to a celebration where some of your own friends will be present, and you will get to reunite with your old friends.
Achievement and success are the keywords for your next 4 months. Something that you have done at the beginning of this year will start giving you results now.
I see that some of you are manifesting your dream relationship, so you could meet your person within the next 3 to 4 weeks, and some could meet them within 3 to 4 months.
I do see that you guys have struggled a lot, and you guys have been through a lot of difficult situations, but I want you to know that the most difficult part is over, and things will start getting better from now on. You will no longer have to worry about your finances because I do see that you will be getting a lot of opportunities to make money.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
Pile 3
Somebody new is going to enter your life soon. This could be in the form of a pet or a baby because I do see that somebody could be giving birth soon, either you or somebody around you.
If you have been trying to conceive, you may get pregnant.
Some of you will get to travel to your dream place. This could be a place that you have always wanted to visit, and I feel like this could be a short trip. I am not seeing international travel, but this is a trip that will heal your soul.
I also see you having a lot of fun with your friends or family. Someone's birthday could be coming up, or you may get invited to someone's wedding. Either way, you will have a lot of fun, and you will meet really important people there or people that will have a significant role in your life in the future.
Some of you may have broken up recently, and you may be dealing with heartache right now, but I want you to know that this was also a reason, and you will meet somebody who will love you better and treat you better.
You are attracting a lot of good luck and good news. I also see some paperwork getting resolved or you getting results in your favor. You'll feel really blessed in the upcoming months that you may cry out tears of joy.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
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dr-spencer-reids-queen · 11 months
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A Rarity
Pairing: Spencer Reid x Female!Reader
Word Count: ~900
Warnings: fluff
Summary: You have a rare genetic code called heterochromia. You have two different colored eyes that you have tried to suppress ever since you got seriously bullied in middle school. Just when you're about to present a case, you find your contact case is missing.
Square Filled: friends with benefits (2022) for @spencerreidbingo
Author’s Note: any and all comments are appreciated <3
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Today is the day you start your new job as the team’s liaison. You’ve always been part of this since JJ was the main person to deal with it. However, she’s been promoted to profiler which means all the slack now falls on your shoulders. You love interacting with families and comforting them when they most need it.
This is the first case when it’s just going to be you, so you’re kind of nervous about it. Before going into the briefing room, you decide to touch up on your makeup and hair as if you’re going in front of millions on the TV to present the case. You take out your contacts and leave them to rehydrate on your desk while you go to the bathroom to fix your makeup.
Once you’re done, you make sure not to look into anyone’s eyes as you make your way back to your desk. The first thing you do is put away your makeup. The second thing you do is grab your contacts to put them back in but they’re not where you left them.
“Shit,” you curse and go through your entire desk. “No, this isn’t happening.”
You’re panicking at the thought of not having your contacts. You don’t need them to see, in fact, you have 20/20 vision. No, you use them only for color because you have a rare thing called heterochromia. Your right eye is bright blue and your left is bright green. You were born with two different eye colors. No one in your family has this genetic but you, so you have no idea where it came from.
Ever since you were enrolled in school, you were bullied for your eyes. It didn’t start getting bad until middle school when kids were more focused on appearances than learning and making friends. Kids in elementary school actually found them to be cool but only because they were little kids who didn’t know any better.
Your peers made you hate this part of you even though you can’t do anything about it. As soon as you started high school, you begged your mom to get you colored contacts. You’ve been wearing them ever since even into your adult years. You choose a natural blue to make yourself look more normal. Had you not had those, you would for sure get bullied even worse than in middle school.
The longer you went wearing them the more people thought your eyes were just one color. No one at work knows about this or so you thought. The only person who might know about this is Spencer but that’s only because you two have been friends with benefits for quite some time now. It helps to have one to work off the stress from work. Plus, he’s an amazing lover so there’s a plus.
You two aren’t dating just fucking a lot.
While he was getting ready this morning at your place, you were in the bathroom rushing to do your makeup. You hadn’t put your contacts in just yet so if he were to walk in the bathroom, he’d see your eyes for what they truly are. He was getting ready and peeked through the open door to see if you were close to being done when he saw the beauty in your eyes. He didn’t say anything about it so as not to embarrass you.
He walks into the bullpen from the break room to see you panicking.
“What’s wrong?” he asks.
“Where are my contacts? I just had them on my desk.”
“I didn’t know you wore contacts,” he lied. You refuse to look at him without them in. “I’m sure it’ll be alright. You have glasses, right?”
“Yes, but--”
“But what? What’s the problem?”
“Never mind,” you groan and continue looking for them.
“Hey, look at me.” When you don’t, he sets his coffee down on the desk and grabs your chin gently. He makes you look at him but you close your eyes so he doesn’t see their colors. “Open your eyes.”
“No,” you shake your head.
“Darling, open your eyes,” he says gently.
He would be the person to find out eventually. You sigh and open your eyes to show him the rarity you have. Now that he gets to see them up close, he’s falling more in love with you. You might not have feelings for him but he certainly has them for you. He only keeps you as a fuck buddy because if he were to tell you the truth, he might lose you.
“What beautiful eyes you have.”
“They’re ugly,” you sigh and pull away from him.
“Who told you that?”
“Everyone I’ve ever known,” you scoff. You look at your watch and notice the time. “Shit, I have to give the case out.”
“No one is going to notice.”
“Are you kidding me? They’re so bright. They stand out.”
“Fine, if they make comments, I’ll handle it.”
You have no choice but to go in there without your contacts. You sigh and grab your things before heading to the briefing room with Spencer. Everyone is already in there waiting so you immediately get started. As you’re talking, you notice Spencer watching you with a smile on his face.
“You’re beautiful,” he mouths to you.
Your cheeks heat up but you don’t let it show how happy he makes you. The briefing only lasts thirty minutes before Hotch announces wheels up. When everyone is packing up to get out of there, you notice something sticking out of Spencer’s back pocket. 
Your contact case. You want to be mad at him for taking it but maybe it’s time to let your rarity shine.
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Follow my library blog @aqueenslibrary​​​​​​ where I reblog all my stories, so you can put notifications on there without the extra stuff :)
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