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#and the the thought of a couple creating their own with their children is interesting to me
aeaeaexxzd · 11 months
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Dogtooth (2006) Yorgos Lanthimos
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kneesofpoultry · 6 months
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So, ages ago, I saw (as I'm sure a lot of us did) THIS post about the Middle Eastern, men-only cover of The Sims 2. I kind of thought it was a hoax, mostly due to the crazy high price tag and the fact that I'd genuinely never heard of it before. But a couple of replies on that original post had owned that copy or seen it before.
Anyway, a few weeks ago I'm searching through ebay for the thick Sims 2 expansion pack cases when I find a listing from the UK for around $70AUD, with three expansion packs and, the best part, a version of The Sims 2 base game with the all male cover! I'm happy to say it wasn't a scam and it arrived today, photos below.
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More photos and comparisons under the cut:
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Left is the all-men cover(a 2009 copy according to the box), right is an Australian version (2006). I think my favourite part about this difference is how the guy in a brown shirt on the very left is the same in both copies, he just doesn't have the woman with him anymore.
(When I say "Australian Copy", I mean sold in Australia. I'm about 90% sure most copies of the sims 2 have either this cover, or the later produced cover with additional sims, such as an alien and a man in black, on it)
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The back of the cases, left being the all-men cover, right being the Australian 2006 copy. There are more differences here, notably almost all of the women are gone except for the scientist lady in the top right. The sim in Create-A-Sim is a man on the Middle Eastern copy, the children in the top left are different. The poolside hang out on the 2006 copy had women in bikinis in it, but the Middle Eastern copy instead has a photo of men reacting to a kitchen fire. The women in the centre are gone (once again leaving brown-shirt guy maidenless) and replaced with a butler, a feature that isn't even present in the sims 2 base game. Both the image of the villa and the Grim Reaper have been removed from the Middle Eastern copy.
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Inside of both cases. Interestingly, the Middle Eastern copy (bottom) has women on the disc, but the top 2006 copy is just a plain blue disc. I haven't read the manuals to compare them extensively but both seem to have the same information, just in a slightly different order. The Middle Eastern manual is thicker as it has both an English section and an Arabic section.
I won't be able to install this base version onto my pc due to catchment, but if you did play this version please let me know if there were any differences! Thank you for reading along with me, I hope you found this as interesting as I did.
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yuri-is-online · 2 months
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Ok so jadeyuu! Jadeyuu? Jade is an eel. Jade has never been in a relationship- never even got the urge. So he's kinda panicking when he finally snaps out of his little domestic daydreams only to realize. He has no idea how to actually get to those daydreams.
How do humans court? Fuck humans for a second how does his own species court??? He only know surface level (ha) shit he never paid attention beyond that cause it was "irrelevant" (he wants to go back in time and punch himself so bad. For several reasons).
So now he's trying to figure it out but heres the thing, he only has super cheesy media to work with. Bro is taking it so seriously but some of the stuff is just???
Why is sharing clothing so important?
Are flowers really that big of a deal?
Why do all these couple fight all the time? He doesn't want to fight with yuu he just wants to feed them mushroom dishes and cuddle and "cuddle" He doesn't want to fight! Why do couple always fight in these movies is it necessary?? Is it a love language??
What's a one night stand?
WHY WOULD YOU DO THAT? WITH SOMEONE YOU JUST MET???
... has yuu had any? They told him once that most of their past relationships were "situationships" and he had to laugh and pretend he wasn't about to simultaneously raise hell and profusely thank your exes for fumbling so hard.
What's this about your father's consent? Does he need to get your father's consent? Would any parent work or just your father? Do you even like your father- shit you haven't even seen your father since you've been here and he's a literal world away. ....shit.
Someone stop him he's about to create an entire world wide scheme to invent otherworldly communication just to ask his not-parners dad if he can even court them in the first place-
Oh it's not that important in modern day?? Oh. Thank goodness.
At what point in this can he ask you to be his officially?
At what point can he start indulging himself in all his somewhat ugly jealous urges in public without scaring you off?
Would it be considered a "red flag" to ask you to only talk to him? He knows it is he's just holding out hope that maybe you'll agree to be kept in a large terrarium of his and be completely his and-
You would never agree to that. Oh well, an eel can dream. If Ace gets all clingy with you again he's going to break his arm off.
How long does he have to wait until he can show you to list of names he's already thought about giving your future children?
CAN HE PLEASE JUST HOLD YOU??? PLEASE!!!
Idk where I'm going with this I just got the mental image of jade watching titanic (something something convenient potion accident) and hurriedly scribbling down notes every time something romantic happens and I wanted to share that image.
I like the idea of Jade doing research about human courtship. I really really like it I think it's so stupidly funny to picture Mr. Suave, one hell of an eel butler reading human x merfolk fanfiction and going O: that's me (˶ˆᗜˆ˵) Or watching romcoms and taking notes that's hilarious. He watches titanic and nods "yes this would never happen with us, I would simply drag them into the sea and then we would live together happily ever after while everyone else drowns- ah or is that too fatalistic?"
But yes he doesn't know much about courtship in general. He can "flirt" but its not intentional on his part, he's just being snarky. But with you he has no idea what to do. The clothing thing makes no sense to him, is it to stake a claim? Then why not bite you? That would get the point across faster... is it a him thing to want to do that or is it a mer thing? One night stands are too complicated, there's too many ways for that to go wrong the only reason Jade could think to have one is if someone has information you want to steal and he's not interested in obtaining things that way. They don't owe you anything that way.
Jade with soft yan! urges he tries to tamp down because he knows they're not healthy but he just wants to protect you form the dangerous that exist in the coral sea. Even if you become a merfolk you still used to be human, soft, fragile, and so naive... really there's no end to the things that could steal you away from him. Like Ace! Now if you could please look the other way while he disposes of this pest- he jests. He would never rob you of your friends, everyone needs them and he needs you to need him the same way humans need air.
Also the sheer irony of Yuu complaining all of their past relationships being situationships when that's what they have going on with Jade right at that very moment. Maybe that was intentional huh Jade ever think of that? Maybe the pretty human was huffing at you and batting their eyes because they are frustrated that history is repeating itself and the sketchy guy their friends don't approve of is being unclear about his feelings again. He figures that out once he finally finds out the definition and he feels so so stupid
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thestarsofpines · 7 months
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a little wip of a combination of prompts and AUs I've seen that I just had to give my own take on.
Damian was bored. He’d followed Father around for most of the night, listening absentmindedly to the trivial blabbering of rich socialites that tried to suck up to the prince of Gotham. He could only handle it for so long, patience quickly running out as a few shoved their own children his way, perhaps hoping the young heir would make a friend and create easier access to the Wayne wealth. Pitiful. 
The young teen stood off to the side of a polished dance floor that had couples mingling and swaying to the soft classical music playing. He’d picked up a drink and was sipping at it slowly, just to have something to do with his hands. He itched for something to do that wasn’t making small, meaningless talk.
He hears footsteps approaching, perhaps a bit heavier than intended, as if it was a warning for someone that they were approaching.
“Little Badger, we talked about this in great detail earlier, you are not to leave my sight-“
Just as a man moves to place a hand on Damian’s shoulder, the teen turns around and glares at the man. He takes in the details of the man quickly; older, likely mid forties if not older, gray hair pulled back into a low ponytail, vibrant blue eyes that at first are narrowed at him in perhaps annoyance before they turn wide with shock. The man recovers quickly, expression turning apologetic as he steps back.
“Oh-my most sincere apologies, I thought you were someone else!” He breathes out, and his expression shifts again to one of slight surprise as he takes in more of Damian’s features from the front. “My, you two do look quite alike.” He says easily, hand coming back to rest beside him before he places both his hands behind his back. “I do apologize again, young sir…?”
Bruce spots this interaction, politely ends the conversation he was in, and makes his way over to investigate. 
“Damian Wayne, my son.” Bruce slides up to the pair, standing easily at Damian’s right. “Vlad Masters, yes?”
Said man’s eyes widen ever so slightly at the easy recognition and at the fact that he could’ve accidentally torn into such an influential young man as he’d been planning to do to whoever he was looking for, but he recovers quickly again.
“Yes, I was just apologizing to your boy here, Mr. Wayne. It seems he has quite a lot of physical similarities to my godson.”
Damian remains silent, but nods in the direction of the billionaire. Something isn’t sitting right with him about Masters, but he can’t put it into words. He’ll allow Father to handle the situation, for the moment. 
“Oh? Why, that is quite interesting.” Bruce smiles, open and disarming. He places a hand on Damian’s shoulder, and gives a subtle squeeze. “What’s the young man’s name?”
“Daniel,” And the grip tightens ever so slightly. “He is the son of some old family friends who unfortunately cannot take care of him anymore, so I’ve become his legal guardian in their stead.”
“How kind, opening your house to a youth in need.” Bruce continues, pushing for more information. “From experience I know how hard that can be. Raising a teenager is no cakewalk that’s for sure.”
“Oh yes, I do recall hearing of your experiences with adoption; you’re up to four adoptions now, yes?” There’s a hint of something in Vlad’s eyes, likely aware of the information seeking nature of this conversation but unconcerned by it. Intriguing. “I can hardly claim to have such kindness, one fifteen year old is enough for me.”
Damian has to physically restrain his face from reacting. Perhaps this is another cloning situation. Perhaps this Vlad Masters should be higher on the priority list of people to investigate closely. 
“Oh, well I do believe I have taken up enough of your time, Mr. Wayne. I really must get looking for Daniel, as we do intend to leave soon.” Vlad holds out a hand to the two, smiling confidently. “It was a pleasure to meet you both.” 
Bruce takes it and shakes it politely; Damian’s following is more forced in its gentleness. Vlad Masters unsettles him and it is driving him mad that he cannot pinpoint why. 
“Enjoy the rest of the gala, Vlad Masters. Perhaps our paths will cross again soon.”
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housewilson · 4 months
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A MASTERLIST OF ALL THE BOOKS I COULD FIND IN TIM'S BOOKSHELVES
As someone who basically sees Tim Laughlin as my own version of Jesus Christ (I kind of wish I was lying but I have a 'beyond measure' tattoo branding my skin so perhaps I'm entirely serious), I simply needed to know what was on those shelves of his. And this was a hard task to achieve, believe me... but I got much farther than I initially thought I would.
(I've got so much to say about all of these books and how they might string together to create a deeper understanding of Tim as a character but I won't go into it here... maybe in a future post or video essay, who knows).
If you wish to help a girl out and attempt to figure out any of the other books I simply can not crack no matter how I look at the screenshots and mess with the adjustments... here's a folder full of 2k sized screenshots of those shelves.
Before I list the books one by one, I want to make a couple observations:
1) Almost all of the books I was able to pinpoint are non-fiction. The ones that aren't are children's books.
2) Topically, we see an interdisciplinary interest in:
History: from a book on a king in 4BC, to a survey of landholding in England in the 11th century.
Somewhat current historical events: books on World War I and II.
Western Philosophers: specially from the 16th to the 18th century.
Aesthetics: there's at least 2 books on the subject matter, but I couldn't find the second one, sadly.
Spirituality: not only christian/catholic; some of these books touch on Eastern practices such as Buddhism and Hinduism.
Fairy tales / children's books.
Psychology: specially in regards to mysticism and sexuality.
Science and scientific discovery/research.
3) A lot of the history, current events, and spirituality books are autobiographies/memoirs.
4) A lot of books (specially those on sciences and philosophy) tend to be more so anthologies or overviews on a subject matter rather than a book written by one specific author on one very concrete topic.
Overall, this all reflects very well an idea Jonathan Bailey himself expressed in a brilliant interview you can watch here if you haven't yet:
"Tim has buddhist flags in his 1980s flat in San Francisco, he has crystals, he is someone who is always seeking other ways to understand human experience. Which is probably tiring for him. Throughout the decades, he sort of appears as completely different people. At the crux of it there's this extreme grinding, contrasting, aggressive duality between feeling lovable and not feeling lovable. There's such shame in Tim. But it's the push and the pull which keeps him alive.”
This desire to understand human psychology, spirituality, and the ways of the universe through as many diverse lenses as possible, as well as a predilection for non-fiction, expresses very much to me that insatiable thirst for truth that defines his character so strongly.
OKAY, THAT BEING SAID. Here's the list in chronological order of publication.
PS. if you decided to click on any of the following titles it'd definitely not take you to a google drive link of the pdf file where you could download and read these books for yourself. Because that would be illegal and wrong.
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Journeys through Bookland by Charles H. Sylvester (1901?) (1922 Edition)
I don't know which specific volume he owns, sorry, I tried my best but the number is not discernible (hell, the title barely is). If anyone wants the download link to these hmu because I'm not about to individually download all 10 right now.
10 volumes of poems, myths, Bible stories, fairy tales, and excerpts from children's novels, as well as a guide to the series. It has been lauded as ‘a new and original plan for reading, applied to the world’s best literature for children.’
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Pilgrimage by Graham Seton Hutchison (1936)
This book provides a view of the battlefields of WW I through the eyes of the average fighting man. 
One curious thing about this book is that it's author, a British First World War army officer and military theorist, went on to become a fascist activist later in his life. Straight from Wikipedia:
"Seton Hutchison became a celebrated figure in military circles for his tactical innovations during the First World War but would later become associated with a series of fringe fascist movements which failed to capture much support even by the standards of the far right in Britain in the interbellum period." He made a contribution to First World War fiction with his espionage novel, The W Plan."
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The Seven Storey Mountain by Thomas Merton (1948) 
The Seven Storey Mountain tells of the growing restlessness of a brilliant and passionate young man, who at the age of twenty-six, takes vows in one of the most demanding Catholic orders—the Trappist monks. At the Abbey of Gethsemani, "the four walls of my new freedom," Thomas Merton struggles to withdraw from the world, but only after he has fully immersed himself in it. At the abbey, he wrote this extraordinary testament, a unique spiritual autobiography that has been recognized as one of the most influential religious works of our time. Translated into more than twenty languages, it has touched millions of lives.
This book requires no introduction. It's the one he keeps the Fire Island's postcard in and the one we see him re-reading in episode 8 after Hawk brings it to the hospital with him at the end of episode 7.
Just a little detail I noticed:
Apparently he liked the book so much he visited Gethsemani, which was the home of its author all the way up till 1968.
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For all we know, he might have even met its author!
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Sexual Behavior in the Human Male by Alfred Charles Kinsey, Wardell B. Pomeroy (1948)
When published in 1948 this volume encountered a storm of condemnation and acclaim. It is, however, a milestone on the path toward a scientific approach to the understanding of human sexual behavior. Dr. Alfred C. Kinsey and his fellow researchers sought to accumulate an objective body of facts regarding sex. They employed first hand interviews to gather this data. This volume is based upon histories of approximately 5,300 males which were collected during a fifteen year period. This text describes the methodology, sampling, coding, interviewing, statistical analyses, and then examines factors and sources of sexual outlet.
Yes, Charles Kinsey is indeed behind the Kinsey scale that has done so much for the LGBTQ+ community.
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Their Finest Hour (1949), The Grand Alliance (1950), and Closing the Ring (1951) by Winston Churchill
Winston Churchill's six-volume history of the cataclysm that swept the world remains the definitive history of the Second World War. Lucid, dramatic, remarkable both for its breadth and sweep and for its sense of personal involvement, it is universally acknowledged as a magnificent reconstruction and is an enduring, compelling work that led to his being awarded the Nobel Prize for literature in 1953. 
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The European Philosophers from Descartes to Nietzsche by Monroe C. Beardsley (1960)
In so far as we reflect upon ourselves and our world, and what we are doing in it, says the editor of this anthology, we are all philosophers. And therefore we are very much concerned with what the twelve men represented in this book--the major philosophers on the Continent of Europe--have to say to us, to help us build our own philosophy, to think things out in our own way. For the issues that we face today are partly determined by the work of thinkers of earlier generations, and no other time is more important to the development of Western thought than is the 250-year period covered by this anthology. Monroe. C. Beardsley, Professor of Philosophy at Swarthmore College, has chosen major works, or large selections from them, by each man, with supplementary passages to amplify or clarify important points. These include: Descartes - Discourse on Method (Descartes), Thoughts (Pascal), The Nature of Evil (Spinoza), The Relation Between Soul and Body (Leibniz), The Social Construct (Rousseau), Critique of Pure Reason (Kant), The Vocation of Man (Fichte), Introducciton to the Philosophy of History (Hegel), The World as Will and Idea (Schopenhauer), A General View of Positivism (Comte), The Analysis of Sensations and the Relation of the Physical to the Psychical (Mach), Beyond Good and Evil (Nietzsche).
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The New Intelligent Man's Guide to Science by Isaac Asimov (1965)
Asimov tells the stories behind the science: the men and women who made the important discoveries and how they did it. Ranging from Galilei, Achimedes, Newton and Einstein, he takes the most complex concepts and explains it in such a way that a first-time reader on the subject feels confident on his/her understanding. Assists today's readers in keeping abreast of all recent discoveries and advances in physics, the biological sciences, astronomy, computer technology, artificial intelligence, robotics, and other sciences.
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The Heavenly City of the 18th Philosophers by Carl L. Becker (1932) (1962 reprint)
Here a distinguished American historian challenges the belief that the eighteenth century was essentially modern in its temper. In crystalline prose Carl Becker demonstrates that the period commonly described as the Age of Reason was, in fact, very far from that; that Voltaire, Hume, Diderot, and Locke were living in a medieval world, and that these philosophers “demolished the Heavenly City of St. Augustine only to rebuild it with more up-to-date materials.” In a new foreword, Johnson Kent Wright looks at the book’s continuing relevance within the context of current discussion about the Enlightenment.
I find the particular choice of adding this book very curious and on brand, since it explores the idea that philosophers of the Enlightenment very much resembled religious dogma/faith in their structure and purpose. Just... A+ of the props department to not just add any kind of book on philosophy anthology.
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Herod The Great by Michael Grant (1971)
The Herod of popular tradition is the tyrannical King of Judaea who ordered the Massacre of the Innocents and died a terrible death in 4 BC as the judgment of God. But this biography paints a much more complex picture of this contemporary of Mark Antony, Cleopatra, and the Emperor Augustus. Herod devoted his life to the task of keeping the Jews prosperous and racially intact. To judge by the two disastrous Jewish rebellions that occurred within a hundred and fifty years of his death -- those the Jews called the First and Second Roman Wars -- he was not, in the long run, completely successful. For forty years Herod walked the most precarious of political tightropes. For he had to be enough of a Jew to retain control of his Jewish subjects, and enough of a pro-Roman to preserve the confidence of Rome, within whose territory his kingdom fell. For more than a quarter of a century he was one of the chief bulwarks of Augustus' empire in the east. He made Judaea a large and prosperous country. He founded cities and built public works on a scale never seen before: of these, recently excavated Masada is a spectacular example. And he did all this in spite of a continuous undercurrent of protest and underground resistance. The numerous illustrations presents portraits and coins, buildings and articles of everyday use, landscapes and fortresses, and subsequent generations' interpretations of the more famous events, actual and mythical, of Herod's career.
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Readings in the Philosophy of Art and Aesthetics compiled by Milton Charles Nahm (1975)
A college level comprehensive anthology of essays written on the arts and the field of aesthetic philosophy.
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The Mustard Seed: Discourses on the Sayings of Jesus Taken from the Gospel According to Thomas by Bhagwan Shree Rajneesh (1975)
This timely book explores the wisdom of the Gnostic Jesus, who challenges our preconceptions about the world and ourselves. Based on the Gospel of Thomas, the book recounts the missing years in Jesus’ life and his time in Egypt and India, learning from Egyptian secret societies, then Buddhist schools, then Hindu Vedanta. Each of Jesus' original sayings is the "seed" for a chapter of the book; each examines one aspect of life — birth, death, love, fear, anger, and more — counterpointed by Osho’s penetrating comments and responses to questions from his audience.
(You don't know how fulfilling it was to find some of these books and just sit there like "oh my god, yessss, he'd SO read that".)
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A Third Testament by Malcolm Muggeridge (1976)
A modern pilgrim explores the spiritual wanderings of Augustine, Pascal, Blake, Kierkegaard, Dostoevsky, Tolstoy, and Bonhoeffer. A Third Testament brings to life seven men whose names are familiar enough, but whose iconoclastic spiritual wanderings make for unforgettable reading. Muggeridge's concise biographies are an accessible and manageable introduction to these spiritual giants who carried on the testament to the reality of God begun in the Old and New Testaments. - St. Augustine, a headstrong young hedonist and speechwriter who turned his back on money and prestige in order to serve Christ - Blaise Pascal, a brilliant mathematician who pursued scientific knowledge but warned people against thinking they could live without God - William Blake, a magnificent artist-poet who pled passionately for the life of the spirit and warned of the blight that materialism would usher in - Soren Kierkegaard, a renegade philosopher who spent most of his life at odds with the church, and insisted that every person must find his own way to God - Fyodor Dostoevsky, a debt-ridden writer and sometime prisoner who found, in the midst of squalor and political turmoil, the still small voice of God - Leo Tolstoy, a grand old novelist who swung between idealism and depression, loneliness and fame and a duel awareness of his sinfulness and God s grace - Dietrich Bonhoeffer, a pastor whose writings and agonized involvement in a plot to kill Hitler cost him his life, but continue to inspire millions
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Portraits: The photography of Carl Van Vechten (1978)
Can't find a file but you can borrow it from archive.com in the link provided.
During his career as a photographer, Carl Van Vechten’s subjects, many of whom were his friends and social acquaintances, included dancers, actors, writers, artists, activists, singers, costumiers, photographers, social critics, educators, journalists, and aesthetes. [...] As a promoter of literary talent and a critic of dance, theater, and opera, Carl Van Vechten was as interested in the cultural margin as he was in the day’s most acclaimed and successful people. His diverse subjects give a sense of both Carl Van Vechten’s interests and his considerable role in defining the cultural landscape of the twentieth century; among his many sitters one finds the leading lights of the Harlem Renaissance, the premier actors and writers of the American stage, the world’s greatest opera stars and ballerinas, the most important and influential writers of the day, among many others.
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Report of the Shroud of Turin by John H Heller (1983)
Heller, while a man of science, was nevertheless a devout man (Southern Baptist). He viewed his task concerning The Shroud with great scepticism; there have been far too many hoaxes in the world of religion. The book describes in great detail the events leading up to the team's conviction that the Shroud was genuine; last - not least - being Heller and Adler's verification of "heme" (blood) and the inexplicable "burned image" of the crucified man. Although carbon dating indicates that the image is not 2000 years old and that the cloth is from the Middle Ages, there is not enough evidence to disprove Heller's assertion that the Shroud is indeed genuine.
Context for those who may not know (though I doubt it's necessary): The shroud of Turin "is a length of linen cloth that bears a faint image of the front and back of a man. It has been venerated for centuries, especially by members of the Catholic Church, as the actual burial shroud used to wrap the body of Jesus of Nazareth after his crucifixion, and upon which Jesus's bodily image is miraculously imprinted."
It is a very controversial subject matter and I definitely don't know that from going to an Opus Dei school since the day I was born till the day I graduated high school.
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Mysticism, Psychology and Oedipus by Israel Regardie (1985)
I've tried my hardest but despite many Israel Regardie books being on the world wide web, I can't find a copy of this specific one.
Mysticism, Psychology and Oedipus, from the Small Gems series is one of these mysterious alchemys which Regardie and Spiegelman crafted for the serious student of mysticism. Mysticism, Psychology and Oedipus by Dr. Israel Regardie and his friend, world renowned Jungian Psychologist, J. Marvin Spiegelman, Ph.D. was created to reach the serious student at the intersecting paths of magic, mysticism and psychology. While each area of study overlaps they also maintain their own individual paths of truth. One of Regardie’s greatest gifts was his rare ability to combine these difficult and diverse subjects and make them understandable.
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Domesday Book Through Nine Centuries by Elizabeth M. Hallam (1986)
In 1086 a great survey of landholding in England was carried out on the orders of William the Conqueror, and its results were recorded in the two volumes, which, within less than a century, were to acquire the name of Domesday, or the Book of Judgment 'because its decisions, like those of the last Judgment, are unalterable'. This detailed survey of the kingdom, unprecedented at that time in its scope, gives us an extraordinarily vivid impression of the life of the eleventh century.
The following two are a fuck up on the props department part because they were published after 1987 but we'll forgive them because they were not expecting for me to do all this to figure out the titles of these books, I'm sure:
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The One Who Set Out to Study Fear by Peter Redgrove (1989)
This book barely exists physically, rest assured it does not exist online... LOL.
The author of The Wise Wound presents here a re-telling of Grimm's famous fairy tales, written in a manner and spirit more suited to the present day. Each story is rooted in the original, but cast in an energetic style that is both disrespectful and humorous. 
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Essential Papers on Masochism by Margaret Ann Fitzpatrick Hanly (1995)
The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the "Essential Papers in Psychoanalysis" series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.
Let's not forget another book we know has been present in his shelves at some point:
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Look Homeward, Angel by Thomas Wolfe (1929)
It is Wolfe's first novel, and is considered a highly autobiographical American coming-of-age story. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel briefly recounts Eugene's father's early life, but primarily covers the span of time from Eugene's birth in 1900 to his definitive departure from home at the age of 19. The setting is a fictionalization of his home town of Asheville, North Carolina, called Altamont in the novel.
And Ron Nyswaner mentioned in a podcast (might be this one? I'm not sure) that he scrapped from the script a line where Tim recommends this poem at some point:
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He specially emphasized the line "If equal affection cannot be, Let the more loving one be me".
And lastly, if anyone wanted to know:
His copy of the bible is the Revised Standard Version by Thomas Nelson from either 1952 or 1953.
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Because why the hell not figure out what specific translation of the holy bible a fictional character was basing his beliefs on — as if the set designers cared nearly as much as I do.
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solar-wing · 1 year
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⚣ BatBro with his BatBros 🦇
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⚣ 🦇 A/N → Ah, my first full installment of BatBro headcanons. Where does the time go? Anyway, as we progress throughout these headcanons, you can imagine the characters slowly getting older too. By, the time we get to the end, the reader is at least 18 years old making Damian anywhere between 18-19 years old, since he's a few months older.
⚣ 🦇 Summary → Going from the life of an only child, to having 4+ siblings, can't be easy. Especially when most of those siblings brothers, and those brothers come from a family a crime-stopping vigilantes. What was your mother thinking in leaving you with your dad?
REBLOGS are very appreciated! REPLIES to, I love hearing your thoughts 💛
⚣ ENJOY 🦇
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I find it funny that no one has ever thought to take advantage of the fact that Bruce Wayne has created a habit of popping up with a new kid like every couple of years. They could try to offer up their kids to him in hopes of cashing in on the Wayne family's wealth.
And he actively turns away all of them, even if he is tempted a couple of times. At least until he gets to you. Everything was normal until your mom decided one day she was done being a parent and just dropped you off at the front gate and left when you were 9 years old. This is also around the same time Damian ended up in Bruce's care, so you both were now dealing with the fact that you've suddenly got a father you never knew, as well as a brother. Well, brothers, since Bruce did somewhat actually have children before he had you guys. 
She left a note along with your other belongings that said “Trust me. He yours,” with nothing else. Bruce could only stare down at you with that usual grim, but pondering look he had while you just stared back at him. 
“I’d thought you be taller,” was your first sentence towards your dad. One that was vaguely familiar to the billionaire as he rolled his eyes and led you inside the manor.
Obviously, Bruce ran a DNA test and confirmed everything to be true. You were indeed his son, snarky remarks and all. You and Damian must share that quality.
Speaking of, since you and Damian were blood-related, you have a more special bond with each other. Even if he bullies the shit out of you.
Hiding your toys and games all around the manor, stabbing your favorite teddy bears and various stuffed items with his knives and daggers, and I'm just going to throw in that you have a love-hate relationship with Scooby-Doo now.
You love the cartoon, but Damian took advantage of the fact that you may not do well with scary stuff and would make his own costume versions of the villains from the show and chased you around the house with them. They were horrifying and disturbing enough to even unsettle Bruce a little, so you could imagine the early childhood trauma you endured.
People think your fear of clowns stems from the Joker. No, it's from Damian.
It’s always from Damian.
Plus, since you and Damian are around the same age, you both end up in the same grade at the same school. So he always keeps a look out for you and protects you from any bullies, while you teach him how to be more sociable and friendly towards others.
Now, if Damian's closest relationship with another brother outside of you is Dick (who you along with everyone else agree that he is basically Damian's second father), I imagine you have a close relationship with both Jason and Tim for various reasons.
You and Tim connect because you both have very intellectual and detail-oriented minds. You watch Scooby-Doo, so you obviously have an interest in mysteries as well as the Red Robin personality. Whenever he is having a hard time connecting dots to a case or a puzzle, you simply come in, take one look and somehow figure it out. Sometimes, you’ll even just make a random statement that ends up being the key to what Tim is looking for.
Tim and you both have an interest in video games, you a little bit more than him. It was because of you that he even really got into them. Before, when it was just you and your mom, you didn’t have anyone to really play with, besides whatever friends you could find online. So having someone you could play with, especially in person now made you and Tim’s bond that more special.
Also, you’ve made it your responsibility to make sure the guy gets adequate rest and sleep and doesn’t drown himself in caffeine.
“Timothy Drake! It is way past your bedtime. Off the Bat-Computer and upstairs into bed young man.” You yelled, marching downstairs with an amused Alfred towing behind.
Your father and siblings all watched from the sidelines as well, all amused at the sight of your young, tiny body, yelling at a slightly older and taller teenager as if you were his father.
“Um, I’m older than you,” Tim responded while holding on to what had to be his 5th coffee of the evening.
“Do I need to repeat myself?”
“Master Tim, with all due respect, I’d do what the young lad says. He’s already started unplugging and cutting the cords to every coffee and espresso machine in the manor.” Alfred said from behind.
Tim looked at you in horror while you stared at him the look on your face very much communicating a ‘try me if you want to’ message, and that’s when he noticed the pair of scissors in your hands.
“OKAY! I’M GOING! I’M GOING!” Tim shouted, sprinting out of his seat and up to his room. Your brothers were quietly laughing until you turned your head right to them.
“And, what are you three laughing at?! Get to bed right now.”
Now, it was their turn to question you. Cause Dick and Jason were full adults and even though Damian was only a few months older than you, well that was it. He was older than you so he bossed you around, not the other way,
“Woah, there little man. Jason and I, we’re grown. We don’t have bedtimes.” Dick said.
“Yeah, squirt.” Jason voiced right behind Dick with his arms crossed.
“Watch yourself, little brother,” Damian warned.
You raised a subtle eyebrow at them while your father and Alfred both looked at you with curiosity.
Alfred, however, had a little more amusement to his look since he already knew where this was headed.
“Dick, I will never have another brother movie night with you again, and I’ll start going to Jason for brotherly advice instead of you. Also, I’ll tell Kory you were being mean to me.” You threatened your oldest brother.
Dick was both hurt and fearful because how could you even threaten him with something that awful and quite frankly, plain rude and ridiculous. He gave way better advice than Jason! Also, he knew Kory absolutely adored you ever since Bruce brought you to the tower that one time and would not hesitate to put him on punishment as well if she even thought he was being mean to you.
Jason was holding a smug look at your threat toward Dick, that is until your eyes landed on him. “Jason, I know where you keep all of your limited edition books, especially your prized signed copy of Pride & Prejudice. We certainly don’t want that getting in the wrong hands, now do we,” You said, turning to your second oldest sibling. Jason was surprised, and slightly impressed, though also terrified. How could you know?!
You turned to your blood-related brother, who held a bit of an overconfident look as there wasn’t anything you could have over him that would have him actually following your orders. “And Damian, I’m sure you don’t want dear old Dad to know what happened at school last week, now do you?” You said, playing slightly with your fingernails while ‘innocently’ rocking back on your feet as if you weren’t blackmailing your siblings. For noble reasons, of course. They need their sleep!
Your brother was both shocked and angry at your statement. How did you even know about that? The look on his face, well, let’s just say it wasn’t friendly, not in the slightest.
But, to no one’s surprise except your dad, all your siblings silently trudged upstairs without another word.
Bruce looked at you and Alfred with a raised eyebrow as you turned back to face your brooding father, only now you could see his brooding look had a hint of questionable curiosity and amazement. 
“You too, daddio. It’s bedtime, yo.” You rhymed. Apparently, not only was everyone’s sleep tracker, but you had a bit of flow with it too. Someone should get you a record deal. 
You gave your dad a slight hug, your head barely reaching above his waist. You still had growing to do! You’d get there eventually.
Walking back toward the entrance, you also made sure to stop and give the butler a fist bump since he was your secret partner-in-crime. How else would you know where to hit to get your brothers to fall in line? with a slight hug to his side before heading back towards the entrance. 
“Thanks, Alfred,” You said!
“Anytime, Master Y/N.”
Bruce eyed you both suspiciously before he realized what was going on as he watched your small body bounce up the stairs.
“Really? You’re in cahoots with my son, Alfred?”
“Why, Master Bruce, I’m offended. I’d say it was more of a beneficial partnership. Cahoots is for the reckless.” Alfred responded jokingly.
The age-old ending to every mystery novel plays out again, the butler did it.
Though, Bruce was still impressed by how easily your brothers listened to you without a second thought. It takes him a few tries just to get a sentence through their head, and that’s if they were actually listening to him that time.
“Wow, he got Jason to listen to him? I still can’t get Jason to greet me without looking him looking like he wants to punch my lights out.” Bruce commented.
“He has your commanding tone, sir,” Alfred said before backing up the manor himself, “I wouldn’t let Master Y/N catch you back down here, though. I heard he’s got some especially dirty leverage on you.”
Bruce suddenly decided to look at the clock, “Guess it is a little late,” He muttered before rushing upstairs himself.
Speaking of Jason, your relationship with the second adopted Wayne kid had more of a special touch. The Red Hood persona was the brother you really looked up to. You liked and respected how he branched out and followed his own path. Of course, Dick technically did the same, but considering everything Jason went through, he had to be one determined fucker to return to the very life that killed him. And, even though you don't necessarily agree with his 'strategies', you were always standing in his corner.
Though, Jason didn’t take well to you at first. In fact, because Damian left such a bad taste in his mouth after they met; when you two were introduced, he literally ran upstairs and screamed at Bruce about how he was the biggest hypocrite in the world for all those lectures he gave him and Dick about using protection. Richard silently agreed, also remembering his first meeting with Damian. 
Determined to not live with a Damian 2.0, and also thinking he was saving you from a life full of trauma because, in his mind, no one deserved to be raised by someone like Bruce Wayne, Jason attempted to take you down to child protective services. 
Your father was very unhappy when he got a call from CPS later that day and he could clearly hear you sobbing on the other side of the phone just as Jason walked through the front door. He was not the least bit ashamed, at least until you came home and he saw how upset you were.
He apologized and decided to give you a chance, thinking since the whole ordeal actually had you crying, you had to somewhat have a soul, unlike Damian. After some time, you got really close with each other. 
Jason taught you how to fight and defend yourself. He’d read you stories at night from some of your favorite books as well as your own, and he’d always get Damian to back off if he decided to pull another one of his scare antics on you. 
Your second eldest brother was your get-out-of-jail card too, whenever Bruce punished you for something. Though, sometimes, it may have just been better to take the punishment than let Jason pull you into whatever shenanigans he was planning. Considering the fact you and he managed to put an entire city without power for two nights somehow.
"How did you two manage to short-circuit the entire electrical grid in New York?" Bruce asked with you two standing side by side, looking like you just finished sleeping on top of a giant summer barbeque grill.
You both looked at each other before turning back to your stern-looking father, Damian mirroring his expression with his arms crossed and tapping his feet.
"Would you believe us if we said it started over a debate of how to eat fries with ketchup?"
Bruce slapped his forehead to his palm while Damian called you idiots. Tim got that curious look on his face, and Dick couldn't stop laughing for 15 minutes.
Now, your eldest brother, he was definitely someone you could count on no matter what. Being the oldest and having the most Bruce experience out of everyone, he always helped you deal with your Brucie problems or ‘daddy issues’ as you'd like to say.
Truth be told, every kid in this family had daddy issues.
As mentioned before, Dick was your movie-watching buddy, he helped you with your homework and always assisted with any life issues you had going on. No matter how many times you may have threatened the Nightwing persona with such, you always went to him for advice, and there was never really a moment you could think of where you regretted it.
He also helped you learn how to be more agile and light on your feet with your fighting. While your second eldest brother taught you how to use brute force and strength in situations, he gave you the acrobatic style of lessons. Where Bruce and Jason were direct and serious, Dick taught and showed you how to be more of the opposite.
And, whenever Jason wasn't around to get Damian off your back, you'd go to him since he was basically his second dad.
You and Dick together were like two chatty Cathys on drugs. One moment, you could be talking about the movie you were watching, then you’d get into a debate over onion rings vs french fries, somehow landing in politics, somehow ending up in a political debate only to end with the "Are we even real" conversation. And for whatever reason, you swore you could hear Tim itching in his seat whenever that conversation came up.
That boy goes down a lot of YouTube rabbit holes at 2 AM when he’s bored on patrol or not doing anything.
Now, one brother on their own was one thing. Two? Someone was calling the police. Three and you may have to check if your life insurance policy is still good. All four? Pray.
Since you now were officially the youngest, a title Damian was actually happy to pass on despite his warnings to Bruce, that meant you got the most of the teasing, even if it mostly came from your blood-related sibling. But his version of teasing tended to leave you with trips to your therapist so you could do without them.
However, one rule all your siblings and family stuck by, no one, and I mean NO ONE, not even in the Justice League or Titans/Young Justice teams, could mess or pick with you except them.
Everyone in the family was very protective over you. You were surprised to see even Alfred was on that list, though you learned quickly the butler was not one to be fucked with. 
You distinctly remember that one time the Batcave got invaded and Batman made you hide in one of the saferooms, you saw on one of the video monitor screens Alfred whacking the shit outta them with just a rifle.
For that reason, among others, you took a mental note to be careful with how you complimented his cooking in the future.
But seriously, if anyone messed with you, and your family found out, Hell itself would be scared of what would break loose from your home.
A bully from school started picking on you and calling you names and you didn't tell your brothers about it, wanting to handle it on your own. Besides, you could defend yourself. They taught you well.
Until the fateful day you came out as gay, bi, pan, etc., and he called you names that your father wouldn't even repeat, and that man had the title of a playboy.
Well, word spread around the school and got back to Damian, who went back and told your other brothers.
By the next day, Dick had shredded every thread of that boy's confidence. Tim hacked the school files, got his address, and framed him for changing grades in the school. Jason used said address Tim got to pay a trip to the kid's place and shot bullet holes in all his clothes when no one was home. And well, let's just say Damian almost went to jail.
Of course, Bruce was pissed when he found out and had to intervene, but when Damian admitted the reason he nearly got arrested, your father upped his allowance.
Only God could imagine the terror that would unfold the day you started dating.
Oh, and they all call you babybird which you despise.
Don't even get me started on your sisters.
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BONUS:
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☀️ | Bat Family | ☀️
☀️ | Masterlists | ☀️
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prying-pandora666 · 11 months
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On Alucard and Maria
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Are there actually fans advocating for Alucard to be written as Maria’s father figure in the new season of Nocturne? Like that would be a good thing and not infinitely creepier? I don’t think they’ve thought this through.
Alucard is the single most popular character in the franchise. He’s also probably the most shipped character. And yet he has only had one canon love interest in the decades since he’s existed. It’s Maria. And you’re telling me that you think that because he’s 300+ and she’s 17-18 when they started living together in the games, that it would be grooming. However, somehow him inserting himself into her life at age 16 when she’s just lost both her parents wouldn’t come off like grooming!?
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Does this man look like he should be picking up random children!? He’s literally terrified of his own cursed blood. Maybe LISTEN TO HIM.
I’m convinced fandoms have forgotten what that word means. Grooming has specific features. It doesn’t just mean “older guy and younger girl.” A relationship with an age gap or an uneven power dynamic can be exploitative or abusive without being a case of grooming. Grooming specifically refers to the process of forming a relationship with a child with the intention of leveraging that relationship and trust to train and prepare (aka brainwash) your victim for the harmful activities the groomer wants to normalize. The relationship Alucard and Maria have in the games is in no way grooming. You know what would be grooming though?
Coming into a 16 year old’s life when she’s vulnerable, traumatized, and recently orphaned only to insinuate yourself as a new father figure. This is so highly inappropriate and a huge red flag. Consider what you’re actually asking for here. These characters do not exist in a a vacuum. They have a long history together as each other’s only canon love interests. You cannot fully extract them from the games, art, interviews, audio dramas, animations, and more where they’re depicted as a couple. There are decades of this precedent and you are asking Netflix to knowingly take the characters with an established romantic dynamic that the audience is already primed to see as romantic and instead portray their meeting as him trying to be her new daddy?
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“Oh look! Alucard and his… daughter? Yikes.” This is an official advertisement btw.
THAT is grooming! Think about the optics of this! It would be abysmal! No it would NOT fix the problem of their age gap to make him act like a groomer and get in good with her as a dad. You just cannot completely extract them from the legacy of their relationship in the source materials. It will be incredibly creepy and textbook grooming if you get your way.
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Is this really what you want to associate with an “adoptive father Alucard”? Because the art we create doesn’t exist in a vacuum. All the old content—official and fanmade—is still going to exist.
What is so objectionable about the original dynamic anyway? It’s a pretty fun subversion of the tired and problematic vampire trope of “vampire man stalks teen girl and coerces her into being his”. Instead in their original relationship, Maria is the one who pursues Alucard! It’s the young woman who takes initiative and is given the agency to go after what she wants. She courts and woos him. That’s part of the fun!
Yes, Alucard is 300+. He’s also a fictional creature that doesn’t actually exist IRL and stays eternally young. There are no actual people who will ever have his problem of staying 20 forever so it’s rather silly to say he can’t date any humans because of course he will have an age gap with any of them.
The only real problem I have seen people bring up is Maria’s age, but from what I can tell, the show’s already fixed this. Check it out.
In The Games
Rondo of Blood: Maria is 12. She and Alucard do not meet. Richter is a brother-figure and not romantic.
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There is then a 5 year time skip.
Symphony of the Night: Maria is 17. She and Alucard meet to save Richter. At the end, Alucard says his goodbyes and intends to return to a life of solitude. Maria goes after him because she has developed feelings for him and doesn’t want him to suffer a life alone.
Maria is given agency to pursue what she wants and prove herself even against Alucard’s resistance and hesitance to let another person into his life.
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They spend a year together before we get the audio drama.
Nocturne of Remembrance: Maria continues to try to get close to Alucard. They end up saving each other’s lives and in the end he finally confesses his romantic feelings for her. She is an adult and perfectly able to make her own choices. She chose him. He admits he returns her feelings.
How fandom can look at a story about a young woman subverting the trope and chasing the vampire to get what she wants—basically an anti-Bella Swan—and still find a way to disempower her just so they can pearl clutch? I couldn’t tell you.
So now let’s look at what the show did.
In The Show
Nocturne S1: Maria is 16. She’s been aged up from 12, probably to give her a more active and believable role. But this also means she’s within a normal age to start feeling attraction and expressing her wants. Within her society, she’s even considered of marriageable age. However we are spared the discomfort of our modern values clashing with her contemporaneous ones because Maria in this season isn’t interested in romance. She’s interested in revolution, equality, justice. They’ve portrayed her with so much love and strength. There is no indication they’d betray her by writing her as the child victim of a male suitor. In fact she only meets Alucard in the final few seconds of the season and the two do not even speak a single word to one another.
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Now let’s remember the games had a five year time skip. The show only needs two years to get Maria to the adult age of 18, but assuming the follow through with the timeline and go for the full five?
Maria will be 21.
21.
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Fan concept for adult Maria. Credit:@esp-art
Are you telling me a 21 year old woman is not old or mature enough to make her own decisions? How is this not a total infantilization of women? Do you think a 21 year old badass vampire hunter needs protection from the ace depressed dhampir boy who just wants to sleep and has in no way tried to pursue her until after she expressed consistent and persistent interest in him?
It is not “grooming” to meet someone when they were younger and then meet them again years later as an adult. That’s a thing that happens! In real life! Adults can still make decisions for themselves! It is only grooming if Alucard behaved in a way that would manipulate teen Maria and put her under his control and authority before she can consent. There is no indication that Alucard in the show is going to do this. And yet the fandom is basically demanding it by saying he should make her “his baby girl”?
And what of Maria’s feelings in all this? She just lost her mother and was betrayed by her father shortly after discovering he even existed. She has lived her whole life without a father. She is in no desperate need of a new one. And if she does need a family member, she already has one! Richter is 19 and is her trusted adoptive brother. Why wouldn’t she go to him over a total stranger she just met and who is half vampire - literally a predator creature that feeds on humans!?
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Yeah, hi, Richter Belmont still exists. He and Maria consider each other family. Why would you want her relying on a strange man she just met as a “father figure” rather than her trusted and loving brother?
Have none of you even considered how Maria would feel if Alucard even tried to fill the paternal role? He’d have to force it on her through manipulation and coercion. No way she would want to view him that way. Especially considering she is 16 and likely to be as attracted to the sparkly 20 year old looking sculpted marble beauty as anyone else!
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Don’t mind the beautiful eternally young man who looks made of pure porcelain and light. No teen girl has ever been attracted to this, right? No way it could be exploitative and creepy for him to present himself as her new daddy, giving himself authority and influence over her as his child to mold as he wishes, right? Oh yeah, this is MUCH better than Maria pursuing him of her own volition once she becomes an adult, right guys?
We are truly in the stupidest dark timeline.
Frankly, I don’t care if Netflix has them get together or not. They would work just fine as friends too. I just sure as hell hope they’ll ignore the fans clamoring for a creepy daddy/daughter dynamic. Dressing it up as “concern” won’t hide that for some it’s a fetish, and for others they’re just useful idiots who haven’t thought it through.
I implore you to think it through.
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parachutingkitten · 10 months
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Why is Pixane So Queer?
Some thoughts on Asexual Romance.
[warning, long post below the cut]
The Ninjago fandom had a very potent reaction to The Quest for the Lost Powers repeatedly describing Pixal and Zane as being 'very close friends'. This seemed quite contradictory to many who assumed the confession of undying love at the end of the last season might have been a small hint at a romantic relationship of some kind. However, after closer examination, it turns out Pixal and Zane don’t ever actually refer to themselves as a couple, and the show has never once referred to them being in an active relationship.
But there’s something here, right? Sure, it’s not explicitly stated, but you are lying to yourself if you can watch them and tell me there is zero romantic subtext going on here. A lot of people got very defensive that the children’s book stated they were friends, especially when it also seemingly confirmed that the much straighter straight boy ship, Kailor, was apparently canon, despite being only implied as a possible future for ages now. But I find this backlash to be a bit strange. Sure, Zane and Pix aren’t exactly ‘just friends’ but, what do you want them to say? That they’re boyfriend and girlfriend? You want these two to say they’re ‘going out’ with each other? You think these two robots are ‘dating’ each other, like they’re just susin’ out the partner pool. Are those the words that fit this relationship to you?
I found myself feeling weirdly offended at everyone, and I think the reason was that these two love-droids haven’t chosen to define their relationship in traditional terms, and so everyone’s insistence that they should be boxed into some sort of traditional term seems inherently strange. It’s like when two elderly people are dating, it feels weird when they say “this is my girlfriend” because despite it being factually true, there’s so much baggage that comes with the word, part of that implication being youth, which is directly at odds with the immediate situation. It’s the correctness of the word paired with the incorrectness of the societal implications which forces you to assess if those societal implications should exist. And that- that is what makes this relationship feel queer. That’s why there’s this undeniably different kinda energy radiating off of it. It’s that rejection of the traditional labels, the refusal to be put into a box, which forces it to be a-typical. But, why? Why does Pixane have this rejection of labels radiating off of it? Their ages, while being literally whack, are presented as being your typical teenage to young adult age romance. Their genders present as a typical hetero pairing. And it’s not like they don’t follow your typical cliche love at first sight plot. I mean, Pixal was pretty explicitly created as a generic love interest character. So, what is it? Why is this queer? Spoiler alert: It’s because they’re asexual.
So, what is asexuality? Strictly defined, it is a community of people who experience little to no sexual attraction to anyone. This is distinct from aromanticism, which is a lack of romantic attraction, and sexual engagement or urges which are their own separate boat, but often have overlap with asexuality. However, for our purposes, we are focused on just the sexual attraction part. You can think of it as the difference between finding someone hot and finding someone cute. That’s the distinction that made it click for me anyway.
Now, as a disclaimer, I am not going to be considering other queer interpretations of this relationship. Not to invalidate them, because of course they’re valid, but specifically because I feel there isn’t precedent for them in the text, and I feel there is for asexuality. This deep dive is particularly about validating asexuality as being queer, and so to do that we have to eliminate any other outstanding factors. People are extremely quick to pin asexual queerness to something else, and that in itself can feel invalidating, even if it’s only attempting to validate other communities as well. Asexual romance is so easily read as straight romance, that any queer undertones have to have an alternate explanation, because asexuality doesn’t seem like enough to cross the barrier. Yes, enby interpretations of Pixane are great, and fantastic, and I would die for your right to follow those headcanons, but to pin the in text queer vibes on the fact that they technically don’t have biological gender, despite having very clear presenting and unwavering genders in text seems like a real easy way to dismiss the asexual coding which is staring me in the face. While things like non-binary or aromantic readings validate communities who have immense oppression and are continually called fake or confused, which is insanely important, asexuality, especially as it stands apart from aromanticism, is often confused as not being a difference at all. You’re just pure! You’re just wholesome! You’re just so sweet and innocent! And yes… yes, I am, but also, it’s more than that. It’s fundamentally something different about the way my brain is wired, and I feel a need to defend the fact that it, specifically, is queer. And in no way am I trying to say that the aces are the most oppressed actually, I don’t want to start the oppression Olympics here, and if we were to, I would probably argue quite the opposite, but I am saying that there is oppression, and it comes from outside and inside of the community, and it is a thing. It’s a different flavor of thing that’s maybe not as severe, but also sits differently. Maybe it’s not as much a pressing thing as other things, but… it’s my thing. It’s what I feel. It’s something I can speak on. So, I’m going to speak on it.
Perhaps one of the largest factors asexuality has to offer is the necessary separation of romance and sex. The packaging of sexual attraction and romantic attraction is so ubiquitous that the term ace is often assumed to be referring to aro/ace people, despite there being a term for that… aro/ace! Asexuality is not an easy queerness to explain, precisely because of this deeply held integration. It’s not a difference of experience necessarily, it’s a lack of a certain experience. I’m not saying this is something you can’t understand, because, unless you’re aromantic, I know you understand it! You are going to be able to like and relate to and feel seen by asexual romances, because the main component it requires is that you have romantic attraction- which is most people. And so many people get confused when you point to an asexual thing and go “I get that! This! This is me!” Because they just respond with “You’re not special, I get that too. Is this supposed to be different?” And, yes, it is, primarily because everything else includes this giant other thing as well, which is sexuality.
When vegans get excited about finding a meal which is especially delicious and also meets their food restrictions, they get particularly excited. That doesn’t mean you can’t enjoy that same vegan meal- no doubt it probably tastes incredibly delicious to you as well. But you likely won’t get that same feeling of excitement, because you don’t live under the same restrictions as vegans do. That’s the same thing I feel when I see an asexually coded romance. I can enjoy the full meal without having to pick things out or ignore vital parts. I have no doubt that others can thoroughly enjoy asexual romances, but you’re going to have to look at it in context of all the dominant romance stories in the world to understand why it’s so different and special to me.
Now, have I cracked the code on asexual romance in media? No. I only have my own experience with asexuality to lean on, and the very limited discourse on the topic I’ve come across while discovering my identity. All of this is simply a theory based on my own thoughts and observations, but these are some explanations as to what might possibly be included in a framework for an asexually coded romance, at least to me.
So, what makes romance asexual? It’s not simply a lack of sexual suggestiveness. Any number of romances aren’t sexually suggestive, but still glaringly heteronormative- especially in children’s television. And it’s also not a lack of initial attraction, as that would throw Pixane out of the running for sure. Well, I have a few things which I feel may contribute to asexual coding of a romantic relationship, and wouldn’t you know, Pixane is a great example of all of them.
Asexual romance may, as many have remarked, come off as more innocent. When you shove all of the focus of characters onto the romantic, emotional connection, rather than any underlying sexual tension, things end up feeling extremely innocent to the layperson. You get the sort of old married couple effect. Two people deeply in love, who just sort of stare at each other in awe, and that others can comment on how cute they are. Again, asexuals don’t necessarily find anything hot. Cuteness is the main operative factor motivating their attraction, so it follows that their interactions would radiate that factor back at observers. The characters might in fact be very touchy, have sex, enjoy that physical touch, but that’s not at the forefront of anyone’s mind in the story. This is an aspect of Pixane that can be read very clearly. Their romance is quite easily described as pure and wholesome by all who have the pleasure of observing them. The way they interact with each other is extremely gentle and supportive, and their level of old married couple vibes is by far the highest of any pairings in the show (aside from perhaps the actual old married couple of Ed and Edna).
Asexual romance, I find to often be less conflict driven. Take the classic enemies to lovers plotline- it’s built on a tension between an innate irrational attraction, and a perceived logical personality conflict. While romantic attraction is certainly not always rational, from my understanding, sexual attraction is often rooted in factors that aren’t at all related to logical compatibility or personality. This means the enemies to lovers plot is primed to work much better when sexually charged, because it presents a clear path to create the hate/love conflict. Not to say that asexual enemies to lovers is impossible, or that asexual partners don’t have conflict between them, but that it is less of an obvious threat to incorporate into asexual romance.  Because there are less factors and layers of attraction to get involved in, there’s less room for conflict and contradiction between them. It is much easier to get tangled up in a situation with more strings. Pixane is a relationship which certainly doesn’t hold much internal conflict. The one disagreement they did have is solved quite neatly with basic communication skills in the middle of season 8. Most of their conflict comes from external factors which separate them or cause misunderstanding, rather than conflict from within the characters themselves.
Asexual romance also has the obvious potential to challenge traditional dating norms. Because there is no impulse to escalate things physically, it makes sense that the progression of an asexual romance would differ from traditional relationships where that escalation is expected. Your asexual romance is bound to get emotionally intense with each other quicker, or at least have it be the focus of their story, because there is no other facet to deal with. Asexuals don’t commonly have sexual fantasies for themselves, but rather romantic fantasies. Not to say that most people don’t have romantic fantasies, but… that’s all we’ve got. And when your impulse is ‘let’s get married, and then maybe I guess we can kiss’, it might seem like things are progressing out of order to the average person. While asexuals don't all hate physical contact or even sexual connection, it isn't an attractive or motivating factor in the same way it is in most romances, so even on a base level, the level of physical contact is likely going to be less than average. Pixane progresses ridiculously out of order. Zane is willing to split his soul for her- it’s only at this point that they romantically hold hands for the first time. It’s the emotional connection between the two that comes first, and all classic tangible symbols of affection and romance that are secondary. The most pronounced physical contact we’ve seen is a cheek kiss, and their most common type of physical contact is enthusiastic hugging (which I’ll dive more into later).
Additionally, because physical affection is more of an afterthought, it would also make sense for labels to come slowly. If you have an incredibly close personal, soulful connection, but you haven’t kissed yet, it makes sense for people around you to assume you’re just really close friends, or perhaps just crushing on each other still. Terms like “girlfriend” and “boyfriend” invoke rather physical tactile images, and so to attempt to apply them to an asexual romance isn’t necessarily wrong but may feel a bit off putting because of this dissonance. Again, it’s this dissonance between the romantic meaning of the word, and the sexual undertones which forces discomfort onto the viewer. Pixal and Zane have yet to kiss each other after years of dancing around each other’s obvious romantic feelings. It remains unclear if they even are in an active romantic relationship at all, or are still mutually pinning, as no labels have been given to their relationship in show. I have no doubt part of this is the lack of planned dates or physical affection which are common outward signals of a traditional established relationship.
A lot of the saucy flirting which accompanies many classic heteronormative romances can seem rather pointless to asexuals. I would venture to say that asexuals are likely more direct and up front with their emotional vulnerability and feelings, because that’s the connection which they are seeking to make. To dance around it with innuendo and mind games is rather unproductive in achieving the end goal. There is less of a pressure to “perform” romance, and instead just be honestly romantic, because the romance isn’t a prelude to sex, or physical affection, it’s the end goal in and of itself. To only pretend to do it is entirely pointless. All of this is likely going to result in a romance which puts less focus on the “game of dating”. I mean, can you imagine Pixane ending up in a Jaya style love triangle? It’s almost an absurd pitch to make, right? There is no performativity to the Pixane relationship, it is exactly as it appears at first glance. And when Zane attempts more traditional, cheesy flirting tactics like in Ninjago Confidential, Pixal is nothing but confused and annoyed by his attempts.
The most prominent example which I feel exemplifies the inherently asexual coding of Pixane applies to many robotic romances- and it’s the characters’ relationship with skin. A lot of sexual suggestion and tension is based on skin. The revealing nature of skin exposure, the feeling of skin on skin being a sexual touchpoint, skin is essential to the sexual experience in most instances. This is part of the reason I love writing romance but have yet to write a kiss between anyone. The sexuality of a kiss is inherently uncomfortable to write for me because you’re encouraged to lean into the physical feeling of the touch of skin. Robots bring to the forefront the idea of this physical contact because their skin is often not exactly skin, and that in itself gives a sort of de facto distance from sexuality. There’s a moment which happens repeatedly with Pixane, and shows up in other robotic romances, like Wall-E and Eve, which I feel highlights this essential separation from the skin of sexuality. Pixane and Wall-Eve both have the ‘clink’ moment, in which intimate physical contact is made, (in Pixane’s case, all of their many hugs) and accentuated by the sound of their metal skin meeting with a loud clink. This sound not only highlights their lack of skin but serves to suck any sexual energy out of the interaction immediately and leaves it purely with the romance intended by the action. It’s not uncommon for people to find the sound humorous, precisely because of how desexualizing it is. It highlights the couples’ incapability of indulging in sexual skin on skin contact, and instead the closeness and companionship the act of touching provides.
And this is why I feel robots are in fact a decent candidate for asexual characters if done properly. Robots being coded as asexual can be a very negative stereotype, particularly when their asexuality is explicitly linked to their lack of emotion and feeling- but media about robots has been trending more positively recently. In fact, robots, if used correctly, may actually validate asexuality explicitly. Robotic characters are often used to explore the idea of what makes humanity human. If we give these robots human-like enough traits, when do they become human? Are they perhaps the most human? And it seems like fictional consensus agrees that sexuality is not required to achieve human status. Stripping away the excess human emotions may be part of what makes robots asexual (or aromatic, if your robot is also incapable of romantic love). The medium of robot literalizes the disconnect that asexuals have with their physical bodies, most notably their skin, and serves to put additional distance between the character and sexual contact, at least in the traditional sense. I mean, think about it, if you want your robot to be sexual, you need to go out of your way to establish that it has sexual capability, because no one is going to simply assume that your fictional robot was designed with that capability in mind. Why would it be, unless that was its explicit purpose? In a way, robots are sort of de facto asexual.
Pixane is queer because it’s asexual, and it’s asexual because they distill down only the purely romantic parts of a romantic relationship. They’re able to do this, in part because of their individual characterization, but also because of their robotic bodies, which make the separation between romance and sexuality just that much easier. They highlight the necessity to separate romance from all of the convoluted sexual layers which often accompany it, and so come out feeling distinctly untraditional and subversive.
That's the theory, again, all hyper based on my own personal experience with asexuality, which is of course not all encompassing. I'd love to hear your thoughts :)
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blck-drgn · 3 months
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Who would have thought that I ended up in an already closed project. 🤣 For that matter, I brought in a couple of my headcanons for the twins:
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Tactility: Valkyon is the most tactile of the two brothers. Arriving at a new place, he needs to feel an older figure nearby. It would either be his adoptive mother, Piper, or his older brother, Lance. Lance, on the contrary, is not particularly tactile and clingy to elders, however, in his heart he is glad when his mother hugs or kisses him. \When Piper kisses him on the cheek or the top of his head, he may start purring, which he can't always control, especially as a child.\
Stones: From the day the brothers learned to walk, Piper had to create crystals that would always be present on their clothes. This was done for the mother’s peace of mind, because her own children loved to get into trouble, and, in principle, run away, looking for adventures on their own tails. Thanks to these stones, she can easily figure out where the boys are. And also, thanks to these stones, the brothers can call Piper if they are very far away.
Parents' Copy: Ever since he was a child, Lance liked to pull his hair back or tie it up, just like Piper does. Valkion, on the contrary, almost always walked with shaggy and unkempt hair, as did Dornar and Leon, Piper’s former and current husbands.
That's all I can say for now. Once upon a time I already did an edit where Lance and Valkyon were about 3-4 years old, but this time it will be art! Also, I’m also interested in how Shino herself sees the dragon brothers as children and teenagers.👀
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veliseraptor · 4 months
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May Reading Recap
A Memory Called Empire and A Desolation Called Peace by Arkady Martine. Rereading A Memory Called Empire was a treat - an expected treat, but it was good to find out that it lived up to memory. I liked A Desolation Called Peace a little bit less, but only a little bit - it very much followed up directly on the themes from A Memory Called Empire that I appreciated.
The Last Graduate and The Golden Enclaves by Naomi Novik. I devoured these books. I'm very surprised by this fact, since I'm not generally a "magic school" person, but there we are; Naomi Novik apparently managed to make me one temporarily. The last book was a particularly strong one and did some very interesting things with its worldbuilding that'd been set up in previous books and delivered in the last one.
Armageddon: What the Bible Really Says About the End by Bart Ehrman. I've read and enjoyed some Bart Ehrman previously, but I feel like the quality of his books has diminished from his earlier work, and this book confirmed that for me. I'm a bit of an eschatology enthusiast (the main reason I picked this up, as well as the fact that (a) it was available at the library one time and I grabbed it on a whim and (b) author recognition), but I learned very little from this book that I didn't already know.
Strange Beasts of China by Yan Ge. One of the things that made me happiest about reading this book was, unfortunately, the fact that I thought I recognized the ways in which it was referring back to Classic of Mountains and Seas, which I felt (again, unfortunately) sort of smug about. Checking the Wikipedia page for the book, apparently "Additionally, each chapter begins with a brief description of the beast which, in the original writing, was written in Classical Chinese, while the rest of the book was written in standard Chinese," which is so cool and I wish had been conveyed in the translation.
In general though, this was a good one, though I feel like the descriptive copy was a little misleading. It's less a mystery than a series of interconnected stories following a central character investigating the titular strange beasts, and learning how they connect to her life and history.
Dark Heir by C.S. Pacat. I liked this one significantly more than Dark Rise - which I guess makes sense, since a lot of Dark Rise was setting up the concept that most compels me about the series (the main character being the reincarnation of a notorious villain from the past). It still feels YA in the way that YA usually does, which isn't necessarily a bad thing if stylistically less my preference (and something I feel worth mentioning in the context of a possible recommendation). The ending was a gut-punch of a fun kind. I will be looking forward to reading the third one.
"There Would Always Be a Fairy-Tale": Essays on Tolkien's Middle Earth by Verlyn Flieger. I loved Splintered Light and was disappointingly underwhelmed by most of the essays in this collection. There were a couple that were more interesting to me, but on the whole a lukewarm response.
The Doors of Eden by Adrian Tchaikovsky. Adrian Tchaikovsky wins again!!! I don't love this one quite as much as I've enjoyed the Children of Time series, but I actually think that I liked it more than The Final Architecture series. Fascinating concept, as usual fascinating worldbuilding for societies wildly different from our own, and dedicated to themes of cooperation and unity-across-difference without it feeling preachy or didactic.
Aphrodite and the Rabbis: How the Jews Adapted Roman Culture to Create Judaism as We Know It by Burton Visotzky. This was a good one! I already was familiar with some of the information here, but not all of it, and the work around art and architecture was new to me. I felt in some ways like Visotzky overstated his case a little, but on the whole a very interesting read.
Texts of Terror: Literary-Feminist Readings of Biblical Narratives by Phyllis Trible. This one is kind of a classic of feminist Bible scholarship - a short book that does a close reading of the text of the stories of four biblical women who suffer in some way (Hagar, Tamar, the unnamed woman from Judges 19, and Jephthah's daughter). It's a powerful work, though it felt a little basic to me on the whole - probably due to the fact that it's relatively early scholarship on the subject working from a literary angle.
Nevernight by Jay Kristoff. Books with footnotes are very hit-or-miss for me - not meaning books with contextual footnotes, but books with footnotes that are part of the conceit of the text itself. Some authors can pull it off; others really shouldn't try. In this case, the author felt a bit too taken with his own cleverness to pull it off; in general I felt like this book was trying a little too hard to be edgy and voice-y and ended up just feeling kind of shallow. It was a fun read, in some ways, but not a good one, and I'm torn on if I'm going to continue reading the series. If I do, it probably won't be in a hurry.
Tolkien and Alterity ed. by Christopher Vaccaro. I was excited about this particular collection of essays (you can probably guess why) and found them mostly uninspiring in the reading. The exception was a bibliographic essay on the treatment of race in Tolkien scholarship, which proposed more use of reader response theory, a suggestion which seems fruitful to me and more interesting than debates about whether or not Tolkien/his works are or aren't racist.
Knock Knock, Open Wide by Neil Sharpson. I feel like this is going to sound more critical than I really mean it to, but this was a perfectly adequate horror novel. I wouldn't call it exceptional, and it didn't freak me out, but I read it pretty much straight through and enjoyed the experience on the whole.
Thousand Autumns: vol. 4 by Meng Xi Shi. I liked this volume more than I've liked some of the others, and am enjoying the development of the central relationship, though I feel a little like I've been bait-and-switched about the level of fucked up that it's involved. Maybe that's why I'm enjoying this one a little less than I feel like I should: I was expecting more fucked-up between the two main characters based on the initial conceit and don't feel like the novel has really delivered on that. But I am enjoying Yan Wushi getting a little more...outwardly affectionate toward Shen Qiao, and Shen Qiao's concomitant confusion about it.
This Wretched Valley by Jenny Kiefer. More than an adequate horror novel but less than an excellent one, I felt like this book relied more on gross-out horror than I typically prefer. Still, was definitely spooky, and confirmed for me that wilderness horror gets to me in a very specific way.
I'm presently reading Goodbye to Berlin by Christopher Isherwood, which I have mixed feelings about (not negative! just mixed). I'm not sure what I'm going to read after that, save that I'm now trying to alternate genres and might try to read some nonfiction, which I've been sort of off for a while. Otherwise I'll probably just end up reading Translation State by Ann Leckie, and possibly A Fire in the Deep by Vernor Vinge. But I'm really going to try for some more nonfiction next month.
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definitelynuwonhere · 7 months
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2nd Gen Shawpack Pookies
I’ve had them in my notes for AGES and I’ve still yet to finish a design, but i do intend on creating little skits of them cuz of how much I’ve invested giving them all personalities and pinterest boards. (If this isn’t me exhibiting my deep love for the Redactedverse idk what is)
Some descriptions are longer than the others, I’ve obviously put more thought into certain characters
•Shaw Twins
- both children are sadly ungifted in the kitchen, despite the fact that David has made them his little helpers when since they were little. Multiple flames have been put out because of them.
-Both do share a love for nature like their father.
Gabriella Shaw (Gabby)🫶🏻
- Angel carbon copy with a dash of Gabriel’s silliness and courage, which always made David smile.
- Natural born Leader. Despite being the eldest child (4 fucking minutes) David has never burdened them with the responsibility or thought of inheriting the business. She stepped into the leadership role on her own, with more brighter approach, personality wise.
- Rollerskates, Angel started taking her to roller rinks since age 6 and she loves taking Lyss and KC with her
Callum Grey Shaw 🌱
-Yes he’s named after the sweet Caelum. David wanted to commemorate his childhood friend.
- Inherited David’s resting bitch face, if you point it out he’ll even growl like he does.
- Great Observer. Because his sister was the more outgoing one of them, he was always the listener, making him more emotionally aware, noticing things most people miss.
- Loves sitcoms. He’s probably watch Brooklyn Nine-Nine so many times he can name episodes in order. This also translates his love for the security company his dad runs. Always begging David to take him to work with him. (I think we know who inherits the company)
•Talbot Troop
-Asher is the only one I picture having multiple kids with a range of age gaps.
-No doubt the most outgoing ones of the pack.
August Talbot (Auggie) 🍕
- Foodie
- Life of the party, stealin’ hearts with his million watt smile
- DDR is his sport
Kelcee Talbot (KC/CeeCee) 🧠
- Designated driver of the group
- Straight A student. When she was young she’d share all the interesting facts she’d pick up on to her parents and it always astounded Asher, how she can command a room, especially being the SOMEWHAT, mellow one among the three.
Oliver James Talbot (OJ/Ollie) 🪲
- Very inquisitive
- Youngest of the pack (the only 7yr old in a group of 17 year olds)
- Has a special bond with Alyssa
•Greer Icon
Alyssa Marie Greer 💥
-Now while i think of Milo and SW as the D.I.N.K (dual income, no kids) couple, and i will somewhat always think that, but— this name crossed my head and I just cannot let it go. IT HONORS MARIE OK—
-Unsurprisingly is always the best dressed. Milo is very proud.
-Has a very ‘takes no bull personality’ making them the most intimidating out of group.
- Plays archery competitively
- Straightforward
-Weirdly great with babies, explains her close bond with Oliver
•Collins
Sean Riley Collins 🥐
- aka Peace Officer Collins
- The code name speaks for itself, he is very much like his old man when it comes to ensuring his friends don’t do anything stupid, and in the very common occasions they do, he of course serves them with a patented Collins lecture.
- He may be half vamp, but that doesn’t mean he has to have a mundane food pallet, this man can COOK and bake, a soft, crispy shelled sourdough being one of his specialties
•Solaire
Hugo Solaire 🎭
- theater kid
- sarcastic, confident, somewhat frivolous, despite his royal status, which gets him in trouble for
- May or may not have a thing for the alpha’s daughter.
- Like Vincent, he’s mostly only close to the Collins’ but has occasionally hanged out with the shaw pack.
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gooselycharm · 1 year
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hi there! i'd just like to say that your kris and noelle "something else" comic has been driving me insane /pos and i'd love to hear more of your thoughts on those two!! their relationship is one of my favorite things in deltarune and your comic just got everything about them so right 🙏
thank you for reading "something else"! oh man, [more of] my thoughts on kris+noelle.... i sure got some of those.
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this was one of the first tweets i made after finishing chapter 2 nearly... freaking 2 years ago. and basically i've just been saying that over and over again in different ways because i'm still not tired of the concept yet and probably wont ever be LOL. i'm obsessed with how badly the narrative wants to force them into an easily categorizable dynamic, especially the romantic one in snowgrave. the literal THORN RING, the more possessive dialogue options, spamton calling noelle a side chick LOL... it all creates this unnerving visual novel bad end atmosphere that feels manufactured by someone who's only ever learned about romance through secondhand sources. they're two queer teens trying to navigate their changing relationship with the only role models they know being their parents' own failed heterosexual marriages. they're so divorced² (divorced children of divorce).
i also like that for being so tragically doomed coded they can be funny! both in a dark humor way and also like, genuinely funny, like the stories of them as kids with kris covering themselves in ketchup and hiding under noelle's bed lmao. i mean there's even something funny about the romantic trappings of the snowgrave route, like trying to put wedding cake embellishments on a crime scene... you know, funny like kids trying on their parents clothes but they're too big and for some reason they're also crying and covered in blood? um.
i'm also SOOOO interested to see how snowgrave will continue in chapter 3! i really liked the hopeful note chapter 2 ended on (well. i took it as hopeful anyway). there's that bit where noelle is talking to herself and she says something like "recently kris has been acting so strange and no one else has noticed... i have to figure out why" and then kris jumpscares her LOL but i think i took that one line and really ran with it. noelle really is the one who knows kris best and despite how scared she is, she's still determined to help them... i like the little subversion of victim/hero going on, the implication that kris might be the one who needs rescuing.
the additional story/lore that came with the spamton sweepstakes made me CRAAAZYYYYY like my GOD... it's cute that noelle likes glitches/creepypasta when kris is kinda a walking creepypasta <3 also, god, noelle falling asleep listening to kris playing piano in the other room... there's so much like. wistfulness and nostalgia and this like... distant/detached intimacy packed into how noelle narrates that scene. it's kind of funny how much there is to dig into when like on a surface level they're just fairly regular childhood friends who grew apart LMAO they're extremely deep to me okay...
on another note i guess i do ship them? i like their dynamic whether it's platonic or romantic (the best is a weird mix of both 👍). it just can't be boring LOL like... this is one ship where trying to apply cookie cutter tropes to them really falls flat and the game is ahead of you on that anyway. in terms of romantically shipping them, i honestly don't think they're doomed to repeat patterns forever... i think they could actually be good for each other! but that's not really the aspect of their relationship that interests me akldjf;alk;sdg maybe i will make 60 page comic of kriselle going to couples counseling some other time
ANYWAY i'm going to cut myself off here, because i really could go on forever lol. i'll give you some links for further reading though
hellspawnmotel's deltarune art
lula pillowbug99's deltarune art
this art by raspbearis which features prominently in my internal kriselle bible
my own unfinished kriselle playlist
my own essay on gender & allegory in deltarune if for some reason u are not tired of hearing me talk yet
okay bye now & thanks again for reading my comic!!!!!!!!!!!!!
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call-me-strega · 9 months
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Ghost Selkie AU Tidbit: Abuela Soliña
I’m still playing with my Ghost Selkie Au, tossing it around like a cat toy trying to decide if and how to write it and one figure that I’ve kinda developed a backstory for is Abuela Soliña. Now said backstory may never see the light of day in the the main story so I thought this’d be a fun tidbit to throw out while I’m still considering the main story overall.
Okay so my inspo for Abuela Soliña, or Señora Mariana Soliña, actually came from a couple of different sources. I took some of the general headcanon from the DCU; Crime Alley has a large population of people of color, specifically Hispanic in the area Jason lived; that Jason has Hispanic heritage; that some of the older women in the alley occasionally feed street kids; and took them to create a person that would be a maternal figure for Jason bc I’m all for giving him Good Adult Influences.
She functions a bit as a plot device taking up the role of Jason’s magical mentor and helps move the story along. However, I wanted to give her more depth so I based her off an actual figure in Spanish history. Once I had decided a witch was the best magical figure to live in Gotham and guide Jason I actually did a bit of research on famous Brujas in folklore and came across María Soliña/Soliño a famous witch from Galicia who inspired the women of her village to fend off Ottoman raiders and survived the Spanish Inquisition without being burned at the stake. She was the main inspiration and namesake of Abuela Mariana Soliña. She did have children, though not much is known about them, so I wanted it to be implied that Mariana was a descendant of María. I wanna say I’m placing her around age 50 when she first met Jason and 65-ish(?) when he returned to Gotham.
Anyways, like I said I didn’t want her to remain a plot device and actually have depth so I kinda started building a backstory for her. Her grandparents or parents were likely immigrants who moved to Gotham from Galicia, Spain back when the city was younger. Back then the different magical communities were a bit more segregated. Vampires stayed clans with vamp doctors and leaders, gargoyles in their own community, fae in their courts, etc., but she did let that stop her. She was always deeply involved in the inter-magical community and was a central figure due to her interest in learning other supernatural cultures of the city.
She eventually grew up to be a full-fledged bruja who sold her magical remedies, charms, potions, etc to any supernatural being willing to pay her. This actually helped her amass a large amount of wealth quickly, especially when her charms, totems, and remedies caught the eyes of superstitious crime bosses across the city. She always insisted to cover her face with a shawl to protect her anonymity and had several mob bosses sign magical contracts agreeing to protect her and her rights to do business thus making her virtually untouchable in the Alley.
I wanted her to be a very strong influence on Jason. She is very strong, sassy, confident, clever, and street smart and taught Jason some of those traits. She actually meets Jason through Catherine. Mariana had many close friends with children though she herself never married. Catherine was actually the daughter of one of her close friends and Mariana was like an aunt to her. When her friend died and Catherine was left on the streets Mariana did what she could but her fear and unreadiness for motherhood held her back.
Catherine was taken in by her uncle’s family and the two were estranged for a time. In that time she falls into addiction due to her uncles on involvement in drug running as well as bad peer influences. She reunites with her Tía Mariana when she marries Willis and reaches out to invite her to the wedding. Even though they are no longer very close, after Catherine becomes pregnant Mariana offers to help out when she can. She lives in a different (read: magical) part of the Alley so she only sees Jason occasionally but makes a point to feed him, and when he discovers her secret, to teach him some basics of the supernatural world to help him get by.
After Catherine’s death Abuela Soliña is distraught. She offers Jason a hot meal and some money she had set aside (Catherine’s old college fund she never got a chance to use) but hesitated to offer a place in her home so soon after the loss. Jason sees her grief and hesitation, mistakenly assuming it’s unwillingness to deal with him full time and runs off. She tries to invite him back a couple of times but he mistakes it as one off events and remains a street kid until Bruce adopts him.
He still occasionally goes back to the Alley to visit her after that, usually as Robin. The first time he went to let her know he was okay she immediately clocked him as Jason but wished him well with Bruce. When he visits she still feeds him and gives him luck and protection charms to help with crime fighting. (Side Note: on one of his visits Jason finds out the Alfred and Mariana know each other and Have Met Before™️. Neither explains how or why)
When Jason dies Mariana grieves him deeply. When he comes back as a revenant she is both relieved and guilty. She’s happy to have the boy back but a revenant’s existence is not a peaceful one. When he searches her up and comes to see her he looks like he’s survived hell and back and he probably has. He seek out her guidance and help and this time Abuela Soliña is more than willing to pass on her vast wealth of knowledge of the supernatural community and its cultures to Jason.
One of the biggest two regrets Mariana holds with her is not adopting Catherine or Jason when they were at their lowest and she had the chance. That’s why as Jason’s rage cools and he begins looking to return to a (semi-)normal life she offers to adopt him as her grandson for real this time. She has a friend who owes her a favor and can fabricate the paper work to turn Jason Peter Todd into Jason “Pedro” Solina (and his mother posthumously Catherine Soliña-Todd). She offers to officially make him her little witchling and he emotionally accepts.
Mariana is still an active and well-known figure in Gotham’s underworld and supernatural community so having her backing gives Red Hood a lot of pull and credibility. Plus his revenant titles increase his claim to fame in the magical community. Red Hood is well loved and “Pedro” is well accepted with in the community. He’s kind of a public figure, bordering minor celebrity due to his connection to famous Bruja and witch doctor, Mariana Soliña. Not that he is aware of that fact.
Lastly I’m gonna tack on some nicknames Jason receives pertaining to his connection with Señora Soliña:
Soliña’s boy (el chico de Soliña)
Little witchling
Pequeño niño brujo or pequeño brujo (little witch boy)
Young brujo
El neito guapo (the handsome grandson)
Alborotador (troublemaker)
Heredero (heir/inheritor, referring to Mariana’s kowledge, wealth, and position in the community)
(P.S I tried my hand at drawing what I think Abuela Soliña would look like but I’m not super confident in it. I think I’m a better writer than drawer, but if you guys actually wanna see the drawing anyway let me know and I’ll make another post with it)
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thenewrises · 7 months
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a welcome home prattle from my mind
so I've been on the Welcome Home train since last year but I never delved into theories about the website. mostly I've just searched from the side, talked to friends who also enjoyed it, and watched videos on it such as Night Mind. but! with the recent updates, I have to say I have sooooo many thoughts and ideas about it. with horror being my favorite genre and loving when I have the ability to research a website full of secrets, it was only a matter of time before I dived in.
so! if you're interested, here are some thoughts I have about the update and maybe some interesting theories.
also! some of these ideas are thanks to the many theories I've read here on tumblr as well as watched when Night Mind released his vod. also including findings as well!
Welcome Home belongs to the lovely @partycoffin! if you are new to this site, please read the credits page where you can find warnings!
stick around and get comfy, this is a long one.
so there is no perfect order this will all go in, so I will label what I will discuss in bold and then go from there.
Voice Warps
something that we are not strangers to is many audio recordings and their voice warps. from the last update, anytime someone tried talking to or about Wally, their voice would contort and the tape would end. this time, we received more vocal content (shoutout to the VAs they are incredible) and there was one in particular that me and many others caught on. Wally is known not to know much about emotions or how to express them. from my knowledge after many hours perusing Clown's blog, Wally is somewhat of a blank slate. learning as the show moves.
in the audio recording "Homewarming Storybook Record", during the end of this tape in the last two or so minutes, Wally says that he's sad and doesn't know why.
starting at 18:16, after Barnaby explains why he may be sad, Wally gets... frustrated. upset. he says in a clearly perturbed voice "...how can that be?" the audio warps during this time, almost as if his entire environment around him changed just by his own emotions.
why is this? we know Wally is somewhat the center of this puppet universe, and the moment he expresses a negative emotion, it's almost like the worlds stability was tilted.
as long as he is his normal and happy self, the world seems fine and at peace. yet, the moment he expresses his despair, it's like a switch flipped. it's only when Barnaby explains what the meaning of Housewarming is, which reassures Wally, that he returns to his happy and now relieved self.
Frank and Julie (TW: Homophobia)
this will be a much more sensitive topic to discuss, and as someone who is LGBT+ myself, it is not always a fun thing to research. but, I think this plays a super important role in the overall story of Welcome Home and my theories for the future.
another new edit I discovered, as well as something I've learned reading on the site and listening to audios, is the push for Frank to play a straight role. of course, this is the 70s we're talking about. the Stonewall Riots had only just happened in 1969, and homosexuality was still noted as a mental disorder. when the DSM-I was released, homosexuality was labelled as a sociopathic disorder until 1974. the idea of an LGBT+ relationship in a children's show would be unheard of.
with us knowing Eddie and Frank are romantically involved, that makes this all the more heartbreaking to know. Frank playing off his feelings by calling Eddie "Mr. Dear." Frank playing all the straight male roles alongside Julie. Sally calling Julie and Frank's costumes "a couples costume."
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I find this such an interesting thing to include because not only is it eerily accurate to the timeframe, it also makes me think.
these are puppets. fictional and unthinking puppets. costumes you could even say. a person who creates the so-called fictional world of Welcome Home can control the narrative however they please because these aren't real people! of course they can be whatever you want! so... why did they create this relationship for Eddie and Frank? could it be someone within the Playfellow studio wanted to bring more positive awareness to the topic? were the actors who voiced (in this fictional world) the characters romantically involved?
or... are these puppets alive? they have their own emotions, thoughts, opinions. we know Wally is a sentient being, I mean, he literally would talk to us through the website. he reaches out to us through links, videos, audios, and even phone calls. so, does that mean EVERYONE is sentient?
in the audio "Eddie's Big Lift Storybook Record", we even hear Frank say to Eddie, "you always did work so hard." so, did they know each other in a past life? is this representative of the real life in story (fictional) voice actors?
we'll discuss this more later.
Sally Knows Something Is Out There
this is not new, as this was from the Halloween update but I wanted to include it because I feel like it's a look into the horrors of the world.
in the audio "Happy Haunting to Boo and Yours! Storybook Record", the transcript down not catch this, but Sally goes on to explain that out in the night, something lurks and waits for prey. it crawls around at night, up walls, scratching and screeching. Sally made sure to mention to ask, "why don't we go out at night?"
with her being a star from the sky, I sometimes wonders if before coming to the neighborhood she had seen it. and if not that, she mentioned if you stay quiet and stick close to the windows you can hear it. it cannot enter homes, it eats bugs if it's starving. it seems to have eaten other "neighbors." what could "it" be? some kind of creature in the night? why is it hunting them down?
Away From Prying Eyes
from all the symbols scattered on the website and with the help of the decoder in the Merchandise tab, we end up unscrambling an address.
we discover the website https://www.awayfrompryingeyes.net/ . in this site, we get to peruse "W" and their findings. now I think I can speak for a lot of people that my initial reaction was this was Wally. of course, this was dismissed rather swiftly after realizing that 1. this person was contacted by Wally and 2. they work for the project.
one thing that caught my eye quickly was the fact that the curator of the initial website became "unwell" and no one knew why. they claimed they did not know what caused them to be so unwell, or why they "created that page."
my guess is they mean the new (or in general) Welcome Home website. the curator created the new one because of Wally's interaction with it. they are trying to keep him silent, push away any suspicion. just who might this curator be?
W explains how they became Paranoid (with a capital P) once they discovered the collection of crude drawings, texts, and videos. seems to show that they are understanding that this has gone from a simple project to a unnatural phenomena.
the phone call from Wally is him talking to You (the collective You he knows) and he seems to express loneliness. "everyone is so busy during Homewarming", and he explains how quiet it is. I think he finds You to be a way to not feel so alone, as he seems to be the only sentient puppet of the crew.
well... he used to be the only one.
Commercials For Cigarettes and Pills
in the commercials, we get an array of holiday-themed music and advertisements. of course, we'll talk about the Eddie snippets, but I found a lot of disturbance with some of these. Welcome Home is a children's show, and many of the advertisements reflect that! products like cereal, music, Wally Ball and Cup, and Mama Beagle's Barnyard Eggnog. and then it gets... odd.
adults of course can enjoy this show, but it targets a young demographic. we get a commercial for Hooplah, a cigarette brand. then a commercial for Remderem, a sleeping pill.
now, this is the 70s, so maybe this could be a poor judgement marketing goal. I would not be surprised if it was a ploy for more money, but I still just find it so interesting that a children's show would advertise these. even in the merchandise tab of the project website, there's a fake pipe that blows bubbles. it all feels highly inappropriate for a child to intake this kind of material.
well, who said Playfellow was a moral brand?
Eddie Becomes Fully Sentient
we watch in real time the moment that Eddie realizes who he is.
during the commercials video, we find Eddie Dear preparing for the holidays. he starts off with a conversation with Poppy, which moved into her saying he works too much. throughout the video, we have snippets of real-life felt puppet Eddie decorating a tree, wrapping gifts, and at one point he plays multiple solo rounds of Tik-Tac-Toe.
he is wondering why no one has come to him about delivering gifts. why has no one visited him? he gets so distressed that he even slams his felt hands on the table. why has no one come to see him?
Sally resolves this by saying they did it to give him a break (which is interesting to me seeing as she tends to not give him the time of day), and she brings him to the Homewarming party. so he's surrounded by the neighbors, and in a big chair (Wally's chair, in fact) with a single pea on a plate.
and then things get weird.
Eddie starts sweating, derealization sets in. he's shown alone, single pea on a plate in hand. Home is staring back at him, and a heartbeat can be heard along with Eddie's staggered breathing. is that Eddie's heart or... Home's?
everyone's voices are disappearing in the background, Eddie is in a panic. and then things get even weirder.
Eddie looks at his arms, and they're made of felt. he taps his fingers on the arm of chair, then grips it in fear.
then the frame switches, Sally brought Frank over (was she worried about him?) to let him know that yes, she watched Eddie in the Post Office all day. Eddie is looking at his hands and legs, which are no longer felt but illustrated again. Frank calls out for him, even by his first name, and Eddie didn't even know where he was. but finally just wanted to go home.
this was the moment, that I believe Eddie discovered that he was a puppet. and he was being watched.
I find the single pea on a plate so interesting as this is the description:
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"take care not to place them too close together"
why is Eddie being singled out? he was left out of many advertisements during this update, thought everyone forgot about him, and was even left out of the Homewarming story with Wally and Barnaby. they had stated they met every neighbor, but why not Eddie?
Will Eddie Be Removed?
unfortunate news seeing as he is my favorite character in the entire story (Wally and Sally a close second). I adore him, and I want nothing more than for him to remain. but I have a bad feeling he may be our first victim. he's being isolated, becoming paranoid, showing emotions that may not be seen as "neighborly."
I don't think it's any coincidence that this was an early drawing we received:
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I believe Playfellow is removing Eddie, or attempting to. but for what reason? because of him and Frank? because he's not needed? that's what I'm hoping to learn more about in the next updates. because let's be frank (ha, get it?), it's not looking good for our favorite country mailman.
Ghost Thoughts and Theories
now it's time for me to ramble and yap your ear off because WOW this update was my favorite by far. I think this will happen every update honestly, but I thought it would be hard to beat the last update. this was incredible, from the animation, to the voice acting, to the crafts it was all wonderfully well done. I want every characters special item from the Homewarming wishlist!.
but now, what do I think could be happening? I have two very shaky ideas. I say shaky because these could be proven wrong easily, but if one or both is not then I can continue to build on it.
1. These friendly fellas reflect reality
so one thing I thought of is that maybe they are somehow reflecting reality. I mentioned before that maybe Eddie and Frank are their fictional voice actors (not the actual ones here in our reality!) who may be in a secret relationship. could those actors reflect their characters? are they getting rid of Eddie to represent them being torn apart?
but, this is a very meh theory. reason being that we have seen these puppets are capable of sentience. they may have their own souls, thoughts, and feeling that don't reflect a real life alive person from the 70s. but, wouldn't that be interesting?
2. Eddie's sentience was real, and his soul is about to be ripped away
there's an ongoing theory I've always juggled with in my head, the idea that these puppets have souls and a conscience. I'm genuinely led to believe this because of Wally himself. he has connected with us directly from his world. some kind of alternate reality away from hours. haunting that show.
would that mean the puppets were all real and alive people at one point? or are they completely new people all together? whatever the case, they are alive but not all of them may be aware they are in a show.
well, now Eddie is and he's in trouble.
although we aren't sure if Home truly is the villain in the story, we know that Home knows Eddie has "woken up." and he does not seem happy about it. if these puppets are alive, I fear that Eddie may be erased if he can't keep quiet. taken from the narrative for not playing his part. all he had to do was be the happy and clumsy mailman, but he had to go fall for Frank. he went and started to get frustrated and negative. he's never supposed to be the angry type, he's off script.
disfunctional.
so what's next for him?
if you made it to the end, I'm glad I could keep you around! I think this update really gets the brain gears going, lots of questions we'll get answered in the future. this story is getting better by the day, and I'm thrilled to see everything that happens in the future. and I'll get to write more posts like this!
I found everything so endearing as I do every episode, and this will be a groovy ride.
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poetic-pearls · 16 days
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Fusebox survey
let's be real for a second: fusebox isn't going to listen to our opinions anyways.
But I obviously took the survey just to be sure, and I'd like to share my "What would you like to see in the new seasons?" answer. I'd love to hear your thoughts or if you have anything to add.
(Don't judge this is my first post)
- Fewer diamond options = having to spend fewer diamonds (it makes me consider not playing anymore)
- Fewer scenes where people want to drag us away to have one-on-one conversations
-The love interests having their own personalities/different things happening/conversations depending on the LI
-better female love interests
-slow-burn romance options
-love interests/other characters not acting like they are married off after being paired up for a few days/weeks
-Love interests who are there just for fun/who might be distant due to uncertainty regarding whether or not they are deserving of love (slow burn??)
- love interests who are sassy (not in a cringey way)
-love interests who don't actually want to be there
-love interests that just want the money
-the possibility of coupling up with friends (to prevent being dumped)
-Teaming up and pretending to be a couple to fool everyone to win!!! (Maybe they fall in love?)
-angst!!!!!!
- Female love interests that are like Angie (the best love interest to ever exist)
- A female love interest who is like Kat (maybe she's in denial about being attracted to women?)
- Female love interest who has internalised homophobia/makes comments towards the player -> character development
- Please stop always creating a female character that hates the Player (I swear they're basically the same person over and over again).
-The possibility that unlikable characters actually talk it through with the Player (ONCE!!!) instead of reverting to the same behavior repeatedly
- Better-looking and free character customization
- Better and more free clothing options
-The possibility of getting compliments for our outfit even if we didn't choose a "diamond" option.
-other characters having multiple outfits
- having actual best friend options (not being forced to be friends with someone)
-being able to be besties with guys
-being able to just be friends with Love interests
- Being able to actually turn down love interests (make two options for turning someone down that sound the same but mean different things: I'm not interested (don't ask again); I'm not interested (might change my mind if you ask again)).
->These options should be available not just the first time, but every time someone makes a move on you
-every love interest being obsessed with the Player when she's locked in with her partner/someone else (stop making everyone act like they are in love with us and then they turn around and reassure their partner how badly they want them when the player doesn't choose them/turns them down (it makes every character seem disloyal and makes people want to stop playing).
-Again: make a female love interest like angie!!!!!!
-more Angst!!!!!!!!!!!!!
-please make another character like hamish
-please, please, please make (obvious) arab/south asian love interests/characters in general
-more country options for our character
-more and better career options (stop making the same ones over and over again)
-LET OUR CHARACTER HAVE A FLESHED OUT BACKSTORY
-PLEASE let us have a 'survey' before the first episode really begins where we can answer questions about our character (many options) that influence/define our backstory (not questions like 'what's your type on paper' more like 'what's your relationship with your parents')
-take more time to fully flesh out the story -> don't immidiently upload another season after the end of the last one-quicker Updates maybe (wednesdays AND sundays/saturdays or two episode at once)
-older love interest options (MOMS!!)
-let us maybe already have children
-being able to choose our age
-LET US HAVE A DISTINCT PERSONALITY (players can have different personalities that influence our choices and journey in the villa/how other perceive us), stop making the MC the same in every season (personalities: bubbly, laid back, unlikeable/just outright rude (no one likes us), nice/people pleaser/doormatt, etc.)
-bigger variety in ages (other characters)
-clothes: streetwear, (lacoste, adidas, etc.) tracksuits, traditional clothing options, elegance (not tacky/ugly glitter dresses), y2k (ayesha erotica), juicy couture, more and better sneaker options (i just want EVERYONE to be able to express themselves and not just always the same style of clothing)
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daddyelliott1979 · 9 months
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Reflections on being a Daddy
Something we don't acknowledge enough on our communities is Daddy/Mommy/CG/Dom mental health and head spaces including when ours drop.
In fact our feelings are often forgotten about compared to the Sea of feelings, thoughts and Mental health of Littles and Subs.
Some would argue that's how it should be, we are the Bigs and therefore should some how beable to handle it.
Let me tell you as someone who is not only a former little turned Daddy, but also a Therapist, this simply isn't true!
I want in this post to concentrate on a couple key areas.
Head Space Drops
Post visit feelings
CG mental health
Head space drops
If a CG or Dom fails to do something, like say Good morning or some other usual thing they do, perhaps because they are busy; you will most likely see a post somewhere about "my Daddy made me feel".
Maybe they were curt, or distracted snd not attentive enough. Or didn't enforce a rule.
And it usually will centre around a head space drop. And as a Daddy thats upsetting to read.
But what we don't talk about is when subs or littles don't follow a rule or don't something that was expected- perhaps they were busy.
What we don't see us posts about the CG head space drop- and that i find interesting.
In fact we don't talk about CG headspaces at all- and let me tell you we have them!
For me I create huge spaces in my life for my boys. Those spaces are full of joy and excitement!
Heres the thing that really needs to be talked about, we need you! We can't be us, without you!
A baby can put on a Nappy, grab a Dummy, a Stuffie, put on Bluey, and bab out!
CG don't have that option! And we don't talk about it. You could often be mistaken for believing a CG is no more than a Nappy or other tool for the little to explore their "littleness".
Post visit feelings
Let me tell you, the sadest part post a visit isn't just helping our charges transition, dealing with their emotions, that they are sad to go home.
Its also holding that for ourselves!
I have to do that whilst cleaning up the nursery, washing all the Baby clothes and bottles.
The sadest part for me us taking down the baby gate- on reflection its symbolic of my care and protection for my boys. And it breaks my heart every time!
Then comes the post visit loneliness, at this point your little is home, they tell you how much they enjoyed their visut- which is always wonderful to hear.
They will tell they have padded up and chilling.
And you are left to hold them and you! Which is great because they still need you; Daddy head space is on- but sometimes they are off out to be big with family, friends or lovers.
And in those moments the feeling of head space drop comes in- who are you when your little doesn't need you?
And if we allow that feeling to fester we can experience depression, anxiety and a host of other feelings we don't want to talk about!
CG mental health
Heres the thing, we often act like a Dom, and we often use terms like "true Dom", should be strong, self assured and have their life together.
Let me tell you as a Therapist this is beyond toxic and nothing more than Patriarchal style beliefs in manliness and masculinity- from the perspective of a Daddy atleast.
Its our capability and capacity for love that makes us a Dom or CG. We take on the children of others and love them like they were our own.
But that doesn't mean we are not susceptible to depression, mental health or a multitude of other issues.
We are not invulnerable!
We often deal with very real and very raw feelings!
Conclusion
I want you all to think the next time your CG asks/reminds you to follow a rule, one you probably asked for; to not view their request as nagging. But to see this an opportunity to help your CG with their feelings and headspace.
Because both the Littles and the CG headspace matters!
We could do with being a little more sensitive to each others feelings and headspace too!
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