#and there is no sign at the end that he's going to become a good guy

[dear-ao3]

what IS going down with daniel? ive seen a few things about it but nothing that actually explains (i am very much not an f1 person, apart from knowing some names from what you guys post lol)

ah yes. daniel ricciardo's fall from grace.

daniel ricciardo is a driver at vcarb. vcarb is the second team of red bull racing. red bull wins stuff, vcarb is meant to ready drivers to get into the red bull team.

daniel was previously a red bull driver and he was doing well there. he was the number one driver at the team for a few years (meaning he was prioritized over his teammate because he was the "better" or "more successful" driver) and red bull wasnt really winning anything at that time, but they weren't sucking. i think he joined red bull around 2014? was teammates with Sebastian vettel (who had won 4 consecutive championships with red bull fro 2010-2013) for a year until he went to ferrari, then was teammates with daniil kyvat for another year and then i think it was partway through 2016 max verstappen, who was at toro rosso (the old team name for vcarb) got swapped with daniil who was "under performing" (red bull do this a lot) and max became Daniels teammate

at first this was fine. max was really young, like 18 years old really young, and daniel had a few more seasons under his belt. daniel was still the number 1 driver. but max was kind of wild and insane and regarded as a future world champion and after a while he started getting better and better and becoming more of a threat to daniel

i need to stress here that the two of them were friends. like absolutely they were friends. they aparently shared hotel rooms and lived in the same building for awhile. they are very good friends. that was not the problem that they hated eachother.

the problem was that daniel wanted to win a world championship and he couldnt win a world championship if the team decided to prioritize max over him.

this all came to a head in 2018. daniels contract was up at the end of the year. the car was fast but not quite fast enough to win the championship, though they did manage to get a few good wins in that year (namely daniel won in monaco which is a big deal) but they also had some shit moments (max and daniel both crashed into eachother while max (?) was leading the race in baku) and the car had some technical problems, mainly with the engine. the engine was a renault engine (renault was another team on the grid, only so many comapnies or teams make f1 engines so multiple teams use the same engine) and it kept literally exploding. daniel was making it work (he won monaco unable to shift past like 3rd gear) but it was not ideal if you want to win a world championship

red bull was set to change their engine provider for 2019 and they were going to go with honda. but daniel was still unconvinced because honda hadn't done f1 engines before (or recently i dont remember which) and also there was the whole max thing.

everyone was still convinced he was going to resign with red bull. but he didnt. he signed with renault. the team with the bad engines.

renault were no closer a championship winning team than red bull were, they were actually slightly behind red bull in the championship at that point. and this shocked everyone. why did daniel choose this? well he wanted to be a teams number 1 driver and also he liked the project they were working towards and whatever whatever etc. anyway this doesnt pan out. daniel was at renault for 2 years and then signed with mclaren.

which was by all accounts a disaster. mclaren at this point were still a flaming hot disaster. (mclaren prior to mid season last year were a definitively mid field car). his teammate was lando and lando had only 2 years of experience in f1 and was still quite young (20 i think) but lando essentially had a better time driving the car than daniel did. which no one was expecting. daniel did manage to win a race with them though, in monza in 2022. mclarens first win in many many years.

despite that, he was not treated well. it was easy to see. he looked underweight a lot, looked generally miserable and clearly the team didnt really care too much about him. he and lando were friends though, which was good. media tried to pit the two of them against eachother, but they were and still are good friends.

anyway. daniel's contract was supposed to run through 2023. mclaren and daniel supposedly both elected to end it early at the end of 2022 (mclaren signed oscar as a replacement) leaving daniel without a seat and retired

which was not great. daniels a big personality in f1, hes a funny guy, he says out of pocket stuff, hes goofy and whatever else. people like him, hes fun. so this was upsetting to see the spark leave him and then also see him leave the sport.

adding salt to the wound here, max won the championship in 2021 and 2022

so he got a call from Christian horner, the red bull team principal. christian is not a great guy but he likes daniel. he invites daniel back to red bull as a third driver, which basically means he does pr.

now remember the junior red bull team. in 2023 it was called alpha tauri and yuki tsunoda was there along with nyck devries. nyck had had an awful season by mid point and scored no points. christian had daniel do some tests in one of the red bull cars, his numbers were good and promising and what do you know daniel was back on the grid as a driver at alpha tauri. it seemed the plan was to leave him there for the rest of the season then maybe swap him with checo peer, the second driver at red bull, for the following year.

Daniel ended up breaking his hand a few races back at zandvoort and was replaced briefly by liam lawson, who was the red bull and alpa tauri reserve driver. liam lawson did better than anyone expected and managed to get points and also knock max verstappen out of qualifying in his most dominant season ever.

daniel finished out the last 5 races of the year and had a contract with vcarb (name changed again) for 2024.

checo had a rough end to the 2023 season and it was rumored for awhile that they were going to swap daniel and checo at the start of 2024 but this never panned out. most cause it seemed like daniel was not performing as well as they thought he would. there were a few times where everyone thought he was going to get cut and get replaced by liam lawson again who is still on deck. checo also got resigned at red bull for 2025 and despite having a not so great run for awhile is still on the team.

daniel has not been re signed for 2025

the rumors bounce back and forth every week. some weeks people say hes leaving some weeks people say hes getting promoted to red bull. he generally ignores them. but its no secret he wants to go back to red bull to finish his career.

this all came to a head this weekend in singapore.

heading into the weekend there were some heavy rumors that daniel was going to be replaced by liam lawson for the last 6 races because daniel is underperforming. and this was a Strong rumor. so strong in fact that it started to get properly addressed by commentators and announcers.

why would red bull pick now to swap him? not sure. williams did a driver swap a few weeks ago and that has worked in their favor. it would also i guess let them see if liam still has what it takes for 2025. whos to say.

in any case. daniel had a bad qualifying and ended the race in 18/18. however. at the end, they pitted him to get soft tires. (the fastest ones) to potentially get him the fastest lap of the race.

fastest lap of the race gets you one extra championship point if youre in the top 10. and daniel was not in the top 10 but it would take the point away from lando norris, who was winning in his mclaren by almost 30 seconds. lando is behind max in the drivers championship standings by about 50 something points and slowly gaining.

so daniel ricciardo, in what might have been his last ever f1 race, goes balls to the walls in a slightly shit box mid field car, on the second to last lap, and pulls out what is not only the fastest lap, but the track record fastest lap, taking a point away from lando norris, who drives for the team that mistreated him so badly and kicked him out of the sport the first time, all to help max verstappen, his ex teammate and the very reason why he left red bull in the first place, win the championship.

yeah.

anyway, all of the commentators were treating it like it was daniels last race. they asked him what his emotions were getting out of the car and he almost cried in the interview, they showed him a montage of his career, the whole team was waiting for him outside of the hospitality when he got back, he got voted driver of the day by the fans despite being virtually in last place. it seems like hes done and he knows hes done but unfortunately no one can say anything about it yet.

which is unfortunate. as i said everyone likes him. and it was general consensus of everyone announcing this weekend that he deserved a better send off than this weird cut right before the end of the season. for someone who has in fact done so much for red bull, it feels like theyre shooting him in the foot.

[lexirosewrites]

so i was driving to work the other day, taking the exact same route that i always take, and i passed a sign i see every single day. but for some reason, this particular day, i was hit so hard by a steddie thought that i instantly had to jot it down when i pulled into the parking lot of my job. i haven't stopped thinking about it actually, so i made it omegaverse and decided to send it in for slick sunday. this is VERY loosely based off something that happened in my own hometown a couple years ago. (also, for reference, the sign i saw was for a local business called munson construction, so the following thoughts make a lot of sense actually)

a!eddie and (possibly) b!wayne have a construction company. they don't a ton of business, but they make enough to pay the bills and put food on the table. they by no means live a life of luxury, but they're comfortable where they're at. plus, they enjoy what they do.

so, onto plot.

living in indiana, they don't get nearly as many tornadoes as some other states, but it does happen. one spring, hawkins gets hit hard. a lot of houses are completely leveled, even more are severely damaged. lives were lost. it absolutely devastates the entire community. so many families are homeless now. it doesn't take wayne and eddie long to decide that they're going to do whatever they can to help rebuild. they were fortunate enough to make it out on the other side generally unscathed. the worst they got was some damage from a tree falling on their roof, but it was a quick and easy fix for them. they know not everyone was so lucky. they want to do their part.

eddie doesn't expect it to change his entire life.

they start at the emergency refuge shelter. rows and rows of cots set up in the community center for those who either lost their homes completely, or have damages that make it inhabitable until repair. eddie is hardly one step in the door before he's drawn to a certain family. he elbows wayne and nods to the far side of the room. a baby is crying, being held and rocked by perhaps the prettiest omega eddie had ever seen. he needs to talk to him, even if it's only once.

as he and wayne approach, it becomes more and more obvious just how stressed the omega is. he rocks and bounces the child on his hip, desperately attempting to soothe. nothing seems to be working, though. the baby is still screaming, and people are staring. eddie's honestly feels really bad for the guy, who looks so overwhelmed and on the verge of tears. eddie can't just stand by and do nothing. he steps in, offering to help.

basically, from there, eddie learns that the omega (steve, duh) is a single parent who lost pretty much everything to the tornado. he and his daughter have been staying at the shelter, trying to figure out how he's going to get them back on their feet. obviously, eddie is in love instantly, and he is determined to take care of them in whatever way steve will let him. there's some back and forth probably, but eventually, steve also falls in love and they court and get married and blah blah blah happily ever after the end.

(a nice addition: post-marriage & mating, eddie builds steve a dream house by hand, where they grow their family and fill the home with love and support and all that good stuff)

ANYWAY, happy slick sunday :))

ahhhhh so cute!!!!🥺💕

[kurosagi-h8r]

My headcanon on the ghouls in bed 🔞

Idk if anyone talked abt this already but as always you can put them in any place, it's just how i imagined them in my head. This is for funsies ☆

Detailed explanation below. Minor DNI!

Jin would almost say no to bottoming unless he's too lazy and you're too needy. But i feel like he's too prideful to go that way so he'll probably force you to nap with him instead. It's likely that you'd wake up to him taking the initiative first. "Didn't you ask for it?" And he doesn't care if you're still in the mood or not. He is now and it's your responsibility too.

TOHMA SKDJFHSKHD definitely a service top when you're good but becomes a sadist when you deserve to be punished. Either way he enjoys playing both roles and is good at them.

I feel like Luca is one of the best when it comes to aftercare. From the beginning to the end he priorities your need above his and will switch depending on your preference. Guy probably takes it like a study when it comes to please you– excited to learn about your body and all.

Kaito is a pathetic bottom. A perfect subject for mindbreaking. Will cry upon first orgasm and a whimpering mess if you're not stopping (yay overstimulation). So much thank you and sorry despite forgetting his name during the whole thing.

To me Alan is more of a service top but would bottom at first bcs Alan is Alan– he would need guidance on what you like and what you don't like and also reassurance that you're enjoying everything. A submissive top, perhaps. The type to put your needs above his. Probably would take too long fingering you bcs he's afraid he wouldn't fit.

Leo mayyyybee secretly wants to film you going down on him. Will act all sadist at first but really he just wants to see how much it'd take to trigger you. If you give in and be submissive he'd lose interest in an instant because you're too easy. I mean come on do you actually believe people who like spicy food is not into pain? If you want him so bad then take him. The fact that he might resist at first shouldn't be an obstacle to you. He's a brat bottom at its finest.

Sho is pretty simple i guess. Top leaning and would take some convincing to let you overpower him. He'd secretly be addicted to it after the first time but it's because you look hot doing it.

Depending on how his day went Haru would either top the entire session or bottom. A service top most days but would say no to a blowjob or handjob when he has no energy left. I hc him being softer with it when he's drunk bc when the two of you do it sober he'd tease you here and there. But at the same time Haru is still Haru, he has some pent up stress and could let it out through you. So please push him as hard as you can– slap the shit out of him if you need to when it gets uncomfortable.

Should I explain about Towa 😩? He seems sweet at first but the second you show no signs of going along with his tune... also he's probably into roleplay. "Let’s reenact those love stories you've told me before, Dandelion ♡~ You'll say yes, won't you?"

Ren would absolutely refuse being the bottom. Even if he's positioned under you his hands would be on your hips controlling all of your movements. Surprisingly can hold himself being cockwarmed– gotta push rank a bit if he doesn't want to get kicked out of the guild. A bit of a masochist, would force you to be quiet as he destroy you from the inside despite knowing that's what gets you being too loud. Pretending to bottom only to tease you and make you realize how pathetic your attempts were.

Taiga is Taiga.

Romeo is meticulous with everything but everything has to be romantic and worth his while. He's secretly kinky and needs to have all the power on his hand but if you play your cards right, you might just see that side of him that he will never show anyone else. Hot top, pretty bottom.

It's tempting to put Ed in each square. Who knows he's probably the creator of this top switch bottom thingy MAYBE HE INVENTED S3X IDK. Like, he's probably had his fair share of doing everything in the bed. Want him to top? He'd love to! Just surrender your whole being and let him become your God. Want him bottom? Sure. Just be careful and don't get too rough, his joints can only take so much (lol). Either way things will likely be memorable with him.

Ritsu is a top if it's for duty and bottom if you provoke him enough. Bully him; call him a momma's boy and he'll lose his mind soon enough. He would take some time to tame but it won’t be an issue if you like the process.

I imagine even when stripping Subaru would want you to look away and when it's your turn he would be too bashful to look at you. Keeping eye contact is important for him, let him know that he is the center of your world and you'll gladly accept him with open arms. Yes, he couldn’t help but look away everytime, but as long as you distract him with your lips on his he'll ease up bit by bit. He'd probably feel bad not taking the lead but his skill lies on the aftercare (despite him being the one that needed it more sometimes) so please let him take care of you as you did for him.

Haku (lord help me again with this man) will become a greedy bastard if you keep indulging him. "No more round? What a shame. I love hearing my name on your lips." To him being with you feels like a guilty pleasure that's far more dangerous than being addicted to nicotine. He tends to be lazy with other things but will gladly take on the invitation to do it with you whenever you want. "You're tired? It's fine princess. Let me get you some water, ok? Stay right here." And if you think he's stopping after that you're dead wrong. He'll do all the work while you just lay there being pretty. Let him take care of you, ok?

Feminist king. Words of affirmation in the air every five seconds. KING OF PRAISE KINK! Everything you do is beautiful; you are simply an art sent from heaven for Zenji to witness, feel, and devour to his hearts content. I feel like he's secretly a pervert but only to the right person... You are an exclusive muse for his creations that he will never share to others. Everything you want to do to him, he'll agree with no questions asked.

Rui despite being flirty and wanting you to think he's kinky, he preferred to be a gentleman on bed. Don't know how he did it back then with the casual flings but after he's no longer cursed he would cherish every second and every inch of you. Worshipping your body with everything he has until you're sick of it. Mouth, hands, whatever and however you want he'll grant it. Just keep using him as you please; make a toy out of him, he doesn't care as long as your eyes and attention stays on him.

A bundle of nerves in the beginning but if it's driven by instinct Lyca won't even stop when you want him to. He would have his way with you bcs he's too impatient, so you have to really bare your fangs if you want to put him in place.

Yuri is a mess of a bottom. Similar to Kaito but unlike him Yuri's mind will resist before fully submitting. How will he finally submit? When you deny him of his own orgasm. The longer you edge him the more he's losing his mind. He would never admit it but he's grateful that you know when to not go all out, especially when he's tired. Even better when you simply go down on him to be his stress reliever in such state.

Doing it with Jiro is a bit embarrassing at first bc he need you to go verbal with how you want him to do things 90% of the time. Don't get him wrong his mind could break at any moment too (or pass out from exhaustion) so if you make it known to him that he can do whatever he wants... oh boy you're in for a ride. He's looking forward to all the expressions you can make with all the positions he'll try with you, and he'll only stop when he pass out.

[fanfic-writer-and-rambler]

Jason using the newly claimed information of how Tim's parents ended up dead or in a coma just to push his buttons when he was on his path of revenge, but now he'll help him out is a wholesome headcanon I have and how siblings operate at times.

Jason: I fucked your mom last night!

Tim: My mom is dead, you asshole!

Jason: I fucked her in her grave!

Tim: I'll kill you!

...

Jason: Timothy-

Tim: I swear to Christ, if you bring up my dead mom nobody can hold me back.

Jason: Hey, I'm not going to insult her.

Jason takes a pause.

Jason: Just sucks she died like a pussy.

Tim: Someone hold me back.

Impulse (Bart) does so, but Tim manages to go towards Jason, only being held back a few inches.

Impulse: We're not doing that, buddy.

...

Jason: How's the mom doing?

Tim: Dead. She is dead!

Jason: She's pushing up daisies? That's good, bet she's looking up at you disappointed.

Tim: Not going to let you get to me especially since your mom sold you out to the joker!

Jason: Yeah but yours died drinking water.

Tim: Those are dead man's words!

Nightwing has to hold Tim before he can strike Jason.

Nightwing: Why do you keep pushing that button?!

...

Jason: Hey Tim.

Tim: My dad died.

Jason: Oh... I'm sorry.

Tim: And?

Jason: I'm... Really sorry.

Tim: You're not going to say he's knitting socks in hell or you dug him out of the grave to take pictures or you hand me a picture at his grave while throwing a peace sign?

Jason: Yeah that last one was a messed up Christmas card, wasn't it? I'm not going to mock you about that. It was wrong of me to do that. I'm bett- I'm not going to do that anymore. I can promise that.

Tim: Great.

Jason: Need some space or snacks... Or thoughts and prayers?

Tim: Was that last one a joke?

Jason: Yes.

Tim: I'll allow it. Take a seat and just ... Don't talk.

Jason: Perfect. I wanted to read in silence.

Tim: What is it about?

Jason: Pride and Prejudice.

Tim: Good book, thanks for not being an asshole.

Jason: No problem.

...

Kylar: Your parents must be disappointed if this is what you've become.

Tim: What?

Kylar: You heard me.

Jason: I heard you too. Watch my stuff.

Jason walks over to Kylar and beats the ever loving shit out of the man.

[chimichaching]

I know it's bland, having an art block type moment ig.

After fiddleford left the project, Ford started to become delusional, having no one to keep him grounded in reality. He lets Bill possess him more frequently, to keep the one he trusted in the most in his life, he isolated himself from everyone, and Bill was all he had left. He hears Bill in his head, in his thoughts, and sees him in his dreams. When he wasn't in them, Ford would beg, or pray, to bill, afraid he'll lose him. Sitting in his room full of bill cipher relics, drawings, and tapestries for hours, he'd be finishing up the portal as Bill requested. When Ford did go out for food and toiletries, he'd ramble to others about Bill, how powerful he was, and how they'd benefit from his wisdom and power. Some would brush him off, others, looking for answers and already suseptible to manipulation and promises of an easier life listened. Bill, the narcissistic being he is, commands Ford to grow a following, a place of worship, Ford being the priest, his disciple.

As Ford loses his sanity, he believes anything bad or good that's happened to him was because of Bill being either pleased or displeased with him. He sees him in anything that had any resemblance of Bill, a yield sign, triangle perfume bottles, children's books, hell, even pizza and doritos! Feeling as if he was watching, anywhere at anytime.

Ford has finished the portal, or has put the finishing touches on it, allowing Bills plan to finally begin, Ford, his henchmaniacs and his cult help Bill in various ways, destroying the forcefield around the town, Bill begins his never-ending "party" with Ford as his devoted disciple and partner. The world goes into chaos.

The twins, dipper and Mabel, never visit gravity falls, Stanley never getting that call from Ford. The twins were not born yet, never stopping Bill, fiddleford still created the blind eye, but the group is forced underground to avoid danger as the cult grew. "The all seeing eye" was Ford's new cult he made for Bill, mocking the blind eye's group.

Dipper and Mabel are born into chaos, raised to fear and worship Bill and his henchmaniacs, however they rebeled, Dipper researching how to stop Bill, his henchmaniacs...and his grunkle Ford. Mabel has a knack for building weapons and is able to evade detection from gangs as she searches for food, water, and supplies for her and dipper in their hometown, piedmont, California.

Ok, ok, I know it's long, but i just needed to put this somewhere, I'm not a good story teller and I haven't truly read the journals or the book of bill just yet, I'm going off by the little I know from the show and what I've seen and read. I wanted to see an angsty AU, didn't find one or just didn't search hard enough, so...forgive me if it's totally out of order, thank you for reading and I hope I did ok. <3 it's also 4 AM where I'm at..so there might be mistakes.

[mysterywriter2187]

Transformers: One - What's In A Kneel?

!!!!!MAJOR SPOILERS AHEAD!!!!!

With the responsibility of leadership and the dangers of pedestals and hero worship being such major themes, it only makes sense that all three of the film's leaders would show their true characters, and in doing so seal their fates, in moments where they have to kneel/bow.

Sentinel Prime essentially sets the entire second half of the film in motion when both the heroes and we as the viewer see him kneel to the Quintessons. It confirms everything that Alpha Trion was just telling them/us about him, and it's also the very thing that ends up getting broadcast to Iacon in order to finally expose Sentinel and turn the public against their False Prime.

For all his superficial charisma and his talk of looking out for the little guys, Sentinel himself is truly nothing more than a self-centred, spineless coward, who couldn't care less for the needs of the many and gladly bends to the will of bigger bullies/oppressors in order to keep himself in power.

After learning of Sentinel's betrayal and being subsequently captured with the High Guard, D-16 makes a point to stand while in custody and adamantly refuses to kneel. Even when Sentinel begins beating and torturing him, D-16 makes it abundantly clear that he has no intention of bowing to him or anyone else ever again.

In better circumstances this could be a heroic trait, a courageous defiance and the willingness to stand up in the face of injustice. But it just as becomes a negative one, and it's one of the last warning signs to the kind of leader that Megatron is going to be.

He may have started out with good and heroic intentions, but because of this Megatron sees himself as superior, and whether by choice or by force, he expects his fellow Cybetronians to rally behind him just as they did with Sentinel. While he sees himself as a revolutionary, in the end he's just going to become another tyrant.

And then we have Orion Pax. For much of the film, he's a far cry from the noble, legendary leader that we know and love from other iterations, but he starts to grow into it as he devises the rescue mission, and is tasked with rallying his fellow miners to help.

Having gotten a major upgrade since the last time he saw them, Orion now towers over his former peers and they're utterly awed by the sight of him. Rather than trying to take advantage of their admiration or even intimidate them with his new size and strength, Orion almost seems frustrated by the new height difference, and before beginning his speech he kneels down to literally speak to them on their level.

Orion doesn't make a point to do this, no one has to ask or prompt him to, in fact he himself doesn't even give that much thought to it, it's just his first instinct for how to best communicate. He may look larger and stronger now, but he still values the miners as his friends and his equals, and nothing is ever going to change that.

Gaining the Matrix later on may have gotten him the name, but it's this moment when Orion truly begins to embody the true core and heart of Optimus Prime. Powerful and inspiring, yet humble and caring. Or perhaps, as the legendary Peter Cullen himself has always said:

"Strong enough to be gentle."

[dilfartist]

Perhaps yandere Chilchuck from Dungeon Meshi headcannons?

TW: Kidnapping, Yandere tendencies, manipulative actions, Yandere, Obsesion.

Notes; {I used some lines from the media I posted before so you might see some lines you’ve already read.}

Reader description; Female/GN

Semi-Proofread

When Chilchuck first recognizes his feelings towards his darling he’s quick to separate himself from them. Not only because he acknowledges these thoughts of keeping a human to himself is not normal but also because he can’t help but run away from a potential relationship. Chilchuck is still struggling from his divorce and the last thing he needs is a new one with the possibility of disappointing his darling as well. His obsession starts slowly because he distances himself.

Chilchuck detests the fact he often has dreams of you or the fact he remembers your favorite foods. He especially hates it when he gets a foreign fuzzy feeling in his chest when it comes to you. He’s often rude and closed off to his darling. He comes off meaner to his darling than anyone else. It has gotten to the point the others often call him out on his behavior which he’d scoff and walk off in turn.

It won’t be until he reveals his divorce to the party that he realizes that trying to have a relationship again isn’t that bad of an idea. Knowing that not everyone will leave him and he can learn to be a better partner, Chilchuck opens himself to being romantic with his darling. He grows to love his darling so dearly. He often writes to his daughters about his darling.

What type of yandere is he? Lucid, possessive, and protective.

Chilchuck won’t let his thoughts or tendencies surface until he and his darling get serious. He’ll be protective of them at times and he’ll get easily jealous when others take their time from him, but he won’t become a yandere unless there's a romantic relationship built.

Once the relationship grows serious, Chilchuck can’t help but monitor his darling. What if they leave him too? He never expected his wife before to leave him, but she did, so he’ll keep a close eye on his darling, and when he notices a change in them he’s quick to please them. Although he’s finally going through the process of learning to forgive himself for his divorce, he’s still paranoid. If you show any signs of leaving him, he’ll become uncharacteristically clingy. If his darling attempts to leave him then he’ll allow himself to act on his yandere tendencies.

Chilchuck can be manipulative if he feels the need to, and he does just that when his darling thinks it’s time to go their separate ways. “You said you’d never leave me. What happened to that? Is it me? Fine, go ahead, I don’t mind being alone.”

If his manipulation wasn’t enough to force you to stay then he’ll force you by his side. You might think, he’s small theres no way he’d force me to stay by him, then good luck because that isn’t happening. Besides Chilchuck’s small size, he’s incredibly smart when it comes to dire situations. Such as you leaving.

Chilchuck kidnaps you. He doesn't call it kidnapping, he calls it making you come to your senses. Forbids the party from entering his home and if they end up stumbling upon you, he convinces them you’ve been hit with a spell and he’s caring for you in your delicate state.

Won’t force you to stop adventuring. Aside from leaving him, Chilchuck doesn’t mind you making your own decisions. However, Chilchuck needs to be by your side the whole time.

Trust his party members around you, maybe not senshi as much...

What can he say, Senshi is a handsome guy. He can’t help but be a bit protective around Senshi lest you fall for the charming dwarf.

[highinmiamiii]

NO FEELINGS - ch. 1

a billy butcher x reader story

years after a wild love in 90s London, Butcher runs into his past flame at that same grimy Nevada steakhouse he’d told Hughie about. Where he’d wanted to go with Len since they were lads. Tension, unspoken history, and unresolved feelings simmer as both grapple with what they've become.

(A/N): this is just a short little vague introduction. feedback is appreciated as always—let me know what you think! and if you’d like to be added to the taglist, just drop a comment. thank you for the support, i cannot wait to get really started on this. prelude chapter set in 90s london soon…

Butcher slid into the worn leather booth of the topless steakhouse, the place he’d told Hughie about. The one he’d always wanted to visit with Lenny. He wasn't sure what drove him here now, maybe the weight of unfinished promises, or the itch of an unfinished life, maybe a celebration for finally having the key to end this all. Kessler—his ever-present darker conscience—sneered from across the table, leaning back like he owned the place.

“Celebratin', are we? Makin’ a toast to not being a dead man... yet?" Kessler’s voice dripped with sarcasm. “Maybe crack a cold one open to that virus, eh? Damn good reason to have a drink.”

Butcher ignored him, waving down the waitress instead. The place smelled of grease, burnt meat, and the faint, familiar scent of desperation—Nevada in all its glory. The steakhouse was a dive. Dim lights, gaudy neon signs, waitresses in barely-there outfits serving patrons who barely looked alive. It felt appropriate, a place where he could fade into the noise and booze.

His mind kept drifting back to Lenny, to the promises they made as boys. But Lenny was long gone, and Butcher was still here. Breathing. Existing. Barely.

“What’s the point, mate?” Kessler drawled, a smug grin tugging at his lip. “You’ve come this far, might as well end it on a high note. Wipe ‘em all out—‘every last one’ like ya said, whoever’s left. Ain’t no room for savin’ the day, Billy. That ain’t you.”

Butcher lit a cigarette, ignoring the imaginary weight of Kessler's presence. He hadn’t come to make decisions tonight—he just needed a moment to exist outside the war he was fighting, the war inside himself.

That’s when the waitress appeared. He barely looked up from his drink as she spoke. A raspy, tired voice offered him a menu, but it wasn’t her voice that caught him—it was the ink on her arm.

There, on her inner upper arm, was a faded “Never Mind the Bollocks” tattoo. The same damn Sex Pistols tattoo he’d drunkenly convinced the girl who he’d thought would be the love of his life to get years ago in London.

The memories hit him like a punch in the gut.

🇬🇧 London, 1990s 🇬🇧

They’d met at some dive punk show, a dingy pub filled with misfits, and she had been the loudest voice in the room. She wasn’t British, that much was clear. Her accent, her defiance—everything about her screamed rebellion. She’d saved for years just to get to London, to live the life she’d always dreamed of. But the reality was different. Money was tighter, dreams crumbled under the weight of the city’s indifference, and the romantic notion of freedom faded with every job rejection and overpriced rent.

Butcher had been drawn to her fire—an American girl with grungy style and stubborn resolve. She reminded him of himself. Bold. Fearless. But unlike him, she still had a dream. That dream had kept her going.

They’d spent nights stumbling through the streets of Camden, getting drunk on cheap lager, ranting about the world’s injustices. And then one night, after too many drinks and too many laughs, he’d dragged her to a tattoo parlor.

“Go on then, love, don’t be a priss, get the ink. Bollocks to it,” he’d slurred. And she had. The tattoo was a reminder of their wild nights, of a time when the world felt theirs to conquer.

But then Lenny had died. His world crumbled. Butcher became a ghost of himself. He stopped answering her calls. Stopped showing up. Not because he didn’t love her—but because the weight of grief suffocated any connection he’d had to the world, to her. Seasons faded, savings ran out, friend groups grew apart and suddenly she was back in the states, no sign of his presence or existence in sight but the small reminder of what they had, or rather, what could’ve been, on her left arm.

He looked up at her now, and something in his chest tightened. She didn’t recognize him—not immediately. He looked different. Older. Weathered. And she? She’d aged too, but there was still a flicker of that fire behind her eyes, dulled perhaps, but not gone.

Butcher felt Kessler smirking at him from across the table, his voice low and mocking. “Well, well... Looks like fate’s a real bastard, huh? Fancy seeing her here. What’s next, a reunion? Gonna sweep her off her feet again? You ain’t that guy anymore, Billy. We both know it”

He wasn’t. He couldn’t be.

The waitress set his drink down, her expression neutral, maybe a little bored. But her eyes lingered on him for a second too long. Butcher’s gut twisted. Did she know? Or was it just a flicker of memory, a hint of recognition buried beneath the years?

He offered her a smirk. “Nice ink.”

she cocks her head back, taking a long deep breath, knowing he’s likely noticed by now as much as she didn’t want him to. she’d spent so long trying to erase him from my memory, she felt so foolish for letting myself fall so deeply in love with him all those years ago. she rests her hand on her hip and adjust the very thin white tank top they had her working in, thank god no one had tipped me enough to take it off yet, this place was fucking dehumanizing. even more embarrassing to see butcher here after all these years, she never thought she’d see him again, thought they’d be separated by continent for the rest of time. Her eyes flashed, but she didn’t bite. “Old mistake,” she said, her voice clipped, as if daring him to say more.

“Looks like she remembers,” Kessler snickered in his head.

Butcher leaned back, taking a slow drag from his cigarette. “Aren’t we all just walkin’ mistakes?” He said with a deep sigh.

She didn’t answer, just shot him a look—a look with all the bitter undertones he deserved. But she didn’t say a word, and as she walked away, he could feel the weight of the past settling in the pit of his stomach.

“Last thing she wants is to hear from you again man” Kessler’s voice taunted in his ear.

Maybe. But for the first time in years, Butcher wasn’t sure he wanted to.

She walked away, heart pounding. She knew. God, she knew the moment she saw him. Those goddamn eyes and stupid cocky wide smirk she’d fallen for all those years ago. The snarky demeanor that kept her going until one day he was gone. The way his eyes widened when he saw the tattoo was a dead giveaway, but it was the way he carried himself—the same stoicism, the same haunted look behind those eyes. Billy Butcher, of course. Great.

She’d spent years trying to forget. And now here he was, like some ghost from the past, sitting in the sleaziest steakhouse in Nevada, looking like death warmed over. Part of her wanted to slap him, to scream at him for leaving, for abandoning her without a word after Lenny’s death. But she knew she had gotten too attached. It’d been what, a year together? How dumb of her to think or believe that it would’ve ever been more than a fling. She had to come back to America eventually, they both knew the jig would be up soon, she just hadn’t expected it to end so abruptly.

So instead, she swallowed the lump in her throat, wiped the grimy table next to his, and said nothing.

This wasn’t London. She wasn’t the girl she used to be. She’d been young, stupid, and hopelessly in love. Now she was just... tired. Working for tips in a place that smelled like old beer and regret, serving men who didn’t care enough to look her in the eye. This was what her life had come to. And seeing Butcher again only twisted the knife deeper.

But no. She wasn’t going to give him the satisfaction of knowing how much he’d hurt her. Not yet. Not ever.

Butcher watched her walk away, a strange heaviness settling over him. The memories of London were sharp, but the reality in front of him was sharper. She’d changed. So had he.

“So what now?” Kessler whispered. “Stick around? See if you can fuck things up again? You’re real good at that, ain’t ya?”

Maybe. But something in him, something deep and stubborn, made him want to stay. Maybe it was guilt. Maybe it was something worse. Whatever it was, Butcher wasn’t leaving Nevada. Not yet.

He crushed his cigarette in the ashtray, his eyes following her as she disappeared into the back. Whatever had brought him here tonight—fate, coincidence, or just bad fucking luck—he wasn’t walking away from it.

Not this time.

current tags: @sickforbillybutcher

[autisticalastor]

analog black vinyl spinning

Pairing: Lucifer/Alastor

Rating: G

Tags: Fluff, First Date, Demiromantic Ace Alastor, Lucifer is a nervous wreck fr, Cameos from everyone!

A/N: Finally got out the next piece of my Radioapple series! I have big plans for this now, by the way, with lots more coming! Title for this one comes from Old School Love by Lupe Fiasco!

Lucifer watches patiently as he waits for Alastor to wake up. He’s already been up himself for about an hour now, and he’d be lying if he said the only reason he was even able to get any sleep at all last night wasn’t because Alastor was there, curling up into Lucifer’s wings and playing jazz through the radio, occasionally even indulging him in a bit of pillow talk. Something about falling into what’s become their usual rhythm for ending the day actually had helped him wind down, despite what he knew was coming in the morning.

As he waits for Alastor to wake up, Lucifer finds his mind whirling through a million possibilities for how this conversation could go. What if he gets upset? What if he shuts off completely? What if I’ve been misreading every sign I think I’ve been seeing? What if he goes back to hating me?

The only thing that manages to pull him from his thoughts is Alastor finally waking. The steady ebb and flow of radio static slowly quieting completely, the little ear twitch that shows he’s alert if nothing else does, one glowing red eye just barely cracking open to see if he can get away with pretending to be asleep for a while. He’s adorable.

Lucifer smiles softly. “Good morning.”

Alastor hides his face in Lucifer’s feathers, grumbling a bit. “What time is it?”

“You don’t have to be up yet if you don’t want to.”

“Good.”

“Uh, if you are gonna be awake, though, there’s… something I wanted to talk to you about.”

One of Alastor’s ears flicks, but he doesn’t say anything back. Lucifer rests a hand next to one of Alastor’s. It’s close enough, he’s sure they’d be touching if one of them so much as breathed too sharply, but still not actually touching. Yet.

Lucifer generally tries his best to let Alastor take the lead on things. He doesn’t ever want to push too far and screw everything up, but sometimes all the waiting feels more like hell than, well, actually being in Hell. If things were fully in Alastor’s hands, Lucifer’s pretty sure they wouldn’t even have made it this far. As is, they still hadn’t progressed to dropping the “hands off” rule, but they’d definitely made progress, seeing as Alastor has recently stopped pulling away when Lucifer does try to get a little more in his space.

Even now, Alastor is looking at Lucifer curiously, ears cocked like a somewhat perplexed animal. But he hasn’t pulled his hand away. Progress.

“What is it? You look like you’re going to ask me something I won’t want to answer.”

“Um, well—” Lucifer’s face flushes golden and he looks away, suddenly feeling too much like he put himself on the spot. Somehow, avoiding eye contact still doesn’t stop him stumbling over his words. “I, uh— It’s just that— I think— Well, I think we’ve gotten fairly, um, close over the past few months and, uh, I just— I wanted to see if maybe you’d um—” his voice lowers, as if saying it more quietly will somehow make this less daunting— “wanna go out with me sometime?”

Keep Reading

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[steakout-05]

i drew my babygirl Jon Arbuckle :)

his ass!!! it haunts me!!!! i tried to draw him taller but he just kinda ended up looking really stocky and i don't know how that happened,,, man's like 6 foot canonically. i think i was too focused on his ass and making his legs look cute lol

speaking of ass, i don't know why Jim Davis decided to give Jon such a dumptruck but i'm so glad he did. ever since the very beginning of Garfield in the 'Jon' strip, he's had a fat ass and i absolutely love that. it's just a cemented part of his character now and always has been XD

i drew 1978-1980 Garf from memory!! one of my absolute favourite things about classic Garfield is just how arch-shaped he is. he's just a fat little cat guy and i love him :) i always make sure i draw the arch shape when i draw Garfield sitting cause that's one of my favourite parts about drawing him

also here is Gnorm :) for those unaware, back in the very early 1970s, before Garfield was created in any form, Jim Davis made a little comic strip about bugs called 'Gnorm Gnat'. it was mainly about the little bug dudes getting into silly relatable little antics with snappy punchlines. it's got a few characters like Gnorm, a fruit fly named Freddy, a slug named Cecil, a smart worm called Dr. Rosenwurm and Drac Webb to name a few. for something so early, it actually has quite a few familiar aspects of what would later become Garfield. the same writing style, a similar art style to early Garfield/Jon, occasional references to Peanuts (a comic Davis grew up with), the German doctor character who later appeared in the 'Jon' strip, heck there's even a goofy bug named Lyman! additionally, the name "John Arbuckle" shows up in a strip where Dr. Rosenwurm reads a piece of poetry written by him (which was recycled into an actual early Garfield strip where Jon Arbuckle reads the same poem). in fact, it's so mildly familiar that the entirety of the September 9th, 1978 Garfield strip was recycled twice, first in Jon and then in Garfield!

unfortunately, Gnorm Gnat only ended up getting published in the local newspaper, Pendleton Times, following several rejections from various syndicates for the fact that bugs just aren't as relatable or funny to a lot of people as Jim Davis thought they were. of course, i think Gnorm Gnat is something very special to the history of Garfield and i quite like it for its significance. i think it's a cute little bug comic and i hope it gets rebooted someday :)

[bitimdrake]

I was wondering if you could also argue if the cold and uncaring Jason we see in the Lost Days could also be only a temporary side effect. iirc Jason goes on a whole speech about how if their positions were reversed Jason would have stopped at nothing to avenge Bruce. That doesn’t sound to me like someone who doesn’t have empathy or compassion, and it sounds to me like he still on some level cares about Bruce. He also doesn’t seem interested in killing him anymore, either. Idk if this is a valid interpretation but I personally think that if Jason was cold and lacked compassion because of the pit it could have worn off by the time UtRH starts and his actions from then on are due to trauma.

okay back around to the inbox.

First thing that I'll repeat just for the record (and anyone reading) is that what parts of Jason's behavior/personality change, if any, are due to the pit vs trauma is completely up for interpretation.

There are many valid interpretations there, and it's really just headcanon at that point. But, practically speaking, I think the difference doesn't truly matter. If the pit is influencing him, it doesn't have an off switch, it's not some second personality or sudden mood swing; it's just a new part of his personality. Whether the pit or trauma, it comes to the same.

That said, my vibe on whether it wore off at the end of Lost Days would actually be...largely the opposite?

Lacking empathy or compassion isn't the same as not caring about anything (and definitely isn't the same as not having strong emotions). I think Jason can absolutely be cold and compassionless, and still have intense feelings towards Bruce, including the pain of loving his dad.

But more than that, I would honestly argue that Lost Days Jason is the most empathetic [post-crisis] Jason gets after his resurrection, and it only goes down from there. imo his coldness and compassion or lack thereof are easiest seen in the way he interacts with the random background characters of the world, not how he interacts in his relationship with Bruce--the closest and more volatile relationship he has.

Like, Lost Days sees Jason not just killing traffickers, but also going out of his way to save the kids they imprisoned. It sees him stopping a terrorist attack in London just because he's there. More violently and with far less remorse than he would have as Robin, absolutely--but still going out of his way to do a good thing for others that he didn't have to do.

But even by the final issue, Jason is letting the Joker go because he realized he doesn't care about the world, not compared to his own catharsis. When we get to Under the Hood, he tells the gangs he takes over not to deal to kids...but that's pretty much it for putting any good into the world. Otherwise Jason is just killing people he deems bad enough, and profiting off the gang activity he allows to continue (including drugs, racketeering, prostitution, etc).

His final goal to confront Bruce is very personal and very emotional, but he really doesn't seem to care about any collateral damage along the way. (And in here is also when he beats up Tim for his own reasons.)

After that his characterization is very scattered [conclusions at the end] but--

(He provides some helpful information in Outsiders. He sort reaches out to Dick in Nightwing...but does so by framing Nightwing for murder, with zero pause shown over the people he bloodily kills along the way. He doesn't hurt Mia when he kidnaps her in Green Arrow, but he still, yknow, kidnaps her, and kills various henchmen and underlings along the way. He has a weird side adventure with Donna and Kyle in Countdown, where DC plays around with his being an ass but not an antagonist.

And then he ignites gang tensions so he can use the "kiddie gangs" to pick each other off. He sorta reaches out to Tim to work together, and then shoots at him when he refuses. He's perfectly calm when Tim breaks him out of jail and lets him into the cave, and then goes off the deep end, kills dozens of petty criminals, and tries to murder all three of his brothers.

He keeps killing and threatens to expose Dick and Damian's identities. He gets arrested again and this time breaks out by putting poison in the food that kills almost a hundred inmates at random, with zero way he could possibly have known who would die. He recruits a traumatized young victim of Professor Pig to essentially be his new sidekick, but also seems to kinda care for her in his own way.

It's a lot, and it's messy, and the writers really should have been more coherent. Certainly the Doylist explanation for the slip into worse behavior is a series of writers who preferred to use him as a villain.)

But trying to force it into some form of sense, my take is this:

Jason never stopped caring about the people he cared about before he died. He still loves Bruce. He still feels something positive, if more complicated, towards Dick. He still cares, in the abstract, about kids in general. He can form new connections, like Scarlett, if extremely rarely. But it's muted. He prioritizes his own desires over his loved ones' feelings or comfort or even safety. He doesn't flinch at hurting them anyway, if it gets what he wants.

And with the people outside that--the majority of the world--who are not personally important to him...he feels basically nothing. This is where his lack of compassion is most pronounced: the people he has no hesitation in hurting or killing, even if they're nothing but collateral damage to his ends.

And that gets worse the longer things go on. He cares more about the world at the beginning of Lost Days than he does at the end. He's already a bad guy in Under the Hood, but even then he still has some shreds more care for Gotham that he will in Battle for the Cowl or Batman and Robin.

He feels very strongly! He is, in fact, entirely motivated by his strong emotions, sometimes to the point of constructing a thin moral veneer around then to try to sway his old family. But that's separate, it turns out, from actually caring about others.

[designernishiki]

I feel like whatever was going on with majima/mirei/katsuya in the early 90s was some sort of complicated bisexual love triangle situation. like majima is majima and katsuya’s handsome and eloquent and absolutely doesn’t seem straight to me, but on top of that it feels like there was some sort of confusing tension between katsuya and mirei, not sure if it was romantic or one-sided or what but. SOMETHING. I don’t know what the hell was going on with those three really but no way in hell do I believe the romantic/sexual/??? depth ends with majima and mirei

[fingertipsmp3]

Feel like locating my secondary school PE teacher and sending him some kind of hate message tbh

[max-iwtaco]

BRO IS USING MATHS TO WIN‼️

[macksting]

I've met him in person btw and he's a fucking sweetheart

[ID: Text-intensive Twitter thread from the Shapeshifters chest binders Twitter account in reply to a post by artist and author Ursula Vernon. Vernon says, A non-zero number of you apparently did not know that The Last Unicorn was a book before it was a movie. It is by Peter S. Beagle. It is made of spun glass and fairytales and iron knives and there are individual lines that I would give my lungs to have written. Shapechangers replies, I saw him every year at NYCC for several years straight, bought something at his table, asked him to sign it, and we spoke. He remembered me from year to year, no small feat at that con. He remembered which stories he'd told me. One year I came back with a different gender on. He squinted at me a bit and said thoughtfully, "I've seen you before in this place." All I had to say was, "last year you told me the story about the inoshishi." And his face cleared, and he leaned in with a grin and told me about a German guitarist who he traveled with, twice. Who transitioned between the first and second time, so he'd gotten to meet this person all over again on the second round. It was a wonderfully kind way to let me know that everything was fine. I was fresh out of the closet and I needed that, and maybe he could see it. The Last Unicorn is the best book in the world and I will defend it and its author til I die. the end. /end ID]

I don't usually talk about celebrities; artists, when I do, and I'm keenly aware that one needn't be a good person to be a hell of a heartwrenching artist. But Peter S. Beagle has written a few of my favorite things in the world, he's an excellent singer and filker, and this Twitter thread was dreadfully important to me. I don't want it going away as Twitter becomes Shitter, because it's so often bad news, isn't it? It's important to me to share trans joy.