#and those signs are everything

[barbylion]

Simmers on twt are so exhausting, like, why are you complaining about a FREE update not being good enough

[future-crab]

It's been said before, it will be said again, but it's still worth saying: the fact that art centering on straight romance is allowed to just be bad, but art with queer romance in it always has to be indicative of A Serious Problem With the Way We Tell Queer Stories makes being a queer person making queer art deeply stressful

[fanaticalthings]

Jason only resorts to his emergency signal when he's 0.1 seconds away from death and only when he's 100% reaching raw desperation levels of survival

BUT he also uses it when he's faced with the most mild of inconveniences, so the batfam are always stressed when they get his panic signal because is he about to fucking die or was he just locked out of the family Netflix account?

And obviously they can't take ANY chances, so it's always a 50/50 on whether the night ends with the fam huddled in the medbay of the cave, or whether all of them are fully costumed, weapons sharpened and ready to throw hands in Jason's apartment and Jason's just casually lounging on his couch like "Oh hey guys, I'm out of flour, can one of you run to get some?" with the most annoying shit-eating grin you've ever seen.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[artbyfuji]

crazy way to find out 🤯

[justaz]

semi-dark king merlin au, someone from ealdor tells king cenred about merlin and he is captured and held as a slave in essetir. since merlin despises captivity and servitude, he’d rather be dead and free than alive and in chains so he acts out and pisses people (especially the king) off so they’ll think him too much trouble and kill him. at first they stick to beatings until merlin manages to get his chains around a few necks and now has a body count so they kill him…..only he wakes back up a few hours later and king cenred is Intrigued and keeps him close. merlin keeps acting out but no matter how many times they kill him, he won’t stay dead. merlin has this moment after waking up perfectly fine after his twenty seventh death where he is hopeless and believes there to be no escape, not even thru death. a few other sorcerers in chains come and help him clean up and give him a lil peptalk, realizing him to be emrys, and then they revolt and take over the kingdom and crown merlin as king and now uther is like “wtf” bc his neighboring kingdom who was kinda sorta on his wavelength about sorcery, though uther did not approve of keeping them alive, is now a kingdom ruled by magic. he goes to war with them but with magic running free and fucking emrys on the throne, they don’t make a lot of headway. anyways merthur meet on the battlefield, enemies to lovers, you get it

[wyvernity]

sss day my favorite national holiday WOOOOHHHH

bonus

[sillyangstyimp]

Bro my mind is LOSIN IT over the fucking line:

"I didn't realize it until now, but I missed you. This you."

I'M-

I AM NOT OKAY.

OHHHH MY GOD.

AND TILIN 😭😭😭 GOD THIS STREAM WAS SO SWEET BUT IN A PAINFUL WAY

[thisisadonaldduckblognow]

ik it’s probably a classic case of extrapolating way too much but... the way raph’s character design lines up w his whole arc and role and struggles...

like the fact that he is so so so much bigger than the others. raph is big, raph is strong, raph is steady and sturdy and he can literally pick up his entire family and carry them all at once. 

and like, when raph is so big and so strong and such a reliable thing. when raph is the protector, the one calling the shots on missions, the mother hen, the first point of authority. when raph is there, overprotective, when raph (for all that his brothers poke at him not being good under pressure) always always ALWAYS comes through at the end of the day when things are serious, ALWAYS gives it everything he’s got. 

his design and his learned role/behaviors in this family are just the perfect storm of why it took up to the season finale to drive home the issue.

so much of the series carries the default energy of “raph will handle it.”

raph will hold up the ceiling above you. raph will throw himself over you and take a hit and get back up and keep fighting. raph has a power that makes him even bigger and draws more attention and makes him able to carry MORE. raph will be the substitute parent. raph will be put into the mentor role through leo’s leadership arc. 

and raph is big. he’s built to carry heavy loads. raph is strong. raph is bold and loud and always ready to try to push on. even if he doesn’t know what to do or what he’s doing, he won’t give up and we’ll all pull together and things will turn out okay.

(his room is full of teddy bears. he dipped out on a mission to try to take a picture of a pigeon carrying a slice of pizza. he’s terrified of being alone.

he’s just as much of a kid as his brothers are. he’s just as new and inexperienced with the things happening to them as his brothers are. but for him, for some reason, there’s like this double standard where that becomes a huge glaring flaw.)

idk this got very sloppy and uncoordinated. i’m very in my feelings about raph right now though.

[amazingdeadfish]

Woah what's this? Shadowpuppet Good Omens crumbs?

[spacebugarts]

I wasn't gonna make an Indigo Park oc but then I started thinking about the theme park I went to as a kid and I got the idea of a beaver running a ride based on water flumes like Logger's Run or Splash Mountain :3

They're also based on wildlife education characters like Smokey the Bear and Ranger Rick!

[crispywizardtale]

[tlgtw]

Man that DLC's final boss has got me feeling kinda fucked. I'm kinda depressed about it now that I'm done. Everything else is, was, so good. But I do not like that plot development. I honestly think it is bad. Why did they choose not to foreshadow this in literally any way? Why did Miquella attempt to resurrect Godwyn at all in the first place, then? Practice? Was this really what was originally planned? There's no actual evidence to the contrary so you gotta assume it must've been.

So yeowch...

[emilyelizabethfowl]

no but seriously if any (or worst case scenario, all) of the ASL actually joined the Marines, Garp would be begging them to go and do anything else, even if that meant becoming pirates, within a week flat

[hamable]

I’ve been so caught up thinking about the fight sequences and the animation styles and the writing and the antics aand the everything about Spy Family Code White that I forgot about the Ferris wheel. Oh my god oh my god oh my god the Ferris wheel.

[arkiwii]

GRANI OPEREC IS HURTING ME