#big rant post

[epiphainie]

i agree with your tommy meta post but mannn, why would he take the risk when buck did nothing to show him he wants him or wanted him back?

edit: this post is tagged bucktommy so my moots who don't go here can avoid it. it's not a negative post about them at all but it's a rant post i wouldn't put in the tag otherwise.

i say this in my gentlest voice... that post's thesis is literally "tommy should do it ESPECIALLY if he's scared that buck doesn't feel the same"

on that topic, i'll actually take this ask to look at this from buck's pov because i see twenty posts in a row about "let's look at how tommy feels" as if that's literally not what we talk about with every single post, so like what did tommy do that's different to buck that buck is expected to know that tommy wants him or loves him?

"buck didn't tell him he was thinking about him" yes and what tommy said was he wanted to reach out for... what exactly? for all buck knows he wanted to clear the air or hook up, not that he's been pining for him or wanted a second chance. unfair reading for buck's ability to pick up what tommy obviously meant? i agree but not as unfair as the reading that tommy "doesn't know buck wanted a second chance" because buck only looked at him with hopeful eyes and brightened up like the sun when he said "you want to try again?" instead of "i want to try again too and i'm spelling this out to you in case you don't get it" because tommy is that in need of verbal confirmation, he can't know otherwise.

buck, on the other hand tho should've known that tommy would stay in the morning. like, "i thought you'd leave?" ouch, how hurtful is that for tommy? sure, makes sense as an interpretation when you wrap your right hand around your neck to reach for your left ear. it's not like buck's saying that because well, tommy dumped him the last time they saw each other. you know walked out of his life entirely, ended a relationship that for all it was fine and euphoric till that exact moment. a choice tommy himself made and kept making. but we can't let tommy have accountability for that because he dumped buck because he loved him so much, see. that frees him of the responsibility of this proactive, self-made decision.

and you know, seeing as buck mentions the heartbreak line back to him, it means buck has heard him, he's not unaware that tommy has/had strong feelings for him but tommy? tommy doesn't know as if buck didn't tell him similar things in the same scene. this is not even me being sarcastic about shitty biased interpretations at this point, it's literally me pointing out that tommy refused to hear buck when buck said he can see a future for them, only to come back and tell him that he also doesn't trust him to know how he feels about eddie.

so for all buck knows this is an ex boyfriend who left him, as suddenly offering a "you can settle for me now haha" which is not only incredibly patronizing with knowing-how-buck-feels-better-than-buck-himself but it's also neither an apology for how tommy's walked out the first time around nor a great display of his love or desire for a second chance. so what is buck supposed to feel when he looks at this? breakfast and champagne are nice but don't really make up for your ex repainting your entire relationship with a confession and then refusing to listen when you say no it wasn't like that. again, what about self-incriminating you can settle down for me now that competition is out of the way should be proof for buck that tommy's serious about their second chance. it's incredibly more hurtful to learn that your ex has never taken your feelings for him seriously during your entire relationship than hear "i dont have feelings for you anymore" and at least buck knows that was mean and wants to apologize for it. unlike tommy who's so bought into the chill and cool and fine guy that he can't even address their breakup, what he's done and how he felt, with a little bit of sincerity before going back to the snide and booking it out of there.

was the beginning of this interpretation a little uncharitable to tommy? yeah. because it was me being sarcastic about how people don't extend any grace or nuance to reading buck while filling every crevice of tommy. i get it. blank pages are funner to draw on, thats why people love queerbaiting and fanon ships more than canon rep most of the time, but at this point some people are so caught up in "this one word tommy uses here means that his mom left him when he was a baby so he can't show this particular emotion now" vs "buck didn't say this in the clearest way that'd acknowledge how he's hurt and victimized tommy and frankly that means he doesn't deserve him" that it sounds ridiculous. i dont even disagree with why tommy can't be sure about buck's feelings for him, not at all but, god, would it kill you to realize that tommy ended this relationship and has been running away from taking accountability for that action and his feelings at every turn and even when he tries, it comes out minimizing for both parties' feelings and their relationship. he's not a child, he's a man who's destined himself to this pattern, and i simply think that he needs to break out of it himself. i dont even know what buck could say to convince him otherwise anyway.

[clayderogatory]

okay let me just say i am a big music nerd and also a big resident evil nerd. put two and two together, and now you have this. greetings and salutations everyone and today i am going to analyze and discuss the 4 major boss themes in resident evil 4 remake and my interpretations of each one.

note that i am no big music theory major, but i know way too much about resident evil and i know how music can influence how someone can feel and how it can relate to the characters they are for.

the bosses i am going to be talking about are as follows:

Bitores Méndez, Ramón Salazar, Krauser, and Osmund Saddler.

they will go in order right under the cut!! i hope u enjoy because this actually took hours to write im not even kidding.

Bitores Méndez:

Starting off with Méndez, his boss theme is very very different from the OG. What the Remake has, I believe it further demonstrates and shows to the player through music more insight on how he is presented in the game.

In the original, his theme is really just...eerie. It's unsettling, with much of it being very high pitched and almost just screaming in your ear. Some really other good examples of this are like—for instance—the very end of the Undertale Genocide route or like Something in Omori. It's made to be unnerving, like something is incredibly wrong in the situation you are in. But for Méndez's theme in the OG, it's really as far as it goes. It's just high pitched noises with creepy sound effects, almost like something is chasing you. There's even remnants of someone screaming in the background if you listen super closely.

The thing I love with the Remake is that they added so much more to this theme. Firstly, they kept that eerie high pitched noise that was primarily in the OG's soundtrack, in the background. That feeling and that aspect is still there in the song, but they added more instruments so that it was definitely more of a boss theme. There's drums, violins, tubas, etc. Those were at least the main ones I heard upon inspection.

Méndez is supposed to be the first big bad in re4r, he's kind of like the strong and seemingly invincible character for a good long while. He doesn't talk much, he's just there to follow Saddler's orders and to carry out his will. You have to try to avoid him in many cases because you can't get past him, but now you're in a situation where you have no other choice but to fight him. The music really amplifies this because it really conveys that feeling that he's like a mindless soldier. He's extremely intimidating, a lot of the music feels like it isn't leading up to this big finale or any sort of release. It's meant to build up tension or suspense, and it isn't much of a build up.

Méndez is there for the purpose to kill, with Las Plagas infecting his mind so badly he doesn't even have thoughts of his own anymore. That's only the first half of the song, because the second does get interesting.

It turns very fast paced and hurried. Like a cat and mouse chase, there's even an added primarily male choir in there to further add to the eerie feeling. It gets a lot more intense, because further in the fight, Leon is doing more to injure Méndez and that tension is finally rising to where it's a much more intense battle because Méndez had mutated a second time and now they are at each other's throats and the heat of battle and the burning building is probably getting to the both of them. And the tension is rising, rising, the music gets louder and its crescendoing more and more and then, it goes quiet.

it's not a big flashy ending, it just fades out to quietness. all of it is over, you can take a break and let what just happened sink in. it's so much more interesting and i do love they incorporated the same eerie noises from the OG into the remake's.

----

Ramón Salazar:

Up next we have Ramòn Salazar, and his remake theme is one of my favorites in the whole game. But starting with the OG, it lays a pretty decent foundation. There's that eerieness to it in the first, but then it grows a bit bigger. It primarily has a lot of organ parts to it. Plainly stating, Ramòn is from Royalty, he lives in a castle and had people do his bidding and such. His official title is of a Castilian.

He is also very weak compared to everyone else, and he hides behind the stronger ones with his rank and title. Organs are very primarily used in settings of where we are now, a very gothic style castle where before Los Illuminados came, everyone there was very Catholic. Which in other cases, they can be heard in churches as well. They're typically seen as very creepy instruments that unnerve many people. There's also usage of violins and a choir, which give this feeling of almost like a Haunted Mansion like sound as if there were ghosts taunting you.

Interestingly enough, there's also some more modern hints in the song with a faint electric bass in there. It's also a little waltzy, like it has elements where you could kinda dance to it. It has a similar tension where it rises and rises and then goes quiet again.

But what I really want to get to now is his remake theme, holy shit it is so so SO amazing. Ramòn in remake is very vastly different from OG, he has that same element of being weak and using his authority to always have a higher ground, but he isn't nearly as cowardly. He has a way more sadistic mind to him, and even in records found in the game, he was described to be this nasty little guy who reveled in seeing people suffer.

he also presents the whole section as like a story or a play. He calls Leon a "gallant knight" and Ashley the "princess fair." He's over dramatic, and he sees himself as a higher being than the others. Except for Saddler, because he worships the man—like everyone else.

Already within the theme we are starting off BIG, it's loud, dramatic, very fitting to how he sees everything as a show, a drama even. We get a lot of build up within the first 35 seconds or so. They utilize a lot of choir parts within this, mainly SSA (sopranos and altos) to make it very high pitched and giving that eerie vibe again. The title of the song comes into play too, "Baile de la Muerte," or as translated, The Dance of Death. Already off the bat it sounds as dramatic as the music is, and because the song is very much a waltz.

It's also something to note that Ramón moves around a LOT in this fight, similar to how you move in a dance. But he looks a lot more like a horrifyingly mutilated bug so it's more annoying than anything.

String instruments are HUGE in this song, and especially that choir part mentioned earlier coming in really heavy towards the middle. There is some more SATB (soprano, alto, tenor, bass) at this part compared to the beginning. There's already so much tension because the song starts big and keeps. getting. BIGGER. towards the end the choir part keeps striking with more and more tension, its keeps building and building, and then HUGGEEE beat drop where there is just this beautiful and amazing finale that is just so so SO dramatic and theatrical. it's like the big end to a show, the strings are fast and furious as the drums are striking and LOUD, and what i believe to be brass instruments just killing it. and the final note ends on a high ass note for the choir and all the instruments coming together to deliver the end of this AMAZING track.

its a dramatic piece for an equally theatrical and dramatic character, and it leaves with this satisfying finish before ending and letting it all settle again.

---

Jack Krauser:

Now with Krauser's theme, it is my favorite in the whole game. I could loop it for hours because it's so catchy and it even ties back to previous lore with his character. Firstly to compare to the OG, the OG and remake are already extremely similar.

It's very strong and heavy, like how Krauser is. It's also very dramatic and one big thing to notice is that there is this kind of very fast drum that is prominent. It's kind of something that you would hear in a theme pertaining to jungles and whatnot, which IS important. I'll get to that in a moment, but, it's a very fast paced song. It does have that tension because Leon is facing a formidable for that he used to know. There's a lot of build ups ready for a beat drop that just adds so much to the intensity. There's not much to say because the melody and sound for this song is pretty much the same as remake, but obviously they expanded on it.

what i really want to get to is remake, because they utilize SO many elements in this to make it really powerful and to support Krauser's character. First and foremost, Krauser and Leon's relationship in remake is different than OG. In OG they were more "comrades" who fought with one another in the military, but in remake, Krauser and Leon, have this relationship where he was his mentor. They both know the same combat skills, it just comes down to who can apply them better in their fight. That's what makes Krauser so terrifying, because he knows everything Leon knows to a higher degree.

As well as that jungle aspect maybe coming from Darkside Chronicles that expanded on Leon and Krauser and Operation Javier. I thought that was a neat touch to add with the music as well, but anyways, this piece is powerful with the primarily male choirs, harmonies, and so. much. buildup. it's leading up to something so much bigger with it's fast paced structure. there's a lot of heavy drums that are just going and going, and it eventually leads to this HUGE beatdrop that really makes it feel more like a final battle. Leon is facing someone that was close to him, even if he was a huge asshole, he was Leon's mentor and taught him everything he knew.

it's so heavily dramatic because the stakes are high, Leon has to get to Ashley before it's too late and try not to get killed by his teacher. It repeats until at the end It leads up and up until it goes to this somber music. Leon has to kill someone he did care about. He proved himself worthy and now has to take the final blow, all while trying not to cry because he was forced into doing it. It leads up to this big big tense feeling until he strikes the blow and it's over.

"I taught you well, Leon."

"That you did, Major, that you did."

---

Osmund Saddler:

With Saddler, it's, again, similar to the OG and to be frank, I'm just gonna talk about the remake. Saddler is so interesting because the whole game has been leading up to him. He's a mystery, he is the leader of Los Illuminados, the one with all the control over everyone in the hivemind. With his theme, they really use a lot of the choir instead of the instruments taking over.

The reason due to this is probably all of the religious themes within Saddler and how he is literally a cult leader. within churches, there are usually church choirs that sing which is probably why it's very abundant in the theme. The music is matching with the choir a lot, and a lot of drums are used in this piece. Compared to some others, there are a lot of flowy parts to the song and also some very staccato moments where it's very on the dot. Especially in the middle where it's very big and intense.

This is a serious battle, Leon has to kill Saddler to get rid of Los Illuminados, and it isn't an easy task. They really keep that feeling of it being such a tough fight and that it is menacing, Saddler is not just a pushover. He wants to spread his cult across the world and he will stop at nothing to try and achieve that. It mainly repeats a lot due to it obviously being a boss theme and it will repeat until you kill the boss, but the ending is so interesting as it goes from this very flowy and moving section, and then it goes down, and then ends abruptly with even a hint of organ snuck in there.

Saddler is posed as a threat, on or off screen, and his theme definitely delivers on that as well.

---

and that is a wrap! if you made it to the end, you get a cookie 🍪

and if anyone wants to discuss anything more, feel free! these are my thoughts and ideas of all of these themes and how they relate to all of the characters they are for :)

[eternal-sunflowers]

i don't think that people really understand how mentally fucking draining it is to live with chronic illness. like, people talk about it a lot, sure. but i feel like it is constantly kind of a shrugged off thing that people don't understand the weight off.

how exhausting it is to have your body not be able to do things, while your brain carries on as if it can.

how exhausting and painful it is to try to do things and not fully be accommodated for your needs.

how exhausting goddamn brain fog is. it gets me every day it feels like and i'm still surprised.

how exhausting and frustrating it is to be ill and to think you're having a good day, but SURPRISE, here's a flare, or a bunch of symptoms, or whatever, and now you're in pain and can't do anything. you can't make the pain stop. you just have to feel it.

how exhausting it is to know that nothing will take the pain away. that you literally just have to live with it. and that people won't get it. they won't understand that you are constantly in pain, all the time, and just have to act like you aren't.

how exhausting it is to be exhausted. the fatigue is awful. it just catches me and i can't do anything. i can't move or speak or anything. i just have to exist in it.

it's so annoying and exhausting to see my body give up and to know that i can't really do anything to stop it or cure it. it's so exhausting. it makes me want to cry constantly. i feel so tired and worn down and angry and depressed.

and yet, i have to continue on, like a normal functioning member of society. i have people look at me like an imposition. i see people talk down on chronically ill or disabled people online all the time and complain about us ruining society or taking away resources or whatever the fuck bullshit.

and it makes me feel so shitty that society perceives my only worth as my physical ability to contribute to a fucked up system.

and yet, we carry on, day after day, in hopes it will get better.

[nieisan]

My biggest Idia head canon is that he has an art account in magicam that is REALLY popular and a lot of people follow him. Its not the gloomurai name because that is his gamer ID, not his art one. Most of the things he posts are just fanart about some obscure anime and his interests. It's not a secret that he is also gloomurai, but it IS a secret that he is Idia Shroud.

Imagine Idia doing commissions for people at NRC, Vil agency commissioning him because he likes his work. And Idia straight up freaking out because "what do you mean THE Vil Schoenheit my schoolmate and fellow dorm leader wants to commission me?????".

Imagine him doing the poster for the VDC festival and nobody knows anything. He is preparing hard for his presentation and had the poster drawn like four different versions. The poster is a hit, and the presentation goes really well. Ignoring the overbolt fiasco, everything went well! And then STYX happens, and nothing will go wrong. They will all forget. And then everything goes really, REALLY wrong.

I'm sure Idia would not mention in any way his fanartist identity, but Ortho would "slip up" and the cat is out of the bag. When they return home, everyone is keeping it secret, mostly because with everything going on it brings more problems that anything else.

But then he starts showing up for classes and Vil asks about his art. He did like it, and is surprised why he wasn't posted in some time. I honestly can see him freaking out completely and not knowing what to say.

[needtobehisprettyboy]

I hate the CaitVi Sex scene

Everytime I see someone thirsting after the scene and gushing about how it's so hot, I feel so disgusted and ticked cause of how the scene came about and where it's located.

Before we get onto my rant about the scene itself, I want to mention the CaitVi scene that happened before that.

"She saved your life!"

"If you will just calm down for on-"

If you will just calm down for once? Hypocrite. Caitlyn's allowed to be pissy, allowed to call Zaunites animals (oh, "except" Vi though) and then fight like an animal by biting Sevika—

Sidenote:

That's also another scene I don't find hot at all. Any time I see it, I can't focus on how attractive Sevika is when she's smug (even though she totes is). All I can focus on is how Caitlyn bit Sevika. I don't remember who pointed it out, if it was on Tumblr or TikTok which I have promptly deleted since the ban, but someone pointed out that Caitlyn is fighting dirty—like a Zaunite. Caitlyn was backed into a corner, so she fought like an animal.

Fuck her.

I guess now she can somewhat understand why Zaunites fight the way they do. When you're backed into a corner, feeling helpless, feeling desperate, you fight like it and she did the same exact same thing she judged them for.

Bastard.

Lol can you tell I'm feeling bitter over her character?

Back to OG rant

—biting Sevika, gas the undercity and harshly interrogate someone who was a victim of Jinx's shenanigans, hit Vi for trying to calm her down from her grief driven rage, but oh, no Vi must calm down even though she's barely angry compared to when Caitlyn's angry. Not to mention that Caitlyn throws a tantrum herself and throws the tiny figure in her hand to the ground.

"—since you don't trust her enough not to shove her in a box."

Can we please take note of the tremble in Vi's voice when she says that? 'Oh, Jinx brought back her trauma from being in Stillwater!1!2!1' First of all, shut up. Second of all, yeah. . . So did Caitlyn?? Caitlyn may not have known what to do with Jinx, but the option for her to let Jinx go to prison was there and Vi hated it.

"Cait, she's changed."

"We can't erase our mistakes. None of us."

All the while not doing any time of her own for the crimes she committed—and no, I'm not talking about her gassing the undercity. What she did as a dictator, letting Noxians take over, and hardly doing anything afterwards even though she caused so much pain and misery to both Piltovians and Zaunites goes unpunished. Her losing an eye is nothing compared to the fear many people will feel while living under a dictatorship.

Get the guillotine!!

"Who decides who gets a second chance?"

Exactly. Caitlyn did no better than Jinx. She knows it too. It tears her up inside—as it should!!! Besides, did she think Jinx wasn't going to eventually get out of Stillwater? Or was one of her options to let Jinx rot there until she died? Yeah, I'm sure your girlfriend would love that.

Now, let's get to the scene itself!

But first let me talk about what happened right before that—

Vi tries to get Jinx on her side, Jinx rejects her, and Vi watches her sister leave while being told by her that Vi "deserves to be happy" and not to "worry about her anymore".

Yikes.

People say that what happened next with Caitlyn was Vi "finally being selfish", but it just feels wrong to me. Don't get me wrong, Vi deserves to enjoy herself after everything that's been done to her; however, you aren't going to have normal, healthy, healing sex right after seeing a loved one leave you for good.

Trust me lol I've had enough grieving/traumatic experience to know that you can feel upset for hours and won't immediately be able to get into a happy mindset even if you find something to entertain yourself with. You can have people try to cheer you up and you feel a bit better, but you still feel that lingering horrible feeling inside that will eat at you for who knows how long. You could give me Steb wearing the cutest little red panties I have ever seen in my life and I'd still be sad while trying to eat him out. You need to give me that like a day or so AFTER my little breakdown cause I won't enjoy it right after crying about losing my sis.

Sidenote:

Someone please remind me to draw that.

It would take at least an hour for Vi to get back to normal with the way she was reacting. At least. Vi was in that cell for who knows how long, but she was still upset and rather vulnerable when Caitlyn found her. No doubt she needed more time to get herself together.

Okay, now, let's get to the scene itself!!!

Bro, don't fuck me while I'm crying unless I'm crying cause I'm laughing too hard or because of sexy overstimulation. Fuck me? Nah, fuck you.

"I choose wrong every time—and because of it. . . I've lost everyone."

"Did you really think I needed all the guards at the HexGates?"

SHUT UP! SHUT UP SHUT UP SHUT AWWWWWUUUPPPPPPP—anyway,

Your girl is clearly upset, grieving her lost relationship with her sister (and likely other loved ones shes lost like Vander/Warwick), feeling guilty, and clearly not in any type of good mood yet your first reaction is to smirk???? You think this is funny?? Now is not the time to tease, Ms. Dumbass.

Vi needs compassion and reassurance not. . . Whatever that was. Yes, showing that you knew all along and didn't do anything to stop her shows that you do care for her, but it also isn't what she needs. Caitlyn did not reassure her that Vi wasn't going to lose her so easily.

Mainly because if she did, that'd be a lie, but that's neither here nor there.

"Sorry to say, you've grown a bit predictable."

Girl, you are not sorry. Quit lying. I can smell the smoke coming off your pants, but I'm not getting the fire extinguisher.

Again, this isn't what Vi needs. Any therapist would be able to tell you that you should seek healthier coping mechanisms other than sex. Does cuddling not exist? Does making out and then putting a stop to it because you realize your girl is not in the right state of mind for this exist??? Seeking sex after feeling so vulnerable and horrible about yourself is in no way, shape, or form okay. Shit isn't cute.

Caitlyn, you are more of an animal than you realize.

"Listen! While you were gone, I. . . Saw someone."

All of a sudden you realize that you should stop things because you feel guilty, but that guilt isn't over letting your girl go down on you after being upset and grieving, but about. . . Having another girl while she was gone???? Girl, seriously, your priorities are wack.

She does hesitate for a moment once she sees VI's injury (I can't remember where the injury came from. I stg if it came from Caitlyn or whatever Caitlyn ordered her to do. . .) yet she continues on. There are multiple reasons why they shouldn't do it right then and there, but Caitlyn is so horny she lets Vi pleasure her.

The reasons:

1. Vi is not in the right place of mind, she just lost her sister. Please let her grieve.

2. That is a jail cell. After what happened to her, their first time should be somewhere comfortable. Vi deserves comfort. She deserves to be spoiled. You're in Piltover, Caitlyn has a mansion with a really good bed, but your first fuck is in a dirty jail cell??

3. That is a jail cell that contained her sister. Vi can't reclaim shit about having sex in a jail cell if it's a cell that contained her sister. If there was better writing, she'd feel guilty over having sex in the cell she lost her sister. Her guilt isn't going to immediately go away because of one fuck. That's not how it works. Wish it was, but it's not.

Can I also note that Vi is the one pleasuring Caitlyn and not the other way around? Maybe Vi prefers to eat out rather than be eaten, but I think it just speaks more to her always servicing others rather than servicing herself or being serviced. If the sex scene was gonna happen, at least show Vi being completely selfish and enjoying herself by showing Cait be the one to kiss her down to her coochie. Maybe she's a stone top, but she gives off switch vibes to me.

Fuck you, Cait. Always wanting things to benefit you.

(If it was me, I'd eat Vi out, but, again, that's neither here nor there. . . She's not even in my top favs. I just want the best for her cause I hate Caitlyn lol.)

"I'm feeling fantastic."

FUCK YOUUUU

Okay *drops mic* , rant over

[contamination-zone]

my only real "headcannon" I think; fresh has npd :-]

[triglycercule]

imagining this very funny totally amusing bit where dust (despite having a lot of pockets) makes horror carry a lighter for him (only because he can't be bothered to remember to bring one on him all the time) and horror keeps it in his head

but horror's a dick so everytime dust wants to smoke and he needs a light horror's always like "whats the password :3" (he actually said the emoticon i was the quotation marks) and dust has to guess. because horror changes it every time. and its never something predictable. and then he either just totally gives up on that cig or he has to forcefully dig into horror's head to get the lighter because horror's being a PRICK

now dust is shoulder deep into horror's eyesocket while horror is clawing and screaming and killer's just standing there behind them watching this unfold with that fuckass smile on his face (he can't get this type of entertainment anywhere else)

[alaskan-wallflower]

ponyboy definitely sneaks into darry’s room when he has nightmares, especially post book because the nightmares slowly dissolve from his parents dying to darry and soda dying and during those nightmares pony just really needs darry, so he’ll sneak into darry’s room and gently tug the pillow out of darry’s arms (darry’s a sleep cuddler argue with the wall) and pony will just nestle his way into darry’s arms and wraps himself around darry and just presses his head against his chest and falls asleep to darry’s heartbeat and other internal sounds because he needs to know his big brother is alive and okay

(bonus but darry always wakes up every time when pony does this but he never says anything, half for pony’s dignity and half because he’s so sleepy he doesn’t even register it-but some nights it’s real rough and pony starts panicking and he just sits up like “woah woah woah there, ponybaby-what’s wrong? you gotta talk to me, kiddo, i’m here…” and he NEVER gets mad at pony. ever. no matter how little sleep he gets. especially post book)

[dr-spectre]

Hey all, so i wanted to discuss something a little bit different compared to my usual Splatoon ramblings because i have something that's been floating in my brain for a while now and I really wanna talk about it! But don't worry, I'll tie it back to Splatoon in this blog post!

So i have been seeing a lot of criticisms towards the new "hit game" Concord and a lot of it is very VERY well deserved. And one of the MANY criticisms is aimed towards the character designs and mostly on these characters who have become punching bags for the entire gaming community.

NOW! Let me come and say it, i am NOT going to be defending these designs at all, i am NOT a professional character designer but, these designs are flat-out dogshit and it's not for the reasons you think. I am not saying these character designs are bad because "WAHH!!!! FAT PEOPLE!!! WAHH!!! I HATE BLACK PEOPLE!! WAHH!! I CAN'T GOON TO THIS CHARACTER NOOO!!! WAHHH!!! I ONLY WANT STRAIGHT WHITE BARBIE DOLLS TO JERK OFF TO!! WAHH!!" If you're someone like... ahem.... asmondgold. And whine about how you can't goon to these characters and you're scared of fat and black people. Then you need to fuck off and genuinely go outside. And like... Idk, jump into a pit of lava.

The reasons why these designs suck is because they have terrible silhouettes, poor balancing, too many random colours that have no harmony whatsoever, lack of strong shapes and a lack of any clear cut qualities to tell us who the fuck these characters are. A good character design will tell you who a character is based on looks alone.

Let's take a look at how to properly do character design in a video game, shall we?

We will first start off with an iconic tank character, Heavy from TF2.

Heavy has a strong use of squares on his body, arms and hands, showing us that he is a strong and meaty character. Squares are used in larger characters to show that they are durable and strong. Heavy also has appropriate accessories on his body to show us what kind of character he is, like his bandolier, pouch, fingerless gloves and tactical looking vest. His legs are also small compared to the rest of his body which tells us that he probably isn't the fastest runner out there.

All of these simple design decisions the characters designers chose to include add up to create an iconic character who you can gather that he is a large and in charge weapons expert from the design alone.

Tell me something, what the FUCK do you get from this character?

He's a big person... That's it. I can barely gather any sort of character traits from this character. There's nothing. THEIR GUN IS FUCKING BORING TOO! AT LEAST HEAVY HAS A BIG ASS GUN! THAT'S JUST A BASIC BITCH ASSUALT RIFILE!

Now let's look at another iconic tank character. Reinhardt from Overwatch.

Reinhardt has a VERY strong silhouette, with his iconic helmet with the 3 spikes/horns, his giant shoulder pads, the pointy tips on his boots, his... groan... flap? thingy? idfk what that is but anyways, Reinhardt is an iconic tank character because his design is super well balanced, his concept of a futuristic knight is dope, and the lion emblem on arm showcase Rein's personality and origins.

I genuinely get nothing from this design. Like... Fuck all, i get NOTHING!!!

They are a tank character with a big gun... Okay? Is there... any cool details? Uh... there's a tiny flag.... What the fuck is that supposed to tell me about the character? The silhouette is boring, the character looks like a Fallout knock off. It's just... BORING!!

I could talk about the other tanks in Overwatch and how incredibly well designed they are compared to Concord's "anchors" and other classes but i don't wanna be here all day. Just know that D.VA slaps, Doomfist slaps, Ramattra slaps, ALL OF THEM SLAP HARD AND HAVE SUPER GOOD SILHOUETTES AND COLOURS!!

Now for our final "tanky" design, let's roll it back to Splatoon and talk about a character who is bigger compared to the rest of the cast.

BIG MAN!

His silhouette is actually so well done and is a masterpiece in character design, it is so incredibly distinctive and unique from other characters. He has a unique headpiece too, he has these droopy eyes that give him a relaxed look. He has some cool patterns, he's just a really well designed character that you can gather his personality from really well.

The reason why Concord's character designs fail is because it feels like Sony brought in a novice fashion designer to make characters in an hour and call it a day. The only designs from that game i can say with my full chest are okay are these guys, and even then they have ISSUES!

Haymar is supposed to be this fire user yet nothing tells me that they use fire. It's so easy to... oh i don't know... USE MORE RED?!?!? ADD FIERY PATTERNS?!?! WHY IS SHE COVERED IN FUCKING ANAL BEADS?!??! HELLO?!?!??

Roka is just.. fine, her colours suck but... I guess i like the helmet?

When the best looking characters out of your fucking 5V5 HERO SHOOTER are just... eh? You know got a massive problem. If we take a game like TF2 you can see just how well the designs are at showing the player what kind of personality and traits they have.

Scout has rolled up pants with tight socks on, bandages on his hands and a cap on his head, showing us that Scout is a fast and somewhat reckless character who gets into trouble but can get out due to his speed and wit. Medic has a simple pallet of white and red which are common colours used in hospitals and doctors. I could go on but you get the point.

If you're going to create a new hero shooter with a large roster, for the love of god, actually have characters with better silhouettes, colour balancing, accessories, etc.

Take a page out of their books and come back with a better fucking game. Or not. Sony... You piece of shit. You ain't beating the "PS5 has no games" allegations with these wack ass games. (This is coming from someone who has a PS5.)

[anghraine]

elizabethwydevilles replied to this post:

'Most "corrections" of Padmé's characterization I've seen essentially want to make her [...] not a tragic figure except by wild mischance or the missteps of other characters.' I honestly think people have a really hard job accepting that the prequels are a tragedy for *everyone* involved (except Palps). You see it in response to characters like Obi-Wan; the refusal to engage with the idea that a character can try their best and still screw up is hard to swallow.

Yes, very much so! In some ways it's even more marked with Obi-Wan, I feel, because ROTJ so clearly set him up as someone who failed tragically in the prequel era and who took away the wrong lessons from his own mistakes. OT/PT Obi-Wan is a kind, self-sacrificing, and well-meaning person who is not motivated by malice, but there is a moral arrogance to him, a hubris, that plays a significant role in the larger tragedy he is part of and that hubris lingers in the OT even after his death (with potential for further tragedy!).

I think there's a temptation to cast all these characters with fundamentally tragic flaws as solely victims or villains, but an important aspect of this kind of tragedy IMO is how these kinds of flaws collide and contribute to something far worse than any of its parts. The kinds of mistakes and flaws that we see in these characters lead to consequences that are both inevitable and unpredictable; no single one of these tragic figures could independently control or foresee what was going to result from all these different dynamics and maneuverings and choices, but at the same time, these choices do inexorably lead towards disaster. So you get the "well [x tragic choice] isn't what really caused the tragedy, because Palpatine" or "we need to fix [x tragic choice] because it makes the character Bad" without really engaging with the complicity (conscious or unconscious) of all these characters and the significance of their complicity to what the PT is doing as a story.

I don't object to "I want to imagine a happy ending for my faves" at all, btw—I do that all the time and it's not what I'm getting at. But when it comes to insisting that something must have been what "really" happened for the story to "make sense" or be "fixed" in the face of all evidence and basics of story structure, I find it tedious.

[whyoneartheven]

ok not gonna lie the amount of death wishes on tumblr is concerning… like. It doesn’t matter what this person is like, or what they have done; we can’t judge them as deserving of death. That is not our call to make.

[eleventhhourfactor]

How many times do we have to do this, y'all?

It's not just pixels. It's not just "separate the art from the artist". In a fandom with a lot of youngsters in it, as well as many people that come and stay for the good vibes, incest is not okay.

Incest should make you uncomfortable, no matter which set of siblings it is. I don't care if it's the Bros, the Koopalings, either set of Pines twins, any of the Ninja Turtles, or whoever else you can think of. If you're defending it, take a step back and ask yourself why you're cool with it, because you really shouldn't be.

And for those saying to just block and move on, or even going so far as to tell people legitimately triggered by this sort of thing that it's on them...well, my man up there says it best. (WARNING: I show the evidence for the sake of the meme.)

Anyway, @/dreamyluigi is a creep. They've posted ship art of Luigi and Mr. L as well. Love the style, but good art doesn't justify gross beliefs.

@opal16trash I had to do something to cope. Forgive me.

[theofficialuriel]

“tim fans” complaining about the lack of character development and him not growing from Robin as if he wasn’t well on his way to do just that in Tim Drake: Robin 🙄

[nightmanatee]

are we deadass saying THIS doctor would check someone's dna without their permission when it's not life or death situation??

are we fr..

[apathetik12]

How Stone ended up being the parent of the council

There’s no way the other council members didn’t think it was useless at first.

Stone, meanwhile, is definitely stocked up on books about raising gifted children

[saltynsassy31]

*drags myself through the floor and slams this down*

I present to you

FULLMETAL BARTENDERS AVIAN AU

Divine Nugget Au

(Rant as to why I chose the White-throated Needletail as Blurr's bird and some minor AU lore under the cut)

And that's not all! It comes with a FULL FLEDGED COMIC!!!!!

I spent a whole fucking week on this

I haven't done a comic in 4 years now, I can't believe this is my come-back XD. Though, on that note, know that I probably won't be pumping out any more comics - not any time soon, at least. But I do got more stuff planned for this au! If you ask about it, I'll 100% rant about it LOL

Tw// ⚠️mild gore in the 3rd panel⚠️

While exploring the woods with his team, Swerve had an unfortunate encounter with a crazed hunter. In an attempt to escape, he got injured, but it seems he wasn't the only one caught in the crossfire...

.

.

Okay

So when you look up what the fastest bird in the world is, Google with show the Peregrin Falcom

But there's a catch

The Peregrine is only fast when diving

When it dives to catch its prey, it can go up to 389km/h

Which yeah, pretty fast

But when casually flying, it only goes up to 120 iirc

The Needle Tail?

It can go up to 170km/h

Some have even recorded going over 300! (Close to the Falcon's dive, I believe)

Additionally, these birds only fly. Their habitat is literally listed as "the air," and some even believe they sleep while flying! They only ever land to brood and mate, and then they're off again. Their legs are so short that, if they ground, they can't fly again because it doesn't give enough room to flap their wings.

It fits Blurr perfectly!

It also has a blue-ish colour pattern I can work with lol (it's green, but it looks blue, lol)

Though, also, he isn't 100% like the Needle Tail, just based off of it. I still want avians to be sorta their own species and doesn't have to be exactly like their bird counterparts cuz they aren't them, they're their own thing.

That said, Blurr is one of the shortest from Avians population, still.

They're pretty big.

Another trivial detail of the design!

I was stuck between having his arms be his wings or have them be separate

Until I saw a drawing where they had both, and I realised, "Wait, why isn't that done more often! That's so cool!"

So that's sorta what I did

It's mainly to catch small prey when grounded and to stay better perched up on trees since they're much bigger and having extra fingers helps a lot. Or when they're climbing against a tree to pick up fruits, it gives them an extra boost and can better hang from it

But they're pretty much useless besides that lol

Just neat lil design choice

Other lore stuff. The time in which the au takes place is vaguely modern? But with fantasy aspects? I still haven't decided lol

Technology exists, but not in the way we have it sort of deal, idk, this au is pretty bare bones right now, so go wild with it XD I don't mind it, I love brainstorming it with people. I know this au isn't as big or complex as some others out there, but it's fun, and I hope yall like it too fjsjajaj