#but felt need to explain

[firebirdsdaughter]

So bc I saw a post and I’m paranoid/self conscious…

… Allow me to explain what I mean about Peter (and Neal) being out of character in s5.

A lot of it is tone—Peter just feels more dismissive and indifferent of Neal than even in the first season. It’s like their relationship went backwards a bit, or that he feels more like Kramer? I dunno exactly how to describe, but there’s scenes where just something missing and he’s too harsh and detached and it feels like it’s forced. Like he just doesn’t feel like he’s taking Neal’s feelings as seriously as he usually does. He’s not the same type of gruff fatherly as before. He’ll just suddenly start treating Neal like just an asset or something. As for the whole forged evidence/bribing thing, though… It’s not him being upset that’s out of character. Of course he’s upset, and angry, and conflicted. That first argument is beautifully painful, bc of course Neal refuses to back down, and that moment where he just holds out his hands to let Peter arrest him… Gah. Peter’s always been very by the book, and while he’s bent those rules and covered for Neal… It’s never been something like this. Never case tampering. This is serious. This could come back to bite them years down the road. So of course he’s mad, especially bc it was for him. He’s been trying to keep Neal out of crime, and now here’s the kid committing it for him. What’s ooc to me, is him telling Neal he did it bc he’s ‘just a criminal.’ That’s not my Peter Burke. My Peter would ask for space as he tries to decide how he feels/what to do. As he tries to reconcile w/ himself what has happened. ‘I know you did this for me and that’s why it’s so upsetting.’ But never that. It’s just a blatant example of Peter being forced to treat Neal worse to ‘justify’ Neal’s bratty behaviour.

Which brings me to Neal—oh my gods is he a whiny brat in s5. I hate the way he treats Peter like Peter is deliberately holding out on him and acts all righteous bc Peter… Won’t let him do whatever he wants. If Neal were distancing himself from Peter bc of his father, that’d be one thing, but every time he starts whining about Peter not magically producing the results he wants, or starts going on about how he should just be allowed to take shit ‘bc it’s there’ like an entitled brat… I just wanna smack him. I feel like he also regresses to just wanting the cheap thrill of taking things, when it feels like a more realistic progression for his character would be finding more moral, less self centred reasons to do so. Neal realising that Peter’s fighting a losing battle for him w. the FBI and risking his own job, Neal seeing how horribly tortured Peter is by his action in getting him out. After the discovery about his father, I’d believe Neal seeing the negative impacts of his presence in his loved one’s lives a whole lot more than the positives. I can see him falling into the trap of thinking he can’t change and he’s just hurting the people around him, trying to take matters into his own hands not bc he’s throwing a hissy fit that Peter can’t magically make other people do things, but bc he’s actually considering others and realises what kind of issues lobbying for him has caused Peter and El and everyone else.

There’s plenty of opportunity for drama and tension w/out forcing them both to be jerks to each other. Like I made a post about what I think a better course would have been Neal considering other people for once and how his actions effect them—Neal realising that his philosophies are actively hurting the people around him, and being in a such a bad place he doesn’t realise that they’re okay weathering it to have him around. I will go down w/ the ship that there’s a missed opportunity in killing off Warren Cole and not having Neal start to think about how easily that could have happened to Peter bc of him. There’s still good moments, absolutely, I can name several, like Peter being protective of Neal when there’s a sniper, or when Neal is shot by the sniper, but periodically, both Neal and Peter suddenly start being shallow jerks bc the writers are rushing and looking for conflict. And that’s not right to me.

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[p4nishers]

i need a whole episode, a book and a podcast on EXACTLY what crowley was thinking during this moment

[theminecraftbee]

Afterwards, they do a race. They don’t talk about it, but it’s there, between them still. Something settled between them. Cleo doesn’t know how to say it; they never know how to say things like this. Still, they need to, so they wait until Ren’s race is over and then hike through the jungle to go sit on top of Etho’s base and wait for him to show up as well.

He doesn’t. He’d gone to their base. Instead of just showing up for each other, they have to somewhat awkwardly coordinate over text which base to meet at. It forces everything to feel more real.

When they finally meet up, it’s in the shopping district, leaning against the button. A dangerous game in theory, but Cleo’s not fully convinced it can explode at this point, so.

Cleo breathes. They’re both quiet for a moment.

"Okay, so like, are we doing this?" Cleo says.

"I don’t really know, uh, what this is," Etho says, "but I… care about you. I think. So I think we’re doing that."

Cleo nods once. "You know I don’t fall in love, right? I’m not going to fall in love with you, I don’t do that. Might say something about loving you, but it’s not the same thing. Different sense of the word. It’s different, loving people and falling in love, got it? And I won’t do that second thing. I’m never going to do that second thing. I don’t--"

"Okay. I know," Etho says.

"Do you?" Cleo asks.

"I mean, not entirely, but I’m frankly surprised we’re having this conversation in the first place. I never expected you to be in love with me."

"But I’m not," Cleo says. "I’m attracted to you, and I love you as like, a companion and friend or whatever, but I’m not in love with you. I’m. Ugh. I wish I knew the right words. I just--I also don’t let go of things so if we’re doing this you’re going to have to get used to that real fast. Me not being in love with you but me not letting you go, both of those things."

"You're attracted to me? Aw, Cleo," Etho says.

"Don't be an ass," Cleo says.

"Sorry, sorry. It's just, geez, this is--a heavy conversation, huh?"

Cleo sighs. "We'll work on the deflection."

Etho rubs the back of his head and looks away. "Uh, in that case. If I'm maybe a little in love with you--"

"I can't--I can't reciprocate that, Etho," Cleo says, and their voice cracks as they do.

"I know," Etho says. "I just want to make sure it's okay, then."

"You can't help that, can you? Just like I can't help that I still sort of want to kill anyone who hurts you."

Etho seems to think about it for a while. Cleo resists the urge to fidget. She's a zombie. She shouldn't have the urge to fidget; she should be too dead for that. Besides, it's hardly like it's a secret she doesn't fall in love, exactly. It's just... it's only relevant sometimes. Feeling like, as she watches Etho and Bdubs dance around each other, she's on the outside looking in. She'd kill to hold their hands, to protect them, hell, even to kiss them--but that's different. She just can't summon the same emotion of... she doesn't know.

Martyn had almost gotten it, for all he didn't get anything else, in the end. Scott was never going to fall in love with her in the first place, for obvious reasons. Whatever attraction she and Pearl have going on, it's definitely not love.

But this...

"Okay," Etho says.

"That's it?" Cleo says.

"I mean, does it need to be anything else?" Etho says. "It's not like we can just... not do this. I think it's too late for that. Whatever 'this' is. I'm in love, and you aren't, but we'd both be pretty upset to lose this, right? So I'll... figure it out."

Cleo swallows. They feel small. "Will you? Do you understand?"

Etho shrugs. "I understand that it's you, and it's you that this happened with, not anyone else."

"Okay," Cleo says. "Okay."

"Is it okay if I kiss you? Just to try it, I mean. Not like, as a--this is a bad time, actually, I don't want to try to make any kissing we do romantic, I mean, you just told me this won't be romantic, I--"

"Yeah, sure, you can kiss me," Cleo says, and he leans in to kiss them. It's nice. A little soft for what they'd want, really, but nice. He leans back. He looks them in the eyes.

"I get it a little more now."

Cleo is baffled. "How? Kissing is just like, a thing we did? How does that have anything to do with any of the rest of this."

Etho laughs. "I definitely get it a little more now. What do you want to tell the others? I know they're definitely gossiping."

"Ugh. Can we just, like, not?" Cleo says. "I don't want to have to explain it."

"I'll just be confusing then, got it," Etho says, and Cleo can't help but laugh themselves.

"This is why you're my favorite," Cleo says, and they think maybe this will work out okay, after all.

[inkskinned]

i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.

ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.

iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.

iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.

v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.

vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.

vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.

viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.

ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.

x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.

/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?

[pixlokita]

Well I want to be honest, my mental health hasn’t been the best the past few months. I’ve been really struggling to the point of crying about several different things and it’s not anyone’s fault. Maybe my situation irl is affecting how I feel online, and it sucks because everyone is so nice and kind but I feel like I don’t belong? Idk how to explain it. It’s a very awful feeling and I’m recovering from several traumatic things I thought I’d gotten over but they keep resurfacing, I think I need to organize my feelings and stop overthinking, but I wanted to explain myself too. I’ll be unfollowing several people and you’re free to unfollow me too 💖🙏 y’all have been nothing but wonderful and a source of inspiration but I need to work on myself ;v;)b

I wish everyone a very lovely evening tbh UwU you’re all the best, bless you 💖

[soulfireblue]

thinking about tubbo and his relationship with leadership. how he asked forever if he could be president for a day and got added to a long list of names of people who would take over for the person before their name on the list. how he asked to be leader of soulfire and everyone was like "uh yeah sure i guess" on that first day and didn't really take it seriously.

and then fast-forward to now, he's going into purgatory 2 with a whole team behind him supporting him and his leadership. they want him to lead them again without even knowing what's to come, and they still call him coach and captain. it doesn't matter that they lost the first time. it doesn't matter that he's the youngest on the island. he's won people's respect, but more importantly, he's found a family in soulfire, and they've all found a family in each other too. it doesn't just come from a place of respect. it also comes from a place of love. and he's come so far since he was first released from that ice prison. they all have.

before purgatory, no one took tubbo seriously. he only had morning crew. bad was his enemy because of ron and fred. bagi hated him for the hole. he didn't have an egg. so much has changed since then. i mean, just think about what bad said when he showed tubbo the base! think about how bagi's desire to go to purgatory was to save tubbo and the other members of soulfire, how she's said so many times that she wants him as her coach again.

he's found respect, and he's found love of every kind in places he never would have even thought to look. i don't think there's any truer definition of found family than team soulfire.

[mistydragonflyart]

Cheers to always learning new things about ourselves and happy pride month!!

[drysaladandketchup]

EDM vs. NSH || Oct 17, 2023

[cattnipt]

I'm back on my 'teru totally listens to vocaloid' agenda but this time ritsu is also included

[ilovedthestars]

Hello Tumblr friends, apropos of nothing, I have a book recommendation for you.

If You Think You Would Enjoy:

First person narration that Does Something Cool With It

Urban fantasy that really leans into the urban aspect. The mundane beauty of the city made magical

London Man Investigates His Own Murder While Committing Several More Murders, more at 8

A protagonist who is just an absolute wet pathetic paper bag of a man and knows it

A protagonist(s) who are the exuberant and unhinged personification of telecommunications technology with an unparalleled zest for life and also sometimes murder

Both of those characters are technically the same person

The most breathtakingly gorgeous prose that has ever been used to describe a magically animated pile of garbage

A tone that I feel can reasonably be described as “gritty,” with its refusal to shy away from the blood and grime of reality, but that is also suffused with a deep unflinching love for everything that humanity is

A supporting cast that includes many of the world’s weirdest and most badass women

The protagonist getting beat up and/or stabbed and/or shot and almost dying at least twice per book

A reading experience not quite like any you have seen before or since

Then You Should Read:

The Matthew Swift series by Kate Griffin, starting with A Madness of Angels

If you love the city of London, you will love this book. If you have never been to the city of London, this book will show you what it looks like through the eyes of someone who loves it.

(And also what it looks like when embodied as a giant dragon made of street signs.)

I cannot emphasize enough the gorgeousness of this prose, the geniusness of the urban magic system, and the amount of love for London and for humanity that oozes out of this book. I am also fully convinced that Matthew Swift would be a tumblr blorbo if his books were not mostly out of print and very niche.

It can be a bit hard to get your hands on a physical copy—try thriftbooks or another online used bookseller, or call your friendly neighborhood bookstore and see if they can order it for you. Or just go for an ebook (maybe your library has it on Libby). It is absolutely worth the trouble.

Brief content note while I have you here: There is a fair amount of violence and it is sometimes very lovingly described. Also...don’t get too attached to side characters.

Go read it and then join the approximately 3 people on tumblr who know this book exists and are obsessed with it!!

[tora-the-cat]

An interesting little fun thing with team 7 is that you assume that Sakura's gonna, like, woobify and simplify Sasuke by putting him on a pedastal,cause her goal is centered around him and shes a 12 y/o fangirl so like of course her understanding of him is skewed cause she doesnt see him as a person, just an object of affection, right? She's can't get Sasuke, can't imprint on and/or traumabond with him like Naruto and Kakashi do. They don't see him with rose tinted glasses, because they've lived through their own Horrors and empathize with Sasuke's experience.

......right?

WRONG lmao!! They have too many ghosts!! Naruto's single-minded codependent ass won't get out of his own way long enough to see Sasuke for who he actually is, only able to empathize with the parts of his trauma Naruto relates to and not really capable of understanding him outside of the context of himself (because Sasuke is. His other half). And Kakashi is far too jaded to be fair to him!! He can't decide if Sasuke is gonna end up as a mini-him or a mini-Obito or maybe a mini-Itachi, but either way he ALSO is too traumatized to see Sasuke AS SASUKE.

meanehile SAKURA'S autistic ass may have dogshit empathy, but you know what she does have? A special interest in sasuke. Nothing better to do then give herself a degree in Uchihaisms. She can write character studies about him. she can read his soul. Whenever she says something about him she is right. Every fucking time! She is RIGHT!!!!

'sasuke would NOT compliment me this directly or explicitly express worry unprompted, especially if it gets in the way of his goals' correct.

'Sasuke shouldn't hide that curse on his neck its not healthy BUT if I tell anyone about it he'll never trust me again, which might be even more dangerous for him then the curse mark. Like he can probably handle the curse mark but no one else can stop him from ripping peoples arms off.' correct.

Speaking of! 'Sasuke would not hurt me even when he seems to be...possessed? whatever the only way to knock him out of it is to present myself as Alive and thus something to be protected rather then something to be avenged, because he gets really stuck in his own head about revenge' CORRECT

'hey so um. like. Sasuke's gonna leave Konoha. I'm not sure anything can stop him at this point and honestly I'm kinda starting to doubt anything should, so the only thing I could possibly do to help him at this point is ALSO defect.' CORRECT!!!!

[cluescorner]

Tim Drake has a weird fucking function

The thing about Tim that I find unique is that his life became SO MUCH WORSE after joining the heroing thing. Everybody else had a mid-to-shit life before becoming a hero/living with Bruce and mostly everybody (except Jason who LITERALLY DIED) had their life improved by being a hero/being Bruce's kid (or at least it is typically portrayed as such.

Tim had the exact opposite trajectory. His life wasn't perfect before he became Robin, but like...multi-millionaire/billionaire (canon is unclear, but he's within Gotham's upper-strata) kid with both natural intelligence + charisma and a bright future ahead of him and parents who were emotionally neglectful but nothing really beyond that (which is also a form of trauma, but all of the info we have indicates that the Drakes were no Arthur Brown or David Cain) and he still had other people he could rely on outside of them. He went to boarding school, which could be something horrible OR something amazing depending on your own thoughts/experiences. I grew up having a commute where we'd drive past a really pretty and rich af boarding school that literally everybody in our area DREAMED of going to, so to me the idea of going to boarding school sounds incredible but mileage may vary. Tim seems like the type of kid who would thrive in that though. Based on what we know in canon atm, his pre-robin life was fucking amazing.

And then he starts being the sidekick and working towards becoming Robin. His parents immediately get kidnapped and poison themselves through drinking tainted water; his mom dies and his dad is in a coma. This is not the fault of Robin, but Tim himself muses about the idea that Robin and dead parents are linked: to become Robin completely, you must lose your parents. And with how fate/destiny/canon events can operate in comics universes, maybe he isn't that far off. Once his dad wakes up, their relationship becomes strained as the man grieves the loss of his wife and realizes that his son has been doing vigilantism as a hobby. It is unclear exactly how good of a parent Jack was before the incident, but the results of Tim's involvement with the Robin mantle has definitely made things worse between father and son. Jack will also die within quick succession of 2 of Tim's best friends, his girlfriend, and his other father. He will also effectively lose like 1/2 his loved ones in the fallout of all of that mess including: his older brother, his other friends (both civilian and superhero), and the stepmother with whom he shared what I would argue is his best parent-child relationship (Dana also may have died, but it's left unclear). He has stopped pursuing higher education (the moment he even applied for college he 'died', and it seems he hasn't made another attempt since) and if he wasn’t a major focus of the media before he sure is now. He tries to quit briefly (in fact he initially was planning on quitting once someone more suited came along) and cannot bring himself to do so. Even when he does manage to get away for a while, his superhero life impacts the pre-robin life he is trying to go back to. Leaving is an impossibility, this is all there is for him now. He also isn’t allowed to make mistakes anymore, not when lives hang in the balance. The one who enforces that impossible standard the most (besides Bruce depending on who's writing) is himself. He’s got TRAUMA now and people want to hurt him constantly. He is constantly questioning his own sanity and morality and place in the world. He almost dies like every month. Tim grows colder and less grounded, he is becoming both a better and a worse version of himself at the same time. He’s saving lives in the same few issues as he’s setting up a Saw movie plot for the man who killed his father. He is haunted by the ghosts of his past and the looming figure of his future. His life becomes SO MUCH FUCKING WORSE after he becomes Robin. Some of it is the fault of others, some is the fault of circumstance, and some of it is due to his own actions. But basically all of Tim's worst traumas and life-changing moments are either tied to or caused by Robin. Dick's parents would still be dead, Jason would still be living on the streets, Stephanie would still have Arthur Brown for a father and a lot of other things that deserve their own posts/IDK if they've been retconned, and Damian would still have been raised in the eco-cult where death is a constant. Those are life circumstances that occur without the involvement of Robin, the only one who even needs Bruce involved at all in their series of events is Damian. But Tim? All of what is considered his 'worst' moments occur after he assumes the role.

This idea is what I find the coolest and most fascinating about Tim as a character. Being a hero is usually portrayed as either an outright awesome thing or a righteous duty that one must fulfill or (maybe in a grimmer and/or more grounded story) a sacrifice to your interpersonal relationships/mental health that is made for the greater good. For Tim, being a superhero actively ruined his life (both because of the general circumstances surrounding being a kid vigilante and the choices he made as part of that role). It's never portrayed that way in canon because we need to come out of issues going 'wow being a superhero is so cool! I'm gonna buy the next issue!', but when you just look at Tim's life literally everything really bad that we know of occurred after he became Robin.

[iraprince]

Hello! long time silent fan here 💝

i came across an older post referring to you leaving the Guns Blazing project... i did back that kickstarter, and now im kinda worried about just who i gave my money to :/

are you able to share any details about why you left, or if theres anything i should know about the creators? it's too late for me to not give them money, but id like to know before i recommend the game to anyone

the main issue shared in the post you reference is pretty much it: a prominent ttrpg award was given to an active duty military strategist. a lot of people in the community, myself included, were obviously horrified by this and many spoke up about what kind of grotesque and deeply unjust message this sends about what we're allowing (more than allowing, CELEBRATING????) in the space; bafflingly, a bunch of other people in the community all crowded around to congratulate and asspat and defend and gas up this grinning servant of the imperial american death machine. it was horrifying to see that the dev of guns blazing, which the entire time it was funding had constantly and loudly advertised itself as a "decolonial" and "anti-imperialist" game, was one of the people celebrating his win.

when i confronted the dev one-on-one about this, i was told "the man's a personal friend who's helped me out in the past and helped out other marginalized people in the space." that is not a sufficient excuse for me when the issue is what this man was doing to marginalized people, FOR MONEY, FOR HIS CAREER, outside of the space. (it's murder. what a military strategist does is facilitate murder as needed by the state.) u cannot buy back lives you've destroyed globally by getting other poc jobs in roleplaying games or whatever the fuck.

i couldn't handle this. i'm not going to judge other artists who stayed in — i don't know if everyone even saw, the turmoil over the award was something that from what i saw was mostly contained to twitter and the dev kept his head down about it aside from his initial congratulations. there was a moment before i confronted the dev where honestly i thought to myself "maybe i can just pretend i didn't see it," but i knew in my heart that wasn't true and i wouldn't be able to be proud of myself if i did that. so that's why i pulled out.

my tone is heated here bc obviously this is a really appalling subject — it's the reason my commerical work contracts have a fucking ethics clause in them now, lmao — but at the same time i'm honestly not interested in like, "calling out" the dev over this. he let me leave the project immediately and without any issues, and i haven't kept up with anything he's doing since this incident. maybe he's changed his mind or like, one would hope all of the absolute horror we're constantly submerged in from witnessing the us government's eager support of the genocide in palestine has opened his eyes to No, Agents Of The Military Are Not Our Fucking Friends, Actually. i don't know. i don't care to go looking to find out. my interest is not in saying "i think this dev is a bad person and everyone should be wary of them!!!!", it's just to say "this dev did something that was so shocking to me and so misaligned from my own morals that i had to distance myself immediately." i don't know how far that reflects on anything else he believes or does, i just know it was a dealbreaker for me personally. the story ends there for me, and other people will have to make their own judgements based on what they observe now.

[khaire-traveler]

Ok, but unironically, the song Never Gonna Give You Up by Rick Astley represents Hermes perfectly to me.

For starters, it's a meme, and I think he would love that. What's not funny about Rick Rolling someone in a moment of silliness?

Along with that, though, the actual lyrics of the song remind me strongly of Hermes, especially in his willingness to help others and his reliability.

-

"Never gonna give you up,

Never gonna let you down,

Never gonna run around and desert you,

Never gonna make you cry,

Never gonna say goodbye,

Never gonna tell a lie and hurt you..."

-

In my personal experience with Lord Hermes, he is extremely loyal, kind, and considerate. He chooses his words wisely and expertly delivers them. If someone needs his help, he answers them swiftly (there's a reason he's known as Eriounês - Ready-Helper/Luck-Bringer). He goes out of his way to support others during their times of need, whether that be through giving them something to smile about or offering a listening ear. Hermes is always there when you need him, just like Rick Astley.

I think that this song - outside of the song's romantic context lol - represents Hermes' dedication to his worshippers and loved ones. I feel that Hermes is a dedicated, generous, and caring god, and while maybe these aspects of him go overlooked sometimes, Never Gonna Give You Up brings them back into focus.

[cursehole]

haii hello I wanted to ask if it bothers you seeing characters that are like fortune? white dog black ears type

As long as they are stylized differently and their lore/themes are not heavily inspired by my own, s’all good. I’m not nearly the first to draw a white dog with floppy black ears.

take Snoopy and Pochacco for example. Neither are stylized how I draw Fortune and neither are similar in lore. A white dog with black ears is almost a cliche in some ways, but even common design elements can become distinct when you add a creative element that sets them apart from others. No one has ever thought my art of Fortune was fanart of either of these characters despite them all being a white dog with black floppy ears, for instance.

As long as these elements are not stylized how I stylized Fortune and the lore/themes are not overly inspired by her, it doesn’t bother me. I hope that makes sense 🌻