I love that when I start questioning my child free stance in life, the universe IMMEDIATELY reminds me of why I don’t want kids. 🙃
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Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)
Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.
And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.
Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.
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Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.
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my martha knight au in a nutshell:
Danny/Martha: see up here?
Danny/Martha: *taps skull*
Danny/Martha: intense psychological damage
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Danny/Martha: *upon finding out she's pregnant*
Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--
Danny/Martha: im going to be a terrible mother--
Danny/Martha: i live in a cAR--
Danny/Martha: what if the baby inherits my powers? Oh no--
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Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself
Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)
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Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid
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Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--
Bruce: hi mommy!! i brought you something!!!
Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?
Bruce, a weird child like his mother: a spider :)
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Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.
Danny/Martha: do you understand me
Falcone:... crystal, ma'am
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Danny/Martha new in Gotham: *getting mugged*
Danny/Martha: *grabs man's arm*
Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--
(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)
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Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.
Danny/Martha: this here is my littlest knight, Bruce.
Danny/Martha: I made him all by myself :]
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idk but tim's skills both in comics and in fanon are so inconsistent. like wdym he can fight azrael and ra's and lady shiva and he loses fights to... damian? like ok damian is a good fighter, trained by assassins and whatnot but it makes no sense, bc he wouldn't win against shiva
or like tim barely being able to hold out against jason both times he attacks him seriously (battle for the cowl and titan's tower).... but winning against all sort of weird ass shit in young justice?
im not even talking about how his intellect is all over the place, one day he is lying to batman and fooling doomsday and the other he is truly getting trapped/fooled by shitty ass villains like Calendar Man
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“My amazing daughter” ❌
Too human, not dystopian enough
“my lovable creature” ✅
Unintentionally objectifying, affectionate in a dystopian way, true to the canon “pet and owner” dynamic most aliens have with their pet-humans, “Aliens can never truly understand humans they are two different species”
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Such complicated feelings about Mary Hatford because like. She was not a good mother. She was abusive and unkind, she beat Neil so badly that her words haunted him long after her death. But also. She was never given the chance to be a good mother. A young woman, arranged to marry an older man, who was not only horribly abusive but also incredibly dangerous, a woman who had a child at a young age and then spent the next decade and a half keeping him as safe as she possibly could, even when that meant treating him horribly. She was not a good mother, but the one thing about Mary Hatford that cannot be denied is that she absolutely, without a doubt, loved her son. I think that maybe, under better circumstances, she would have been able to become a good mother.
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In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.
Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.
Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.
And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.
And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.
All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.
Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.
The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?
The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.
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i wish i had a mom who wanted me to be her daughter and was excited about it
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I was wondering why Necromancers in SIAT are called mothers? I don't think it's been said why, and considering the story has male Necromancers, I don't get it?
free yourself from the gender binary and maybe you'll be less of a drag
anyway
He’s a necromancer. He’s a Mother. He knows how to come home.
He’s a Mother, and that gives him an edge over other necromancy practitioners
Draco pauses. “Is being a necromancer genetic?”
“Maybe? Being a Mother isn’t, though,” he says.
"So whoever did this specifically didn’t want us to know who they were and knows that you’re a necromancer, if not a Mother,” Draco says.
If Slughorn were out there haunting someone or something, he’d be easy to find. Even a normal necromancer could do it, never mind Mothers that have worked with him for decades.
i could keep going, but i assume you get the point. all mothers are necromancers, not all necromancers are mothers
as to why i went with the term mother, what better title is there for one who commands life into death? who controls death and lives with it in a way that others do not? the first time you were brought into this world, there was screaming, and there was blood. the second time, mother holds their breath and no one bleeds
this post puts many quotes i'm fond of in the same place
In many ways, women are death’s natural companions. Every time a woman gives birth, she is creating not only a life, but a death. Samuel Beckett wrote that women “give birth astride of a grave.”
— Caitlin Doughty, from Smoke Gets in Your Eyes: And Other Lessons from the Crematory
The part of sexism that bores and angers me most is the culling, the simplification of women into Hallmark cards of femininity. When I became a mom, no one ever said, “Hey, you made a death. You made your children’s deaths.” Meanwhile, I could think of little else. It’s scary to think of mothers as makers of death, but it sure gives them more power and complexity than one usually finds.
— Samantha Hunt, interviewed by The New Yorker
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Autism mom doesn't know she's also autistic .
I can't imagine Knives being the easiest kid to raise 😭. Thers no WAY anyone on that ship was qualified enough to properly care for two autistic alien children !!!
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i know the hunger games isnt about romance i know it isnt a love story but. theres just something so beautiful in the way peeta is the personification of what it means to heal and he /is/ the dandelion and the bread and the hope that things can be better even if they wont be fixed. even if the nightmares dont stop he will still hold her. wake her up and tell her shes alive. shes safe. and when its over and done and theres no more saving or protecting or trying their absolute hardest to die if it means keeping the other alive, the horrors dont stop. but katniss will still find that comfort in peetas arms.
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I've seen a lot of discourse about Virginia Kull's portrayal of Sally Jackson in the Percy Jackson and the Olympians TV series, and I'd like to say that I loved her. Don't get me wrong. I love Sally from the original book series, and I, too, would fight the God of War on her behalf. But something that I enjoyed about Virginia's portrayal of Sally that we don't get in the books is the character depth. We don't hear much of Sally's backstory in the TV series, apart from a couple of flashbacks with younger Percy and that scene with Poseidon (Toby Stephens). However, those scenes do an excellent job of showing us that alongside being Percy's mother, Sally is also a young woman who fell in love with a man she could not be with and is enduring the natural consequences of having Percy. She struggles to communicate with him when she's frustrated, gets teary-eyed when she lies to him to prolong the inevitable, and actively sacrifices her happiness to ensure his safety. Virginia Kull's portrayal of Sally Jackson reinforces the character's humanity, imperfections, and determination, and it's everything to me.
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