#but it's also not as accessible & affordable as it should be in many ways

[claitea]

Okay so, my tip for ocṭopath is that, if you're able to afford both, get both, if you can only get one of them, and you've got the money for it, get the second one, unless the characters of the first one appeal to you more.

OT1 isn't a bad game, but OT2 is objectively better in every way imo, and you don't really need to know anything about the first one to play it. If you plan on playing both of them either way, maybe start with OT1 bc it'll feel a lot clunkier if you do it the other way around, since OT2 has a lot of QOL improvements that OT1 doesn't have (like the 3x battlespeed, more varied animations and chapters and fully voiced cutscenes, for example). The characters in both are fun though. OT1 follows the archetypes of the main cast more closely, while OT2 usually tries to subvert them a little more, they're all very charming in their own way!

Anyway sorry for the long ask, but yeah I personally like octọpath a lot, and highly recommend checking it out! If you've got any doubts about whether or not you'd like it, both OT1 AND OT2 have demos you can play first! It's pretty neat

ooooo this is useful thank you!! i'll give the demo a go later today i think, steam didnt have it so i didnt know it was a thing at all lmao

[sage-nebula]

I love technology so, so, so much, and I think it's so, so, so important.

I think that, in the age of the climate crisis and of Tech Bros™ being Like That, there can sometimes be this thought that technology is a bad thing. That our desire to keep innovating is destroying the planet, destroying humanity, destroying life. And to some degree I can understand that. Vehicles that run on oil add to the pollution in the air. Factories, too, add to pollution. As much as clean energy sources are readily available, governments and corporations all around the world refuse to use those energy sources because big oil lobbyists don't want to lose out on their revenue. It can be easy to think technology is the problem.

But I really don't see it that way. I can't see it that way, because I look at all we can accomplish with technology—and all that we have accomplished with it—and I think it's just amazing.

I've made lifelong friends thanks to the internet. Thanks to computers that allowed me to connect with people all around the world, I've made friends who have helped me through some truly dark periods in my life. I was able to use email to get in touch with my father so that he could help me escape my abusive biological mother.

Technological innovation has made it possible for so many lives to be saved through modern medicine. Pacemakers can keep people's hearts beating regularly. Ventilators can breathe for them. On a less drastic scale, other medical devices can greatly improve someone's quality of life, whether it's through prosthetics or other mobility aids, including electric scooters and wheelchairs.

Screen readers help vision-impaired people browse the internet. Cochlear implants and other hearing aids help hard of hearing or Deaf people interact with the speaking world around them, too.

Cars and airplanes can help people reach family members or friends so, so many miles away from them. If you have family in another country and you need to get to them quickly because of an emergency, you can do so.

Of course, nothing is perfect. Technology is expensive. We live in a capitalist hellscape, so even when there are medical innovations that could save someone's life, they can't always afford it. (At least in the States; other countries have the grace of standardized health care.) And again, there is a huge problem with vehicles and factories that continue to use energy sources that cause pollution. These are problems that we need to find a way to tackle head on, though it's extremely difficult when you're just one person facing an entire industry that lobbies the government.

But technology itself is not to blame here. Technology enriches and saves lives. And I imagine it will only continue to do so. Yeah, there are definitely things being developed that aren't so great. Robot dogs used by police are one of them. Facial recognition software and virtual assistants that record your every word to harvest your data and turn you into a product are another. But I think of a world where technology can make it even easier for us to be brought together—where life can be made easier for those who need it to be. If we could get to a stage where things were automated so that we could live our lives for the purpose of thriving rather than just surviving, if we could find a way to advance medical science so that those of us who have lungs that were ruined by parents smoking cigarettes around us in enclosed spaces for years and years could be given a way to breathe more easily . . .

I live my whole life surrounded by tech. I've worked in tech support for going on fourteen years, I'm constantly on my computer or phone or playing video games when at home. So obviously, I'm biased. But I just think that scientific and technological innovation has done so many insanely wonderful things, and will continue to do even more. The problem is not with machines or technology, but rather with the fuel sources used to run them—and, more to the point, the industries and governments that refuse to make the switch to clean energy even when the option is right there, ready to go whenever.

[tofupixel]

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

🔹 Do I need money?

NO!!! Pixel art is one of the most accessible mediums out there.

I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.

Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.

✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!

🔹 What software should I use?

Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐

💰 Paid options:

⭐⭐⭐ Aseprite (for PC) - $19.99

This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.

Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.

If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!

⭐ Photoshop (for PC) - Monthly $$

A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.

Animation is also much more tedious on PS which you may want to consider before investing time!

⭐⭐ ProMotion NG (for PC) - $19.00

An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.

⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)

Probably the best app available for iPad users, in active development, with new features added all the time.

Look! My buddy Jon recommends it highly, and uses it often.

One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.

⭐ Procreate (for iOS) - $12.99

If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.

⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly

ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!

🆓 Free options:

⭐⭐⭐ Libresprite (for PC)

Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.

⭐⭐ Pixilart (for PC and mobile)

A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.

⭐⭐ Dotpict (for mobile)

Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.

🔹 So I got my software, now what?

◽Nice! Now it's time for the basics of pixel art.

❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.

The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍

◽Phew! With that out of the way...

🔸"The Rules"

There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.

🔹Scaling method

There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.

Both are scaled up x10. See the difference?

On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 

(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)

🔹Mixels

Mixels are when there are different (mixed) pixel sizes in the same image.

Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!

As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!

Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.

Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.

🔹Saving Your Files

We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.

For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!

Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.

🔹Pixel Art Fundamentals - Techniques and Jargon

❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗

As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!

🔸How To Learn

Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.

⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.

⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.

⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.

⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.

⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!

🔸 How to choose a canvas size

When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.

What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.

Imagine I have characters in a scene like this:

I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.

If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.

It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.

🔸Where To Post

Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.

⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.

⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.

⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.

⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!

⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol

🔸 Where To Find Work

You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:

Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!

Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.

Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby

Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.

/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.

/r/GameDevClassifieds Same as above, but specifically for game-related projects.

Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.

VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.

The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...

🔸 Community

I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!

Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.

Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.

🔸 Other Helpful Websites

Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.

The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.

VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.

Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!

Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!

Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite

🔸 The End?

This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!

I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!

This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.

And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕

My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting

[inkskinned]

it is totally okay to be hurt and tired and fed up with the american schooling system but i need you to understand that we need to be better about loudly and routinely defending public education.

yes, many teachers suck, many schools utterly suck. i also got bullied and was absolutely not given the right support for my needs. i am not defending public education because it was kind to me. i am defending it because it needs to exist.

right-wing republicans do not want an educated population. they want kids to be homeschooled or in private school. there is a huge religious undertone to this.

the most common argument is that despite high costs, the "result" is not "good" enough. they point to failing schools as proof that public education is just never going to work out. there will be arguments made here that you actually agree with: that teachers can be bullies, that we taught online for 2 years and still charged the same amount of tuition, that we have no recourse for students to actually have agency or a voice, and that schools are now unsafe for kids due to risk of illness and gun violence.

these are all placing the blame in a fraudulent way, one intended to get your parents to homeschool you. the less kids in a school, the less federally-awarded funding for that school, the less any school succeeds. they will not mention the fact it is their legislation that takes away important funding opportunities, that teachers are living at or below the poverty line, that buildings are not kept up to code, that administration is overpaid and forces specific curriculums, that corporations like (my personal enemy) Pearson Education control certain classroom goals because teachers can't afford other options. they pretend to be ignorant of the gun violence and say "oh just get a gun" - but these are the same people who will be sending their child to a private school with a bulletproof backpack. they don't care if your kid dies, though. they "don't believe" in covid, but they did get their kid vaccinated, because of course they did.

it is a closed loop. conservative parents hear the fearmongering and remove children from the system. frequently these parents are also deeply religious. the kids are raised without access to other media & learn to parrot their parents. you have now created a new generation of conservatives. additionally, one of the parents/caregivers must stay home and homeschool the children, usually for free. i will give you 1 guess which parent tends to stay home to homeschool the children. these parents are encouraged to have many, many children. those children are most likely not getting access to safe sex ed.

we might laugh at fox news suggesting teachers are forcing children to use kitty litter but: first of all, there is kitty litter in the classroom. it's part of an emergency kit in case children are locked in due to a shooter. so that's fucking dystopian, and the fact they've completely reimagined the scenario to somehow make the teachers look bad when it's instead a fucking huge symbol of our failure as a country to protect our children.... it feels a little intentional.

secondly: don't just dismiss the situation. because, yeah, obviously, no teacher is encouraging kids to be a catboy. but the actual undertone that fox news is trying to sew is an outright distrust of teachers and of public education. they rely on the dehumanization of trans people as a common touchstone to hide the fact they're pushing two agendas at once. (which is ironic. because the thing they accuse teachers of. is pushing. an agenda.)

whenever someone tells you they want you to read less, you should be suspicious of that. when someone tries to separate you and your education, you should be suspicious of that. i don't even like incel rhetoric nor would i want my kids exposed to it - but i would not take away my child's (age-appropriate) access to the internet. i would just provide more educational materials, not less. the difference here is that i believe we can resolve ignorance with knowledge; whereas conservatives believe that ignorance is bliss.

they misappropriate funding and demonize teachers. they pull the same trick each time - the same thing we are seeing with anti-trans rhetoric. they do not want you to have access to safe sex ed, so they act horrified, claim sex ed teaches you how to thrust deep, claim that we have no idea what "age-appropriate" means. since the mid-nineties, the united states has spent at least 2 billion dollars on abstinence-only education, even though to quote the above link: "a preponderance of studies has found no effect of abstinence education at reducing adolescent pregnancy". conservatives want you to think less of any person struggling with addiction so they can continue their racist "war on drugs", so they spend up to $750 million dollars a year on the DARE program which has absolutely no effect. acting like teachers "must" be "grooming" children is just the same thing - so they can demand that funding either goes to their causes or the funding doesn't "exist" ("i'm not paying for our kids to learn that thing!")

and they want you to feel uncaring about this. they are aware that you will hate some parts of your school experience. pretty much everyone does. they want to lean into the parts that you hate so that you don't put up a fight about it when they take it away for not being "good enough."

i know i maybe sound like a conspiracy theorist. but truly. truly. it is beneficial for conservatives to reduce your faith in the american public schooling system.

one of the explicitly stated campaign promises of the conservative party: to axe the Department of Education in 2024.

i know we are all tired and burnt out and there is so much else wrong with their entire platform. but maybe just - pay attention to this one.

[mostlysignssomeportents]

Cleantech has an enshittification problem

On July 14, I'm giving the closing keynote for the fifteenth HACKERS ON PLANET EARTH, in QUEENS, NY. Happy Bastille Day! On July 20, I'm appearing in CHICAGO at Exile in Bookville.

EVs won't save the planet. Ultimately, the material bill for billions of individual vehicles and the unavoidable geometry of more cars-more traffic-more roads-greater distances-more cars dictate that the future of our cities and planet requires public transit – lots of it.

But no matter how much public transit we install, there's always going to be some personal vehicles on the road, and not just bikes, ebikes and scooters. Between deliveries, accessibility, and stubbornly low-density regions, there's going to be a lot of cars, vans and trucks on the road for the foreseeable future, and these should be electric.

Beyond that irreducible minimum of personal vehicles, there's the fact that individuals can't install their own public transit system; in places that lack the political will or means to create working transit, EVs are a way for people to significantly reduce their personal emissions.

In policy circles, EV adoption is treated as a logistical and financial issue, so governments have focused on making EVs affordable and increasing the density of charging stations. As an EV owner, I can affirm that affordability and logistics were important concerns when we were shopping for a car.

But there's a third EV problem that is almost entirely off policy radar: enshittification.

An EV is a rolling computer in a fancy case with a squishy person inside of it. While this can sound scary, there are lots of cool implications for this. For example, your EV could download your local power company's tariff schedule and preferentially charge itself when the rates are lowest; they could also coordinate with the utility to reduce charging when loads are peaking. You can start them with your phone. Your repair technician can run extensive remote diagnostics on them and help you solve many problems from the road. New features can be delivered over the air.

That's just for starters, but there's so much more in the future. After all, the signal virtue of a digital computer is its flexibility. The only computer we know how to make is the Turing complete, universal, Von Neumann machine, which can run every valid program. If a feature is computationally tractable – from automated parallel parking to advanced collision prevention – it can run on a car.

The problem is that this digital flexibility presents a moral hazard to EV manufacturers. EVs are designed to make any kind of unauthorized, owner-selected modification into an IP rights violation ("IP" in this case is "any law that lets me control the conduct of my customers or competitors"):

https://locusmag.com/2020/09/cory-doctorow-ip/

EVs are also designed so that the manufacturer can unilaterally exert control over them or alter their operation. EVs – even more than conventional vehicles – are designed to be remotely killswitched in order to help manufacturers and dealers pressure people into paying their car notes on time:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

Manufacturers can reach into your car and change how much of your battery you can access:

https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world

They can lock your car and have it send its location to a repo man, then greet him by blinking its lights, honking its horn, and pulling out of its parking space:

https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/

And of course, they can detect when you've asked independent mechanic to service your car and then punish you by degrading its functionality:

https://www.repairerdrivennews.com/2024/06/26/two-of-eight-claims-in-tesla-anti-trust-lawsuit-will-move-forward/

This is "twiddling" – unilaterally and irreversibly altering the functionality of a product or service, secure in the knowledge that IP law will prevent anyone from twiddling back by restoring the gadget to a preferred configuration:

https://pluralistic.net/2023/02/19/twiddler/

The thing is, for an EV, twiddling is the best case scenario. As bad as it is for the company that made your EV to change how it works whenever they feel like picking your pocket, that's infinitely preferable to the manufacturer going bankrupt and bricking your car.

That's what just happened to owners of Fisker EVs, cars that cost $40-70k. Cars are long-term purchases. An EV should last 12-20 years, or even longer if you pay to swap the battery pack. Fisker was founded in 2016 and shipped its first Ocean SUV in 2023. The company is now bankrupt:

https://insideevs.com/news/723669/fisker-inc-bankruptcy-chapter-11-official/

Fisker called its vehicles "software-based cars" and they weren't kidding. Without continuous software updates and server access, those Fisker Ocean SUVs are turning into bricks. What's more, the company designed the car from the ground up to make any kind of independent service and support into a felony, by wrapping the whole thing in overlapping layers of IP. That means that no one can step in with a module that jailbreaks the Fisker and drops in an alternative firmware that will keep the fleet rolling.

This is the third EV risk – not just finance, not just charger infrastructure, but the possibility that any whizzy, cool new EV company will go bust and brick your $70k cleantech investment, irreversibly transforming your car into 5,500 lb worth of e-waste.

This confers a huge advantage onto the big automakers like VW, Kia, Ford, etc. Tesla gets a pass, too, because it achieved critical mass before people started to wise up to the risk of twiddling and bricking. If you're making a serious investment in a product you expect to use for 20 years, are you really gonna buy it from a two-year old startup with six months' capital in the bank?

The incumbency advantage here means that the big automakers won't have any reason to sink a lot of money into R&D, because they won't have to worry about hungry startups with cool new ideas eating their lunches. They can maintain the cozy cartel that has seen cars stagnate for decades, with the majority of "innovation" taking the form of shitty, extractive and ill-starred ideas like touchscreen controls and an accelerator pedal that you have to rent by the month:

https://www.theverge.com/2022/11/23/23474969/mercedes-car-subscription-faster-acceleration-feature-price

Put that way, it's clear that this isn't an EV problem, it's a cleantech problem. Cleantech has all the problems of EVs: it requires a large capital expenditure, it will be "smart," and it is expected to last for decades. That's rooftop solar, heat-pumps, smart thermostat sensor arrays, and home storage batteries.

And just as with EVs, policymakers have focused on infrastructure and affordability without paying any attention to the enshittification risks. Your rooftop solar will likely be controlled via a Solaredge box – a terrible technology that stops working if it can't reach the internet for a protracted period (that's right, your home solar stops working if the grid fails!).

I found this out the hard way during the covid lockdowns, when Solaredge terminated its 3G cellular contract and notified me that I would have to replace the modem in my system or it would stop working. This was at the height of the supply-chain crisis and there was a long waiting list for any replacement modems, with wifi cards (that used your home internet rather than a cellular connection) completely sold out for most of a year.

There are good reasons to connect rooftop solar arrays to the internet – it's not just so that Solaredge can enshittify my service. Solar arrays that coordinate with the grid can make it much easier and safer to manage a grid that was designed for centralized power production and is being retrofitted for distributed generation, one roof at a time.

But when the imperatives of extraction and efficiency go to war, extraction always wins. After all, the Solaredge system is already in place and solar installers are largely ignorant of, and indifferent to, the reasons that a homeowner might want to directly control and monitor their system via local controls that don't roundtrip through the cloud.

Somewhere in the hindbrain of any prospective solar purchaser is the experience with bricked and enshittified "smart" gadgets, and the knowledge that anything they buy from a cool startup with lots of great ideas for improving production, monitoring, and/or costs poses the risk of having your 20 year investment bricked after just a few years – and, thanks to the extractive imperative, no one will be able to step in and restore your ex-solar array to good working order.

I make the majority of my living from books, which means that my pay is very "lumpy" – I get large sums when I publish a book and very little in between. For many years, I've used these payments to make big purchases, rather than financing them over long periods where I can't predict my income. We've used my book payments to put in solar, then an induction stove, then a battery. We used one to buy out the lease on our EV. And just a month ago, we used the money from my upcoming Enshittification book to put in a heat pump (with enough left over to pay for a pair of long-overdue cataract surgeries, scheduled for the fall).

When we started shopping for heat pumps, it was clear that this was a very exciting sector. First of all, heat pumps are kind of magic, so efficient and effective it's almost surreal. But beyond the basic tech – which has been around since the late 1940s – there is a vast ferment of cool digital features coming from exciting and innovative startups.

By nature, I'm the kid of person who likes these digital features. I started out as a computer programmer, and while I haven't written production code since the previous millennium, I've been in and around the tech industry for my whole adult life. But when it came time to buy a heat-pump – an investment that I expected to last for 20 years or more – there was no way I was going to buy one of these cool new digitally enhanced pumps, no matter how much the reviewers loved them. Sure, they'd work well, but it's precisely because I'm so knowledgeable about high tech that I could see that they would fail very, very badly.

You may think EVs are bullshit, and they are – though there will always be room for some personal vehicles, and it's better for people in transit deserts to drive EVs than gas-guzzlers. You may think rooftop solar is a dead-end and be all-in on utility scale solar (I think we need both, especially given the grid-disrupting extreme climate events on our horizon). But there's still a wide range of cleantech – induction tops, heat pumps, smart thermostats – that are capital intensive, have a long duty cycle, and have good reasons to be digitized and networked.

Take home storage batteries: your utility can push its rate card to your battery every time they change their prices, and your battery can use that information to decide when to let your house tap into the grid, and when to switch over to powering your home with the solar you've stored up during the day. This is a very old and proven pattern in tech: the old Fidonet BBS network used a version of this, with each BBS timing its calls to other nodes to coincide with the cheapest long-distance rates, so that messages for distant systems could be passed on:

https://en.wikipedia.org/wiki/FidoNet

Cleantech is a very dynamic sector, even if its triumphs are largely unheralded. There's a quiet revolution underway in generation, storage and transmission of renewable power, and a complimentary revolution in power-consumption in vehicles and homes:

https://pluralistic.net/2024/06/12/s-curve/#anything-that-cant-go-on-forever-eventually-stops

But cleantech is too important to leave to the incumbents, who are addicted to enshittification and planned obsolescence. These giant, financialized firms lack the discipline and culture to make products that have the features – and cost savings – to make them appealing to the very wide range of buyers who must transition as soon as possible, for the sake of the very planet.

It's not enough for our policymakers to focus on financing and infrastructure barriers to cleantech adoption. We also need a policy-level response to enshittification.

Ideally, every cleantech device would be designed so that it was impossible to enshittify – which would also make it impossible to brick:

Based on free software (best), or with source code escrowed with a trustee who must release the code if the company enters administration (distant second-best);

All patents in a royalty-free patent-pool (best); or in a trust that will release them into a royalty-free pool if the company enters administration (distant second-best);

No parts-pairing or other DRM permitted (best); or with parts-pairing utilities available to all parties on a reasonable and non-discriminatory basis (distant second-best);

All diagnostic and error codes in the public domain, with all codes in the clear within the device (best); or with decoding utilities available on demand to all comers on a reasonable and non-discriminatory basis (distant second-best).

There's an obvious business objection to this: it will reduce investment in innovative cleantech because investors will perceive these restrictions as limits on the expected profits of their portfolio companies. It's true: these measures are designed to prevent rent-extraction and other enshittificatory practices by cleantech companies, and to the extent that investors are counting on enshittification rents, this might prevent them from investing.

But that has to be balanced against the way that a general prohibition on enshittificatory practices will inspire consumer confidence in innovative and novel cleantech products, because buyers will know that their investments will be protected over the whole expected lifespan of the product, even if the startup goes bust (nearly every startup goes bust). These measures mean that a company with a cool product will have a much larger customer-base to sell to. Those additional sales more than offset the loss of expected revenue from cheating and screwing your customers by twiddling them to death.

There's also an obvious legal objection to this: creating these policies will require a huge amount of action from Congress and the executive branch, a whole whack of new rules and laws to make them happen, and each will attract court-challenges.

That's also true, though it shouldn't stop us from trying to get legal reforms. As a matter of public policy, it's terrible and fucked up that companies can enshittify the things we buy and leave us with no remedy.

However, we don't have to wait for legal reform to make this work. We can take a shortcut with procurement – the things governments buy with public money. The feds, the states and localities buy a lot of cleantech: for public facilities, for public housing, for public use. Prudent public policy dictates that governments should refuse to buy any tech unless it is designed to be enshittification-resistant.

This is an old and honorable tradition in policymaking. Lincoln insisted that the rifles he bought for the Union Army come with interoperable tooling and ammo, for obvious reasons. No one wants to be the Commander in Chief who shows up on the battlefield and says, "Sorry, boys, war's postponed, our sole supplier decided to stop making ammunition."

By creating a market for enshittification-proof cleantech, governments can ensure that the public always has the option of buying an EV that can't be bricked even if the maker goes bust, a heat-pump whose digital features can be replaced or maintained by a third party of your choosing, a solar controller that coordinates with the grid in ways that serve their owners – not the manufacturers' shareholders.

We're going to have to change a lot to survive the coming years. Sure, there's a lot of scary ways that things can go wrong, but there's plenty about our world that should change, and plenty of ways those changes could be for the better. It's not enough for policymakers to focus on ensuring that we can afford to buy whatever badly thought-through, extractive tech the biggest companies want to foist on us – we also need a focus on making cleantech fit for purpose, truly smart, reliable and resilient.

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/26/unplanned-obsolescence/#better-micetraps

Image: 臺灣古寫真上色 (modified) https://commons.wikimedia.org/wiki/File:Raid_on_Kagi_City_1945.jpg

Grendelkhan (modified) https://commons.wikimedia.org/wiki/File:Ground_mounted_solar_panels.gk.jpg

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en

[itstatartdump]

So like most people on here I had been watching Watcher since they started their channel, and like most others I was surprised/concerned at the announcement that they're starting a streaming service. After checking out the site and looking close at their YouTube, this feels destined to fail.

I'll go through my thoughts.

They don't currently post enough to justify the paywall

Over the past year, they have posted between 4 to 9 videos a month. That is a decent amount for most YouTube channels, but for a streaming service that is way to low. For $5.99 a month, getting only 4 episodes is not a good deal when other services give you more for less.

What makes this problem worse it that...

They only produce one show at a time

Whenever Watcher releases a shows, they only have that show running. During a series of Mystery Files, they only upload Mystery Files. During a series of Too Many Spirits, they only upload Too Many Spirits. Now this isn't the case all the time, when they have smaller productions they usually release a similar size production along with it.

If we go back to the issue of only getting 4 episodes, this means that you can be paying $5.99 a month to access 4 episodes of a show that you don't enjoy.

These two issues would be less detrimental if it wasn't for the fact that...

They backpedalled removing their YouTube back catalogue

Lets be real, not only were they originally going to remove their YouTube content, It was the only way I could see this being worth the price.

Yes, they say that they aren't removing it, but if you read the full article it say's that "The company originally told Variety that Watcher would eventually remove all of its videos from YouTube".

Their original plan WAS to make all their content exclusive to streaming, the problem was that everyone new this was a scummy idea and they gaslit their audience into thinking they weren't doing that. But that now leaves them with a streaming service where all they offer is 4 episodes of a show per month and a back catalogue that is free on a more well known platform.

The big question I have is...

How are they going to make more content

This is something that I feel should be addressed, they are a small production studio who are trying to "creating television-caliber, unscripted series in the digital space" (direct quote from their YouTube Description). They need more content per month to make this service worth while, how are they going to do that?

Will they push out multiple small budget, easy to film, YouTube like content that bring up the overall upload count which may cause them and their employees to crunch and burn out.

Or are they going to produce several higher budget, TV-calibre shows that would each be more expensive than they can afford to make.

Not sure if this was coherent but thanks for reading anyway.

(sidenote)

While I agree that Steven is getting a huge bulk of the anger that should also be applied to Shane and Ryan, I also have to acknowledge that the first announced show after saying they need money being his travel show is not helping.

[cy-cyborg]

Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

[chaoticallyfluffy]

"What are you, a cop?" and "Now you see me now you don't" both sound interesting

For "What are you, a cop?"

Billy is deaged (actually deaged. He goes from 15 to 10 or something and doesnt remeber the league) during a mission. He suddenly woke up in the middle of a battle so he's freaked out. the Justice League take down the threat then try to calm the boy down, explaining that theyre heros and here to help.

Billy takes a moment to take that in... then bolts.

It takes a bit to catch the kid, he's surprisingly agile for his concerningly small size, but they manage to get him into the jet and hes pouting in the corner looking angrier than the league has ever seen him.

They try to ask questions. Are you okay? Are you hurt? Why are you so thin? Is there anyone we should call? But Billy stays silent and his glares stay intense until he finally speaks.

"I don't talk to pigs." he spits out, giving them the nastiest look as if his glare alone could poison and kill them.

They stare at him for a moment, processing that.

"We're not cops???" Clark says, unconvincingly. Hes never been more confused in his life and has definitely never been confused for a cop.

"Whats wrong with being a cop?" Barry, the forensic scientist, pouts.

They knew that Marvel had a bit of a weird relationship with cops but they didn't realize he hated them, and especially not with such a passion!

The league spends the whole jet ride back to the tower trying to convince Billy that not only are they not cops, but that cops shouldn't be something to be afraid of anyway.

Billy spends the whole trip explaining ACAB to them and that yes, they are in fact cops, and here's all the things that the police system has done wrong that the league have probably also done or been complicit in..

I just want to write Billy radicalizing the Justice League and the league helping to reform the police system.

---

For "Now you see me, now you dont"

In the original comics Billy can and will transform in front of anyone at anytime and they wont realize that it was a transformation. Why?because plot armor. They will just think that the boy ran away right as Captain Marvel appeared or something, and when Billy reappears they don't question it either.

In the fic, its a magic perk that came with the whole Champion of Magic package and its a perk he uses often and irresponsibly. He takes it to the extremes by transforming in front of large crowds (no one questions it), while being recorded (The camera shorts out and stops working completely), and even in front of villains (they curse when the captains escapes yet again, completely ignoring the little boy standing in the middle of their secret base)

The last one is how he figured out that even if he is very much Not supposed to be somewhere, he wont be questioned as long as the only people who see him there also saw Marvel transform in that area. If someone who didn't witness the transformation were to see him, they would realize he wasn't meant to be there and call him out which would cause the witnesses to notice it as well. Leaving the room and then returning would also snap them out of it and he would be questioned.

Its a pretty overpowered ability for a child to have access to and when your a street kid without any video games to play who gets chased out of public parks for being too 'dirty' and can't afford any toys, you have to get creative with your entertainment.

Billy wants to see just how far he can take this power, and decides to transform in front of as many people in one day as possible while on the most highly secure facility in earths orbit- the Watchtower.

Follow Billy as he stretches his powers to their limits by transforming in front of the Justice League while praying he doesn't get caught and see what pranks he's able to pull off in that time!

I really like both of these ideas and I definitely want to write them someday. I already have lots of ideas for ways Billy can abuse that particular power! For now I am focusing on a few other fics but these ones are somewhere in the queue.

[dulcewrites]

ewan in the saltburn trailer is j sooo giving private school filthy rich aemond i love it

AND YES HE NEEDS HIS POC GF

I have been feeling…. less than inspired lately about hotd tbh but hopefully this will spark something. I know no one asked for this lol. This was inspired by Beyoncé’s Upgrade U. Honestly, I don't think Aemond would be much of a loser in a modern setting. He would be far too elusive and people would find him interesting simply based on that. But I am combining/changing some lore here so he is a #loser in this like I am assuming Ewan's character is Saltburn is.

Upgrade You

Pairing: Aemond Targaryen x rich!reader (wc: 2k)

Summary: You have always enjoyed having a project to build or fix up and Aemond Targaryen is no different

You flick a spoolie brush over your brows as you finished up your makeup. The lights from your vanity mirror illuminating you as you put the last touches on your face.

"I don't get it," Melanie sighed as she hugged one of your pillows to her chest. She sat crossed legged on your California king bed. "You're like the smartest person I know. Why do you need to be tutored?"

"Everyone can improve themselves, no matter what someone's specialty may be. Remember that."

Melanie nodded enthusiastically. Sweet girl, you think. A little daft at times but nothing some time under your guidance cannot fix.

She tilts her head curiously. "You are pretty dressed up for a library meeting too."

"Another lesson," you fluff your curls then turn from the mirror to her. "Do not let anyone tell you that you are overdressed. Does the library have a dress code?"

Melanie shakes her head slowly.

"So, who is going to tell me to change?"

"... No one?"

"Exactly."

Melanie chews on her lip in thought as if she is taking mental notes in her head. Though she is not wrong you are quite dressed up just to be studying. But your advice was also not wrong; any moment to be noticed should be taken and made the most of. If are to come into contact with any of your peers, why not make the best impression possible. You also do not have in it in you to tell your new pupil about the real reason as to why you were making this little trip. Best move through life with your cards close to your chest as your mother tells you. You can only imagine how wide Melanie's hazel eyes would get if you told her what you had up your sleeve.

Much like how you help the girls around you cultivate their futures, you must look out for your own as well. Your phone dings, and you smile when you check the notification.

Aemond Targaryen.

Archaic, some would say. Sending the feminist movement back 50 years, many could argue. Being realistic is more how you would put it. You have money, sure. Your parents have afforded you all the opportunities they wanted you to have, and for that you are grateful. But you are not naive; this is still very much a man's world. No matter how much money you have, there will be people who will look at you and hate you for having the gall to want more. For having ideas and wanting to express them. For looking the way, you do - for using the way you look against them.

You may not be able to have a seat at the table... but you can have someone build another for you.

Your family may have resources and money. But they do not have 'my father can use company family buy his way into politics; my mom has ancestry that traces back to French royalty' reach.

Luckily for you, there is someone who does have that access.

A little rough around the edges, but nothing some TLC cannot fix. It was one of your best traits: finding the diamonds in the rough and polishing them off so they shine brighter than before.

You go over to your closet and open the double doors. As your eyes search over the different handbags, you call out back to Melanie.

"Watercolor Dior saddle or creme Bottega Jodie?"

"Dior," she calls back.

You check yourself in the mirror before existing the closet.

"Well," you twirl for Melanie. You run hand over your midi turtleneck dress. You knee length boots clanked around as you moved in a circle.

"Perfect," she beams.

She sees you out to your car. With the window rolled down, she waves you off like a mother seeing their child off for kindergarten.

"Happy studying!"

Sweet and simple, just how you like em.

———

You always thought the best thing about Oxford was how it looked in the fall. The leaves begun to change, sprite green to a blend of red, orange, purple, and brown. Made the most picturesque background. But it seemed like how gently the leaves fell from the trees was the only thing that was coming easily.

Maybe it was naivety on your part, but you thought when you showed up in four-inch patent leather Aquazzura heels and literally no books, Aemond would have got the hint. And yet, here you were talking about the components of stockholder’s equity, as if you cared.

"So," you interrupt him mid rant. "Any fun plans for Winter break? I know it is a while away, but everyone is already taking about what they are doing."

He wrinkles his nose, his glasses being pushes up in the process. "Probably just dinner with the family."

Right. The compound. At least that is what the Targaryen main home looks like. You of course needed to your research.

"Well, there is this crazy Christmas that happens before everyone leaves," you shuffle closer to him, and you hope he gets a whiff of your perfume. "Maybe we can go together?"

Aemond snorts and looks down bit sheepishly. "Highly doubt, I am invited."

You fight the urge to sigh wistfully. Cute, smart, wealthy as fuck... and apparently awfully insecure. Everyone throwing the party should be falling at their knees to have him around. But you have since understood during your time at Oxford that many students here do not understand the opportunities in front of them.

If Aemond had any real confidence, he'd say fuck it because he could buy everyone going if he wanted to. They ignore him because he allows them to. And then you realize he is one of those people; the delusional 'I want to get by on my merit not my name' kind of people.

Oh sweet, silly boy.

"That doesn't matter," you wave him off. "Besides, if anyone says anything, you can just say you're with me. Consider it a thank you for doing this for me."

You let your hand slip on his thigh and squeeze slightly.

"Better yet, let's call it a date."

Rhaenyra would think for the amount of money her family has; they would be able to afford stronger liquor. But she has a feeling that it has nothing to do with money, and more about the 'champagne only' rule Alicent liked.

The expansive backyard was decorated impeccably, as it always is for the annual holiday party that they throw. Twinkly lights in the trees, red and green everywhere, and even a frankly nouveau riche ice sculpture. The affair was black tie, and Rhaenyra could feel the eyes of some guess when she showed up in a red fitted suit. Taking small sips from her glass, she looks around the area. She swears the more years go on, the less she recognizes who is invited to things like this.

"Don't tell me step-mommy has put you in timeout."

She rolls her eyes when she hears a familiar voice. Daemon comes to stand next to her, with a small glass in his hand.

"No, you fucker," Rhaenyra then frowns. "Where did you get the scotch?"

"Why do you think I am in timeout?"

Her uncle always found a way around the rules. Rhaenyra blows air out of her cheeks in annoyance. She looks down at her watch; another rule is that they were required to stay at 2 hours. Only 45 minutes has passed since she arrived.

"Heard you are going to the company retreat this year," Daemon downs the rest of the drink and winces at the burning.

"Someone has to represent the family with dad," she shrugs, a small amount of smugness seeping into her tone. "He asked me to go."

"Hmmm," Daemon smirks at her smugness. "You and Aemond."

Rhaenyra blinks confused. "What?"

"Yup," he leans against the wall. "I suppose Viserys found a new muse."

Rhaenyra snorts at his words but then licks her lips nervously. It sounds cruel to think, but it was never something she ever really worried about - her father preferring her siblings over her. At least not something she worried about in her adulthood. Sure, as a girl, newly off the passing of her mother, seeing her father marry a woman only six years her senior rattled her. Aegon being born shortly after only made things more tense. But, and to his own detriment really, Viserys had made sure she came first.

"I did not know Aemond had an interest in the company in the first place."

"He didn't," Daemon's mouth pinches a little. "Not until... recently."

Rhaenyra follows her uncle's gaze out to where Aemond was standing. He always managed to look more grow up than his sibling, more than Helaena and Aegon. A mimicry that Rhaenyra thinks he picked up from his mother, but something seemed different now.

New haircut, no glasses, new suit. Armani? No, Tom Ford. With a Cartier tie clip and sparking cuff links to match. He is surrounded by some of the lawyers that work at the company.

"Looks like university has done him well," Rhaenyra tries to sound as even keeled as possible. "Good for him."

"No," Daemon sounds bored with her strained pleasantries. "That is what pussy does someone who has never got any before."

Rhaenyra blanches. The last thing she wants to think about is her younger brother having sex. She sets her champagne down in disgust.

"Don't be gross."

Daemon huffs before directing his attention towards the other side of the courtyard. His eyes zero in on Alicent, who tosses her auburn hair over her shoulder as she laughs with a young woman. A pretty young woman.

"Only met this semester and managed to get a holiday party invite, and a seat next to mother dearest. She must some charmer."

"You know," Rhaenyra starts. "Not every woman that is around this family is some sort of ruthless social climber."

"Of course, not every woman. Only the smart ones."

She sighs. That was not just pointed at the girl, but at Alicent too. Even though Alicent grew up with an even cushier life than they did. A type of old money that even the Targaryens had to give credence to. Strangely enough, Daemon seemed to take Viserys remarrying worse than Rhaenyra did. Even Rhaenyra over the years has grown to accept the fate that is their blended family. Accepted it enough to be cordial, albeit sometimes still awkward, with Alicent. They have forever been bonded in having to deal with the moods that come with Viserys Targaryen. But Daemon... it seems like he has never forgiven his brother for the act of moving on. He seemed to only grow more jaded since the divorce from Laena.

"How do you even know this?"

"Aemond told Aegon who told Helaena who told Rhaena who told Baela who told me."

Rhaenyra breaks her gaze from the two women. "Keeping tabs on your nephew that you barely speak to?"

Daemon gave her an empty smile. Almost a little cruel like he would crush her like a bug if it would not so pitiful. "You naive little thing. When you figure things out, let me know."

Rhaenyra wants to ask him what he means by that, but Daemon pushes himself off the wall he was leaning against to leave Rhaenyra alone.

Alone was a feeling she was used to. Rhaenyra often found solace in the loneliness that she found herself stuck in. If she did not find comfort in it, it would swallow her whole. Jaw unhinged and bloodthirsty.

Her eyes went back to the where Alicent and the girl were sitting, but Helaena seemed to replace the girl's place to speak with her mother. Instead of getting chummy with Alicent, the mystery woman had gone over to Aemond. Rhaenyra felt a little queasy watching them. Like watching two little dolls or those silly little cake toppers people get. Picture perfect like the stock photos that came in picture frames.

She shook her head at herself with an internal laugh. Here she was picking apart her baby brother's seemingly first real relationship; she was no better than Daemon if she did that. It was she told herself when she watched one of the wives of the company's lawyers come up to the girl and give her kiss on the cheek. Like they were old family friends.

Rhaenyra suddenly finds herself straightening out her jacket and her heels moving across the outdoor area. Might as well introduce herself... as a kind sister figure, of course.

She has a funny feeling she will be seeing this girl around more often.

[dovesndecay]

Hey! I saw your post on diet culture and fast food and wanted to know what you mean about "diet culture would rather us starve than admit fast food is an accessible food resource"? Could you elaborate? (sorry for the paraphrase, I'm on mobile.) Thanks!

So, I'm disabled in a number of ways. I struggle really hard with executive function, appetite, sensory issues, and pain/fatigue/brainfog that makes deciding on food, and then following the process of making that food very difficult on a good day.

I've always had food issues -- I've snuck whole mouthfuls of food I could not physically make myself eat into the bathroom to spit it out in the toilet because I'd been told I had to eat it. I've puked from the texture of food. And I've gone hungry because food that was prepared is food I could not eat, for a number of reasons.

I'm also really fucking poor. I cannot work a regular job anymore. Groceries have actively skyrocketed to the point where our household is spending less than HALF of what we should be for the number of people. The difference between buying a bunch of groceries that we may or may not eat before they expire or our tastes for them die and simply purchasing a meal from a fast food joint is literally just the cost of labor -- saving us from expending spoons on deciding, buying ingredients, preparing, cooking, and then eating that food, which I will again stress that we might not actually eat.

There's only so many times you can have Walmart brand chicken nuggets before you physically cannot choke it down again.

Diet culture has a huge focus on eating the "right" kind of foods as well as this weird "self-sufficiency" fetish for cooking that can be fine but has a bad habit of edging into ableism. If you physically cannot cook on a regular basis, for any reason, and you have a lot of fast food meals, you get judged a lot for it. It's labeled "unhealthy" and "lazy". I am often told that I just "haven't found the right recipes" or "cooking hacks". No, man, I'm just fucking disabled.

Personally, I'd label starving as more unhealthy than eating fast food, but people don't like hearing that you aren't willing to swallow whatever gruel society thinks people in poverty deserve to have.

For me, fast food is predictable, safe, filling, often less expensive, convenient, spoons-saving, and it means I will eat. I also just genuinely think a lot of fast food tastes good. Sure, it's not fresh veggies and fruits, but I'm not getting those anyway. When I buy groceries, it's the cheapest items possible which means a lot of frozen foods, packaged pastas, and cereals.

And this isn't even looking at food deserts where grocery stores are few and far between, but fast food chains are everywhere. Even my Louisiana hometown, boasting a population of 10,659 people as of 2020, has a Burger King, McDonald's, Hardee's, Wendy's, Taco Bell, Popeyes, and numerous pizza delivery places. Y'know what closed down though? The Piggly Wiggly, one of the more affordable grocery stores -- my grandmother actually worked there during my childhood -- and I don't think the Winn-Dixie is even open there anymore either. So all they've got is a Walmart.

Fast food is an accessible food resource, and diet culture would rather see us starve than acknowledge that.

[darkficsyouneveraskedfor]

The Lost 3

Warnings: non/dubcon, mentions of loss, grieving, death, and other dark elements. My username actually says you never asked for any of this.

Characters: nomad!Steve Rogers

Summary: You move into a shared flat and encounter a mysterious man.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

When your shift ends, you leave the shop, heading down the same way you came. You stop at the corner of Mason and think better of going that route. You take that man’s advice and go along Doxtator instead. It’s quieter, there aren’t as many businesses so not as many people loitering and tossing cigarette butts.

You come up to the shared house and enter through the side door as usual. You wouldn’t call it routine yet, you haven’t been there long enough, but a ripple of deja vu comes over you. You keep your head down as you enter the kitchen. As you do, there’s another person in there.

You don’t know if you should say hello. You haven’t seen this man before. He must be one of the others. He pulls a box of rice crackers out of the cupboard and ignores your presence. You follow his lead and don’t say a word as you set your bag on the counter and pull out the drawer. You write your name on the few items you got from the store before you left; a box of cereal, a carton of milk, and some packets of ramen.

You put it all away as the other resident traipses off down the hallway, shuffling footsteps reverberating off the shabby walls. You shut the fridge as you hear the outside door open and shut. As you turn, the other man enters; the big one with the shaggy hair. S as you think of him.

He nods at you as you fold up the paper bag and shove it in the bin. He goes to the cupboard and opens the door. He sighs and takes out the same box of crackers as the last man. He shakes it and tuts. You see then the S marked on the side.

You leave, not wanting to get involved. You feel bad that someone else took his food but you also don’t need the drama. You hate conflict. At least now, you know to watch your things. Maybe later you’ll sneak out and retrieve your ramen so you can preserve a few meals.

You’re not very hungry. Your appetite is sparse these days. Maybe it’s this place. You can’t quite settle in, maybe because you hope it’s only temporary. Yet, you can’t say if that’s because you’re holding onto hope that by some miracle you could go back to your former life or that you might even forge a new one.

You lock the door and turn on the standing lamp. You fold your coat over the metal frame of the bed and sit to untie your shoes and peel off your socks. You change into a loose pair of sweatpants and a plain tea with a Pepsi logo on it. Not your clothes, another set of charity tatters.

You lay down and stare at the wall. You used to have a television in your room. You’d watch the old sitcoms they replayed on the public access channel. Or you’d listen to music and knit something. You had at least a dozen scarves more than you needed. You might be able to afford some needles and yarn after your first pay.

The cone of light casts a low haze through the tight space. Your eyes slowly close as thoughts of shutting off the lamp fade into your subconscious. You’re asleep before you can feel yourself drift off.

🚪

You wake to a strange sound. Your eyes flick open to the yellow lamplight as you lay stiffly on your back. You groan as your cramped muscles tug. You stretch and the bed frame creaks with your movement.

The scratching continues. You’re not surprised. You would expect mice in a place like this. There were some at the shelter too. They mostly left you alone, just skittered by as they searched out crumbs.

It gets louder as you sit up, tilting your head as you try to loosen the knot between your shoulders. You stand slowly, daunted by the pang across your hips. The mattress is thin and you can feel the frame on the other side.

“I know you’re awake, sweetie,” the voice startles you as it slips beneath the door. You stop your arm midreach as you go to click off the lamp. You peek over and see the shadow shift under the door. “Sweetie? I can see your light’s still on, why don’t you open the door?”

You don’t know the voice. It’s pitchy and uneven. The sickening tune behind it makes your stomach wrench. You stay far from the door as the handle jiggles, the deadbolt keeping it from opening.

“Sweetie. I just wanna talk. You don’t have to open the door. Just talk to me…”

You hug yourself and gulp. There were men in the shelter who tried to talk to you, the ones who got too close, who would stand over you while you slept. You were lucky they went away when they were caught.

There’s another shift and the floorboards groan. You hear an odd scuff and see something slide beneath the door slowly. Little by little. It’s a hand mirror, just thin enough to fit. Oh my god.

“Sweetie, I wanna know your na–”

The click of a mechanism and the grind of hinges interrupt your unwanted visitor. The mirror stills and the floor creaks again. You chew your lip as you listen with bated breath.

“Oh, hi,” the same voice greets someone.

“Go,” the deep voice orders gruffly.

“You can’t make me–”

“What are you doing out here?” The other man asks. You recognise S’s timbre.

“N-nothing. I live here too. I can be in the halls,” the strange man responds.

“I’m trying to sleep.”

“I wasn’t making noise.”

There’s a pause. Footsteps follow, getting closer, and you hear the squeaky voice utter a ‘no’ as the mirror wiggles slightly then is kicked further inside, scuttling over the floor.

“What the hell?” S growls, “you leave her alone.”

“I wasn’t bothering her–”

“I know what you were doing. I know who you are. What you are. So go before I crush you like the worm you are,” S’s words make even you shrink in fear.

“Ha, you think you deserve her. Because you look like you do,” the other man accuses, “you don’t scare me.”

“I don’t care if I scare you, I’ll break you in half if I see you at her door again,” S sneers and there’s a thump on the door, followed by an ‘oomph’. “Got it?”

“Got… it,” the breathy hiss chokes out, “let me go.”

A sudden scramble of footsteps, as if thrown off balance, clatter across the floor. They continue, quicker and quicker until you can’t hear them. You hear a sniff, then a sigh. A shadow appears at the bottom of the door.

“Hope you’re okay in there,” S says, “I’ll keep an ear out for that creep.” He pauses as if waiting for an answer but you can’t find one past the hammer of your heartbeat, “have a good night.”

The floor groans with his weight as he retreats and his door gently clasps. You can’t move. You lean into the wall and let your legs fold as you slide down onto your bottom. You’ll leave the light on for tonight. You don’t think you can face the dark.

[faebaex]

Hi? It's my first requests, so if you don't mind could you please do GN!MC stingrays × octavinelle?

(I'm sorry if i have grammatical mistake)

Have a great day Author-nim ♡

Octavinelle with a Stringray Reader

author note: hiii welcome! i feel like it is going to become my mission to turn every imaginable sea creature into a reader (✯◡✯) i'm up for the challenge! this was really fun to write! also, accidental sugar daddy Azul? Accidental sugar daddy Azul <(￣︶￣)>

characters: Azul Ashengrotto, Jade Leech, Floyd Leech x GN!Stringray Reader

background:

You are a stringray mer, specifically of Bluespotted Ribbontail species. You are considered quite attractive, and your small stature and timid nature only add to your allure. Despite having quite potent venom, your spinal blade does not carry over to your human form.

Azul Ashengrotto

Oh you poor, sweet summer child.

The first time Azul laid eyes on you, people swear they could see thaumark signs in his eyes.

It was like someone has personally delivered prey to him.

But he was doing you a favour, you know?

With your timid and tender nature, it was only a matter of time before one of the many rogues at this school took advantage of you.

But luckily for you, he can offer you protection. Just sign here and... Perfect. That was easy, wasn't it?

And that is how you began working as a server at the Mostro Lounge, in exchange for Azul's 'protection'.

You quickly became the most popular server at the Lounge, your attractive appearance and nervous, stuttery service becoming a hit with the clientele. Poor little thing, you tug just right on their heartstrings.

Azul was surprised. Whilst he was expecting you to have some popularity (exactly the reason he preyed on you in the first place), he wasn't expecting you to blow up like this.

But he isn't complaining! Celebrating, in fact. Sales have never been better, and seasonal specials have been selling out faster than normal since you joined his staff.

Anyone who goes in the VIP room after hours will see a huge grin on Azul's face as he pours over the business ledgers.

Its because of this that Azul starts to spoil you.

It starts small at first, an extra 15 minute break here and there, a side you hadn't asked for slipped on to your employee meal.

Soon enough, you are granted exclusive access to the VIP room, a perk that was only afforded to the twins up until now.

Oh and what a coincidence, you'll find a study guide for that class you are struggling with on the VIP room table as you take your break. It must have been left out after a client meeting... No harm in you thumbing through it whilst you take your break, Azul would coo.

Azul tries to be discreet, especially once the twins cotton on to your special treatment, with Jade flashing a sharp toothed eerie grin and Floyd complaining that he too wants free study guides.

Azul could justify it, of course, with that you are their best server, in order to maximise the hours you could work, he needed to ensure no other aspect of your life got in the way.

He was definitely justifying it more to himself than he was the twins.

So come, dear. Let him show you your new special uniform for the lunar new year seasonal service...

Jade Leech

You make work so much more fun for him.

Watching you quiver and almost drop a glass when he creeps up behind you and places a hand on your shoulder is just precious.

"Oya, oya. Those glasses are quite delicate. Do be careful."

However, despite the fact that he slyly bullies you for fun, he is a very good manager.

He will always ensure you take your break on time, and that your employee meal is ordered far enough in advance that it is ready for you as soon as you sit down on your break.

And should any particularly rowdy clientele decide to bother you...

Then he will ensure they are dealt with <3

It is his favourite part of the night, after all. How he adores it when you hide behind him.

Jade ropes you into his sneaky work agendas too.

For example, he'll coach you into pushing the mushroom dishes to customers so that he can stop Azul from taking them off the menu.

Probably the least sinister smiles you've received from him are when he beams at you when you deliver a bunch of mushroom dish orders to the kitchen.

Jade will stand with the most innocent smile as Azul looks on in confusion through the order ledger and the sudden influx of mushroom cuisine orders, with you hidden behind Jade.

Azul: "Why are they tucked behind you like that?"

Jade: "They're tired. :) "

Considering the nature of your 'deal' with Azul, Jade's protection of you extends outside of the Lounge into your school life.

But that doesn't mean it is convenient, even if it is effective.

He terrifies you just as much as the people around you, after all.

However it has its perks.

The lunch line is infinitely easier when you have a 190cm eel ensuring that you don't get caught in the lunch crush.

He likes to tell you over lunch how his favourite food is octopus when Azul is sitting right there.

He'll then remark, with the most unassuming of smiles, how he hasn't tried stingray yet.

Funnily enough, you don't feel so hungry anymore.

Floyd Leech

Oh dear.

This man terrorises you.

You're just so cute to him! Especially when you tremble and tear up when he spooks you.

He just wants to tuck you under his arm and keep you <3

Floyd is constantly on your heels when you are working. Whether he is spooking you or draping himself over you, he's always somehow impeding your work.

Azul is constantly scolding Floyd and tries his best to keep you separated, so that Floyd's behaviour does not bother you. Or effect profits.

Jade just looks on in amusement.

Despite the above, your relationship with Floyd isn't all bad.

You and Floyd take your breaks together, simply because he stops working when you do and throws himself over your lap when you sit down to rest.

He's fairly calmer then, passing the time by showing you pictures of clothes he is thinking of buying and asking your opinion on them.

You caused a few mood swings at first when you didn't give a good enough response, but after awhile you got comfortable enough to give him your honest opinion. That makes him happy!

He also shows you his basketball videos, even if most of them are just Ace getting taken out by one of his basketball throws.

He's definitely roped you in to going to practice with him one time. He thinks it would be funny watching you struggle to make the hoop.

Floyd is also the cause of one of your most terrifying incidents at NRC.

On one of your rare days off, you were taking a swim in the Octavinelle pool to relax and reacquaint yourself with the water, and Floyd snuck up on you and scared you.

And well...

You almost skewered him with your spinal blade.

You narrowly missed stabbing him right in the stomach. Even Floyd was shocked but the suddenness of it.

... Until the giddiest grin spread across his face and he started cackling.

You, on the other hand, started bawling your eyes out.

Floyd ended up carrying you to the Lounge because you wouldn't stop crying.

He sat you on a barstool whilst Jade prepared you a drink and Floyd went into the kitchen to steal you some ice cream.

Floyd then gushed to Jade about how cool you were when you almost stabbed him with your tail blade and how sharp it looked.

He looks freakishly delighted when he remarks that maybe next time you'll actually get him.

If you did, he'd probably wear it as a badge of honour and show it off to everyone shamelessly.

Meanwhile, Azul comes to check what all the noise is and pretends to be upset that the twins are giving out free refreshment, like he doesn't do that himself.

[gothhabiba]

[ID: a tumblr post containing a screenshot. Text in the screenshot reads “lol @ academics on twitter dotcom once again handwringing over students using chatgpt to write essays. don’t work for the enforcement of access barriers institution and then get mad when people try to elide or mitigate the access barriers, hope this helps.” The OP of the post adds this commentary to their screenshot: “I think the access barrier is the borderline incomprehensible amount of money you need to pay them to let you matriculate (this was about america). not the fact that you’re expected to be interested in the course once there.” end ID]

some people are so allergic to questioning anything they consider to be “common sense” it’s pathetic. worshipping meritocracy and the supposedly automatically edifying qualities of “effort” and suffering while also proclaiming oneself to be some flavour of progressive. sheesh

also I know this isn’t the point but it never stops being fascinating to me that so many people with this “you need to learn to Be Literate In The Correct Ways, Which Is An Easy Thing That Anyone Can Easily Do” sort of attitude (the elision between “think in the incredibly specific way and write in the highly specific way required to complete an essay that adheres to this particular school of thought about what essays should be like” and “be interested in the course” is telling here) are also, like... not great at reading comprehension imo.

it was super clear, even just in this ungenerous cropping of a longer point, that the original post was (among other things) criticising academia as a whole for being intended to institute access barriers to accumulating wealth, prestige &c. such that skills the university considers necessary (& performance within the limits afforded by university disability ‘accommodations,’ which are a joke) are considered automatically necessary, unquestionable, unimpeachable &c. as though the academy and its conception of “literary” are natural and inherent facts of life, rather than representing a particular interpretation of which “skills” are needed and how those skills are evaluated based on what the institution of academia is intended to do, economically / politically / socially, within a given society (cf earlier discussions on my blog about the material circumstances under which the field of literary studies arises)

which is simply basic materialist analysis. but most people in the notes were again too busy being outraged at the people trying to “game” this already highly rigged system to be able to comprehend a criticism of the highly rigged nature of said system

[jiangwanyinscatmom]

The Burden of Debt For Wei Wuxian: Part One

The burden of debt was consistently placed upon Wei Wuxian and it very much was do to the classist expectations that Jiang Fengmian held regarding his former servant as well as Madam Yu's derision of servant class.

Yes, Wei Wuxian has an ideal social position as a favored servant and "spoiled" in the sense that the position came with many benefits reserved for what the real world equivalent of scholars would have received moving through the political courts of China, but as the novel world is anachronistically strewn with various points of historical and loose context, it carries over these aspects into fictional sects that rely on familial blood associations for inheritance of them. What had once been typical xianxia sect dynamics were inverted to resemble the political systems of the mundane human world, and is also brought up within the novel itself as having significantly changed the cultivation world's own dynamics.

Wei Wuxian is in full awareness as to what his position is to the Jiangs and as such is able to hold secure in this and what he means for the family. He is brought in by Jiang Fengmian with the expectation to be a servant for his son and a right hand, not a brother. This is noteworthy to point out as Jiang Fengmian does not hold the same expectations or protections he reserved to Jiang Cheng. As a sect and clan heir Jiang Cheng should not be placed in extreme danger as what was argued for the Indoctrination. He is the only male blood heir for the clan, Wei Wuxian, being neither family nor adopted, had the expectations of representing their clan as a servant would and the expendability if it came to such. Madam Yu on the other hand irrationally disliked Wei Wuxian dueto his mother and saw this placement of expectations as a derision, of her blood, and the lack of respect of her place as the other Jiang leader and mother of the future of Yunmeng because he was ambivalent to her nature and self.

Wei Wuxian knew what he was to Jiang Fengmian and willingly would serve the lord that had afforded luxuries he would have no access to otherwise if he had not been found by him and by that extension would serve his son that would take his place in debt for this. While proud of his own abilities and intelligence he uses those in service to the Jiang principle and reputation that he was raised to follow. Filial Piety does not just extend to birth parents but to the community that has actively raised and nurtured you. To do less is shameful, a lack of character and respect to the fundamentals you learn to follow.

Madam Yu saw him as a servant more favored than her own son, Jiang Cheng saw this relationship much the same way. Jiang Fengmian did not respect the morals of Madam Yu that Jiang Cheng also embodied but he could easily continue to believe that due to the debt of having been raised under the Jiangs meant that Wei Wuxian could not and would not usurp his claims. These two consistently bring up that while of a favorable position, Wei Wuxian to the family, is still a servant and use that to condemn both Wei Wuxian and Jiang Fengmian's characters as well as using this as a boon that despite Wei Wuxian's talents he will and never can be more to overshadow their places of higher standings.

Even after the Jiang parents own deaths, Wei Wuxian places his position as servant that owes a debt to the Jiang leadership to keep Jiang Cheng safe as they had ordered, not as a brother. Due to his lack of knowing that Jiang Cheng had tried to impulsively protect him and thus Jiang Cheng losing his cultivated core, he sees this as a lacking on his own part for not doing as ordered by his leaders and the threat of the collapse of the sect that fostered his talents he was to use for. He rationalizes the transfer of his core to Jiang Cheng is giving back what was already made by the Jiangs teachings and thus already something that is by default Jiang Cheng's. He is giving back what was given by Jiang Fengmian after being picked up off the streets as debts are meant to be repaid in full return for what had been taken.

This was already a cycle as Jiang Fengmian had looked for an orphaned Wei Wuxian due to the debt he had owed Cangse Sanren for saving his life in their youth and further debt upon Wei Wuxian to now serve the clan for that chance of life repaid again. Similarly, Wen Ning, much like what Cangse Sanren did, saved both Wei Wuxian as well as Jiang Cheng by harboring them as well as Wen Qing. Due to their association with Wen Ruohan and the other Wen aggressors, Wei Wuxian makes his own stipulations of debt by asking Wen Qing, an esteemed doctor of the cultivation world to perform the transfer. Her clan had helped destroy the Jiang's and in that sense she was given an equal opportunity of survival back to Jiang Cheng upon this agreement that Wei Wuxian would later assist her if called upon.

Wen Qing secures a call of safety for herself and Wen Ning for the shelter they provided Wei Wuxian and Jiang Cheng, as well as the personal debt expected repayment from Wei Wuxian's begging for her to perform a transfer of power for an enemy of her people she is supposed to be politically loyal to and in service to. Due to the surgeries success, he metaphorically has given this protection and talent fostered by the Jiang's back to who he sees it as having been provided. The physical debt of life being saved has been repaid with this action by Wei Wuxian to Jiang Cheng in exchange for that debt to be expected repayment to the Wen siblings eventually for their secrecy and harboring the two.

Wei Wuxian himself due to his own personal moral and loyalty still does stay by Jiang Cheng's side as the expected right hand man he was told to be by Jiang Fengmian, even with the loss of his core, his talents for creating Gui Dao are a draw for cultivators to be drawn to the newly established strength that Yunmeng Jiang held. In essence of strength and reputation Jiang Cheng was politically untouchable due to his tie with Wei Wuxian as his right hand servant that followed his command. Despite his strengths not being due to a core any longer he was still able to entice the world to make Jiang Cheng and his home seat of loyalty prosper with raw intelligence and being able to harness unorthodox methods to create something new that was not understood within the expected framework of the Jianghu. Despite Wei Wuxian's own complacency with staying an advisor to Jiang Cheng alone, Jiang Cheng's jealousy from their youth still festers.

Jiang Cheng refusal to see any of Wei Wuxian's support without the debt he now associates with Wei Wuxian having been the cause of his parents deaths, despite his own self admittance during the event he knew he had no reason to place that guilt in Wei Wuxian. This debt and jealousy is now further twisted that Wei Wuxian further owes him for something that was not his to claim on the death of Jiang Fengmian. This placement of repayment for deaths is insatiable and stays as such the more Jiang Cheng's jealousy and hate for what Wei Wuxian as a person grows. The more Jiang Cheng hates, the more trouble Wei Wuxian seems to cause for him and the more Jiang Cheng in claim needs to clean up. The debt grows and Wei Wuxian is indeed as ungrateful as Madam Yu had always said. This fracture in morality continues as they become adults set upon their own moral ideals that clash as well as the expectations of what Jiang Cheng sees as Wei Wuxian's debts owed to "Yunmeng Jiang" for all that they had done for him, what Wei Wuxian wants or does is lesser in the face of what Jiang Cheng sees as owed to him first. This claim of debt is ever growing along with Jiang Cheng's hate for Wei Wuxian himself now.

Eventually Wen Qing is in need of Wei Wuxian's help as well to save Wen Ning, and not only due to what Wei Wuxian sees as being owed for her help previously to save Jiang Cheng, but also because he knows Wen Ning as a kind good person that does not deserve to be treated like a slave prisoner based on cruelty alone. He argues this with the cultivators present that they are being cruel and callous towards those with tenuous ties to Wens that were already killed based on their own cruelty and want of power only. He notes the hypocrisy as well to claim all Wens deserve the treatment despite those of the same name previously sitting amongst them not being a part of this encampment. He states that it is because of Wen Ning that Yunmeng Jiang stands as well due to his kindness that would have gotten him killed if found out.

Out of desperation and disgust he kills the Jin guards that refuse to admit to their own inhumanities while claiming righteousness to save Wen Ning as well as the Wens willing to follow him for protection and safety. He leaves the others to do as they want that stay.

While Mianmian and Lan Wangji try to attest that Wei Wuxian did what he did to save others as he always placed the safety of others regardless of life circumstance above political gain, they are talked down as it being irrelevant due to prejudice associated with the Wen name surviving and further rumors being told loudly now that Wei Wuxian's reputation is stained and Jiang Cheng's tenuous like of him can be exploited. The text itself delves into Jiang Cheng's own thoughts that he is not at any point worried about what could become of Wei Wuxian or the harm potentially waiting now for Wei Wuxian, but of the trouble that Wei Wuxian and work he has made for Jiang Cheng. Jiang Cheng resents that Wei Wuxian can't stay in line and voiceless in his morals and can't stay down as Jiang Cheng told him to, complicit as long as their positions stay the same and unthreatened. Jiang Cheng the master and Wei Wuxian the dog that acts untrained.

[redditreceipts]

https://www.reddit.com/r/MtF/s/4O6r1DAeAq

"what about me? 🥺" i'm crying, TIMs sound so much like MRAs.

how does he somehow spin himself as the grand victim of society, and not the girls and women who suffer at the hand of his sex?

Okay so no offense, but is this guy like... intellectually disabled? I mean, it's really hard for me to comprehend that as a thirteen year-old, you don't know that as a boy, you don't go into the women's restroom. I imagine that the mom told him to go to the women's restroom when he was like six or something, and assumed that he'd stop doing that when he was older. Idk, this doesn't really sound like something that a child with a typical intellectual development would do.

Also, this story is so weird. First of all, how did he know that he should leave because he is a boy? And secondly, how do you know that your "friend" didn't tell her father to send you away because she thought that you were being weird? I remember that when I was younger and didn't have the guts to tell a friend that I was uncomfortable with them, I would tell my parents to invent some kind of excuse to get me out of that situation. If your friend was really comfortable with you, she would have sought your company by herself afterwards, right? Also, maybe the dad just sent you away because dinner was ready or the girl was grounded or something lmao

okay, this is the worst part. This is what I really hate about men complaining that the world is so "cruel" to them and that women are so cold. They keep on whining and moaning and complaining, but not ONCE do they ask why women behave this way. Do you fucking know the experience a twelve-year old girl has to make to behave in this way towards men? Do you know WHY women do that? BECAUSE IF WE DON'T, WE GET FUCKING KILLED. But instead of fucking talking to other men to change their creepy ass rapey behaviour, you'd rather complain about women being so mean.

I'd rather let a thousand men get depressed because I'm hostile towards them than give one man access to me and get raped or killed as a consequence. You want empathy? How about you afford it to the women who are afraid of you?

Oh man, and now he tries to pass it off as this super deep philosophical insight. I don't even think that he has 0 friends because he's a man, I just think that he's a self-centered crybaby. How can you be so selfish, honestly.

this is the reason why I have zero empathy for whiny men. And by that, I don't mean depressed men or anything, I just mean this self-centered, self-victimising whiny behaviour. It's so disgusting to me, and I've gotten to know so many men like that. get a grip

[zahri-melitor]

If you want to read comics and you want to test the waters:-

Yes, RCO and clones exist, everyone uses them, I do it weekly too for titles I cannot access any other way (The Warlord) but let me tell you, it’s not the only option, particularly if you want to read reasonably modern comics back issues rather than deliberately suppressed obscure stuff. Plus, don’t you want to look at comics without worrying about getting viruses?

Your Local Library: your library probably has comics as trade paperbacks, and inter library loan will have more. It’s not the most consistent way to find things, but you should definitely look them up, there’s probably something there you’d be interested in reading. Good for having multiple presses, and most take suggestions for their collections, which is a slow but free way to read titles with highly detailed art like Wonder Woman Historia in person.

Digital libraries: my local libraries have ComicsPlus subscriptions, which I can use for free. Now you won’t get DC or Marvel on them, but BOOM!, Dark Horse, Image, Oni Press, Papercutz? All options. A really helpful way to easily sample other presses.

Internet Archive Library: the IA is again going to have an eclectic collection and be difficult to search, but it’s there and it has a lot of stuff and you’re not going to be worrying about computer viruses.

DCUI: if you’re in US, UK, Canada, AU or NZ, you can get a DCUI account. There’s a free trial available of course, and if what you’re interested in trying was published more than 6 months ago, you don’t even need to shell out for Ultra. It costs me less than a Netflix subscription per month, even for Ultra. There’s also a small handful of comics you’ll be able to access for free without ANY subscription - essentially advertising for new runs etc.

MU: just like DCUI, only Marvel, and available more places. Also runs on a subscription model. MU also has the quirk that you can manage digital ownership of individual issues also through their app (if you buy Marvel floppies there is a mechanism to obtain a legal digital copy within ~6 months of the publication date)

Local Comics Shops: you can also…buy floppies and trade paperbacks for yourself. If you really love a story and it’s out in trade, I highly recommend buying it for yourself to have forever. It just sidesteps so many future problems. An LCS is also more likely to have a back catalogue of titles available - if you’re looking for a trade published 8 years ago, they might have it while an ordinary bookshop won’t. If you’re less certain, events like Free Comic Book Day and Batman Day are largely a marketing exercise more than new original material these days, but they’re also a good way to get to handle and own actual comic books if you’ve never done that before.

Other bookshops: if you don’t have a local bookshop with a specialist comics and manga collection (I do) it’s going to be a bit like trying to find comics at your local library: you’ll see lots of stuff with Batman and Joker in the title, and a random selection of anything else. Sometimes you can get surprisingly good deals from them as collectors are less likely to use them to get titles.

Overstock/Remainder Sellers: always worth a look, particularly if you’re trying to pick up titles printed several years ago. My local one has found some absolute gems for me, at a significant discount (I have picked up parts of Dixon’s Nightwing run, Bennett’s Batwoman run, Rowell’s Runaways, some Wonder Woman trades from Rucka and Perez, Gotham Central, I just managed to get the second n52 Blue Beetle trade…)

EBay/second hand shops/Abebooks/Biblio: a decent way to measure what the actual value of a comic title is on the second hand market. Sometimes you can find that the market value is far lower than you expected (Cassie’s Wonder Girl series is remarkably affordable). In other occasions you realise DC is leaving a LOT of money on the table by not reprinting (look up Red Robin trade prices and weep).

Friends: do you know anyone else who likes comics? They may already own stuff they can loan to you! (Once I lent out my Birds of Prey collection to a friend and he returned it with the first two n52 titles added. Still unsure if that was meant to be a kindness or just letting me store them)