#creating a database connection

[dmsinfosystem]

Creating and Managing Database Connections in CMS is crucial for every business. Learn to create secure and scalable web applications from this guide.

[captainshadowshifter]

Me just casually thinking about au worldbuilding and once again realising everything is linked

[gothteddiesdotcom]

not to brag about being good at my job but I’ve now developed two separate tools for debugging entirely on my own within my company entirely from scratch without help and A. it makes my job so much fucking easier and B. my boss is thinks im incredible just because im too lazy to want to write the same bits of code over and over just for debugging purposes

[reasonsforhope]

"Claire Cao was only a senior in high school when she saw a vital need in her community — and filled it. 

In 2024, the teenager spent her time outside of school volunteering at Blanchet House, a Portland-based nonprofit that serves people experiencing homelessness through food donations, clothing drives, and mental health assistance programs. 

As she logged hours as a Blanchet House student ambassador, Cao soon realized how difficult it was for community members to keep track of shelter openings, rotating food service programs, and available mental health resources. 

“During one afternoon meal service, I met Dano, an unhoused man who shared his struggles with accessing basic services like food and shelter,” Cao said in a recent press release. 

“Left disconnected from essential services, Dano described his struggles of not knowing where to go or which shelters had available beds.”

Combining her love for technology, law, and public policy, Cao pulled available resources into a database and created the ShelterBridge app, which connects users to shelters and services in their area. 

“ShelterBridge wasn’t simply inspired by Dano — it was inspired by the realization that access to resources is a fundamental need that we, as a community, can do a better job of providing,” Cao emphasized. 

“I wanted to use my skills to build something that could bridge that gap, ensuring that no one falls through the cracks simply because they don’t know where to turn for help.”

In addition to linking users to services in their area, the app also has a rating system similar to Yelp. This system allows people to leave star ratings and reviews on shelters, food services, hotlines, and legal aid. 

The ratings not only help users differentiate between services in their area — but they also provide invaluable feedback to the nonprofits, organizations, and government programs that service them. 

“We've been asking for an app like this for a number of years now,” Scott Kerman, executive director of Blanchet House, told Portland news station KGW.

In mid-January, Cao won the 2024 Congressional App Challenge in Oregon’s First District for her work with ShelterBridge — outcompeting 12,682 student submissions. 

Since the app first launched, Cao and her growing ShelterBridge team — which includes enterprising high schoolers and college students from across the nation — have expanded services to California, Philadelphia, Seattle, Los Angeles, and North Carolina. 

“Claire and the team she’s working with deserve all the credit in the world because they're doing something that frankly nobody else has really stepped up to do,” Kerman said. 

“To have the kind of technology that we use every day with hotels and other kinds of reservations [to] help people get into safe, supportive and dignified shelter would be a game changer for our community.”

Although the app started as a class project, Cao said ShelterBridge’s success has far surpassed her expectations. 

“I do hope to keep it up,” she told Oregon outlet KOIN 6 News, as she looked ahead to college and beyond. “I’ve made a lot of efforts to expand it to other cities as well — and it’s something I can mostly do from a computer or my laptop at home.”

-via GoodGoodGood, March 21, 2025

[asoiafpalestine]

COMMS ARE CURRENTLY OPEN! Send in your submissions now!

ABOUT US:

Our fundraiser was created to help Siraj and his family, and on a larger scale, to bring awareness and aid to Palestinians struggling to survive. You can donate to Siraj at the link above, or check out the causes we've promoted here on the blog under the #campaigns tag.

Bahaa Majid needs funds to afford medical supplies and a wheelchair for his mother, donate here. He also has an additional fundraiser to help fund his education here.

Mai and her family need medical care for her brother and money to leave Gaza when the border opens, donate here.

Gaza Funds has an exhaustive database of active Palestinian fundraisers here.

Crips for eSims for Gaza has a donation portal here, where the money you donate will be used to pay for crucial internet connection for Palestinians. Every image, post, or fundraiser you see from Gaza is made possible by an eSim.

Gaza Soup Kitchen continues to provide invaluable food to Palestinians in need as basic staples become scarce. Donate here.

There are thousands of dedicated accounts on this site that create and continue to update lists of Palestinian fundraisers and charities that require donations. We'll be platforming these as they come up.

HOW TO COMMISSION:

STEP ONE: Choose a fundraiser for Palestinians. This can be one of the linked personal fundraisers, eSims for Gaza, or a larger charitable organization — as long as it’s for Palestine.

STEP TWO: Donate 30 Euros or more to the campaign, and keep a screenshot of your receipt. This is how you will pay for your commission when you send in your prompt.

STEP THREE: Write out your commission specifications and collect any helpful images, such as reference photos, fancasts, or character sheets (if submitting an OC) Please note that we do not accept requests for specific artists. This is in order to keep the workload equal and voluntary among our contributors.

STEP FOUR: Using your tumblr account, submit your commission info AND the screenshot of your receipt in an ask to this blog.

STEP FIVE: Once you have submitted your info, a member of the team will contact you over DMs to confirm we have received your commission.

THAT’S IT! Thanks for donating! When your commission is done, we’ll tag you in the post!

[thecoppercompendium]

So, you want to make a TTRPG…

Image from Pexels.

I made a post a long while back about what advice you would give to new designers. My opinions have changed somewhat on what I think beginners should start with (I originally talked about probability) but I thought it might be useful to provide some resources for designers, new and established, that I've come across or been told about. Any additions to these in reblogs are much appreciated!

This is going to be a long post, so I'll continue beneath the cut.

SRDs

So, you have an idea for a type of game you want to play, and you've decided you want to make it yourself. Fantastic! The problem is, you're not sure where to start. That's where System Reference Documents (SRDs) can come in handy. There are a lot of games out there, and a lot of mechanical systems designed for those games. Using one of these as a basis can massively accelerate and smooth the process of designing your game. I came across a database of a bunch of SRDs (including the licenses you should adhere to when using them) a while back, I think from someone mentioning it on Tumblr or Discord.

SRDs Database

Probability

So, you have a basic system but want to tweak it to work better with the vision you have for the game. If you're using dice, this is where you might want to consider probability. Not every game needs this step, but it's worth checking that the numbers tell the story you're trying to tell with your game. For this, I'll link the site I did in that first post, AnyDice. It allows you to do a lot of mathematical calculations using dice, and see the probability distribution that results for each. There's documentation that explains how to use it, though it does take practice.

AnyDice

Playtesting

So you've written the rules of your game and want to playtest it but can't convince any of your friends to give it a try. Enter Quest Check. Quest Check is a website created by Trekiros for connecting potential playtesters to designers. I can't speak to how effective it is (I've yet to use it myself) but it's great that a resource like it exists. There's a video he made about the site, and the site can be found here:

Quest Check

Graphic Design and Art

Game is written and tested? You can publish it as-is, or you can make it look cool with graphics and design. This is by no means an essential step, but is useful if you want to get eyes on it. I've got a few links for this. First off, design principles:

Design Cheatsheet

Secondly, art. I would encourage budding designers to avoid AI imagery. You'll be surprised how good you can make your game look with only shapes and lines, even if you aren't confident in your own artistic ability. As another option, public domain art is plentiful, and is fairly easy to find! I've compiled a few links to compilations of public domain art sources here (be sure to check the filters to ensure it's public domain):

Public Domain Sources 1

Public Domain Sources 2

You can also make use of free stock image sites like Pexels or Pixabay (Pixabay can filter by vector graphics, but has recently become much more clogged with AI imagery, though you can filter out most of it, providing it's tagged correctly).

Pexels

Pixabay

Fonts

Turns out I've collected a lot of resources. When publishing, it's important to bear in mind what you use has to be licensed for commercial use if you plan to sell your game. One place this can slip through is fonts. Enter, my saviour (and eternal time sink), Google Fonts. The Open Font License (OFL) has minimal restrictions for what you can do with it, and most fonts here are available under it:

Google Fonts

Publishing

So, game is designed, written, and formatted. Publishing time! There are two places that I go to to publish my work: itch.io and DriveThruRPG. For beginners I would recommend itch - there's less hoops to jump through and you take a much better cut of what you sell your games for, but DriveThruRPG has its own merits (@theresattrpgforthat made great posts here and here for discovering games on each). Itch in particular has regular game jams to take part in to inspire new games. I'll link both sites:

itch.io

DriveThruRPG

Finally, a bunch of other links I wasn't sure where to put, along with a very brief summary of what they are.

Affinity Suite, the programs I use for all my layout and designing. Has an up-front cost to buy but no subscriptions, and has a month-long free trial for each.

Affinity Suite

A database of designers to be inspired by or work with. Bear in mind that people should be paid for their work and their time should be respected.

Designer Directory

An absolute behemoth list of resources for TTRPG creators:

Massive Resources List

A site to make mockups of products, should you decide to go that route:

Mockup Selection

A guide to making published documents accessible to those with visual impairments:

Visual Impairment Guidelines

A post from @theresattrpgforthat about newsletters:

Newsletter Post

Rascal News, a great place to hear about what's going on in the wider TTRPG world:

Rascal News

Lastly, two UK-specific links for those based here, like me:

A list of conventions in the UK & Ireland:

Convention List

A link to the UK Tabletop Industry Network (@uktabletopindustrynetwork) Discord where you can chat with fellow UK-based designers:

TIN Discord

That's all I've got! Feel free to reblog if you have more stuff people might find useful (I almost certainly will be)!

[violetasteracademic]

Generative AI Can Fuck Itself

I am one of the AO3 authors (along with all of my friends) who had their work stolen and fed into a dataset to be sold to the highest bidder for training generative AI models.

I feel angry. I feel violated. I feel devastated. I cannot express enough that if you still do not understand the damage that generative AI art and writing has on our planet, our society, and our artists, I don't know what else there is to say. How do you convince a human being to care more about another humankinds ability to create than their personal need to consume?

Generative AI, when it comes to art, has one goal and one goal only. To steal from artists and reduce the dollar value of their work to zero. To create databases of stolen work that can produce work faster and cheaper than the centuries of human creation those databases are built on. If that isn't enough for you to put away Chatgpt, Midgard, ect ect (which, dear god, please let that be enough), please consider taking time to review MIT's research on the environmental impacts of AI here. The UNEP is also gathering data and has predicted that AI infrastructure may soon outpace the water consumption of entire countries like Denmark.

This is all in the name of degrading, devaluing, and erasing artists in a society that perpetually tries to convince us that our work is worth nothing, and that making a living off of our contributions to the world is some unattainable privilege over an inalienable right.

The theft of the work of fic writers is exceptionally insidious because we have no rights. We enter into a contract while writing fic- We do not own the rights to the work. Making money, asking for money, or exchanging any kind of commercial trade with our written fanfiction is highly illegal, completely immoral, and puts the ability to even write and share fanfiction at risk. And still, we write for the community. We pour our hearts out, give up thousands of hours, and passionately dedicate time that we know we will never and can never be paid for, all for the community, the pursuit of storytelling, and human connection.

We now live in a world where the artist creating their work are aware it is illegal for it to be sold, and contribute anyway, only for bots to come in and scrape it so it can be sold to teach AI databases how to reproduce our work.

At this time, I have locked my fics to allow them only to be read by registered users. It's not a perfect solution, but it appears to be the only thing I can do to make even a feeble attempt at protecting my work. I am devastated to do this, as I know many of my readers are guests. But right now it is between that or removing my work and not continuing to post at all. If you don't have an account, you can easily request one here. Please support the writers making these difficult decisions at this time. Many of us are coping with an extreme violation, while wanting to do everything we can to prevent the theft of our work in the future and make life harder for the robots, even if only a little.

Please support human work. Please don't give up on the fight for an artists right to exist and make a living. Please try to fight against the matrix of consumerism and bring humanity, empathy, and the time required to create back into the arts.

To anyone else who had their work stolen, I am so sorry and sending you lots of love. Please show your favorite AO3 authors a little extra support today.

[beemochi-art]

SHOCKWAVE AND WHIRL!!

A Dangerous genius from the depths of the nemesis, an unknown danger beneath the depths of their very ship. Whirl, his bodyguard, eyes to the outside and most importantly his consort.

Time to talk about their LORE!

Shockwave awoke, connected to the wall, weak, cold and confused, connected to the wall by cords and wires. So much information was running through his head he had to break free from the wall to catch a break. It took some time The voice’s kept calling him shockwave. It took some time but Shockwave used the database he was connected too to learn the history of the cybertron war, what happened the planet, where he was and most importantly what happened to him. He discovered the decepticons called him shockwave because that’s what they’d call the database ai (similar to Siri.) created by Soundwave. He also figured out no one knew he was in this little room.

It was unknown who Shockwave was before his Empurata ritual happened. He doesn’t remember anything from his past not even his real name. Slowly things here and there would come back to him, memories of his old life, people he cared about but don’t know anymore. With the discovery of cybertrons demise. Shockwave became angry. He want the both decepticons and autobots to die for their war, he knows that their planet may be beyond fixing. He swore a slow revenge for both parties.

But while upgrading and plotting, he started getting some of his emotions, he started getting lonely and wondering if any other Empurata we’re capable of breaking out of their trance.

(Only decepticons have Empurata aka drones in their faction due to have enough resources for them and that they are basically fee labor. Drones are lower class them not really considered alive, so often times they are vehicons or work in dangerous areas. They are lower than servant Class cons)

Shockwave didn’t want to damage any vehicons or cause unnecessary death. So he told himself if he caught one with any hint of life to them he would continue with procedures. Until then he worked on himself and mapped out weaknesses in the decepticon army.

One day he spotted a vehicon looking at itself through windows or lagging behind others. Not entirely paying attention. It wasn’t hard to find him because of the unique markings on its neck. Shockwave stole him away, no one would notice and went though the procedure of waking the vehicon.

The Drone was confused and scared most of the time and barely spoke. Mostly just staying in a corner or looking at their reflection. Shockwave would mostly leave them alone. Eventually tho as the Drones personality began to shine through, they asked questions or make pretty honest remarks, they could offend times be considered rude. Shockwave didn’t care tho, it was nice just to have someone around. Then the Drone personality came back full swing Bold, crazy, honest, crude. Most interesting this mech had no fear. They were also a very skilled and dangerous opponent often pulling insane manic maneuvers when fighting just too win, they were incredibly strong. It was hard for shockwave to keep up. One day the drone remembered his own name, Whirl.

The two work closely together. Whirl pretends to be a regular old vehicon on the surface. While shockwave upgrades and preps their next movie. It’s difficult for Whirl sometimes tho, because he doesn’t take disrespect lightly and he has to keep most of his skills to a minimal level.

[ekingston]

Hi; I don't know if you're still following the word-stream stuff, but the app is back online on the app store as "booktok - books and podcasts". The reviews marking it as having AI scraped data are still on the page itself, even though the name has changed, and duckduckgo still directs to their page if you look up "word-stream audiobooks"-- although if I don't know how long that will last. The website is seemingly gone, but the app still presumably has access to all the stolen works in the database.

Best regards, -someone else whose fics were stolen

yup

word-stream is back

it just calls itself��in an obvious attempt to profit from the TikTok upheaval—BookTok, now. and it’s not just the app, either: the whole website is back online, same as it was just before Cliff Weitzman took it down.

(in case you missed it, here are the original story & the update.)

fortunately (so far) the fanfiction category hasn't been re-added, but if you go to the store page for the app you can see that it’s still using 'fan-created universes' as advertising.

Weitzman didn't register the app under his own name this time, but through something called 'Oak Prime Inc'. hilariously, however, the email address listed in BookTok's privacy policy still refers to word-stream.com, so if Cliff was trying to scrub the connection between Speechify and his BookTok app, he didn't do a very thorough job.

here's the thing (and i'm about to put this up in a separate, more easily digestible post): if you take a look at the terms & conditions of Cliff's other platform, Speechify, it claims a truly comprehensive license to use the works uploaded to that platform in any way Cliff sees fit, including publishing and monetizing it elsewhere. and i keep seeing posts on Reddit and Bluesky from both readers and writers, happily using the Speechify app to read fanfic, advanced reader copies and their own yet-to-be-published work to them.

this is a BAD IDEA. Cliff has already proven that he will take work authored by others without their permission and redistribute it wholesale if he thinks it might make him money.

Cliff is the financial beneficiary of both Speechify and word-stream/booktokapp. it seems pretty obvious to me that he's trying to claim, via Speechify's terms & conditions, that every work uploaded to Speechify is his to do with whatever he pleases, which naturally includes moving them to this other platform so he can charge people for two subscriptions instead of just the one.

thank you so much for keeping an eye on this, anon, and for reaching out!! like i said, another post will go up today about the above, but i'm going to ask you all to help ensure that my posts & my name aren't the only ones giving voice to this message. when i tried to approach people about this issue on social media, often the—completely justified!—response was 'why should I take your word for it?' and Wikipedia only allowed the mention of Weitzman's copyright infringement to remain on his page when 'The Endless Appetite for Fanfiction' was listed as a source.

it can't just be me. DON’T take my word for it. do your own research (i would love to be proven wrong about this!), talk to your friends, engage with posts on social media similar to the ones i mentioned above (those are just some examples, don’t pile on to the OPs!) and make sure people know what they're jeopardizing. help me protect authors from money-grubbing shitheads like this one.

[the-cat-and-the-birdie]

So hey hey get this

If you agree that Gwen is trans then naturally the next connection would be that Miguel is the biggest trans ally ever 😁😁😁😁

How else would she maintain get hormones once she left home amiright 👀

Miguel O'Hara loves trans people.

Oh, you take shots or medication in order to feel at peace in your body and to affirm your identity? Same.

Oh, your identity is questioned no matter what you do? Miguel literally created an entire society and database of every Spider-persons life from scratch because he is a genius and people still question if he's really Spider-Man. He gets it.

Gwen didn't have to go off HRT when she left home do you wanna know why

its because the society has a robust informed consent HRT program that accepted her right away yessirree

You know WITHOUT A DOUBT the moment Gwen was like 'excuse me mister blue cat sir. im trans and I really need my-'

Miguel was deadass like

I refuse to believe anything else. There's a Planned Parenthood on the third floor of Spider Society right next to the sensory sensitivity room and the free spiderbaby daycare

hate him all you want but it's true I swear

[dmsinfosystem]

Creating and Managing Database Connections in CMS

Specifically in content management systems (CMS), databases play an essential part in contemporary web development. A database connection in cms acts as an interface between a web application and a database server, enabling data retrieval and manipulation for the application. In this article, we are going to discuss the basics of creating and managing database connections in CMS by considering best practices and potential pitfalls.

Non-technical users can produce and manage material on websites with the use of content management systems. A CMS's efficiency, however, depends upon its capacity for access to information and manipulation. CMS developers must have a thorough understanding of database connections to ensure the system's data storage and retrieval function effectively. Without a properly configured database connection, a CMS cannot retrieve and display content correctly. Additionally, CMS developers must be proficient in database optimization to ensure quick loading times and efficient performance. 

What is a database connection?

A database connection is a communication medium between a web application and a database server. It makes it possible for the application to carry out database activities including insertion, updating, and retrieval of data. Database connections use specific protocols and APIs to facilitate data exchange between the application and the database.

Types of database connections

There are two primary types of database connections: persistent and non-persistent. Persistent connections remain open between the application and the database, even after the application has finished executing. Non-persistent connections, on the other hand, are closed once the application finishes executing. 

Persistent connections are faster, as they eliminate the overhead of establishing a new connection every time the application needs to access the database. However, persistent connections can lead to scalability issues and are not suitable for all types of applications.

Creating a database connection

Creating a database connection in a CMS involves several steps. First, the developer must identify the database server's hostname, port number, and database name. The next step is to choose a programming language and database driver that is compatible with the CMS.

For example, a PHP-based CMS may use the MySQLi driver to access a MySQL database. Once the developer has identified the required parameters and drivers, they can create a connection object and use it to execute database operations.

Also Read: Creating and Managing User Roles and Permissions in CMS 

Best practices for managing database connections

Effective management of database connections is critical to ensuring the CMS operates smoothly and can handle large volumes of traffic. Some best practices for managing database connections include:

 Closing connections when not in use: 

Persistent connections may cause scalability problems and server resource consumption. Developers should close connections when they aren't in use to prevent this.

Putting connection pooling into monitoring connection usage: 

To find and fix performance problems, developers should monitor connection usage. A sudden increase in connection usage, for instance, might point to a problem with the application server or database server. Connection pooling is a technique that involves reusing current database connections to cut down on the overhead of creating new connections.

Monitoring connection usage: 

Developers should monitor connection usage to identify and address performance issues. For example, a sudden spike in connection usage may indicate a problem with the application or database server.

 Potential pitfalls of database connections

Database connections are necessary for CMS development, but they can also lead to security flaws. SQL injection attacks, for instance, can happen when malicious users insert malicious code into a database query. Developers should use prepared statements to stop injection attacks and sanitise user input to prevent this from happening.

Conclusion

In conclusion, database connections play a vital role in the functionality of a CMS, as they allow the system to retrieve and store data efficiently. These connections, however, might result in performance problems and even breaches of security if improperly managed. Developers must therefore be aware of the many kinds of database connections, including permanent and non-persistent connections, as well as the best practices for handling them.

One potential pitfall that developers must be aware of is connection pooling, which can lead to resource depletion and a decrease in performance if not implemented correctly. The execution of prepared queries and input validation are only two additional measures that developers must take to stop SQL injection attacks.

Developers may build trustworthy, secure, and scalable online applications that satisfy the expectations of their customers by comprehending the various connection types, putting best practices for connection management into practice, and being aware of potential dangers.

[mostlysignssomeportents]

Twinkump Linkdump

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in SAN DIEGO at MYSTERIOUS GALAXY next MONDAY (Mar 24), and in CHICAGO with PETER SAGAL on Apr 2. More tour dates here.

I have an excellent excuse for this week's linkdump: I'm in Germany, but I'm supposed to be in LA, and I'm not, because London Heathrow shut down due to a power-station fire, which meant I spent all day yesterday running around like a headless chicken, trying to get home in time for my gig in San Diego on Monday (don't worry, I sorted it):

https://www.mystgalaxy.com/32425Doctorow

Therefore, this is 30th linkdump, in which I collect the assorted links that didn't make it into this week's newsletters. Here are the other 29:

https://pluralistic.net/tag/linkdump/

I always like to start and end these 'dumps with some good news, which isn't easy in these absolutely terrifying times. But there is some good news: Wil Wheaton has announced his new podcast, a successor of sorts to the LeVar Burton Reads podcast. It's called "It's Storytime" and it features Wil reading his favorite stories handpicked from science fiction magazines, including On Spec, the magazine that bought my very first published story (I was 16, it ran in their special youth issue, it wasn't very good, but boy did it mean a lot to me):

https://wilwheaton.net/podcast/

Here's some more good news: a court has found (again!) that works created by AI are not eligible for copyright. This is the very best possible outcome for people worried about creators' rights in the age of AI, because if our bosses can't copyright the botshit that comes out of the "AI" systems trained on our work, then they will pay us:

https://www.yahoo.com/news/us-appeals-court-rejects-copyrights-171203999.html

Our bosses hate paying us, but they hate the idea of not being able to stop people from copying their entertainment products so! much! more! It's that simple:

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

This outcome is so much better than the idea that AI training isn't fair use – an idea that threatens the existence of search engines, archiving, computational linguistics, and other clearly beneficial activities. Worse than that, though: if we create a new copyright that allows creators to prevent others from scraping and analyzing their works, our bosses will immediately alter their non-negotiable boilerplate contracts to demand that we assign them this right. That will allow them to warehouse huge troves of copyrighted material that they will sell to AI companies who will train models designed to put us on the breadline (see above, re: our bosses hate paying us):

https://pluralistic.net/2024/03/13/hey-look-over-there/#lets-you-and-he-fight

The rights of archivists grow more urgent by the day, as the Trump regime lays waste to billions of dollars worth of government materials that were produced at public expense, deleting decades of scientific, scholarly, historical and technical materials. This is the kind of thing you might expect the National Archive or the Library of Congress to take care of, but they're being chucked into the meat-grinder as well.

To make things even worse, Trump and Musk have laid waste to the Institute of Museum and Library Services, a tiny, vital agency that provides funding to libraries, archives and museums across the country. Evan Robb writes about all the ways the IMLS supports the public in his state of Washington:

Technology support. Last-mile broadband connection, network support, hardware, etc. Assistance with the confusing e-rate program for reduced Internet pricing for libraries.

Coordinated group purchase of e-books, e-audiobooks, scholarly research databases, etc.

Library services for the blind and print-disabled.

Libraries in state prisons, juvenile detention centers, and psychiatric institutions.

Digitization of, and access to, historical resources (e.g., newspapers, government records, documents, photos, film, audio, etc.).

Literacy programming and support for youth services at libraries.

The entire IMLS budget over the next 10 years rounds to zero when compared to the US federal budget – and yet, by gutting it, DOGE is amputating significant parts of the country's systems that promote literacy; critical thinking; and universal access to networks, media and ideas. Put it that way, and it's not hard to see why they hate it so.

Trying to figure out what Trump is up to is (deliberately) confusing, because Trump and Musk are pursuing a chaotic agenda that is designed to keep their foes off-balance:

https://www.wired.com/story/elon-musk-donald-trump-chaos/

But as Hamilton Nolan writes, there's a way to cut through the chaos and make sense of it all. The problem is that there are a handful of billionaires who have so much money that when they choose chaos, we all have to live with it:

The significant thing about the way that Elon Musk is presently dismantling our government is not the existence of his own political delusions, or his own self-interested quest to privatize public functions, or his own misreading of economics; it is the fact that he is able to do it. And he is able to do it because he has several hundred billion dollars. If he did not have several hundred billion dollars he would just be another idiot with bad opinions. Because he has several hundred billion dollars his bad opinions are now our collective lived experience.

https://www.hamiltonnolan.com/p/the-underlying-problem

We actually have a body of law designed to prevent this from happening. It's called "antitrust" and 40 years ago, Jimmy Carter decided to follow the advice of some of history's dumbest economists who said that fighting monopolies made the economy "inefficient." Every president since, up to – but not including – Biden, did even more to encourage monopolization and the immense riches it creates for a tiny number of greedy bastards.

But Biden changed that. Thanks to the "Unity Taskforce" that divided up the presidential appointments between the Democrats' corporate wing and the Warren/Sanders wing, Biden appointed some of the most committed, effective trustbusters we'd seen for generations:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

After Trump's election, there was some room for hope that Trump's FTC would continue to pursue at least some of the anti-monopoly work of the Biden years. After all, there's a sizable faction within the MAGA movement that hates (some) monopolies:

https://pluralistic.net/2025/01/24/enforcement-priorities/#enemies-lists

But last week, Trump claimed to have illegally fired the two Democratic commissioners on the FTC: Alvaro Bedoya and Rebecca Slaughter. I stan both of these commissioners, hard. When they were at the height of their powers in the Biden years, I had the incredible, disorienting experience of getting out of bed, checking the headlines, and feeling very good about what the government had just done.

Trump isn't legally allowed to fire Bedoya and Slaughter. Perhaps he's just picking this fight as part of his chaos agenda (see above). But there are some other pretty good theories about what this is setting up. In his BIG newsletter, Matt Stoller proposes that Trump is using this case as a wedge, trying to set a precedent that would let him fire Federal Reserve Chair Jerome Powell:

https://www.thebignewsletter.com/p/why-trump-tried-to-fire-federal-trade

But perhaps there's more to it. Stoller just had Commissioner Bedoya on Organized Money, the podcast he co-hosts with David Dayen, and Bedoya pointed out that if Trump can fire Democratic commissioners, he can also fire Republican commissioners. That means that if he cuts a shady deal with, say, Jeff Bezos, he can order the FTC to drop its case against Amazon and fire the Republicans on the commission if they don't frog when he jumps:

https://www.organizedmoney.fm/p/trumps-showdown-at-the-ftc-with-commissioner

(By the way, Organized Money is a fantastic podcast, notwithstanding the fact that they put me on the show last week:)

https://audio.buzzsprout.com/6f5ly01qcx6ijokbvoamr794ht81

The future that our plutocrat overlords are grasping for is indeed a terrible one. You can see its shape in the fantasies of "liberatarian exit" – the seasteads, free states, and other assorted attempts to build anarcho-capitalist lawless lands where you can sell yourself into slavery, or just sell your kidneys. The best nonfiction book on libertarian exit is Raymond Criab's 2022 "Adventure Capitalism," a brilliant, darkly hilarious and chilling history of every time a group of people have tried to found a nation based on elevating selfishness to a virtue:

https://pluralistic.net/2022/06/14/this-way-to-the-egress/#terra-nullius

If Craib's book is the best nonfiction volume on the subject of libertarian exit, then Naomi Kritzer's super 2023 novel Liberty's Daughter is the best novel about life in a libertopia – a young adult novel about a girl growing up in the hell that would be life with a Heinlein-type dad:

https://pluralistic.net/2023/11/21/podkaynes-dad-was-a-dick/#age-of-consent

But now this canon has a third volume, a piece of design fiction from Atelier Van Lieshout called "Slave City," which specs out an arcology populated with 200,000 inhabitants whose "very rational, efficient and profitable" arrangements produce €7b/year in profit:

https://www.archdaily.com/30114/slave-city-atelier-van-lieshout

This economic miracle is created by the residents' "voluntary" opt-in to a day consisting of 7h in an office, 7h toiling in the fields, 7h of sleep, and 3h for "leisure" (e.g. hanging out at "The Mall," a 24/7, 26-storey " boundless consumer paradise"). Slaves who wish to better themselves can attend either Female Slave University or Male Slave University (no gender controversy in Slave City!), which run 24/7, with 7 hours of study, 7 hours of upkeep and maintenance on the facility, 7h of sleep, and, of course, 3h of "leisure."

The field of design fiction is a weird and fertile one. In his traditional closing keynote for this year's SXSW Interactive festival, Bruce Sterling opens with a little potted history of the field since it was coined by Julian Bleeker:

https://bruces.medium.com/how-to-rebuild-an-imaginary-future-2025-0b14e511e7b6

Then Bruce moves on to his own latest design fiction project, an automated poetry machine called the Versificatore first described by Primo Levi in an odd piece of science fiction written for a newspaper. The Versificatore was then adapted to the screen in 1971, for an episode of an Italian sf TV show based on Levi's fiction:

https://www.youtube.com/watch?v=tva-D_8b8-E

And now Sterling has built a Versificatore. The keynote is a sterlingian delight – as all of his SXSW closers are. It's a hymn to the value of "imaginary futures" and an instruction manual for recovering them. It could not be more timely.

Sterling's imaginary futures would be a good upbeat note to end this 'dump with, but I've got a real future that's just as inspiring to close us out with: the EU has found Apple guilty of monopolizing the interfaces to its devices and have ordered the company to open them up for interoperability, so that other manufacturers – European manufacturers! – can make fully interoperable gadgets that are first-class citizens of Apple's "ecosystem":

https://www.reuters.com/technology/apple-ordered-by-eu-antitrust-regulators-open-up-rivals-2025-03-19/

It's a good reminder that as America crumbles, there are still places left in the world with competent governments that want to help the people they represent thrive and prosper. As the Prophet Gibson tells us, "the future is here, it's just not evenly distributed." Let's hope that the EU is living in America's future, and not the other way around.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/03/22/omnium-gatherum/#storytime

Image: TDelCoro https://www.flickr.com/photos/tomasdelcoro/48116604516/

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/

[probablyasocialecologist]

First, let’s address the fact that hackers recently accessed the personal data of about 14,000 23andMe customers. Because of how 23andMe works—it has a “DNA Relatives” feature that lets users find people they are probably related to—this breach created 6.9 million “other users” who had data stolen in the breach, according to reporting by TechCrunch. This data included people’s names, birth year, relationships, percentage of DNA shared with other 23andMe users, and ancestry reports.

[...]

Getting your DNA or your loved ones’ DNA sequenced means you are potentially putting people who are related to those people at risk in ways that are easily predictable, but also in ways we cannot yet predict because these databases are still relatively new. I am writing this article right now because of the hack, but my stance on this issue has been the same for years, for reasons outside of the hack. In 2016, I moderated a panel at SXSW called “Is Your Biological Data Safe?,” which was broadly about the privacy implications of companies and other entities creating gigantic databases of people’s genetic code. This panel’s experts included a 23andMe executive as well as an FBI field agent. Everyone on the panel and everyone in the industry agrees that genetic information is potentially very sensitive, and the use of DNA to solve crimes is obviously well established.  At the time, many of the possible dangers of providing your genome to a DNA sequencing company were hypothetical. Since then, many of the hypothetical issues we discussed have become a reality in one way or another. For example, on that panel, we discussed the work of an artist who was turning lost strands of hair, wads of chewing gum, and other found DNA into visual genetic “portraits” of people. Last year, the Edmonton Police Service, using a company called Parabon, used a similar process to create 3D images of crime suspects using DNA from the case. The police had no idea if the portrait they generated actually looked like the suspect they wanted, and the practice is incredibly concerning. To its credit, 23andMe itself has steadfastly resisted law enforcement requests for information, but other large databases of genetic information have been used to solve crimes. Both 23andMe and Ancestry are regularly the recipients of law enforcement requests for data, meaning police do see these companies as potentially valuable data mines. 

[twistedwonderlandshenanigans]

Android (Leona) AU - Commission Piece

Thank you so much @nemisisnemi for the commission!!! (And for also being patient with me LMAO) So, general worldbuilding first, the basic headcanons for every character, Leona-specific building and a Nemi x Leona drabble to finish it off.

If you enjoy my writing and would like to support me, here's my (slightly out of date) comms info. Otherwise, just like/reblog/comment. It means a lot!!

----------------- General Worldbuilding

NRC - Night Raven Conglomerate

Night Raven Conglomerate is known globally for many of their businesses, however their most notable and profitable model comes from Yokai Tech Industries. YTI is responsible for the development of state of the art androids, available for public use. While widely referred to as 'andy's' or 'mechs', YTI has a model for all your personal and business needs, for any budget. (Any budget being from rich, to filthy rich) Each droid model name is indicative of it's role and what it's been programmed to do. Regardless of model, be aware that your bot will have:

Safe search on

A personality chip *please note it will take some time for your bot to develop its personality. It must cater itself to you as an owner and have time to research and develop a personality from external sources. This may mean your bot chooses a name for itself besides its serial number if you do not choose to disable this function

A direct connection to our troubleshooting department

Recording on **all bots 'eyes' or optics are set to record the world around them in order to create a database for themselves and be able to recall old files in order to learn

A user guide and personal password/key in order to access settings in back panel (including most items above)

A recharge station

The Models M.E.C.H- (Managing Everyday Chores and Homemaking) The most common bots on the market, and also, the cheapest! These bots are perfect for individuals and families, taking care of everything from meal planning and budgeting to getting kids ready for school and cleaning! They'll manage household finances and run your errands for you.

M.E.C.H's have a humanoid design, but are manufactured in a white-coloured metal alloy. Most have a feminine appearance, but by request/with permission from their owners they may alter their appearance. Clothing is simulated by internet research and metallic projections that allow them to emulate cloth. (M.E.C.Hs from the factory are often dressed in a maid-like outfit or in a pant suit.) M.E.C.H's are able to alter their "hair" style and colour, so long as it is considered appropriate by their owners. They are also able to shift their height slightly. (this design is somewhat inspired by Dominic Cellini on twt/insta)

M.E.C.H's are very durable and also easy to fix. They are capable of repairing themselves from damage after watching a mechanic fix the specific issue once, or contacting our troubleshooting team. M.E.C.H's are waterproof on their hands, and water resistant overall. They are fire resistant, and are equipped with safety measures in case of an emergency. They also have a direct line with 911. **A business model of M.E.C.H is also available for minimum wage jobs, usually those requiring hospitality skills. They are more susceptible to the emulation of emotion however, than the O.T.T.O model, and may shut down when dealing with a customer. This can usually be avoided by turning off the personality chip temporarily.

---------

O.T.T.O - Occupational Transport and Telecommunications Organizers (O.T.T.O) is a great model to consider for the workplace.

O.T.T.O bots are programmed to help increase efficiency and intrapersonal bonds in the workplace, comparable to an automated secretary. O.T.T.O bots do the following up, so you don't have to. Progress reports and statistics are created and analyzed in record time. They are also trained to deal with H.R conflicts in a calculated and unbiased manner. However, O.T.T.O bots have also recently been taking their place behind the wheel for public transportation, currently the only model approved to drive. So long as they are given ample time to either charge OR refuel, (like a car), they are a much safer option on the roads than humans are. They are a great choice as a chauffeur,( and YTI has proved as such by starting a cab company under a different name/brand.)

On public transit, their appearance is much more industrial than their office-working models. Most O.T.T.O bots tend to remain in their factory settings, remaining completely chrome in colour. They often maintain a bulkier looking chest and shoulder area for the sake of keeping potentially unruly costumers in check, though their arms and legs are capable of stretching and appear similar to bendy straws.

While these bots are reliable, they also seem susceptible to wear and tear. It's often cheaper to replace a bot when it no longer serves it's function properly. (cough cough planned obsolescence cough)

It is not recommended that these bots work in hospitality. YTI is currently working on O.T.T.O bots that may be considered for work in trades, though this has mixed reviews from the public as of right now, over concerns of the bots taking over jobs that require more certification than simple safety and a driver's license.

--------

EM-RR - Emergency Response Robot (often referred to as an "Emery")

This bot is built specifically with human safety in mind. It's only objective is to rescue human lives. These bots are manufactured to look like humans for the most part, as studies have shown receptiveness to being rescued was improved the more humanoid they appeared. These bots are equipped with basic paramedic training, fire fighting, extensive knowledge of the law and how it applies, medical equipment like that found on an ambulance, and search and rescue supplies, including a detachable drone that is a part of them. EM-RR's are also equipped with extra rations of food, water, blankets, toys, and radios. Besides M.E.C.H's, EM-RR's are the best bot to have around kids as they are often able to handle the responsibility, breakdowns and tantrums easily. These bots are also built to withstand extreme temperatures, pressures, and fluids.

They are not yet approved to operate in a rescue mission without a supervisor as many are still learning what does and does not harm a human in terms of handling them.

-------

E.L.U - Entertainment and Leisure Unit

These bots are made for the big screen, often boasting the newest and best technology YTI has to offer. Their appearances are highly dynamic and can switch on a dime according to their whims.

E.L.U's can only be afforded by the highest bidders, and only 1200 models have been made worldwide for the public to buy. (About 35 models are used for YTI's ad campaigns and as actors in movies, and of those models, only 1 is used as a social media 'influencer'.).

E.L.U's are equipped with exceptional emotion-imitating technology. They are able to replicate voices without issue, learn choreography immediately, possess perfect pitch, and are capable of playing any percussion or string instrument.

E.L.U's have been through the most rigorous testing and development. While being able to sustain damage fairly easily, nanotech allows for superficial markings and damages to repair itself. Any damage that occurs on a software level is unheard of, but would be covered by insurance. At least, unheard of to the public

----- Custom Bots (The YTI is currently working to develop a 'build your own bot' program for young aspiring engineers. The program will allow promising individuals to create a new android using the technology available to them in the facility, and also lead to streamlining the process by which someone could order a custom bot. Prototypes have been promising.)

-----

Rapid Fire World Building

Riddle - human toddler Trey - EM-RR - Firefighting specialty Cater - lives at home (mansion) with his dad, who is a banker and investor of Y.T.I Deuce - Mechanic Ace - Was the Roseheart's M.E.C.H, took care of Riddle, began to disobey orders from Dr. Rosehearts, was slightly dismantled and discarded of Leona - Explained Below (E.L.U) Ruggie - O.T.T.O bot, mainly working in taxis. Very friendly, has to do constant maintenance on himself so they don't take him out of service Jack - Mechanics assistant, M.E.C.H Azul - inherited his grandma's restaurant, investor of Y.T.I, has several M.E.C.H's at his disposal Jade - is set to take over his mother's jewelry business Floyd - no formal training as a mechanic, does the upkeep for the Ashengrotto restaurant. Has mixed feelings about the M.E.C.H's, sometimes breaks them just to put them back together Jamil - a hybrid of all three bots, meant to attend to Kalim. Has additional security measures built in place to act as a guard. Kalim - human, investor and advocate for android rights, as he believes they exist beyond just their programming and should be treated equally Vil - E.L.U owned by Eric Venue. Hates it. Rook - EM-RR - search and rescue specialty Epel - Mechanic. Doesn't really like Y.T.I's inventions. Too close to humans Idia - head engineer of Y.T.I. Can you guess why :) Ortho - DECEASED E.L.U model Malleus - a discarded prototype of the E.L.U model. The workers at Y.T.I believe it's battery is dead, but it has been able to hear everything around it for ages. Kept in the discard area, not even used for parts due to issues that came up during testing. "Cursed" Lilia - one of the engineers at Y.T.I. Starting to question whether the use of A.I was a good idea, the more he works with the newer and newer models. Silver - M.E.C.H's original prototype. It's "old" now, and does not hold a charge well. It is good friends with all the engineers and other workers at Y.T.I. Constantly has a mobile charging pack. Sebek - EM-RR, forensics specialty

Leona Specific Worldbuilding

Falena Kingscholar was one of the first investors for Y.T.I. For the sake of PR and as CEO of his late father's clothing company, he deemed his contributions to Y.T.I's research as charity - such a stunning new invention, such innovation could do so much to improve the lives of those less fortunate. He sealed the deal with action when, on M.E.C.H release day, he bought 250 models to give out at random.

Some might make the mistake of thinking he's a selfless man.

As one of the largest investors in Y.T.I, he is given advanced access to latest models, often receiving a prototype after development has been approved. As such, when he heard E.L.U. models were soon going to be able to customized, he approached the owner with a deal he simply couldn't turn down.

So four weeks ahead of schedule, after hours of video footage had been submitted, interviews, photographs, memories retold, AI training, the semblance of his late younger brother stood in his living room, though slightly less...organic, so to speak.

At first it was alright. E.L.U - C 12515141 Was equipped with the knowledge that it's name was to be Leona, it's pronouns from there on were to be he/him, and Falena Kingscholar had requested him to maintain a "brotherly" relationship with him. While he wasn't entirely sure what that meant yet, he agreed. He had been given the videos in his memory banks as to who he was meant to imitate after all.

Leona tried - but to be honest, there was very little footage of the boy he was meant to resemble that offered information about his personality. He mitigated this by asking Falena to take a short questionnaire regarding which siblings in media he wanted him to imitate.

When Leona got his answers however, the patterns didn't line up. The boys he saw in the videos did not match the dynamics Falena had selected.

He saw videos over and over and over again where Falena was the subject, and the boy he was meant to imitate was nothing more than a background character. Secondary.

Now, maybe it was the push to develop him so quickly, so something was overlooked, or maybe it was just how evolution was meant to take place in a machine as novel as he, but something changed about his programming, about his personality.

If the living boy had been nothing but an understudy for the success his elder brother had come out to be....what did that make him? A replacement for someone who was never truly cared for? Built to be a coping mechanism for someone who regretted their decisions? All he was, was the embodiment of Falena's guilt, and a pillar to be Falena's redemption. He wasn't built to be loved, or enjoyed, or even for entertainment, he was built from man's selfishness.

In the following weeks, Leona tried to keep to his programming, but between processing and cross referencing and research on both the family itself and the psychology that he would be expected to have, he started to lapse more. He would write off slips of the "tongue" as "glitches" or his body language began to become more pronounced, usually in regards to annoyance. In between it all, he was trying to figure out if he was experiencing real human emotions about this all...or if it was all just part of the programming.

Eventually, Leona's internal conflict got to be too much. Violent tendencies and impulses began to arise, resulting in him damaging himself, shutting down randomly to avoid external conflict, and an otherwise unexpected disposition.

He listened into the phone number Falena made to send him in for repairs to his "personality chip." Leona took it as a threat, and immediately blocked all outgoing signals to Y.T.I temporarily to find a way to remove his personality chip on his own. Using bathroom tools, the mirror, and damaged pieces of himself, he all but performed surgery on himself to remove it - only to be horrified to realize all the "simulated" emotions he thought he had were still very much present. Unsure what to do, he stored the chip in one of his compartments, out the window and ran.

He was blacking in and out as he went, from the sheer panic he felt but tried to keep under wraps. It wasn't until he made it to a junk yard, where he could bury himself in scraps to hide that he finally let himself dive into power saving mode, sitting silently for who knows how long.

---------------------------

Nemi x Leona Drabble

Battery Charged - 100% All Systems Back Online Rebooting Programming. . . Programming Error Detected - Contact Y.T.I? Yes No

"No. No don't contact Y.T.I." Nemi muttered softly, fighting the grime on their fingers to make the touchscreen respond.

It wasn't very often that Nemi or any of the junkyard crew found anything of value - at most maybe half a M.E.C.H or a catalytic converter if they were lucky - but a fully in tact, possibly operational E.L.U was unheard of. It was genuine too. How it had ended up in the junkyard was beyond him, but he wouldn't forsake the powers that be that left such a project to fall into his hands.

He rubbed his fingers on the cloth set over his shoulder, trying again to hit the button on the screen. To his relief, it finally registered.

Y.T.I Services can be contacted throu- (tap, uninterested) If your bot is not perf- (tap, that's what I'm here for...) System's Calibrating . . . System Calibration Complete E.L.U C 12515141 At Your Service, Courtesy of Y.T.I

The screen finally flickered black, before the metal beneath it flickered into the appearance the bot had had last, it's hand coming up to touch it's head as if it had a headache, it's "nose" scrunched as if it were in pain. The optics opened and shut a few times, the gentle whirr of fans blowing out dust and dirt build up that apparently, Nemi hadn't cleaned out thoroughly enough.

Whether the bot itself groaned, or it was it's internal workings coming back to life wasn't distinguishable, but Nemi stayed on his knees next to it as it seemed to slowly adjust to it's new surroundings. It squinted slightly, locking eyes with Nemi before glancing around the humble workshop.

It wasn't until it lowered it's arm it noticed that the chrome finish was no longer there - hell, the damage from his arm was gone. It was slightly bulkier than the other, but all in all, with a little buffing it would be good as new again.

It opened and closed it's hand experimentally, as if processing it was functioning like before.

"...You did this?" The bot's once blue optics much more closely resembled brilliant green eyes, scrutinizing the work of the supposed mechanic next to him.

Nemi swallowed hard, unsure what, exactly about this bot made him feel slightly uncomfortable, but cleared his throat and nodded, gently taking the bot's arm in his hands and turning it to show the carefully soldered metal, just the smallest glimpse of the wires beneath it.

"Yeah, I did. Um, you were partially crushed by a refrigerator? I think it fell on you from higher up in the stack, so I did my best to repair your arm myself. I...I may have taken apart your other arm to make sure I could make the servos match up properly, but everything's good as new. Promise. Name's Nemi, by the way."

The bot stayed quiet a moment longer, now looking down at both it's arms.

"....Why? I was supposed to be scrapped."

The bot finally moved, but only to tilt it's head back til it touched the wall, bringing a knee up to rest one of it's newly repaired arms on it, and closing its eyes. If it could sigh, Nemi was fairly certain it would have.

He adjusted himself, sitting flat on the ground instead, regarding the bot in some confusion.

"But you're an E.L.U. Nobody would just throw you away or, gods forbid, use you for parts. Any self respecting mechanic or robofanatic would repair you. You're gorgeous, top of the line, most sought after kinda model....how'd you end up out here anyways?"

The bot didn't seem to like that question, it's auxiliary power cord flicking, not unlike that of a cat as it looked away.

"Does it matter?"

Can a robot have an existential crisis? The thought passed through Nemi's mind, but he just shrugged in response.

"Not really. But it'd be kind of nice to know your name if you want to stick around here."

Nemi was met with an immediate glare of disdain.

"I'm not gonna follow your orders. Somethin' about defective programming probably came up on my reboot, right?"

Nemi shrugged again.

"Yeah, but you seem fine. Actually you seem like a lot more fun than most M.E.C.H's. I'm not going to make you do anything you don't want to, but it would be nice to have a friend here."

The bot remained silent, looking away from Nemi. The silence stretched on for a while, before it finally let out a slightly exasperated sound.

"You can stop staring. You can also...call me Leona."

Nemi couldn't help but smile a bit, extending a hand to shake.

"It's nice to meet you."

--------------------------------- OTL thank you again for the comm, hope this was up to expectation and also tag list time! @fluffle-writes @my-cursed-brain @distant-velleity @elenauaurs @lumdays @theleechyskrunkly

DM to be added/taken off ^^

[dingodad]

Start Over | Go Back

@missfroggish - GLUE TRAP DREAMCATCHER && TRIANGULATORTOP || TWIN PEAKS POSTER makes the WEBDRESS. Completely internet-enabled and made of 100% synthetic materials. Now you too can be traumatised and wrapped in plastic!

@vriskadyke - DREAMCATCHER && BLACK LODGE: THE GAME OF DOMINATION create the SWEET SPIRIT CATCHER TABLETOP BASKETBALL GAME.

@ackedack - WORLD BEATER GAME || GLUE STICK combine to make the BALMYKNOCKER. For "sticking it" to the landed gentry of the world, I guess?

@lizardanya - WORLD BEATER GAME && TRIANGLE make the GEODESIPHONE. Back in the mid-century a guy named BACHMINSTER-FULLER had everyone convinced that this was the absolute future of all percussion instruments.

@n4ut1lus - WORLD BEATER GAME && X-MEN OMNIBUS creates the WORLD UNITER GAME (below right). A highly cerebral game of skill based around the aim of uniting the people of the world, hand in psychic hand.

@odddaysgeorge - CEREBRICK && WORLD DOMINATION: LICENSED ALTERNIAN EDITION combine to make the MUTANT WARFARE GAMEBOOK (above right). This actually used to be a completely normal digital warfare gamebook - containing not only all the rules but the necessary resources for a riveting afternoon of strategy with your friends - until it was changed by the mutagenic rays of a dangerous alien sun. I'm not sure I'd recommend putting your fingers in there now.

@zignifier - ELECTRONIC TRIANGLE || CEREBRICK && WEAPON DELTA creates the WEAPON ALPHABET. Wirelessly connected to the vast database of mutant powers contained within your Cerebrackpack, these finely-tuned vibrating metal rods can simulate a vast array of unique special attacks in combat.

@sylph-o-life - WEAPON DELTA || TRITOP makes the BUBTOP. Compact, pointy, Canadian-made -- this ain't your grandpappy's Blackberry.

@bottleoscrumpy - WEAPON DELTA && WORLD BEATER GAME make the WORLD BEATERS. Even though this clearly doesn't constitute a game anymore they still come with this weird half-globe for some reason. You're sure that doesn't have any weird or mystical properties at all.

@wolygan - WEAPON DELTA && GLUE GLOBE combine to make the HONEY BADGER PAWS. These no longer really seem like very effective weapons, but they'd probably be great for reaching your fat fuckin Pooh Bear mitts for some mother fuckin snacks.

@knuckleduster - DREAMCATCHER && WEAPON DELTA creates the WEBBIN' DELTAS. All the frozen north's centuries of science and magic combine so that the user can grab some stuff from a little further away and have it be a little bit sticky and unpleasant when it gets back to them.

This arsenal of deadly new triangles(?) is enough to bring the lapis imp down to just 1 (ONE) HIT POINT. Can we put our heads together and come up one really good idea to knock this little fucker down?!?

[dokidokitsuna]

O.R.C.A.’s Directory

(Finally coming back to this concept after several months ^^;)

O.R.C.A. in #re_rise doesn’t just run Alterna in the background and give you orders– it’s a system you interact with regularly as the player; a database that facilitates your adventure and keeps track of your accomplishments. It is accessed through terminals placed at key spots on each site, which you have to find, activate, and physically walk to if you want to use them.

Most of the contents of the Menu (except the Sunken Scrolls) are now consolidated into O.R.C.A., along with a few bonus features~

Alterna Archive: Basically the Alterna Logs– all the information about Alterna’s history, from creation to collapse (referencing my rewritten version of this backstory, of course). As you clear lab spaces with different weapons, earn Golden Eggs, activate terminals, collect Nostalgic Devices, etc., the files will be decrypted line by line. Basically, anything that contributes to your percent completion of the game will count towards this…so just enjoy Alterna the way you like, and you’ll eventually reveal the entire archive without too much extra effort. ^^ This story is O.R.C.A.’s gift to you; your reward for reawakening its home.

Lab Notebook: Notes written by the ‘mysterious researcher’ currently working in Alterna, earned in order from newest to oldest, so we can gradually learn what the Fuzzy Ooze is and why he made it, as well as his origin story and true identity (in his own words~). These replace ‘Log.exe’ from the actual game. Lab notes are found by reaching computers hidden within the lab spaces, kinda like the Power Egg packs. They are purposely placed in the more challenging spaces, and you must clear the space in order to take the note with you– if you wanna learn the main antagonist’s secrets, you gotta put in the work. ^^

Wellness File: Records of Neo Agent 3’s responses to the environment, once you obtain the biometric monitor in Cryogenic Hopetown (more on that later). This is essentially an account of how the player character is feeling at each point in the story– a new entry will be created after each encounter with a major character (Deep Cut, the King Salmonids, the Squid Sisters, etc.) or a particularly interesting Alterna landmark. ;)

Nostalgia Index: List of all the Nostalgic Devices you’ve collected, which Alterna citizens they belonged to, and what they used them for. The citizens’ names are redacted, but you do get to learn a bit about the different kinds of people who lived in Alterna, and connect with them through the items they left behind.

Skill Tree: Basically the same as the in-game version, minus the Hero Shot buffs– in #re_rise you don’t get the Hero Shot until you gain the Hero Gear in the last stretch of the game. Instead you borrow from weapons’ lockers placed around Alterna…meaning you can carry the weapon of your choice as you explore each site, offering you a wider variety of strategies to use on those balloon challenges, for instance. ^^ But I digress…

Camera Roll: One of the Nostalgic Devices you can find is a digital camera, and once you’ve obtained it, you can take pictures with it and upload them to the terminal (as well as your regular photo gallery, when you’re back on the surface). The Alterna Camera comes with its own special filters, and characters you aim it at will pose for you. ^^ This feature is basically just for funzies, but if you can snap a picture of that large figure lurking in the shadows, you’ll earn a special clothing item.

Messages: Occasionally you will receive mysterious messages, warning you with increasing severity to stay out of their laboratory (and bring back their golden eggs…sure sounds familiar). Are these warnings for their sake or for yours…?

Map: Even the site maps are only accessible through the terminals, they’re not available whenever. Maybe that would be a controversial choice…but I think it’d be okay in this instance, since (a) the Alterna islands are pretty small, and (b) I’ve invented a fun system that might help– the Sticker Beakons! ^^

Around Alterna, you can find Sticker Sheets with 3 Sticker Beakons each, to place and replace wherever you want on any island. They shine like actual beacons so you can use them to navigate while you wander around on foot, and once you reach a terminal you can jump to them like normal Squid Beakons. They come in different shapes and designs like the stickers from Hotlantis, and double as actual stickers you can place on your locker, once you’ve found them in Alterna. ^^

I feel like forcing the player to walk around is more forgivable when you give them something cute and customizable like this to play with. :D If you want to use all 18 Sticker Beakons on one island at a time because you’re super directionally-challenged, you can. If you want to use them to simply mark your favorite Alterna landmarks so you can jump to them easily, you can do that too. 

Maybe as a compromise, I might add a ‘Return to Nearest Terminal’ option in the Menu…but I think encouraging the player to get out there and actively explore can’t hurt. Part of my philosophy with this re-concept is to make Alterna an interesting place that the player would WANT to explore, and all these added collectibles are part of that.