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#dissecting fictional characters is one thing
miyamiwu · 24 days
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Not gonna lie, I love Kaiser as a character more after chapter 261. His relationship with Ness also becomes more compelling and nuanced that KaiNess has now cemented itself in my psyche.
God, I just love dissecting characters that are so mentally wrong (I think I can understand my psychiatrist now)
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aromacaque · 10 months
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you want to analyze a cartoon that is something children can watch? ok here's the first and most important lesson ever.
have you ever heard of "suspension of disbelief?"
ok. next step. do you know what an unreliable narrator is and can you separate the character's perspective and opinions from the writers? because i promise you that the beliefs of the main character do not always reflect the writers and the point of analyzing media is to dissect that.
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meringuejellyfish · 4 months
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being into a work that is ongoing is a really interesting experience especially when its something like a manga/comic which takes a Long time (what an insane art form im always thinking about this) im waiting for the water to boil for my pasta im so hungry for dinner. Ok well by the time im posting this i ate like 40 minutes ago maybe an hour im so tired of eating dinners that do not have a side dish
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musical-chick-13 · 4 months
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They do the same with Cersei’s and Rhaenyra’s children, and the whole bastardy, naaah its different, Cersei had bastards because she’s evil and a treasonous bitch (maybe she didnt want to give birth to her rapist child, did yall ever think about that ??), but poor Rhaenyra had no choice, her husband is gay. (So why every ruling queens IRL got married if their children have a natural claim to the throne, regardless it their parents are married ???)
Of course they are. 🙄 Heaven forbid we have women make decisions in a story that are consistent with who they are as characters, and heaven forbid we ever look at these female characters with any degre of nuance.
The thing is. From everything I can tell, Rhaenyra seems like a genuinely compelling character. So to label all of her actions as Completely Justified and that Had Nothing To Do With Her Actual Personality Traits seems like...such a disservice to this character?
Obviously I can't actually have any kind of informed opinion on her, since I haven't seen the show (or read the book it's based on), but in addition to upholding the absolutely ridiculous double-standards that are present all over this fandom (especially in regard to Cersei, Sansa, Catelyn, and now Alicent), I feel like this behavior isn't fair to a character people claim to genuinely like and want to actively engage with. (Which, yeah, she's not real, you can't exactly "be fair" to her like she's a real person, but you know what I mean.)
Also this weird absolution of Robert's abuse because of how "bitchy" and "unlikable" his target is uh...sure is something! (<-meant in the most derogatory manner possible)
Truly being a Cersei stan is a special kind of difficulty, I hate it here, lmao.
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artsekey · 6 months
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Disney's Wish
Look, Disney's Wish has been universally panned across the internet, and for good reason.
It’s just…kind of okay.
 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:
The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.
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Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--
I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.
First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.
So, what went wrong between Asha & Magnifico in terms of narrative structure?
Act I
In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.
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Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.
As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.
Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.
… Until she asks him to grant Saba’s wish.
This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”
This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.
Well, wait, is that really Asha's goal?
While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.
So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.
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Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:
Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.
... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.
              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.
              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.
              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.
              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  
Act II:
His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).
              But then… he opens the book.
Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.
I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.
This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”
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            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.
 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.
Act III
              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?
              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.
              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.
I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.
Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.
 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.
This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.
All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.
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Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.
What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.
Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.
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maxwell-grant · 6 months
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So is Worm good from what you have read
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"Yes" doesn't begin to cover it but yes. Worm is a brain-rewiring mobius strip disguised as a bible disguised as a superhero web serial that either cured your cancer or shot your dog or both depending on who you ask, and it has many extremely dedicated, brilliant scholar priest surgeons publicly dissecting it on this platform on the regular to the point I don't think I have much to add to the conversations surrounding it, even if I do have some The Thoughts about it. I had never even really seriously thought about superhero prose before and Worm isn't a thing I go back and reread frequently but it did a complete and total 180 on the way I think about superheroes and even fiction, and I've never stopped thinking about it since I've read it.
It is a monumentally impressive story with completely absolutely incredible characters that I cannot stop thinking about. No matter where it was going, even past stretches that were less interesting or more of a slog to read or worse, I could not put the story of Taylor Hebert down for one minute. Tattletale fascinated me every step of the way, I had to keep up with her. Rachel Lindt was a character I feel like I'd been waiting my whole life for. What was I gonna do, not see them through? I feel like Worm easily loses you if you don't particularly connect with the characters enough to justify to yourself the amount of time you'll spend with them, but man, I could not unglue my eyeballs from these people enough (I love all the core Undersiders, to be clear, I'd say it's Rachel > Taylor > Tattletale > Aisha and Alec and Brian, there are very small gaps between these, I just don't go berserk for the last three like I do for the first three, I'm taking Bitch and Skitter to the grave I'm dead serious)
Worm irreparably destroys your ability to engage with superhero fiction the same way ever again, as evidenced by the fact that it destroyed the author's own ability to engage with his own superhero fiction ever again. And everybody who read it has one or several gripes with it with some major dealbreakers in the mix. Tumblr's kinda the only place online where you can really talk about them at length without the spectre of John Wildbow hanging over the discussion, which enables discussion to the point where yes, maybe it does look like to outsiders that nobody can agree on whether Worm is good or what is it even about or whether it even has worms in it (it has at least one, although it's a very big one).
And it is good, it has the Undersiders in it and the Undersiders are one of the greatest groups of characters ever put together, but everyone has at least one major point of contention with Worm whether it's the timeskip or the length or the racism or the gross fatphobia or aspects surrounding the Dallon-Pelham Torment Nexus and etc. I'd say it has maybe the most racist vision of Latin America I've ever seen in a superhero text a hair short of pro-colonial tracts in Golden Age comics and that is a tall fucking order by any metric (part of why I started WEON4 as a project was motivated by spite, to try and make my own stories about non-American superheroes even if just as practice). It is Complicated, and that winds up making it so fascinating to talk about.
Worm has self-sustaining ecological systems of posts up here, far away from the Spacebattles and Reddit battlegrounds where it has different ones and that's not getting into Weaverdice or the sequel or Wildbow's larger body of work, which I haven't gotten to and probably will not any time soon because Worm was enough of a commitment as is. Do I recommend Worm to everyone? It is certainly not to everyone's tastes and I personally find it difficult to describe it simply enough to make it sound appealing or not like a pyramid scheme. But yes I do think it's good, in fact great, in fact, amazing, except when it isn't, and except it Plainly Sucks, but then something like Taylor vs Mannequin or Kevin Norton's interlude or "You needed worthy opponents" happens and it fucks harder than anything has ever fucked before and you don't walk away from it the same, so yes I guess "good" will have to do now.
It's certainly a lot but I definitely found it worth my time to read and then read the texts written about it here. You'll have to take my endorsement of Worm as proof of it's quality and proof of how deranged it makes it's readerbase, they're not mutually exclusive. If you can make it, Worm and the wormosphere has layers and layers to wade through and talk about and enjoy, despite how we're all so very small in the end *gunshot*.
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pinkacademiaprincess · 8 months
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Any guide on Elle woods / hermione / rory coz I had no study motivation 😮‍💨
“she’s like a real life rory gilmore…”
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fictional study icons guide, part 1: rory gilmore
ty for the ask! i’m gonna make this multiple parts, next will be elle woods, i never read/ watched harry potter tho so idk about hermione 🫣 but if y’all want me to do other characters, feel free to send ideas!
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know your goals
rory had a clear idea of what she wanted for herself: to go to harvard & to become a journalist. when school & studying starts to feel tedious or difficult, having a strong “why” will keep you going. maybe you want to get into a certain school, you have a dream career path, or you want to become extra knowledgeable. never lose sight of your goal - surround yourself with reminders of it. rory had harvard memorabilia hanging in her room as a constant reminder of what she was working towards. you can create a vision board online, print pictures & hang them in your room, put notes up on your mirrors & walls. remember that classes, tests, & assignments are all leading you to a greater goal. studying is a means to an end and you deserve the best ending!
study a lot
rory prioritized her studies and spent a lot of her free time on schoolwork. the easiest way to succeed is to put in the time. don’t cut corners when it comes to your education - do your homework and assignments diligently, go through assigned readings & videos carefully, & if the teacher gives you optional/additional work, do it. remember tho, it’s important to study smarter, not harder. the most beneficial thing you can do is spend as much time as possible utilizing study methods that work for you. don’t waste time on study methods that aren’t effective for you. you can search my older posts for info about study styles or google learning styles & use that to help determine your best approach to schoolwork.
conquer challenges asap
when rory first started going to chilton, she unexpectedly got a bad grade on one of her first essays. she could have sat there and made excuses, felt sorry for herself and blamed the school/ teachers, but instead she worked extra hard to improve and overcome that poor grade. in the end she was valedictorian, showing that she was able to rise to the challenge and ultimately succeed. if you find yourself struggling with schoolwork, please take initiative asap and get whatever help you need. utilize all your resources - teachers, classmates, youtube video explanations, khan academy, tutors (if possible) - do not allow a dip in performance to be your norm. try to get to the bottom of why you’re struggling and then take care of whatever’s causing it. if you let yourself succumb to the struggle - telling yourself it’s because of bad teachers, the content is too hard, etc. - the only person who is gonna suffer in the long run is you. be proactive and take charge of your education.
take breaks
while rory did spend a lot of her time studying, it didn’t rule her whole life. she still made time for friends, family, and fun activities. life is about balance, and you don’t want to burn yourself out by spending every waking moment on school. take breaks for fun, to spend time with loved ones, to get fresh air & be active. give your mind breaks so that you can stay in top shape. that being said, make sure you strike a balance. don’t let your social life get in the way of your academics, but don’t let studying stop you from living life.
read a lot!
when i think of rory, i think of reading. she always has her nose in a book! she not only reads, but she reads books that are thought-provoking and intellectual - classics, non-fiction, and so on. reading is a wonderful hobby and it can also be a way to expand your mind. challenge yourself by reading books that are somewhat difficult to challenge yourself to read closely & dissect the content. find classics that genuinely interest you or non fiction on topics you enjoy. combine the fun of reading with the desire for intellectual growth. by reading more difficult books you can improve your vocabulary, build you reading comprehension skills, become better at analyzing literary devices, and overall become a more interesting person.
that’s all! have a great school year & best of luck with your studies! 🩷
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tbhimnoteasyonmyself · 3 months
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Who is White?
If it is not I, your friendly neighbourhood non-binary deranged literature major, once again to tell you about stuff that the voices™︎ have prompted me.
This time, let's talk about the elephant in the room, the odd one out: Mr. White, a.k.a the fandom's babyboy.
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(me as Fluke in this GIF, walking in ready to dissect this bitch)
So, what do we factually know about this man?
From what we're directly told in the show:
He's Tee's boyfriend, at least, since 12th grade, meaning they have been together for about 3 years, maybe 4 (depending on when exactly we are in terms of time in the present and when exactly during 12th grade they started dating).
He's younger than the rest of them, according to Por and Top in episode 1.
He studied at a different school from the main gang AND from Phee (yes, despite the embroidery having a similar colour, the writings where the institution's name should be are nothing alike, thus, not from the same place)
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He cares a lot about his appearance (he does skincare when Por is literally dying downstairs and he sees a rash on his body while under the effect of New's absynthe - idk if it's absynthe or not but my friends and I have been calling it that since we saw them drink the green drinks so it's absynthe for me and there's that).
He's generally a very respectful person (he always speaks formally and nicely to everyone, even when people are hostile to him, like Tee or Fluke).
His fear doesn't seem to paralyze him in high-pressure situations (he strikes people with a tripod twice to save himself and others when he thinks they're in danger).
Another source could be the Yearbook, which, now, we have to be a bit more skeptical about because, as seen in New's case, it's not 100% accurate. One can argue that it is accurate because the yearbook would have Tan's info, since that's who he's living as and no one knows any better than that, including the institutions and, sure, yeah, fair. But while we don't know that White is hiding anything from us as well, we can't be sure of it. So, take the following with a grain of salt:
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(translated with Google Translate)
His legal name is Watcharin Siriphan
He was born on the 25th of February 2005 (which confirms what Por and Top say)
His blood type is A (which according to the Blood Type Personality Theory means he is shy, stubborn, a perfectionist, polite and hard-working, apparently. tbh this thing is super shifty, no source seems to agree on the meaning of each type and, of course, it's a pseudoscience and all, so... yeah. take it as you will)
He's studying Software Engineering
He likes cakes
He dislikes cockroaches
He plays games and programs in his free time
So... We don't know much. He's the most generic person ever. Like... I too, and half the world's population, like cake, dislike cockroaches and like to play games. It's not exactly very special. Which is exactly why he is so intriguing. After all, we had 5 whole episodes so far, which were just the backstory of the people we see together in the mansion in the present. We've seen their personalities, their qualities and flaws, what they did and what they didn't do. We've been given a reason as to why they're here. Not just in the more direct sense of "they agreed to come here for Jin's goodbye party" but of why exactly they needed to be put all together in these conditions for this story. All except White. White is just... Barely an afterthought. We're shown when he comes into this story for the group (when he becomes Tee's boyfriend), but we're not given a reason so far as to why the narrative wants him there.
Because, sure, IRL people sometimes end up in random places and things can be pretty meaningless but this is a work of fiction. One that, evidently, has been greatly focused on details (Non's framed apple picture and Phee eating an apple alone, for example, or the correlation between the group and the colour blue). So why would it just throw us a character that is, seemingly, irrelevant to the story?
And to this, there are 2 possibilities my friends: either White is a narrative tool to get to the audience or White is not who we think he is. So let's explore it, shall we?
White = Narrative Tool
Let's start by assuming, possibly the most likely outcome, that White is exactly just a guy who ended up there due to his connection to Tee. Why would this narrative need that character?
Glad you asked. Because he's the only person who's 100% innocent. If he's just some guy who, as we've seen, keeps being respectful and nice and trying to always do the right thing, then he's got nothing to do with the others who, in different degrees are all guilty of something. He's the odd one out.
Because, yes, this is not a show of villains (at least, not in which concerns the main characters). They're all morally grey. But they have some drop of black that makes them grey.
Por is arrogant and a liar and selfish.
Tee is aggressive and manipulative and a control freak.
Top is an overall asshole and a coward.
These 3 actively bully Non. Por steals his work. Tee and Top blame him for shit he didn't do which puts in the situation where he owns Por and they spy on him. Tee manipulates him into mafia money laundry and threatens him.
Fluke is selfish and refuses to take action even when he knows it's the right thing to do.
Jin's doesn't have the capability to realize that the peaceful passive way with which he normally carries himself with won't solve the issue. Plus he's overly emotional. And a bit selfish too.
They didn't help Non when it was their moral obligation to do so. And Jin records him being abused by their teacher and possibly posts it online (though that's still up for debate).
Phee is too stubborn and also overly emotional and even overly empathic.
New is obsessive and vengeful.
Phee never really helps Non because all the ways he offers Non help are the wrong ones. He almost tries to control him. And he fails. And then he tells him awful things and breaks up with him in a terribly vulnerable moment for Non. And even when he regrets it and tries to bring justice to him, he fucks Jin because he wanted to and tries to cover it up as if it was part of the plan. Sure, they were broken up, technically, but Phee himself seems to have had "take-backies" over that breaking up. So, in his mind, at least, it's fair to say he cheats on him, which is very hypocritical after how he reacts to Non being abused. And New... He tries to help sincerely because he feels guilty but he only makes things worse. Nothing is solved and their father curses them both before committing public suicide at their mom's funeral.
Non (which may be even more relevant if he's still alive) is overly independent and uncommunicative.
He doesn't tell Jin he has a boyfriend when it's clear Jin's trying to make a move on him, event though Non's not interested. He hides very important things from Phee. He commits fraud (understandably, but yeah). And yeah, he's justified in his rage and attack but... Does he ever think of how his actions affect other such as Jin, for example, who, in his eyes, is innocent? Not really.
"Oh but White won't die!", I hear you say. "The innocent people never die in slashers!! Only the people who did the killer wrong do!" And that's exactly where I have to disagree.
So, amidst a sea of grey characters, White is, funnily enough: white. He's just good. He's done nothing wrong. And the narrative needs him because, when the others die, we'll feel (to different degrees, sure, but still, we will) that there's a reason. Even if we like the characters, those deaths will make sense. But what happens when an innocent man dies? What happens when you kill the man who wasn't even supposed to be there (he joined the trip at the last minute)?
As @syrena-del-mar says in this post: "DFF is more than just a 90s slasher film imitation". It "sits at a novel intersection of genre: horror slasher on the one hand and BL on the other hand" as @brifrischu puts it here and, for that, it bends expectations and rules and subverts what are natural tropes and events of the slasher archetype. White dying is the sort of thing this narrative, and our inventive genius Sammon, would do. Because... Do you really think they're giving us grey characters instead of black ones because we're supposed not to question this revenge? Because we're supposed to be happy about this? No. Of course not. That would be dumb. If we're meant to 100% side with the killer, then why give us likeable characters as the targets? Because, and this is as much speculation as it is reading the room, we're not.
This story, I don't know how it will end, but regardless I'm pretty confident it's supposed to tell us something important about cycles of violence: that they're neverending until someone chooses peace instead. That aggression and bloodshed and revenge... They won't bring time back, they won't undo the mistakes we make, they won't restore that which is lost, they won't make the grief go away... That they won't make us feel better. More even: that they will only hurt more people, create more injustice and prompt more revenge. And, thus, perpetuate the cycle.
So what's White's role? Being the final drop into our collective cup of realization (and perhaps the characters' as well) that this revenge mission is pointless and won't solve anything. White's role is to die.
"Oh, but uncle Dang was also innocent! Is his death not enough??", I hear you ask. And well... Maybe, maybe not. I think, honestly, his death is too impersonal for us to feel too deeply about it. Like, sure, yes, it is the death of an innocent, but it's a distant innocent. It doesn't make our blood boil because we don't know shit about that man. But, for all we don't know of White's past, we've seen him cry, we've seen him scared, we've seen him fight for his life, we've seen him be a good boyfriend and a good friend. He might just be some dude but we like him. He's the fandom's babyboy, as I said. It is more impactful and it tells the story better.
But this is just a hypothesis. And it might not convince you. And that's fair. So, because I'm a persistent obnoxious fucker with a little too much free time, I'm bringing you a second theory. For this one, though... You might need a little tinfoil hat... Be prepared.
White ≠ Who He Says He Is
So, if you think just having a character be hollow and pure good in a show of very fleshed-out and grey characters is weird, even if he might be narratively relevant, then we can only assume there's something important to White's character we don't know about yet. (I'm adding this in retrospective because I forgot but this idea came to me partially from @yellingaboutkp and their great analysis of horns in the show that you can find here)
But what could that be? We've seemingly seen all the flashbacks we needed from everyone, White doesn't seem very relevant to anyone's storyline but Tee's but... We'd assume if there was something directly connected to Tee's actions and White that we needed to see, we would've. Admittedly, the next episode seems to be on its way to tell us what Tee knows about what happened to Non and Keng while they were captured by the mafia and he could be there but I think, honestly, that it goes deeper than that. And here's why: because there's a person who's even more of an odd one out then White: whoever Perth's character is.
Now, he would've been completely unsuspicious if it wasn't for one thing: Perth's presence in the promotion of this series. He's just... Always there, somehow? Like, his character has only really appeared last episode massaging Tee's uncle but he's constantly talking about this series. Plus, his name is very well credited. AND, the absolute cherry on top, his character appears in THIS poster:
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Now, yeah, I understand Marketing and Publicity (it's part of my Master's, you don't have to explain it to me). So, I know this could very well just be a strategy to sell the series. After all, Perth did get a lot of attention after The Hidden Character, I know, I know. It's also a way to put his name out there for other future roles, kinda like a soft launch. Plus, this is the show that killed Us's character first when he was one of the most popular actors in the cast. HOWEVER, I'd argue that, considering the previously mentioned attention to detail, they would not have given one of their rising stars a role in this series if it wasn't important. Like... No other background character without lines (so far) was given an important actor to play it. So pardon me, but I don't buy it. Perth's character's gotta matter somehow. And, back to what I was saying, I think the next episode will be exactly where.
See, I made a poll here on the hellsite asking what y'all think happened to Non. It's this one. And it shows that, overwhelmingly, we all think Non is alive BECAUSE he was helped by the man himself:
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"Okay, Dante, but, even if that's true, where does White fit in all this?" Glad. You. Asked.
Now, if we're assuming Perth's character's the one that's gonna help Non (and possibly Keng or maybe not, idk and it really doesn't matter for now), we've gotta assume he's a possible suspect for the murderer. And even more so under this optic that Non is alive. Who more than a person whose whole reality seemed to be the mafia and who might've escaped it would be okay with murdering people? Right? Or, on the contrary, that he took a liking to Non and is trying to prevent him from further digging himself a hole in life and is trying to save him from himself.
You see, I didn't watch The Hidden Character (and those who did apparently recommend it stays that way). I didn't know any of these people before except those who were in Kinnporsche. And you know what that led me to? Curiously enough, dear reader: confusing Fuaiz with Perth. So, yeah, you know where this is going... White and Perth's character might be related. Brothers, probably.
"All because you think they look alike?" Well, if you ignore the way I just explained how it would tie some very loose ends... Yeah, kinda. BUT, in my defence, it makes a lot of genetic sense.
See, no other characters in the show really look this much alike. Believe me, I tested it.
For this purpose, I tried many different sites but the one that seemed to give me the most reliable results was FaceShape. Most characters got no more than 10%, some even got 0% (e.g. New and Perth's Character). And you wanna know how much White and Perth's character got? Nearly 50%.
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For comparison reasons, New and Non who are CANONICALLY brothers, got about 30%.
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BUT, if this is not convincing enough, my sister and I (who share EXACTLY the same 2 parents) got lower than them.
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(pls ignore the picture, I was trynna make it as accurate as possible so I took a front pic with a neutral expression. also, my sister is censored for privacy reasons)
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Now... Will I claim this is irrefutable proof? No. Not at all, but think about it: if White and Perth are related that might maybe explain how Tee and White met. It might also explain that really weird scene in the pre-release trailer (albeit all scenes in that are rather odd) where White-
Yes, thank you, Obi-Wan. And Anakin Tee is looking up at him, as if White has more power than Tee does. Because then, it could probably mean that White knows something and is probably there to do something. What exactly? Idk, man. He could be there to ensure the group remains clueless/confused or that they remain where they need to be for things to work... Or he could be there to try and prevent stuff from happening much to the likeness of what I stated for Perth's character's case.
"Oh, but if he knows something, wouldn't he know what happened to Non? Why would he be curious to watch the recording??"
Well, not necessarily. We know Non is not communicative and that he doesn't typically share his problems with anyone (the exception being Keng, obviously, but then again, the exception confirms the rule). And sure, Keng might be more talkative but idk if he would say something if Non asked him not to. I have a feeling he probably wouldn't (since he has that weird thing JJ mentioned about how he "loves Non" and, therefore, even if he's an abuser, he doesn't perceive himself that way and wouldn't do something he actively thinks would hurt Non). So, while Perth's character would know what happened to Non while he was being held by Tee's uncle and even some things about why he is there, he probably wouldn't know the rest.
But then why would he date Tee? Well, this is a narrative so... Foils are something that can happen. Having White and his relationship with Tee be a parallel to that of Phee and Jin is not weird and, in fact, has happened in the very first episode when both couples arrive at the room where the singles are, in pairs. Therefore, it wouldn't be weird to think of White as someone who maybe also fell in love with the guy that was supposed to be a means to an end or, alternatively, and perhaps more interestingly, have White NOT be in love with him and actually succeed, unlike Phee. Thus, drawing the comparison that, while Tee and White are in a relationship, White didn't fall in love and, inversely, while Phee and Jin aren't in a relationship, Phee did fall in love.
And this would mean that all we've seen of White's fear might, in fact, be an act to throw suspicion off of him. Or even more justified because he knows exactly what's lurking in the woods... After all, why would he suddenly join Jin's goodbye party if he's not a friend of Jin's? What reason better than to tag along your boyfriend's getaway with his friends if not to protect him from the terrible consequences of his actions?
But I get it. It's an extremely convoluted theory and, in all honesty, maybe makes the show more dull and boring if it's true because... Why would they repeat this "secret brother" twist? Or the dating with second intentions trope? It could be a narrative parallel, yes, but I can also definitely see how people could point that out as uncreative or lazy writing.
Either way: these thoughts were circling around my head and, before the next episode confirms or destroys them, I wanted to get them out into the world for y'all to, maybe, hopefully, join in on the hype for it, as it's less than 24h 'till it airs. Hope in that I was successful, at the very least.
Anyway... As usual feel free to (politely) argue with me, tell me I'm wrong, tell me I missed this and that, add to it, etc... Because if there's one thing I currently love more than DFF itself, it's definitely the fandom and I want us to make the most of it!!
I'll see y'all tomorrow when we're freaking out about episode 10!!!
All the love! 💜💜💜
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Hello! Are you hyperfixated on RedactedAudio?
Do you want (need) to know who to follow to cultivate your dashboard and feed your gremlin brain good, good boyfriend roleplay content?
Cool, I’ve got you, and I’ve got hyperlinks. Buckle up.
(Note: This is by no means a comprehensive, objective, or complete list. I've only been in the fandom for six months or so. I have biases and favorites and limited time. I hope to update this list periodically, and if you feel I've missed someone, please feel free to reblog with your additions! I just would have loved a guide like this when I got into the fandom back in August and wanted to spread some positivity~!)
Fanfiction:
@angelnoodlesoup: she/her
Sophie is just one of the sweetest David stans that's ever existed who writes, like, the sweetest things about him. Her posts are just going to make you feel warm, fluffy, soft things in your heart area; give into the sweetness. Highlights: Sophie writes this adorable timestamp series of vignettes exploring Davey and Angel's day, but I'm particularly attacked to their David/Angel neighbors to lovers AU~
@arrowfleur
I was actually going to put Max in the visual content portion of this post, because they post delightful Redacted edits on Tiktok (under the same username, highly recommend~), but then they made a uquiz that gave me an existential crisis, so here we are. Highlights: This quiz sent my whole server for a loop and has made me reconsider my relationship with Lovely as a character and kin; it's a great time.
@batch-of-pengwings: robin/bird, she/her
Robin, an absolute sweetheart who makes all the fun ask games that keep the community interconnected and thinking and talking which is just really sweet and fun in the best way. Highlights: The Winter Wonderland game is the one who went around most recently, and it’s so fun to engage with the fandom and discuss who we think is stupid enough to get their tongues stuck on a telephone poll~
@bicyclepainting: they/them
Clover, the fandom's resident Smartass, doing the lord's work and reminding us all how fucking smoochable Aaron is on a regular basis on top of being the coolest astrology nerd don't give them your birth chart you will be perceived /lh Highlights: No one is doing Aaron/Smartass like they are; like, read and absorb the delicious, domestic delight that is them. I also recommend their deep dives into the Redacted bois signs, if you're into that; they're very thorough and fun to read!
@cashandprizes: she/they
My Lexi, my queerplatonic soulmate… She is on a quest to dissect and critique fandom brick by philosophical brick, and I both love her and fear her in equal measure. (That’s a lie, I love her infinitely, more than anything, but she is in fact incredibly intelligent and intimidating.) Highlights: Come for the scathing insights into gray-morality and DD:DNE’s place in fiction, stay for the stripper!Gavin fic they’re working on and their sequel to Lasko’s SexTember audio because she really wanted to make him cry
@ejunkiet: she/her
EJ, the very first of my Redacted loves~ Not only is EJ an endless well of kindness and positivity, but she also writes fucking bomb ass everything. You get angst, you get smut, you get fluff- We stan a multitalented, ace queen. (She also writes really cute CastleAudios fanfiction and original stuff as a cherry on top.) Highlights: EJ writes just some of my favorite David/Angel smut; she captures Angel's little shit nature perfectly. She's also written the sweetest thing of Damien meeting Huxley's moms that I can't get enough of~
@dominimoonbeam: she/her
Domini, truly one of the pillars of the fandom. I don't know what'd we'd be without her fantastic fics or her original novellas or her fantastic, beautiful, rarepair-creating brain. Highlights: God, there's too many to choose from! There's the Sam/Darlin fake dating AU that has us all gripped by the proverbial balls. There's the David/Darlin tattoo shop AU that has me frothing at the mouth because tattoo artists are stinkin hot. That's not even getting into their Cam/William fic, because god, that is such a good rarepair. We love two immortals finding love with one another, we really do. My personal favorite has got to be their Huxley/Darlin piece though, because Darlin gets to be cute and awkward and so, so loved in it.
@frenchiefitzhere: she/her
Frenchie, the fandom's unofficial (but basically official) Marie Greer, not only a gorgeous writer but also the creator of the most fantastical and unique fansongs (who makes original audio content to boot~) Highlights: We would be nowhere as a fandom without the Marie/Colm greer backstory and saga or her audios as the Greer Matriarch herself, but personally? Her Imperium!Lasko/Adam fic kind of changed my life, I'm kind of obsessed with it.
@friendlyfaded: he/him
Miles, the king and professor of the rarepairs! Beware, you will leave his blog wishing for fics for a ship that doesn’t actually exist yet. It’s unavoidable when you read the careful, creative, thoughtful way he considers seemingly silly pairings and makes them gorgeous. Highlights: I recommend his whole rarepairs with prof tag for a snack and his Sweetheart/Lasko/Milo fic for a whole meal~
@gingerbreadmonsters: she/her
Ginger, literally one of the sweetest, friendliest people in the entire Internet. I cannot adequately describe the absolute magnificent poetry of Ginger's prose, so you just have to read it for yourself. You will not be disappointed. Highlights: Ginger's Milo/Sweetheart series is for if you're feeling sweet, and her Vincent/Lovely/Gavin/Freelancer foursome fic is if you're feeling spicy~ Or if you're like me and are longing for an character we'll never see again, you can read her gorgeous, Doctor Who-inspired look in Marcus's mind.
@glassbearclock: she/her
Beans, also known as the best Milo/Sweetheart writer in the game. Their banter is taken from the mouth of god and first name Erik last name Redacted himself, and you could not convince me otherwise. Highlights: I’m a big fan of her sweet, wholesome, Jewish!Milo sick fic, but aYO her Milo/Sweetheart first date fic is so good y’all like goddamn Sweetheart phases through their door and makes Milo faceplant it on accident man that shit is so good
@horrorscoupes: they/he
My beautiful, darling Lotus, my gloriously deranged brother in arms (affectionate). The way they write each and every d(a)emons is just so -chef kiss-. Highlights: I think about their Regulus/Doll fic, like, literally every day, it's just yummy and depraved. Though, for a true taste of genius, for a galaxy brain treat, you've got to read his Shark!Vega/Pet masterpiece.
@k9rage: he/xi
My beloved Calico, our helpful Image Description fairy. He is just so cool and writes the most glorious smut like the world has ever seen. As of publishing, he's writing a Vega/Lasko street racing AU that's gonna be just smoke ash cinder fire hot. Highlights: You need to read his Damien/Gavin waxplay fic; like, this changed my life, I think about it daily. Ooh, AND his Aaron/SmartAss/Gavin threesome fic, because he didn't do all that thinking and imagining for us to not appreciate it. I'm also reccing @calicostorms, his other blog and spotify, so you can get at his stellar Redacted character playlists!
@lovelylonerliterature: 
Lovely, absolute stand-out writer in the fandom! Would you believe they have a whole (as of posting) 95 works for the RedactedASMR fandom on AO3? There’s <2000 fics, which makes Lovely a whole five percent of the fanfiction on their own. That’s wild and so hella cool. Highlights: Literally everything they write. Explore their extremely well done masterlist, it’s beautifully put together, and you’ll find something you love. (I’m particularly fond of the Darlin/Vega fic they wrote based off of one of FriendlyFaded’s posts~)
@romirola: she/her
Dr. Romi, the one and the only and one of the legitimate sweetest goddamn people that has ever existed. You've never met a more polite, darling person in all your days. How did she write all these thousands of words of art while getting a doctorate? God, I wish I knew... if only we could also be so beautiful and wonderful and accomplished. Highlights: You haven't existed until you've read her Milo/Sweetheart Tangled AU; like, what are you doing here? GO. (I also deeply recommend her found family Shaw Pack + Sam fic, if you're looking for something that's still ongoing!)
@sealriously-sealrious: they/them
Chrys who writes- no contest I think we can all agree- the best Huxley that this fandom has ever seen. He is just so well-explored and so multifaceted, just the top-tier himbo content we all need and deserve. Highlights: Huxley and Freelancer at the aquarium, Huxley and Freelancer going camping, sfw, nsfw, whatever you want, we've GOT. (There's even some imperium!Huxley, if you're so inclined >:))
@starlitangels: she/her
Starlit, another absolute powerhouse of the fandom. Just look at this masterlist, I think there’s something here for literally every character. That’s what babes call RANGE. Highlights: The way they explore the Shaw pack is so fun; I’d highly recommend her fic exploring Gabe and his backstory or her fic exploring the Shaw’s future pups~!
@taelonsamada: she/her
A pillar- or should I say fence post?- of the fandom and just an utter peach. Always has a nice word to say and says the best nice words about Sam and Darlin- Highlights: Her nsfw Geordi/Cutie fic holds a special place in my heart (the blindfold? the gag? Be still my beating heart), but you haven’t lived until you’ve read her Shaw-centric Ranch AU~!
@teasandcardigans: she/her
Mads, another lovely creator that could be in either section of this post- that's how talented she is! Not only is she a lovely writer but she also designs the most fun Redacted stickers! Also, she's got the only Redacted fan tiktok that Erik has confirmed seen and liked, can't not mention that it's so cool Highlights: Honestly, there's too many to mention! A really popular of hers is a "What If" echo-esque reimagining of everyone's stories which is so fun, and my personal, biased favorite is her Alexis & Gavin fic hear me OUT-
@the-sugar-crash
Cait, out here doing the most and the best. They’ve run the Redacted Winter Gift Exchange for the past two years, connecting blogs who might have never spoken to each other, inspiring creativity, and spreading holiday cheer~ Highlights: I recommend taking a look-see through the “Redacted 2022 Winter Gift Exchange” tag- much thanks to Cait for making it possible- to consider if you’d like to join next year! Until then, there’s a compilation of their cute headcanon posts to inspire you!
@zozo-01: she/her
Zo, one of the sweetest people in the fandom~ Not only is she a fantastic writer, but she is also one of the friendliest people in the space! Constantly excited and supportive and positive and a joy to follow and befriend. Highlights: Her Sam/Darlin Deity AU is going to change the world and break some hearts, I just know it. (Just like her Alexis and Darlin meeting fic broke mine-) If you're not up to getting your heart broken and just want a friend, I recommend asking her about her Powerpoint of Bollywood scenes that could be Sam/Darlin moments~!
Fanart:
@andr0leda: she/they
Androleda’s art is so gorgeous in that most of them are uncolored or working with a smaller palette, and it just makes those colors stand out and the line work all the more elegant. Highlights: Their wolf!Darlin piece got so popular, and you can see why! It looks like the cover of a really cool YA fantasy novel. Also, her Sam/Darlin art just melts the heart- the gentle hand, the key around the neck-!
@artbykays
Kays, a fantastic artist who plays around with the prettiest, brightest colors and has the prettiest (hottest) fem listeners. They also have super fun Redacted playlists! Highlights: Their Sweetheart, Valentina, is kind of smokin hot, I mean look at her, but also good lord, have you seen their Warden like lock me up anytime hello-
@belovedbow
Bow’s art just makes me so soft and gooey inside I dunno. Their art is so pretty, and they always have the most expressive faces. Not to mention the colors- like, Bow uses the simplest but most emotionally evocative shades of pinks and blues that make me inexplicably feel things, and I love it. Highlights: Literally all their Davey/Angel is the sweetest, but I also have this deep fondness for their imp!FL and Vindemiator pieces, because look at these deep, mournful blues, they’re beautiful!
@cascadiiing: they/them
Atlas creates the most beautiful, squishable, smoochable characters on top of being the most beautiful, squishable, smoochable (platonic) sweetie in existence~ they’re so sweet and friendly on top of being so talented at such a young age, and I would protect them with my life. Highlights: Their Sam kind of makes me so lovesick, I could barf- he’s just that pretty. Their Alexis/Christian art is fanart of my own fic, I’ll grant you, but it’s also so fucking pretty look at the dreamy colors and it MOVES-
@claracatlady
Where would we be without Clara, like honestly- What really stands out about their art is- other than the overwhelming talent- the obvious thought and joy that went into designing the outfits. Only the best from our resident fashion design student! Highlights: literally everything. If I must be specific, the David design pinned to their blog is utterly ahdhkakshdjsk, and I am particularly partial to their Alexis design, because I love my beautiful, possibly complex lady okay-
@fregget-frou : he/they
Mal has the prettiest Listeners; I’m lowkey in love with all of them~ I love the way he does such fluffy, voluminous hair, and I dunno, all their listener OC’s have this fashion model-esque glamour and posture about them that’s really attractive. Highlights: Of their listeners, Mal’s Angel has got to be my favorite. Look at this fluffy-haired cutie! Look at this menace! I would also propose to them, they’re gorgeous!
@gwenifred: she/her
Gwen draws the most gorgeous, swoon-worthy Huxleys and is just a big sweetpea to boot. Her and Pali sharing OC’s and art trades here and on Twitter is a testament to how friendly and sweet the fandom can be! Highlights: Everything she draws is gorgeous, but you haven’t lived until you’ve seen her animation work!
@ice-palace-art: They/It/He/Dae
Darby has some of the most beautiful designs, I can hardly stand it. He creates the most gorgeous, realistically proportioned characters and listeners, and they’re just really smoochable okay let me live- Highlights: It has this one piece of Gavin and Lasko having a sleepover that fills me with the warm fuzzies every time I see it, and their Aaron design fills me with longing I am hopelessly in love with their dad-bodded Aaron.
@itsdaifuku: she/her
Y’all don’t even know the little happy stim storm Fuku’s art sets me on; like, all her art is so cute and joyful and somehow colorful even when it’s in black and white? It just gives the vibe of life and vibrancy constantly? How does she do that? Highlights: Literally, everything she draws is gorgeous and sweet, though her designs for the Shaws and their mates are so S-tier and so cute. (I’m also particularly fond of her designs for Love and Alexis, my favorite characters, I’m biased, sue me)
@mr-laveau: he/they
Laveau, my favorite Milo kinnie~ (Yeah, I said it out loud; I’m callin you out.) Charming, thoughtful, friendly, much more talented than they have any right to be when they’re also so funny and sweet, AND also writing at their other blog @bratty-telepath. You’ve never seen such a double threat. Highlights: Literally, everything he makes. All his designs are colorful and gorgeous and filled to the brim with deliberate, intentional details (though I am incredibly partial to their Alexis and Darlin designs and the parallels he included between them.)
@nais-doodles
Nai is a fucking blessing unto this fandom, and we are not worthy. You haven’t really lived, haven’t experienced all the pure, positive silliness that this hellsite has to offer until you experience Nai’s Redacted Actor AU. It’s pure serotonin, and we’re all here listening to Boyfriend ASMR, I know we could use it. Highlights: Other than said AU posts (which really are so fuckin good), have you seen their drawing of Vincent and Sam’s Monarchal ball? Ooh, and if you go to their tiktok under the same username, you can see some of the really cool dating sim they’re working on!
@nanowatzophina: any pronouns
Na’no is not only a must follow on tumblr, but I also highly recommend their tiktok if you wish to wade through the horrid cesspool of that app (I say with tiktok as one of my top social media sites- we have a codependent relationship) Their art is super cute and expressive, and I get massive gender envy from the way he draws hair and teeth. Highlights: Her aspec Freelancer is just so close to my heart; I adore Avery so deeply. Also, the way they draw imperium!Vega and Pet makes my heart fucking melt and want to jump out my chest- the size difference, my god
@obsessivedino: they/them
Mint’s contribution to the fandom cannot possibly be overstated. Their art style is just so clean and neat and with the cutest expressions, and I love their designs so much, especially for the d(a)emon bois I just ahhhhh Highlights: If you’ve joined the official unofficial Redacted Discord server, you’ve seen their adorable stickers reminding you to kick that ass or hydrate unless you want to die-drate, and you haven’t truly embraced life unless you’ve seen their two-year anniversary masterpiece. Ooh, or pocket caelum!
@palilious: she/her
There is no Redacted fandom or fandom list without Pali, and we’ve all accepted that. Her style is so uniquely and instantaneously recognizable as hers, and everyone adores it, including but not limited to GBA, Nomad, and Cardlin! Highlights: Literally everyone she draws is so pretty, though I have a soft spot for her Vincent or her Nomad drawings if you’re looking for more VAs to listen to!
@pearl-kite: she/they
Kirehn has the most huggable humans and the most awe-inspiring d(a)emons. The way she draws the d(a)emons with constellations worked into the designs and color palettes is just so gorgeous and purposeful and thoughtful. Highlights: Their Vega is so frightening but beautiful, you just can’t look away from him. I’m also particularly in love with their Darlin!
@queendread
Do y’all ever do this thing when you see an ethereally beautiful person and you have no words, all you can do is giggle like a vapid schoolgirl(gn)? That’s me with all of Anna’s paintings: no words, just awe. Highlights: I don’t even really like Gavin, okay, he’s not my type, but lord above, Anna’s Gavin is something else. Their Sam also has those Captain America, boy next door good looks I imagined, it’s like they took him right out of my daydreams.
@ryokoaoi : they/them
Ryo has the absolute cutest, most adorable art style, one can barely handle it! Everything they draw is just so pretty and so colorful and detailed and sweet. (Except the sad things, those are less sweet but gosh they’re still so pretty.) They also have this Magic Swap AU that they design that is so fun to read about! Highlights: Their swapped! Gavin and Avior designs are so fun, I adore them deeply, and if you need something to cheer you up, you can always depend on their DAMN pieces that always include a little invisible Caelum to bring you joy~!
@slushrottweiler: she-they
There is nothing like seeing Slush’s signature blue linework on your dashboard, it’s such a sweet treat- or spicy. There are also very good, very spicy treats. Her blog is a magnificent roulette wheel of blue surprises. Highlights: I love their Sam/Darlin stuff, especially this one because wowee them shoulderblades, but their HuxDami BA piece takes the cake.
@spookybeandoodle
Spooky has my whole heart and wallet and my other heart if I had one I fell in love with their rich color palettes and shading and Alexis right away and had to commission them. Could not recommend enough, they were a treasure to work with~ Highlights: I’m not biased- okay yes I am but not now their Alexis is fuckin smoking hot but also their Cam might be my favorite Cam look at that smile-!
@sri-rachaa: she/her
Rae is such a treasure to this fandom, we hardly deserve her. Her art is so ethereally pretty and delicate? The way she draws hair and noses and silhouettes- her line work is just phenomenal. Everything she creates is just a delight to look at. Highlights: The Southern Siblings AU is a gift, a treasure, a boon that cannot be ignored. I’m also a big fan of her Lovely OC who is ridiculously pretty~
@tankwolf : she/her
June has been posting fanart for only two months, but I’m already absolutely obsessed. I just find her monochrome character portraits so visually engaging and interesting. I would love so badly to be friends with her listener OC’s… Highlights: …or more than friends, because her Sweetheart is something else good lord. I would just love it if June could stop putting the hot people in crop tops please (but also don’t cause whoa)
@terrazaurio
All the fanart Terra creates is so bright and vivid and colorful and expressive, they’re really such a treat to see and experience. I’m a sucker for the colors they use, cause it makes my lizard brain all happy and go “shiny pretty happy.” Highlights: Everything they draw with the Shaw Pack is pure dopamine, like this one of the bois and their mates hanging by the pool. I am particularly attached to this piece from Milo’s HBS, because they’re so fucking in love, your honor, I love them.
@thefablefoxart : she/her
Angelina’s Redacted couple series is one of the truest delights of the fandom; like, they’re so colorful and cute and just adorably designed. I’m also deeply in love with the way she does hair. Everyone just has really fucking good looking hair, and I can’t get over it-Highlights: On top of the aforementioned couple series, I just want to bring attention to this adorable chibi Sam that she drew- it brings me so much serotonin- and their Darlin, Kai who I wish would just give me a shot okay I have a Southern accent too-
If you’re reading all the way here, I hope you found the post helpful and smiled while making your way through it! Or both! The RedactedAudio fandom is truly one of my favorite spaces on the internet; it’s so intimate and creative, and I’ve found some amazing, perfect friends here, so I hope you will too 💖
again playing around with the formatting please stop hurting me tumblr I’m trying to be nice
If you can see this, I love you, and you’re watching me try to format this post so tumblr doesn’t cut off the bottom of it please ignore the Android behind the emerald curtain go about your day
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razzmatazz-2994 · 2 months
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Just saw the most HORRIBLY inaccurate dissection of Zeke’s character and absolutely had to weigh in to defend my favorite monstrosity monkey. AoT SPOILERS AHEAD.
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(Pictured above: me coming to explain my favorite fictional character.)
SO, let’s start with Zeke’s backstory, which seems to be a point of some contention. The post in question accused Zeke of fabricating the narrative of being a victim and callously killing his parents. There are many reasons this ISN’T the case.
For one, Zeke was a child, both a member of a marginalized group in an oppressed society and the victim of an abusive household. Perhaps not traditionally, physically, abusive. But Grisha and Dina forced this child to join the MILITARY. Not only that, they hoped he would become a Warrior (which means becoming a Titan and REDUCING HIS LIFESPAN TO A MEASLY THIRTEEN YEARS) all in the hopes of reclaiming the Founding Titan.
They attempted to quite literally sacrifice the life of their only child for a mission, forcing him into a role he didn’t ask for, pressuring him with the FATE OF THE WORLD. OF ALL ELDIANS. You cannot tell me this wouldn’t affect a child.
This person also claimed Zeke never asked Grisha to play catch, but got mad when he didn’t. The only reason this is even technically “correct” is because the one time he tried to ask, Grisha interrupted him so he could spend more time devoting himself to his righteous mission.
What’s more, it wasn’t even Zeke’s idea to give up his restorationist parents to Marley. By the time Zeke tells on them, they had ALREADY been found out — he overheard a Marleyan confirm as much during his warrior training. He went to Mr. Ksaver, the closest thing he had to a parent, to say goodbye — to meet his fate and become a Titan with the rest of his family as punishment. He was going to die.
The ONLY way he could’ve saved himself and his grandparents was to give up his mom and dad. He never wanted to do it. And even if you wouldn’t do the same in this situation, you have to understand the monumental weight of the choices thrust upon him. The lives of his family and people he cared about, even those that mistreated him. A mere child was expected to make such a gut-wrenchingly horrible choice.
Now, for his motivations. Zeke, who has persecuted and abused his entire life for being Eldian, chooses to outwit the Marleyan government, befriend the Founding Titan and, with his royal blood, prevent Eldians from reproducing.
It sounds horrible. It is. And though it sounds contrarian, I think it’s purely the most empathetic course of action from his point of view. He knows better than anyone the persecution the Eldians face, the hate and superstition the rest of the world feels that would simply be impossible to overcome. He cannot change the world’s hateful perception of his people. So he chooses the greatest mercy he can think of. He will peacefully eradicate the Eldians and the power of the Titans, not through bloodshed, but by allowing the final generations to live out their lives in peace. It would also spare them persecution and the world the threat of the Titans.
Now, obviously, his plan is still pretty despicable. His worldview is twisted, to the point where he considers killing to be a mercy — that it would be better for no one to have ever been born. And though he tries to resolve the Eldian problem as peacefully as possible, he still kills thousands of people, if not dozens of thousands. There’s no arguing that he’s a just and moral person — it’s part of the reason he’s the antagonist — but consider the alternatives.
Eren’s plan is genocide. Instead of allowing the persecuted minority to die out, Eren chose to kill billions of people — to try to kill the VAST majority of the world’s population. And though the Marleyan government is pure evil, most of these victims are innocent. Completely undeserving of the cruel fate they would face. As horrible as Zeke’s plan and methods are, it’s hard to say that Eren’s is any better. If anything, the sheer number of people killed makes it even more appalling to me. After all, Eren becomes an antagonist, too. They are both flawed, traumatized men with the weight of the world on their shoulders and unimaginable power in their hands.
The most reasonable plan, of course, is Armin’s. To unleash a small-scale version of the rumbling and destroy Marley’s fleets in order to buy Paradis the time needed to negotiate. But his plan, too, has one huge flaw.
The Founding Titan needs royal blood to be unlocked — something only Zeke and Historia possess. And by Season 4, Zeke has less than a year left to live, and Eren only has about four. It’s not enough time to negotiate, to change the world’s hateful perception of the Eldians. And this time pressure is exactly what pushes Zeke and Eren to take such drastic measures.
Eren would never allow Historia to become a Titan. He wouldn’t stand to see her used and controlled the way her father manipulated her, nor would he allow his friends to live their lives struggling to survive against an ignorant world. His obsession with freedom was too much. It practically controlled him — it, or the will of the Attack Titan. He had to ally himself with Zeke. To him, there was no other choice.
As I said, Zeke knows better than anyone the pain and persecution that comes with being Eldian in this world. He could have passed his blood and Titan to another, but that would bring its own kind of pain, one he knew intimately. He knew what it was like to have a role forced upon him as a child, to be controlled and used and sacrificed for his father’s ambitions. Why would he ever inflict that pain upon someone else? To him, there was no other choice.
We may never know who was right — or if anyone was — and I can’t blame anyone for despising Zeke after all the killing he’s done. But it’s also why he realizes he’s wrong and sacrifices himself to stop the rumbling. He realizes life is beautiful even in the small moments, and that despite the pain, whether someone dies is not his choice to make. Once again, he gives his life for a goal. But this time, it’s not the lesser of two evils or even a misguided man’s vision of mercy. It’s pure selflessness. After a long, miserable life, he has finally realized the beauty in the world — and willingly, he gives it all away.
Zeke Yeager. The wonderboy.
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nekropsii · 2 months
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hello oh great provider of art and analysis, do you have any tips on how to correctly analyse a character?
Funnily, I don't think there's a correct way to analyze media, but there are incorrect ways to do it. But my advice for sound analysis is as follows...
Look at Canon. Reference it as heavily as physically possible. Take into consideration who the author is, and what their intentions would be. Extradiegetic Analysis is extremely important. Commit to it. Do not pussyfoot around Extradiegetic Analysis. Take into consideration the story, its tone, who it's made for, who it is marketed towards, what messages it's trying to convey, how, and why. Use Occam's Razor heavily. Ground yourself, turn off "Fandom Brain", and your own personal headcanons. Remember that Characters are Plot Devices, not People- they are put in the story for a reason, and they serve a particular function within the narrative. Ask yourself what that reason is, and what that function is. It's important to get a firm grasp of the story and the characters in it before extrapolating. Ponder their relationships with themself, others, the world around them, their task at hand. Try to take into account framing, themes, motifs, and symbolism.
Grab anything that really stands out to you, see what you can do with it. Analyze why it stands out to you. Does it match your own personal experience in some way? Does it remind you of something else? Does it seem to be setting something up within the context of a story? Are the curtains blue for a reason? If not, should they be? What if they did? What function would that serve?
Analysis is largely asking questions and trying to answer them. Sometimes those questions are posed by the thing you're analyzing itself. Sometimes the question comes from your heart. Sometimes it emerges from something you've latched onto that isn't quite there - a blind spot in the narrative, missed potential, et cetera.
Again, Occam's Razor is your friend. Get very familiar with it. And... Do not consult Freud on anything. If you feel the impulse to consult Freudian analytical concepts without prompting from the narrative itself, that's the devil talking to you. Beat it to death immediately. We do not need Freudian analysis of children's cartoons. We literally do not need that. It will be wrong.
This is one I'm seeing more and more disregard for lately, especially with regards to minority headcanons... Consider the real-world implications of your analysis. I do not think it is very "woke" to headcanon unrepentant sexually abusive assholes as trans women, or characters who are known for their loudness, aggression, and abusive natures as Black. Consider optics for maybe, like, five seconds. Analysis is just as much an act of introspection as it is an act of dissecting a piece of fiction. You need to be able to ask yourself why you're seeing characters the way that you're seeing them. Sometimes that answer is latent bigotry. Unpack that. Work on it. Sometimes the answer is that the author is a bigot and trying to tell you something about the group of people a character is supposedly representative of. Acknowledge it. Unpack that. Work with it. And I mean that seriously- you cannot just skirt around bigotry without perpetuating the bigotry yourself. Analysis will, by way of the vulnerability of the practice, get uncomfortable at times. Be ready for that.
Think critically and think for yourself. A lot of people shoot themselves in the foot by being reactionary, and/or letting other people do the thinking for them. Again, analysis will get uncomfortable at times. It is vulnerable, introspective, and an act of challenging yourself and your worst habits. Commit to that.
Oh, and have fun. Yes, I just spent several paragraphs talking about how analysis is challenging and uncomfortable, but don't make yourself have a genuinely bad time on purpose. You truly do not need to give yourself an attack or episode for the sake of an internet post or something. Horror movie rules - know your limits and respect them.
That's all for now, I think. There's infinite nuance to this subject, but I believe this is a decent 101 post.
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betelgo0ze · 3 months
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People seemed to really like my fanon v canon rant so here’s another rant about the concept of Cybertronian gender and language 
Pronouns aren’t limited to he/she/they, and I’m not just talking about Neo and non-mainstream pronouns. Words like “you” and “our” are also pronouns, so the next time you hear someone say “i dOnT uSe pRoNoUnS” yes you do. Literally yes you do(excluding people who are referred to only by name, I’m talking specifically about homophobes and bigots but I digress)
The English language, along with most earth languages, have unique words that can only apply to that language. Of course you can translate as close as possible, but some words are exclusive to that language and you can’t accurately translate them. I speak English and Spanish(specifically Argentinian) and there are many words that I can’t translate into English. My father’s from Argentina so he taught me, and even he can’t translate a few words because they simply aren’t words in the English dictionary.
Now when we talk about Cybertronian, it is a fictional language that directly translates into English. Each letter has a symbol that represents that letter so people can directly translate it. It doesn’t have its own structure or grammar, it is just a silly easter egg. 
(Also there’s two main versions of cybertronian I could find but they both follow the same format of what is basically a decoding game) 
It’s obvious they have their own language, but it’s presented to us in a format we can understand, but if we’re thinking of cybertronions as a real species than it would not directly translate and just like any other earth language.
Quick but important detail: cybertronions don’t reproduce. They call us organic for a reason. They can’t do the squinty and dirty because they don’t have things to do it with, therefore don’t have a true concept of gender identity or sexual orientation. The only reason they’re referred to as “he,” “she,” or “they” in media is because it’s translated into English, the same way languages don’t always translate accurately.
There are transgender characters but they are for the viewer if anything, and Cybertronian gender is so much more complex if anything at all. A good theory is that humans introduced the concept of gender, but I don’t think that’s the case. Some people might like slimmer frames which just happen to be a characteristic of women. Some want bulkier bodys and to not be as slim, like a stereotypical male. Words like “he” and “she” are translated into words that refer to physical characteristics rather than mental. There’s also instances of this not happening like when Swerve mistakes Nautica for a man despite her having colored lips and a slim body(traits which normally apply to AFAB people)
At the end of the day, Cybertronions are something to dissect with their culture being so vague due to language barriers and Rodimus being British apparently(different areas have different accents, Rodimus is just compared to having a British accent. Don’t think too deep into it)
also if your curious here’s the two languages sorry that ones transparent lmao
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Oke thanks for coming to my ted talk I love you drink wawa and eat please I beg of you
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bethanysnow · 4 months
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In Y/N's defense
In dedication to some of the greatest writers I know.
@kaciidubs @forlix @moonjxsung @moonlightndaydreams @skzms @j-oneproduces @dreaming-medium @candlewaxandp0lar0ids @cbini @mykoreanlove @dreamescapeswriting @1-800-shedevil @j-0ne25 @sanakimohara @hyungszn @hyunsvngs @itshannjisung @channieandhisgoonsquad @7ndipity @sweetracha @queen-in-the-shadows
If you go to the website Archive of our Own, or Tumblr, Wattpad, or TikTok and type in Y/N you will be greeted by stories of all sizes, shapes, colours, and tones. Rich worlds created on coffee breaks, breakfast tables, and 3 am visits from a muse. Illustrious worlds to hold you close, warm your hands in the cold reality winter. Permafrost on your heart will melt eventually Y/n.
Because you as a person so complex and great are Y/N they are you, you are them, you in tandem find yourself encased in the trappings and sorrows of the other hand holding yours. The story. The characters and people you call beloved! Calling your name- that’s what it's about right? Your name? Y/N? This is about you! Darling! Let me carry your burden a little longer. Dishevel the skin that coils and folds, the one that binds. The things you carry let them go.
For the world is a dangerous place...
let the authors and scribes of your phone, computer, or tablet if you must give you the sword to seal away the darkness- at least for today, for an hour or two. For the next five minutes.
These tomes break spines better than any best-seller, it holds out fruit and asks you to taste. For freedom is in oranges and pomegranates and whisps of an answer you don’t know yet till part 13.
In defense of Y/N she holds the suspension of disbelief in the rafters and tugs you on stage for the spotlight that can safely be yours. To experience lifetimes of happiness and sorrow and intimate acts beyond comprehension... He is sorry if you do not find him realistic. They aren’t meant to be.
For the main character is you, your plight is theirs, hers, his, all of it in the palm of your hand. Their hand, Y/N doesn’t mind to shelf those thoughts you keep hidden in back rooms, in crawl spaces, they let you play with the ichor of your soul and dissect it, shine a light through it, see if you can heal the wounds.
Only if you allow them to.
Read. This is not a bargaining chip or a sales pitch, there is no bill on the way out.
This is a pillar of culture. Literature in its best forms is transformative, makes you reflect, and heals the parts of yourself you didn’t know were broken.
In Y/N’s defense, you are real and they are not, but the emotions you feel reading great works are. The love you feel is real. The tears shed, the hiding under the blankets, that’s real.
Things don’t need to be realistic to be real.
So is Y/N.
+=+
I kept seeing posts disparaging X Reader or Y/N fiction and it bothers me so much. We as a community must hold steadfast in this storm for our art, our release is just as great and important as anyone else. Do not let them tell you differently. Do not let them sway you. You are brilliant as stars do shine and laughter is had.
You are loved.
You are loved.
You are beautiful.
You are needed here in this community.
Make no mistake about it. I love you so much.
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letteredlettered · 5 months
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Hello. I wanted to tell you how much the way you write Harry means to me, and how real it feels. I personally feel like you are one of the very few h/d writers that manage to write the absolute clusterfuck of what that man could be like where it feels like yes, this dumpster fire of a man feels like a real person. And I don't mean it in a sense that those other writers aren't opod at writing or worse or something... They just see and focus on things differently I think. What I am trying to say I think is that I did spend my eraly childhood similarly to Harry, minus the magic, and the way you write him seems almost as if you have taken him directly from my dumpster fire of mind. And for that, I am very thankful, because it is real and beautiful.
Plus I adore your dramatic and yet vulnerable and very human Draco.
I think you are incredible at writing people as actual people. Which I find is quite rare.
Thank you so much! One thing I love about writing fic is dissecting some of the genre conventions that prevent us from seeing characters as real people. In HP, the characters are not meant to be realistic. This is okay! It's escapist! It's fiction! But I'm always interested in using fiction to explore real life, and fic is such a perfect way to do that because you get to have all the escapism and the magic and relate it to your real life as well.
So, with Harry, I'm always thinking about how it would really feel, to live the life he's led and suffered what he's suffered; what would that do to a real person? What I end up writing isn't always a study in realism, but it's taking those experiences and asking some of those questions. And as you say, it's great that there's fic that focuses on other things! But these are the things that interest me.
Part of it is just because I don't really identify with a character who has been through all that and is unaffected by it. Interestingly, I had a pretty great childhood, and in general, I'm a pretty happy person. But I think we're all connected by the things that have hurt us, that have made us who we are, and I love to explore that in writing, and I'm so glad when it can touch other people.
Thank you so much for your kind words. Sorry it took me so long to respond.
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ultimatefartwizard · 23 days
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EARTHSPARK MESSAGES AND SUBTEXT THATS NOT EVEN SUBTEXT
It's been a while since I have posted as I've been busy with finals, but I saw a post that absolutely made me spur a headache with just how utterly fatuous of a take I saw on Transformers Earthspark and the messages it sends.
DISCLAIMER: DO NOT USE THIS POST TO ATTACK OR HARASS ANYONE, THIS IS ONLINE DISCUSSION OF A WORK OF MEDIA.
THIS ALSO COVERS SPOILERS FOR SEASON 1 OF EARTHSPARK, IF YOU WISH TO AVOID SUCH A TOPIC PLEASE REDIRECT YOURSELF.
@monocle-teacup Won't repost your post as the way tumblr reposts works would have everything funnel onto your account, but I'll be pinging you and I did screenshot your post for viewer's context:
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I have ALOT to talk about here, while also being completely in shock and disbelief how you end up BELEIVING THE SIDE THAT IS A GENOCIDAL LUNATIC WHO SEES THE TRANSFORMERS AS SUBHUMAN AND A DISEASE ON THE EARTH??? AND IS WILLING TO FULL ASS MURDER AND MUTILATE PEOPLE? From here any * you may see is likely a footnote mark to check details I put at the end for clarity. If I miss something, let me know and I will clarify.
Before I get into the meat of dissecting your clearly ill-informed and definitely not thoroughly thought out post, I need to get something out of the way because I believe you'll use this as a means of shielding yourself from incoming critique: It's okay to like and enjoy characters who are clearly bad people. There is a CLEAR difference between enjoying a fictional character and agreeing with whatever they might do or say. I enjoy many bad and morally reprehensible characters, including Mandroid/Doctor Meridian, but that doesn't mean I agree with them or don't find their actions and ideas deplorable. If you find yourself agreeing with someone who sees another group of people* as being subhuman or a danger to society you need to reconsider your ideologies and thought processes. Like ASAP.
Okay onto the actual deconstruction of your statements, why they are blatantly lacking a thorough reading of the messages in Earthspark, or even lead into uncomfortably ignorant territories both with Transformers and very real-life, human related things.
As a first point, you state that you hope this show re-examines the fact that hatred towards another group of people (even if they are fictional) automatically makes them a terrible person, and bring up the statement that the show makes GHOST's detainment of transformers look "cartoonishly evil" but does absolutely nothing to address Dr.Meridian's statements of transformers being dangerous.
Yes. Yes it ABSOLUTELY DOES address that throughout the entire show. In fact, the whole season is literally about deconstructing the notion that BOTH Dr.Meridian's and GHOST's ideals and methods are harmful if not downright discriminatory towards transformers as a whole.
GHOST's method of control is a guise under the US government by detaining any transformer they deem as "a threat", this can even mean autobots or non-aligned transformers who don't want to join their organization or are just doing their own thing. They will willingly classify them all as "Decepticons" to justify their inhumane treatment of them. This is paralleling how humans will stereotype and conflate other groups of people, as being all associated with one singular event or organization of people that is seen as bad or a danger to society* and use that stereotyped ideal to weaponize it against them and justify harming them in multiple ways; which is what Dr.Meridian ALSO DOES THROUGHOUT THE ENTIRE SHOW. Dr.Meridian is a scientist that literally works with and is a huge provider of technology to GHOST, he literally works with them and experiments on the detained transformers. You can't say "oh GHOST bad Dr.Mer not so bad" when he's LITERALLY PART OF GHOST AND YOU CANNOT SEPARATE THEM. HE IS EXTREME AND OUTSPOKEN ABOUT HIS HATRED THROUGHOUT THE SHOW AND ACTIVELY IS SHOWN TO BE ENTIRLEY IN THE WRONG BOTH IDEOLOGICALLY AND ACTION WISE. You clearly have not watched with a critical eye if you think they never address his points or somehow he is right about something. He never is and it shows just how harmful his mentality is. You don't even need words spoken out loud to know he's ALREADY HEINOUSLY WRONG AND BIGOTED.
Why should the show, one that shows transformers having to battle against racist and xenophobic hatred towards them from humans, re-examine that relationship? People are being discriminatory to people they don't like, and to them it doesn't matter if they are decepticon or not; they're all the same and dangerous in their eyes. Yes, there was a war brought onto earth's soil from pure happenstance of where the Ark and members of the two named groups had landed, and yes it was bloody and many lives were lost like any war is. Should the war, as well as atrocious acts of violence by a few and the circumstance that which the birth and type of being transformers are deem all transformers as dangerous? OBVIOUSLY FUCKING NOT. That's literally stereotyping. That's what Dr.Meridian is doing. He's literally grouped them all into one conglomerate in his head and sees them all as pests to be exterminated.
The transformers are both immigrants and refugees of war that had lasted thousands of millions of years and a desperate attempt to find any source of energon because they would STARVE TO DEATH IF THEY DIDN'T AND RESOURCES WERE DANGEROUSLY SCARCE ON CYBERTRON. They are thousands of lightyears away from home in a place that doesn't have the cultures they are familiar with and structures built for them which accommodates their needs. And to add onto it, most were never originally outfitted with guns and shit. They had to ARM THEMSELVES TO PROTECT AGAINST ATTACKS. JUST BECAUSE YOU SEE A GUN POP OUT OF THEIR BODY DOESN'T MEAN THEY ARE BUILT LIKE THAT NOR DOES IT MEAN THEY ARE AUTOMATICALLY ALL DANGEROUS. The only ones who are theoretically "built for war/violence" are war-frames like seekers, but they didn't even CHOOSE THAT LIFE OR WANT IT! THEY ARE COLD CONSTRUCTED* AND LITERALLY ENSLAVED INTO BEING CANON FODDER FOR WHATEVER SKERMISH THEY ARE DEEMED NEEDED FOR. Starscream wasn't even a warrior before this, he was just some nerd ass scientist. Cold constructed bots and War-frames are already deemed subhuman by other transformers. The entire war that you see is a continual millions of years struggle which the origins are in a fight against their own horrible systematic oppressions to try and bring freedom and put an end to the horrible reign back on Cybertron. How does them being robot organisms displaced by ongoing war, a continual brutal and bloody struggle for freedom back at home, and dangerous resource scarcity make them any more dangerous than your average person? And the "they are robots/walking death machines" argument doesn't count because you're only seeing them from a nonhuman lense in that case. Take off those nuts and bolts covered glasses and think of how this would be if they were all humans instead. The visuals of only seeing them for their robotics are blocking your ability to view this group as simply a mirroring of humans in nonhuman bodies. Humans are just as dangerous and ostracizing as them. Literally humans slaughter other humans frequently; bring upon hatred and obscene actions onto one another with or without robotic attachments and aid of machines. Just because the transformers are robotic extraterrestrials who are "different biologically/mechanically" makes it no different from the dehumanization and other forms of racism and xenophobia. Transformers are literally just... humans in a robot shell. You can't argue against this at all because most if not all have human forms, ALL of them have human minds, and just happen to come from a planet they need to be insanely large sized on, as well as already pre-armed due to conflict that they have escaped from.
The whole story of Earthspark is LITERALLY about the experiences of the Terrans; first generation descendants of immigrant refugees navigating the struggles that come with being just that. They make whole episodes surrounding their feelings of alienation and their struggle to have a place in the world, their culture and history and who they are. They want to feel they belong and feel they have a place in this world and be seen just as human and belonging as their human family. Their government and the world around them alienates them and treats them sub-humanly despite them being just as human, flaws and all, as us. Since I'm praddling on about this topic, did you even ABSORB ANY OF THE EPISODES HOME PART 1 AND 2???? IT'S ABOUT THIS TOPIC AND TEACHES HOW THIS MENTALITY OF TREATING THE TRANSFORMERS AS SUBHUMAN ALIENS THAT NEED TO GO AWAY OR NEED TO BE CLASSIFIED AS DANGEROUS/A INVASIVE "SPECIES" THAT NEEDS TO BE REMOVED IS BAD. IT SHOWS THE RACISM AND XENOPHOBIA THAT ESPECIALLY COMES WITH BEING CHILDREN OF IMMIGRANTS AND THE ISOLATION THEY FACE.
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Please, I heavily implore you to go back and watch them. You somehow miss the entire point of the show and ESPECIALLY this episode. Many episodes cover different points of their existence as first gen children and the reality that the transformers have to face in general while being refugees on a planet with others being hostile and degrading to them but this particular episode is the one that tackles the points I make in this post the most. It may not go super deep into it due to forced time constraints and other executive nonsense that makes it harder to go into more detail but it still covers the topic very well.
Humans getting nipped at the heels for being bigoted towards transformers isn't some "ouugh you can't think the decepticons did bad things" type of nonsense and I absolutely hate the "oh because you can't be bigoted towards a group of people it means you suddenly can't criticize the actions of someone who happens to be someone of that group" mentality you seem to be concocting out of thin air. It's them associating the entire race of transformers as all bad, unbelonging or worthy of being seen as dangerous and to be wary around them or like they need to not be on earth and "go back where they came from". You go between "decepticons" and "transformers" interchangeably and seem to do exactly as the show heeds against heavily; conglomerating the actions of a FEW to encompass the overall worthiness of a WHOLE POPULATION OF PEOPLE.
Doctor Meridian is wrong and genuinely evil and disturbing with how he treats them and him seeing them as dangerous and a pest needing to be eradicated nor should any of his views be agreed upon, no matter how much you may try to defend him. There's more I could add but for simplicity's sake but that's what I mainly will state. The rest of clarity can be discussed in the comments.
I'm not sure whether your lack of understanding of the show and its messaging you are discussing or your love for one of the major villains is clouding your judgement, but please read EVERYTHING here to its fullest extent. Nothing here is intended as an attack on your character (if you're somehow seeing it that way) but as a heavy critique of your views on this show and how you are analyzing things. I might sound like I'm yapping to yap or "it's not that deep", but it literally is. The show and it's writing make it a big point and I will refuse to accept any iteration of "you're making a mountain out of a molehill" type statements. If you have any questions or comments you're free to bring them up.
-With confusion and annoyance, Wizard.
-Footnotes- *By group of people, I refer to sapient (human minded) beings who are grouped by either race, ethnicity, nationality, religion, gender, sexuality, disability, etc. By this classification, Transformers are considered a group of people; even if they are "nonhuman" *If you are somehow seriously confused or appalled by me pointing out real world racism and xenophobia as parallels to what is being done by GHOST, Dr. Meridian, and your average run of the mill civilian, you need to reread absolutely everything. Racism and xenophobia are a huge talking point in the show and I refuse to retract this statement. *Cold Constructed means the transformer was made in a factory, more often than not to be a worker slave for whoever is demanding they be produced. Two characters off the top of my head who are cold constructed is Starscream and Megatron.
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barblaz-arts · 7 months
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What's the creative process like for you when you're designing your own characters?
I love how much life and personality Vega and Sora have. They are so different, very individual, and so personable. They fit right in with the cast I'm so used to seeing that I forget they aren't canon lore. And I love that about your style and creativity. Their story as next gen are just as captivating as the original cast and I'm so excited to see where you go with these two and any other characters we haven't gotten to meet yet.
Honestly I'm not quite sure what my process is when it comes to the appearance of my characters.... I can't like verbalize it atm. Never really been good with words, which is why I prefer to identify as an artist rather than a writer... It's pretty different depending on the character, but mostly it hinges on the personality.
Now with the personality tho, the way I mold it, it's gotta be based on purpose and relevant dynamics. Whatever personality I give the character has to be made with those things in mind.
Take Sora for example.
Her purpose has to be something interesting. Something that adds new things to the table that the other "protag", Vega, doesn't really bring for interesting interactions and fresh character explorations. So her purpose are:
- the reluctant "partner in crime"
- the new character that doesn't know much lore so the audience gets to learn lore as she learns
- the psychic to parallel the first gen protags
- Vega's foil to clash with but also learn from(as it was with Wenclair)
- the look into the normie side of the story and how outcasts are viewed
So with that, we have Sora. A psychic who pretends to be a normie. She's has shame and fear as opposed to Vega's pride and tenacity. Knows nothing of her heritage because of her denial that grew from the self-esteem issues her father's abandonment caused as opposed to Vega who grew up with everything paranormal because of her family's acceptance of diversity and individuality. The emotional to Vega's logical.
I'm sure there are technical terms for this kinda stuff and wayyyyyy better ways to explain it for people who actually studied literature and media. But all I have in my arsenal is the fictional stories I've consumed and my obsessive compulsion to dissect them. So with all the stories I've grown to love, that's what I noticed makes a great character. One who's existence serves a clear purpose in affecting both the story and the characters that they have a significant connection to.
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