#do none of you see the symbolism

[melandrops]

can someone explain to me why we hate jurgen leitner so much

[spacedlexi]

Hi Lexi

What do you think of partially blinded Vi? You never seem to draw her that way, and I kind of just wanted to know what do you think of it as a certified Vi lover.

I personally think that while something like this can be "cool" (as in, being beneficial to the character design), it's handled quite poor for Vi and it just looks a bit... ungrateful. Simply doesn't look good, doesn't fit her personality or character (am I missing something?) and it doesn't seem to fit or suit her...unlike Kenny's iconic eyepatch. To me, it has become a pivotal thing in his design to a degree in which Kenny with both eyes seems a bit odd looking. I see it as a symbol which stands for Ken being a martyr and all he's lost and sacrificed. He is all about family and helping those he loved, his loved ones truly were the "apple of his eye". It all makes sense, doesn't it?

But for Vi, it's excatly the opposite. I'm just so sorry to see her like this. 😭😭😭 I don't think it makes sense in any way. Louis losing his tongue because he's so talkative and "won't shut up" does kind of make sense, but I cant help but see Violet losing sight as kind of lazy writing. "We need something bad happening to her!!! suffer the children!!!'- the writers exclaimed.

i think vi losing her eyesight is incredibly impactful on her character and i honestly dont understand why some people say its lazy writing. especially since it was foreshadowed multiple times. vi losing her eyesight i think is even more impactful on her character than louis losing his tongue because at least louis still has his music to express himself and uplift spirits through (and its not like he cant communicate At All. his note still makes clem laugh). the reason i dont draw blind vi very often is because of how sad it is to me. for multiple reasons

violets whole thing is wanting to be able to protect the people she cares about, and feels immense grief and guilt about the times she feels shes failed them (thinks if she had been there with the twins that day that she couldve done something to save them. feels she failed everyone taken by the raiders. is scared of failing clem too "if something happened to you because of me? i cant lose you too. i wont". its why she cant leave minnie after shooting her. and a kidnapped vi attacks clem because she doesnt want anyone else to get hurt. hell it even ties back to her grandma and feeling guilty about not doing anything for her)

so for her to lose her eyesight? she took pride in her ability to fight and now she cant do that anymore. cant protect the people she loves. and as someone who started the season as an isolated loner, it forces her to rely on those around her for help, stripping her of her independence (and her independence is what allowed her to stand up against the group for clem when it came to the marlon situation in ep2). a blinded vi is forced into accepting community, whereas a saved violet accepts it on her own. her and clem turn ericsons into the home violet could never see it as

the other reason blind vi makes me so sad is that it is Directly a result of clems actions. kidnapped vi had nothing and wanted nothing to do with the bomb, and yet shes the ONLY ONE who gets hurt by it. clem choosing to let vi be taken means clem both breaks her heart, and then burns out her eyes. louis and his tongue is between him and lilly and was a choice THEY each made outside of clems direct influence (even if it was clem who inspired him to speak up, it is ultimately his choice to keep talking, and lilly hurts him for it. its sad he gets punished for a character moment, but clem had no direct hand in him losing his tongue. its why hes not angry to see her in the cell. he doesnt blame clem for what happened), but the way vi is feeling in that cell is DIRECTLY due to clems actions. vi feels like clem abandoned her after she had put herself on the line for her multiple times. she always had clems back but clem didnt have hers. clem is the one who planted the bomb and vi gets caught in the blast. clem hurts her emotionally And physically. and vi apologizes for getting upset (she tries to apologize on the beach too before theyre forced out in the cart, so she felt wrong for those actions immediately even tho they were understandable. lilly and minnie used her moment of weakness to get in her head. she just wanted everyone to be safe)

kidnapped blinded vi is just so incredibly sad to me, especially when you compare her to a fully realized violet. a violet who has come into herself, has confidence, has opened up, has stopped pushing people away out of fear and lets herself love again. shes a leader. a fighter. a protector. and those are all things a blinded violet loses

neither vi losing her eyes or louis losing his tongue is supposed to add anything to their characters. its about what theyve lost. both of them have important parts of their identity stripped away from them after being taken by the delta. its supposed to be sad. heartbreaking. regrettable. unfortunate. they have not gained anything by their time at the delta, only lost important parts of themselves to it

[clownjacket]

If Kipperlilly DOES end up betraying Porter/Jace as part of a secret other scheme she has (whether good or evil) and it has to do with saving Lucy, I just know she’s going to be a bitch about it and pull a ‘sorry, I only save High Five Heroes’ before leaving her other friends to die or some shit. And then she will take her final form: Magic Betty from Adventure Time, betraying her allies and saving her frost gf at the expense of the world. It would also parallel what Ankarna is going through (‘your girlfriend’s out of town, it sucks’, becoming a little imperialist rage machine under the influence of Porter/Sunstone but not being able to fully turn on Lucy despite going against her values and turning into a violent weirdo). This is my wish. My dream. I am manifesting it. Magic Betty Kipperlilly I believe in you.

[checkpointcherry]

can y’all just let me draw arthur and francis as the animals i want to please 😭 i don’t think people understand how rude it is to go onto a drawing that you’ve spent time out of your busy life on and say “well i like it but you’re wrong to make them this” bro they are fucking furries. this is why i hate being on here, people literally don’t know how to live and let live. if people want francis to be a horrifying bipedal rooster creature rather than a cute cat then they can either draw it themselves or look at the dozens of hetalia furry aus that already exist where he is one. why does the hetalia fandom want the same thing over and over again, and when they don’t get that, that gives them the justification to make it my issue??

[pantalaiimon]

Talk about your thesis! What was it about?

Thank you kindly for taking an interest! My blog has been dead for years, I must say I'm surprised I still get anon asks :)

My thesis (not sure if it's the right word in English? in this case, it's the research project one has to pursue to get one's master's degree) was in clinical psychology.

My theoretical frame of reference was psychoanalytic in nature, but doubly so, as I tried to use both Freudian and Jungian perspectives and have them not only coexist but also answer each other, for some extra fun. That means it's theoretically quite dense, especially for the profane. I'll try to make it more accessible here.

I applied those psychoanalytic theoretical models to perinatal psychology, in which I've specialised. The subject matter was differences in psychological functioning right after having given birth, when one is a first-time mother vs not so. A number of very specific and seemingly abnormal phenomena take place in women's psyche surrounding pregnancy and childbirth - which are actually not abnormal at all when put in that context. Still, that mental upheaval is quite something, lots of stuff from early childhood can come back up, and women are more vulnerable. It can actually help bring about a lot of change in their general mental health, and doing psychotherapy in that time period can be very beneficial and effective. So I was basically trying to map out various unconscious dynamics in mothers and how they differ between it having been their first pregnancy or not.

I found that after just becoming a mother for the first time, the unconscious mind is quite busy trying to deal with the new layout of transitioning from daughter to mother, and that there is little availability for relationships, and sense of identity is quite hard to maintain. For second or third time mothers, that upheaval is less massive, they've already gone though those changes the first time around, but they now deal with even older stuff as well as figuring out the ins and out of sibling rivalry. Outside of those very specific topics, their sense of self is stronger than first time mothers, and they have more psychic energy to invest in relationships.

On the more Jungian side of things, I've found that pregnancy appears to be potentially quite initiative and transformative for the feminine psyche, and that symbols emerging from the unconscious at that time can have a significant impact in furthering one's knowledge of oneself, and could be useful in therapy around that time.

I think that about covers my almost 200 pages long dissertation in layman's terms, and I sure hope I managed to make it understandable!

I'll just copy and paste the abstract I had to write in English, to give my answer that extra scientific and pompous flair, but feel free not to read any further lol:

"The aim of this study is to analyse the differences in psychological functioning between primiparous and multiparous parturients in the immediate aftermath of childbirth. To this end, qualitative methodology was employed through the projective TAT test, which was administered to six primiparous and multiparous parturients, following a semi-directive pre-interview. Formal analysis of their TAT narratives revealed a greater emergence of the primary process in the primiparous women, who regressed to a paranoid position in the face of representations of oedipal triangulation and the maternal imago. Their identity and object markers are confused, unlike those of multiparous mothers, who nevertheless regress more easily into the archaic. Dream analysis should enable us to preferentially investigate their collective unconscious."

[yuukiiqwq]

Satoru was confident that you liked him back. He was positive. He had no doubt in his mind that you were going to be his pretty little wife. Is he getting ahead of himself? Sure, he is, but he's that confident. That's until he noticed how he hadn't received any chocolate from you.

It was Valentine's Day, and he still hasn't received any chocolate from you. Yeah, he had a mountain worth of chocolate from all those people who gave him it, but where was yours? He couldn't find it anywhere. He was sure that you would have placed your chocolate on his desk since you hadn't given him his. He double no triple checked all the chocolates, yet he could not find the one that has your pretty little name written on it. He continued to search through the chocolate pile for the fourth time today.

He must have missed it, right? Or did someone steal it? He swear he's going to hunt that person to the end of the Earth. Who dared to steal something that was rightfully his?

"Satoru, calm down."

He looked up at his best friend, who was trying to hold down a laugh at his panic.

"She'll probably give it to you later. The day just begun."

Right. Suguru is right. You'll give him his chocolate later. He's a good boy. He can wait.

That's what he told himself, but Suguru and Shoko have already received theirs this morning, and his is still nowhere to be found. Where is his chocolate? You're just sitting there in your seat, looking all pretty as if Satoru is not going through a huge dilemma because of you.

He couldn't help his hands that kept inching itself closer to the chocolate you gave Suguru. He wouldn't know if he snatched it, right? Suguru had received a lot of chocolate! He wouldn't know if he took it... was what he convinced himself before Suguru slapped his hand away.

"Satoru," he sighs.

"But Suguru!!!" Satoru whined as he sunk down into his seat.

"Be patient. You'll get yours soon."

But how soon is soon? Satoru isn't exactly known for his patient.

It was the end of the day, and still no chocolate from you. He asked Suguru and Shoko to leave first because he thought you would finally give it to him when both of you were alone. But you haven't. Where was his chocolate?

The two of you were approaching the exit of school, so Satoru made a quick decision, grabbing your wrist and pulling you into an empty classroom. He quickly shut the door and locked it.

"Satoru?" You asked in confusion. "What's wrong?"

"My chocolate."

"Your chocolate?"

"My chocolate from you! The symbol of your love towards me!"

"I didn't make you any," you replied smoothly. "Forgot to make them yesterday, so I woke up early today to make them, but I guess not early enough. I only had time to finish Shoko's and Suguru's. I didn't have time to make yours. Otherwise, I would have been late."

Satoru swear the world just ended. He looked down at his chest because he swears his heart ripped out of his chest at your words. Nope. Still alive. Why is he still alive in this cruel world? You had no chocolate for him? None? Not even a crumb?

"That's fine with you, right? I mean, you got a bunch of chocolate from other girls! You don't need mine."

He swear he is about to burst into tears. He didn't care about other girls. He didn't care about their chocolate. He wanted yours. How could you be so cruel and deny him of your chocolate? To reject him like this? He was devastated. No. Beyond devastated. Where is the closest cliff so he can jump off?

Pure silence radiated the room as Satoru tried to comprehend this horrible situation. Then he heard a small giggle slip pass your lips. That small giggle soon turns into a full-out laugh.

"You should have seen the look on your face, Satoru," you say as you try to stop laughing.

Was this funny to you? Why were you laughing at his suffering? Do you know how much he looked forward to today? To receive the cute little wrapped up chocolate you made for him? He dreamed of today, and you didn't have chocolate for him?

He then sees you reach into your bag and pull out exactly what he had imagined. A cute little chocolate box wrapped up in a baby blue color with a touch of white ribbon to finish it off. Fuck. He thinks he just got a heart attack seeing your chocolate. His chocolate.

"Princess, please don't joke like that to me ever again. You scared me half to death. I was going to jump off a cliff," he whined as he took the chocolate from your hand.

You couldn't help but roll your eyes at his dramatic behavior. "Stop being dramatic, Satoru. It's just chocolate."

A look of offense dawned his face as you utter those horrendous words to him.

"Chocolate? Just chocolate?" He huffed at you. He can't believe you as you treat this amazing god send gift as just chocolate. "Don't you dare call this just chocolate! This! This right here is proof of your undying love towards me!"

You laughed at his antics– "You're getting ahead of yourself, Satoru."

He delicately placed the chocolate safety away in his bag, treating it as a prized possession. He's looking forward towards white day. He already knows what he wants to get for you. He pulled you into a hug, nuzzling his face against your neck as he mutters– "You won't be saying that after I wife you up."

[sistertotheknowitall]

Danny is Some Guy with a not so secret admirer.

Part four? Post #four? I don’t know, none of these are exactly in order. Post one, post two, post three.

——

By the time Tim opened the door, Danny had his coffee made and handed to Mia at the register. He resolutely ignored her smug face and went back to making the other orders.

Tim had been a regular long before Danny had started at the coffee shop but it was three days into Danny’s third week when Tim had stumbled in at eight a.m. and did a double take upon seeing Danny. A very obvious double take followed by intense staring before Mia had cleared her throat. The blush that lit up Tim’s face was only rivaled by the one on Danny’s.

He had never had anyone openly stare at him before.

Mia had been insufferable ever since.

It also didn’t help that shortly after their first meeting Tim had started taking his breaks at the little coffee shop. It’s been three weeks, nearly a month and Wayne Enterprise’s CEO went from a bi-weekly regular to an everyday one. (Danny wondered if he should be concerned for the man’s caffeine intake but he only had the one cup every time so probably not.)

Originally, Danny had no plans to talk to Tim. It seemed obvious the guy had a crush on Danny if the constant looks over his laptop were anything to go by and Danny didn’t want to encourage it. Danny barely had time to make new friends let alone start a relationship.

There was also the added problem of what was quickly becoming his bat stalkers. How do you explain to someone that you were being watched by Gotham’s vigilante’s for no reason? (Or worse because he had made a poorly timed sleep-deprived comment.) Danny didn’t think you could without seeming suspicious.

Incidentally though, Danny’s plan went out the window when on a slow afternoon as he was cleaning tables and passed behind Tim. Once he saw the article the other man was reading he snorted.

Bruce Wayne and The Batman? Could This Be A New Romance For Gothams Most Beloved Billionaire?

It was one of those gossip rags that printed things like: Elvis: alive and well and Superman: a mild mannered farm boy? It was all nonsense.

Danny asked Tim why he bothered with the site and Tim responded that he found it amusing to read and that his family had a group chat where they sent the articles to each other.

“Okay. But Batman? Really? Your dad could do so much better.”

“You don’t like Batman?” Tim asked. Danny had slid into the chair next to him and shrugged. “I respect what he does but for as intimidating as he is, he also seems a little silly.”

Tim had given him an incredulous look and Danny hadn’t given him time to ask for an explanation, “and his kids can be just as rude. Like that flying monkey one.” Tim choked on air and Danny politely waited for him to calm down. “Kids? Wait - flying monkey one? Which one -?”

“The one always doing back flips with the blue bird symbol. He’s also a dick that gives hypocritical lectures about fighting.” Danny wouldn’t say he hated the guy but he wasn’t sure how many more lectures he could endure before going ghost and fighting him.

Tim had turned to Danny completely and was watching him with a look of disbelief, “you mean Nightwing?”

“Is that his name? Imma call him Dickwing.”

Tim had started choking again, this time Danny patted his back hoping to help. Yet it was all for not once he kept talking, “I think I’ve only had positive interactions with the one who looks like a walking red flag.”

“Red flag? Do you men hood-?”

“No, although he is definitely a red flag, I mean the other Red one. I’m sorry, I don’t know all these peoples names yet.”

“Danny!” Mia called.

Danny stood and patted Tim, who looked a little shell-shocked, on the shoulder. “Well work calls, see you later Mr. Drake-Wayne.” As he walked away he heard Tim mutter “it’s just Tim.”

(Tim for his part, placed his head in his hands and thought, well at least I have his name now.)

After that first interaction Tim stopped playing the lurker and started to actually talk to Danny and vise versa. Danny never asked if he still had a crush on him, he wasn’t sure he wanted to know.

Unfortunately, their growing friendship had only encoraged Mia as she happily sang “your boyfriend’s here!”

Danny, very maturely, did not stick his tongue out at her. He did however flip her off under the counter like an adult.

[inkskinned]

we were the liminal kids. alive before the internet, just long enough we remember when things really were different.

when i work in preschools, the hand signal kids make for phone is a flat palm, their fingers like brackets. i still make the pinky-and-thumb octave stretch when i "pick up" to respond to them.

the symbol to save a file is a floppy disc. the other day while cleaning out my parents' house, i found a collection of over a hundred CDs, my mom's handwriting on each of them. first day of kindergarten. playlist for beach trip '94. i don't have a device that can play any of these anymore - none of my electronics are compatible. there are pieces of my childhood buried under these, and i cannot access them. but they do exist, which feels special.

my siblings and i recently spent hours digitizing our family's photos as a present for my mom's birthday. there's a year where the pictures just. stop. cameras on phones got to be too good. it didn't make sense to keep getting them developed. and there are a quite a few years that are lost to us. when we were younger, mementos were lost to floods. and again, while i was in middle school, google drive wasn't "a thing". somewhere out there, there are lost memories on dead laptops. which is to say - i lost it to the flood twice, kind of.

when i teach undergrad, i always feel kind of slapped-in-the-face. they're over 18, and they don't remember a classroom without laptops. i remember when my school put in the first smartboard, and how it was a huge privilege. i used the word walkman once, and had to explain myself. we are only separated by a decade. it feels like we are separated by so much more than that.

and something about ... being half-in half-out of the world after. it marks you. i don't know why. but "real adults" see us as lost children, even though many of us are old enough to have a mortgage. my little sister grew up with more access to the internet than i did - and she's only got 4 years of difference. i know how to write cursive, and i actually think it's good practice for kids to learn too - it helps their motor development. but i also know they have to be able to touch-type way faster than was ever required from me.

in between, i guess. i still like to hand-write most things, even though typing is way faster and more accessible for me. i still wear a pj shirt from when i was like 18. i don't really understand how to operate my parents' smart tv. the other day when i got seriously injured, i used hey siri to call my brother. but if you asked me - honestly, i prefer calling to texting. a life in anachronisms. in being a little out-of-phase. never quite in synchronicity.

[rainy-writers]

Rhaenyra reminds me of those white moms who have kids with a different race father and then refuses to acknowledge that they don’t have the same privileges as her. like she’s had so much privilege and power her whole life she can’t even see the corner she’s just backed her child, her heir into. She’s so dense that it hurts. Jace is right. ALICENT was right. Having three fucking kids with a man whose genes had proved to curb stomp yours IS an insult! Not bc bastards are evil or anything, but it’s a fucking insult to Jace, to Luke, to Joffery to drag them in a situation where they’re constantly demonized for YOUR actions and then REFUSE to own up to it even when your child is begging you with literal tears in their eyes to not take the one thing that saves him from the bullying and harassment YOU brought onto them. At this point, I’m extremely grateful the story ends with the targs in disarray bc none of those white haired fuckers deserve the throne (except for Baela and Jace, with brown hair

And to make it even worse, Jace is RIGHT. When the war is over and your brown haired, pug nosed child who looks exactly like someone NOT his legal father is named heir and you’ve taken his ONLY symbol of legitimacy away what will you do then?? Hmm?? I swear…

[seafarersdream]

Cregan x reader where the reader is betrothed to him but he gets close to Alysanne Blackwood and she feels insecure. But he then reassures her that he loves her. Could be fluff or smut, whatever you feel fits

Big Bad Wolf | 18+ (Cregan Stark x Y/N)

Y/N knows exactly why she has been sent to the frigid North: her grandsire, Otto Hightower, intends for her to secure Cregan Stark’s loyalty to the Greens with a proposed betrothal. A union that would bind the North to her family’s cause and strengthen her brother’s claim. She can’t help but wonder what he would sees in her—a willing pawn, a coveted prize, or perhaps, an unexpected adversary?

TW // Strong language and profanities, mild sexual content, mention of injuries and wounds, slow burn romance.

Note: I took a slightly different approach than originally requested to better align with my brainstorming ideas. I hope you all enjoy reading this as much as I enjoyed writing it! And fair warning—it ended up being around 10k words because I got carried away and so into it😂

The wind howls around her like a beast, its icy fingers clawing at her cloak, desperate to strip her bare. Y/N Targaryen pulls the fur-lined fabric tighter around her shoulders, her silver hair whipping against her face as she stares out into the endless expanse of white that is the North.

The cold is sharp, biting against her skin, a relentless assault unlike anything she has ever felt in King’s Landing. There, the sun always warmed the walls of the Red Keep, the gardens bloomed with vibrant flowers, and the salty sea breeze carried the smell of soils from distant lands. Here, in the North, all of that feels like a distant memory—a dream now buried under layers of snow.

She shivers, and not just from the cold.

Being a Targaryen means something. Being a Targaryen princess means the realm is her oyster. She has always known this. The daughter of the late King Viserys Targaryen and the sister to the current ruler, Y/N has never wanted for anything. Born under the banners of black and red, her birthright is as weighty as it is illustrious. In the courts of King's Landing, her name alone is a force that can command, bend, and break. The Valyrian blood coursing through her veins has bestowed upon her an otherworldly beauty—hair the colour of moonlight, eyes that burn like molten silver. She is used to men and women alike vying for her favor, hanging on her every word, their desires evident in their eyes. She is used to being adored, admired, even envied.

But here, in the North, none of that means a thing.

The North is a different world, an ancient one with a heartbeat of ice and snow. It is a world where the name Targaryen carries little weight, where dragons are the stuff of nightmares, not symbols of power and strength.

For thousands of years, the North stood as its own kingdom, ruled by House Stark of Winterfell—a house older than her own, as old as the First Men themselves. The North submitted to Aegon the Conqueror’s rule, but submission is not the same as surrender. She can feel the weight of that history in every flake of snow, every gust of wind that threatens to unseat her from the back of her horse. The North remembers.

And the North does not care for Targaryen princesses.

The men and women who stare at her from the edges of Winterfell’s courtyard do not see a daughter of kings. They see a southerner, a foreigner, an outsider draped in silk and furs too fine for their taste. They see someone who has never felt the bite of a northern winter, who does not understand the constant struggle for survival that defines their lives. To them, she is the very embodiment of everything they disdain—the soft courtly life, the excesses of the south, the endless games of backstabbing and ambition that mean nothing in the face of a harsh winter. Her beauty, her title, her blood—none of it matters here. She is a stranger in a strange land, and they watch her with eyes that are cold and calculating.

It is a stark contrast to the life she has known. In King’s Landing, courtiers flocked to her side, eager for a smile, a kind word, a glance that might change their fortunes. But here, no one bows or scrapes, no one offers her flattery or fawning attention. Instead, they glance at her with a mixture of suspicion and curiosity, their expressions as unreadable as the frozen ground beneath her feet. Even the cold here seems to seep into their bones, hardening their faces into masks of stone.

Her gaze shifts to the man standing at the center of it all—the Warden of the North, Cregan Stark. He is as unyielding as the walls of Winterfell, a man carved from the very ice that surrounds them. His dark hair is touched with frost, his grey eyes piercing through the flurries like a direwolf scanning the wood for prey. He regards her with a guarded expression, his features stoic, as though he is measuring the weight of her presence in his hall. There is strength in his stance, a raw, quiet power that seems to ripple beneath his skin like a river beneath ice.

She knows why she is here. Her grandsire, Otto Hightower, has sent her north with a proposal for a betrothal, hoping to secure Cregan Stark's allegiance to the Greens. A marriage alliance that would bind the North to her family, to her brother’s cause. But she also knows that such an alliance is easier proposed than accepted. The Starks are proud, stubborn as the wolves on their banners, and they are not easily swayed by promises or threats. She wonders what Cregan Stark sees when he looks at her—a pawn, a prize, a potential enemy?

Y/N squares her shoulders, forcing herself to meet his gaze with the same intensity. Her breath mists in the cold air between them, mingling with the snowflakes that drift down from the leaden sky. She is a Targaryen, born of fire and blood, and she will not be cowed by the cold.

She takes a step forward, her boots crunching in the snow, and inclines her head with a grace born of years at court. “Lord Stark,” she begins, her voice steady despite the chill that bites at her skin, “I bring greetings from my family and an offer that I hope will interest you.”

For a moment, there is silence, broken only by the distant howl of the wind. The Northmen are watching, waiting for their lord’s response. Cregan Stark’s grey eyes remain locked on hers, his expression unreadable, and she feels the weight of the North pressing down upon her.

“Princess,” Cregan replies at last, his voice a low rumble that echoes across the courtyard. “Welcome to Winterfell.”

And with those words, the game begins.

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Y/N Targaryen has always been more her grandsire’s granddaughter than her mother’s daughter—or her father’s, for that matter. Not that it has been much of a choice. King Viserys had been many things in his life—gentle, soft-hearted, more comfortable with scrolls and histories than with the complexities of ruling—but present, he was not. His love for Rhaenyra, his firstborn, was the love of a man whose affections had been spent long before Y/N was ever born. So, she learned quickly that if she wanted attention, guidance, or even a semblance of familial warmth, she would find none of it in her father.

Instead, she found herself drawn to Otto Hightower. He was a man of purpose, of ambition, of decisive action. With her mother’s soft words and frail smiles failing to shape her in any meaningful way, it was Otto who taught her the art of politics, of maneuvering through a court filled with predators. In him, she saw a mirror of her own aspirations—always looking forward, always plotting the next move. It was from him she learned that power is something you seize, not something you wait for. She knew he would never coddle her, never tell her she was beloved just for being herself; he only valued what was valuable, and that gave her a clarity she found comforting.

Her siblings, however, were a different matter entirely.

Aegon, her eldest brother, was a fool. Self-conscious, always craving their parents' love like a starving child reaching for a morsel of bread. For years, he had hoped to be the shining star in their father’s eyes, only to discover that no matter what he did, he would always be in the shadow of their half-sister, Rhaenyra—the daughter Viserys truly adored. That realization had driven Aegon to the brink. He had spiraled into self-destruction, numbing his pain with Arbor Red, drowning in the company of whores and sycophants who fed his illusions of being liked, respected even. She had watched him become a hollowed-out shell of a prince, playing at being a king among the rats and the vipers of the Red Keep. Aegon was a king now, a ruler in name, but he wore his crown like a noose.

Aemond, on the other hand, was a different creature. Where Aegon sought love, Aemond sought approval, validation—something to make the gods’ cruel joke of his birth order feel less like a curse. He set impossible standards for himself, always striving to outshine his elder brother, to rise above his station as the spare. He immersed himself in philosophy, warfare, Westerosi customs, determined to be the best in every field, the most learned, the most skilled. And yet, no matter how many strategies he mastered or how many books he consumed, he would always be the second son. Aemond may have won the favor of their grandsire, may have been admired by those who valued intellect and ruthlessness, but in the end, Aegon’s incompetence still carried the weight of the gods' favor. And that knowledge gnawed at Aemond like a wolf at a bone.

Helaena and Daeron, bless them, were different. Y/N could say nothing ill of those two. Helaena, with her strange, prophetic dreams and her love for insects, was perhaps the only light in their shadowed family. She lived in a world of her own, a world of strange riddles and hidden truths that no one else could see. Daeron, meanwhile, had been smart enough to remove himself from the poisonous atmosphere of the Red Keep, carving out a life for himself in Oldtown.

As for herself? Y/N had always considered herself a performer, a mirrorball reflecting the light of others, knowing exactly where to place her foot in every dance. She did not crave her parents’ approval or love; she never had. She knew her worth, not in how many times her father called her his precious daughter or how often her mother sighed with the weight of unspoken affection. No, her worth came from the power she had managed to accumulate on her own, the alliances she had forged, the influence she wielded like a blade. She had held her own court, commanded attention, respect, and fear. She had learned to survive, to thrive, to be more than just another pretty Targaryen face.

And now, she had none of it.

Here in this frozen wasteland, she was stripped bare of everything she had built. The North was a godforsaken, heretic country in her eyes—a land of rigid codes and old gods, where men did not bow easily, where words were weighed like precious stones, and secrets were buried beneath layers of ice and snow. She had no court, no power to wield, no influence to peddle.

And then, there was Cregan Stark.

A man whose reputation preceded him like a cold wind. Honorable, they said. A man of principle, a man who lived by his word, who believed in truth and duty as if they were his religion. There was no room for subterfuge in his life, no space for half-truths or hidden motives. His gaze was like steel, unbending and severe. It was almost appalling, really, how saintly he was. Mother above she thought more than once, he would be eaten alive in King’s Landing.

In the South, where smiles masked daggers and every word dripped with double meaning, a man like Cregan Stark would be a lamb led to slaughter. His sense of honor would be his undoing, his truthfulness a weapon turned against him. She had never met a man like him. A man who looked at her not with lust or ambition but with a quiet, steady gaze that seemed to see right through her. He seemed entirely unimpressed by her. It was infuriating and fascinating all at once.

Y/N squared her shoulders, determined not to let her irritation show. She would learn this place, learn its people, and most of all, she would learn Cregan Stark. She would find the crack in his armor, the flaw in his honor, the chink in his unyielding principles. Everyone had one; it was just a matter of knowing where to look, how to press, how to push. She was not here to be swallowed by the North—she was here to conquer it, one way or another.

She knew that the path to Lord Cregan Stark’s cold, cold heart was not a direct one. It was not a road paved with smiles or adorned with sweet words. It was a labyrinth, and the only way through it was by understanding his people.

She had watched him long enough to know this much: Cregan Stark was a man who put his people above all else. The North had a way of making even its leaders humble before it. They were not like the nobles of King’s Landing, always scheming for personal glory or clawing at each other’s throats for favor. Here, in this frozen hell, survival depended on something far simpler, far more primal—on loyalty, on unity, on trust.

So, she began to snake her way into the hearts of his people.

It started small, with gestures they would not expect from a southerner, least of all a Targaryen princess. She knew how they saw her—pampered, delicate, with hair too fair and hands too soft to have ever known true work. She could feel their eyes on her wherever she went, could hear the whispers as she passed by, wrapped in her fine furs, a dragon in the land of wolves.

The courtyard was busy that morning, the ground slick with melting snow and the air thick with the sounds of work—axes splitting wood, the clang of blacksmiths’ hammers against anvils, the shouts of men and women hauling barrels and crates. She approached the group of women gathered near the cookfires, a mixture of curiosity and skepticism in their gazes. Y/N took a deep breath, pulling her cloak tighter around her shoulders, and stepped into their midst.

“Is there something I can do?” she asked, her voice clear and carrying over the noise. A few heads turned, eyes narrowing in surprise. She saw a woman in her middle years, broad-shouldered and with arms like tree trunks, squinting at her as if she were a curious animal. The others paused, their hands stilling in their work, glances exchanged.

The woman, who she had come to learn was named Mildred, finally spoke, her tone rough as gravel. “Princess,” she drawled, dragging the word out like it was something distasteful in her mouth. “I don’t think there’s much here a royal lady can handle. Unless you’ve got a mind to ruin that fancy cloak of yours.”

Y/N smiled. “I’ve more cloaks, Mildred. And if it gets ruined, well, I suppose I’ll just have to make do with another one, won’t I?”

A snort came from somewhere in the back of the group, and Y/N’s eyes flicked to the source—a younger woman with a mess of red hair and a skeptical expression. Y/N kept her smile, but she let a hint of a challenge creep into her tone. “Besides, I’m not afraid of a little dirt.”

The women exchanged glances, weighing her words. Mildred shrugged at last, tossing a hunk of dough onto a wooden board. “Fine then. Let’s see how you fare kneading bread. Got to feed half the damned keep today, and we’re short on hands.”

Y/N stepped forward without hesitation, rolling up her sleeves. The cold bit at her exposed skin, but she ignored it. Her hands, unused to such labor, moved awkwardly at first, pressing into the dough with less confidence than she wanted. Mildred watched her, arms crossed. “Too gentle,” She grunted. “You’re not petting a dragon. Put your weight into it.”

Y/N did as instructed, leaning into the motion, feeling the resistance of the dough against her palms. It was a small thing, this task, but it was a start. She could feel their eyes on her, hear the whispers quieting, turning into something more like curiosity than derision.

Hours passed, and the smell of freshly baked bread filled the courtyard. The women began to loosen up around her, laughter breaking out now and then. She let herself laugh with them, leaning into their banter.

Days turned into weeks, and Y/N made it her mission to weave herself into the fabric of Winterfell. She found her way to the blacksmith's forge, where the air was thick with smoke and the clang of metal. She watched as the smiths worked, their faces streaked with soot, and asked questions—many, many questions.

“Why do you use that angle with the hammer?” she asked one of the younger smiths, a boy not much older than.

The boy, startled at first, blinked at her, then answered, “To shape the steel, Princess. To make it stronger, to give it an edge that lasts.”

She nodded, watching his hands. “Show me,” she demanded. The boy hesitated, glancing around nervously, but she stepped forward. “Don’t worry. I can hold a hammer.”

He did as she asked, and soon enough, she was holding the hammer herself, mimicking his movements. Her strokes were clumsy, awkward at first, but she learned fast, and with every thud of the hammer, she felt the eyes of the smiths soften just a little more.

In the great hall, she would sit with the lords and their wives, listening to their woes, their concerns, their petty grievances. Y/N had a mind sharpened by the best—her grandsire, Otto, had seen to that. She listened carefully, offering her thoughts, her solutions, often to the surprise of those around her.

“The river’s dammed up, and it’s ruining the fields,” one lord grumbled, a beefy man with a thick beard.

"Then undam it," she replied, her tone smooth. "Divert it, instead of letting it run its course. Build channels to guide it where you want it to go."

The man blinked at her, surprised. “Aye, well… that could work.”

“It will work,” she replied, a small smile playing at her lips.

She advised them on how to better store grain, how to rotate their crops, and how to reinforce their defenses with minimal resources. She made suggestions that saved money, improved efficiency, and most importantly, earned her a grudging respect. To her, these Northerners were like sheep, clueless and slow-witted. But she smiled, she helped, she solved their problems. She was always in the middle of things, her presence a constant in the great hall, the courtyard, the kitchens, the stables.

She even joined the hunts. The Northmen had mocked her at first for daring to ride out with them. “A princess in the snow?” they laughed. “She’ll freeze before we see a single stag.” But she proved them wrong. Her dragon’s blood kept her warm, kept her defiant in the face of the bitter cold, and she was the first to draw her bow, the first to bring down a deer.

“By the gods, she’s got a steady hand,” one of the older men muttered to Cregan as they dragged the deer back to Winterfell.

Cregan’s gaze had flicked over to her, his expression as unreadable as ever, but there had been a flicker of something there. Amusement? Respect? She couldn’t tell, but it was enough.

Bit by bit, she felt the change. The Northmen, these stubborn, superstitious heretics, began to soften, to open up to her. They began to speak to her not with suspicion but with interest, their words less guarded, their gazes less cold. They valued her now, saw her as something more than just a prim and proper southerner.

It was at a feast that she noticed it—how the lords and ladies began to speak of her in hushed, respectful tones, how they sought her out for advice, for a kind word, for counsel. She saw how Cregan watched from across the hall, his grey eyes narrowing, the faintest flicker of something akin to admiration crossing his face.

She caught his gaze, held it across the room. He didn’t look away. Instead, he raised his cup to her, a silent acknowledgment. A challenge, perhaps.

Y/N raised hers in return, a smile playing at her lips. The North had begun to bend, and soon enough, so would he.

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One afternoon, Y/N had just returned from Winter Town, cheeks flushed from the biting wind and the smell of pine and smoke still clinging to her cloak. The snow had begun to fall heavier now, thick flakes drifting down like soft feathers, blanketing the world in a quiet that felt almost sacred. She pushed back her hood as she stepped into the warmth of the great hall, her eyes scanning the room out of habit, looking for something—anything—that could further her cause.

She spotted a cluster of handmaidens seated by the hearth, their heads bent in concentration. They were mending and embroidering clothing, fingers working deftly with needle and thread. Y/N noticed the familiar shapes taking form on the fabric—the direwolves.

She glided toward them, her steps light, her expression warm and inviting. She had perfected this look over years at court—the doe-eyed charm that could disarm even the most hardened of men. “Oh,” she said with a bright smile, her voice a melodic lilt, “working on the Stark sigil, are we?”

The handmaidens looked up, a bit startled at her approach. They were used to her presence by now, but not so much to her sudden interest in their needlework. A girl named Caragh, her brown hair tied back in a braid, nodded. “Aye, milady. Lord Cregan’s cloak was torn on the last hunt, and his tunic needs a new embroidery. Wolves, of course.”

Y/N tilted her head, her eyes sparkling with interest. “How lovely,” she murmured, kneeling down beside them. “May I see?”

They hesitated for a moment but eventually passed her the cloth, the direwolf stitched in silver-grey thread standing fierce against the dark fabric. She studied it with a discerning eye, her fingers tracing the lines of the stitches. The work was good, but plain—functional, as was the way of the North.

A smile danced on her lips as an idea took shape. “Do you know,” she began, her voice soft and conspiratorial, “I’ve always been rather good with a needle myself. Perhaps I could try my hand at it? Just a little, of course. I wouldn’t want to overstep.”

The women exchanged glances, unsure, but intrigued. “Princess, you’d do that?” asked Caragh, her tone curious. “We’d be honored to see southern stitchings. They’re said to be… well, far more intricate than ours.”

Y/N chuckled softly, the sound like a chime in the quiet hall. “Oh, we do have a flair for the elaborate, it’s true,” she agreed. “But I promise, I won’t change it too much. Just add a bit of finesse.” She reached for the thread, selecting a shade of grey that was just a touch darker than the one they had been using. “Here,” she said, threading her needle with practiced ease, “let me show you.”

She set to work, her hands moving with ease. Her stitches were tiny and precise, the needle dancing in and out of the fabric as if it were silk and not the heavy wool of the North. The handmaidens watched her, their eyes wide with fascination as she added delicate touches to the direwolf—tiny knots that gave the illusion of fur, subtle shadows that made the beast look as if it might leap from the cloth at any moment.

“How do you make it look so… alive?” one of the younger handmaidens breathed, her cheeks flushed with awe.

Y/N smiled, enjoying their attention. “It’s all in the details,” she said with a little wink. “You have to see the wolf in your mind first, imagine the way its fur moves, the way its muscles shift beneath the skin. Then, you just… follow the thread.”

The hours passed, and the handmaidens were more than happy to let her work, their questions and chatter filling the space around them. They asked her about King’s Landing, about the fashions of the court, about the kinds of silks and velvets they had only heard of in stories. She answered them with good humor, spinning tales of the South that made their eyes shine with wonder. And all the while, her needle moved, faster and faster, until the direwolf on the fabric seemed to almost snarl, its eyes fierce and intelligent, its body coiled as if ready to pounce.

By the time Cregan Stark returned from a hunt, the hall was warm with the crackle of the fire and the murmur of soft voices. He strode in, snow still dusting his dark hair, his cloak heavy with ice. His boots left wet prints on the stone floor as he shook the cold from his shoulders and glanced around.

He stopped short when he saw her—Y/N, seated among his handmaidens, needle in hand, a small, satisfied smile on her lips as she worked on his clothing. His eyes narrowed, and he made his way over, curious despite himself.

“Princess,” he greeted her, his voice a low rumble, “I see you’ve taken to mending clothes now?”

Y/N looked up, her expression unruffled. “Lord Stark,” she replied, her tone light, teasing almost, “I thought I might be of some use. Your handmaidens were kind enough to let me practice a little of our southern needlework.” She held up the fabric for him to see, the direwolf now a striking, almost lifelike creature that seemed to leap from the fabric with a ferocity that had not been there before.

Cregan’s eyes widened, just slightly, his gaze moving over the stitching, his expression unreadable. “It’s… well done,” he said finally, and she could hear the surprise in his voice, grudging though it was.

She smiled, pleased. “You sound surprised, my lord. Did you think a Targaryen’s hands were only meant for taming dragons or holding goblets of wine?”

He let out a soft chuckle, the sound like gravel grinding together. “Not surprised,” he corrected, his gaze meeting hers, steady and unyielding. “Impressed. You’ve a fine hand.”

Y/N's smile widened. “Why, thank you, Lord Stark. I’m glad my work meets your approval.”

He nodded, his gaze still on the cloth, the direwolf that now seemed to pulse with life. “Aye, it does,” he admitted. “Though I wonder, Princess… are you looking to become a seamstress now?”

She laughed, a bright, ringing sound that filled the hall. “No, my lord. I’ve no desire to take up a needle permanently. But I do find it’s useful, from time to time, to show that a princess’s hands can be skilled in more ways than one.”

His eyes flicked up to hers, a challenge in them. “Is that so?” he asked quietly. “And tell me, Princess, what other skills do your hands possess?”

Y/N’s smile did not waver. “Oh, many things, Lord Stark,” she replied softly. “Many things indeed.”

He held her gaze for a moment longer, something unreadable flickering in the depths of his eyes, before he nodded again. “Well,” he said, “I’ll be sure to keep that in mind.”

And with that, he turned away, but not before she caught the slightest curve of a smile on his lips. She watched him go, feeling a thrill of satisfaction course through her veins.

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Her scheme had worked flawlessly. Piece by piece, the North was falling into place just as she’d planned. The people were warming to her, Cregan's gaze was lingering a little longer than before, and Y/N could feel the iciness of Winterfell slowly starting to melt in her favor. Everything was moving toward the outcome she desired.

Well until it wasn't.

The disruption arrived in the form of Alysanne Blackwood—Black Aly, they called her. Y/N watched her ride into Winterfell with a certain swagger, a confidence that bordered on arrogance. A member of House Blackwood, the aunt of young Lord Benjicot Blackwood, Alysanne had come north under some pretense Y/N didn't care to know about. At the time, it had seemed inconsequential. She had dismissed it, too caught up in her own plans to pay attention to this new player on the board.

A mistake. A rare, foolish mistake. Her grandsire would have scolded her for being so pliant, so hasty, so unguarded. Never underestimate a rival, he would have said. Never take your eyes off the board. And Y/N had done just that.

She should not have misconstrued this woman.

Alysanne was everything Y/N was not. Tall and lean, with thick black curls that tumbled past her waist, she had a wildness to her that seemed to embody the very spirit of the North. Her long legs and strong arms marked her as a woman who spent more time in the saddle than at a hearth, more time holding a bow than a needle. She wasn’t beautiful in the conventional sense—her features were sharp, her smile wide and often mocking—but there was something about her. Something raw and fearless, a fire that seemed to burn just beneath her skin. And that smell…woodsmoke. It clung to her like a second skin, as if she had been born in the midst of a bonfire.

Y/N had heard the whispers—how Black Aly was a legend in the North. An excellent hunter, a horse-breaker, an archer with a keen eye. She was bold and outspoken, with a tongue sharp enough to cut through steel and a wit that could match the sharpest of minds. The Northerners adored her. They loved her for her wildness, for her lack of pretense, for the way she embodied everything they valued: strength, courage, a disregard for the fripperies of southern court life.

She could see it in their faces as Alysanne moved among them, laughing and jesting with the men, sharing bread and soup with the women. Y/N could almost feel the tides shifting, the winds changing, as this woman—this picture-perfect embodiment of Northern virtues—threatened to ruin everything she had worked for.

Cregan Stark took to Alysanne immediately. Of course, he did. Why wouldn’t he? He took her hunting, riding out into the forest with her at dawn while Y/N was left behind to smile and make small talk with his bannermen. He brought her to his war councils, included her in his patrols, took her to meet the northern lords. Wherever he went, Black Aly was at his side, her sharp, barking laughter echoing off the walls of Winterfell.

Y/N could see it in the way he looked at Alysanne—a gleam of admiration, of respect, of something deeper, something raw. He valued her opinions, sought her counsel. And that stung more than Y/N cared to admit. Did it truly come down to this? Y/N Targaryen, a princess of the realm, having to compete with some backwater nobody?

She could feel her temper simmering beneath her skin like a slow-burning fire, the frustration building with each passing day. She thought of confronting Cregan directly, her hands curling into fists as she imagined the scene. She would demand to know why he spent so much time with that woman, why he found her so intriguing, so worthy of his attention. But no—she knew better than that. She couldn’t afford to appear desperate, to show him how much this rankled her. Instead, she kept her face a mask of calm, her smiles as practiced and serene as ever, even as she felt herself cracking.

One evening, as Cregan returned from yet another outing with Alysanne, Y/N was waiting for him in the hall, her posture regal, her eyes gleaming in the dim firelight. “Lord Stark,” she called out, her tone light but firm. “You’ve been busy.”

Cregan paused, glancing at her, his expression unreadable. “There is much to do, Princess,” he replied evenly. “The North doesn’t rest.”

She offered him a smile, one that didn’t quite reach her eyes. “So I see. And it seems you have found quite the companion to help you with your duties.”

Cregan’s brow furrowed slightly, but he didn’t rise to the bait. “Alysanne is a trusted friend,” he said. “She knows these lands as well as I do.”

Y/N felt a flicker of irritation but kept her voice smooth. “Of course. She is a fine… huntress. But surely, you don’t need her for every task, my lord. I’m certain there are others who could serve just as well. Perhaps even better.”

He regarded her for a long moment, his grey eyes searching her face. “Are you offering to join me on my next patrol, Princess?” he asked, his tone challenging, with the faintest hint of amusement.

Y/N’s smile didn’t falter, but inside, she felt a surge of frustration. “If you think my skills would be of use,” she replied, matching his tone. “I am, after all, more than just a… court ornament.”

He chuckled, a deep, rumbling sound that made her skin prickle. “I’ve never doubted that,” he said softly. “But the North is not a place for games or tricks. It demands strength and a willingness to face the unknown without fear.”

Her smile wavered, just a little. “I am not afraid of the unknown,” she replied, her voice edged with steel. “Nor am I afraid to prove myself.”

Cregan’s eyes softened, just for a moment. “I don’t doubt that,” he said, his voice lowering, more intimate. “But Alysanne… she knows this land, these people. She knows how to speak to them, how to move among them. That is not something you can learn in a few weeks.”

Y/N felt the sting of his words, but she masked it with another smile, her eyes flashing. “Perhaps,” she conceded, “but I have learned much in a short time. And I am still learning, Lord Stark. Every day.”

Cregan nodded, as if considering her words. “Then learn, Princess,” he said quietly. “But do not think you must compete with Alysanne. She is… unique, yes. But so are you.”

The words were meant to placate, to soothe, but they only made her feel more cornered.

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The doors to the great hall swung open with a loud creak, and a chill wind swept in, carrying with it the scent of snow and iron. Y/N turned, her eyes narrowing as she saw the commotion. Cregan Stark had returned, his presence commanding attention even as he limped slightly, his dark hair damp with sweat, his face streaked with mud and blood. His men flanked him, some of them leaning on one another, their expressions grim, their clothes stained with the same mixture of dirt and crimson.

Her heart lurched at the sight, but she quickly schooled her features into a mask of cool indifference. The skirmishes with the wildlings had been growing more frequent, their raids bolder, and it seemed today had been no different. The maesters were already scrambling, rushing forward with their apprentices and assistants, trying to assess the most grievous injuries, their faces set in strained concentration.

Y/N took in the scene with a practiced eye, her mind already calculating. There were too many injured, too much blood soaking into the stone floor of the hall. She could see that the maesters were stretched thin, their resources and patience fraying at the edges. Cregan, of course, was insisting on helping his men, despite the fact that he was clearly favoring his left leg, a nasty gash visible on his right thigh, and his arm hung a little too limply at his side.

Typical. The man was as stubborn as a mule.

She moved closer, catching sight of the way he clenched his jaw against the pain, his brow furrowed in a way that made him look older, wearier. He was trying to wave off a young apprentice who was attempting to guide him toward a bench.

“I’m fine,” he growled, his voice low and rough. “See to the others first.”

The apprentice looked helplessly at Cregan, clearly torn between obeying the Warden of the North and following the orders of the maesters. Y/N, sensing an opportunity, pushed through the crowd, her chin tilted upward, her eyes sharp.

“Really, Lord Stark?” she called out, her voice loud enough to carry over the clamor. “You look about as fine as a roast pig on a spit.”

Cregan’s head snapped around, his eyes narrowing at her. “Princess,” he said, his voice edged with irritation, “this is no place for jesting.”

She smiled, a sharp, knowing smile. “No, but it is a place for common sense. Something you seem to be sorely lacking at the moment.” She turned to the apprentice and gestured toward the other men. “Go. Help the others. I’ll take care of your lord.”

The apprentice hesitated for a moment, glancing between them, but then scurried off, clearly relieved to be free of Cregan’s stubbornness. Y/N stepped closer, folding her arms over her chest, her gaze fixed on the injured lord.

Cregan grunted, his expression darkening. “I don’t need your help, Princess. I’ve had worse than this.”

“Oh, I’m sure you have,” she replied. “But forgive me if I don’t trust your judgment on your own health, seeing as you’re bleeding all over the floor and insisting you’re perfectly fine. Very lordly of you, I’m sure, but also incredibly stupid.”

He scowled at her, a deep line forming between his brows. “I can take care of myself.”

“And yet,” she countered, stepping even closer, “you’re not doing a very good job of it, are you? Sit down, Cregan, before you fall down and make an even bigger fool of yourself.”

For a moment, he looked like he might argue further, but then he winced, a flash of pain crossing his face, and Y/N seized the moment. She reached out, gripping his uninjured arm with a strength that belied her slender frame, and guided him toward a nearby bench. “Sit,” she ordered, her voice firm, and to her surprise, he obeyed, albeit reluctantly.

He dropped onto the bench with a huff, glaring up at her. “I don’t need a nursemaid, least of all a princess from the South who’s never seen a real fight.”

She laughed, a sharp, sarcastic sound. “You’re right, I’ve never fought wildlings or raiders. But I have spent plenty of time in the Red Keep watching men bleed out because they were too stubborn to accept help. So, unless you want to be one of those men, shut up and let me work.”

His gaze flickered with something between annoyance and grudging respect. “Fine,” he muttered, “but make it quick. I have men to see to.”

“Quick?” She snorted. “You don’t give orders here, Stark. Not while you’re under my care.”

He raised an eyebrow. “Your care? And what makes you think you’re qualified?”

She didn’t answer with words. Instead, she grabbed a nearby cloth, soaked it in a basin of water, and began to clean the wound on his thigh with swift, precise movements. Cregan hissed through his teeth, his muscles tensing beneath her hands, but he didn’t pull away.

“I’ve shadowed Grand Maester Orwyle countless times,” she said as she worked, her voice steady. “I know what I’m doing. And more importantly, I’m not about to let you bleed out just because you’re too pigheaded to admit you need help.”

He grunted again but said nothing, his jaw clenched tight. She could see the pain in his eyes, the way his shoulders stiffened with each touch, but he stayed still, letting her do her work. She carefully cleaned the wound, her hands moving with a skill that surprised even herself, then reached for a needle and thread.

“This will hurt,” she warned, threading the needle with practiced ease.

“I’ve had worse,” he replied through gritted teeth.

“Of course you have,” she said, rolling her eyes. “And I’m sure you’ll tell me all about it after I’ve saved your life.”

His lips twitched, almost as if he were fighting a smile. “You’ve a sharp tongue, Princess.”

“And you’ve a thick skull, Lord Stark,” she shot back. “Now hold still.”

She began to stitch the wound, her needle moving with swift, precise strokes. Cregan watched her, his eyes dark and intense, but she didn’t falter. For once, she was not the southern courtier, the diplomatic princess with honeyed words and gentle smiles. She was herself, sharp and unyielding, meeting his stubbornness with her own.

When she finished, she tied off the thread with a quick, efficient knot and sat back, wiping her hands on the cloth. “There,” she said, satisfaction in her voice. “You’ll live to fight another day.”

He stared at her, a mix of surprise and grudging admiration in his eyes. “You did well,” he said finally, his voice softer than before.

She arched an eyebrow, a playful smirk dancing on her lips. “Was there ever any doubt?”

He chuckled, the sound rough but genuine. “Plenty,” he admitted.

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Winter is coming.

No, not the Stark words, spoken like a prayer or a warning. Winter is truly coming, and Y/N can feel it deep in her bones, creeping through the stone walls of Winterfell like a living thing.

The air has grown sharper, biting at her cheeks with every gust of wind, and the snow falls thicker now, each flake heavy and deliberate. The trees are bare, their branches skeletal against the grey sky, and the cold seems to press down on her, seeping into her skin with a relentless chill. It is a different kind of cold than she has ever known, a cold that seeps into her lungs and settles there, making each breath feel like an effort.

The North has always been harsh, but now it feels like it is preparing for something more—something darker, more unforgiving. Even the men and women of Winterfell, who have spent their entire lives in the shadow of winter, seem more guarded, more wary. There are murmurs in the great hall, anxious whispers in the corridors. Wildlings have been sighted more frequently, their numbers growing bolder and more desperate as the long night approaches. The skirmishes along the Wall have increased, and the night fires are lit earlier and burn longer.

Y/N pulls her cloak tighter around her shoulders as she crosses the courtyard, the snow crunching beneath her boots. She knows what is coming. She can feel it in the very marrow of her bones. Winter is coming, and with it, something more—a tension that hangs in the air like a drawn bowstring, taut and ready to snap.

That night, as she sits by the fire in her chambers, a raven arrives. The black bird flutters through the window, its wings dusted with snow, a rolled parchment tied to its leg. Y/N takes it with a frown, untying the message with cold fingers, her eyes narrowing as she recognizes the seal. Hightower.

She unfurls the parchment and reads the message, her eyes scanning the words with a growing sense of unease.

Return to King’s Landing at once.

The words are simple, direct, and she can almost hear Otto’s voice behind them, calm but commanding. He has received reports of the incoming long winter, of the increasing sightings of wildlings, and he deems it no longer safe for her to remain in the North. He urges her to leave before the roads become impassable, before the snows deepen and the wildlings grow more desperate.

Y/N exhales slowly, a plume of breath escaping her lips in the cold air of her chamber. She should feel relieved. Glad, even. No longer required to linger in this frozen wasteland, where the people are as hard as the ground they walk on, and her plans have slowly unraveled like thread from a worn tapestry. She should be glad to return to the South, to the warmth and intrigue of King’s Landing, where the games are played on her terms.

But instead, she feels a sharp sting of frustration. She berates herself for failing to secure the North for her family, for not weaving a strong enough web to catch the loyalty of these proud, stubborn people. A true Targaryen, she should have bent them to her will, but the North is as unyielding as its lord, and she has not succeeded in making it hers. It is a bitter pill to swallow.

“Failure,” she murmurs, her voice a low hiss in the dim light of her chamber. “And what would you say to that, Lord Hand? That your granddaughter, for all her cleverness, could not win the North?”

She lets out a soft, mirthless laugh, crumpling the parchment in her hand. “It’s a matter for another day,” she tells herself. She will return to King's Landing, regroup, plot anew. There are always other pieces to play, other moves to make.

Yet, her thoughts drift back to Cregan Stark. The brooding wolf of the North, with his grim expression and unyielding sense of honor. She won’t admit, even to herself, that she is fond of him. Or likes him. Or anything of the sort. No, certainly not. But… there is something about him that lingers in her mind like a half-remembered dream, something she can’t quite shake off.

After being surrounded by the snakes of King’s Landing, the liars and flatterers, the power-hungry and the depraved, she finds something strangely compelling in Cregan Stark’s righteousness. It comes to him as naturally as breathing, as naturally as wielding that massive Valyrian steel sword of his, the one he calls Ice.

She has seen him wield it with ease, watched him cleave through the air with a power that seems almost otherworldly. She has watched him ride out with his men, fearless and unyielding, his face set in determination. There is a strength in him that is not just physical, but something deeper, something that runs to his very core. A strength that does not waver, that does not bend, even under the weight of the North’s endless cold.

And she hates it. She hates how it seems to make everything about him… uncomplicated. How he carries his honor like a shield, how he speaks his truth without hesitation, without guile, as if the very concept of deception is foreign to him. It is infuriating. It is intriguing. And it has left a mark on her, whether she likes it or not.

Y/N folds the letter and tucks it into the folds of her gown, her fingers lingering on the soft fabric for a moment longer than necessary. She knows what she must do; her place is back in the South. But as she rises to her feet, her eyes drift around her room, taking in the rough-hewn walls, the cold stone floor, and the fur pelts draped across her bed. There is a part of her—small, quiet, but undeniably present—that resents leaving this place. Resents leaving him behind.

She sighs, pushing the thought away, and begins to gather what little she had brought with her. No handmaiden to help her, not that she would ask. She has always preferred to do things herself when it comes down to it. She moves about the room with a swift efficiency, her hands quick and sure as she folds her scarves, places them neatly in her travel bag.

She is in the midst of folding a deep green scarf, the color of pine needles, when a knock sounds at her door. She freezes, her fingers still gripping the fabric, and for a moment, she considers ignoring it. But then she rolls her eyes at her own hesitation and strides to the door, swinging it open.

Cregan Stark stands on the other side, looking as rugged and battered as ever. There is a bandage wrapped around his arm, another at his side, but he stands tall, his posture straight, his face unreadable. He looks better than he had when she had tended to him earlier, but not by much. His grey eyes flick to her, and she can’t quite read the expression in them.

“Lord Stark,” she greets, her voice carefully neutral. “To what do I owe the pleasure?”

He inclines his head slightly. “I came to thank you,” he says, his voice low and gruff. “For earlier. For tending to my wounds.”

She raises an eyebrow, surprised. “Oh? Didn’t think you’d bother with gratitude.”

He snorts softly. “I’m not so stubborn as to ignore a kindness when it’s given.”

“A kindness?” She smirks, leaning against the doorframe. “I think you’ll find I had very little kindness in mind when I forced you to sit down.”

His lips twitch, just slightly. “Perhaps not,” he concedes. “But you did help. I owe you that much.”

Her gaze softens, just for a moment, but before she can reply, his eyes shift past her, taking in the half-packed bags and scattered belongings strewn across the room. His brows knit together in a frown.

“What is this?” he asks, his tone sharper than before.

Y/N shrugs, affecting a nonchalant air. “I’m going home,” she replies, as if it were the simplest thing in the world. “A happy bit of news for you, I’d wager.”

He is silent for a moment, his frown deepening, his eyes fixed on hers. “No,” he says finally, his voice low and steady. “I take no joy in this news.”

She blinks, momentarily caught off guard. “No? I thought you’d be delighted to see the back of me.”

His expression softens, and he steps further into the room, his gaze never leaving hers. “Believe it or not, Princess, I’ve grown accustomed to your… presence.”

Her eyes narrow. “What are you on about?” she demands, her voice sharper now, a hint of frustration creeping in. “Don’t tell me you’ve developed a fondness for me, Cregan Stark.”

He hesitates, then, with a sigh, says, “Perhaps. Or maybe I’ve simply developed a soft spot for your relentless stubbornness.”

She scoffs, folding her arms over her chest. “Oh, do spare me,” she says, her tone dripping with sarcasm. “The Wolf of the North with a soft spot for a Targaryen? Is that supposed to flatter me?”

He gives a half-smile, his eyes holding hers. “It’s not meant to flatter, just the truth.”

She rolls her eyes, exasperated. “Right. And I suppose this has nothing to do with your other northern… interests?” She tilts her head, her voice laced with mock sweetness. “Surely, Black Aly is more up your alley?”

His face hardens slightly, but there’s a flicker of amusement in his eyes. “Alysanne is a friend,” he replies, his voice calm. “A trusted one. But you—”

“But me?” she interrupts, stepping closer, her eyes blazing. “But what, Cregan? Do you think I’m going to stay here in this frozen wasteland to be your latest curiosity?”

He shakes his head, his voice rising just a fraction. “No, that’s not what I meant—”

“Then what did you mean?” she snaps. “Because I have no desire to dance around whatever it is you’re trying to say.”

He exhales, frustration lining his features, but there’s something softer there, too. “I meant,” he says slowly, deliberately, “that I have come to respect you, Y/N. To… care for you, in ways I did not expect.”

She laughs, sharp and incredulous. “Care for me? Truly? You’ve a strange way of showing it, taking Black Aly on all your little adventures while I’m stuck here playing house with your bannermen.”

Cregan’s eyes darken, his expression turning serious. “It wasn’t meant to slight you.”

“But it did,” she fires back, her voice lower, more intense. “It did. And now, you stand here, acting like you don’t want me to leave, when all you’ve done is—”

“I don’t want you to leave,” he cuts her off, his voice firm, his gaze unyielding. “Not now. Not like this.”

There is a beat of silence, the air between them taut and electric. Y/N feels something twist inside her, something she doesn’t want to name.

“Why?” she finally asks, her voice almost a whisper. “Why, Cregan?”

He takes a step closer, so close she can feel the warmth of his breath against her skin. “Because,” he murmurs, his voice barely above a whisper, “for all your southern games and sharp words… you’ve gotten under my skin, Y/N Targaryen.”

She meets his gaze, searching his face for any hint of a lie, any trace of deception, but finds none. She swallows, her throat tight. “And what do you suggest I do about that?” she asks, her tone still edged, but softer now.

He glances around the room at her half-packed bags, and then, with a determined expression, begins to pick up her things, placing them back where they were. “For a start,” he says, his voice gruff but not unkind, “you can stop packing.”

She watches, incredulous, as he calmly folds one of her scarves and places it back on the table. “What do you think you’re doing?” she demands, even as a smile tugs at the corners of her mouth.

He looks up at her, his eyes twinkling with a challenge. “Undoing a mistake,” he replies simply.

She shakes her head, half-laughing, half-exasperated. “You’re very difficult, you know that?”

He grins, the lines around his eyes crinkling. “So I’ve been told.”

They stand there, close enough to touch, the tension between them crackling like a fire waiting to ignite. For a moment, neither of them speaks. The air between them is thick, charged with something that neither of them can quite name. She lets out a sigh, breaking the silence that has settled over them.

“My grandsire has called for me,” she says finally, her voice softer than before. “It’s more of a command, really, than a request.”

Cregan’s brow furrows, his grey eyes narrowing slightly. “Is Otto Hightower the King of the Seven Kingdoms now?” he asks, his tone dry, laced with a hint of disdain.

Y/N chuckles, a low, throaty sound that sends a shiver through him. “He might as well be,” she replies, a faint smile playing on her lips. “He certainly acts like it.”

“Seems he’s got a hold on you too,” Cregan mutters, his gaze never leaving hers.

She shrugs, a half-smirk curving her lips. “I wouldn’t survive a winter here, would I? You said so yourself, Lord Stark. Even Vermithor and Silverwing refused to fly beyond the Wall of their own accord. Those ancient, powerful creatures wouldn’t dare. So whatever lies out there…” Her voice drops to a whisper. “It must be damning.”

Cregan’s expression is unreadable, his jaw tightening for a moment. “I can keep you safe,” he says quietly, but there’s a firmness to his voice, an unyielding resolve that makes her chest tighten.

Y/N raises an eyebrow, her lips curving into a teasing smile. “Oh, how kind of you, my big, bad wolf,” she drawls, her tone mocking but playful, her fingers reaching out to brush lightly against his arm. “But how about you start with something simple?”

His eyes narrow, a flicker of curiosity crossing his face. “Simple?” he repeats.

She steps closer, so close that her breath mingles with his, the warmth of her skin brushing against him. “How about, for starters, you try keeping me warm?” she murmurs, her voice barely more than a whisper, yet it carries between them like a challenge. “It is awfully freezing here… Can you do that for me, Lord Stark?”

For a moment, Cregan says nothing. His eyes search hers, as if trying to discern whether she’s serious, or just toying with him as she so often does. Y/N isn’t expecting much—she knows the Northerners, with their prudish notions of honor and virtue, probably see this as a surefire way to eternal damnation. She expects him to laugh it off, to turn away with a huff, to remind her, once again, that he is not some Southern lord to be trifled with.

But he doesn’t laugh. He doesn’t turn away. Instead, his gaze darkens, his eyes tracing the curve of her lips, the line of her throat. He takes a step closer, his body towering over hers, and she feels the heat radiating from him, the intensity in his stare. Her breath catches in her throat, her heart thundering in her chest as he reaches out, his hand cupping her chin, tilting her face up toward him.

“Is that what you want?” he murmurs, his voice a low, rumbling growl that sends a thrill down her spine. “For me to keep you warm?”

Y/N swallows, her mouth suddenly dry. She hadn’t expected this, hadn’t expected the Wolf of the North to respond to her challenge with anything but stern disapproval. “I—” she starts, but the words catch in her throat as his thumb brushes over her lower lip, his touch sending a jolt of electricity through her.

He leans in, his breath warm against her skin, and she feels the heat of his body pressing against hers, the rough fabric of his tunic brushing against the softness of her gown. “Say it,” he murmurs, his voice rough, almost desperate. “Say what you want, Y/N.”

Her heart pounds, and she feels a rush of something she can’t quite name—fear, desire, defiance—all mingling together in her chest. “I want…” she begins, her voice wavering, but then she catches herself, lifts her chin, her eyes flashing. “I want you to keep me warm, Cregan Stark.”

His lips curve into a slow, dangerous smile, and before she can draw another breath, his mouth is on her throat, hot and insistent. She gasps, her hands instinctively flying to his shoulders, gripping the fabric of his tunic as he kisses her skin, his mouth trailing down to the hollow of her collarbone, his teeth grazing against her pulse.

“Gods,” she breathes, a mixture of surprise and pleasure washing over her. She hadn’t expected this—not from him. But he is relentless, his mouth moving against her skin, his teeth nipping at the sensitive flesh, his tongue tracing patterns that make her shiver. He smells of the woods and leather, of smoke and something wilder, something purely him, and it makes her head spin.

She feels a hot rush of sensation flood her body, a fire igniting deep within her belly as he kisses and nibbles at her neck, her collarbones, his hands sliding up her back to pull her closer. “I didn’t think you had it in you,” she gasps, her fingers threading through his hair, tugging just a bit.

He chuckles against her skin, the sound vibrating through her, and she can feel his grin. “I am good at playing my part too, Princess,” he mutters, his voice rough, raw with hunger.

She arches against him, feeling the warmth of his breath, the roughness of his beard against her skin, and something inside her snaps. She doesn’t care about the cold, or the North, or even the damned wildlings anymore. She only cares about the way his mouth feels on her, the way his hands move against her, the way he’s suddenly, inexplicably, decided to abandon his precious restraint.

“Oh, so you’re not a prude after all?” she teases, her voice a breathless whisper, but there’s a tremor in it she can’t quite control.

He bites down gently on her shoulder, making her gasp, and she feels him smile against her skin. “Careful now,” he growls softly, his lips trailing up to her ear. “You might just find out how much I’m not.”

She laughs, a low, sultry sound that makes his grip tighten. “Well then, Lord Stark,” she murmurs, her voice daring. “Show me.”

And he does. All night long.

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The next morning, chaos erupted in Winterfell. The dawn broke over the snow-covered battlements, but there was no sign of the Lord of Winterfell. Cregan’s chamber was found empty, his bed undisturbed, and his bannermen immediately feared the worst. The cold winds carried whispers of possible attacks, of kidnappings, of wildlings breaching the walls in the dead of night.

“Where is he?” one of the lords muttered, his voice tight with worry. “I saw him head to his chamber last night. He should be there!”

“But he’s not,” another snapped, his face pale. “And there’s no sign of a struggle. Nothing.”

Maids and guards exchanged nervous glances, and the tension in the great hall thickened like smoke. Servants hurried through the corridors, peering into every nook and cranny, while a group of bannermen began to search the grounds, checking the stables, the armory, anywhere he might have gone.

The panic spread quickly, growing like wildfire. Hushed voices turned into frantic shouts, and soon enough, a full search was underway. Every room, every corridor, every shadowed corner was combed through with increasing urgency.

“Maybe he’s gone to the Godswood?” one bannerman suggested, and a group ran in that direction, boots crunching against the snow.

“What if he’s been taken?” another whispered fearfully. “The wildlings—”

“No, he’d never be taken without a fight!” a grizzled old warrior barked, his hand tightening on his sword hilt. “Keep looking!”

And so they did, their desperation growing as each minute passed without a trace of their lord.

Finally, after what felt like an eternity, one of the servants hesitantly approached the door to Y/N’s chamber. He hesitated, his hand hovering over the handle as if unsure whether he should dare to disturb a Targaryen princess. But with his heart pounding and knowing that all of Winterfell was searching, he pushed the door open.

There, in the soft light of dawn that filtered through the small window, they found him.

Cregan Stark lay sprawled across the bed, still deep in sleep, his dark hair tousled, a faint smile playing on his lips. His arm was wrapped tightly around Y/N Targaryen, holding her close against him as if she were the most precious thing in the world. They were entangled in the furs, his body curved protectively around hers, their legs entwined, her head resting on his chest.

For a moment, the servant could only gape, eyes wide, mouth hanging open. Then, finding his voice, he croaked out, “Lord Stark!”

Cregan stirred, groaning softly, his eyes blinking open in the dim light. He looked down to see Y/N still nestled against him, her silver hair a soft halo on his chest. For a brief, confused moment, he forgot where he was, why there were voices at the door.

Then he heard the shocked gasp of the servant, and it all came rushing back.

“What’s the meaning of this?” a bannerman’s voice boomed from behind the servant, and within seconds, the doorway filled with faces, wide-eyed and bewildered.

Cregan rubbed his eyes, sitting up slowly, his hand still cradling Y/N. He glanced over at the doorway and saw the crowd of his bannermen and servants, their expressions ranging from horrified to amused to utterly scandalized.

“Well, it seems I’ve been found,” he muttered, a grin spreading across his face as he looked down at her, still half-asleep beside him. “So much for a quiet morning.”

Y/N stirred, blinking up at him, and then she saw the small crowd gathered in the doorway. Her cheeks flushed, but her lips curled into a mischievous smile. “Good morrow, gentlemen,” she purred, propping herself up on her elbow. “Is there something you’re looking for?”

The bannermen stood frozen for a moment, then the old warrior who’d been leading the search cleared his throat, his cheeks flushed red. “Lord Stark, we thought… well, we feared the worst.”

Cregan’s smile widened, his hand brushing a strand of silver hair from Y/N’s face. “No need for fear, Wylis,” he replied, his tone far too amused. “As you can see, I’m very much alive. Just… occupied.”

The servant who had found them couldn’t suppress a grin, though he quickly ducked his head to hide it. The bannermen, on the other hand, exchanged awkward glances, shifting their weight, unsure of what to say.

Y/N looked up at Cregan, her eyes glinting with amusement. “Seems you’ve caused quite the stir, my lord,” she murmured, teasingly. “Should I be worried that your men are so eager to find you?”

Cregan chuckled, pulling her closer, ignoring the gaping faces in the doorway. “Let them talk,” he murmured, his voice low and affectionate. “I have everything I want right here.”

And as the bannermen mumbled and fidgeted, trying to find a way to excuse themselves from the room without causing further embarrassment, Cregan leaned down to kiss her forehead, his smile never fading. “Let them see,” he whispered. “Let them know.”

Y/N laughed softly, rolling her eyes. “As you wish, wolf.”

And with that, he pulled her back into the warm cocoon of furs, ignoring the murmurs from the doorway, perfectly content to remain exactly where he was.

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[under-lore]

What could Sans find out about Flowey ?

By finishing a neutral route over and over again multiple times, Flowey has some unique dialogues in which he mentions various trivia or shares his thoughts on some of the other characters.

One such character is Sans, who Flowey notably gives us a warning about.

However, the way he words that warning feels a little intriguing :

While Sans is generally a very perceptive character who is often capable of making pretty good guesses from limited information, Flowey makes it rather obvious that he is speaking from experience rather than simply making a general comment about Sans' observation skills.

But a question that isn't brought up very often is, what was it exactly that Sans would frequently "find out" about Flowey to warrant this warning ? And how ?

While the question may seem unanswerable at first due to Flowey not giving us any specifics whatsoever, there are a few details scattered throughout the game which may allow us to deduce our way towards what was most likely the intended answer.

First, we know what solution Flowey ended up settling with in order to deal with whatever that issue was : Simply avoiding Sans.

In any given timeline, Flowey took the habit of avoiding to be seen by or around Sans at any point, unless he specifically had something in mind that required him to do so. (such as in the pacifist ending) As a general rule of thumb, he would avoid Sans altogether as much as possible.

However, even with that effort on Flowey's side, a quick mention of a talking flower from Papyrus is already enough to seemingly get Sans at least a little suspicious that something may be up with that.

This is our second clue : The fact that it took Sans so little information for him to get suspicious of what Papyrus told him about a flower.

Our last clue is the few words we hear from Sans after he sees and hears Flowey at the end of the pacifist route :

In order to find out what to make of those clues, we need to introduce a fourth element : Sans' scientific background.

Luckily, none of the more complicated or speculative nuances of that side of his character are required here, all that we need is to highlight his somewhat-hidden friendship with Alphys.

She knows him well enough to call his jokes in advance :

Or here, the game more obviously points out that these two seem surprisingly friendly.

Sans tries to play it off, but it is clear they know a lot more about each other than seems at first glance.

But how much exactly ?

Well...

To go back to our main point, if one were to call Papyrus' phone in front of Alphys' lab, the conversation between the skeletons brothers would eventually deviate towards the question of wether or not Alphys is hiding dogs inside of her lab.

To which Sans answers, winking :

If it had just been this one joke, it may have been a coincidence, but the game doubles down on this exact same implication if you call Papyrus from within the lab as well, showing that this connection between Sans and Endogeny was absolutely intentional :

While the determination experiments were sorely Alphys' entreprise, it appears that Sans was at least made aware of the way they ended up playing out.

We cannot affirm with certainty how much detail exactly Sans has regarding the experiments, but if he is aware for the dogs and possibly even involved in dealing with them (as he had the dog food bag in his room), then he most definitely would also know about the vessel too. It was the main goal, after all.

This vessel had a few particularities.

First, it was a golden flower, the flower from the outside world, chosen for symbolic reasons.

But second, that specific golden flower was chosen because it was different from the rest.

It was at the center of the garden, it had grown before all the others, those were the ones mentioned by Alphys in her entries. But there was one more specificity which she omitted to bring up :

Golden flowers in Undertale are a species of flowers which has 5 petals.

But our "vessel" had a mutation, resulting in an extra 6th petal.

A design choice in part, perhaps, but one that takes a very real in-world importance within this context.

Adding to this that, from the view of the current timeline iteration, the vessel seems to have suddenly vanished one day and...

Since it is likely for Sans to have been aware of all of this, now, it makes a lot of sense that the mere idea of a new mysterious talking flower that says strange things showing up out of nowhere would immediately put him on high alert. A potential connection with the missing vessel is easy to make.

Actually, now that we have this context, even Alphys seems to make the same connection as well after hearing Papyus mentioning a talking flower just before Flowey arrives.

But most of all, it now feels incredibly clear why Flowey needs to avoid being seen by Sans so much.

His entire appearance, and particularly his obvious extra 6th petal, are all dead giveaways of his origins.

Could Sans, who is skilled enough at analysing faces to tell the difference between the face of someone that has died 9 or 10 times in a row, really miss out on such blaring evidence ?

Of course not.

Flowey might as well have written "i am the vessel" on his face with a marker as far as Sans is concerned.

Chances are that merely seeing Flowey even once would be all it takes for Sans to be practically certain that Flowey must be the former vessel.

Not only that, but given that those experiments were all about determination, the so called "resolve to change fate", Flowey would also immediately be considered extremely likely to be the anomaly, too.

This is what we see in this scene :

Not only does Sans get to see Flowey here, but the speech that Flowey makes during this scene also provides him with definitive evidence that Flowey really was the "anomaly" he had been worried about, as his psychological profile matches extremely well with the one Sans shows us to have built for the anomaly in a genocide route. But, it also shows him that Flowey has, for now at least, lost his anomalous time powers to Frisk, and is thus struggling to keep them in his "game".

This suggests that for now, Frisk actually still has the advantage, and that despite all those crazy speeches, without his reset powers, that weirdo has got nothing on them.

But this is all later on in the story.

During Flowey's earlier RESETs, being seen by Sans, even once, quickly becomes a major pain for Flowey in every timeline iteration in which it happens.

At best, he might get "pranked accross time and space" a number of times. At worst, Flowey might have no choice but to reset and start all over again on whatever he was aiming to do.

Except this time around, without letting the smiley trashbag learn ANYTHING about him.

[homunculus-argument]

Random worldbuilding from the Book I'm Not Working On: noble families' family stones

Every single noble family in the Empire has a specific stone type as their representing symbol, much like a coat of arms - the stone itself is somewhat irrelevant to the particular family's origins, but you can roughly estimate how old and/or powerful a house is by how valuable their House Stone is, as naturally gemstones were taken up first, and newer and lesser families adopt whatever fancy stones are still available, in declining order.

As there is a limited amount of types of stone out there, one may naturally also adopt the stone of another noble house that has passed from existence. It is considered natural that if an ursurper family is powerful and crafty enough to wipe out a specific house that is in decline, they have the rightful claim for that family's former stone. Representing the ruling class of a brutal imperialist empire that values power above all else, the noble houses see nothing wrong in this - ones with power don't just have the right to take down those who are declining and weak, but it is downright their duty to do so.

The higher up you go, the more precious the family stones become. Someone with the right to wear jewellery with sapphires or emeralds is most certainly someone who is entitled to eat at the same table with the Empress - if not downright from the same plate. The exception to the rule is the Empress herself.

Regicide is considered an acceptable way of changing rulers - an empress whose position is weak enough to simply be killed off just like that deserves to go - but the stone of the Empress stays the same, no matter what house the current ruler is from. The representing stone of the House on the Throne is granite. Common grey granite, polished like a precious gemstone, and set in silver and white gold.

Though nobody knows the exact historical accuracy of the tale, legend has it that this custom has been in use ever since the Empire became an empire. The warlord houses of the region had decimated each others' rulers and commanders for so long that once they came together to form a truce and make peace, none of them could agree on anyone from any family to rule over them all. A commoner (who, exactly, depends on who is telling the story) was chosen to become the Empress, and when it came time for her to choose a stone to represent the new royal line, she picked up a chunk of grey granite that had chipped off the foundation of the royal palace in the recent battles over the throne, stating that if this grey granite is noble enough to form the foundations of the palace, then surely it is noble enough to be the foundation of the Empire itself.

[rafecameronssl4t]

Do Sarah and Wheezie get along with reader in the arranged/forced marriage au? It seems like they’re constantly going to dinners and events for readers family; does she ever hang with the Cameron’s? Is Rose a better mother figure to her than her own?

With the Cameron’s || Rafe Cameron x fem!reader

A/n: I hope this gives you better insight into reader’s relationship with Rafe’s family plus bonus lil snippet of what Rafe is like during the pregnancy (will go more in depth in another fic)

Warnings: none really (not proofread)

Word count: 1,550

MASTERLIST (forced marriage au masterlist)

Divider by @h-aewo

"Are we running late? What if the plane leaves without us—" Wheezie’s voice quickly gets cut off by Rafe’s sharp tone, his irritation palpable. "Can you shut up for one second?" he snaps, huffing in frustration. His fingers press against his temples as if the very sound of her voice is grating on him.

The sharpness in his words makes you wince slightly, but when your eyes meet Sarah's across the seat, a faint smile tugs at your lips. Rafe’s temper wasn’t exactly a surprise anymore. "It’s our private jet, Wheezie," he continues, his voice now dropping to a bored drawl as he looks out the window, his hand settling possessively on your thigh, squeezing it as the runway comes into view.

"They're not going anywhere without us." You shift slightly under his touch, not used to these fleeting moments of affection in front of the Cameron's, but you say nothing. It’s a part of your dynamic now—Rafe’s firm grip on control, always balancing on a fine line between caring and detached. Rose, sitting in front, turns around, concern flashing in her eyes.

"Is it safe for you to travel, Y/n?" Her voice is soft, almost maternal, a stark contrast to your own mother. You manage a small smile, trying to ease her worries. "Yeah, perfectly fine. I checked in with our doctors." Your tone is calm, almost rehearsed, as if you’ve had to explain this more times than you can count. Rose nods, satisfied, and returns her attention to her phone.

As the car slows down, Wheezie’s eyes widen when she finally sees the jet, her loud gasp shifting everyone's attention. "Woah," she breathes, her face lighting up in awe at the sight of the sleek aircraft, the one your grandparents had gifted you after the wedding. "Pretty nice, huh?" you tease, nudging her lightly. Her excitement was always contagious, and like always, you let yourself enjoy it.

"Your first time flying private?" you ask, winking at her as she nods vigorously, still mesmerised by the plane. The car rolls to a stop, and Rafe is the first to get out, his movements confident and deliberate. Without a word, he turns back toward you, offering his hand. Gratefully, you take it, carefully stepping out, feeling the cool breeze brush against your skin.

Your eyes sweep across the aircraft, its polished surface glinting in the sunlight as you feel Rafe wrap your shawl around your shoulders. Your eyes scan the jet, taking in its sleek lines and pristine exterior. It’s a symbol of the life you’ve been thrust into—luxurious, yes, but hollow in so many ways.

"Mr. and Mrs. Cameron, a pleasure to see you again," Anthony, the pilot, greets both of you, extending his hand to Rafe’s first, then yours for a firm handshake. "Good to see you too, Anthony," you reply politely, flashing a smile that feels more natural now. While Rafe and the pilot exchange words about flight plans and weather conditions, you glance back at Sarah, who is still staring at the plane in disbelief.

"I can’t believe I’m about to fly on a private jet," Sarah murmurs, almost to herself. You chuckle softly, catching her wide-eyed expression. "You better believe it, Sarah," you say, the humour in your voice masking the exhaustion underneath. It was a strange life—one you still weren’t fully used to—but moments like these reminded you how surreal it could all be.

You step closer to where Rafe and Anthony stand, their conversation coming to a halt as you approach. "Is everything as it should be?" you ask, your gaze flicking between them. Rafe shifts slightly, turning toward you, while Anthony’s face brightens with a warm, professional smile. "Yes, everything is set," Anthony replies, his voice reassuring.

"The flight to New York should be only around an hour and a half." His smile deepens, the wrinkles around his eyes crinkling with a sense of familiarity. You nod in acknowledgment, your hand instinctively moving to rest on your belly. The action doesn't go unnoticed by Anthony, who follows your gesture. "How many weeks are you now?" he asks with genuine curiosity.

You hesitate for a moment, your mind blanking under the weight of small details, suddenly unsure. "Oh, uh—34 weeks now?" you reply, though your tone carries a hint of uncertainty. You turn to Rafe for confirmation, and he's already watching you, that rare, softer expression gracing his usually unreadable face. "35 tomorrow, actually," Rafe corrects, his voice gentle as he pulls you closer, his arm wrapping protectively around your waist.

The motion feels natural, almost instinctive, though there's still a flicker of surprise at how he’s been acting since you've been pregnant. His thumb brushes lightly against your side, almost absentmindedly, as if his hand belonged there. It’s a small gesture, but it lingers, and for a moment, you can’t help but feel a sense of unfamiliar warmth in his touch.

He looks back at Anthony, who nods knowingly. "You're in good hands," Anthony says with a wink, glancing between the two of you before excusing himself to check the final details for the flight. You stay pressed to Rafe’s side for a moment longer than usual, the warmth of his touch and the gentle smile he’d given you lingering. As you follow Rafe up the steps of the plane, his hand reaches back toward you, a silent gesture that feels automatic.

You pause for a moment, looking at his extended hand, then slide yours into it. His grip tightens, pulling you up the stairs with a familiarity that’s still strange to you despite how long it’s been. His attention is already elsewhere, but there’s something steady in the way he holds on. The second you step inside, Wheezie lets out a gasp, her eyes wide as she takes in the lavish interior. "Oh my god," she whispers, her voice filled with awe.

Sarah, beside her, shares the same shocked expression, her mouth slightly agape as she slowly looks around. Rose, ever composed, gracefully accepts a flute of champagne handed to her by the flight attendant, her lips curling into a satisfied smile as she takes a seat on one of the plush leather chairs. "I could get used to this," she says with a contented hum, easing herself into one of the leather seats as she crosses her legs, holding the glass delicately.

"You know, Rose, you can use my jet whenever you want," you say, settling into the seat across from her. There’s a familiar warmth in your voice because with Rose, you didn’t have to hold back as much. She’d seen you at your best and your worst, and over time, a genuine bond had grown between you two. "You're family," you add with a small smile.

Your words are warm, genuine, and for a moment, you feel a small sense of pride in being able to extend such a gesture. It was your grandparents’ gift, after all, but now it felt like another small piece of the life you were slowly building alongside Rafe, complicated as it was. Rose glances up at you, her lips curving into a fond smile. "Thank you, Y/n. That's really sweet of you, darling."

She lifts her champagne glass slightly in a subtle toast of appreciation. Between Rose and Ward, you had always preferred Rose. You return her smile, her eyes sparkling with the kind of closeness that comes with shared secrets and long afternoons together. There was an ease with her that you didn’t find in Ward's scrutinising gaze.

The two of you had even started forming your own little rituals—getting your hair and nails done together, sharing gossip that never left the salon. In a family where appearances were everything, it was a quiet comfort to have someone you could let your guard down with, even just a little. Rose had been the one who welcomed you the most. From the outside, she appeared cool and distant, but you knew better.

Rose raises her glass slightly in a toast. "Here’s to us," she says, her tone light and affectionate. You chuckle softly, lifting an imaginary glass in response. "To us," you echo, feeling a familiar sense of comfort in her presence. Rose had become more of a mother figure to you than anything else, a relationship that had blossomed in the shadows of family expectations and high society obligations.

She offered you the warmth and guidance your own mother never quite gave, filling the void with her quiet support and understanding. Rose had a way of making you feel seen in a world that often demanded you play a role. With her, it wasn’t about maintaining facades or living up to expectations—it was about the genuine bond you had formed through shared experiences and mutual respect.

There were times you confided in her—about your uncertainties with Rafe, about the overwhelming pressure of impending motherhood—and she always listened, offering advice that felt sincere rather than patronising. She knew the world you had been thrust into, had navigated it herself long before you, and in her own way, she helped you find your footing.

[lxkeee]

Reader being Adam's third wife and Lucifer trying to rizz her up but she was giving him a hard time trying to rizz her

THE DEVIL HAS HIS OWN CHARMS

Notes: I know Lucifer is oozing with rizz but I liked to believe that he'll do that one meme where he just kneels and begs and keeps on saying "please, please, please" just kidding.

Reader is a heaven born angel, one of the oldest. Same age as Lucifer.

When she met Adam, Adam wasn't as bad as the current him. Adam before was nicer and it led [y/n] to fall in love with him.

As many years passed by, Adam became a little shit.

That lead to their divorce.

She was done with him, tired of him.

You know that saying when a girl is done with her s/o they are literally done? Yeah, she was flat out done with him.

Thankfully, they didn't have any kids.

Adam was pissed at this and decided to annoy her.

She was pissed at him and cussing him out, telling him that he's a sore loser for not being able to keep any of his three wives.

And since heaven had an obvious favoritism on him, that led to [y/n] well... Falling out of grace.

After falling, she actually hid away from the king of hell himself.

She hid away from the demons by being in her animal form, she chose to take the form of a crow to blend in with the environment of hell.

That is until she heard about the hotel.

She didn't plan on redeeming herself, no, no.

She didn't want to go back up.

But she planned on helping Charlie Morningstar.

When she joined, they were surprised to see a fallen angel at their door.

Vaggie didn't trust her at first but eventually did.

[y/n] mostly hid in the hotel and barely left the building.

Since they only had Angel Dust as their first guest, she decided to help around and improve the hotel.

When Lucifer decided to visit for the first time the hotel that his daughter is working on. None of the sinners caught his eyes until he was toured around the hotel by his daughter, his daughter's girlfriend Maggie, and the damn radio demon. As they were walking through the hallway, someone appeared on the corner and talked to Charlie for something.

His jaw dropped, a little.

The woman was gorgeous.

For a brief moment he wondered if she was an angel that came from heaven to release him from his sins.

Scratch that, she's making him sin even more.

Charlie introduces her to him and him to her.

Lucifer found out her name is [y/n] and he made sure to remember that. He also found out that the woman was helping his daughter.

He's so madly in love. It's ridiculous, he just met her for his sake!

[y/n] didn't stay long as she quickly left. Which saddened him a little.

A new reason to visit the hotel more.

For the next few weeks, Lucifer visits—twice to thrice a week.

During his time at the hotel he would try to make small talk with the woman that caught his interest.

Trying to get to know her but the woman is so closed off.

He tried to be smooth with his words but she only looked at him up and down with an unamused expression.

His pride is shattered, ironic as he is the symbol of pride.

He ranted about it to Charlie and in which the girl told him that he might be developing a crush.

Jaw dropped. In disbelief.

He denies it but ended up thinking about it the whole night.

He ended up removing his wedding ring as he thought he should actually move on now.

And he actually finally agrees that he is actually coming down with a crush.

On you.

So next time he visits he discreetly flirts with you.

Always ending up with you not being interested.

He's just trying so hard okay? It felt so forced.

Anyways, Lucifer received an advice from Charlie that he should be his authentic self.

And that's where he stopped forcing to make himself sexy or flirty.

And be his usual dorky self.

Which caught you off guard but not dismissing it, in fact you preferred this over how he acted a few days ago.

You and Lucifer slowly gotten to know each other.

The way his jaw dropped when you revealed you're a fallen angel and am ex-wife of Adam.

“Wait! You're a fallen angel and also divorced too? Well, so am I!”

You just laughed at how adorable he is.

Though, Lucifer did ask what happened and you just told him about Adam and how Adam is a little shit and you're basically over him.

You two bonded over your hate for heaven.

And eventually two months later you got together and let's say, Lucifer is certainly a better lover than that piece of shit Adam.

Let's just say Lucifer made you feel the pleasure you haven't properly experienced.

Lucifer did make sure to show it off to Adam's face when he fought the man.

[ataraxianne]

This will be long and I apologise in advance, but I've spent the last hours researching and analysing so here we go

Analysis of the flowers in the recent Helluva Boss characters' portraits in the new Spring collection (or, at least, what I think these flowers are)

Blitzø ~ White geranium: this flower mainly symbolises pure love, but also innocence, purity and protection. While protection is quite evident in Blitz's character, the other three meanings may seem out of place, but that is precisely what they've been doing with Blitz's personality this whole time. He follows the "they think I'm a monster, so I will become one" path, but despite his flaws and self-sabotage he is a nice person, full of love that he does not know how to properly express and he is not really the one to blame for the accident that happened years ago at the circus. He is not the heartless imp he make himself up to be, but a rather simple, hurt guy who's hoping and longing for love

Loona - Purple rose: this is also an interesting choice. The main meaning of this flower is the "love at first sight", but it also gives the idea of an endless love. It is, then, also a symbol of nobility and royalty: this may be a reference to the fact that in the group, she is not only the only one who can read and use the Grimoire, but that has also learned a lot of spells from it (ex: being able to give herself a human disguise). Unless there are also other possible future connections with her and nobility...

With Moxxie and Millie there really aren't any double or secret meaning (or none that I could find)

Moxxie - Hesperis matronalis: this flower is present in many legends, all related to a promise of eternal love and fidelity (of course, this is for his marriage with Millie). I read somewhere that they're also a symbol for loyalty, which may be a reference to his relationship with Blitz (and also something he probably struggled with too, after Chaz betrayed him), and its name "matronali" is a reference to ancient Roman matronae, probably a reference to his mother (who was featured in the merch as well)

Millie - Geranium pyrenaicum: apparently in folklore they were said to counter love spells, which is hilarious considering the serenade Moxxie did to her at Ozzie's, where he literally says he feels under a love spell when he's with her. Maybe it's a way to say that their love is actually real and that it will last, since this flower also symbolises love, joy and health - and in some cases also protection

Stolas - Dahlia: (I'm going to fucking die)(when I tell you I SCREAMED) Yellow dahlias are a symbol of affection and gratitude (THANK YOU BLITZ. FOR MAKING ME SO HAPPY. EVEN IF FOR ONLY A LITTLE WHILE)(kill me now please). These flowers are said to despise cold temperatures since it prevents them from flourishing (call 911 I'm begging you). They also symbolise kindness, dignity, resilience and inner strenght, together with eternal love, and in some cases they're also viewed as a symbol for regality

Octavia - Purple hortensia: oh this is interesting. Hortensia's significance may vary depending on the culture: while in Japan they're a symbol for an heartfelt emotion and apology, in Europe they symbolise arrogance and vanity. I think both these versions apply to Octavia and to her way of, not seeing the world in general, but probabily her now-complicated relationship with her father. She's a bit arrogant in her teenage headstrongness, but she still loves and cares for him. Purple hortensias, then, specifically symbolize a desire to deeply understand (again, definitely in relation to Stolas)

Fizz - Orange carnation: these flowers are said to generally symbolize positive feelings, while the orange ones specifically connotates happiness, warmth, determination and creativity, but also desire and enthusiasm - all qualities that are easily attributable to him.

Verosika - Azaleas: this one is interesting too: these flowers convey a lot of different meanings, but the most typical one is womanhood, femininity, but also passionate love, especially in their red variant. They can also mean "taking care of" (both of one's self or of others, but even "take care of yourself for me"). Another prominent answer, then, was temperance (as per Moxxie and her mother, Verosika too is featured in other new merch products among which there is also a scene of her peacefully sat somewhere in Sloth Ring - where she stayed for rehab). From the trailer it is clear that, at least in one episode, she will have an important role both for Stolas and for Blitz, and maybe we will also have some more information about her relationship with my favourite disaster imp, together with infos about herself and, at this point, a possible recovery for her and her clearly-still-broken-but-she-won't-admit-it heart?

(I'm starting to get tired, I guess y'all are too)(If you even kept reading this far)(I'm almost done, I swear)

I'm putting the sins together simply because their flowers are strictly related to their "sinful roles" and not to their characters

Ozzie - Poppies: I mean, I guess in this case we're referencing more the opium you can extract from them, so lust's and sex's narcotic and feverish effects on people

Beelzebub - White peony: apparently they convey an idea of shamefulness?? Probably what people feel after drinking whatever they can at her parties lmao. Also disgrace and, to a certain amount, wealth and prosperity

Mammon - Mimosa: honestly here the only meaning I want to give is that they smell of piss

LOOK HOW BEAUTIFUL THEY ALL ARE, THEY MAKE ME BELIEVE IN LOVE AGAIN

Okay so, they're all the same flowers, lilies, which in general represent purity, probably in relation to the depth of their love. However, there are additional meanings depending on their collours

M&M - Yellow lilies: symbols of joy, happiness and desire of enjoyment (they're each others' shadows and main interest, this is all too accurate)

Fizzarozzie - Blue lilies: serenity, rebirth and new beginnings (EXACTLY WHAT FIIZ DESERVES AND WHAT THIS RELATIONSHIP IS GIVING HIM)

Stolitz - Red lilies: they symbolize pASSION AND ROMANTIC LOVE, THEY'RE USED TO EXPRESS DEEP FEELINGS OF LOVE AND ITS STRONG INTENSITY