#drafting thoughts

[poetryismylove]

Maybe I wasn’t meant to love or be loved. Every time I do it feels like a lesson I never seem to learn. What am I doing wrong? Am I to blamed?

Words you’ll never read #089

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[rs-hawk]

Working on my novel and couldn’t figure out why it felt so empty. I didn’t have any filler. It was all 100% plot. The characters only interacted when necessary. I didn’t prattle on about the scenery or how the birds sounded. I had all my fuller stuff that I loved saved in another file because I “didn’t need it”.

Y’all, I knew this existed in TV shows but it didn’t hit me until this that everything is being whittled down. We are so starving for filler that we snap up anything. I unload all mine on Tumblr or keep it in a massive Google Docs. It SUCKS.

Honestly? Death to plot necessity. Revive filler. Revive unnecessary interactions. Revive just vibing with characters sometimes. I don’t want to just consume the plot and I don’t want to just create the plot either.

[internetwerewolf]

Listen, there's no secret mankind won't one day know and perhaps regret knowing

[frownyalfred]

It must be an insane mindfuck to know that Batman and Superman, the couple everyone in the JL thought consisted of “intelligent scary guy” and “rainbows and puppies guy” actually moonlight as “bimbo billionaire with no brain cells” and “highly competent but socially awkward investigative reporter” and all of those masks are true enough, but they don’t even come close to scratching the surface of who they are. One layer down from that gets you “Bruce Wayne, Father” and “Kal-El, last son of Krypton” but again, not quite close enough.

[kentopedia]

nanami kento, who hates dating, and didn’t do much of it in his early twenties. but now, he’s almost thirty, watching all the people he works with settle down, have kids, and he thinks he wants that. so he might as well try.

so satoru sets him up on a few dates — friends of friends, he calls them. and at the end of every one of the dinners, kento goes home empty, exhausted, because he knows what they want is not the same.

still; he thinks maybe he’s being a little self-destructive, maybe too picky, maybe he just got so used to being alone. with satoru’s insistence, he gives all the women another call, invites them over to his apartment.

the first time was a disaster… kento had barely set the dinner on the table before his cat had hissed at her, scratched her down the arm in a thin gash. and though it did draw blood, it was hardly enough to warrant that reaction.

he didn’t even try to stop her as she picked up her bag and left, huffing like she’d been morally offend. kento, though, could only smile to himself in amusement.

because maybe kento was a poor judge of character, a man who was secretly hoping nothing would pan out — but his cat could certainly tell the good from the bad.

it became a little game to him, after that. seeing if anyone could win his pet over, and if they could, perhaps they were the one. his darling animal was a fickle thing anyway. a bit too defensive, quick to bite anything threatening after years on the streets.

naturally, no one came back twice.

he was close to giving up, accepting his solitude because he was tired of empty conversations over dinner. but then, he ventured out over the weekend to a new coffee shop, during hours he normally didn’t spend out of his home, and met you.

though you only talked for a moment, kento felt like maybe he’d known you in a past life. a part of him thought maybe it was strange, the way he kept coming back to talk to you, catching you at the end of your shift to see if you wanted to grab a coffee sometime.

by the second date, kento started to think you could turn out to be his best friend.

by the third date, kento wondered if soulmates were real.

on the fourth date, almost two months later, an appropriate time to get to know someone when you were as reserved as kento, he invited you over for dinner. it was, perhaps, the final confirmation he needed to let himself be with you.

he let you through the door, smiling softly as you told him about the book you were reading, and hung his coat on the rack. a moment later, you stopped, distracted, hands covering your mouth in a gasp.

“kento! she’s the cutest cat i’ve ever seen, you didn’t even show me pictures!” you exclaim, and, a few feet away, crouched down. “look at her pretty eyes…”

“careful,” kento said, “she’s not very—“

but the cat approached your outstretched hand, sniffed once, before letting you scratch her under her chin, purring loud enough for kento to hear across the room.

“shes such a sweetheart, you told me she was mean!” you smiled, making a cooing noise as you threaded your fingers through her fur. “kento’s a liar, isn’t he… you’re so precious.”

a few moments later, she snapped her jaw at you in a biting motion, and you only laughed, withdrawing your hand. “alright, i get it, i won’t bother you anymore.”

though she still brushed against your legs, just as she did kento’s, and seemed to communicate some sort of message to him.

“do you want any help cooking?” you ask, tucking your hair behind your ears. “i’m a disaster in the kitchen, but—“

“sure,” kento said, his chest tightening as he blinked back at you, only in his apartment for minutes and already looking as at home there. he wondered if it was possible to fall in love so quickly. “but only if you want to.”

[jeansyvesmoreau]

when snow says "it's the things we love most that destroy us" we always assume it's about lucy gray but are we sure he's talking about lucy gray and not about his love for power and control that destroyed his relationship with lucy and with sejanus and later destroyed him as a human being

[m-ayo-o]

when you fuck inexperienced Kento for the first time all that can be heard from your room are deep moans of...

"thank you- uhh- thank you sweetie, uh that feels good- keep going-"

your lipstick is smeared all over his lips that utter every one those beautifully polite moans.

"oh, please don't stop sweetheart, ple-ease- uuh thank you, thank you darling, oh... god.. sweet----"

he desperately bites back expletives and when you tell him he can cum inside his heart melts and his expression goes all soft like you just told him you love him.

"baby.. i -- oh this pussy..... you're gonna-- let me-? thank you-"

he groans and spills and doesn't stop thanking you till he's cleaned his cum out with his tongue.

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[poetryismylove]

Foolish was I to think I meant something to you. Foolish to think you would choose me. Foolish to believe we could’ve worked. Foolish to believe a different outcome than this

Words you’ll never read #399

[yjcorefourenjoyer]

Jason: *sees Tim come into the kitchen with a different coffee cup then he left with*

Jason: “dude, how many do you have?”

Tim: “huh?”

Jason: “coffee cups. every time I see you, you have a different one I’ve seen like 14 just today.”

Tim: “well actually I’ve had 23”

Jason: “why do you have so many!? Are you Losing them!? Do they just break or something!?”

*Tim who has been purposely breaking his favorite cups when he feels angry to show himself that when he’s mad things he love disappears*

“Uh……..”

[cleric4vampire]

wyll.y.am ravengard, I love you so

everyone loves to put him in gold (rightly so) but my personal style is lots of silver jewelry + heavy eyeliner so that's what I gave him. also roses because he's so damn venusian

[zoetheduckling]

I did a Piper re-design for fun

[anna-scribbles]

and if i could give you the moon,

[zeezu-ix]

More Triple S stuff yippee!!!!!!!

It's not uncommon for one of them to not be at the condo for the night, sometimes they'll go to their own respective homes to see family (though they usually need permission from Eggman first BOOO)!!

Shadow lived with Gerald and Maria prior to joining the band!! Gerald has VERY high expectations for him, hoping that he could carry on his legacy and research after he retires (SHADOW DOES NOT WANT THAT!!! ) and as a result is fairly strict with him over a lot of shit and one of the main things is how Shadow chooses to present himself!!

Shadow loves alt fashion however Gerald DOES NOT, he'd made the mistake of dressing how he'd like once at home and never again!!! Now he makes an effort to dress rather formally around Gerald to make sure he doesn't piss him off.

So yeah the first time Sonic and Silver saw him in his more formal getup they're SHOCKED. They're so used to seeing him decked out in piercings and cool outfits that it's slightly jarring.

ALSO MARIA IS VERY MUCH ALIVE IN THIS AU - still ill but definitely not dead!!! If it weren't for her Shadow would not be visiting home regularly.

[weirdagnes]

shout to non-human characters with emotional detachment and has a burning desire to feel alive and human but is a lil fucked up in the head. one of my favorite genders fr