#evil red

[conflictedemma]

[slimyiqlima]

mysterious villain (part 5)

evil red: @slimyoya250212 silver: @slimyoya09032010

[dykealloy]

how does shanks manage to have some kind of sexual tension with every warlord in the sea whilst also having practically zero screen time. ramona-esque dilf of the east blue. luffy wants to be king of the pirates but is stuck sailing through the several deadly seas of his dad's evil exes. they see the straw hat and it activates their fight reflex. half-convinced that shanks gave it away with full knowledge of this

[dragonpyre]

I think Jason should use the All Blades for more mundane shit

Commission info ko-fi

[litta-jpg]

highly throwable imp........

[greenglowinspooks]

The way that I’m brainrotting over a DCxDP crossover with a Danny who’s a vengeful villain rn

Like, let’s just say that the GiW finally get into contact with the JL. They need help neutralizing a threat, you see, and they’re on their last limb trying to keep civilians safe.

They have video evidence! They have studies to back their claims! The JL have to help them!

Unfortunately, the JL believe them. They join a fight against Danny, and defeat him due to being far more experienced than he is. Danny is locked away and experimented on by the GiW.

That would CHANGE a person. Your heroes turning against you and seeing you as a monster, being experimented on for who knows how long, not knowing if your friends and family are safe.

Danny gets out due to a simple mistake on the GiW’s part; having Blüdhaven as part of their transport route.

Of course the trucks were attacked, they’re government property!

So now, whoever decided to raid the government transport trucks (the Penguin or something) has a ton of experimental weapons with no idea how they work, and a heavily traumatized teenager.

Danny knows how they work. Danny can be useful! They won’t throw him out if he’s useful! And so, now Danny is working for the Penguin, altering the ectoplasm weapons to make them work on humans.

It’s a good deal for both parties. Danny gets to neurotically imprint on the Penguin like a small baby animal, and the Penguin gets a brilliant mind who will stop at nothing to achieve his goals.

But eventually, Danny finds out what happened to his family in his absence.

Jazz is in Arkham. Not as a psychologist, but as a “patient.” Apparently, she snapped and completely destroyed the house, leveled a few blocks of Amity Park, and conducted organized attacks on government bases (mostly GiW) for months.

Sam and Tucker helped her, eventually splitting once Jazz was captured. Sam travels to areas of extreme pollution, completely overgrowing them with her plant powers. Currently she’s in the Amazon rainforest, engaging in an ongoing feud with logging companies. Sam is winning.

Tucker faked his death, and Danny has no idea where he is. He only knows that the death wasn’t real because of a code that the three of them made together, just in case.

Ellie’s trapped in the Infinite Realms. Danny had a failsafe in place so that if she was ever cornered by the GiW, she would be sent to her haunt in the GZ. However, with the portal destroyed, she can’t come back. Danny just hopes she’s okay.

His parents are now top GiW scientists. They’re traveling the country giving speeches. They’re working on a battery powered by ectoplasm, but apparently started “having difficulties” around the same time that Danny escaped.

None of it is fair. None of it is right.

The Justice League destroyed his life, the lives of his friends, and they’re doing as good as ever. The GiW is respected, and his parents are happily working away for them.

Danny takes up some of his more experimental weapons and breaks Jazz out of Arkham. She’s a little different now, colder and more quiet, but she still loves him all the same. It’s an unimaginable comfort to him to see his sister again.

He can’t use his powers anymore. He’s so used to associating them with pain that even transforming into his ghost form is enough to take him down for hours.

However, he understands ectoplasm more than anyone else in the world. He knows how to use it in virtually everything; how it can become a weapon, how it can be used as a supplemental ingredient in poisons and nerve agents, how it can twist and distort the mind if applied correctly.

He doesn’t care what happens to him. He’s going to take down the GiW, and destroy the lives of the JL members who helped lock him away, just as they did to him.

No matter the cost.

[crumb-crumblet-s-crumbington]

mithan redraw

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[qweenofurheart]

drawing them is fun

[arrowheadedbitch]

The difference between Tim and Jason is that Jason is chaotic good trying to look like chaotic evil but Tim is chaotic neutral teetering between good and evil (he's on good for the moment but that could change any second)

[orcboxer]

2024

DO IT, WE SCARED

WHEART WITH YOUR HOLE

REMEMBER HARMFUL PATTERNS

MAKE THE CHOICE TO END PEOPLE WHO CARE ABOUT YOU

LOVE, FUCK BALL

[batcavescolony]

Bruce is immortal until Tim Drake says so, oh you wanna kill Bruce Wayne? Nope Tim will do anything in his power to stop you/drag Bruce back to life, he pulled that emotionally complicated, depressed, piece of shit back from the edge and only HE gets to kill him.

[coolcoolcoolbutwtf]

Fentons family's guide Section on being an evil assistant to a supervillain

_________________________________________

Fentons family's guide to being an evil assistant to a supervillain

Guide by Jazmin Fenton in case of employment with a supervillain.

Being an evil assistant or henchmen is surprisingly a very stable source of an income stream all things considered.

You just need to find a boss. A as in singular it's very important, who is pathetic and or stupid enough to constantly have their large scale plan failing even without the hero's Involvement.

And while their large scale plan for taking over the world with a weapon of mass destruction could be feasible if only they didn't think to actually use it. Using it to threaten the world leaders for sway is the correct way. It is the most unused method the one being used most is the method of actually using the weapon of mass destruction for mass destruction.

You as the evil assistant then have the responsibility to make sure that the villain doesn't/ can't use said device to destroy the world. The heroes can help. Later then take the blame for the failure absolving you of involvement.

Being a good evil assistant is babysitting the evil boss.

_________________________________pg 9___

"Oh man never thought I'd actually need to use the 'Fenton guide' Jazz made me." Danny mumbled quietly and heaved a sigh of relief when he had found it among his hastily packed together bag.

Jazz had been the one making both of their emergency bags when she had told him about the guide. He hadn't appreciated it then now he truly did now with everything going on.

God he missed Jazz so much. He wanted to see her so badly he wanted to hold her hand like when they were kids. He really wanted her hand to squeeze his back in reassurance that everything was going to be fine.

Danny tried holding back his sobs at the thought. He couldn't stop the mist in his eyes or his hands shaking holding the little booklet.

But he wanted her safe and far away from everything even more. He wanted his friends to be safe with his sister. It didn't matter if he had to be far away working getting those crystals every way he could think of. His friends and sister needed money to keep them safe, hidden and taken care of. They needed that money and crystals and if Danny had to choose between his morals and fright he would always choose his true family. Morals be damned.

• • •

He hadn't expected the costume to be so good in quality. That had surprised him the most the second being how easy it would be getting a job with villains. Turns out working as an "meta" henchmen who knew everything from fighting to logistics and machinery was a rarity in this dimension. Who would have guessed it with all the metas and enhanced humans going about? And omg they even have aliens in this dimension!

Getting the money for the crystals had been going surprisingly smoothly. Everything had been going so smoothly that of course it had to be ruined! The villain Danny was working for had gotten noticed and promptly got beat. Which meant he didn't have an employer anymore at least until a breakout was orchestrated. So no more job until then.

And Danny had finally managed his way to the middle hierarchy in that organization! Now he would need to go looking for evil henchmen positions again! It wasn't even a good season to go looking for openings in other organizations.

Damn it that bat furry in Gotham and his flock of birds. Don't they get how hard it is for a henchmen to find descant work!?

Maybe he should go with the duo villain and assistant type next time.

Thank you so much for reading I hope it was enjoyed!

Danny in the lair after having saved his villain boss from Batman after said villain had their scheme blown up in their face. Danny knew the plan would fail miserably but at this point he didn't care. He stopped trying to help when it came to schemes ages ago.

+Some art

Idk if I've posted this idea before but I've had this thing bouncing around in my head for a while.

[morverenmaybewrites]

Once they are in a relationship, do you think Jason would be more comfortable sleeping in a bed with reader or alone? I could imagine either for various reasons

I think for a long time, Jason would be more comfortable sleeping alone, all the while desperately wanting to physically sleep together.

At any stage in the relationship, but especially in its early stages, Jason would be deeply insecure about how his trauma and his work could affect his partner.

He'd come home at odd hours: at dawn, just before the sun rose, perhaps midday after a particularly long case, reeking of blood and gunpowder. And he'd find himself moving as quietly as he could in his own home, doing his best not to disturb you. He'd probably just collapse on the couch than risk waking you.

Then, there were the nightmares, the ones that would have him wake up with a scream still lodged in his throat, the ones that would have him rising from the bed on shaking legs, so that he could vomit in the bathroom sink.

The ones that he would do anything to hide from you.

Because while he trusts you, there is a part of him—the part that had once been Robin, the part that had been left alone to die in the dark—that is terrified you will leave when you find out just how broken he is.

I think for the most part, he'll want to sleep alone, even when he needs the comfort.

There might be days when you catch him off-guard, though. Perhaps after a particularly rough case, one that has him stumbling through the doors of your shared home, already half-asleep with exhaustion. Perhaps he'll find you reading a book in a patch of sunlight by the window. Perhaps you had just finished baking, and the house smells like coffee and freshly-risen dough.

And for a second he'll think that he doesn't want to be alone.

"Busy?" he asks in a voice so ragged with exhaustion that it doesn't even sound like him.

When you shake your head, he'll find himself sitting right next to you on the couch, still reeking of blood and gunpowder.

When you try to ask about the case, he briefly considers lying.

But when he looks at you, he finds that he doesn't want to lie. Because even through the thick leather of his gloves, your hands feel warm against his. Because you look beautiful in the honeyed light.

Because, he thinks, that maybe you will not leave him alone in the dark.

"Can I stay here?" he asks.

"Jason," you say. "this is your home, too."

Home, he thinks.

He hasn't had that since Wayne Manor burned down.

This time, he does not move quietly as he removes his helmet, his gloves. They hit the carpeted floor with a muffled thump.

This time, he does not move away.

Instead, he lays his head on your lap, and lets himself melt against the warmth of your skin. He watches the sun dance across the ceiling of the apartment, and he inhales the scent of coffee and freshly-risen dough and the sweet scent of you.

He feels your hand gently stroking his hair and he thinks: yes, this is home.

This time when he sleeps, he does not dream.

[sinizade]

Ok, so, I think we could receive armor from Bhaal if we accept the ritual like Orin's clothes, but not exactly her armor but something of our own, something that our character as Bhaalspawn used before Orin's betrayal

[venuscaotico]

A ⠀ kiss ⠀ is ⠀ the ⠀ ⠀ ⠀ ⠀ ⠀▗▬̸̎͞/̄͆̅ ̎ ̎̿͞͞͞͞͞͞͞͞ι̚━─ ⠀♥️

beginning ⠀ of ⠀ cannibalism