#fandom shame

[bitchofdarkness]

I hate how fandom has become "if you haven't created anything in this very specific time frame after the release of the show/movie, everyone will have moved on"

And call me old fashioned, but that's just not me. I sometimes take ages to create and publish. And I will love a show or movie for such a long time (years, babes, years) that I just can't relate to the fast consumerism that's going on.

Because, let's be real, it can get really lonely in a fandom if most have simply moved on to the next shiny thing. Is what's created less worth, just because it was created outside the hype? Why is it such a taboo for this new fandom generation to love an old or "late" fic or art?

It's so tiring and I'm too old for the 30-seconds-hype-tiktok-shit. Just tired. So, so tired.

[ripeteeth]

Really didn’t expect to get blocked on reading some random fanfiction while killing time at a Honolulu Delta Sky Club today. Note the “tasteless” reason. Glad to know I can get price gouged on a flight AND judged on reading material at the same time. Classic. Never change.

[emberfaye]

You know what?

I love you, fics that take months to update. I click on the newest chapter and have no memory of this place and get to go back some chapters and rediscover how much i love everything about this story.

I love you, fics that take years to update. I think of you fondly, and know your names, go search for you and see an update from this year and scream, diving in uncaring of any missed details (i will finish the update and read you in reverse because this is a treat you have bestowed)

I love you, fics that probably will never update again. Thank you for being a roman empire for my mind, thank you for teaching me about the ephemeral fandom experience, for inspiring a thousand million what if-s, for being a comfort read and a nostalgia read and a reread.

I love you fic writers, who jump into projects and stories with enthusiasm. I love you when you succeed in pumping out those chapters and that love doesn't go away when you stop.

I love you fic writers who post and then get in your own head and never feel confident enough to update, whether it's at all or whether it's just that one story.

I love you fic writers, who have a fandom or media hurt you to the point of abandoning or having a hard time with their WIPs.

I love you fic writers, who lose interest or have life changes or illness or bad memory. Thank you for being part of the fandom, a core part of the fandom. Thank you for the time spent in the fandom.

I love you, fic writers who try out something new and then stop. You're so valid.

I love you, WIP fics that may or may not ever get finished. Thank you for brightening my day in the way only you could have.

[sexy-sapphic-sorcerer]

BBC Merlin being about 'magic' for 7 minutes gay

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[donutdrawsthings]

I just finished the Flux storyline and it makes me so upset they introduced this cool idea to us and then IMMEDIATELY took it away again the next episode!! The Doctor turning into a weeping angel would have been such a cool plot point!!

[nightgoodomens]

We can all agree that the most unrealistic thing about Good Omens is that Aziraphale held himself back for over 6 thousands years when this Demon…

… was right there. Right.

[lorddetaur]

The main premise of the first Shazam movie will always be funny.

[longing-for-rain]

You want to prove Zuko is the better man so bad but he only got 1 kid and Aang got 3 so who’s the ‘alpha’ now?

😬😬😬 Maybe I spoke too soon when I said Kataang shippers weren’t as outwardly misogynistic as they used to be

[sbd-laytall]

God, he's so insane for this.

Batgirl (2000) #27

[sharkneto]

Fanfic authors, I have a question!

I've been thinking about how fanfic has become more mainstream in the last few years, and if that's affected how open us authors are about our fanfic hobby.

[junijupi]

y'all i can't even defend myself anymore. WIP

[total-drama-brainrot]

headcanon that noah is actually really good at ddr/dancing games because:

a. he took dance lessons to boost his PE grade since he never actually did PE (it was that or join a sports team)

b. he's a gamer, all gamers love rhythm games (objective fact)

c.

he schmovin'. the yoinkiest sploinker.

[averagemartian]

Not to be a Fandom Old™ but I really wish people would start tagging 'reader insert' again (why did it stop??) instead of infinite variations of character/reader tags, or at least alongside it.

If you're reading this, please tag your reader insert fanfic as 'reader insert'

It's an umbrella tag meant to label all works involving a reader character so it's easier to identify them either to filter or to search for it across any fandom, it's been used for years, it's easier for everyone involved.

[the-badger-mole]

What Being a Zutara Shipper Means for ME!! (not YOU...necessarily)

Where is this idea that Zutara shippers are monolith coming from? I'm soooo bored with people thinking that there's any sort of requirement to shipping this couple. A lot of Zutara shippers ADORE Aang and Mai. I'd go as far as to say most like at least one of them. And that's cool. That's cool...

Hating Aang and Mai is fun, though. They are problematic in different, but oddly similar ways. Picking that apart is a completely valid way to enjoy the fandom. It's not required. No one should have to hate them to enjoy Zutara, but if you do hate them, hate them as loud as you want. They are terrible characters. They have abusive tendencies. Aang, as a character, absolutely perpetuates the Nice Guy myth that as long as you're persistent enough and not a Chan, eventually the girl who's never shown any interest in you will fall for you. Because you're "tH3 r3@L H3r0OOooO!" It doesn't matter that you've violated your crush's consent. Twice. Or that you go on to flirt with anti-miscegenation on a whim and only don't go through with it because it would effect you personally. No biggie!

I know it's a bit harder to hate on Mai. After all, Zuko did have the audacity to talk to her, his girlfriend about his feelings. He was SO out of line for that. How DARE he want support from her? Doesn't he know emotions and human connection are like garlic to emotional vampires like Mai??? Still, hating Mai is fun, so I'll do it anyway. I know it's so quirky, edgy goth of her to threaten him with death if he ever broke up with her again and then go on to not let him know her own father is trying to assassinate him, but I'm not a fan. Sorry 🤷🏾‍♀️

You know what, though? I found my people, as few as we may be. And I did it without telling people how they should or shouldn't feel about any characters. It's a good thing I figured out how tagging and blocking works. 🙃

[stellewriites]

this is how reading some of the best cod x reader fics the internet has to offer will have you feeling like