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rayroseu · 10 months

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I think the similarity between Malleus and Grim might be because Grim is Malenoa's phantom.

To preface, I'm assuming Malenoa overblotted because of the scene in Sleeping Beauty where she snapped at seeing Diablo turned into stone?

Additionally, both movies of Maleficent involved a "death scene." In Maleficent 1, it was Diaval being chained down by King Stefan's soldiers/Maleficent was about to be slain by King Stefan and in Maleficent 2, its Maleficent actually died from protecting Aurora.

Both scenes eventually had a "saving from their impending death." But, since this is twisted wonderland, the Disney movie is more inspired by the Original Animation where Maleficent and her goons actually lost to the humans.

—

Diablo (Maleficent's birb) in TWST, is Levan right now and in recent updates its said that the latest news about Levan is that he's missing and there's rumors about him fighting Knight of Dawn; the strongest of the Silver Owls.

Right now, the Silver Owls are ambushing the Land of Briar castle where Malenoa is.

If it goes like this??? I think they kept Levan as hostage to officially take the land or something—

All I know is that someone must've harmed Levan because in the movie, Maleficent only attacked the kingdom or used all her powers to kill Prince Philip upon discovering the fairies turned Diablo into a stone bcs they want Prince Philip to escape and save Aurora.

From the words of Lilia about Malenoa, Malenoa is undefeatable– so I really don't believe she was overpowered by strength, but rather she was caught off guard by emotional turmoil (or for this theory, consumed by her own overblot).

—

Going back to Grim might be Malenoa's phantom… Grim is always assumed to be a phantom labeled as a direbeast for now... Its heavily theorized like that because of how, in his feral state, he devours blotted magic stones.

And, blotted magic stones are what supplies a phantom to live because they carry the magic power of a mage.

But phantoms can't be born without an overblot first... so who's mage is he a phantom of?

We know that the phantom's strength is a reflection of a mage capabilities when they were at the right state–

Malenoa was a really powerful mage so if we consider the destruction of NRC (and possibly the Sage Island? The entire sky was black out too) that we've seen in the prologue as the power of Phantom Grim, then Phantom Grim must originate from a formidable mage like Malenoa, because he easily beaten all mages on the island effortlessly and even plunged the surroundings in darkness.

If Grim is a phantom then he's a powerful one because he's ancient (assumed from his diagnosed curse from STYX), he has the intelligence of a human, and has immense destruction power (if he's not sane as shown with how he easily destroyed his cage room at STYX).

Also even if Overblot Grim is composed of different parts from the main 7 phantoms, his form is majorly resembling a dragon. And, Malenoa's a dragon.

(long post ahead)

—

On top of it, the story kind of implies that Malleus and Grim has similarities with each other.

I read a theory that Grim must be an extension of Malleus, it was a bit of a crack theory but rather than Malleus himself, I would like to believe Grim is Malenoa's phantom. That's why Malleus and him are similar because they're??? both related from Malenoa???)

does that mean Malleus and Grim are siblings then....

■ Grim Overblot is at overpowered HP, like Overblot Malleus. No other overblot is like that. If Grim is a reflection of (Overblot) Malenoa's power, then it makes sense for Malleus and Grim to only have exclusive overpowered HP.

■ Most of Malleus' magic derived from his mother (thorns, lightning, and green fire). Both Grim and Malleus' cards shares their elements. The comparison is on this post.

■ Both Grim and Malleus has ancient magic. Papa Shroud said that Malleus' magical barrier looks like something out of a illustration book.

c: @/cymrJP on yt

STYX also said that Overblot Malleus' magic which is territorial control; where inside his magical barrier time has stopped and all life forms has fallen to sleep is an ancient magic.

So, if theres any mage from past who can do what Malleus can do, then Malenoa could've summoned a magical barrier like that once she overblotted as well.

And, you know, who's an ancient being except for Lilia? Grim.

We don't know his age but its highly likely he's older than we know because of his ancient curse. Which is proof that he must've been existed as Malenoa's phantom because he's already existing from a long time ago.

■ Both Grim and Malleus are big eaters. A little trivia about Malleus is that he's a big eater (from the Scalding Sands event), maybe even more than Sebek because it just makes sense as he is a dragon.

But, his big apetite is displayed at a classy manner unlike of Grim who just messily devours.

We can assume that all dragon faes are just like that, so Malenoa could've possibly been a big eater as well. If she's related to Grim (aka being her overblot form's phantom), then Grim's voraciousness for food, which is depicted as a comedic relief for now, can be a reference that his power/mannerism is from Malenoa.

■ Malenoa is commanding like Grim. Grim refers to us as "henchmen" and at first, thinks of us as just mere servant to gratify his demands (but he slowly got attached to Yuu in the end).

So.... You know, who else has henchmen??? Malenoa as the leading commander of Land Briar's military and her henchmen aka Lilia and his fellow soldiers.

And... She seems to order around Lilia as she pleases like how Grim orders Yuu around lol

■ Grim and Malleus' overblot forms has the same lacing patters on their faces. Their main design is very similar. And their pattern both adorns their forehead.

■ Grim constantly says and wishes to be the greatest mage in all of TWST. If Malenoa is alive right now, then she'll be the most powerful.

Plus, Grim's pride for himself and the way he easily talks down others despite only having a normal amount of magic might also come from this inherent personality of Draconia's "being better than everyone" (and they literally are).

Malleus is even shown to talk down at others as well if he's triggered the wrong way, he doesn't hesitate to flaunt his strength if needed. Although unlike Grim, he has self control because of Lilia's discipline that "he musn't use his power carelessly." (what Lilia said to little Malleus after the freezing castle fiasco).

■ Malleus is referred as monstrous or similar to a monster because of his strength and no one approaches him because he might burn you because he's a dragon (from what the students has been whispering about him). Grim is a literal monster who'll blow a fire on you, he's not feared like Malleus but no one really wanted to take him in NRC except for Yuu.

Their similarity is that its only Yuu that they care for (outside of Malleus' family ofc) and Yuu is the only one who sees them for who they are.

—

Additonal Info of Why I think Malenoa Overblotted

• Papa Shroud saying that Malleus magic happens only in fiction can also imply Malenoa's overblot.

Because her death/overblot happened a long time ago, then its treated as a fairytale/fictional because its just "unrealistic."

We know that TWST History is unreliable. In one of the vignettes (of Lilia i think??) Lilia talked to Trey about giant magical pens and how its probably so long ago that the present people thinks its fictional or a myth now. (Altho we're not sure of its legitimately what happened since Lilia was telling it to make Trey, the listener, be confused whether it is real or not.)

The History voicelines has said about fairytales being the real... I can't remember much except from this voiceline from Rook where he said "Do you think fairy tales are fiction?"

Additionally, TWST is also a world where fairytales of Disney Villains is regarded as historical facts— I'm saying the Great Sevens stories in TWST is like a fairytale or ficitional because we know their true personality/their true story in their respective Disney films). But, their twisted version is regarded as factual despite it being so wrong from their actual story. (Ex. Frollo of the City of Flowers was a hero but in Hunchback of Notre Dame, he was not that lol)

• Every overblot we had must be from a student who perfectly embodies one of the Great Seven. Malenoa was the first character outside of the main characters to have a great influence from Maleficent. Which strengthes the prospect of her overblotting. She's even more resembling to Maleficent than Malleus himself.

She's referred to as snapping her goons with thunder like Maleficent, she's the most evil princess, and she seems to only have affection for Levan which parallels to Maleficent only being caring to Diablo and no one else.

• Grim doesn't remember his past. If Malenoa overblotted like Malleus and it mirrors with the magical barrier he's using right now, then it makes sense for Malenoa's cause of death and the Silver Owls to be unknown up until now.

Because her death happened inside that magical barrier where its time and reality operated differently.

• Plus, isn't it strange how Lilia immediately knew Leona was overblotting? He quickly sensed the negative energy almost as if its familiar.

It could also just be because he's knowledgeable with Magic itself but I'm putting this here as proof that Malenoa overblotted because Lilia has experienced it during his General days and thus why its familiar.

Also because... The way he yelled at Malleus before he overblotted feels like he's stopping him because he's really aware of what happens when a mage overblots... 😭

Probably had flashbacks when Malenoa overblotted and was consumed by it as well?? KJXAKJE

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bbimharuuu · 2 years

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Targaryens with Snow White! Reader

A/N: This story will be inclusive! (No description for looks, also gender neutral) I'll only be taking a few of the story elements from Snow White. If y'all like the disney princess inspired stories, please let me know so I'll make another one with other families in HOTD or GOT.

Also this story will include Jace x reader! For all of you Jace simps out there 💕

You came from a reputable house, known for their beauty and kindness. Although not powerful, many men and ladies would always jump at the chance of marrying people from your house.

‌Your mother sadly died after childbirth, making your father sad and not as attentive as he should be when taking care of you. Only being there when he is strong enough to look at you, afraid that he'll be sad again as you only reminded him of his one true love.

‌Yet after many years, your father decided to marry his new wife a few days after you just turned six. A woman who cared and acted kind to you, yet it was all just an act. After marrying her, your new mother (or step-mother) would only treat you badly. Making you do chores, wearing rags; all without your father knowing as he slowly turned sick. You were grateful enough that the servants are kind to you, taking care of you when needed.

‌Whispers from the servants told you that your step-mother is scared of your beauty rivaling her, believing that you'll use it against her for your own purposes. You also heard about how your father sickness was partially because your step-mother poisoning him daily with small amounts of poison. You sadly couldn't visit him, always being told by your step-mother that he's to sick or he's meeting with the maesters. But you were too young too notice that it was all lies.

‌After you've heard this rumours, you were treated more harshly. Your step-mother once got physical with you after she found out you were slacking off, playing with the servants. One of the servants who cared for you since birth, took pity on you as you cried to her about not wanting to live here anymore. With the help of the other servants, she decided to send you to Kings Landing to her sisters care. Believing that even though you'll work as a servant, you'll be treated more nicely there.

‌When you arrived, the sister introduced herself as Dayana. She told you to act as if you're her child, playing the role so you could be excused to live in the Red Keep. Fortunately for you, the servants were all kind, only making you do light tasks.

‌In return, you had a lot of free time. Making your way through the gardens, whispering to birds about your secrets to them; anything to make your boredom gone.

‌But luck seemed to be on your side when you encountered the young prince Jacaerys, taking a short break after practicing. He saw you kneeling, a bird on your hand as you whispered to it before softly laughing. Jacaerys frowned before making his way towards you, tapping your shoulder before asking what you were doing.

‌You didn't even look at him in the eyes before replying, "It was telling me about a funny story that they've seen before coming here. It's quite bizarre though." Jace tilted his head in confusion, before sitting next to you. "You can speak to...animals?"

‌"Not all the time, sometimes they don't talk. Sometimes they do. It's just a matter if the animals like you or not," You replied, brushing the bird one final time before it flew away to the sky. Jace hummed, not believing it. But he coughed nervously when you looked at him, only noticing your beauty just now.

‌You both talked with each other about your likes and dislikes, Jace even talked about how he bonded with his dragon, Vermax. You gasped excitedly when you heard about it. "I've never seen a dragon before! Well, not up- close. But I've heard they're very majestic although dangerous."

‌Noticing your excitement about dragons, Jace would propose that you two would meet at certain times to talk about it in the garden. You were odd, claiming you could talk to animals. But Jace found you endearing and beautiful, so it didn't really bother him

‌Soon the both of you will meet every once in a while to talk about things, it doesn't have to be dragons; sometimes Jace would let you ramble on and on about the talks you had with certain animals. He thinks about how you're weird like Helaena, but she didn't claim to be able to talk with the bugs she likes. But he didn't judge you, he just kept listening and maybe add in some comments here and there.

‌Rhaenyra will notice how Jace would be gone as quickly as possible after his lessons are finished. Luke will notice it as well, whining about how his brother wouldn't play with him anymore and only play with the servant girl. Rhaenyra would be interested about this servant girl, thus making her secretly follow Jace to one of your garden meet ups.

‌She noticed how Jace would sit close to you, explaining about the sword trainings and maybe rant about how annoying Aegon was. And you would just sit there listening to him, smiling and nodding. Rhaenyra would approach you after Jace left, making you stutter in nervousness as you bowed to the princess. She tilted her head as she saw your beauty underneath the dirt and rags, maybe a hint of recognition as she remembered hearing of a well known house declaring the missing daughter of said lord.

‌Rhaenyra would calmly ask your informations, subtly asking for it instead of being forceful. You would answer them honestly, yet you would make mistakes here and there about your true identity. You hoped the princess would not notice it, but she did. She covered her smile as she tried to move on past the interesting information she just received.

‌Rhaenyra would see why Jace would be close to you. You were kind and beautiful although you're meek and shy at times. She would develop a strong sense of wanting to protect you after a few meetings, always asking you about how you're doing.

‌This development would certainly not go unnoticed by Daemon, who would act confused as to why his wife and son would be so smitten with a servant girl like you. He decided to approach you, talking to you for a short while before deciding that you were just uninteresting for him.

‌But his interest became piqued once again after he heard Jace talking to Baela about how you could talk to animals. Daemon would approach him, asking if he believes that you could talk to animals. Jace would be hesitant before replying, "At first I didn't believe her. But after many times we met in the garden, her stories are quite accurate about the things that have happened here. It's too detailed for it to be lies, father."

‌Daemon would hum and think for a while, before wanting to test your skills. It's not a common occurrence for someone to be able to talk with animals, let alone a dragon. Dragon riders would only be bonded yet Daemon knew they couldn't fully control the dragons too, so if you are the real deal; then you could be a great help for them.

‌Daemon would instruct Jace to invite you to the Dragonpit, wanting to see how you would talk to the dragons. Jace would not agree with him stating that you've never met dragons, let alone you'd be brave enough to talk with them. But Daemon insisted that you'll be safe because he will be there, watching everything so that you'll be safe (and maybe for his own reasons as well).

‌Of course you would terrified beyond belief! Jace invited you into the Dragonpit was shocking, especially when Jace told you Daemon of all people was the one who requested you. Standing besides him as Jace called Vermax, Daemon placed his hand on your shoulder. "Don't be afraid, little one. Vermax is a bonded dragon, it will listen to Jace if anything wrong will happen at any time." You nodded at him, trying to steel your nerves as Jace leads Vermax in front of you.

‌You sighed deeply before looking Vermax in its eyes. You tilted your head, Vermax following your lead. You crouched down in front of him slowly pulling your hand in front of him. Jace held his breath as Daemon narrowed his eyes at you. Vermax growls slightly before calming down, nudging his head against your hand.

‌Daemon was shocked when you turned to him and Jace. "He's angry, he's already kept inside here for too long. He said Jace is ignoring him for his studies and lessons."

‌Daemon softly laughs at you, "And how can we believe that, little one? Maybe you're just lying to us right now." You pouted before shaking your head. "My lord, you've noticed how restless Vermax has been in here. You've tried everything but he always lost his control, am I right? You thought he was hungry but he's not. And even though Jace always visits him here, he doesn't take him out for a ride."

‌Safe to say Daemon was impressed and interested in you after that. Jace would be shocked yet proud, telling his mother about how you proved Daemon wrong with your so called power. Rhaenyra would be furious at Daemon for letting you, a child, inside the Dragonpit just so he could see your power. But after some convincing from him, Rhaenyra would agree that you would be an asset to her family.

‌Soon you would spend time with all of the family members. Although you did still stay with Dayana from time to time, most of the time you stayed with Rhaenyra in her chambers. Deep down she longs for a daughter, and maybe luck did gave her a blessing in the form of you. You would always accompany her, asking questions about certain topics; and in return she'll see how you communicate with animals.

‌Rhaenyra would definitely tell you to her father, Viserys. And although he's bedridden in his room, he'll be interested. Wanting to meet you as Rhaenyra soon grew closer to you. In the end, you did met the king, Viserys now understanding why Rhaenyra and the rest of her family took a liking to you. Although Rhaenyra is happy that you met her father, she's hesitant on bringing you back again if Alicent is there. She didn't want you to be noticed by Alicent, so she decided to only bring you to Viserys a few times when Alicent was not around.

‌As years go by, you grew closer to all of them. Jace would still take his time off lessons and training to be with you. You became a sister figure for Luke and Joffrey, playing with them when they want to. Even Daemon would grew closer to you, although he'll act nonchalantly and not as frontal as the rest of the family. They will try to protect and shield you away from the Greens, claiming to never trust them ever.

‌Daemon will insist on having you bond with the dragons if it meant you could help them at any time (maybe even spending some alone time to bond together, only between the two of you). You helped the dragon keepers if certain dragons are acting up, calmly explaining to them what the dragons need. You always help all of the dragons, but Vermax still holds a special place in your heart; being the first dragon you've ever met.

‌One day, you claim to be a little sad after one of your bird friends told you about how the servants and guards talked bad about you, claiming that you bewitched the royal family into treating you like their own. Rhaenyra and Daemon would be furious yet stayed calm so they could catch whoever made the rumours up. Jace would be too, but he chose to stay with you; comforting you with kind words as he held you close to him. Luke and Joffrey would try to ease your sadness away, bickering and joking around to make you forget about it. You don't comment on how the mean servants and guards are slowly disappearing and replaced by new ones. Dayana reassures you that everything is normal.

‌On the other hand, your step-mother grew restless and angry when she heard about you in Kings Landing, with the royal family nonetheless. She was already happy with the thought of you gone, reinstating her as the most powerful person in the house after your father died. She already has a son, she didn't want you to come back and accuse her of mistreating you badly in the past. She already got rid of the pesky servants that liked you, she didn't want to have more problems.

‌So she made plans for you to be gone. It took a few years, wanting everything to be perfect. At first she wanted to hire an assassin to kill you but she threw that idea away when her spy in Kings Landing told her about how you always spent time with the family. Your step-mother was annoyed at how none of the plans seemed to be working. But in the end she found one plan that seemed to be perfect. It could kill you instantly and quietly, plus there's no way people will suspect her for the act. With the help of a witch, your step-mother consulted her with her plans.

‌As for you, you're not just a child anymore. You became well known for your beauty and kindness. Although your work in the castle has been nonexistent ever since you grew closer to Rhaenyra's family; you sometimes still met up with Dayana to spend time together.

‌Other than Rhaenyra's family, you only grew closer to Halaena. You bond with her because of the love the both of you had with animals. But her family and Rhaenyra's family have grew distant after what happened with Aemond. Thus you only met her only for a few times before spending the rest of your time with the Blacks.

‌Over the years the family grew more possessive towards you. You're basically adopted by them. Spending time with the family basically means you could get hurt, so Rhaenyra will always keep guards with you at all times. Daemon wanted to train you just so you could at least have a basic knowledge on self defense, but Jace claims that it will never happen. You don't need self defense because you're already safe with the family, the dragons are already protective towards you, plus people speak highly of your kindness. There is no one who will harm you.

‌Unknown to the family, your step-mother has finalized her plans for you. With the help of the witch, they created a poisonous apple, able to blend in with the other fruits inside the castle. Your step-mother whoever is still confused as to how the apple would only be eaten by you, but her worries are vanished when the witch decided that she herself could bring the apple to you. Your step-mother didn't care about how much she had to increase the pay, as long as you're gone forever then she'll be happy.

‌Soon the witch arrived in Kings Landing, disguising as a new servant as she works around; spying on you. She noticed how you're not always alone, people will accompany you everywhere you go. More so the prince, who always clings to your side whenever he got the chance. But the witch noticed how at night you'll always slip away from your chamber, going to the kitchen to grab a small snack. It'll be the perfect plan for her.

‌As Jace walks you to your room, he couldn't help but feel...off about today. Something about being watched by someone yet he couldn't find anyone. You asked Jace what's wrong, noting how he's always frowning as if deep in thought. "It's nothing, my love. Just felt it's wrong to leave you behind today. Something has been bothering me," Jace sighed.

‌"[Name]," Jace called you softly as he grabs both of your hands in his. "Whatever you do, do not go outside tonight. I've had the feeling that we're being watched but I'm hesitant if it's only my paranoia. But I'll talk to my mother, see if she also noticed something strange."

‌You nodded and agreed, ignoring the heat rising on your ears as Jace kissed your forehead before hugging you. You slipped inside as Jace walks away, sighing deeply before apologizing inside your heart to Jace. You waited for a while before slipping away to the kitchen, deciding to only grab a few snacks before coming back.

‌You thought you'll be alone, but you noticed a servant peeling some apples. Maybe for tomorrow? You've never seen a servant working this late but you decided to ignore it and instead searched for food.

‌"I'm sorry, my lady. But we've run out of our food," The servant answered when you asked her. You pouted, stomach grumbling loudly as you excused yourself from the kitchen. "Wait, my lady! If you want, you could have this apples. It might not full you, but at least you'll have something in your stomach," The servant smiled as she grabbed an apple from the rest. "Here, try it. It's very delicious."

‌You thought you heard her voice changed but ignored it when the apple was shoved in your hands. It did look delicious and you're hungry, so you took a bite. You hummed at the taste, wanting to take another bite. But your head grew dizzy, your vision getting blurry. You tried to grab onto the servant but it's as if she disappeared from the kitchen. You couldn't stay awake, falling to the ground as the apple rolled away. The witch smiled as her planned work, disappearing to the dark; leaving only you in the kitchen.

‌When a servant girl found you lying on the ground, she panicked and called the guards to alert the family. Daemon would be the first one to arrive, heart clenching at the sight of you lying there lifeless. He ordered the guards to bring you into your room as he noticed the rest of the family arriving. Rhaenyra would cry at the sight of you, following you as she holds your hand in hers. Daemon would hold Jace back, knowing how angry and confused the boy is at the gruesome sight. Luke will cry but helps Daemon at calming Jace down before he goes to see you, not wanting his brother losing his temper once again.

‌The maesters did everything they could do, but nothing worked. They told the family that you didn't die. You're still living yet unresponsive. Daemon would yell at them for not trying their best, Rhaenyra would shakily asked if there's any cure for you.

‌But after a few days, it seems the maesters have given up, telling the family that they don't have a clue what's going on. Jace would be livid, already staying by your side since you collapsed. He yelled at them for their incompetence, threatening that he'll kill them. Daemon would try to calm him down, Rhaenyra dismissing the maesters as to not cause more casualties.

‌The family would be devastated. Rhaenyra would visit you with Joffrey, talking to you about her day. Luke will sometimes join her but he couldn't stay too long. He couldn't stand seeing you in this state, wanting you awake again to play and joke around with him. Daemon would be too busy finding the culprit, interrogating people before killing them if they're no use to him. No use to you.

‌Jace would look calm on the outside, but on the inside he'll be devastated. Like Rhaenyra he will stay besides you for long periods of time. Brushing your hair as he talks about his day, talking about how Vermax missed your daily visits. If it's too much, he'll cry softly besides you; begging for you to come back to him. He regrets not telling you how he truly feels, regret building inside his heart as he holds your hand tightly.

It didn't help how Vermax would act more restless without you. Jace would have a hard time calming him down, Vermax could probably feel from the bond how his rider was also feeling restless and hopeless. Jace would also be haunted by your animal friends visiting your room when he's with you, shooing birds away when he noticed how they'll stay there.

‌One day, Jace feels so defeated as he saw you still lying lifeless on the bed. He would sit by your side, brushing your hair as tears fall through his eyes. "[Name], my love. I'm sorry for not helping you that night. I feel...so defeated. I can't—I can't look at you anymore in this state. It's torturing me inside to just be here and not be able to help you. I'm sorry, my love. I truly am."

‌Jace would feel terrible as he holds your hand. He'll reach up and brush your hair behind your ear as he kissed you softly on the lips. As he pulled away, he brushed his tears away, not noticing how your eyes fluttered. He'll sigh as he hold his head in his hands but his heart will stop when he heard the bed rustling. Jace will think he's gone crazy, but his holds his breath as he heard a soft voice. "Jace? Is that you?"

‌Jace would not believe it at first, but when he looked up, he saw you blinking your eyes. He would laugh incredulously, grabbing your face in his hands as he asked, "[Name], my love. Can you hear me?"

You would nod, making his smile even more wider as he hugs you tightly. He'll scream for the guards to notify his family, kissing your face softly as he repeats the words 'I love you' over and over again. You would be confused yet somewhat happy. You don't remember what happened after collapsing, so it must've been a big thing if Jace is acting like this.

‌Rhaenyra and Luke will be happy. Hugging you tightly before asking if you were okay, which you are. You're just confused when Jace told you you've been unconscious for the past few weeks.

‌Daemon would arrive late as he finally found the culprit, but he'll deal with it later when he noticed you're finally awake and healthy. He'll hug you before making sure you're alright and well.

‌The family would be more possessive and protective towards you after the incident, making sure you're comfortable and happy. Jace would be stuck to your side, now brave enough to tell you about his feelings as he wanted to marry you in the future. Rhaenyra would support it fully, happy that you'll officially be apart of her family. Dayana would be in tears, stressed out after not being able to meet you as you're unconscious.

‌Daemon will eventually ask you about you're background, wanting you to be fully honest if you want him to catch the culprit. The family would be by your side as you told them about your past. They'll be livid and angry at your step-mother. Daemon finally convinced that it was actually her doing all this time.

‌Days will past, you and Jace grew even more closer and told people about how you're lovers. He'll always be by your side, hand placed on your back as he softly whispered about how much he loves you; making you giggle and slap his arm when he whispers about something more dirty.

‌You ignored it when Daemon is back from his 'journey', bringing back a child resembling your step-mother. You ignored Daemon's bloody clothes as he talked to Rhaenyra about something. You ignored a bloody cloth with something bloody inside, almost shaped like a head. You don't want to worry about that.

‌Yet you worry about the child. So from then on, you treated the boy as if he's your sibling. Not wanting the weight of his mother's wrongdoing being put onto him. You're happy with your life now, you just hope in the future you'll be happier building your own little family with Jace.

#hotd #house of the dragon #yandere #yandere hotd #yandere house of the dragon #series #princess!reader #jacaerys valaryon x reader #hotd jacaerys #jacaerys x you #jacaerys x reader

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yen-sids-tournament · 21 days

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Maleficent v Lilia Vanrouge

Propaganda

Maleficent:

She's iconic. She gatecrashes parties, she turns into a dragon, she named her pet raven Diablo (first gamer disney character?).

Lilia Vanrouge:

~he’s a single mom who works two jobs and loves his kids and never stops with gentle hands and the heart of a fighter 🫶 he’s a survivor 🏳️‍🌈 he’s a single father and like 700 years and currently going too school with his two kids. hes (shocking) a fae 🧚‍♂️he’s like 5’3 and was previously a war general and is Bisexual as long as Disney does not butcher the translation 🙏 he’s in a silly band and canonically likes thrash metal and is also online friends with another character in the game. do not let this man cook!!! no one is safe when he’s in the kitchen. he’s just so silly idk :3 ~700 y.o. Fae, who looks like an 8 y.o. girl, and is a royal guard for a fae dragon prince. awful at cooking but thinks he is amazing. found a random human baby in the woods and took him home. fought in the fae wars. had enough parental love for a baby dragon egg (see prince mentioned above) to have the egg hatch, despite the fact that only the parents are supposed to be able to hatch the egg and the egg's mother was his best friend who died. was the guardian/parental figure of the prince after he hatched. attended high school with his son and the prince to be a guard.

#FavoriteFairies #yen sids poll #round 1 #disney #Sleeping Beauty #maleficent #twisted wonderland #lilia vanrouge #disney video game #disney animated movie #disney tournament #fairies #the fey #fairycore #twst

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marciabrady · 1 year

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here are some sleeping beauty plot points/general details that i love and i would love to see more discussion around

the story team did such an incredible job with fleshing out aurora while still making her feel true to the mythos from which she was derived. in every novelization i've ever read that predates the disney film, she's only ever given one line of dialogue (something like: "what is that thing that spins so merrily?") before falling asleep. disney took that same princess and successfully expanded her into a living, breathing dynamic human who is filled with everything- ethos, pathos, everything, but is also authentic to her origins. they also did a genius job at creating a basis for why love is so revered in this tale. true love conquers all, we're told, and it's indeed what keeps aurora safe from maleficent for all these years, as it's the one thing the evil fairy can't understand. yet, the fact that the princess grew up surrounded by the love from the three fairies, which instills that care in her heart, along with the fact that she grows up in isolation, so connected to the universe around her and allowing her to be introspective enough to observe the animals about her and draw a connection to the human condition and that of the consistencies of nature is so...deep and profound and develops her and makes her an evergreen character that will always represent people, for as long as we're around, because aurora's struggle is one that speaks to everyone. she isn't just some "lovesick princess" but a character that's growing up and longs to be able to find her soul's mate and to express the love in her heart in a universe where she was socially excluded and deprived of others outside of her three guardians. as humans are tribal creatures, social inclusion is one of the main pillars of wellbeing. so to take aurora, who is already an innately romantic person, and to deprive her of that just gives all the more reason why the kiss of true love really would revive her. she isn't just some princess who grows to be fifteen or sixteen, pricks her finger, and then is awakened by a prince she never meets. she is someone who was raised in love, grows up and wants to become a woman and share that love and express it with someone else. when she finds it, it's suddenly stripped from her and she's induced into a magic slumber that's meant to symbolize her transformation from girl to woman. then, she's awakened by the same love she'd thought she lost and it's just...the structure of it is genius and incredible and they retain all of the qualities about her in the fairytale and storytelling devices but they develop it so much further and round her out so well but still maintain a reverence to her source material instead of condemning it or outright changing it and i just LOVE

i don't think enough people realized that, it wasn't until maleficent visited prince phillip in the dungeon and showed him the vision of aurora in slumber repose that he knew that aurora and briar rose were one in the same!!! like this is the moment it all clicked for him and it gave him the drive and determination to slay the dragon in her honor. he realized the woman he loved and the princess he had been betrothed to were both one and that's so important and it's just such a plot twist that, again, was so genius of the writers. it proves to us that he loves her enough to leave the kingdom for her and risk damning the princess he had been betrothed to to the curse she was under and he'd take her as she is, even if it were a peasant, but also that his love is so steadfast and true that he'd defeat a dragon for her. 10/10 and it sooo runs along the vein of the lyric "visions are seldom all they seem." this is a plot twist done RIGHT but with so much sophistication that it tends to fly under most everyone's radar because it isn't like loud

something i love about the original princess movies is how the female characters are forever in the forefront, and the fact that this film opens with the celebration of the birth of a female child is something that's so special! instead of having to think about how female children weren't celebrated in that time, or it was a disappointment she hadn't been a son, or something of the like, the fact that the spotlight is on their daughter and the opening of the film continues this matriarchy, where all in the land praise this female birth, before the fairies are introduced as their most "honored and exalted excellencies." we need to see more worlds like this instead of pixar films where there's like not a single main female character lol

THE FACT THAT PHILLIP WAS WILLING TO GIVE UP THE THRONE AND THE KINGDOM "for some nobody" and told his dad flat out to his face without hesitating makes me love him soooo much?? he loves aurora for who she is, not just because she was a princess to whom he had been betrothed to his entire life, and this proves how genuine his love is. it also paints how progressive and open-minded phillip was, seeming to be the first that would ever break the tradition of princes marrying princesses and opening up his country for a new type of culture and reign. love me a freak like that

one of the biggest facets to aurora's character, and something that further develops her relationship to phillip, is how differently she reacts to her guardians when told of the betrothal. where phillip already knows, and is aware of the king and queen and how his duty is to marry their princess daughter, aurora is just finding out that she has living parents for the first time and the future of a nation rests on her shoulders. she discovers she's to be married to a prince and must give up her true love forever. again, before i hear anything about "she just met this man for two minutes in the woods, why is she crying," this is a fairytale with magic that's meant to be archetypical. in the narrative of the film, and in the universe of this world, phillip is her true love- and this is confirmed when it is his kiss that awakens her from the curse. so to leave the one true love who was meant for you, when that's all you ever wanted in the isolation you were raised in, to accept your duty and responsibility over parents you didn't even know you had and to assume the obligations of a nation you aren't even prepared for...it's astounding. aurora does everything right, she even leaves love behind for the good of her people and puts everyone above her own personal desires, and yet people still criticize her and say she's dependent on a man and all she cares about is love. meanwhile, phillip never receives any hate, and he's literally willing to give up the throne and the kingdom and start a war between two countries for the girl "he just met in the woods for two minutes" but he's one of the most beloved princes...it really just makes me think about how misogynistic our society still is, without even realizing it. aurora literally couldn't have done anything better, by our modern standards, but people still condemn her just because? this is definitely a discussion piece i want to hear more about and, in general, i think it would behoof us all to understand why aurora has been so demeaned culturally as a character when her actions, in and of themselves, are exactly what we say we want and would appeal to modern sensibilities

this is a slight sidenote but i always was tickled by merryweather proclaiming, if she had it her way, maleficent would be turned into a "fat old hop-toad." i always felt like this was a nod to the original tale from which this movie was based on, where a magical frog tells the queen that her wish to be with child shall soon be granted and that it, just generally, was a very clever easter egg/allusion

in this film, they have enough action and movement to appease the more restless demographic/traditionally "masculine" crowd, but i love how the basis of maleficent's defeat lies still in the femininity of the three good fairies. it's these elderly women that save phillip from the dungeon and arm him, not just with weapons that will kill another being and are predicated upon violence, but with symbolic weapons that are laced with truth and virtue. i think it really reminds us all how transformative these values are and how, in arming ourselves with them, we'll alone be able to navigate the road to true love (whether that be familial, platonic, or romantic love) which will be "barred by many more dangers" and how it enables us to have a sense of autonomy where we'll be able to overcome anything that's thrown our way while still retaining the core of who we are

i wrote about this moment previously, but to piggyback off of what i wrote about phillip just above...i love how aurora is the most competent human in this world? much has been said about how the plot of sleeping beauty is essentially the fairy worlds dueling with one another and, in that, many of the mortals are somewhat...inept, to put it for lack of a better term. king stefan is unable to protect his daughter with the burning of the spinning wheels, even with all the power he harnesses within his kingdom, and the fairies are quick to see his folly. prince phillip would still be rotting in the prison had the fairies not interjected, and he would be burned to a crisp had they not sprung a final chant of magic upon his, already, enchanted sword. yet, maleficent has to hypnotize aurora for the princess to even succumb to her plan and, even then, aurora is temporarily able to snap out of the magic hypnosis she's put under. i don't think people realize how powerful that is? yes, i understand it's a minor moment, but the hesitation and the ability to counter magic while remaining totally unarmed is something that reminds me why aurora is our main character, despite what anyone else might say.

going along with what i said above, while many are quick to point out aurora's lack of screentime, the film begins with her birth, the plot is sprung forth with every character wondering what they could do to protect her, then when she pricks her finger upon the spinning wheel, she and the entire kingdom are put to sleep. it isn't until she wakes up, that the entire kingdom does, too. she holds the key to this entire universe in a persephone like way and i just love how important it is in the narrative of the film to wake her up. she isn't just this beautiful creature who's valuable because she's pretty, because if that was the case, her being a lovely figure posed to perfection in her slumbering mode would be enough...but the people of her universe value her so much more when she's alive and active and being her own person, that it ensues a fairy war, practically. she's also involved in every single plot, even if she isn't physically present. this is her movie and no one can take that away from her. but, just to restate, the fact that there's so much emphasis in aurora being alive and well is something that's so important

so, it's kind of a given at this point that every princess can sing, but i think the role that music plays in sleeping beauty is the most meaningful and well done? sleeping beauty makes much to do about its classical score and it skillfully combines realistic characters and storylines (like the fairies not knowing how to cook and clean, phillip being captured with no way out, the kings toasting to the impending nuptials of their offspring before getting into a quarrel centered around a misunderstanding) with the fantastical world of fantasy and opera. by giving aurora the gift of song, the narrative is creating a framework that explains her relationship to her singing voice in a way that's even more profound than that of ariel's connection with her singing. it explains why aurora sings more than she speaks and ties in perfectly with the thematic style of the operatic presence in sleeping beauty, which is that in the opera, instead of speaking about it, you sing.

OK but this scene of hubert's/his general plotline and character motivation that results from this is genuinely perhaps the best comedy disney's ever done? hubert is coming off of declaring war upon his best friend stefan, because he misunderstood stefan's caring for his own daughter as a snub against hubert's son. after challenging aurora's father to a duel, they quickly make up, before hubert hears phillip has arrived and rushes off to greet his son. there, the news is broken that phillip is actually in love with a peasant and that he plans to renounce the throne- which will actually cause a war- so that he can be with his beloved. hubert is convinced phillip is joking, especially as he happens to meet this mystery maiden on the date that aurora is set to come home- the most anticipated date for these past sixteen years in the kingdom- and his son is set to be a central figure in the celebration for the princess's homecoming! before he can reason with phillip, his son escapes, leaving hubert to be the one to break the news to stefan. heavy-hearted, as hubert tries to tell stefan, he keeps being interrupted by trumpets and the musical notes that are meant to accompany the princess in her debut to her country. then the fairies literally put hubert to sleep when he finally gets a chance to explain it to stefan and, when they're awoken from this fog like slumber, the first vision that greets hubert is that of his son and the princess??? the same son who said he had no interest in aurora, but was set to marry the peasant maiden. the whole thing concludes in a very charming "all's well that ends well" but i still think the whole "how am i ever going to tell stefan" dilemma, while continually being interrupted, and this king who declared war in 2 seconds flat and minced no words in being so short-tempered was suddenly at a loss for words and so hesitant and fumbling and nervous about this news his son sprung on him lol

one of the most haunting sequences in film is the one above. the three good fairies have endeared themselves to their mortal charge, even giving up their magic for her for sixteen years. their bond is so much deeper and meaningful than it would've been otherwise, as they probably would've blessed her at the christening and then only appeared in her life intermittently, at a distance. they clearly aren't close enough to humans to know too much about their customs, and their magic always gives them away as outsiders, which indicates they were always content to live in their own fairy-world. but then they give it all up for this baby, this child, and they change their entire world for her. she is their world, to the point where their sole purpose is protecting her, until that's all they can think about for close to two decades. they would do anything they could to make her happy, to give her a fighting chance at life. they're so protective over her- and the fact that they got this close to the finish line...only to leave her alone because they want to be respectful of giving her privacy as she's still reeling and processing from all the news they sprung about her at once. they were even discussing going to king stefan and attempting to convince him to let aurora out of the arranged marriage so that she could be with the boy in the woods. and this all leads to maleficent enchanting aurora to her demise. as the fairies place her in a bed for the last time, looking upon her in her princess form, all of the time they've spent with her runs through their mind. how this isn't their little briar rose anymore, but a princess who inhabits, not the woodcutter's cottage, but king stefan's castle. someone who will never be with them the way she once was ever again and who, presently, is dead for all they know. as they look upon their lost daughter, the faint chimes and musical notes of the celebration of her homecoming is heard in the distance. i could talk about this forever but it's just such a heartbreaking and sad but also eerie mood

in 2023, it's time king stefan gets his flowers. while, in the time period in which this film is set, it'd be totally realistic for a father to set his daughter up in an arranged marriage to further the prospects of his land, stefan displays an understanding that seems more contemporary than his counterpart, hubert. hubert doesn't think about prince phillip's feelings for a beat and concedes that the "children" are bound to fall in love with one another. meanwhile, stefan seems to display a much more well-rounded paternal instinct, even exemplifying a degree of care and concern for both aurora's emotional wellbeing and her consent. he urges hubert to calm down and remember that this might come as "quite a shock" to aurora and to not push all of these political arrangements upon his daughter before she's had a chance to react to them and digest them.

the duality of briar rose and princess aurora is so fascinating, but also the moments in which they overlap is more enchanting still. this is a fairytale that is meant to be archetypical, and aurora's enchanted slumber is meant to be symbolic for her transition from girlhood to womanhood. briar rose, the girl, is anxious about her future, the prospect of meeting her love and settling down and getting to the next stage of her life. she loves her guardians, but is frustrated at their inability to see and treat her as anything other than a child. she goes to sleep a scared, shy, unsure teenager and wakes up as a self-assured, mature, gracious woman- the princess aurora. she's a vision, descending the staircase on the arm of her beloved, and she paints quite the picture as she gracefully curtsies to her parents, the king and queen. yet, true to the girl from the cottage, briar rose takes over. unable to contain the love she feels, she bolts forward and rushes to embraced her lost parents. i love this because, for as calm as a character as aurora is, i've always been so mesmerized by the breathless excitement with which she speaks when she returns to the cottage. this is a girl that has more love inside her than she can contain and it renders her a beacon of light. her running into the arms of her parents, instead of resenting them for giving her up, putting her in an arranged marriage, or even pausing to question whether or not she should be so warm with these figureheads of state, is such a tender moment that i don't think i've ever heard anyone speak of.

i will never get tired of singing the praises of the three good fairies. this film placed three older, conventionally unattractive women at the forefront- without pushing forced hetero ships on any of them- and allowed them to be bad ass (ie saving phillip from the dungeon, providing him with the tools and guidance with which to defeat maleficent, coming up with all the plots and actions that propelled the plot forward), while reminding us that love and kindness is truly the most powerful force on earth and placing an emphasis on the strength and power of femininity. the entire transition, from them being business women in the kingdom essentially (this is more in modern jargon; them being the fairies who are invited to political organizations for their contributions and not knowing anything about things like cooking or cleaning or rearing a child) to learning how to raise a baby and the film ending with them beaming over the shining achievement of their assigned charge finally being safe and happy is...it's everything. how beautifully the film focuses on them and the relationship with their adopted daughter and how that's the driving goal in all of this is something that's been unable to ever be surpassed

#mine #marciabrady #sleeping beauty #disney #sleeping beauty 1959

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kraken17 · 2 months

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List of dimensional variants/counterparts of Enid and Wednesday introduced in my fanfiction Kooky Spooky in order of appearance.

This means that other characters that are counterparts such as Taylor Galpin, the Yoko and Weems from Agent A's dimension and the rest of the Adamos (High Fantasy Addams Family) are not on this list. Only Enids and Weds.

(Artwork from Kris6758 on Twitter)

First, those with some weight in the plot:

Eamon Sinclair (Chapter 1): Initially named in Chapter 1, with no formal appearance until Chapter 43. Eamon is a male counterpart of Enid and husband of Friday (the Wednesday from the 1973 cartoon). Basically, he is "our" Enid if she had been born male. Standard lycanthrope, though exceptionally strong.

Thursday (Chapter 9): Wednesday Thursday Addams. As Eamon, a male counterpart to Wednesday and Friday's cell neighbor. He looks identical to a teenage Gomez but with no mustache and with Fester's pallor.

Enid Saint-Clair (Chapter 19): The Enid of Woe's dimension (the Wednesday of the '90s movies). Brunette, of Greek descent and werecat rather than werewolf. Affable and nice, though with psychopathic tendencies and a love for exacerbated violence. Loves to fight people who can keep up with her. To call her "kitten" is to invite death. Better just call her “Nid”.

Agent A (Chapter 22): Wednesday Tuesday Addams. The Wednesday from a dimension gone to hell (literally). She's a grown woman in her forties, dresses like she's a MIB and is a practitioner of magic. She's also one of the few Wednesdays who doesn't make use of her pigtails or pull her hair back in any way, leaving her hair loose. If you want to put a face on her, I imagine her as Hailee Steinfeld about 16 years from now.

Wodnesdæg (Chapter 35): Lord Wodnesdæg of the House of Adamo, Prince of the Kingdom of Nova Gersia. Wod to his closest family and friends. Trans male version of Wednesday. He collects his hair in two short but thick pigtails. Likes to wear black armor that makes him look like the stereotypical Dark Lord from a fantasy novel, but first impressions aside his personality is closer to that of a Gomez Addams.

Eneit Synklar (Chapter 35): Enid's variant from Wodnesdæg's dimension and his betrothed. A barbarian and werewolf princess Enid, extremely tall and muscular, usually dressed in furs or light leather armor. Very outgoing, affable and friendly, though she lacks a bit of tact and has no qualms about breaking in half anyone who messes with her loved ones.

[UPDATE] The Bright One: SPOILERS! Read the fic 😁

Now, the ones that are more cameos:

Chapter 43:

A golden tyrannosaurus Enid and her ape-like sidekick Wednesday, inspired by the original comic book versions of Devil Dinosaur and Moon Boy.

A middle-aged futuristic soldier Enid.

A Wednesday who looks like a living marble statue with golden cracks adorning her skin and luminous white hair.

A Wednesday and Enid who look like stereotypical pirates.

Gargoyle Enid. A purple-skinned Enid with horns, tail and wings, inspired by the characters from the Disney series Gargoyles.

Chapter 45:

Cyborg-lycanthrope Enid.

Vampire Wednesday, armed with a spear.

Reverse Enid and Wednesday: A violent lycanthropic but black-furred Enid accompanied by a disturbingly extroverted blonde Wednesday.

The younglings: A group of five or six young Wednesdays, the oldest no older than seven.

Saiyan Enid: A brunette-haired martial artist Enid with ki abilities, orange robes, staff and monkey tail. Inspired by Dragon Ball, although it can be interpreted as a reference to Journey to the West as well.

Gunslinger Enid and Wednesday, as if out of a classic Hollywood Western.

Sasquatch Enid.

The witches: Two Enids, one of them in school uniform and wand-wielding, clearly inspired by the Potterverse novels/films or other similar works. The second Enid, with green skin and black clothes, pointy hat and broom is more inspired by The Wizard of Oz and Wicked.

Punk-looking Enid with cybernetic implants like blades in her arms. Inspired by Cyberpunk 2077.

Angelic Enid, alternates between a humanoid form with wings and a fire-wheel form with multiple eyes.

Hellboy Wednesday (Hellgirl?).

[UPDATE] Chapter 50:

A witch-like Enid with a talking cat familiar.

#wednesday addams #enid sinclair #wenclair #wenclair fic #wenclair fanfic #wenid #eniday #the addams family #multiverse #fanfiction #altogether ooky #kooky spooky #multiversal variants #interdimensional counterparts #archive of our own #a03 fic #ao3 link #wednesday netflix #wednesday

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fangirltothefullest · 5 months

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Can I ask a question? I like your sanders sides a lot and you give them a lot of personality in their designs! How do you make them like that? Or I guess I mean, what inspires you to make them the way that you do? I want to draw the sides but I'm not sure how to start other than their canon designs!

Oh my goodness I LOVE this question! For me, it's all about the feelings you get when you see them and the vibes I want to express. The Sides embody, to me, more than an aesthetic it should also encompass personality, role, and intention. In other words, I match their aesthetics to their function and the intent of what I feel like Thomas originally intended for them for their first short videos before they were actual sides.

Let us pick Roman, because even though people say he's not, he tends to be everyone's favourite to reblog fro me because he's pretty.

So I started by drawing him exactly as he was and to me he felt flat- in the show he's exactly as he should be but I am an artist and to me he feels more than what he looks like- it's dreamy, it's romantic, it's like he's giving childhood favouritre Disney Prince vibes, you know?

Inspiration 1: Prince Phillip

Hands down the biggest inspiration comes from him because he IS my favourite disney prince. Just looks a the hair swoop and the eyelashes- perfect. So I went ok my favourite Disney Prince is Phillip, let's start here. Before the CGI movies, there was such a romantic feeling about classic Disney princess movies and I've always loved the romantic feeling of Sleeping Beauty. The backgrounds are stunning, the way she's animated makes my bi ass give heart eyes and I loved that he was the only prince at the time who had a personality (until Beast but that's a whole other can of worms because he started out as an asshole/grumpy). I feel like modern Disney movies miss a lot of the romantic dreamy feeling of the older 2d movies because there was such care into the painted backgrounds being LESS realistic and more a fabulous idea of what a background should be and AHA! MORE INSPIRATION~! Let's make Roman a fabulous romantic idea of what a prince should be!

Inspiration 2: Faerietale Knights in Shining Armour

Our ideas of medieval knights are nothing like actual knights which are more reminiscent of hired military and enforcers. Our ideas of faerietale knights in shining armour are brave knights who would go off to kill a dragon to show their devotion to the one they love. Sword fighting heroes- is that not Roman if not an idealized romantic "royal knight wants to win the heart of the love with courageous deeds, acts of chivalry, selfless devotion" etc. Prince Phillip is a good model of this. Defeats a dragon and true love's kiss saves the day. A perfect romantic dream isn't it? Realistic? No of course not, but Roman isn't realistic he's creativity and romance which absolutely ignores practicality for the dream.

So we have this culmination of dreamy romantic disney prince and faerietale influence.

Now it's about aesthetics- Roman is reds and golds and whites, all royal colours typically associated with bravery, lineage, and strength and purity etc.

Inspiration 3: Media referencing

So let's find some movie or media equivalence I can reference. They came mostly in the forms of Narnia and Once Upon a Time.

So some aesthetic inspirations for belts and textures, missing the epaulets.... so to military garb!

Inspiration 4: Russian royals

Let's face it no one does embellishments like this any more <3

Inspiration 5: Lions

Roman's colours being red gold and white give me lion inspiration too so I looked up royal lion iconography as well (which ended up with a lot of lion king in the search because this was before AI but like.... it's not incorrect and the wavy flowy mane acted like hair. If Hamlet with lions is inspiring then use it, right? that have some AMAZING lion king-style artists on deviantart to get inspired by, it's a whole thing, mad respect) But ANYWAYS it gave me some cool stuff to be inspired by too.

Inspiration 6: Classic Golden Age Hollysood Leading Ladies (Note that this isn't femme fatales, because for Janus I used femme fatales as inspiration)

I knew that I just HAD to give Roman that Marilyn Monroe beauty mark, yes he paints it on every day yes it's in the same spot every day yes it's necessary.

Ultimately this culminated in a checklist of things that I wanted for him:

He must give the feeling of Prince Phillip in disney prince style

I wanted him to have flowey hair that makes him look softer and romantic and can be pulled up into a ponytail if necessary.

Must have a beauty mark and eyelashes that go on for ages reminiscent of old hollywood ladies, and let's throw in nail polish too.

I wanted him to have an outfit that would be his original but embellished to hell that can be like Narnia or OUaT in terms of texture and added stuff. It needed more gold, 100% needed epaulets (the shoulder things with the dangly rstuff), and it needed a belt where a sword could be attached. Danglies not always necessary, but look really good when done and is reminiscent of old fashioned military garb and Russian royalty.

He needed to look like he's used to wearing this outfit every single day and going out of his way to do so.

Ended up with this:

So yeah that's how I got to his design!

#sanders sides #tashiarts #how i get inspiration

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blues824 · 2 years

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The cute anon ask about rengoku gave me the idea of malleus with a s/o like mitsuri! Everyone thinks he's so scary and then they just see a pretty women with pink hair running towards malleus to talk to him about his day maybe even picking him up and spinning him around cause mitsuris so physically strong! Sorry for rambling I just thought this was cute <3

This was so cute... my heart hurts

@woodrouforest

First off, Malleus is in love with you. It’s a lot like the stories where the dragon falls in love with the beautiful princess. You are the first person who isn’t scared of him, and probably one of the first women (besides his grandmother) that he’s talked to. Of course he’s in love with you.

You both are polar opposites. Malleus is intimidating and his retainers don’t help, but you are the person everyone knows and loves. You are the type who would give someone your lunch because they tripped and fell and spilled their food everywhere.

You are a friend to everyone you come across, and Malleus’ intimidating aura was not enough to make you scared. Hell, you fought demons for a living, nothing scares you anymore.

In the eyes of everyone, you are beautiful. You are truly like a Disney princess. So imagine everyone’s surprise when you walk up to him with a smile full of joy and ask him about his day and pick him up and spin him around because of how strong you are.

Malleus is also surprised. No one has ever been able to pick him up before, but he’s not against it. You both are nearly equal in strength, and he is glad that there is no power difference between you.

You are glad that he meets your ‘perfect husband’ criteria. He is one of the top 5 most powerful mages, and in your book that exceeds your requirements. Plus, he treats you well. Malleus treats you like his queen, you have him wrapped around your fingers.

Lilia loves you both together. Malleus will go on and on about you, and Lilia is there to lend an ear. He gladly listens to his ‘son’ and his lovesick rants. Sebek can’t say he dislikes you: you are kind to him as well. Silver also enjoys being able to nap on your lap.

However, your dragon prince gets jealous whenever your attention is off of him. Or when you spend time with someone else. Your attention should only be reserved for him, dang it! >:(

As for your abilities as a Hashira, Malleus is impressed. You aren’t a damsel in distress: you are the one rescuing the damsel. You are a very talented swordswoman and you have superhuman ‘powers’. He will gladly let you train at the dorm, and will even spar against you.

#twisted wonderland x reader #twst x reader #twisted wonderland #twst #disney twisted wonderland #disney twst #malleus draconia x reader #malleus draconia #twst malleus #female reader #fem reader

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jq37 · 7 months

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Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified.

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney.

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes.

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie.

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky.

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it.

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it.

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie.

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo.

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character.

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie.

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here.

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie.

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude.

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard.

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was.

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh.

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math.

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy.

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon.

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that.

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy.

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger.

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves!

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster?

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago.

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise).

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors.

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie.

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny.

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it.

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along.

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad.

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable.

Worst Line: Honestly, this song is too boring to have a worst line.

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax.

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward.

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on.

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that.

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however.

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never.

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further.

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE.

I firmly believe someone should go to jail for that.

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it).

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre.

It also comes weirdly late in the movie, which isn't a complaint, just an observation.

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact.

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl).

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt.

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves.

MISC

This is just a section for things that annoyed me that didn't fit anywhere else.

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling.

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience.

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious.

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out.

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense.

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom) in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks.

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX.

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat.

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now!

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding!

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif!

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities.

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good!

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it.

#disney's wish #asks #jamiebluewind #sorry this got so long I just find this movie so fundamentally flawed #idk what the current tag etiquette is for stuff like this so I'm gonna cover my bases #disney criticism #disney critical #wish criticism #wish critical #if you liked the movie this isn't an attack and I'm glad you had a good time

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frie-ice · 12 days

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This Disney Twisted Wonderland collage is par of a series that showcase the parallel comparisons between the original TWST characters with the classic Disney villain characters (or trademark items) that they are based on upon and inspired from. In which has those Twisted Wonderland characters be seen as the TWST counterparts of those Disney characters. I got the idea for this series after seeing Tumblr posts of the TWST Housewardens and Vice-Housewardens being featured beside the original Disney characters that they represent, and I didn't want to limit myself to the Dorm Heads and overblot victims, but also for the other TWST characters. That's why I didn't leave out Lillia Vanrouge, Sebek Zigvolt and Silver (like I did with Jack Howl and Ortho Shroud). Although it has been clear that Malleus Draconia and the Diasomnia dorm are modelled after Maleficent, who the other three are based upon is a bit of a mystery.

From what I read on Google, they say that Lilia's bat motif is a reference to dragon!Maleficent, Sebek is of Maleficent's thorn and lightning magic and Silver's tiredness is a hit to the spindle of the Spinning Wheel that put Sleeping Beauty to sleep. Spoilers from chapter 7, however, has me question these claims and I don't really trust the source that this information came from. In case I turn out to be wrong and there might be some truth to this, I featured the three in the same collage to be safe. It is also why I dubbed the collage as "Magic of Diasomnia."

If you want my opinion, I believe that Lilia might have been inspired from one of Maleficent's goons, the same with Sebek. The reason for this thought is due to face of the goblin-like goon being part of Lilia's Pop Music club wear and Lilia was a knight who served the royal Draconia family. The same with Sebek's grandfather, and there is Maleficent goon that has a crocodile-like face. Sebek is also the name of an Egyptian god with a crocodile face, unless it is only Grandpa Zigvolt alone who is based on that Sleeping Beauty character.

Another group is saying that Lilia's character could be a reference to the bat style of Maleficent's throne, or that part of his character is drawn from the Three Good Fairies. Since Silver has some Aurora-like traits, not only does be nod off and animals are drawn to him, but it is mentioned that Lilia raised him a prince. If you take a look at the later parts of chapter 7, you'll see that the story of how Lilia came to be Silver's father paradelles with the 2014 Maleficent film. There was also a reference to the Three Good Fairies in a chat between Silver and Lilia about Lilia's cooking, from how he placed candles on a cake when it was still being made and put eggs in the bowl without taking the eggs out of their shells. Along with Lilia's groovy Platinum Jacket card having him looking at a portrait of the three fairies in question.

If you don't think any of these are the case, please share your thoughts and keep them kind. I'm still new to the TWST fandom, and still learning about it.

#collage #twisted wonderland #twst #disney twst #twst collage #maleficent #sleeping beauty #sleeping beauty 1959 #disney sleeping beauty #dragon maleficent #maleficent dragon #diasomnia #lilia vanrouge #sebek zigvolt #silver #twst silver #lightning magic #spindle

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courtofterrasen · 2 months

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I’m just about done with finals, so I decided to gather up a quick list of over 50+ different POC women characters with actual good stories and character development as well as what they’re in, since you guys seem to be complacent in accepting mediocrity🥰

I know there are A LOT more REALLY GOOD characters out there, like Firebird from Marvel for example, but these are all characters from media that I either have personally consumed or know a lot about that I can think about off the top of my head. So if anyone wants to keep the list going in the comments, please feel free to add on

Charlotte- Queen Charlotte: A Bridgerton Story

Shuri- Black Panther (MY LOVE😭❤️)

Okoye- Black Panther

Nakia- Black Panther

Queen Ramonda- Black Panther

Katara- ATLA

Korra- LoK

Toph- ATLA

Azula- ATLA

Beauregard- Critical Role: Campaign 2

Fy’ra Rai- Critical Role: Exandria Unlimited

Opal- Critical Role: Exandria Unlimited

Deni$e- Critical Role: Campaign 3

Deanna- Critical Role: Campaign 3

Lady Kima: Critical Role: Campaign 1/ Legends of Vox Machina

Laerryn: Critical Role: Exandria Unlimited: Calamity

Veth Brenatto- Critical Role: Campaign 2

Mirko- My Hero Academia

Ahsoka (people refer to her as a POC character even though she’s a Togruta)

Moana

Mulan

Tiana- Princess and the Frog

Esmeralda- The Hunchback of Notre Dame

Nani- Lilo and Stitch

Raya- Raya and the Last Dragon

Mel- Arcane

Ambessa Medara- Arcane

Sevika- Arcane

(Special shout out to Ekko from Arcane because he’s SUCH A GOOD CHARACTER)

Storm- Marvel comics

Wonder Woman- DC comics (she is Mediterranean, which is located in the North Africa/ Europe/ West Asia region, for the incels who are going to try to fight me on that. Just because your skin has less melanin than people “think you should have” does not invalidate you being a POC)

Nubia- DC comics

Special shoutout to General Nanisca in The Woman King. I have not watched it yet, but I’ve heard a lot of great things

Valkyrie- Thor Ragnarok

Gamora: Guardians of the Galaxy (though, she’s not human, she’s a Zen-Whoberis, but her actress is Dominican and Puerto Rican)

Ava Silva- Warrior Nun

Sister Beatrice- Warrior Nun

Sister Lilith- Warrior Nun

Deyha- Genshin Impact

Candace- Genshin Impact

Xinyan- Genshin Impact

Janai- The Dragon Prince

Ursula- Once Upon A Time

Mulan- Once Upon a Time

Lucyna “Lucy” Kushinada- Cyberpunk: Edgerunners

Mermista- She-Ra and the Princesses of Power

Catra- She-Ra and the Princesses of Power

Lonnie- She-Ra and the Princesses of Power

Netossa- She-Ra and the Princesses of Power

Entrapta- She-Ra and the Princesses of Power

Perfuma- She-Ra and the Princesses of Power

Mara- She-Ra and the Princesses of Power

Frosta- She-Ra and the Princesses of Power

(All of whom are Etherian’s, not Terran’s, which would equivalate people from earth)

Mazikeen- Lucifer

Wednesday Addams- The Addam’s Family/ Wednesday

Calliope “Cal” Burns- First Kill

Talia Burns- First Kill

Yennefer- The Witcher (actress is of Indian descent.)

Triss- The Witcher (some debate can be had about this due to her character in the games being white and her actress in the show having South African heritage. I enjoy them both equally)

I would add Pocahontas to this list, but the Disney recreation of her story is an extremely incorrect and awful retelling, so I implore you to go and look up the story of Amonute/ Matoaka, which is the true name of Pocahontas. It’s not an easy story to hear, but I feel as though people need to know her true story instead of Disney’s romanticized one.

Also, if you guys REALLY want a good female POC pirate story, check out the story of the most successful pirate in the world named Ching Shih, aka Cheng I Sao. She was a woman born in Guangdong, China in the late 18th century and worked as a prostitute until she caught the eye of Cheng I, the notorious Commander of the Red Flag Fleet. After buying and marrying her, he noticed her intelligence, leadership skills, and determination, so he began to teach her about life in the high seas. She quickly adapted and helped him lead his fleet, and when he died she assumed full control over his fleet and amassed 1,800 ships and 80,000 pirates under her control and became the most feared pirate leader of her time. It’s a VERY cool story

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kneesheee · 5 months

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50 Things to Know about the Disney-verse

1. Ursula and Maleficent are rivals so Uma and Mal being rivals also tracks.

2. The Evil Queen and Maleficent are rivals for Hades' affections and for the status of "The Evilest of Them All'.

3. The Evil Queen claims not to be Hades' girlfriend, but they just had "an interesting weekend" on Castaway Cay. And therefore, I headcanon that she is Hadie’s mom. Probably conceived sometime around Evie’s banishment.

4. In the Disney Villains: Top Secret Files, Maleficent is featured in her own section. According to the pieces of information provided, Maleficent's last name is Faery.

5. She was actually invited to Aurora's birth ceremony and that the invitation simply never got to her castle because she burnt the postman to death (believing him to be a trespasser) before he could deliver it.

6. Her dragon form also appeared in The Little Mermaid series episode "Heroes" as a sea dragon.

7. Captain Hook tried to charm her, only to be zapped away leaving behind his hook. Jafar also tried to woo her while they sat together, only to end up being literally burnt.

8. It was revealed in "A Christmas Cruella" that she did want a puppy before becoming her villainous self.

9. Cruella has a brother named Cecil and a niece named Ivy. However, Cecil is not Ivy's father, meaning that Cruella and Cecil must have another sibling (most likely a brother) who is Ivy's parent.

10. In 102 Dalmatians: Puppies to the Rescue, Cruella has set up a toy factory next to DeVil Manor. She seems to have tried online dating, where she has supposedly wed herself to Professor Farzboom, a meek professor who helps her make her toys. So there’s Carlos’ dad.

11. In "Max's Embarrassing Date", she went on a date with the Beast and asked if he came in a medium, which the Beast became annoyed of. After the Beast gets soaked with soup he was eating, Cruella is unhappy as she would have to get him dry-cleaned.

12. Walt Disney's early vision for The Rescuers revolved around the kidnapping of a polar bear from a city zoo; writers considered reusing Cruella as the main antagonist (presumably driven by her desire for the bear's fur).

13. The concept art of the film shows Cruella wearing an outfit made out of crocodile leather. Because The Rescuers was set more than a decade after 101 Dalmatians, Cruella was given a period-appropriate update. Aside from her '70s alligator-chic outfit, Cruella is accessorized with Sly and the Family Stone-style sunglasses. In other sketches, De Vil is depicted in bell-bottom pants and a pair of platforms. Other concept art showed Cruella driving a water vehicle similar to the one Medusa uses in the final film.

14. The Prince is usually known as Prince Charming, though some source material shows that his name is Henri, or Henry. However, he was never referred to by name anywhere in the film. Not even mentioned as "Prince Charming".

15. The story takes place roughly in June. In the movie, the sun rises slightly before 6:00 AM (in France), as it would within a few weeks of the summer solstice. Also, by this time, a pumpkin would have grown to 20–40 pounds.

16. The debate of the setting of Cinderella has always been a problem, but most people can agree it is French; however, there is a small amount of people who think it is Spanish because the female names end in "A" but that does not really cut it so deeper research shows that the thing on Anastasia's head is a peineta or headdress used in Spain along with formal attire also the French furnishings and the Spanish furnishings within the same time period are very similar in style.

17. Cinderella is the “oldest” princess in the official franchise being 19 while Snow White is the youngest being 14. Also, Snow White’s prince was suppose to be 18 according to Disney’s records.

18. In the third movie, Cinderella’s shoe size is mentioned to be a size 4½ in women's. According to Disney's Villains' Revenge, Snow White has smaller feet than Cinderella.

19. Cinderella was actually rich at the beginning, even before she married the prince. This was exempted, however, as she was forced to work as a servant.

20. In some stories, Cinderella's real name was Ella (short for Eleanor), and because she would always lie in cinders, her stepfamily would call her CinderElla. However, in the Disney film, "Cinderella" is truly her name by birth.

21. Cinderella's last name would likely have been Tremaine since her stepmother's name was Lady Tremaine unless Lady Tremaine kept her maiden name.

22. According to Disneystrology, Cinderella’s birthday is September 6.

23. According to the Disneystrology book, Snow White’s birthday would be on March 6.

24. Cinderella is magical. She has a special ability to empathize with animals, perceive what they say and communicate with them.

25. Melody is the very first human-merperson hybrid in history, making her birth a significant historic moment in both human and Atlantican history.

26.She is also not considered a canon descendant’s character and considered to be from an AU, but apparently, Beauty & The Beast, Cinderella, Sleeping Beauty, and The Little Mermaid are considered to be happening roughly around the same time in the disney timeline.

26. Melody's bedroom is Ariel's guest room when she first took human form and stayed with Prince Eric, albeit recolored with brighter colors.

27. Contrary to popular belief, Jasmine's age has never been confirmed or even referenced in any of the Aladdin movies, television series, or other spinoff projects. In the original film, the Sultan declares that Jasmine must be married "by her next birthday", but never specifies how old she will become on said birthday.

28. An early story concept for the original film had the Sultan saying, "Jasmine, the law says you must be married by your sixteenth birthday.", which would have made her fifteen years old. This concept was scrapped when Jeffrey Katzenberg became worried about sending the wrong message regarding the idea that fifteen year old girls can get married. Thus, the line was changed to "married to a prince by your next birthday.", leaving Jasmine's canonical age unknown.

29. One of the Disney Princess magazines has a story about two of Jasmine's cousins named Farah and Nadine. Whether they are considered canon is unknown.

30. Although the exact date is not clear, Jasmine's birthday is in late January or early February. This is because when Aladdin and Jasmine fly on the magic carpet, Chinese New Year is being celebrated over in China. This holiday can fall anywhere from January 21 to February 20.

31. She also has another cousin named Sharma who teaches at The Royal Academy.

32. Nasira is the better sorcerer between her and her twin brother, Jafar.

33. According to Disneystrology, Tiana’s birthday would be on December 25, Christmas Day.

34. The trailer implies that Gaston may have been aware of the Beast's curse, and had ulterior motives besides wanting Belle as his wife for attempting to kill the Beast, as the trailer described him as being "one man who wants to keep the spell alive," although it is unconfirmed whether this was the case in the film itself.

35. Despite various concept materials, as listed above, give Gaston the surname of LeGume, the Bimbettes during the song of "Belle" refer to Gaston as "Monsieur Gaston" and Belle in the reprise twice sarcastically refers to herself as "Madame Gaston" suggesting that Gaston is his surname in the final version.

36. The Bimbettes (individual names Claudette, Laurette, and Paulette) are blonde identical triplets who fawn over Gaston. They are inspired by Belle's sisters from the original Beauty and the Beast fairy tale.

37. They are the first Disney characters to possess green eyes without being villains

38. These girls worked their asses off in the comics to get Gaston to notice them. 😩

39. Its implied in one comic that Belle and Gaston were friends when they were children.

40. Ironically, despite Belle being considered by the village to be the most beautiful woman in the village, Laurette once disguised herself as Belle flawlessly enough to fool Gaston initially, which conflicted with the claim that Belle's looks had no parallel.

41. Even though he is referred to as a prince in the opening, none of the characters directly refer to him by that title. In addition, the first draft for Woolverton's take of the film indicated that the Beast was intended to be a duke instead of a prince.

42. According to the first stained-glass window featured in the film's opening sequence, Adam’s family motto is "vincit qui se vincit" (meaning "The winner is who wins himself").

42. Though the Beast's official age is not mentioned in the movie, it is strongly indicated by the narrator's statement that the rose "would bloom until his 21st year." As the rose has already begun to wilt by the time Belle arrives at the castle, it is very likely that the Beast is 20 years (i.e. on their 21st year) of age by this point.

43. In authorized supplementary comics, most notably The New Adventures of Beauty and the Beast, the Prince is never shown as being older than a preteen when he's shown as a human; moreover, the palace staff all refer to his pre-curse self as "a young boy" or "child". Two individual comics show that the Prince was originally a few years older than Chip, who didn't age during the curse, and shows him as being a couple of years older than Belle herself. The comics also show that the Prince has had a few run-ins with the disguised Enchantress, meaning that he'd still be a preteen when he was cursed.

44. Despite her slim figure, Belle seems to have considerable strength. She may have lifted the Beast, as evidenced by the Beast being placed onto Philippe's back, although this was never shown on-screen. Later on, she was able to pull the Beast up onto a balcony.

45. Belle is currently the only official Disney Princess to have hazel eyes.

46. In the beginning of the original 1989 storyline, found on the Diamond Edition DVD, Belle's birthday is celebrated, and the cake reads "Happy 17th Birthday Belle", providing evidence that she is 17 in the movie, or at least that she was originally planned to be 17.

47. Contrary to popular belief, it's not made clear whether Belle was actually born a peasant, as she implies that she wasn't born in her home village in the opening song, but rather moved there. In addition, her owning books at her cottage implied that she is, or at least was, considerably wealthy (as back in the time period of the film, books were considerably expensive).

48. In the musical, specifically the song "No Matter What" one of the lyrics had Maurice stating "You are your mother's daughter; therefore you are class ... crème de la crème", implying that Belle was part of the social upper class. This was also supported by Belle having a portrait of her and her mom in the Enchanted Tales of Belle attraction.

49. In earlier drafts, Aladdin had three human friends named Babkak, Omar, and Kassim.

50. In the episode "Two to Tangle", it's revealed that Aladdin has unexplored magic powers hidden within his soul. This may possibly be a link to him being "The Diamond In The Rough".

#descendants #disney descendants #uma descendants #mal descendants #carlos descendants

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