#her journey is so tragic

[haunted-xander]

One thing I really love about Marcille is that despite her deep fear of outliving her loved ones, she never, never let's it get in the way of her making bonds and getting close to people. She loves deeply and strongly and she doesn't try to supress that! She embraces it wholeheartedly! Her friends are so important to her and she's not ashamed or scared of it!

Actually, out of all the characters, I'd say Marcille is one of the ones who care the most about bonds of friendship. She's angry at Namari for leaving after Falin got eaten and holds that grudge up until Namari helps defeat the Undine (and therefore having 'proven' herself). She's shocked and upset when Chilchuck explains his policy of payment and that he's not really here bc of friendship. She puts a lot of focus on the party being a Group Of Friends rather than a team of hired hands dedicated to the specific role(s) they are paid for. Which of course makes sense since she joined the party to begin with because of her friend! To her, the party has always been 'Falin and her brothers' friend group' rather than a hired party. (A little reminder: Marcille was the most recent member when the story starts. She never met the previous members who left so the team of Laios, Falin, Chilchuck, Namari and 'Shuro' is what she's always known it as.)

When she becomes dungeon lord, the thing that manages to snap her out of the Winged Lions grasp is the earnest care and love her party is showing her. Literally 'power of friendship'ed their way through the Lions hold and gave her her clarity of mind back.

And!!!! At the end of the feast right before they're about to attempt to revive Falin again, she says!!! this!!!!

She's ready to accept that Falin might not come back, even after everything. The entire story she's been running away from death, from having to outlive her loved ones (in this case: Falin). But here she is, ready to let her stay dead if this last attempt doesn't work.

And it's not giving up. It's realizing that she did all she could, and that it's okay. Because she still got to meet and be friends with Falin. That time with her might be just a speck in the length of life Marcille will have to live still, but it still happened and that's what matters.

It's not about escaping death; it's about cherising the moments before it.

[drbtinglecannon]

oTL

HIMMEL AND FRIEREN WERE PERFECT FOR EACH OTHER BUT BEING DOOMED IS THE FUCKING POINT OF THEIR RELATIONSHIP.

IT BEING BEAUTIFUL AND IT BEING IMPOSSIBLE ARE INTRINSICALLY INTERTWINED. FUCKING. AHHHHHHHHHHHHHHHHH

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[tragicclownwrites]

🤡

[haru-chi]

Manga spoilers ahead

It just hit me now, is the manga taking a break for 3 weeks on purpose to be a poetic timing with the anime episode at the time, or is it pure coincidence ???

By three weeks from now in anime :

1st week we have Himmel and the sword of hero

2nd week Sein first appearance

3rd week we have the mirrored lotus story !!!! I repeat the mirrored lotus story!!!!

in the same week or the week after we'd have the upcoming manga chapter !!

so, you wanna tell me, we're gonna see Himmel's indirect confession of love to Frieren followed by Himmel realizing the impossibility of his dream of marrying Frieren yet again in whatever tragic and evil way the author had in store for us next chapter .. all at the same time or back-to-back !!!!

STOP BULLYING MY HIMMEL LIKE THAT !!! WHATEVER DID HE DO TO DESERVE THIS HELL !!!!! AUTHOR-SAN !!!!

are they torturing Himmel or are they torturing us ?? they're doing this on purpose, aren't they ?? or is this just our destiny to bear ??

I'm not okay at all ><

[the-eclectic-wonderer]

Dorothy being assaulted at 17 and then trapped in a marriage for the next 38 years really makes the queer subtext heartbreaking rather than funny. It also adds a whole lot to how barbed she gets when they discuss her sex life and how vanilla it is or how little sex she had, no wonder it would be a sore subject (and no wonder its consistent that she had very little sex with Stan in her marriage and said she didn't enjoy it when they did).

Yep, that's part of the reason why I think that queer subtext is so insightful!

A queer reading of Dorothy is not necessary to understand the gravity of what happened to her, to be fair. Stan is very clearly depicted as a bad lover in general and an especially inattentive lover to her -- take eg what she says of him in S1E22 Job Hunting:

"It took three seconds. I wasn't sure that we had done anything, actually… until nine months later, when the baby came. Then I figured out that we had."

Which... doesn't seem like a great experience. Add onto it the fact that a) this is a recollection of her first time, b) she was coerced into performing the act either via emotional manipulation or alcohol/substances (as well detailed in this post by @eeblouissant), and c) her situation didn't improve at all during her marriage; if anything it got worse, since Stan was always out cheating on her -- no wonder she has a bad relationship with sex! Actually, I've said before that I think she has a remarkably open and healthy attitude towards sex, all things considered.

Thinking of Dorothy as queer (especially as a repressed lesbian) makes it all even more tragic, though. I think it's very likely, considering that she's a Catholic of Italian origin, that she hadn't even realized she liked women by the time she got involved with Stan -- I myself reached that conclusion in my early 20s! However, by that time Dorothy was already married and a mother; can you imagine how painful the mere idea would have been, for her? Of course she'd never even consider it while still married to Stan, and she'd have a hard time coming to terms with it after her divorce. It adds a thick layer of suppression and self-sacrifice to her whole story that I think is very thematically appropriate for her character (and that personally destroys me lmao. I cannot think about it for too long or I'll cry my heart out).

I think her whole experience with Stan also justifies her enthusiasm for some of her lovers in the show, even in a queer reading. I mean -- after all that, her standards must be on the floor! The bar is so low, she's dancing the lambada with the devil! Even a modicum of attention to her needs would blow her mind, I think -- even if it didn't come from her preferred gender, and especially if she wasn't ready to confront the truth about her sexuality yet. A lifetime of suppression isn't easy to get over -- she'd probably blame her bad experience with sex during her marriage on Stan alone (instead of considering that maybe she'd rather not be with a man at all).

Sorry, anon -- you probably weren't expecting a ramble in response, haha! But yeah, you make a great point; reading Dorothy as queer adds even more depth to her character and greatly enhances the tragedy of her story.

(Just for the record -- I've never thought the queer reading of Dorothy was funny! Maybe I'm reading this wrong, I just wanted to clarify.)

[comixandco]

thinking about little molly finch, the baby on a boat that tugged a house across the ocean

who grew up hearing bedtime stories based on tales from her family’s old country, of shapeshifters and seamonsters, and the story of the night the sea rose up around them and dragged that boat down to bottom of the sea bed

who could see that giant house and boat at low tide at night

who drew a picture of a princess in a castle at the bottom of the sea besieged by a sea monster

and died sure it was coming after her

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[astarlightmonbebe]

they could be great. or terrible.

[nerdynikki94]

So, I finished it. I'm done with Hannibal...but to be honest, guys, I don't think it's done with me. I sincerely feel changed after binging that show. Like, I don't even know if I want to talk or rant about it, but I feel like I have to ruminate on it. I mean, fuck. I've never been so torn while watching a show. Even knowing the end, when I started, I wanted to see it make sense, and very early on, it did.

Hannibal & Will are like any leads of tragic romances of literature, though crueler and more unforgivable than most pairings. They're marked from their introduction, sworn to another within a moment. There is no end while they both live, yet the end would be false and unsatisfying if one survived the other. It's impossible to fathom that frayed thread of fate snapping with finality through one lonely death. They had to go out together.

Will knew it from the moment he proposed they fake Hannibal's escape; it was going to end with the two of them, and he was willing, ready, even eager to surrender himself to dying with Hannibal.

I think the only thing that terrified Will more than Hannibal getting away to haunt his mind, was the fear of what it would feel like to kill Hannibal and have to continue being haunted by him still. The loneliness of it would break his mind. Hannibal had been in there too long; he always knew the best times to move and work around Will, and the perfect moments to hook his claws in whenever Will wanted to shake him loose.

Hannibal showed it clear as day when he surrendered after Will said goodbye. 'I won't let you let me go.'

Hannibal carved out his own wing in Will's memory palace. By the time of the events of Red Dragon, Will's realized that he'll never escape Hannibal, and by the finale, he accepts that he won't survive him either.

[starstruck-shadowsight]

Finally waving goodbye to the dotc crew úwù

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

[kyseya]

Ancient Mummy

Imagine working as an archaeologist for a museum. However things hasn’t been going so well lately and there are hardly any visitors during opening hours. Sadly, you’ll be forced to close multiple exhibitions and if conditions are not met, the entire museum might have to shut down.

But by some miracle, a new tomb has been discovered in Egypt; undisturbed, unexplored and completely untouched by humans for centuries. It’s said to be the grave of an ancient king- a pharaoh- who was betrayed and murdered by his own cousin.

It’s the perfect opportunity! Maybe you’ll find something that can bring back interest and by extension, save the museum.

You go along with a few other colleagues to the site in Egypt. The journey was a bit tough but it was a hindered percent worth it. With avid curiosity you explore alone and with the others, the different things to find inside the tomb; artifacts and additional discoveries. It’s all very interesting. Wanting to save the best for last, you finally get an in-person look at the grave itself- the sarcophagus.

You have already heard the main tale of the pharaoh within, so you are a little surprised that there is more to the story than you previously believed.

Over the entire stone coffin were multiple hieroglyphs, each one helping and becoming a story together. Your collegue read some inscriptions and told you a basic summary of what it’s about.

Centuries ago there was a king. He had a wife whom he adored more than anything. She was provided with riches, glory and honour. There was nothing he wouldn’t accomplish for her. The people saw the care he held for his wife and therefore both respected and feared her as well, since any ounce of rudeness might end up with their heads spiked on a pole. It was a punishment fitting for those who dare disrespect his queen.

Unfortunately tragedy struck- a disease, more specifically. It took the lives of many and left whole villages empty. That hardly mattered to the pharaoh though, all his focus went to his ill wife; she, too, had been snatched by death. Up until the moment of her demise the pharaoh spent all day and all night at her side, attentively worrying about her needs. When she was gone he was ruined. He didn’t eat, he didn’t sleep, he didn’t even have the energy to clean himself. What was the point? His beloved was gone so there wasn’t really anything left for him.

It was after this that everything took a turn. It appeared that the king had enough with laying around and decided to do something. There were records of him behaving strangely- even by ancient standards- and drabbling in dark magic. He was later overthrown by his brother, who ordered him to be buried alive. It was quite the terrifying penalty go give one’s sibling. The brother didn’t want the darkness to spread out into the world from the old pharaoh, so he locked him inside the sarcophagus and sealed him far away.

What a tragic story, you thought. Well it was back in the old times and a lot of things were practiced then that aren’t okay in modern day. You suppose it wasn’t the most horrible incident that have happened.

It hadn’t been long since your colleague told you the backstory of the tomb and its inhibitor, but now the others wants to get to the good part and open up the stone coffin. You don’t think it’s the best idea in the world- of course something like this needs to be examined closely and so on, but there is something special about the tomb.

Ever since you’ve arrived, you have had a strange feeling following you around. It’s hard to explain. You feel almost drawn to the sarcophagus or perhaps it’s because it feels as if it is looking back at you. You tried ignoring it, however, the feeling came back stronger than ever the moment the others began preparing to open it up.

You should have told them of your concerns. If you did, then maybe this wouldn’t have happened.

The first few seconds after opening it everything was fine. All was as it should be; people flocking around to see the discovery and fawn over it while being mindful of its fragility. Then it changed. Your colleague who had been the closest had suddenly been strangled by the thin, dirty arm belonging to none other than the ancient corpse that previously had been resting in death. Everyone was silent as her face turned blue from the lack of oxygen. It was only after she fell to the floor dead that people began panicking. It was hard to process what had just happened, after all.

There was chaos.

Folk ran around like chickens fleeing from a fox that’d managed to get inside the coop. In a way, that was exactly what was going on, though. You had watched as the mummified corpse sat right up and climbed its way out of the cold coffin. It stumbled on its bony legs and quickly found a cornered man and approached him. He screamed when the mummy grabbed ahold of his face and brought it before its own. The creature started sucking the life out of the man- literally.

The man who had previously been a healthy and active person was now shrivelled up like a raisin. His face was dry and wrinkled. He died soon afterwards, only a soft wheeze leaving his lips as he passed.

The opposite seemed to happen to the former-corpse, though. It attacked more and more people and for every kill, it appeared to revert to its original state- a man, pharaoh of an ancient kingdom. The flesh grew back and filled up in the right places and he seemed human again.

How can that be? He had been dead for centuries. Although, just about everything was pretty fucked up in this moment, so his make-over is the least important factor.

You backed into a corner. Your eyes followed the mummy’s every move, it was impossible to look away. There was hardly anyone left apart from you. The one person that was still there was getting attacked by the monster and it wasn’t long until they were reduced to nothing.

Now it was just you and the creature, and it appeared it knew that too.

It turned to look at you. The mummy had now completely reverted back into a man and he was nothing short of breathtaking(and very naked, but you tried not to think about it). It pained to to admit it but it was the truth. He was easily the most handsome man you’d ever laid eyes on. His long, dark hair flowed when he stalked towards you. Despite his outer beauty, you couldn’t forget what you’d just witnessed him do.

Trembling, you pressed yourself against the wall. “Stay away.” you weakly mumbled.

‘This is it. My time is over.’

You closed your eyes in fear and braced yourself for the pain that would undoubtedly come; only it didn’t. Instead of death, a hand grazed your cheek. It was a light touch, one reserved for something valuable and fragile.

A raspy voice talked, “…My love..it is you..”

You had no idea what he said, it sounded like an ancient language. You had studied hieroglyphs but did not know anything about what speech might’ve sounded like. You decided to be brave and slightly opened your eyes.

The mummy was staring at you, but there was no malice or hatred in his expression. In fact, the only emotion you could find on his face was amazement, shock and….love? No, that can’t be. This is not some ‘lovers reunited’ situation.

“How can this be? Death took you and left me all alone- not that I hold you accountable, of course. I know you would never seek to hurt me.” the mummy kept muttering to himself. “Perhaps….the magic worked after all?”

His face brightened and he smiled gently at you. Whilst he happily went on about something, you became more confused than earlier. What the hell was going on? He committed multiple murders in one swoop and now, suddenly, he is acting like you’re friends talking about your day. He isn’t even human! Or at least not anymore, not really.

You voiced this opinion weakly, “Ummm, could you let me go?” You tried pulling away from his touch, uncomfortable at his caresses.

His brows furrowed at your reaction. From the look of it, he didn’t understand you any better than you did him. He focused at the subtle way you attempted to peel his hand off your arm. You let out a yelp when his arms snaked around your waist and he pulled you into his embrace.

He leaned down and whispered into your ear, petting your hair at the same time. “Wife, why do you seem unhappy at my presence? I do not understand. Are you not joyous at our reunion? I love you so, I cannot comprehend any reason why you would not wish to see me.”

Even if you didn’t know what he was saying, you could hear the sadness in his voice. The pain and desperation. No! You couldn’t feel sad for him. He had murdured multiple of your colleagues, he’s evil! Although, why hasn’t he killed you yet? It’s very strange indeed.

The mummy continued, “I can sense things are not as they used to be. Things are different now. Although I do not know the extent of it. However I am most certain of one thing; I have miraculously been reunited with my love and I do not plan on letting you fall through my grasp again.”

He held you in an almost suffocating hug.

“I shall make you my queen once more.”

[rebelliousstories]

Different Time

Relationship: Remy LeBeau/Gambit x Reader

Fandom: X-Men

Request: Yes by Anon

Warnings: Angst, Fluff, Mentions of Blood and Violence, Strong Language, Happy Endings

Word Count: 2,358

Main Masterlist: Here

X-Men Masterlist: Here

Summary: Being dragged into the Void by your good buddy Wade was not how you imagined to be spending your days after your lover had died.

A single card was fixed between her fingers as she walked behind the other two people on their journey. There was silence all around the trio as they walked through the field. She did not pay attention to what was being said, nor did she care very much. If it was of any importance to her, they would let her know.

Before she knew what was going on, a dog was running straight for them. But the man with long, flowing locks that was running behind made her finger tingle with energy. After Deadpool and the Wolverine ahead of her did not move to attack the man, she let that energy fizzle out. Not that it would have done much damage anyways. It was getting harder and harder to remember what it was like. And yet, she could see it so clearly in her mind; the first time he had shown her what he could do.

“So what can you do exactly? You just throw cards at people?”

“Nah, cher,” his hands came up to hold a card between his fingers, “is much more den dat. I charge da playin’ cards wit energy. And den dey go boom.” His chuckle followed shortly afterwards.

“Is that so huh?” She chuckled as well. But the man just smiled, and wrapped his arms around her anyways.

“See is like dis, cher. Watch and learn.”

With his arms around her, he held an ace of hearts. Flicking it in the air caused a pink glow to encompass it. She giggled as he swiped the card from the sky, and touched it to her skin. The resulting kinetic energy made her entire body jolt, but the man kept her grounded as it flowed through each and every muscle.

“Feel dat, cher?” His breath fanned across her cheek as she rested against his chest. Once she had recovered, she held her hand and felt the card laid in her palm. Flipping it over through her fingers, she managed to produce a glow and a light crackling energy field around the object.

“Atta girl, cher.” A kiss was laid upon her cheek, and she felt the day old scruff rub against the crook of her neck.

“You comin’, bub?” A gruff voice pulled her out of her thoughts. Snapping into reality, the three men in front of her were looking like they were off to go somewhere.

“Apologies,” came her reply.

“Did we just miss some exposition about you? I feel like we just missed a vital flashback into your tragic backstory. Besides, I would like to find out what you do exactly. We’ve never gotten a clear answer. You just sort of do everything, like Taylor Swift.” Wade was having none of her dismissal.

“What are you talking about?” She was utterly confused, but Logan waved the red menace of off.

“Don’t pay him any mind. Come on, let’s go.” They all made the trek out to the dense corn that housed an old Honda Odyssey, which made the merc in red pitch a hissy fit.

“Get in the fucking car.” Logan snapped at Wade, utterly feed up with his antics. Before being prompted, she threw open the side door and climbed n the back. She watched as Deadpool tried to run off with the sweet little pup that had found them, but Wolverine put a very fast stop to that. Defeated, Wade climbed in the passenger seat, while Logan went in the driver’s, and they were off.

Somewhere along the way, she must have dozed off. That was the only explanation for the memory she was experiencing right now. Except, she was not exactly experiencing it as t had happened. No, she was watching it from an outsider’s perspective.

The first thing she saw, was a dingy old motel room floor. And the next, was laughing. Looking up, she saw them. It was her, and her beau play fighting on the bed of the motel room.

“Now, you know bettah den to play dirty, cher. Ain’t no coyon, ya know?” Her lover had trapped her arms to her body, and was smiling as big as ever. Plush lips stretched across his face. Hazel eyes twinkled brightly.

“Didn’t hear you complaining about me playing dirty last night,” she teased. Turning in his arms, she looked up at her lover with nothing but adoration.

“Well, Gambit seems to remember you not complainin’ neither.” His lips came down onto hers.

Watching from her spot near the dresser, the future her could still feel the wonderful pressure of their kiss. Tracing her fingers over her own, melancholy filled her heart. He looked so alive in this moment. A moment that she cherished with her whole being.

“Ahh!”

Something far less pleasant awoke her this time from her thoughts. One of Wade’s knives had lodged itself in her shin. Blood steadily poured itself from the wound. And the world fell still for a moment. Raising her eyes, she felt herself shaking in anger and pain as Deadpool met her gaze.

“Oh no. Oh, I am so sorry.” He wheezed. But it was too late.

Her other leg raised and kicked him hard in the head. While he was disoriented, her mind contorted the blade that was in his hands; even the hand that was holding the knife began to bend and break. Holding her knee, she made herself fall through the car and onto the ground below.

“Where’d she go? Magic woman.” She heard Deadpool exclaim loudly. It was followed by a growl and a squeak. And the car started to rock with the force that they were going at each other.

Rolling to her right, she got out from underneath the vehicle before someone sent a blade through to her again. Releasing her leg, she crawled on her belly over to a tree that was still facing the car. Her forearms were covered in dirt and leaves now, as were the entire lower half of her body. While keeping an eye on the Odyssey, she worked to remove her boots and rolled up the pants from her injured leg. She could see the wound eventually and worked to clear her mind.

Regenerating always took a lot from her. It took a lot physically and mentally from her, but she could get it done. Groans slipped from her lips as she could feel her skin, muscles, and even veins being to stitch themselves together. A scar was all that was left in the place of the stab wound. The woman rested against the large piece of wood behind her and watched through blackening vision as both men were thrown through the car, and jumped back in with fervor.

That was the image that she passed out to. That was the last thing in the real world that she saw. She was not sure how much time had passed between her passing out, and when she woke up. But she immediately recognized that she was not where she was before. There were stone walls all around her, and she was lying down on a bed. Before sitting up, she looked and could see Logan with a bottle of liquor to her right.

Voices were muffled all around her. She could not pin point a specific one, but something felt off. Like someone or something was there, and how that was supposed to make her feel, she did not know. Groaning, she sat up and caught the attention of everyone else that was talking. One person much more than anyone else. A familiar drawl called out her name, and her body filled with dread. Footsteps came closer, and the muffs came off from her ear.

“Cher, that you?” Her heart sped up and it felt like it was beating out of her chest. A hand came to her shoulder, but she was not having whatever weird illusion this was. Grabbing whoever’s wrist this was, she used her body weight and center of gravity to pivot the person onto their back on the floor beside the bed she was on.

Staring down, her heart stopped. This was her beau. Remy was staring up at her with wide eyes. Letting out a shaking breath, her hands let go of the man as if he had burned her and stood upon shaking legs. The man on the ground was not doing much better than her. He stood just as quickly, and looked at the woman just the same.

“Oh, thank you Lord. It is you.” He whispered, taking a step closer. But her hand shot up to stop him from getting closer.

“Don’t. Who the hell are you? And what are you doing with that suit on?” She demanded, and watched the confusion sink in.

“Cher, it’s me. It’s your Gambit. I’m jus’ wonderin’ how in da hell you here now.” Remy breathed.

“Oh my god!” Everyone’s attention was brought to Deadpool who was wide eyed in his mask. “This is your tragic backstory. You and him…”

“I need some air.” She turned on her heels, and phased through her wall till she was outside in the forest. Outside, she tried to draw in a deep breath, but found her body starting to seize. Everything got too much. Shaky limbs and sweaty palms found themselves crashing onto the forest floor. She tried to breathe in again but only managed half a breath. Her heart was beating out of her chest. The world began to spin.

“Ay, ay, you alright, cher. Come ‘ere. Let’s settle on down now, ya.” Thick arms encompassed her. They grounded her back to reality. As Remy kept whispering soothing words, she felt her world come back into focus. Her heart slowed down and was now moving at a steady rhythm. She was following Remy’s lead on her breaths; in through the nose for four, hold for four, out for four. Her arms and legs were soothing themselves out and she was able to wipe off her palms onto the legs of her suit.

“Dat’s a good girl, now. Ain’t no reason to be like dat. Just a little frightenin’ is all. Didn’ mean to.” He was apologizing for scaring her? After she had thrown him to the ground and walked out on everyone? Those arms felt so familiar and comforting; she did not want to move rom them. But she had to face this man. She had to know. Turning, her eyes finally came up close and personal with the man that had introduced himself as Gambit, Remy LeBeau.

“You good now, cher? Feelin’ a little bettah?” Even after all of this, he was still so caring.

“Yeah. How are you alive?” She whispered, tracing her eyes over every inch of his face like this was the last time she was going to see it. Because it just might.

“I been wonderin’ da same thing. Don’t know how long I been in dis here Void, but you was gone long before I got here.” One of his hands came up and pet her head so very softly.

“I’ll show you mine if you show me yours?” Her attempt at a joke made the Cajun chuckle as well. Sure, both of their laughs were tinged with sadness, but they were laughing together again.

“Well, I uh-” he stammered, trying to find the right words, “was out playin’ cards. Got a feelin’ dat somethin’ was wrong. Went back to the apartment we was stayin’ in. And you… you were gone when I got there. Tracked down who had killed ya, and it turned out to be my ol’ thievin’ ring. Didn’ like da fact dat we was ‘bout to get outta da game apparently. Da hardest thing Remy ever done was buryin’ you. Easiest was killin’ da sons o’ bitches dat took you from me.”

Silence enveloped them as the weight of his words sunk in.

“Something very similar happened in my timeline.” She replied, watching as he seemed to going through the same emotions she was.

“We were on our way back from a mission for Xavier. You and I were with Jean, Scott, and Storm. God, she was making so many jokes about how she was the fifth wheel on that mission and we were making it worse for her. Anyways, we got ambushed by the Brotherhood. We were actually taking out a good chunk of them, but Sabertooth got the drop on you. You bled out in my arms on the way back to the mansion. You had me promise not to do anything rash in the aftermath, but it was difficult.”

Tears welled in both of their eyes. Both of them mourning a love and life lost in tragic fashion. Remy pulled her in close, and she breathed in deeply. That familiar leather and musk scent blended with the fresh air outside. She just wanted that scent bottled up and kept with her at all times.

“So it seems to ol’ Gambit dat we both lost our other half. Maybe you was supposed to be the one that completed my deck, cher.” Her head raised and her eyebrow as she turned to look at the man in confusion.

“You’ve got an incomplete deck,” came her question. She began feeling around for a pocket in her jacket that was directly over her heart.

“Jus’ missin’ one card. Whatchu lookin’ for?” He questioned, letting her move around freely.

“Get your deck out,” his eyebrows raised. “Your card deck, Gambit. Humor me.”

“Whatevea you say, cher.”

The duo shifted until their respective items were grabbed. Remy produced a deck of cards and quickly rearranged them to be in card order. Her card was in between her first two fingers. As Gambit sifted through his deck, he stopped right where a card was missing. And as she revealed what was in her hands, the two suddenly looked at each other with love and tears. Her ace of hearts was missing from his deck, but he had finally found it again. It was a different time, different place, even a different person, but it was the same love that spanned the multiverse.

[nightingale-prompts]

Talents -DC X DP prompt

The public is aware that each of the Wayne children are creatively gifted. It was almost expected. Richard Grayson was the acrobatic of course and no one was surprised but highly praised. So many parents began putting their children in gymnastics after seeing Dick's performances.

Jason Todd took up writing and published his own books at the age of 13. Poetry, anthologies, and historical fiction were the genres he favored. His books still remain on the best-seller's list, especially after his death. His poetry book "Blackouts" is an emotional journey of everyday tragedies and miracles of life. People would often quote lines from his poems after tragic events.

Tim Drake was more elusive. No one knew what he did until his name came up under a national photography award. His album called "The Shades of Gotham" was a contract between parties of the wealthy and the impoverished citizens of Gotham.

Cassandra Cain kept to herself constantly. No one knew what she did for years. People assumed that Bruce Wayne stopped forcing his kids to perform and others argued that she just didn't have any talents to showcase. All wrong of course. Cassandra posted one of her recent projects online which proved she was very talented. It was a beautiful scarf she was making for the winter. Cassandra was gifted with a talent for textiles. She knitted, weaved, and sowed many of the clothes she was seen wearing. It was no secret that some of the clothes the Waynes wore could not be found anywhere else but people assumed they had a tailor to make custom designs but no one knew it was Cassandra.

Damian Wayne did not lag behind his siblings as she quickly showed off his artistic talents. He's still young so he hasn't gone as far as opening his first gallery but one of his paintings has already been put in a museum. Some call it nepotism but art is subjective. The other Waynes disagree since they have hung every art piece Damian makes in their offices and home right next to Tim's photos.

Duke Thomas isn't one to show off too much. But he does go all out in his hobbies. He secretly takes after Jason in writing poetry and has been inspired by "Blackout" since he first learned to read. Duck related to it deeply. But along the way, he learned a different way to express himself. Kids on the streets of Gotham learned a bit of breakdancing and Duke was no exception. Duke is an accomplished dancer and has gotten a few competitions under his belt now.

Now that there is a new member of the Wayne family the public is waiting to find out what Danny Nightingale's talent is. Everyone knew that Waynes were creative but honestly, no one expected this. A play was announced at Monarch Theater and none other then Danny's names was on the ticket as the star.

[allfearstofallto]

PLS CAN YOU FEED US MORE hero of the nation knight!childe ON MY KNEES I LOVE YOUR WORK SO MUCH AND I SEARCHED EVERYWHERE FOR A FIC LIKE THIS

This took FOREVER to write, but here you go!!

Blessings Be to The Hero of the Nation

Historical AU

Yandere Hero of the Nation! Childe x Fem! Reader

TW: yandere themes, stalking, minor character death, blood, threatening, forced marriage/engagement

He kept one of your hair ribbons wrapped around the hilt of his sword. It billowed in the wind constantly and would draw watchful eyes to it. That pastel pink fabric didn't match a single thing on his brutish, usually bloody exterior, but he still kept it regardless. You tragically didn't give it to him in a blatant display of affection and well wishes for him on his journey, instead, he found the little ribbon after it'd blown off your head and up to the wind. A little pout formed on your lips realizing you'd lost it, but you decided against retrieving it. He didn't though. He picked it up and placed it in his pocket, taking it home to clean off the dirt and grime.

That same ribbon was clenched in his hands when he arrived at the gate of your manor, along with a few other gifts that he would give to you. He'd just slayed the dragon, the wretched menace that was terrorizing the nation, now and only now did he feel worthy to ask for your hand. Cleaning off all the blood and gore that was on his armor, polishing it into light metal that could blind anyone who looked directly at it, he was certain that this would charm you off of your feet.

When he was invited into your home by your parents who were surprised to see the hero himself at their door, he didn't care about the tea or the cakes. The praise meant nothing coming from them. He skipped the pleasantries and went straight to the point. He wanted your hand in marriage and he wanted the wedding to be soon.

A skittish expression crossed your father's face as he gritted his teeth, “We've decided to leave that decision up to her.” Childe smirked, that was even better. He'd never met a woman who wouldn't fall for his charms.

You were called down from your room, eyelids heavy and half open, still in your thin sleeping gown with a robe over it. You were rubbing the tiredness from your eyes as you walked down the stairs, your other delicate hand gripping the banister. And when you saw him, you bowed. A deep traditional bow, given to those of a respectable higher status.

He kneeled down on one knee before you. The male kneeled for only one person, the queen herself. His sword pulled from its sheath, he laid it flat against his palms, offering it up to you. That knocked the sleepiness from his body and suddenly your eyes were wide open. Genuine shock was making your body stiff as a board and you looked back and forth to your parents who didn't say a word.

“Your visage has danced around my heart non stop since the first time I laid eyes on you. I wish to use this sword only to fight for you. Won't you please do me the honor of becoming my wife?” Words spoken in honor, with him meaning every bit of it. You were meant to take the sword from his hands, tapping it gently upon each of his shoulders, but you didn't. You just stood there, lips trembling, but not saying anything.

A marriage proposal via a letter was easy to ignore or reject, you didn't have to see their reaction. But never had you had someone be so bold as to propose to you in person. And not only that, the very hero that saved the Kingdom. Rumors told you he'd be marrying the first princess, she obsessed over him before he became the hero and those feelings seemed to only grow stronger after he waltzed into the city with the bloody head of the beast. Yet here he was at your feet, patiently anticipating your answer which he was positive was going to be a yes.

“I-'' you began, trying to think of the easiest way to let him down gently, “I fear that I'm not ready for marriage yet.” You said hurriedly. That wasn’t entirely a lie. You spent countless hours looking at the list of marriage candidates and scoping them out at balls and parties, but quickly realizing that none of them suited your tastes in that way. The entire idea of being wed barely satisfied you. You wanted to push it off for as long as possible.

“I'm willing to wait for you until the world crumbles. I'd even accept being your fiance until the day we die, as long as I can say you're mine,” he was persistent, you'd give him that.

You fiddled with your fingers nervously. Time felt as if it had stopped and this moment would never end. No matter what you did, he was still going to be there, “I thought you were to be wed to her highness, the princess?” You questioned him.

A scoff fell from his cherry pink lips, eyes looking you up and down, drinking in every inch of your body in that thin nightgown, “She does not interest me. Not the way you do.”

“There is really nothing interesting about me,”

“Won't you let me be the judge of that?”

Your shoulders slumped as you looked to your parents. They seemed as surprised by his persistence as you did, but weren't going to step in to help you, they always affirmed that it was your decision, they wanted you to be independent.

“Forgive me, hero, but I can not accept your offer,”

For just a split second you saw that princely expression slip. His eyes grew dark, lips in a deep frown, a rage you'd never seen before. But he was back to his usual expression in less than a second, that charming smile forming on his lips again as he stood from his knees and sheathed his sword a little too slowly.

“You wound me, my lady,” he'd mutter softly, hands still conveniently tight around the hilt of this sword, “Won't you please accept my gifts? And if you are to begin considering marriage, I hope that my proposal will be remembered fondly.”

Childe showed himself out, a little too quickly, but you didn't dare tell him to slow down. It was only once he was out those large double doors, did the air in your home feel breathable, you finally felt safe again. You watched his carriage leave from a window, watching as his eyes went dull again, losing all shimmers and feeling like a hollow mimicry of what humans were supposed to look like.

You were quite embarrassed to say you fell in love after that. Not with Childe, of course. You mentally tried to push the man from your mind after the way he startled both you and your family. Instead, your feelings developed for a commoner boy. You found yourself eyeing him when he'd deliver produce to your home, his face being one of pure beauty despite his messy exterior. As months went by, you'd catch yourself stealing bashful glances at him, locking eyes only for both of you to look away shyly. When the engagement was announced, Childe was one of the first to hear about it.

You twirled around the house in your wedding dress. Something plain and basic, but it was what your family could afford, and quite honestly, you loved it. You didn't want to take it off. Your fear of getting it dirty lessened as the days went by, until the wedding was only a week away.

“A guest for you, my lady,” one of your maids had said. Typically, when the employees of the house saw you dressed in your white gown, they'd smile at you, overjoyed as well. But she didn't. She looked worried, even a bit tense as she made the announcement to you.

“I hadn't arranged to meet anyone today,” you said a bit quietly, going to you closer to pick out something to change into, “Please tell them to wait in the day room.”

She stood stiffly for a second, then opened her trembling mouth to speak again, “I tried to, my lady. But he insisted on seeing you right now. He's just outside the door,”

A part of you wanted to ask who it was, who would be so disrespectful as to barge right up to a lady's room without her permission. But you already knew. There was a sense of unease sinking into your stomach. Unease and recognition. All the gifts and letters he'd sent weren't enough, were they? The man you were ignoring just had to come see you in person.

“Let him in,” you told the maid. She seemed confused at the ease at which you allowed such a thing, but still opened the door, revealing Childe who stood still in the hallway. He stepped past her, eyes only trained on you, “You're dismissed,” you said quietly, with a reassuring smile to the maid. Hesitance danced across her face, looking back and forth between you Childe, but she still did as told, bowing before leaving.

“You look lovely,” he said breathlessly, taking in the sight of you in that pure white dress.

“Thank you,” was all you could think to say back. Now that he was here before you, your mind was growing blank, all the things you wanted to say suddenly getting lost in fear. You tried not to notice the tension in the room, the way he was eyeing you like a predator about to pounce on a rabbit, but even your tough exterior was easy to see through.

“My heart aches for you, my lady,” he speaks softly while taking slow steps towards you. The terror of this situation made you move backwards, until your feet had made you press your back against the wall, “I fear that my haste might've made me do something…irrational.”

His dominant hand seems focused on the sword at his hip, making you look at it. It was only when you saw the red speckles all over his hand, hilt of the sword, and the oddly familiar pink ribbon he kept tied around it, did that coppery smell fill your nostrils.

With a trembling voice and a fake smile, you tried to assure him, “Any mistake is fixable, Sir Childe.”

“Not this one,” his hand continued to hold the hilt of his sword, squeezing it a few times as of testing the weight of his blade, “Do you know the best part of being the hero? The dragon slayer?” He asked, waiting for your response which was just a slow, forced shake of your head, prompting him to continue, “It's not the riches or the praise. It's not even the women.” As he speaks, one of his hands slides down from your cheek, to your neck, to the bodice of your dress. Tearful eyes look down to see him smearing that red liquid, that blood onto you white dress, staining it.

“I don't understand,” you mumbled, but your words fall on deaf ears.

“The best part of being the hero, is the freedom to do what I want. With no prosecution. Who in their right mind would stand up to the man who saved our failing nation? The answer is no one. Not the king, nor his workers, and especially not your weak little fiance,”

The sight and smell of blood, Childe's deep, hollow blue eyes, the way your heart felt as if it wanted to lurch out of your mouth. All things you tried to focus on as his words pounded their way into your skull, understanding washing over you like a wave that was trying to drown you where you stood.

“Wh-what did you do?” Your voice, so high pitched and breaking as the weight of the words forced through your body.

His hand, cold, soft, wet with blood rubbed your cheek, while his face never faltered, those dead eyes never changing, he had no remorse. It made you sick to your stomach, images of your fiance flashing through your head as you tried to imagine what he looked like, the hopeful ones saying that he was at least still alive.

“I'm going to ask again, nicely this time,” he began while pulling a ring from his pocket. Much more intricate than the one your fiance had given you, seeing as he had the hero's budget. But that didn't make you feel any less light headed when it was slipped onto your ring finger, freezing cold against your warm skin, “Will you do me the honor of becoming my bride?”