Mizuki and Date though like. Imagine being 8 and your parents are filthy rich and going through a bad divorce. Your mom treats you like shit, lashing out at you, hitting you, saying she wishes you were never born all because you were behaving like a child. Your dad is more comforting, but he doesn’t do anything to stop the abuse and he spends his time invested in a completely different family, a girl who you love and look up to but he loves her more than you and it fucking shows. Then your dads new friend, some fucking bachelor in his late 20s, is just like "wow you guys are the worst fucking parents ive ever seen" and next thing you know your dad is sending you off to live with him. And it’s just a massive kick in the head cuz you go from a rich lifestyle to living in some really shitty tiny ass apartment with this guy who’s clearly never been around a child in his entire life and he doesn’t know how to behave and does a really bad job of censoring himself like he has a bunch of dirty magazines that he can’t hide very well cuz it’s literally a studio apartment and also he talks to himself sometimes, it’s really weird. He doesn’t even have the slightest clue what he’s doing
And he’s the best parent you’ve ever had
Because fuck, it all really hurts. You have to cope with having never received any love from anyone, and with the fact that your parents clearly don’t want you and can’t even be bothered to send you with anyone even kinda responsible. And this guy has a scary job with crazy hours and you don’t know anything about him and neither does he. But still, he never once hits you or tells you you’re not allowed to cry. He just gives you space and doesn’t push you to feel any sort of way about him. And sometimes, he’s even kind. He makes you some stew, even though it’s a bit chunky. He lets you sleep in the bed and takes the couch for himself, even though he complains about the massive back pain he’d never trade his spot for a second. He pays attention to events at your school and gives you your favorite stuffed animal when you make good grades, even though you called it ugly. He gets worried sick when you come home with bruises and puts on a goofy voice and trains you to defend yourself and you develop some highly deadly skills and even though it’s really abnormal, he buys you a bench press so you can get stronger. There’s this distance there, and you feel really weird caring about someone who you aren’t related to, but you find yourself wishing it was meant to be like this all along, that maybe, he’s secretly your real dad and he loves you like his real daughter
And when you say "I’m back" he says "welcome home"
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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NO OK BUT I'M STILL NOT OVER BOOTHILL AND DAN HENG AND THE JADE ABACUS IN ENA'S DREAM!!!!!
For some extra context, I have a whole henghill manifesto I wrote over here, but the tl;dr is that Dan Heng decides to use the Jade Abacus of Allying Oath to save the Express Crew the first time. Boothill urges him to think it over carefully, but he doesn't stop him. And then, the second time Dan Heng decides to use it, we get this instead:
And just! That's so!! so!!!
Because like. We see in the first battle against Sunday that that Jade Abacus is effective, like we really do just get an entire army lead by a whole-ass Emanator of The Hunt right to our location and ready to fuck shit up. It's important. It's incredibly valuable. That is a huge amount of power to hold in the palm of one's hand.
But Tiernan's relic works the same way.
Galaxy Rangers are terribly dangerous. Boothill comments on this when discussing Acheron's motives, because he can't believe anyone would be stupid enough to get The Hunt on their asses. They're considered to be on a level even above The Annihilation Gang.
And now, with the burial relic, he has a way to get thousands of them, almost immediately, and all in one place.
And you can't tell me that wouldn't be something extremely useful to Boothill, like literally life-saving. He's wanted by the IPC. He makes his living as a bounty hunter. His whole driving motivation in life right now is to do whatever he can, up to and including throwing away his own human body, to ruthlessly hunt down one man and kill him in revenge. Like that has to be dangerous, the IPC is a massive entity with far-reaching influence and money and power and weaponry. He surely must have already had some close calls.
Like can you imagine it? Galaxy Rangers are solitary creatures. If Boothill were to find himself near death, he would probably be all alone. Do you think he had regrets? Did he wonder if anyone would find his own burial relic? Did it feel the same way it did when they melted his flesh, replaced it with metal? Did he lay there with his vision slowly blacking out until he thought of home, and family, and the little daughter who he never even got to hear her first word, until he was so full of fury that he could prop himself up on his rage like a crutch and find help?
Tiernan's relic would have been like a get-out-of-jail-free card. Just for one time, no matter where Boothill was, someone would find him. The Galaxy Rangers aren't sociable or organized between themselves, but they help their own. Someone would save him.
He chooses to give all of that up to help Dan Heng.
And I just cannot get over it, especially the wording of it, the pause before he speaks, the gentle way he tells him to hold onto his once-in-a-lifetime treasure...!! He wants Dan Heng to leave this to him! He wants him to keep this precious item that will help him save his companions again in the future! And maybe it's just...wishful thinking, me reading too much into it? But I mean. Just the way he says it...
I really do think it comes from a place of deep kinship and respect. That there's a lot of thought and feeling behind that statement. Something from one Pathstrider of The Hunt to another. Boothill fought for his home and his family, he fought really really hard! But. Sometimes that just doesn't matter. And now he's watching Dan Heng fight for his, too.
When he made that decision the first time, Dan Heng was in the parlor car of the Astral Express. He was completely removed from any danger. He could have chosen to get the hell out of Dodge and not look back. Obviously we know he would never even consider such a thing, but it was technically an option, and Boothill watched him decide to go back into the proverbial lion's den for his friends anyway. And I'm sure that was part of what sealed his decision, to later use Tiernan's relic instead of the Jade Abacus to summon enough people to disrupt Ena's Dream. Because he greatly values ideas like righteousness and justice and saving people, and Dan Heng so beautifully embodies all of that and then some.
Boothill doesn't have people to protect anymore, only ghosts to avenge.
And there is just something so endlessly endearing about him wanting to help Dan Heng, to make sure his friend doesn't go through that the way he did.
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I wonder if some people misinterpret the whole Ivan -> Till -> Mizi dynamic and try to “blame” Till or Mizi because of what happened to Ivan as a way to… cope? I guess?? (Cope is probably not the right word here idk)
Like, Ivan is a tragic character from top to bottom: disconnected from his peers, seemingly “emotionless”, both overexposed and never seen at the same time. Then he falls in love with someone who doesn’t/can’t love him back in the same way, always chasing them while they’re chasing someone else (who’s chasing someone else).
It tugs at our heartstrings that his tragedy seems to be never ending. It hurts that he never gets to have what he wants (love, affection, attention, reciprocity). He never even has a chance.
We know that all Ivan wants (at the very least) is for someone to look at him. But he barely even gets that before it’s all over. Then we’re left with a bunch of questions.
Did he ever feel at peace?
Did his heart ever stop aching?
Was his whole life just Black Sorrow?
It’s hard to think about Ivan’s arc for too long without hurting for him, so I can kind of understand why some people are trying to find an interpretation of the dynamic that isn’t as painful to sit with.
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