Just some thoughts on why it's extremely entertaining to watch Bucchigiri?! at least for me and at least now (with 3 ep out)
Obviously the designs, backgrounds, animation, voice acting and music is really good. It's fun enough to watch even without trying to piece together all the details of possible plot development or characterization. The world is bizarre and you never know what will happen, but it's also silly in a way what can remind of silly stuff irl(yes, playing baseball with a basketball, that brings some memories).
Even though the plot isn't clear at all now, i'm still curious about what might happen in the future episodes, cause there's more to each character than i thought at first and in each episode lots of stuff happens. It's both good and bad, but for me it's incredibly interesting, cause it's hard to predict what will actually happen.
And insane details what make no sense at first but then you wake up at 3am realizing "oh, that's what it meant", probably. It just works for some people, but will not work for others, obviously. And i'm in a group who's puzzle-solving and eccentric-fashion-loving parts of the brain just got activated by this show.
Kinda spoilers and wild theories, thoughts, observations and bad attempts at analyzing ahead
Right now i think we've been introduced to most main characters, and show may probably continue with awful interactions between them. Awful cause, well, each of these characters wants something different from others, sometimes something completely opposite (like with Senya and Arajin, one wants to fight but has no interest in other stuff, like romance, and the other doesn't want to get anywhere near fights and just wants some romance in his life; similar with Jin siblings, Zabu and Matakara and Arajin and Mahoro in that order, and different gangs).
And when there are these dialogue lines and scenes, what kinda feel like they're supposed to make more sense later (like with how Zabu tells where's no "fair" and "unfair" in fights; how Arajin actively avoids talking with Matakara, but is still clearly worried about him, and how quickly his usual commically-happy-and-invincible attitude changes when anyone is hurt; and various comments about gangs' lore in background dialogue; and the fact what there should be a second genie somewhere). It's fascinating if you love digging into every plot detail like there's some big conspiracy behind it. This research activity can be fun on its own, and it's increasingly hard to stumble upon anything what really makes you wonder what is even going on. That is not for everyone, and that's ok. But i won't be able to shut up when i have so many theories about what could happen, or why characters act like they do, because it's fun.
First episode is a series of wild events what occurred because characters either ignored something or tried to make something worse for someone because of a personal want. And it just spirals from there.
It may be not about how good and right can these characters be, but the opposite, how bad can it get and how can they change it. Everyone is a bit dumb and a bit mean and a bit stubborn, and it's interesting, cause everyone also has something or someone they care about. It's like billiards but with abstract concepts of characters' motivation instead of balls.
It will be sad if we just return to typical plot development, though it's not clear what genre are we even watching at the moment. But this will be later, and now i'm having fun with this show, and that's already good.
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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Ghost Kitchen (brought to you by criminal entrepreneur, Red Hood)
Danny’s got the easiest job in Gotham.
He works as a fry cook at a shoddily-run, independent burger joint. Hardly anyone comes in, despite prices being criminally low, and portions insanely large, and while the manager looks like the average tough-as-nails ex-con, he lets Danny mess around in the kitchen whenever the place is empty. (Which is often. This place has to be the city’s hidden gem or something!)
Mr. Manager’s the only one ever there with Danny, except for sometimes when his buddies come over to smoke and play cards. Danny would find it shady, except part of his job is not to ask questions. Literally, he was told during the interview.
(It was a weird interview. Why would they need to hire someone who’s been in a gunfight before? Like, he has, but Gotham’s idea of “hirable qualities” is so bizarre.)
So instead he whips up some killer burgers with the frozen ingredients, and basks in the praise as the guys tell him he shouldn’t have, he does too much for this joint, ain’t that friendly!
Now, Danny’s a chef on the newer side. As a teen he’d preferred the look of Nasty Burger over anything with Michelin stars, and he only really took up cooking after Jazz moved out for college. But just like ecto-exposure used to turn the groceries sentient, Danny’s low-level ecto signature imbues all his food with something historically haunted Gothamites just love! And Danny’s never been one to half-ass a job when it makes people happy.
With fresher produce, real meat, Danny’s sure he can take his dishes to the next level. It takes a couple months of badgering, but his manager finally agrees to contact the mysterious store owner, who keeps the place going, despite profits Danny knows have to be in the red.
Danny spends the morning prepping. He pours his heart into his food, eager to impress. The big boss will be here soon, and he wants to prove that despite the dangerous location, this place has real potential!
It isn’t until the Red Hood shows up that Danny realizes he’s been working for a money laundering scheme.
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