#i used to play folk punk

[daemonhxckergrrl]

synthesizers ? trans women

prog rock ? trans women

punk ? trans women

bass guitar ? trans women

noise ? trans women

💙💗🤍💗💙

💛🤍💜🖤

[thatdykepunkslut]

I don't listen to folk punk that often but Don't Come Knocking is one of my fave folk punk songs and I went to a show they played in my town with my folk punk roommate (the only time I have ever prepaid for tickets and also been able to go to the show)(also not the roommate I talk about but a secret, second roommate)

[currymanganese]

GUYS, I CAN'T ACTUALLY BELIEVE I'M SAYING THIS, BUT WHAT IF THEY ACTUALLY HAD A GOOD REASON FOR JOHN CENA BEING CAST AS SAMMY FAK?

please bear with me (pun intended) and let me know what you think of my speculation under the cut~

In a mind-boggling case of a seemingly big-lipped alligator moment in season 3 - John Cena appears in a bizarrely over the top (even by the tonal comedic standards set previously by The Bear e.g. Ecto Cooler punch at a kid's birthday party getting spiked with Xanax in Season One) and jarring scene that stretches on and on as he obnoxiously squabbles, blathers and exchanges nonsensical rapid-fire quips with his brothers Neil and Ted Fak as they buff polish The Bear's dining area before a food photographer from The Chicago Tribune arrives to take a photo for a review of The Bear.

In this scene, he also intimidates and threatens to 'haunt' (in a Fak family tradition ( that even the Faks find annoying) - that involves pranking and being an unrestrained nuisance to their loved ones especially when they least expect it) his brother Ted for, "stealing his SD cards"......

This scene and the increased screen presence of the seemingly plot-irrelevant Faks this season is currently being eviscerated by plenty of fans and critics alike.

Edit:

I now strongly suspect that John Cena's role was always in the works ever since S1

..................................

But what if there's a (debatable, but) really good reason for this scene and the increased involvement in Seasons 2 and 3 of the massive numbered siblings family of Carmy's pseudo cousins, the Faks?

See Exhibit A:

In season 2, episode 3, Sundae - after Carmy has already asked Sydney out to Kasama, a husband and wife owned restaurant run by Tim Flores, and Genie Kwon*, ostensibly just to brainstorm and gain inspiration for planning for the new menu, and after Sydney has already gone home and freshened up and changed her clothes, then arrived to Kasama early, despite the meeting only being scheduled for an hour after she last spoke to Carmy at his apartment, Claire calls and interrupts the whole hypothetical shebang with Syd and Carmy at Kasama (the Tagalog WORD FOR TOGETHER) with the words,

"Did you mean to give me a fake number? You do know that I know your entire family [translation: she must know Donna too and Claire assumes that Carmy's folks approve of her - and she's proven to be technically right throughout Seasons 2 and 3 ], right? And I know ALL the Faks! [translation: tee hee! they're bigger than you - to quote Neil and Ted with their Uncle, "We Faks do have a particular shape, don't we?😇" - and they outnumber you, you scrawny punk, slay!😉✨]"

Claire then proceeds to playfully threaten to have said "massive numbered siblings" Faks, which includes Sammy Fak, played by John Cena (a professional wrestler, from an industry that is mixes both bawdy over the top theatre, a performance art that values Kayfabe (legerdemain/slight of hand anyone?) and comedy, and an athletic discipline) that is TALL. BUILT. HENCH. AND BUFF AF.....Claire 'playfully' threatens to have THESE FAKS, beat up Carmy, who is short in stature and cannot fight well from all the previous physical confrontations we've seen him be involved in, despite supposedly being a former high-school wrestler, and who has already been seriously physically abused thrice in the series run thus far (not counting him play fighting or trying to fight with Richie) after being JUMPED by a GROUP of assailants, not once, but TWICE in season one, by the Ballbreaker nerds in the pilot, and the Bachelor Party attendees in the season finale (the first season started and ended with Carmy being beaten tf up, Holy Shit! 🤯); AND AFTER BEING SLAPPED IN THE FACE IN SEASON 2 BY HIS OWN MOTHER, DONNA.

Notice the way Carmy goes from being lost in his thoughts but being completely relaxed after his menu planning session with Sydney, and in anticipation of seeing her on their would be inspiration seeking meet-up (definitely not a date, no Sir! 👀) at Kasama, to being tense and jittery and apprehensive when Claire calls him (after going behind his back and getting his number from Fak).

Notice the way Carmy's voice shakes when he asks Claire if she really knows all of the Faks.....

Notice Carmy's defeated and annoyed reaction after he hangs up the phone.

No wonder Carmy is being so avoidant and conflict averse in his handling of Claire in both Season Two and Three, he has absolutely no faith in himself or his loved ones at present to defend himself should he assert the type of boundaries he may have been desiring to have with them for these past two seasons, after all - who can he count on to fully have his back even to the point of physically intervening for him if he gets into a scrape or is genuinely attacked, by the Faks on account of Claire taking offense at or misrepresenting his words and actions to them, e.g. Claire apparently twisting Carmy's self loathing stream of consciousness confession (that she eavesdropped on) and telling Tiff that they broke up because Carmy said that "Claire will ruin everything good for him?" while he was trapped in the fridge?

What if Carmy knows he has to rip the band-aid and call Claire and apologize for his part in the superficiality and disintegration of their dalliance, but is afraid to do so because he knows in so doing, if he is being fully honest with himself and with Claire, he never truly wanted to be with her in the first place?

And who knows how Claire will take that revelation - it probably won't be pretty will it?

And.....

to quote Neil Fak,

"Claire's the best."

"We love Claire."

"I did that." [setting Carmy and Claire up in Pop)

And.....

Claire. knows. all. the. Faks.....

TL;DR

They cast John Cena as Sammy Fak, and the Faks had a lot of screen-time this season because they are the physical manifestation of being haunted in their family's sense of the word:

and a satirical visualization of Carmy's desire for Syd being cock-blocked ; plus Claire is a Love-able Alpha Bitch, and Carmy is ambivalent towards her, and even a little scared to face her, because her henchmen are the Faks!

If you enjoyed this post, then thank you for reading and I'd recommend that you check out the following meta on the way Christopher Storer and Company have seemingly (and controversially) committed to sticking to the bit of lying to the audience and breaking the fourth wall throughout this entire season:

Richie and the viewer - by @whenmemorydies with my add-on in the reblogs about Richie, not Carmy, potentially being Christopher Storer's author avatar in this series (from a post originally written before season 3 premiered.

Fourth Wall being broken - by @brokenwinebox and @thoughtfulchaos773

Claire being a possible representation of addiction, being a habit that is hard to kick - by @thoughtfulchaos773 and my and @devisrina 's add-on speculating that Claire may also be meant to be interpreted or revealed as a bit of a mean girl, to reference TVTropes, she (and by extension Season 3) may be a deconstruction/ mashup /send-up / subversion of the: Girl Next Door, the Cute Bookworm, Nerds Are Sexy, MPDG, Yandere, Alpha Bitch, Loveable Apha Bitch, Childhood Friend Romance, High-School Sweethearts, Sickeningly Sweethearts, Getting Crap Past The Radar, Freeze Frame Bonus, Parental Bonus, Viewers Are Geniuses, Give Geeks A Chance, Even Nerds Have Standards, Beauty Equals Goodness, Face-Heel Turn, Cerebus Syndrome tropes etc.....and a subtler mirror version of Donna Berzatto.

Edit: See my reblog add on to @espumado 's thread on the recurrent 'haunting' theme this season and the possibility of the Claire x Carmy x Sydney love triangle being a Lilith x Adam x Eve allegory, and my webweaving about Syd x Carmy's Adam and Eve parallels. sidenote: Lilith is Adam's first wife apocryphally and in Jewish mysticism that left him, and became a she-demon / mother of demons after being impregnated by the archangel Samael - wait is 'Sammy' Fak a Samael allegory?!!

and another reblog add-on of mine to the thread linked above - on The Faks as the living embodiment of all that is fake in Carmy's life, C Storer's handy dandy tools for slight of hand,

you can't spell fake without FAK.

and please see

Clairecarmy as Ann Veal x GOB from Arrested Development

and with Richie's frustrated refrain of, "Who cares?!" whenever Claire and Claire and Carmy's breakup is brought up in 3 -

see the running gag of George Michael Bluth's (from Arrested Development) family's disdain for Ann and his relationship with her.

5. The parallels between The Bear and Burnt by @ambeauty - a post Season 2 post which was proven to be prescient and insightful given the Easter Egg inclusion of Bradley Cooper's character from Burnt on the photo wall of chefs at Ever in the Funeral dinner in the finale.

6. The parallels between The Bear and Boiling Point - a gritty film and mini-series set in a restaurant which features several plot elements and characters reminiscent of certain character archetypes and subplots present in The Bear - seriously think of this IP as The Bear's cynical, dramatic, older British cousin.

Decision to leave by @anderwater

This anon that recommended Boiling Point to me and wrote about its connections to The Bear.

The difference between The Bear and Boiling Point by @theblvckvenus

The similarities between The Bear and Boiling Point in this reblog add-on to @happylikeasadsong et. al's thread.

7. Claire/Carmy and the Walk In - my old post on the parallels between Strange Days (1995), Can't Hardly Wait (1998, and The Bear.

and @ambeauty 's meta on Claire as a representation of the fridge

8. My post on the possible connection between The Bear Season 3 and Andrei Tarkovsky's experimental, semi-autobiographical, psychological Oedipal drama film The Mirror (1975) - a film which was incredibly divisive upon its initial release, but has since gained wide acclaim and re-evaluation as a masterpiece, and that has had a legacy of subsequently inspiring multiple renowned filmmakers.

9. The Bear series' lead actress, and the director of Napkins, one of the only episodes of The Bear Season 3 to receive almost universal acclaim - Ayo Edebiri's trollish sense of humour and assertion that lying is the pinnacle of comedy.

10. And last but certainly not least with the inclusion of a Genie Kwon*'s, of Kasama fame, cameo in the season finale and the prominence of Kasama being key to Syd and Carmy's stymied relationship progression, courtesy Claire, see

The Kasama of it all by @gingerylangylang1979

@mod-doodles @lunasink @vacationship @chansoooo1-blog

@bioloyg @msmoiraine @nerdyblerd @ripley-stark @uncriticalbunny @prowitchazel @msmoiraine @mswyrr @anxietycroissant @turbulenthandholding @tvfantic87 @laryssamedeirss @tejidaepoque @angelica4equity @inalltheirgorgeouscolors @houseofevangelista @glitterslag

@uncriticalbunny @imliterallyjustablackgirl

@bioloyg and @ambeauty please don't say I told you so or welcome back, I'm flabbergasted that I wrote this, but I want to believe! 😭

P.S. If you're still reading this, do yourself a favour and read @brokenwinebox 's post

New Paradigm

and this follow up

Mocktail is a dirty word

and check out her #the magic trick tag!

and also check out these Sydcarmy and Rosalind x Orlando from Shakespeare's As You Like It parallels:

The Bear as a pastoral comedy

First Meetings

Fumbling with your crush

Separation, keepsakes and lovesickness

and also C Storer really did tell us in the music that this season would inspire

Mixed Emotions 🥴

[kawaiibarty]

black brothers headcanons

sirius has grey eyes, reg has blue

sirius has freckles on his face and regulus has moles all over his body

reg and sirius are almost equal in height (6'0/1") but sirius is obviously the taller one (he's not)

sirius is cis, biromantic homosexual and reg is ftm and gay.

sirius hid his "posh accent" during his hogwarts years until he started talking like remus/peter while regulus was "bullied" for talking like royalty (barty you asshat)

regulus and sirius are both fluent in french, classical greek and russian (i always had this hc that the black family are distantly related to russian royalty and because of their superiority complex they decided to integrate that into EVERYTHING THAT THEY DO, including the part about their children having the father's first name as their second [hence sirius orion black, and also why i feel regulus's choice in nomenclature, regulus arcturus black, is so important!!!! GUYSPLEASEASKMEABOUTITPLEASEPLEASEPLEASE])

sirius used to play piano but he's not so good anymore, he taught himself acoustic guitar. regulus is fluent in piano and sax. idk ive just always seen him being more into jazz than classical but he probably dabbles in some violin/viola too.

sirius has always been more into the rougher sports, definitely quidditch but it wasn't enough, totally took up ice hockey at some point at the potter house hold (he prefers contact sport) as well as tennis/badminton. regulus does figure skating and quidditch. maychance tennis.

sirius prefers to read books around 120 to 300 pages while regulus loves to drown himself in tomes over 700 pages.

sirius introduced reg to muggle authors such as alexander dumas and joseph conrad. sirius is more of a george orwell/charles dickons kinda guy

sirius's favourite genre in literature is dystopian/sci-fi, fantasy and drama while regulus is more into philosophy and legends as well as wiccan type shit ykwim???? and also historical dramas

sirius's favourite films are topgun, footloose and the terminator and obviously labyrinth, regulus cba to watch film and prefers musicals/other stage productions. his favourite is the phantom of the opera or hamlet depending on the day lol (projection mayhaps)

regulus is into britpop, emo/rock and post punk bands, eg: placebo (everyone stfu and let me cook), blur, pierce the veil, fall out boy, bauhaus, joy division etc etc. sirius is defos into glam rock, art rock, 80s pop, y'all get the picture, for example: david bowie (the obvious), t-rex (atyd fans, fuckin pull up), def leppard, queen (what's a sirius black depiction without some fat bottomed girls????) anyway im going over the word count chat

TW: abuse, homophobia etc etc (black family type shizzle)

sirius would take the blame for reg's mistakes (meaning he'd suffer the brunt of the abuse so that regulus doesn't have to though im sure as a fandom we've all collectively agreed that sirius has a silent saviour complex ft. fiercely loyal determination to protect his, and all of his loved ones' pride simultaneously)

regulus taught sirius morse code so that they could communicate in the house with minimal noise.

sirius taught regulus how to cut his hair after he came out as well as how to apply makeup to appear more masculine. he also provided reg with money for his transition when his parents started becoming too strict with their money after sirius was estranged.

regulus would write to james whenever sirius couldn't (GUYS OH MY GOD I HATE JT HERE)

uhm that's all for now folks, ask me for more if you dare.

[punkeropercyjackson]

An aspect of Hobie as an afropunk character that isn't talked about and appreciated enough(or ever really)is how humanized he is.So often punk male characters are stuckup white boys with consent issues and no real street cred due to whitewashing of punk culture as an inherently black scene per our history but Hobie's afropunk and he ain't no oreo.He's darkskin,his nose and lips are so big,his eyes are far apart,his brow is strong,he has wicks which are one of the most frowned upon hairstyles on black folks despite how nice they are,he's 6'5,he's ACTUALLY tall dark and handsome and they went nuts with him and i'm eternally impressed with how beautiful he is not 'inspite' of his blackness like is often potrayed but because of his blackness

Hobie is so open and softhearted and fun and he plays it into his beliefs and actions,not contradicting them as a sort of gag,he's multifaced and his personality traits overlap and contrast all at once.That's what people are like in real life but very rarely is that nuanse allowed to exist in black people as we aren't seen as,well,people.Hobie isn't demonized or made it to need to be put on a leash for hating authority and beating up bigots and even killing a cop.He's light as a role model for it.He's cringe sometimes,he does underaged drinking,he makes ridicilous facial expressions nonstop,he's got a big ego even if it's justified,he's a dad friend,he's an adultified black kids allegory,his personal(official)playlist is all actual punk songs,not Avril or Fob or P!atd,he loves the sea enough as a jamaican-english kid he choose a houseboat as his residense back when he was homeless,a concept art had him have a cat charm on his Watch,he plays guitar and uses it as a weapon,he's trans unlabeled and a black femme,he's definitely ptsd and audhd and never learned how to mask as so many black autistics people don't

And this is gonna be controversial but the implied romance with Gwen was a wonderful addition to his character.Gwen is punk too,she's canonically pastel punk and a trans girl and as trauma induced mentally ill and no masking game audhd-coded as Hobie is and their dynamic is symbolism for the intertwienment between blackness and transfeminism in punk history and a show of solidarity between different yet fundamentally similar aspects of punk and they get to bond over being troubled but good kids and punks and Gwen is so enamored with Hobie she can't help but yap about him to Miles and steal his clothes in a classic girlfriend move and flirt back when he initiates it despite how flustered she gets and the non-sexual intimacy of her living with him part time just the two of them and we know it's the non-sexual kind since them hooking up is what society expects of teenagers in love but punks don't care about conforming for normies and Hobie went out of his way to make reverse racism real on Gwen's abusive dad's ass and even forced him to leave her his love note.They're so important to eachother and the only thing stopping Ghostpunk from being the absolute perfect ship is the Spiderverse crew dropping the ball by not making Gwen a half white afrolatina(she is to me though.imma do my own thing)

Hobie Browns exists all over our existense and always have.He's the black punk kids from the 1970s,he's the black punk kids of today,he's the black punk kids i'm friends with and have pseudo-adopted as my younger siblings/kids as an older afrosolarpunk and them lacking positive adult figures in their lives so i do my best to give them what they need and want,he's ME when i was 17 and we're still so alike.I don't give two shits if i sound like a fucking geek,he genuinely means so much to me and i love him with my entire heart and soul and he would've changed my life as a lonely anarchistic afro-caribbean kid who felt like the bad guy no matter what i did or how hard i tried to be good and i'm so happy i can be what i didn't get to have to my honorary younger siblings/kids and help strangers and do all i can to fight to change the system,that i can be like Hobie and that Hobie is like Hobie instead of palpable to nonblacks

[pinkhoodi]

music lovers !

✎ᝰ — music hcs on my fav spider folks <3

♡⃕ — 1610!miles morales, gwen stacy, hobie brown

♡⃕ — genre + warnings: fluff + no warnings

♡⃕ — a/n: thank you to @4kh + @cutenote for helping me outtt 🫶🏽

꒰ MILES MORALES ꒱

Ꮺ miles’ music taste would be a vast range of rnb, trap, hip hop, jazz, spanish, and any and everything connecting to his culture and he’s not picky with what to listen to tbh

Ꮺ I don’t believe miles has a favorite genre or set standard of what he listens to, it just genuinely depends on what his mood is or what he has on repeat at the moment. generally, it’s a song that he found from tiktok or a leaked song that he found on soundcloud. speaking of, miles has no shame using soundcloud as a streaming service

Ꮺ but miles does have a set genre for each part of his day or whatever activity he is doing. If he’s getting ready and on his way to school, some 90s rnb or 90s hip hop; when doing homework, he plays jazz music or some chill spanish music; during his drawing time, he’ll put on some chill trap music or try to find an album that connects with what he wants to draw

Ꮺ miles is very open-minded to his music taste so he’s not really one to say no to a specific genre. now there were definitely some albums he wasn’t a fan of, but he will explore the artist of that album. he usually gives artists another try, even if their recommended album wasn’t the…best

Ꮺ miles is definitely one to collect vinyls, especially old-school ones, he has them plastered around his room and some sitting in a bin. jeff gifted him a record player so the vinyls wouldn’t be collecting dust and so that they could both enjoy the music on jeff’s off days

Ꮺ miles has a playlist for like…everything, and I mean everything. he has a drawing playlist, a spiderman playlist, a playlist for gwen (don’t tell anyone), a playlist for when he’s overthinking, a playlist to change clothes, a playlist to brush his teeth, even playlists for his favorite tv shows. listen, this boy is very much so obsessed with music

Ꮺ he shares his love of music with his parents as well! I do believe rio is more open to his music suggestions than jeff. however, jeff can be more open to mile’s favorite artists, it will take him a while though. whenever it’s a quiet moment in the morales home, they let music play as the day goes

꒰ GWEN STACY ꒱

Ꮺ I do believe gwen is less open to music suggestions than miles is. like miles is very expressive with music while gwen isn’t

Ꮺ on a day-to-day basis, gwen plays 90s rock music or 2000s pop punk. she doesn’t really go by her emotions, but more like whatever song is stuck in her head at the moment

Ꮺ I believe that gwen was a major pop girl and was very in tune with the pop girls of her early ages, but later shifted into the punk/rock category. a couple of avril lavigne songs and that girl is screaming teen angst at 4 a.m

Ꮺ also gwen has a heavy liking for indie/alt music ! she likes her underground artists or artists that can combine other genres easily. she also has a love for artists like tv girl, girl in red, and frank ocean

Ꮺ technically, gwen would explore the sub-genres of punk and rock but doesn’t dwell for too long. She doesn’t mind heavy metals but prefers not to listen to them all the time, wouldn’t wanna shatter her eardrums since she’s spider woman

Ꮺ she also listened to a lotttt of female artists and female groups, and she’s a huge fan of girl groups! but I think she’s more into the older groups like spice girls, pussycat dolls, etc. I do think she would be into kpop girl groups and would be into ones that make like bubblegum pop or “noise music”

Ꮺ she has certain artists that she can never get tired of and also some artists that she prefers that no one knows she listens to

꒰ HOBIE BROWN ꒱

Ꮺ now hobie is all around when it comes to music, he’s just about on the same level as miles tbh

Ꮺ hobie isn’t embarrassed about any genre that he listens to. so yes, he doesn’t mind getting laughed at for liking country music

Ꮺ now hobie is very big on music that was pioneered by black people, which makes him love genres like country and rock even more. he can never get over how much music is curated by, and usually for, black folks

Ꮺ now hobie is always gonna give his flowers to artists that he loves and shouts them out in interviews or moments when he’s caught on camera. also, whenever he’s asked what’s his favorite song at the moment, it never stays the same omg- one day he says alex isley and the next he says smino

Ꮺ on a daily, hobie listens to whatever he’s vibing out to at the moment. If he just finished a concert, of course he’s gonna keep the mood going and have rock playing; on a lazy day, some new school rnb; on the days of being spiderpunk, some trap music mixed with some old school hip hop; wash days would include jazz, indie/alt, and some rnb (old school and new school)

Ꮺ hobie has a playlist of recommendations for almost every important person in his life. he loves music and it makes his heart happy when he can share his love of music with others or enjoy watching people enjoy what he listens to

♡⃕ this been sitting in my drafts and somehow got the energy to write it ;p

♡⃕ I do love music and this is lowkey me just projecting my love for music onto one of my fav movies…anyways !

♡⃕ if you have more hcs on this, lemme know !

𝐕𝐎𝐓𝐏 💗: 1 john 4:7

© 𝟤𝟢𝟤𝟥 𝗉𝗂𝗇𝗄𝗁𝗈𝗈𝖽𝗂. 𝖺𝗅𝗅 𝗋𝗂𝗀𝗁𝗍𝗌 𝗋𝖾𝗌𝖾𝗋𝗏𝖾𝖽

[orange-orchard-system]

Since mottos and slogans have been a hot topic in the plural community lately... I want to introduce one that I've been thinking of for a long while now! It's part rallying cry, part "defiance via continued existence", and part punk in the "spikes as a deterrent" way (if that last comparison makes sense at all, lol – I'm specifically thinking of things like how wheelchair users may put spikes on the handles of their 'chair so others don't try to touch or move them without permission). It's this:

"Plural as in there are more of us than you think."

[PT: "Plural as in there are more of us than you think." / end PT]

I've also considered a longer version that would tie in the queer community/queerness – which I know is intertwined with plurality for many people – and that version would be: "Queer as in here without fear, plural as in there are more of us than you think". What do you all think?

I think it's very to-the-point, and plays on a simple premise: that we're not backing down – not in the face of hate, and not in the face of fear. Especially with the longer version; we're here, we're queer, get over it – and if you refuse to, just know that you can't silence us all, no matter how loudly you try to drown us out. We will always be here. There will always be someone to fight against the hate, to spit in the face of bigotry just by continuing to draw breath. It also has a nod to an older queer sentiment that I think we should bring back for both queer and plural folk alike – that we are everywhere. The cashier that scanned your groceries might be plural. The classmate sitting next to you might be plural. The neighbor across the street might be plural. We are here. There are more of us than you think. And we will not be afraid.

"There are more of us than you think" is also a nod to how statistics are often both misunderstood and just plain lacking in data. People really don't seem to realize just how population statistics translate to real life; how many people they pass by or have brief interactions with fit that "extremely rare" condition they dismissed, because something like "1.5%" doesn't look like a lot on paper, but ends up as a whole lot when you wander out into the world. That's at least one out of a hundred – and that estimate is on the more conservative side about one specific presentation of plurality, and doesn't account for many, many other forms of it. So, yeah, there are definitely more of us than they/you think.

I admit it can be read as a tad aggressive, but that's also part of the point. It's meant to be a very in-your-face type of motto, especially as a spit in the face of pluralphobia and all other forms of bigotry it entangles itself with – racism, sanism, disableism, ableism, religious intolerance, queerphobia, etc.. Yeah, your cashier, classmate, neighbor might be plural – and so what?! Yeah, maybe you should think twice about messing with us, because acceptance is growing and you're not going to be able to excuse your hateful nonsense for much longer without it being called out as such! But on the other hand, I think it can work well as a conversation starter, giving people the prompt to ask, "What does that mean?" In this case, the slogan being so provocative works in its favor! Yeah, actually, I'd love to talk about how plurals go unknown and deserve more awareness, how there are almost certainly more of us than even we can know for certain! And, again, spikes on a wheelchair – taking words as an art form, this slogan is art that's meant to make you uncomfortable, to make you question things; "Art should comfort the disturbed and disturb the comfortable.", as Cesar A. Cruz said. It makes you scared or uncomfortable to think about there being more plurals out there than you first estimated there to be? Why does it make you feel that? Is this the result of unconscious bias? Why do you think we, the makers of this slogan, might be comforted by the same phrase that disturbs you?

We're plural as in more-than-one in more than one (lol) meaning of the phrase. More-than-one in this body, more-than-one of us out there fighting the good fight – helping others, breaking down walls, and pushing for a kinder and more accepting future.

Plural as in there are more of us than you think. Fuck your hatred, we're gonna be here no matter what.

[badnewswhatsleft]

total guitar #160 march 2007 [joe's video]

transcript below cut:

You voted Dance, Dance in at No 57 in TG’s 100 Greatest Riffs, so we managed to collar the dual guitar talents of Fall Out Boy’s Joe Trohman and Patrick Stump to ask them how they write riffs, who they think is the ultimate riff-writing machine and what they deem to be the top five greatest riffs ever written…

Words: Claire Davies, Images: Joby Sessions

When you look at Fall Out Boy or listen to any one of their albums, it’s easy to dismiss them as pop punk scamps who like to mess around on the guitar but don’t take it that seriously. In some respects you’d be right, but singer/guitarist Patrick Stump and his talented co-guitarist Joe Trohman know quite a bit about writing insanely catchy riffs and playing guitar.

Patrick, for instance, doesn’t respect players who wail unnecessarily over a song. “I like restraint in guitarists,” he says. “It’s easy to go overboard and try to be Eddie Van Halen. But here’s the thing: you’re not.” Joe, on the other hand, is completely obsessed with vintage guitars. “I was really into vintage Gibsons, but I just used to break them all the time and it turned out to be kind of expensive. Now I play Washburns ‘cos they have that same wide-neck feel and pickups as some of those 70s Les Pauls.”

One thing they’re both passionate about, however, is writing great riffs and how you - by expanding your musical horizons - can write one with as much groove as Pantera’s Walk…

So guys, why did you choose guitar and when did you start playing?

Joe Trohman: “I started playing guitar because of Metallica. I used to listen to them loads and when my grandma got me the Live Shit: Binge And Purge video I couldn’t stop watching it. I used to play viola and trombone in my school band, but watching bands like Metallica and Smashing Pumpkins made me wanna play guitar. From the moment I got a cheap $50 guitar, I played it all the time.”

Patrick Stump: “I chose drums to begin with, but my dad was a folk singer in the 70s so he always had a guitar lying around. I’d mess around and write songs on it, but I never fancied myself as much of a player. When the band started I ended up singing, even though I was supposed to be a drummer. Then one of our guitarists quit, I had to fill in and it went from there.”

When you were starting out, which guitarists influenced you?

Joe: “Kirk Hammett and Dimebag had a huge impact on me, as did Billy Corgan. I was into a lot of lead players, I guess, but as I got older I realised how important it was to play rhythm as well. People don’t realise how good a rhythm player James Hetfield is. I also love Johnny Marr, who has probably been my biggest influence so far.”

Patrick: “I’m not a huge Stones fan, but I appreciate Keith Richards’ playing ‘cos it’s all about his riffs. Outside of that, my favourite shit as a guitar player is funk; everyone from James Brown to Prince. I also love jazz player Joe Pass, who is one of the only people good enough to noodle on guitar, and Jesse Johnson who was in a band called The Time from the Prince movie Purple Rain. My favourite solo of his is just one note, but the crazy shit he does with that one note is unreal.”

Moving on to riff-writing, how would you describe a guitar riff?

Joe: “It’s a cool guitar part that catches you instantly. It’s something you can play over and over without it losing its edge.”

Patrick: “Yeah, it’s four bars that are simple and that grab you immediately, like the riff from Janet Jackson’s Black Cat. I think a good riff comes down to a good rhythm section. When you look at a guy like Dimebag, he always got right in there with the bass and drums. Pantera were built on a groove as strong and simple as any R&B groove.”

Joe: “Yeah, Walk has to be one of the simplest riffs ever but it grooves, and that’s what matters: what you do with the riff and how much it grooves.”

So how do you come up with riffs, such as the one on Dance, Dance?

Patrick: “We just fuck around until we come up with something. You’ll come up with a gazillion riffs when trying stuff out, but every so often something will jump in front of you. Once you’ve got your four bars, stuff will start happening. With Dance, Dance I was just sitting in the van and we were all talking about The Cure, and I had this idea of a Cure bass line that they never wrote, which ended up being the riff in Dance Dance.”

What’s the best riff you’ve written?

Patrick: “I really like the riff on Of All The Gin Joints. But The Take Over, The Breaks Over from our new record [Infinity On High] is easily one of our best riffs. I wrote it after reading something Bowie said: that he was sitting around one day and decided that he really wanted to write a riff like Keith Richards did. So he wrote Rebel Rebel. After reading that I thought, ‘Fuck! I wanna do that!’”

What, in your opinion, makes a kick-ass riff?

Joe: “A great riff comes from being part of the rhythm and acknowledging that you’re not gonna produce something totally original. You should listen to loads of different music and put your own spin on it. Like on our last album we wrote a riff that was like Panama by Van Halen. We’ve obviously taken influence from them on that song, but we’re not ripping them off wholesale. Instead it’s like paying homage to them.”

Patrick: “When you’re writing a riff you’re part of the rhythm section and you keep up the tempo and rhythm as if you were the drummer. You have stabs as though you were the snare drum and you’re hitting low notes as though you’re the bass drum, but you’re also controlling the melody. At the end of the day, a riff is something that you can hum and it’s a rhythm you can play on drums. If you have both those qualities in your riff then you’re onto something good.”

What do you think are the Top Five greatest riffs ever written?

Joe: “I love the start of This Charming Man by The Smiths, and Black In Black by AC/DC. Walk by Pantera is probably one of the best riffs ever, same as Battery by Metallica, but if you can’t do triplets and haven’t got tons of stamina then it’s hard to play. I also love South Of Heaven by Slayer just ‘cos it’s so evil sounding.”

Patrick: “Satisfaction by The Stones is the be-all and end-all of riffs. I’d also go for Rebel Rebel by David Bowie, Janet Jackson’s Black Cat, the second section of Bohemian Rhapsody and Black Sabbath by Black Sabbath. That one riff alone changed metal as we know it. I also wanna throw in Owner Of A Lonely Heart by Yes ‘cos it’s a great example of having really talented guitarists who still keep it simple.”

Who do you think is the ultimate riff-writing machine?

Joe: “I’d go with Randy Rhoads, just ‘cos I love that riff in Crazy Train. That guy was a genius.”

Patrick: “Angus and Malcolm Young have written so many phenomenal riffs that you can’t do any better than those guys. But I come from an R&B background so I wanna say Prince, just ‘cos Let’s Go Crazy is so awesome. And I also wanna know who wrote the riff to Michael Jackson’s Beat It [TG mentions it was session musician and Toto guitarist Steve Lukather]. Was it Lukather? Yeah, of course it was: he played the riff and Eddie Van Halen played the solo. I wonder why Lukather doesn’t get more recognition? Now you’ve mentioned Lukather, I wanna change one of my Top Five riffs to Toto’s Hold The Line, ‘cos that’s one of my favourite riffs ever!”

How did you approach the guitars on your new album, Infinity On High?

Patrick: “We’re both playing a lot more rhythm on this record, but if there is lead then it’s in much more of a BB King way where there’s a call and response.”

Joe: “My favourite thing about the guitars on our new songs is that I can ad-lib when we’re playing live. I know scales well enough and understand the fretboard well enough to do that. I could never tell you what key something is in, but in my head I know what it is. The cool thing about being in this band is that Patrick and I play guitar really well together, and I’ve learned a lot from watching Patrick and playing guitar with him.”

So can we expect a lot of guitar interplay from you on this album?

Joe: “Patrick also plays piano on this album, so he’s not always on guitar, but we split up a lot of the guitar playing. There’s a solo on The Take Over, The Breaks Over that we split in half when playing live, even though on the record it was done by Chad from New Found Glory and Ryan from Panic! At The Disco. We thought it was cooler to have guest guitarists than guest vocalists. So yeah, we split a lot of the guitar stuff up and switched between rhythm and lead. The weird thing is that I’m always pegged as the lead guitarist of the band, but we always switch back and forth.”

Patrick: “I think in general, I play a lot of the single-note leads and Joe plays a lot of the octave and chord leads.”

Which tracks on the new album best exemplify you guys as guitarists?

Patrick: “The end solo of Don’t You Know Who I Think I Am? Is how I love to solo. It’s real bluesy, which is what I’m about as a player. I’d also say the solo on You’re Crashing But You’re No Wave.”

Joe: “Yeah, that one had a lot of Johnny Marr filler guitar in there, and also Don’t You Know Who I Think I Am? It's filler guitar that doesn’t really jump out at you, but it’s atmospheric and it changes the vibe without you really knowing it.”

Finally, how proud are you as guitarists of your new album?

Patrick: “This is my favourite record because it’s restrained and funny. It’s basic rhythm playing, which is my favourite kind of guitar playing. I’m much happier playing a strong riff 100 times over than playing a kick-ass solo once. We do have kick-ass solos, but the way we write doesn’t always leave that much room for them.”

Joe: “I learned from playing on this album that I don’t need to play solos all the time. I’m proud of the record and proud of the cool riffs and songs that we’ve written together.”

Patrick: “I’m less impressed when someone shows off, and on this record we don’t show off a lot so obviously you should be impressed… I’m kidding!”

[mikeywayarchive]

Mikey Way: “I was borderline terrified a lot of the time My Chemical Romance was active. I was learning the bass in front of 20,000 people every night!”

By Gregory Adams ( Bass Player ) published June 9th 2023

The reunited emo kings’ low-end ranger reveals why he swapped out his signature Fender Mustang for a sparkling new signature Jazz Bass, learning bass in arenas, and how he overcame insecurity about his chops

Full interview under cut:

My Chemical Romance’s reunion has seen bassist Mikey Way thrumming through the high pomp punk of The Black Parade and Three Cheers for Sweet Revenge favorites with a familiar rhythmic fortitude, but keen-eyed band obsessives have probably noticed the musician is no longer sporting the snazzy, silver-flake Squier Mustang signature model Fender built for him back in 2012. 

The good news is that’s because, as Fender have just formally announced, Way has a brand-new – but just as glammy – Jazz Bass out now. There’s a good reason why Way’s made the switch: the Jazz Bass is his first love.

Though he started out on guitar, Way got the hang of a four-string in the mid ‘90s while playing a loaned-out Jazz Bass in his pre-My Chemical Romance project, Ray Gun Jones. He upgraded to a silver-finish Jazz of his own by the time MCR started touring in the early ‘00s, but a trailer mishap led to that instrument getting smashed to pieces on a highway.

Way tells Guitar World that he eventually became obsessed with the short-scale sturdiness of a Mustang bass guitar as My Chemical Romance were writing their 2010 full-length, Danger Days: The True Lives of the Fabulous Killjoys, after fooling around with a model Duff McKagan had left at North Hollywood’s Mates Rehearsal Studio. By 2012, Way had his Squier model in stores.

It was during the downtime after My Chemical Romance went on hiatus in 2013, though, that the stubbiness of his Mustang became a little hard to handle.

“I stayed away from playing bass for a little while, which is natural – I was just decompressing,” Way explains. “Then, sometime in 2014, I picked up the bass again, to get my chops back, [but] I noticed that the Mustang felt strange to me.” 

After reaching out to the folks at Fender, Way got a grip on his playing by stretching out on the longer-necked Jazzes they sent him. Way’s take on the Jazz Bass is outfitted with ’70s-style single-coil pickups, and a thinline “C”-shaped maple neck the bassist says is super-speedy.

The finish is silver, of course, but Way also wanted an aesthetically inkier black pickguard. The headstock, likewise, pops with its matching gloss-black finish.

Speaking with Guitar World, Way gets into the glam and grunge gods who inspired his love of a good sparkle coat, overcoming performance anxiety, and why a steady attack wins the bass race every time.

What were some of the musts when it came to designing this latest signature?

“I’ve been obsessed with the sparkle finish as far back as I can remember. Growing up in the ‘90s, the silver-flake [finish] was big in alternative music. Chris Cornell had the Gretsch Silver Jet, [Daniel Johns] from Silverchair had one – [with] the imagery the Smashing Pumpkins used, they liked sparkles.

“Ace Frehley, of course, was big into flake finishes, and as a kid, you love the larger-than-life, comic book world of Kiss. [And there’s] David Bowie – the glam rock stuff. That flake finish makes me think of so many different things, but that’s why I love it so much.

“I remember being younger and going into stores and seeing a flake finish and being like, 'Oh my god, that’s an expensive [looking guitar] – I can’t afford that, let alone play it.' It was almost intimidating.”

One aesthetic difference between your Mustang model and this Jazz is that you didn’t throw a racing stripe on this one.

“I thought about bringing it back and keeping the continuity. Maybe somewhere down the line we’ll throw a racing stripe on this. The thing with [seeing a] racing stripe was always like, 'This player is a badass!'”

Is there a psychology behind removing the racing stripe, then?

“The psychology behind it is that I forgot about it. When My Chemical Romance was talking about doing reunion shows [in 2019], I’d contacted Michael Schulz from Fender and was like, 'Is it OK if I make a new bass for this [next] era of My Chemical Romance?' I wanted to take my past and bring it to the future – taking my Mustang and melding it with the Jazz Basses that I loved so much. 

“I tried to have my cake and eat it, too. I wanted the thinner neck, and I wanted the silver-flake, but I wanted it on a Jazz Bass. They knocked it out of the park immediately.”

Getting back to how you used to admire those silver-flake guitars in the shops, you actually started out as a guitarist, right?

“So, the story goes that my brother [My Chemical Romance vocalist Gerard Way] had a Sears acoustic guitar when he was 10 years old. We would take a shoelace and make a strap, and we would stand on the couch pretending we were in Iron Maiden. And then it got real around ’93-’94, which lines up with the rise of alternative music. You started to see people that looked exactly like you, and they were playing guitar. They were playing Fender Strats! 

“My brother got a Mexican Stratocaster, Lake Placid Blue. I found it not too long ago, and Michael from Fender hot-rodded it. That’s how I cut my teeth – that Mexican Stratocaster [was] my first foray into really trying to learn how to play guitar. I would watch bootlegs of concerts, and watch [guitarists’] hands and fingers – Thom Yorke, Billy Corgan, Noel Gallagher, Jonny Greenwood. I would watch what they were doing. It all started from that.

“Bass came out of necessity, twice. Me and my brother had a band called Ray Gun Jones, I guess in ’95-’96. It was kind of Weezer-ish, or us doing a surf-punk thing [with] a little bit of pre-mid-west emo. At the time we were really into Weezer, Jawbreaker, Promise Ring, Smashing Pumpkins, Nirvana, Sunny Day Real Estate. 

“[Ray Gun Jones] needed a bass player, so my brother was like 'Hey, do you want to play bass for my band?' I was already a huge fan – I’d always tag along to practices. The ex-bass player let me borrow their bass. We had 4-5 songs, and I got the rudimentary from that. In that era, everyone was like, 'I want to be a guitar hero,' but I realized I had a natural knack for [bass]. I picked it up right away. 

“Then, with My Chemical Romance, it was the same thing. My brother was like, 'We need a bass player,' and I was like, 'Well, this is familiar' [laughs]. 'Here’s the demo; learn these songs.' They weren’t terribly difficult.”

Was that bass you had borrowed a Fender Jazz?

“Yup, I’ve only ever played Fender. I’ve tried tons of other basses from other companies, but it always feels alien to me.”

You mentioned studying the playing of Thom Yorke or Billy Corgan through those bootleg vids. Were there any bassists that you treated similarly, to understand the mechanics of bass?

“Matt Sharp from Weezer. I tried to ape him in the beginning, but my attack sounds vaguely reminiscent of a Smashing Pumpkins recording. I would learn Siamese Dream and Melon Collie and the Infinite Sadness, and the Blue Album [the band’s 1994 self-titled debut] by Weezer. Those were the three albums that I put the most time into learning. That’s in my DNA.”

How about from a hyper-local perspective. If My Chemical Romance started out playing New Jersey basements and VFW halls, where there any bassists from that scene that inspired you, or that you appreciated?

“Yes! We shared a rehearsal space with this band called Pencey Prep – that was [MCR guitarist] Frank Iero’s original band. John McGuire was their bassist, and he let me borrow his equipment all the time. He taught me fundamentals, and gave me pointers – he taught me a whole heck of a lot. 

“I always respected Tim Payne from Thursday, I loved his attack and stage presence. And when I’d watch Gabe Saporta from Midtown, I thought 'This dude is the coolest guy in the room.' He’s got this calm, cool, and collected [presence] that you can’t fake or learn. And then Eben D’amico from Saves the Day – brilliant! 

“I would try to learn Saves the Day basslines. They were pretty complex [compared to] what most bands were doing in that scene. Most bands in the post-hardcore scene had simplistic basslines, but Saves the Day did not.

“There’s also Ray Toro, the guitar player of My Chemical Romance. Not only is he truly gifted at guitar, but he’s truly gifted at bass and drums – Ray can do everything. He was instrumental, early on, with showing me the ropes. Ray gave me lessons when I was a novice. I can’t thank him enough for that.”

What kind of pointers was he giving you?

“He showed me proper fretting, or [how to maintain] a steady attack. I got a really great compliment from our front-of-house guy, Jay Rigby. He told me that I’m one of the very few bass players that he doesn’t have to go in and tweak the volume [for]. 'You’re steady, throughout.' I think that’s something that Ray Toro instilled in me: the consistency of attack. 

“It’s funny thinking about it, but I was such a novice going into My Chemical Romance that I would bring myself into an anxiety-ridden state of, 'Oh my god, we have a show tonight; I have to start practicing right now.' I would be practicing four to five hours before we played – I’d play the set [in the green room], and then I’d play it again. Other bands would be like, 'What are you doing?' I was so neurotic at that point, because there were so many people around me that were beyond gifted. 

“I got pushed into the deep end; you’ve got no choice but to figure it out. Ray and Frank are so gifted that I had to keep up. I didn’t want to ever do the music a disservice.

“That brings me back to the simplicity of the early My Chem basslines. The first album [2002’s I Brought You Bullets, You Brought Me Your Love] was me learning the bass, and somehow [producer] John Naclerio recorded me and said, 'You did a great job,' which I did not expect. 

“I thought I was going to go in there and they were going to have to do some studio magic, or someone would come in and play [my] part. I thought of the worst-case scenario, but I went in and did it. I played the bass seriously [enough] by that point.”

What are you generally looking for in a My Chemical Romance bassline? 

“What makes it for me is if I do a fill, I’ll only do it once. If you listen to [the band's 2022 comeback single] The Foundations of Decay, any fill on there I only do one time. What’s interesting about The Foundations of Decay is that it’s very loose and run-and-gun. We went in and punched things in for timing, which everyone in the world does, but the meat of that is first-or-second take. Which brings me to someone else who was very instrumental to my bass playing: Doug McKean.

“He’s no longer with us, unfortunately, but he was our engineer from The Black Parade [until his passing in 2022]. He was always a huge cheerleader for me – he instilled confidence in me. He was always good at getting a killer performance out of me.”

What are some of the biggest My Chemical Romance bass moments for you?

“I’ll say that fill in on Foundations. No-one saw that coming.”

There’s a YouTube video out there of someone playing their favorite Mikey Way basslines, some while using your signature Squier Mustang, but one standout in particular is The Black Parade’s The Sharpest Lives.

“What’s funny is Sharpest Lives has a bass solo, and I was terrified of it. I had performance anxiety [through] the 12 years before we broke up – I don’t have it anymore. Somehow when the band got back together, a switch in my brain [got] flipped. [But] while My Chem was active, I was borderline terrified a lot of the time.

“I’m playing with people far above my skill level, I’m playing [on bills] with bands where their bass players are way better than me, [and] our shows were getting massive. We were playing arenas! So not only are you learning the bass, but you’re learning the bass in front of 20,000 people every night. It made me tweak a little, but I think it shaped me into what I became.

“That solo gave me anxiety. It was when we were playing the biggest venues of our career, and it would break for the solo [Way starts singing his ascending bass lick]. I practiced it relentlessly, then it [became] second nature. Later on, it [became my favorite part of the show.”

You’re already playing the Jazz signature in your live show, yeah?

“It’s what I use for the live show. Basically, Fender built [it] for the reunion, and then we made a couple tweaks for when we release it.”

Was there a learning curve at all towards transferring My Chemical Romance songs you’d written on a Mustang onto the Jazz?

“There was Planetary (GO!), a song off Danger Days. I’d guess you’d say the whole thing is a disco beat. It’s dance-y – [Mikey starts singing an octave-popping bassline], I do that for the entirety of the song. I was very happy that I only had to do that on a Mustang, initially [because of the shorter scale]. But going back to what I said, [after] I took a little break, [I] went back to a Jazz Bass. 

“I missed the room, or the way my hand went up and down the neck. I wanted to go back to that, so I jumped back in and felt right at home again.”

How many Jazzes are you bringing on the road?

“I bring two basses out, [but] I stopped even switching [during the set]. This is a testament to Fender craftsmanship – that thing stays in tune. It’s got the four-saddle bridge, and it stays in tune so well. I’m a little neurotic so I’ll tune every few songs, but if I went five to six songs you probably wouldn’t even notice.”

What does it mean to you to now have a fully-formed Fender signature model – as opposed to the Squier – and with the body shape you began your career with?

“It’s really a dream come true. It’s funny, in 2002-3 we started touring across the country. I had a Mexican Jazz Bass, but [the band] were like, 'You have to use something with better electronics; better wood. Step it up!' So, I went into the Guitar Center on Route 46 in New Jersey, and at the time Fender had released a special Guitar Center edition that was silver-flake. 

“It always bugged me that the pickguard was white – it threw me off, aesthetically, and I was like, 'I’m going to change that pickguard one day.' So, I got that, and I was using that for a while. 

“We were out with [Boston emo quartet] Piebald – it was one of our first cross-country tours ever – and one night someone forgot to close the trailer door. We’re driving on the highway, and half the contents spilled out – unfortunately, my bass was a casualty of that.

“But Frank Iero, and his heart of gold, jumped out on the highway in the middle of the night and tried to recover [the bass]. He was like, 'Maybe we can fix it!' I’ll never forget him doing that. He got a chunk of it – it’s in one of our storage units.”

For more information on the Limited Edition Mikey Way Jazz Bass, head to Fender.com.

[annaholak]

Wyrd Sisters Abroad

For this year's inktober I'm reimagining the three Lancre coven members, from Sir Terry Pratchett's Discworld novels, as modern day witches (and sending them on a trip to America).

So let me introduce you to:

Gytha "Nanny" Ogg (canon version)

Gytha is the optimist of the coven. She has buried three husbands (and that’s just the official count), she has fifteen children, innumerable grandchildren, an evil cat named Greebo, and only one tooth. She likes smoking her pipe, eating, drinking, playing her banjo while taking her bath, and singing (mostly “the Hedgehog Song” and “A Wizard’s Staff has a Knob on the End”). She always checks under her bed before going to sleep in the hope that there might be a man hiding under it (you never know…).

And:

the reimagined Gytha "Nanny" Ogg

Don't let her pink velour tracksuit fool you; she’s not one of the working out types of octogenarians (in fact she doesn’t do anything tiring if she can help it) - but she does like to be comfy (and maybe a little bit sexy - though she probably wouldn’t admit that). Her sneakers were chosen by one of her many grandchildren and “they’re red because Nana likes red and they have stars on them because Nana is MAGIC!”. Her witch’s hat has a red ribbon on it because she does indeed like red. Not pictured is her foul-tempered, evil-smelling, one-eyed cat Greebo whom, despite all evidence to the contrary, Nanny considers to be a sweet, harmless kitten.

Esmerelda (Esme) "Granny" Weatherwax (canon left, reimagined right)

Esme is the most intimidating of the coven. She is very confident in her abilities. When she says that something is impossible she usually means “for anyone except herself”. Accordingly she is not a good loser (she hasn’t had much practice); from her point of view, losing is something that happens to other people. She’s never scared of walking through a dark forest because she knows that the most terrifying thing in it is herself. Her implicit belief that everything should get out of her way extends to other witches, very tall trees and, on occasion, mountains. Despite being an extremely powerful witch, she prefers to use headology instead of actual magic whenever possible; she is a firm believer in giving people what they need, not what they want. She is Good and she is Right, but she's not Nice. She is feared and respected, but generally not liked.

In canon she is the most "traditionally" dressed of the three Lancre witches: all black, simple dress, sturdy boots, tall witch's hat fastened to her tight bun with hatpins, and the occasional vest. Her goal is to look as much of a witch (and as intimidating) as possible.

In the reimagined version she is still dressed in all black but I opted for a different kind of intimidating-older-woman style: the ageing punk rock virgin with the evil stare.

And last but not least:

Magrat Garlick (canon version)

Magrat's name is an accident; her mother wanted to name her Margaret, but didn't know how to spell it. She is the youngest member of the Lancre coven, and the least confident in her magical abilities (probably the reason why she rarely wears her witch’s hat - instead she prefers to wear glamorous green dresses that would suit more curvy figures than hers, and slightly wilted flower crowns on her unruly hair). She also has a huge collection of occult jewellery, is a vegetarian, and believes in folk songs and the Cycles of Nature. She is the most bookish of the three witches and an excellent herbalist - something even Granny Weatherwax (who usually calls her a “wet hen”) reluctantly admits. In “Witches Abroad” she inherits a Fairy Godmother wand, but is unable to master it; the only effect she is able to produce with it is turning things into pumpkins.

And:

the reimagined Magrat Garlick

As a vegetarian on a quest to save Mother Earth, she wears clothes made of natural fibers, vegan sandals, and reusable tote bags. She’s also wearing a witch’s hat (purely because I couldn’t resist the aesthetic appeal), but it’s dark green instead of the traditional black and the shortest one of the group. She still has a soft spot for crystals and magical jewellery though. She wears an ankle bracelet with tiny bells on it (she finds the soft tinkling weirdly soothing).

[bamsara]

Hey Bam? Your music taste slaps got any artists you recommend?

OH BOY According to my most listened-to and in no particular order, with some genres for easy picking. Spotify links included:

-Crywolf (Alternative/Indie. Dance/Electronic. Melodic Dubstep/Chillstep I like to imagine my OC universe or any sick battle or cinematic fantasies to his music)

Zheani (Fairy Trap. Use of heavy metal and pop melodies over trap drum beats, with scream vocals, non-scream singing, and rapping.)

Flower Face (Alternative/Indie. Melancholic Digital Folk Music)

Mothica (Alternative/Indie. Electropop. Pop Punk.)

Crystal Castles (Witch House. Electropunk, Synthpop. Dark.)

Foodieti (Musician behind FNF FeverTown I believe. I don't even play the game but I like the tunes.)

Yandere (Alternative/Electric. Dance. Dreamcore.)

SayMaxWell (Makes a lot of really good game remixes!)

Mr FijiWiji (Electro/Chill-Out. Future/Dubstep)

Kobaryo (SPEEDCORE! HARDCORE!)

Grandson (Alternative/Indie. HipHop/Rap. R&BSoul)

Saro (Alternative/Indie. R&B/Soul)

Oaf1 (Alternative/Electronic. HipHop/Rap. Dancepop.)

Yeule (Alternative/Indie. Dance/Electronic.)

ЛЮТИК (Indie Pop. Folk. Rock)

Jazmin Bean (Trap Metal. HorrorPop. Alternative Pop.)

BANSHEE (Trap-Metal. Dance/Electronic. Screamo.)

POPPY (Alternative/Indie. Rock. Pop)

Mr. Kitty. (Alternative/Indie. Dance/Electronic. Darkpop. WitchHouse. Synthwave/Pop)

Purity Ring (FuturePop. SynthPop. WitchHouse.)

There's more but these are what I was able to quickly jot down. I'll have to make some playlist or something for different moods/hypes up later.

[vendetta-if]

Hello!

Just wanted to say the IF is amazing, i just spent 3 days straight binging it and loved every second. Please ignore if it has already been asked but what is all the RO's preferred genre of music? And favourite songs if they have any?

Keep up the amazing work!

Thank you for the kind words! And I just wanna say, your ask is the final push for me to actually scour through most of my songs on Spotify and finish assembling playlists for Rin, Santana, Skylar, and Jackal 😆 But I had so much fun doing so and I'll keep adding more and updating all of the characters' playlists as I discovered more new (and old lost) songs that fit them.

I have the links to their spotify playlist which contain a mix of their favorite songs and some songs whose lyrics fit them. I don't think I can link too much stuff in one post unfortunately, so I'll make a separate post to announce the rest of the characters playlists later on 😁But I'll try to link one song that either perfectly encapsulate their music taste or whose lyrics fit the character--or at least a song that they'd enjoy listening to.

Also, I basically have to split up my own music taste and favorite genres among all of my characters and I'm running out of genres 😭 But as for your question, I don't think I've answered something like that before--at least not in detail.

Sorry in advance for the long post (I just love being able to gush about my characters and music 🤭)

Ash

Ash enjoys quite a wide variety of genres, but mostly, their go-to are genres that are more energetic and/or aggressive. So, think like Rock, Phonk, Dubstep, Trap, Drum and Bass, Metal, that kind of stuff. But usually, they listen to songs whose vibes and/or lyrics kind of fit the mood they're in at the moment.

Also, fun fact, they did have some kind of an emo phase during their angsty and edgy teenage years 😂 It wasn't really too apparent (like no, they didn't have that typical emo hairstyle or wore those iconic eyeliners), but they just relate to quite a number of the lyrics of songs that can be considered to be emo anthems.

The song that fits the genre they like to listen to and the lyrics also matched their feelings and obsession love for MC is "So Sick" by Johnny Goth.

"So Sick" - Johnny Goth

Rin

As the child of a classically-trained musician, Rin mostly enjoys classical and instrumental music. One of their favorite instruments is the piano and they used to enjoy learning to play it. Maybe in the future, when they won't be so busy anymore, they can pick up their piano lessen again...

Also, they tend to gravitate towards more soothing and calming songs in general because of the headaches they usually got after using their power too much or to see to far into the future. So most of their playlist is filled with instrumental songs, either piano, cello, or violin, or a combination of those.

As for the song that fits them, I'd say "The Belt of Faith" by Jung Jaeil kinda fits their vibe and the gravitas they carry (Yes, the main soundtrack for the film "Parasite" and yeah, I can see the irony 😂 )

"The Belt of Faith" - Jung Jaeil

Santana

Santana loves that tinge of old-school songs that they were often exposed to whenever their parents listen to in the radio. So, the genres they enjoy are synthwave and retrowave songs 😎

As for the song that encapsulates their favorite genre and whose lyrics fit them quite well is "Gloria" by The Midnight.

"Gloria" - The Midnight

Skylar

Skylar is a pretty chill and upbeat person who loves and enjoys nature, so their favorite genres include those upbeat summer music and Indie/Alternative Folk music. They also enjoy the occasional pop songs.

As for the song that fits their vibe and desire to just fly off and be free is "Get Away" by Surfclub.

"Get Away" - Surfclub

BONUS

Luka

Luka enjoys Electronic music, including Phonk, Post-Punk, and Alternative/Indie. So, yeah, quite a variety of genres. But for one song that fits him the most, from the lyrics to even the title itself is "Everything Black" by Unlike Pluto 😆

"Everything Black" - Unlike Pluto (feat. Mike Taylor)

Jackal

Just like Luka, he also enjoys Electronic music, especially Phonk. But unlike Luka, he sometimes loves Hip-Hop music as well. One of the few songs that kinda encapsulate both of those genres and fits with his personality is "Heartless" by UNAVERAGE GANG.

"Heartless" - UNAVERAGE GANG

[one-time-i-dreamt]

not a dream

I just heard a song I haven't heard in years and was hit with the strongest flashback/blast from the past I think I've ever had.

It was the summer after I turned 12. I was at a summer camp on an island in Croatia, for the first and last time ever. I knew no one, but I made friends right away.

There was this boy. Yes, there's always a boy. He was the coolest guy I've ever seen. He was also 13, so how cool he could really have been? But to my younger self, he was everything.

I wore a Ramones shirt all the time. He wore a Sex Pistols one. We'd sneak glances at each other. I thought he was so dreamy. I really wanted to see his eyes, but I couldn't because he always had his hair covering them.

There was only one place to hang out during our free time, once camp activities were over. It was an old bar, but during the day, all of us kids gathered there.

They had a jukebox. You could play a song if you put in 5 kunas, and all of the songs were a bit older, but they were so good. So much rock, punk and folk. I've loved the songs choices.

I don't know why, but I've never had the confidence to put a coin in and choose a song myself. I just thought people who did it were the dopest, but I was too shy to do it.

I was sitting at a table with my bunkmates, we were drinking Pipi and Cedevita. Just, really Balkan stuff. We were reading OK! magazine and talking about celebrity gossip.

I think there was a new Avril song that just came out, and we were discussing it.

Then he came in.

In my head, there was always a soundtrack and wind following him. He was the protagonist. Like, he'd open the door to come inside anywhere and there would be wind in his hair and you could hear "Holiday in the Sun" in the background around him.

Anyway, he came in, all mysterious and broody. God, I really wished I could see his eyes.

He walked straight to the jukebox, put a coin in, pressed a song, walked right up to me, said, "This one is for you," and walked out.

I think me and my bunkmates all screamed a little. They were all pushing me and yelling and giggling. I was awestruck.

And then the song played.

"Sweet, sweet little Ramona, with eyes as huge as the church bells.

Sweet, sweet little Ramona, when will I hear the sound of our love bells?"

Maybe I died a little inside. No, I definitely did.

SURE, I never talked to him in person, not even after that, but for that one summer and those two weeks, I felt special. I was special. I was special and he liked me back.

[infamous-if]

Sorry, this one's a bit of a criticism, I think it's weird that punky, aggressive Seven chose to be in (what I chose to be) a folk band at the start, like I get that we're besties but this is very much not her aesthetic or performance style

Picking to be a folk band actually makes a lot of things a little weird through the game, like why is G, famous rockstar, invested in a band that's so wildly out of her genre? Why do we have a song with a sixty second drum solo? Why are we playing electric instruments?

Basically I think there are too many genre options at the start and they don't really make sense with how the rest of the game is written assuming you're a rock band of some stripe. Like, a hip-hop group, an EDM group or a synthpop group probably wouldn't have a guitarist or a live drummer at all.

I really enjoy the meat of the game and all the relationships and drama, but the like, knowledge in the back of my head that I picked to be a folk band makes a bunch of later context come off pretty strange and I think that streamlining the genre choices down to genres that would have electric guitarists, live drummers and drum solos would be a fix for this.

I mean, I get it! And I thought of that too while writing the initial demo, but honestly, it's just one of those things meant to be customization purposes and to add to the details of story. It's what people want out of their play through. I could've easily made MC's band a regular rock/punk band and called it a day, and I know other band IFs did that for the logical part of it, but I don't want to. I like seeing the different combinations and what people create. It's more for people to add in what they want and to imagine their story as is. Does it make sense? Not always, but it can easily be explained as a fusion or any other explanation people want to use.

I think the problem when you advertise a story as slice of life in general is that people expect 1000% realism in a way they don't with any other genre, but I don't really want to be limited to that. I mean, in reality, there are many things that would be different if I was going for complete realism, but I'm not. This is very much a dramatization haha

It's not much of a big deal, in the context of the actual story, and also, it would be pointless for me to really hone in on streamlining the genres because you can type in your genre anyway? I think if it does bother you, I would recommend doing a type in or just going the traditional rock/electric route. Or just type in the genre you think best reflects the story, that's why it's there!

Plus, I do like having a diverse selection of genres just to show that theres more genres out there than just rock when it comes to bands and band stories. It also helps build the MCs background in the eyes of readers (their choice). I know a few readers who have typed in their own genres and write lyrics in their native language, which I think is really cool.

I'm limited to how much I write and can code. Realistically, I could've added variables and changed the instruments/positions of the band members to correspond with the genre...and I'm almost unhinged enough to consider it...but nah lmao not now, at least.

Sorry that it ruined the experience a bit! But I'm likely not going to change that ^^

[satureja13]

Vlad's Therapy Game - Part 4

Good news: Both, Bunny and Vlad survived the night! (And of course Diablo too :)

Vlad slept like the dead (that he actually is) even though he only had a quarter of an inch hay between him and the hard, cold soil. After he woke up, he felt like he'd been hit by a tractor - twice. He moaned and crawled up like an old man. Apparently Diablo woke him.

Diablo: 'Omg, get up already! Finish your job and let's leave this foul place! They devour me with their eyes!' Vlad, barely awake and full of aches: "Sure, pal. Let's get this over with. Keep your distance to the village until I finish work."

Diablo: 'You betcha.'

Vlad shuffled over to the sculptor's shop. From what he sees, he is a master of his craft and he has no idea why no one wanted to work for him. Well, he'll soon find out. Not that he cared much. This is just a game and he dealt with harder tasks. He'd even been to hell and back. So one day working here won't kill him. It's for Ji Ho and Saiwa - and his best friend Jack after all. There was music playing in the shop, so the sculptor is already there too, despite the early hour.

'Enjoy what'chas got, not what you have not 'tis a weak heart lamenting with sorrow When the days seem cursed, it could always be worse Fight depression with sword and arrow'

The Sculptor: "Good Morning! You're early, that's great. Take off your shirt and let's start right away. The queen is eagerly waiting for her statue!"

'When the zeppelinous clouds of trouble abound And thunder is clapping and lightning strikes ground Just when yer thinking this may be your last Throw a lash 'round the mast, hold fast!'

Eh - take off his shirt? He knows this voice. It belongs to the very person who always demands him to take off his shirt!

'When the world ain't right, and it smithes ye with strife Ye can now buckle down, it's a test they call life Very soon you will see what kind of animal you'd be Taking the bite outta life'

Leander! Vlad's nemesis! The very man who never fails to make him lose his composure! The red-haired devil who wanted to marry him. Yeah - he only cursed Vlad and dragged him down to his hell to protect him - but that does not mean he'll ever forgive him that he touched Ji Ho and almost drowned him! (Which actually wasn't Leander's fault either...)

'When they're testing the gallows, yer hung like a dog Or they're marching us out to a firing squad We just smile and recall all the good times we had It's the best 'til tomorrow It's the best day 'til tomorrow'

But of course NPC Leander did not recognize him. Because this is just a game. A stupid game! He'll have a word with Tiny Can when he's back, that's for sure... Leander: "Ah the gods sent you! You're beautiful - the Queen will be pleased! Sit over there."

'No considering surrender when yer down in the dregs If ye look down and notice you still have your legs So stand up and fight you just might seize the day It's the best day 'til tomorrow'

The Real McKenzies - Best Day until Tomorrow If you happen to like punk: this song is really good! I just found it by chance and it fits so well!

And so Vlad took off his shirt (and his pride) for Leander - again... He grit his teeth and tried not to freak out and kill this annoyingly oblivious NPC. And he reminded himself over and over again that this is just a game. And for whom he does this. Ji Ho. Jack. Saiwa. Just. A. Game.

(It seems like NPC Leander ist just as full of himself and annoying as real Leander and therefore the village folks avoids him ^^')

From the Beginning  ~  Underwater Love ~  Latest 🕹️ 'Therapy Game' from the beginning ▶️ here 📚 Previous Chapters: Chapters: 1-6 ~ 7-12 ~ 13-16 ~ 17-22 ~ 23-28

[stanthejokemanshow]

To the Wicked Spoiled of America,

Even as a young punk myself once, I was NEVER as quick to 'wall up' and act an ass as these Gen Z kids do. Spoiled to the core they are! Closed off, short sided one dimensional thinking goofs! NOT KIDDING! Know who did it? Their spoiled half ridiculous half ignorant parents who are convinced this party is just going to last forever! They use GOD on a constant basis, in a blasphemous attempt to manipulate folks, target folks, enrich themselves or all of the above! When you call 'em out on it, they fall down, point fingers and play the victim! That is the face of my former Grand Ol' Party! Well, it's been prophesied and the wicked have chosen their false idol over their country, Constitution, honor, their own families and yes, this nation! These are the shameless, incapable of ever accepting responsibility, let alone the answer "No"!

Stupid is not an excuse. They'll act like it, but the marginalization of the hurt they've caused and continue to inflict will NOT be forgiven! They are the true offenders of children. By targeting these innocent babies born with the 'transgender' condition with God's word has certainly earned them the mill stone.

These are diabolical people, unwilling to admit fault in their endless debauchery of hate and cynicism.