#i'm already looking at one artist in particular

[sysig]

How is skeleton shaped (Patreon)

[septimus-heap]

Okay wait I made this very long and ranty post and said I wasn't going to link the post I saw bc I didn't want to get harassed but it's so hard to explain what im trying to say without linking it so here it is. Anyway. This specific bit is part of what drives me insane:

so your goal isn't for more people to delight in your content; it's for more people to see your content, and for each of them then to make even more people see your content in turn. and so on. infinitely. just sharing. just exposure.

Like. They were so close. They were so, so close to understanding why we beg for reblogs,, I WANT more people to delight in my art (not content, get fucked) and yes I WANT more people to see it as well??? Because if no one reblogs it it stays with the followers I have and no one else ever gets a chance to enjoy it. And also I think it's partly bc they r misunderstanding who is begging for rbs. No one is saying u look rude if u don't reblog shitposts. The people who r trying to "control the way you use this site" (<-not smth this person specifically said I don't think but a very common phrase I see used by ppl who act like there's a gun to their head to rb things) r the artists and the writers and the other creatives that use this site like. Idk. I'm not in the wrong for getting upset abt the like/reblog ratio on my art. You're not in the wrong for not reblogging, but I reserve the right to block you for contributing nothing to my blog. You're no better than a bot if u don't reblog my art

[thatonebabybat]

Being Masc & Goth

This blog usually isn't fashion-focused, but I was thinking about alt fashion and how it's sometimes a struggle to figure out how to style things in a masc way if you're interested in darkalt fashion, but you don't want to go too casual or basic with it. So I thought I'd throw together some tips, link some DIYs, and maybe throw in a few moodboards. I want to preface this with one thing: You do NOT have to adhere to traditional gender roles. Fuck anyone who tells you that you do. If you're a guy and you want to get into alt fashion don't let anyone tell you that you can't pull off a skirt or a dress or a strappy top. Literally the whole point of being alt is Doing Whatever The Hell You Want Forever. However, not everyone feels comfortable in that (I made this post because I'm transmasc and sometimes the long gothic dresses make me dysphoric), and not everyone is safe to do that ( as much as it sucks ass, if you live in a conservative area sometimes it can be genuinely dangerous for guys to wear makeup and dresses in public, and your safety should always come first), so I thought I'd lay out some tips on how to dress alt and masc from my own experience. I'm still learning so feel free to leave your own advice in the replies or reblogs! General Styling Tips: - Jackets. Jackets, jackets, jackets. Something about a big jacket always seems to give an outfit a more masc energy, and adding a cool jacket to an outfit can be a great way to elevate it and add some extra visual interest. I like black blazers, leather jackets, and black denim jackets in particular, but vests (formal menswear ones or more casual denim or leather ones) can work well too, especially in hot weather. - Any basic black pair of jeans will look 100x more alt if you loosely attach some chains to the pockets or belt loops. Also, pants with wider legs tend to look more masc than tighter fits. not sure why. Slacks can also be a really good and underrated option. - If you want to find good headwear, cool sunglasses have never failed me. You may be able to take some inspiration from Ouji fashion as well, but that's just my personal taste. - If you have a basic piece around, you can add pins, patches, safety pins, etc for a more casual look, or if you're going for something more formal, trims and lace details and embroidery can really add interest and elegance to it. (if you can't sew, you can order iron-on embroidered patches online or find them in craft stores that'll do the trick just fine.) This can take your pair of slacks or plain black blazer and turn it into a piece of formal gothic menswear you can make a staple of your wardrobe. - Find inspiration in your favorite goth artists. There's a lot of really cool goth music out there and a lot of those bands get really innovative with their looks! Figure out what you like about their style and try incorporating a few things in, it's fun! - If you have an alt wardrobe already but it just seems like something's missing or it could use some interest, try switching up the silhouettes or adding an extra layer! Seriously, don't be scared of playing with textures and sleeve shapes! I see a lot of dudes who just wear a band tee and a pair of jeans all the time, and there's absolutely nothing wrong with that, that can be a great look! But I think a lot of dudes just genuinely think that that's their only option and that everything else just "wasn't made for them" and that makes me a little sad. shred up some shirts and layer them, wear some bell sleeves, throw some extra safety pins or studs on, have fun! No one said masc fashion couldn't be fun. Unisex/Masc DIY Videos I Found:

... And Some Inspiration!

[These are all goth music artists, I wrote the band/artist names in small text on the images that were not already watermarked for those who are curious]

[writers-potion]

Describing Food in Writing

I love food. And drinks.

When I think of the HP series, I recall the feasts. Treacle tarts and puddings. Butterbeer. Food trolley on the train and chocolate frogs in the Gryffindor common room.

Foods helps readers engage with the story, so it's good to know how to describe them.

Just one Adjective

There's really no need to go overboard with how a particular food tastes. If it's something that your readers are already familiar with, just add in a small detail.

Are the breakfast eggs yellow or white, clumpy or fluffy? Salty or bland? Grainy or silky?

Just one adjective/detail is enough.

Think of the Character

Take note of each character's palate while you describe. Especially if you're writing in 1st person POV.

Someone in your cast may be a culinary artist and another content with spray cheese.

Food descriptions can reveal a lot about character's personality and lifestyle.

Watch Food Shows

Master Chef. The Great British Baking Show. Aesthetic character baking channel on YouTube.

Food shows usually have a section where they assess/review the food made, which might be helpful.

Recently, I've noticed that 1-minute food reviewers on YT Shorts are pretty good at graphic yet succinct taste descriptions!

Ratatouille

I'm not kidding!

If you ever want to get into the mind of someone who is passionate about food, or need inspiration yourself - check this movie out.

Just watching Remy's passion and the magic of the culinary arts will boost your writer soul with inspiration (or something like it, anyway).

Experience Restaurants

The best research of all is probably experience, so the next time you eat a meal, challenge your palate.

Think about how it looks, tastes, and feels in you mouth.

If possible, try dishes your characters would eat and discern what they would detect. What elements of the disk would your character like?

Some Food Adjectives

Tangy Creamy Crispy Tender Juicy Exquisite Luscious Gourmet Wholesome Delectable Risk Zesty Succulent

Crunchy Greasy Gooey Tart Smoky Savory Marinated Meaty Moist Battered Dainty Homestyle Fudgy

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[queer-little-demigod]

Hi lea!!!! Can you write about an clarisse la true x apollo!reader

Clarisse got in trouble for something (what's new tho) and got a punishment of helping out with the little demigods art class for 2 weeks (or however long) the volunteer teacher is reader. At first Clarisse did NOT wanna be there she acted like a baby for the first few days but after she got more involved and started to understand she enjoyed it (she would never admit it), she started talking to the kids more (she totally has favorites, reader has to constantly tell her dont be so obvious about her favorites 😭) it got to a point where the kids would start talking to her outside of class. Also Clarisse definitely doesn't develop a crush on reader. AT ALL. SHE DEFINITELY HATES HOW PASSIONATE SHE IS ABOUT THE KIDS AND ART AND HOW GOOD SHE IS WITH KIDS SHE DOESN'T THINK ITS CUTE AT ALL. SHE DOESNT THINK OF THAT CLASS AS ONE BIG FAMILY. I mean what???? Who said that???

Anyways when it's time for her to go reader takes some of the kids to make a goodbye sign for clarisse; clarisse takes her 100% not favorite kid on a secret mission to make an 'I'm staying' sign. Then reader and Clarisse present them at the same time and it's all cutesy!! After class, reader asks clarisse on a date via showing her a pain she drew of them on a date and hopes she gets the message!

Thank you! :)

you got an artist inside you - clarisse la rue

summary where clarisse finds herself falling in love with a girl over paintbrushes and a punishment

fic type fluff

pairing clarisse la rue x fem!apollo!reader

word count 1.8k

warnings none

The camp was usually sleepy, quiet, and mostly empty apart from a few stray campers training here and there. But with summer already beating down with a burning force, it was full of kids running around, training left right and center, and all-in-all just general chaos.

So with the burning heat came grumpy older campers, which meant fights.

And a fight at lunch is what led to Clarissa having to help the younger campers with art class, with the co-teacher being none other than you, Y/n L/n, counsellor of the Apollo cabin. Additionally and otherwise known as the girl Clarisse was smitten with.

"Clarisse La Rue if you don't stop whining like that right now, I am going to smack you," you grumbled in utter frustration for the fifth time that hour, when she complained to you about some kid not cutting the paper the way it was supposed to be cut.

For a child of the god of war, she was such a wuss sometimes.

"But they're not following-" she began to protest, but a smack upside the head with a roll of wrapping paper shut her up.

"They're seven year olds in a summer camp art class," you emphasised on those facts. "They're gonna do their own thing!"

This was how the first few days went. She complained, you disciplined both her and the kids. But once she got used to the whole routine of you both giving instructions and the final products having irritatingly distinct variations, she cooled down.

If this was going to be a punishment for the next two weeks, she might as well enjoy it.

The art room, as usual, was a mess. Glitter was everywhere, coloured pencils were strewn around, papers were on the floor, blackened and trampled on. The strong scent of glue made everyone a bit woozy, and there was enough shouting for supplies across the table to give even the calmest camper a sensory overload.

Clarisse sat in the danger zone where the most glitter was being thrown around and spilled, and her soft skin was already glimmering with purple and red glitter as she tried restoring order. However, instead of yelling as usual she was laughing along with the little kids.

One kid in particular, you noticed, she helped far more than the others. A Hephaestus kid named Dennis, who was the sweetest little thing with big, round glasses and bronze hearing aids that you had Charlie customise so they looked like metal elf ear tips.

You pulled Clarissa aside and scolded her with a smile, “Clar, you cannot pick favourites!”

Clarissa loved your smile with everything she had. So naturally, she was so captivated by it that she didn't hear you the first time. Nor did she register the scolding.

"Excuse me, but Dennis deserves special treatment--" She began, but you cut her off.

"No, he's just like the other kids, okay? Just make sure you don't pick favourites, please," you sighed and walked away, going back to showing the kids how to make paper butterflies.

But you're my favourite, she thought to herself. She wished she had the courage to say it out loud, admit her feelings for you, but she couldn't.

Later, as time went by, as days of standing in clouds of glitter and glue fumes began and ended, Clarisse found that she was apparently likeable. After classes, during training, during dinner, she'd have little kids pulling her sleeve to talk to her, she'd have kids randomly hugging her at odd times of the day, or giving her small artworks like a wonky bird or a odd-looking Cerebrus. It shocked the campers beyond belief.

But for you it just made your love for her grow.

One day during class, a Demeter kid named Flora started to cry because glitter went into her eye. You rushed over immediately and helped her up, holding her in your arms as you took her to the basin to clean her up.

"Shh, don't cry, baby, it's okay, I'm gonna wash it out, alright?" You said softly.

"Guys, focus on your work, Flo's fine," Clarisse said, clapping her hands to direct the staring kids back to work, her eyes fixed on you as you washed Flora's eyes with water gently, telling her that she should not to go so close to the page when blowing glitter off in the softest voice the child of war had ever heard.

You were so gentle, like the softest summer breeze which didn't make the leaves rustle, but cooled one's warming skin. You were so precious, with your soft smile and loving words. Your voice was sweet like honey, no matter who you talked to or how.

If your voice was bottled, she swore to the gods that she'd get drunk on it every night.

"You okay, champ?" She asked, gently ruffling Flora's soft brown hair as the girl sat down. "You're a strong girl, aren't you? Showed that stupid glitter it's place."

You giggled at the way she spoke, covering your mouth with your hand to hide it. It was ridiculously obvious that Clarisse thought the kids in the art class were like family, and it was genuinely so adorable.

Seeing her like this, curly hair pulled back in her red bandanna, arms splattered with paint here and there, with glitter shining off her smooth caramel skin with every movement she made into the light, lit up something inside of you. Seeing her without her usual scowl, pulling funny faces with the kids as she showed them how to draw a monster, made your heart beat twice as fast.

However, two weeks went by with heartbreaking speed, and before she knew it, she was in Chiron's office, listening to him gleefully say she was officially un-grounded.

But honestly? She didn't share his happiness.

Nor did you.

"What?! Already!?" You exclaimed that evening as you sat in your cabin at your desk, which had plans put out for what to make for the next art class.

"Yeah," she grumbled, lounging on your bed. "I hate it."

"That's rough, but it's okay, you can always hop in to volunteer,"

"What do we tell the little ones?"

"The truth?"

"You're fucking crazy if you think they'll go with it,"

"I'm out of options, Clar," you leaned back in your chair and put your hands over your eyes. "I love that class, and I love teaching art."

"I know, and as much as I hate to admit it," she sat up. "So do I."

The very next day, Clarisse rushed to Chiron and begged him to let her stay for that class. Even going to lengths that she told him how she felt for you.

"Fine," he relented. "You can stay with the class for as long as you'd like,"

She'd never run to the forges to find a kid so fast.

"Beckendorf!" She exclaimed, looking at the cabin counselor. "Hey, where's Dennis?"

The boy looked around, and his eyes landed on Dennis, who was inquisitively watching one of his half-sisters mold a few practice swords, helping occasionally with putting the swords in water.

"Dennis!" Beckendorf exclaimed, "Clarisse wants to talk to you!"

Dennis immediately ran over, grinning broadly, showing his gap-toothed smile. "Hi, Clarisse!" He said, excitedly.

"Hey there, big boy!" She smiled back, giving him a high five. "So listen, I'm going to need your insane artistic skills and your help..."

While you did help the other kids make a 'goodbye' sign for Clarisse, on the side you decided to confront your feelings.

You knew you liked her from the beginning, from when you first saw her infectious smile, from when you heard her deep laugh reverberating through the empty Apollo cabin on days where you both would plan lessons.

She held the key to your heart, she knew her way past your walls. She clearly also knew how to remain in your thoughts, subconscious and conscious, to the point where you found yourself in the art studio, canvas on an easel before you.

Thoughts of her, of feeling her coarse, battle-worn hands on your skin, of gazing into those deep brown eyes which were like the colour of the rain-kissed earth, and when she fought were like the evening sun, golden enough to put the wings of Icarus to shame, made your paintbrush move. It made your colours flow like the blood in your veins, made each stroke perfect enough to create the scene you most desired on the canvas in front of you.

You stepped back once you felt the need to express yourself flow away, gazing at the canvas. A scene it held, and what a scene indeed. The sky was cornflower blue, a cloudless day, with the sun’s rays shining down on a big oak tree. The leaves were paler as the golden light kissed the surface, casting sharp shadows on the pillowy grass.

But then there was vivid orange and red, a flash of bronze. In the foreground there sat both you and Clarisse, the latter having more detail than any part of the drawing.

Then the dreaded day came where you all had to say goodbye to her.

The little ones were devastated, not letting Clarisse go anywhere without following her around like baby ducklings, making her explain to them that she's not going away from camp, she's just not going to teach them anymore.

At the end of the final class, just as everyone unveiled the 'we'll miss you' poster, she and Dennis revealed their 'I'm Staying' poster, causing a loud, thunderous cheer to erupt from all of you.

Later, you pulled her aside to give her your canvas painting.

Nerves wracked your body, your palms began to sweat.

When was the last time you had felt this nervous? It was probably your cello recital the day you had come to camp...

"Holy shit, Y/n this looks absolutely amazing!" Clarisse exclaimed, taking the painting in her hands.

She didn't miss the detail you had given her, drawing her angelically, despite her thinking she was the opposite. It was so well done that the brush strokes weren't even visible.

Please get the message, you blockheaded, oblivious fool...you thought.

Deciding to act against your nerves, you asked her in a shaky voice, "That's a painting of us on a date...would you like to go on one with me sometime?"

Clarisse's heart stopped. Had you just asked her out on a date?

She was at a loss for words, they didn't touch her tongue, nor did they pass her lips. She stood there, speechless, gaping at you for a moment too long.

"I mean, I get it, you're probably not even a les--" you began, but a pair of gentle lips on yours silenced your words.

Sparks flew, butterflies went haywire, your brain short-circuited. You didn't know what to doo, just stood there frozen with shock. Kissing the girl you had liked for the last few months now.

Clarisse, however, was ecstatic. Her mind was a burst of colour, her body was ablaze. She felt like she had wings, and her heart was taking her up, up, up.

Once she pulled away, she winked at your blushing face and dopey grin.

"It's a date, L/n."

hi, it's me! lea! i hope you enjoyed this long overdue oneshot <3 requests are open via dms or asks!

[m1ssunderstanding]

Let it Be Close-watch

Paul, sweety, it's beautiful, but it's killing the vibe.

Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times

Somehow the air-brown mostly eaten apple is very appropriate.

She looks far too sweet here to ever let John down. Yoko has very kind eyes.

I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.

I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.

I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.

They're so silly

Yoko does not agree with me

Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!

They're so silly

Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.

this poor autistic baby trying to use words (not his language) to explain music (his language)

“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.

Oh Michael put himself in his own movie too? Huh, cool.

They are always in my heart

The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.

Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.

Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.

Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??

George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.

Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.

It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.

LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.

Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.

Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.

Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…

What friendly artistic collaboration looks like when it's not psychosexual

Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?

This is adorable.

But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.

And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’

Lol Billy just magically appeared!

Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.

He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!

Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.

I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.

I love how Heather just forces a hug from George and then immediately runs away. What a cutie.

But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?

All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”

Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?

Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.

What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.

Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.

I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.

Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit

Ringo feeling himself as he should

George just looks like he smells nice. Unlike the others. You know?

John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.

That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.

The cut from screaming Paul to grouchy nap lady is extremely painful.

John was so cool in this concert. Like the epitome of cool.

Kevin, my love, thank you for your service

I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid

You know in movies where the romantic leads are never looking at each other at the same time?

I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.

Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.

Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.

Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.

Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.

[autisticempathydaemon]

Hello... again! Are you hyperfixated on RedactedAudio?

Do you want (need) to know who to follow to cultivate your dashboard and feed your gremlin brain good, good boyfriend roleplay content and my first recommendation post of magnificent fan-artists and fan-writers wasn't enough dopamine for you?

Cool, I’ve got you, and I’ve got even more hyperlinks. Buckle up.

(Note: This is by no means a comprehensive, objective, or complete list, as I have biases and favorites and limited time. If you feel I've missed someone, please feel free to reblog with your additions! I just would have loved a guide like this when I got into the fandom back in August 2022 and wanted to spread some positivity~!)

Fanfiction:

@agentplutonium: they/them

Pluto is just one of the many gorgeous people who've migrated to Tumblr now that Twitter is, ya know, on fire. I've been following them on Tiktok for ages, and I'm so pleased they joined us on tumblr now! Highlights: "Constant" and "Inconvenience" mean the world to me, because there are just not enough aspec headcanons in the fandom, we could always have more.

@angelicaether: they/them

Aether is a fucking gem unto this fandom- not only do they run Sky Side, a friendly, closeknit (hehe) server for 21+ Redacted fans but they also were who we have to thank for Redacted Kinktober 2023, bless them~ Highlights: New Job Posting is magnificent if you’re in the mood for some David/Angel smut today and this cute couple crossover fic if you’re feeling more SFW!

@caelumsnuff: they/them

Phoenix is magnificent, creative, and endlessly sweet. I also respect the hell out of anyone that can take the anon hate that they get with as much grace and attitude as they do /gen /pos Highlights: I love this gift for the Quinn-fuckers they wrote, I do, but I have to admit I'm partial to the Imperium!Vincent/Imperium!Asher piece they did, because their tension and hatred was just too palpable to deny, I needed it.

@empydoc: any pronouns

Empy's Soul Eater AU has not only taken over my life but has also got me deeply wanted a Soul Eater rewatch. God forbid xe succeed because this post has already been delayed enough /j Highlights: I love the Marcus/Asset post, because that's my favorite pairing but also because Asset as both an android and a weapon is so, so interesting. Blake/Bestie's is also a particular gem, because being a meister just gives him a new dimension to his manipulation and I love it.

@floofdeloop: she/her

Not only is Floof a beloved fic writer but she's also one of the adored DJs of the fandom. Are you really a fan if you haven't looked up Redacted on Spotify and saved all her playlists? /j Highlights: Her whole playlist page is literally so good, but I love the cute, domestic vibes of this Geordi one or the tragic, angsty, Britrock vibes of this Porter playlist~!

@joshusten: they/them

Sten is one of if not the writer that comes to mind when you're looking for amazing Guy/Honey content! Highlights: Bitter Melon is my personal favorite of their work; what can I say? I'm a sucker for a little jealousy in my fics. You also can't miss Honeysuckle, their most recent piece which gets into Guy's canonically less-than-pure mind~

@pinksparkl: she/her

Gosh, where would we be without her? Pink never has a bad word or thought for anyone and just persists in being a delightful, sweet presence in the fandom. Highlight: I can't decide what I'm more obsessed with- their Adam-centric fic exploring the Progeny/Maker bond or their nsfw Gavin-centric with his tail exploring Freelancer nudge nudge wink wink

@redlikeredacted: they/them

Just as their blog says, they are the CEO of Dasher. In my head, they are the president of both the David/Asher and the Autistic!David fan clubs, and I'd vote for them a second and third term okay I love Red Highlights: Their "David bottoming for the first time" fic is everything to me okay I am here for nothing but this except maybe this Milo fic where he gets Aggro~

@teafairywithabook: she/they

A lovely writer, voice actor, and person, Cheri does it all! With a whole 34 Redacted works on AO3, they are a must-follow. Highlights: I'll provide the masterlist of previously mentioned works, but I must recommend her nsfw Avior/Starlight fic keeping us sated until we finally get an Avior BA and their fic of Alexis's POV of Sam's turning I couldn't not okay I'm just a person I have biases

@tepid-judas: he/they/it

My favorite Adam stan, my friend, and the person who converted me into an Adam/Brighteyes shipper, I thank Judas every day for that. Highlights: I love their series of epistolary fics, because who doesn’t love a good letter, but I would be remiss if I didn’t rec his DAMN polycule plus Xavier fic cause fuck canon let's add frosty the snowman to the orgy /lh

@themonotonysyndrome: she/her

Lady, my dearest friend and greatest foe~ How else do I describe the gorgeous, sociable, friendly person who bought Alexis/Christian into the world and ruined my life? (affectionate) Highlights: Let these two assholes in love take you on a ride, fall in love with them too. If that's not your vibe, I cannot recommend enough her insane, gen z Bright Eyes being an absolute fucking terror /pos

Fanart:

@androgynouspenguinexpert

Can YOU believe Penguin's only been posting art since, like, December? I certainly can't, because it's like they've drawn every boy at this point and each is as smoochable and adorable as the last. Highlights: Their Porter is one of my favorites; what can I say? Who can resist this high ponytail and cape combo? I also love their Hush, cause look at him~! He's adorable! Penguin gives all these boys such luscious, floofable hair; I love them!

@cute-brainz: she/they/it

Kindly, lovingly, respectfully, Cute's listeners designs reduce me to a sniveling, simpering puddle of a simp. I become nothing but a humble, simple straight man, and none of you came blame me good god their listeners are hotter than all the redacted men- Highlights: Like, look at their Lovely: the hair, the singlet, the VIBES? Fuckin irresistible; like Vincent, I'd give them anything their heart desires. And their ANGEL? The MINUTE David Shaw fumbles that bag, I'm on my knees with a ring hello earth angel will you be mine

@darling-solaire

Darl has been posting art for only a month and a half at the writing of the post, and yet I feel like I've loved their Solaires for forever. They, as a unit, are hot and tragic as fuck, and I love them. Highlights: I am obsessed, particularly, with the Solaire family portraits, but maybe that's because my girl Alexis is up there, and I love her. There's also this bust compilation of more Redacted boys in case you didn't find your favorite in the Solaires~!

@free-boundsoul: she/her

Okay so, like, vibe with me did you ever love Lisa Frank products with the bright, saturated colors and sparkling eyes but wish instead of cuddly animals that there were really hot men? Then Savvie is the artist for you~ Highlights: One, it's fun to see a Regulus that's not blue, okay? It's thinkin outside the box. Two, the CRACKS? WITH THE GOLD PEEKING THROUGH? I'm inconsolable my god. Speaking of daemons, Fool!Gavin is sort of everything to me. He's just really rocking that sweater vest!

@hotmcrodz: he/they

I know for a fact that I'm not the only one obsessed with the way Jai draws human anatomy. I have unironically seen a Jai piece in the tag and gone "WOWZA" like I'm Jim Carrey in The Mask; that's what they do to me. Highlights: This Milo was one of the pieces that made my eyes pop out my head like a cartoon wolf; I think it's the shirtlessness plus the muscle pose. I just couldn't handle it. I also reacted like that to their Babe because I am an equal opportunity pervert /hj

@izzuku: he/they

Izzuku designs characters with the most realistic and gorgeous body types; like, I love the soft jawlines and how warm and touchable they draw skin. Every Izzuku design is kissable as hell. Highlights: I have to recommend his Regulus and Hush designs, obviously, they're my favorite men. However, I can't let the world go by another rotation without recommending this special Halloween version of Vincent~!

@kilarthmac: she/they

In case we needed another reason to love and appreciate the iconic timestamping account we all recognize from the Redacted comments, we cannot neglect their fanart! Highlights: Like, look at this brought-back-wrong Vega! This Hush with his cute face and off-putting air! He's so cute and so weird! I also love this piece they've done for one of my favorite rarepairs, Imperium!Lasko/Adam~

@latenightsleeper: he/they/it/she

My kinfolk and my beloved, one of the few people who understand me and the vision that is beautiful, blonde, dumb and lovable Christian. They will give you so many feelings about Darlin and Christian, and they will cause you agony /pos Highlights: Obviously, I'm obsessed with the Tank/Christian art like this one (Christian is just so cuuute), but we're all obsessed with this Sam/Darlin animatic set to Eat Your Young.

@maxpaulll

An amazing artist that I'm so glad we managed to get to migrate to Tumblr from Twitter so I could put them on this list~ Highlights: I am obsessed always with their Indigenous character designs, especially David. Like, look at him, he's indescribably beautiful, outshone by no one except maybe Max's Imp!Vega, because oh my god look at him~

@nortyourself: she/her

I don't think there's anyone who's not obsessed with at least one of Rachel's pieces; like, I believe she'll get to every Redacted man with the speed and beauty she works. Even Reticuli has gotten the Rachel treatment and been made hot af. Highlights: Technically, this Imperium!Damien just takes me breath away; like, it would be blown up and framed in his palace (for all of his short and tempestuous reign). Personally, her Hush has a dear and special place in my heart. He's just my favorite~!

@penncilkid: any pronouns

One of the most gorgeous and darling and non-stop creators in the space! They're a true triple threat, kicking our hearts in the butt with their art, their writing, and their audio roleplay series~ Highlights: With so many mediums under their belt, it's so hard to choose. If you're looking for purely Redacted content, their art is prolific and so creative, I've got to share the whole gallery. If you're in the market for a new VA to fall in love with, you've got to check out their youtube channel~!

@pycth: any pronouns

I dont have anything creative or profound to say here- all of pycth's designs are smoking hot and would render me selectively mute with a glance, 'nuff said. Highlights: How can I PICK? Ugh, hottest of the hot that comes to mind has got to be their President Moore art; like, this pose isn't FAIR. On the other end of the spectrum, if you want your heart kicked in the butt, I don't think any of us are over this Sam piece or ever will be.

@rainingcatsandjune: any pronouns

Another new artist who's only been here since April, and yet- I would die for his and his fine-ass, touchable Sam. Like, hell, render any man pretty like that, and I'll die for him. That's how pretty this art is. Highlights: Like, look at him. How does one do anything but look at him, especially in this pose? Again, look at him! Look at the hands. The soft, touchable glow and how it lights and shades his and Darlin's skin. The broad shoulders good god~

@sainthowlzon: they/he

You can't turn a corner on tumblr without seeing some of Howl's adorable Scribble Dolls or Icons! (Or any other social media actually. I feel like I've deffo seem some of Howl's icons on Tiktok too.) They're cute, they're iconic, and there's one for almost everyone! Highlights: Here's that full set of icons for your perusal; my personal favorite is Asset's. And here's the full set of Redacted Scribble Dolls; my favorite is Regulus, I think, because of his freaky vibes, but it's so hard to pick!

@sincerelywhistler: any pronouns

Like everyone with a working set of eyes and a beating heart, I am obsessed with all of Wes's designs; like, who wouldn't fall in love at first sight with all those beautiful and often shirtless people? Highlights: There's honestly too many to pick from, but I'll TRY. Their Gavin is an absolute must, I share it with the Discord on sight, he's that it girl if you will. Oh, and one cannot neglect Avior's HBS piece; I'm not even an Avior girlie, and I was like daaaaaamnnnnnnn~

@slushiepizza: they/them

Where would all the guy-lovers be without Slushie and their absolute cornucopia of Guy and Honey delights? Like, where else would we get our homemade, MacGyver'd serotonin? Highlights: The "Everyday" series is everything to me, and I mean everything; Guy has become too relatable and has struck me right in the heart. If you're not in a Guy mood, I'm also in love with their older, cozy Anton~!

@s0lairee: she/they

Jo's style is just so clean, so cute, and I really love it when they play with lighting in their pieces. Like, we are almost, almost there to making me stan Vincent if you're gonna drape him in moonlight like that... Highlights: ...thought, if I had to pick, I'd probably lean more towards Vincent's partner. They're rocking the red eyes, I love them! I'm also obsessed with their freckle-y, sweet Lasko, because who isn't?

@strawberrybouvine: he/they

The artistic equivalent of gourmet candy, I am absolutely obsessed with the gorgeous colors of Jasper's art and cannot get enough of the sweetness! Is this sugar running through my veins or unparalleled cuteness? Highlights: I'm not even a David stan but, like, jesus christ, the long hair and hairy chest makes me want to go feral. Don't even get me started on the cuteness of his chibi art, I really will start foaming at the mouth.

@theflowersaremine

I don't know exactly what medium Haylin uses or what colors or effects they use, but goddamn it makes those men so dreamy. I'm not even a Sam stan, but that's a smoochable man right out of Gilmore Girls /pos Highlights: Like, are you seeing the Gilmore Girls vision? That's a handsome man from a wholesome show geared for women- almost as handsome as this art of David. I see this smile in my dreams; it's so beautiful.

@venuslove-28: any pronouns

Venus's art is strawberry and vanilla soft serve injected straight into my heart; it's so familiar and cute, so charming, and I want to stim and bounce in excitement when I see it. Does that make sense? It'll make sense when you see it. Highlights: Personally, I have never and I will never stop thinking about this Huxley, I am simply not capable. Their Avior is also cuter than all get-out, I must admit.

@wingless-cupid

I don't think anyone does cute and colorful and pastel and kawaii quite like Cupid. You can't help but look and admire all the eye-catching colors and then want to hug their cheery, dynamic characters! Highlights: I'm highkey obsessed with their Freelancer and DAMNily and all their d(a)emons in general. Like, look at this! Minh is such a cutie and a simp, I love them! I'm also constantly thinking about this art in particular, because look at all these PRICELESS EXPRESSIONS!

@yoteako: he/it

Would you like stunning, high quality art and tragic, old man yaoi on your dash? That's a silly question; of course you do which is why we're going to follow and love on Yote. Highlights: See how beautiful, doomed, and intimate this multi-page comic is about two characters who've never canonically spoken? That's devotion. On the less forsaken side of the narrative, their Gavin/Lasko ship art is embedded into my heart.

If you’re reading all the way here, I hope you found the post helpful and smiled while making your way through it! Or both! The RedactedAudio fandom is truly one of my favorite spaces on the internet; it’s so intimate and creative, and I’ve found some amazing, perfect friends here, so I hope you will too 💖

[bumblequinn]

on a more personal note: death grips were and are a pretty major source of inspiration for my own music. not in the sense of "i like this sound so i'm going to ape it," but in the sense of "oh i can get this weird with it if i really want to."

a decent chunk of the music in SLARPG would have been a lot more restrained and self-conscious if it weren't all the death gripses out there. sophie, knower, joanna wang, wednesday campanella, KKB, lemon demon... these artists and countless others helped to show me that it's okay and even extremely cool to get weird with it.

i'm reminded of this comment on one of my tracks in particular:

and look, part of me thinks this is more or less harmless, right? i even pinned it, because it made me chuckle. it's all in good fun! (seriously, don't go causing any trouble over a comment like this. i do not condone that kind of harassment.)

and yet - if i stop to think about it a second longer, i start to ask: what is this kind of joke really saying? "this sucks." "turn that shit off." and... i dunno, that feels bad, you know? i was bouncing in my seat grooving to that track when i was making it. i like what i made. that's why i made it.

every time i make music, i'm making something i want to hear but that doesn't exist yet. i'm incredibly, stupidly lucky that i get to do that, and that other people connect with it. but when the end result of that effort is a "joke" like "this is so weird omg, put something normal on," well...

even as a joke that's enough to make me second guess myself the next time i make music. it's enough to make me change the preview track for the album to something a bit tamer so i don't "scare off" first-time listeners. that feels like capitulating, and capitulating is the opposite of authentic self expression.

i have much, much weirder, more difficult and challenging ideas that i have yet to explore and put out there because i already feel like enough of a pariah just as a trans woman in the world.

i'd like to find the inner courage and esteem to create that art without softening its edges, trying to appease, or apologizing for myself. i think i'll get there. i'm already closer than i used to be. but seeing more people respect weird art, rather than quip about about its strangeness, would be a start. a girl can dream.

[cuubism]

"A van Dyck," Dream drawled, dragging a light finger along the gilt frame of the painting propped on the top of one of Hob's shelves. Hob really should do something more formal with that. "Interesting thing to have in your living room, Hob."

"I tell people it's a print," Hob said, coming to stand beside him and handing him his tea.

"Oh, but it is not." There was a smirk dancing on Dream's lips, Hob knew without even looking at him directly.

"Makes sense that you'd be able to tell," he sighed.

"Of course. Just how did you come across such a thing?"

"Well, I was still mingling with the aristocracy in the early 17th century. Met some interesting people." He shrugged. "Really should have sold it when I was, well, destitute, but couldn't bear to. Managed to stash it away. One of the few things I have of that time, actually."

"I can only imagine you had more than one valuable thing in your possession over the centuries," Dream mused, sipping his tea. "Why this one?"

Oh, God. He knew, didn't he?

Hob rubbed at the back of his neck. "Reminded me of you."

Hob had never known much about art, particularly back then. He hardly would consider himself a collector and certainly not a connoisseur. But that particular portrait had caught his attention immediately for its similarity to Dream.

The likeness was, indeed, striking. His hair was longer than it had been when they'd met in 1589, sweeping over his shoulders, and his features were half-draped in shadow, but his eyes. Hob would know that haughty, intense gaze anywhere.

He'd never quite discounted the idea that it was a portrait of his stranger, except that he couldn't imagine him having the patience or cause to sit for it, or the desire to be immortalized in that way.

"It is me," said Dream.

"What? Seriously?" Hob turned to stare at him and found Dream already looking back, ethereal and lovely. There was only one lamp on in the living room, night falling around them, and it cast his face in a similar light to the portrait, soft gleaming skin and plunging darkness as backdrop, limitless shadow in his eyes. "You, allowing a portrait? You're not having me on?"

"I do not joke." Dream took a step closer to him, setting his tea aside on a table. "I suppose I must have been in good humor that day."

Hob raised both eyebrows. "Oh, uh-huh, you in good humor?"

Dream's lips ticked up in a half-smile. "It happens occasionally."

Hob leaned against the shelf, careful not to jostle the painting. "For someone who so disdains the waking world, you sure are very aware of the art scene."

Dream leaned beside him, tilting his head. "You might consider me a patron of the arts."

Hob chuckled. "A patron? Or an inspiration?" He reached out and dragged his thumb along Dream's lower lip. "Dream?"

"A lover of artists, perhaps."

"I'm sure." Hob swept a hand along his cheek, breaking up the light like he was dragging a wet brush through paint. "You look like you could have stepped right out of that painting right now. You could have stepped out of any painting."

Dream looked at him from under his lashes. "Are you calling me a work of art, Hob Gadling?"

"Always."

Then Hob kissed him, hands framing his beautiful face. Dream was like an artwork, constant in essence but changing interpretation in every new light. Hob could imagine how many people over the centuries had had a fleeting encounter with him and come away changed, just as he had.

Dream hovered near him when they parted. Hob looked over to the painting again. No mere depiction could capture Dream in all of his colors, but it really was a rather good try. Van Dyck had gotten the depth of his eyes just right.

"The Baroque period suits you," Hob told him.

"Now who knows something about art?"

"I've picked up a few things over the years. I'm in love with the world's greatest artist, after all."

Dream moved in as if to kiss him, but paused to speak against Hob's mouth. "There are other works of me out in the world, if you care to seek them out."

"Don't open that challenge because I will do it," Hob informed him, quite seriously.

"I hope so." There was a sharp gleam in Dream's eyes. Hob could only imagine what kinds of paintings might inspire that look. "I look forward to seeing what you find."

[b1rds3ye]

I love your writing style!

(also love how you always go for gn!reader!)

Silly request for another masked reader?

Masked reader who has those more solid material masks that can easily be cleaned has in the past painted their mask during one holiday just for the fun of it and they boys wanna do it too. Variation of it; masked reader got injured and has to stay bed bound for a while so their mask is being written and painted on like people do with casts :D

(there would be so many pictures)

PLEASE THIS IS SO CUTE (also tysm anon!! It means a lot that you like my writing and writing decisions AHHHHH). I'm thinking a white-hockey mask sorta vibe that can look intimidating for missions, but also far too tempting for the 141 to wreak havoc on. Of course, they'll ensure you always have at least one spare blank mask so you can keep being the ominous badass on missions, but when a mission goes south and you escape with barely your life, they do what they can to make your bed-bound recovery as entertaining as possible.

Soap in particular truly treats your mask as a canvas. I already touched that Johnny has a journal of alternative designs for your mask and with a plain mask his mind is racing with so many ideas! He also has a general knack for drawing, in the quiet nights when he's done with training and can visit the med-bay he can spend hours just drawing on your mask with a thin sharpie (think like those highly intricate black-ink tattoos). His art is a little rough and scratchy but the artistry is there. He also provides his signature which lacks the tact of his art - if another member of the 141 hasn't he'll be the one stamping his name across your forehead with an obnoxious "SOAP WAS HERE!!".

Ghost is not an artist. There isn't a single artistic bone in this poor man, when he draws a circle it somehow looks like a square. Instead, Simon writes. A card is too sappy but your mask makes the perfect patch of parchment. His handwriting is legible but far from aesthetic, it's practical and hastily done with your head shaking slightly as he writes on it. Eventually he has to stabilise your head with his other hand, and his hold is surprisingly gentle. It's a general message wishing you get better soon, and a special military pun for everyone to read when they see your mask. He says that now your mask is a little more customised it almost looks half as good as his. While being unable to draw, he does accompany Johnny or Kyle if they pay a visit to vandalise your mask.

Price is straight forward. You want people to sign your mask? He'll sign your mask. John is surprisingly sentimental, he genuinely treats your mask as a get-well-soon card. He encourages you to rest - which is admittedly redundant since you can't get out of bed - but also to hurry up and get back on the field because he's losing his mind putting up with the rest of the 141. His handwriting is small because he has a lot to say, his message taking up the expanse of your cheek. He puts effort into his message and handwriting, it's going to be on your mask for everyone else to read and when he tries the captain has some exceptionally nice cursive. When he's done, he pulls away and lets out a satisfied huff at his message and how it looks on you... and then a consequential sigh when he looks at what of the rest of the task force has done to your poor mask.

Gaz does everything with your mask. He first covers the basics, signing his name and a quick, encouraging message for your health. Then Kyle goes ham on redesigning your mask and making it look as terrible as possible. Because it's a plain white mask, in particular he loves to use coloured sharpies on it. He'll shade panda-like eye bags where your eye sockets will be, or colour the area of your nose with a bright red circle like a clown. If you ever complain he'll just say this is the price you pay for getting injured and being sent to medbay. It's a joke but the underlying concern isn't missed from you. He's not the best artist but he'll leave a cute little doodle like a flower or that "S" sign that's used to graffiti everything known to man. He also enjoys giving you something to do (laying in med-bay all day must be terrible!), taking your hand in his to guide your hand across your face so you can draw a simple little star or love-heart on your own mask.

Surprisingly, it's Simon who initially asks for your permission to take photos of your mask. He says it's for the rest of the task force so they can have a reminder of what they're fighting for as they continue doing operations in your absence. John did add on that it was also simply for the memory as it's expected that you'll keep the mask once you've gotten better - unless you're willing to auction it off in which Kyle already called dibs.

It's only when you can freely move around do you take off your mask to realise that under your chin would be, generally obscured from view, one of them drew a shoddy little penis. You have half the mind of chasing up on who it was but it was simply too funny and you let it go. (Also because you already know deep down it was Soap)

Masked Reader Masterlist Call of Duty Masterlist

[am-i-the-asshole-official]

WIBTA for posting my cross stitch of someone else's pixel art? 🪡🧵

Yea this is more low stakes but like also uh... So basically I follow this artist and they make really, really good pixel art. They also have a shop that sells their art and in particular cross stitch patterns for some of their pixel art. Problem is, the pattern and the original art don't match completely, like the colours and slightly off and there's less colours and detail overall in the pattern being sold

Thing is, I really, really liked one particular art and I wanted to stitch it. But I don't like the pattern the artist is selling. So I pulled up one of those pattern converting websites and made a pattern based off the same art, but with more colours so it looks more like the original.

I'm already partially stitching the work and I want to post it online when I'm done, but uh, that sounds like a bit of a dick move? Like it's the artist's art and they clearly had a shop selling a pattern so it seems kinda dirty to wave around a work that I did without paying them. But on the other hand, the artist didn't create this specific pattern I converted to include more colours. Of course I do plan on giving them credit for the original art, but would that be enough? Should I add a link to the shop/leave a tip?

[moongothic]

People often bring up the omake No Respect Time to use as Crocodad Propaganda, and y'know, I think there might be just a smidge more the omake can provide to Crocodad than what people have already discussed in the past

Like everyone's seen the comparisons between Crocodile and the anime screencaps of Don Luffyone, we all know how the two look so similar etc etc. But honestly, the resemblance is even more obvious (and hilarious) when you look at the OG manga version (Sidenote but Don Luffyone is the only one who smokes cigars in the omake... Everyone else has plain ol' cigarettes... That sure was a decision there Oda)

And yeah, you might be thinking I picked this mangacap of Crocodile in particular because the resemblance is the most obvious here and I have My Crocodad Agenda to push etc etc. But I will have you know that the original omake was from Log Book 5, which was published February 28th 2006. Meanwhile that Crocodile is from the cover of chapter 398, published February 6th 2006. So these were drawn by Oda around the same time. I didn't just cherry pick this cover page because it's convenient for my evil agenda, if these were drawn around the same time then the likelihood the resemblance is intentional does legitimately go up a little. (Also since they're both drawn by Oda instead of random animators, again, it's a bit less coincidental and could be a bit more intentional)

But as I said, I think there might be more to the omake than that.

In the past people have also pointed out and joked how a mere few months before Oda revealed Dragon was Luffy's father to us in the story (post-Enies Lobby), in the Monster Time-omake Luffy was depicted as a dragon.

Needless to say, people believe this was intentional foreshadowing (/trolling) to the Dragon reveal by Oda-- if not it'd be one hell of a coincidence at the very least.

The reason I'm bringing that up is that if people think it's safe to assume Oda was hinting at Luffy's heritage in one omake by making him a dragon like his father, then why couldn't Oda do the same in another omake (by making Luffy a mafia boss who smokes cigars like his father)? Keep in mind that Monster Time was published in May 2006 (in Log Book 7), just three months after No Respect Time. So again, these are from the same era. To me, that just makes the resemblance between Don Luffyone and Crocodile seem even less coincidental

Oh, but there's one more omake I want to bring up.

So people do often bring up Nerd!Luffy's appearance in One Piece Gakuen spin-off manga, pointing out how much he looks quite a lot like the Theoretical Child Oda gave to Crocodile in that one SBS. Yeah. So. 'Bout that.

There was this one omake called Red Hair of Class 3-Sea Time, in which Luffy was a loser ass nerd. And man, that resemblance

Like it's one thing when a spin-off manga drawn by a different artist does A Thing. It's another when Oda himself does it

[shinybearnerd]

"Notes of Chaos"

Hi everybody!

Since Good Omens season 2 is almost here, I wanted to share some of my ff with you.

The pairing is not between Crowley and Aziraphale, even tho there may be one of them in the future. They are so cute together and I ship them, but I think I'm not that good at capturing their ineffable love. Idk, I hope it makes sense...

This is my first time publishing a smut ff. I'm a little nervous lmao.

Anyway, I hope you enjoy this! Let me know if that's the case!

Pair: Crowley x Gn!reader

Words: 2,6k

Genre: Fluff, smut +18

Story: After the Armageddon, Crowley has been kicked out of his apartment and now he's living in his Bentley. You and Crowley are good friends, so you propose he stays at your place for the moment. He accepts, even tho he's reluctant. Days pass and you and the demon are coming to get closed and closed until one night, at a party...

-Engish is not my first language. So I'm sorry if there are any mistakes-

Every person that has known y/n would describe them as someone that has an infectious smile and bright eyes that light up even at the littlest thing.

They had always been fascinated by the idea of supernatural creatures, and as soon as they learned that Crowley was a demon, they were drawn to him in a strange and intriguing way. Despite their human nature, y/n was open-minded enough to accept Crowley for who he was.

Ever since the demon had entered their life, they had discovered an unexpected complicity with him.

After weeks of living together, Crowley had become accustomed to y/n's company and their eccentricity. Though at first, he'd been reluctant to accept their offer of hospitality, he'd gradually come to trust them and realized that he couldn't have found a better person, apart from Aziraphale of course, to share time with than them.

One evening, Y/n enthusiastically approached Crowley while he was immersed in one of the many blogs about plants that the demon followed. <<Hey, some friends are planning a party this night. Five minutes from here. Would you like to come with me? >> asked, trying to hide the excitement.

Crowley lifted his eyes from the phone and looked at Y/n, considering their proposal. Initially, the prospect of a party didn't seem very appealing to the demon, who preferred to spend the evenings alone or with a few people he felt comfortable with. But then, a thought crossed his mind: perhaps, this would be an opportunity to get closer to them.

After a short pause, Crowley nodded. <<Yeah, sure. It'll be fun.>> Y/n eyes immediately lightened up as they embraced him enthusiastically. <<Crowley, you'll love them! And I'm sure they'll love you too!>>

In the evening, the two walked towards the meeting place. Crowley followed Y/n. As they passed through the neighbourhood, the lights of the adjacent houses cast a welcoming atmosphere on the whole street.

When they reached their destination, the music and the sound of laughter greeted them. The party was on an elegant terrace, above a very chich club, with upbeat music and some people already laughing and dancing.

Crowley noticed that Y/n was like a fish in water, in the midst of people, while he preferred to remain cold. Still, Y/n's presence offered him a sense of comfort he'd never experienced before.

<<Come, Crowley, I want you to meet my people!>> They insisted, gently taking his arm and leading him.

The demon found himself in a various circle of people: there were artists, musicians and people with eccentric clothing.

And if before he felt out of place, at that moment he felt at home.

He left himself carried away by the festive atmosphere and found himself laughing and joking with guests who weren't Luna or her friends. Maybe it was the alcohol. Yes, it was definitely the alcohol.

As the evening wore on, Crowley realized how gorgerous and charming Y/n looked as they danced lightly. He was beginning to love the way their eyes sparkled with a particular light when they talked about something that fascinated them or when they talked to their friends… The way their nose crunched when smiling or laughing…

The hours passed, and the party continued in its fervency.

Crowley and Y/n found themselves sitting against the railing of the parapet. The bright colour of the lights created a magical and intimate atmosphere in some way.

There was no need to talk much. They seemed to understand each other even without many words. <<Crowley>> Y/n said, placing their hand lightly on his. <<Thank you for coming with me tonight. It's nice to have you here.>> The demon smiled. A sweet one that he rarely showed to others. <<Yes. I'm happy too. It was a... pleasant evening.>>

They were smiling at each other when suddenly the DJ spoke, telling everybody that the night was almost ending and that he was putting on the last songs.

Immediately, Y/n took Crowley by the arm, dragging him into the dance floor. The demon didn't know whether to feel bothered or amused by their gesture. He chose the second option.

The music was loud, but that didn't seem to bother Y/N, who danced carefree and sensually, as if there was no one around them.

Crowley found himself mesmerized by their presence. His ancient and mischievous soul recognized Y/n's attraction and excitement, and the thought made him smile. He even thought that they would have been a heaven of a demon.

He let himself go to the music, allowing Y/n to lead him on an intoxicating experience.

The evening had revealed a side of them that Crowley had never seen before: a wild and charming person, capable of awakening new sensations in him.

With an amused smile, Crowley followed Y/n's movements, letting the music surround them both. He no longer cared about the outside world or his worries. The only thought that mattered to him was sharing that moment with them.

At one point, they moved even closer to Crowley, their bodies almost touching. The heat and electricity between them seemed to increase. It wasn't just the music that moved them, but a mutual attraction that was growing more and more.

In a playful tone, Y/n whispered in Crowley's ear over the noise of the music. <<You know... we could wreak some havoc together! That would be fun.>>

Crowley smiled, realizing that they were playing with him, but at the same time seeing a small spark of truth in their suggestion.

<<We could, but you know, I've spent millennia wreaking it… Maybe I need a break, gorgeous.>> he replied winking behind his black glasses.

Y/n laughed, looking down as they resumed letting the music wrap around them. Trying to hide their blushed cheeks.

Something in hearing their laughter snapped in him and, without them realizing it, the demon slipped behind, grabbing them with one hand, which he held on their stomach, and pulling Y/n towards himself, continuing to dance.

Although Y/n seemed to never stop laughing, they felt their breath short for a few seconds. Crowley's touch made them shiver, but not in the way they expected. It was an electrifying sensation, a combination of awe and pleasure.

They turned to him, meeting his leering gaze, and their heart started pounding even faster. <<Crowley.>> they whispered, almost out of breath. The demon answered them with a knowing smile, moving closer. << Sounds to me like you need some guidance, Y/n. I can help you with the pacing if you like.>>

Y/n smiled. And immediately after they let themself be completely caught up in Crowley's grip. They felt his strong, warm hands on their skin as his rhythm joined in an intense, sensual dance. The heartbeat quickened the breathing of both mixed.

As they danced together, Y/n felt the heat of Crowley's body against theirs, a magnetic energy that seemed to grow stronger and stronger. It was as if their souls touched, opening the door to a deep and mysterious understanding. The more they danced, the more Crowley closed them, letting themselves be overwhelmed by their aphrodisiac smell; the more Y/n grinded and danced against Crowley. There were no words, just the music enveloping them, and their emotions melding together.

Y/n felt like they were in a trance, fascinated by the way the demon treated them. His touch was electrifying and everything they needed in their life.

Crowley, on the other hand, was surprised about how Y/n could push his emotions so high. In every movement, in every touch, he felt the pull of their power, humanity and irresistible energy. He had gotten used to being cold and calculating, but with Y/n, everything seemed different.

They continued to dance, letting themselves be guided by the music and the intensity of the moment, until they felt the demon's crotch behind them, letting out a sigh of pleasure. Which didn't go unnoticed by the demon, who gripped them closer. He leaned closer to them, leaning into Y/n's ear, grinding more. He spoke with a husky and amused whisper. <<Do you like dancing with me, my dear? >> Y/n moaned softly. << Yes...>>

Crowley's hands trailed up Y/n's hips as his sensual movements made them feel alive like never before. It was as if the whole universe was concentrated at that moment. The demon's hands squeezed them tighter, their bodies moving in unison. The dance floor felt like their kingdom, where they could express themselves without fear or judgment.

The music surrounded them more, leading them into a whirlwind of emotions and desire. Every movement, every touch, was filled with passion and mystery. Suddenly, it stopped. But, even though the song ended, the connection between the demon and the human was still strong.

They stopped to stare into each other's eyes, not saying a word. The short breaths were due to the movement and desire they felt towards each other. Crowley was breathing heavily too, looking at them through his glasses with an impenetrable gaze.

<<Follow me. >> he ordered, breaking the silence.

Y/n didn't have to hear it again. They let the demon grab their wrist and followed him, slipping through the crowd that had resumed dancing.

As soon as they got out, Crowley pushed Y/n against the nearest wall, approaching them with an intense expression in his eyes. Their lips met passionately, hungry for each other. Each kiss was a promise of pleasure and togetherness.

As Crowley brushed his hands against Y/n's skin, the contact ignited a fire that spread throughout their bodies. They felt the heat emanating from the demon, an intense and overwhelming feeling that made them want him even more.

Y/n's hands hooked on the collar of Crowley's jacket, pulling him closer. They could feel the hardness of his muscles against their body, and the energy emanating from him made them shiver with excitement.

Their breaths mingled, quickened by the desire that burned them from within. There was no more room for inhibitions, just the will to indulge in an uncontrollable passion.

As the kiss deepened and deepened, Crowley moved his hands over the curves of Y/n's body, exploring them with desire and reverence. His fingers traced lines down their back, leaving a trail of fire on their sensitive skin.

Y/n moaned in pleasure, responding to Crowley's touches with smooth movements of their body. It was as if they were in perfect harmony, dancing to an ancient tune of passion and desire.

The pressure of the demon's body against theirs intensified, and Y/n could feel their arousal spreading now. It was an explosion of sensations, a shiver that shot through their spines and spread through their entire being.

As the kiss broke off, leaving a line of saliva that united them, their gazes met once again. There was a promise of lust and affection in those golden eyes. An intensity that made their heart beat even faster. <<Crowley...>> whispered Y/n, their voice full of desire. The demon smiled at them. A smile full of mischief and affection that only they could see. Y/n bit their lower lip, their body vibrating with a desire that was impossible to ignore. <<Crowley, please... Fuck me.>>

Without saying a word, Crowley took Y/n's face in their hands and kissed them again hard and passionately. It was as if they were two souls on fire, consuming each other. Crowley's hands moved impatiently, exploring Y/n's body with uncontrollable hunger, starting to free both of the encumbrances of pants/and dresses.

Their breathing was irregular, their moans mixing in the night air with the muffled noise of distant music. It was a symphony of desire, a crescendo of sensations that carried them higher and higher.

The demon picked them up, pressing them against the wall, and Y/n wrapped their legs around him, welcoming him. Crowley began to playfully rub his hard erection against Y/n's core, who moaned impatiently. A sly smile was on his lips. <<Crowley... please!>> <<You know what to do, sweet cheecks.>> replied grinding harder against them. Y/n tightened their grip on the shoulders of the demon, who watched them in amusement. <<Crowley-… fuck. Please, fuck me hard. Ruin me! Ruin other people for me. >> With a sudden movement, Crowley thrust all of him hard, causing them to let out a strangled cry of pleasure. <<Fuck. You're so deliciously tight! ...Can I move?>> <<I'll kill you if you don't!>>

Their bodies moved in unison, dancing in a timeless, erotic choreography. Each movement was a promise of pleasure, a celebration of the intense connection between them. The more the demon moved, the more the human felt they were about to come.

As Crowley's trusts quickened, Y/n understand that he was close too. They could hear him gasping and grunting in pleasure, feeling Y/n's core squeezing him just in the right way. He tilted his head backwards, moaning and grunting into the free air as he had his way with Y/n.

<<Oh, my- fucking god! Yes, baby! Just like that!>> The blasphemy and the tone of their voice were his last straw. His movement quickened more, while his pushes became harder.

They soon came together: Crowley feeling his cock sweetly being milked by his lover's soft walls, and Y/n feeling his warm seed coating and filling them.

With their bodies still vibrating with passion, Y/n and Crowley remained embraced against the wall, wrapped up in each other and seeking the breath and the sweetness in each other's embrace. Their skins touched delicately as if they wanted to keep every spark of that magical moment.

With the accelerated beat of their hearts in the background, they exchanged an intense kiss, full of gratitude and complicity. Their warm skins pressed together as heavy breathing filled the air around them. It was as if time had stopped, leaving room only for the present, just for the two of them.

Crowley continued to support Y/n in his arms, his golden eyes fixed on their y/e/c. His hands caressed them delicately, almost as if he were touching a precious work of art. They felt every touch of the demon on their skin, an electric hiss that made them shiver with pleasure. He seemed fascinated by every inch of the human's body as if he were exploring an unknown and fascinating world. Every nuance, every curve, seemed to be etched into his mind like a symphony of beauty.

<<You're so gorgeous...>> Crowley whispered hoarsely, the words spoken with worship and adoration.

Y/n smiled, feeling loved and wanted in a way they had never experienced before.

<<And you are extraordinary. >> answered softly.

Their gazes met again, and deep in Crowley's eyes, Y/n could read a mix of emotions: desire, passion, but also a vulnerability that made him even more fascinating.

The demon's lips explored their necks, leaving a trail of hot kisses. His sensual bites on their skin made them quiver with pleasure, blending sweet with spicy in a symphony of sensations. Y/n's hands tangled in his red hair, pulling him even closer. They felt his heart beat in unison as if they had become one soul.

They lost track of time. It was just the two of them, immersed in a world of their own, a world of desire and pleasure that enveloped them like a whirlwind.

Suddenly the kissing stopped and Y/n felt Crowley's strong arms wrap around them while his head was buried against their chest. As if he wanted to protect them from the whole world and at the same time, wanted to protect himself.

They welcomed him gently, feeling the warmth of his body next to theirs. Making the demon feel loved. In the silence of the night, their breaths calmed. <<What a way to provoke havoc... >> he remarked, amused. Y/n chuckled. <<We should do it more often. >> The demon turned his gaze to look at them. A smirk full of love and devotion on his face. <<Yeah, we should.>> He brought his face closer and kissed them passionately, keeping their head in place with his hand.

<<I think it's time to go home...>> suggested Y/n with a smile. << Yes, I think so too.>>

He carefully set them down, asking if they could stand on their own. Once Y/n felt more comfortable, they dressed each other again and then left the party together. Crowley's arm was placed over their shoulders.

[thelaurenshippen]

finally taking the time to read through the SAG agreement summary and oof, I hope they have an AI town hall soon because...well, there are things to discuss!

so, in case folks are curious, here are my immediate takeaways from the deal as a SAG actor, a SAG producer, and person who is not any kind of expert but spends a lot of time being skeptical of contracts I sign. this is a summation/commentary, not a holistic breakdown of every point, nor even an in-depth discussion of the points I do talk about. and it is, of course, in no way legal advice or voting advice.

this post is already maybe the longest post I've ever written on tumblr (lol) and I feel like I've barely scratched the surface. to be clear, nothing I'm saying here represents how I'm going to vote, how I think other actors should vote, or my be-all-end-all stance on a particular issue. this is me reading through, flagging what concerns me, and asking myself questions. and I'm here to take your questions too! though of course my expertise is limited.

(what?? something I wrote got annoying long?? in my tumblr? it's more likely, etc. huge write-up after the cut)

the good

self-tape stuff: this is one of the more niche/the thing that the general public will find least interesting, but they've put in a lot of provisions to make sure self-tape auditions have limits (# of pages, no stunts, no nudity, doesn't have to be professionally shot, etc.) which is amazing because these types of auditions have gotten out of control since the pandemic. this feels like a great gain

data transparency: in no world did I think the streamers were ever going to agree to any data sharing with either the wga or sag so even though the data is limited, this still feels huge to me.

folks who sing and dance will be paid for both of those things now, which is great

they've added MLK day and Juneteenth as holidays (about time)

a performer cannot be required to translate their own lines

principal performers are required to be given hair and makeup consultation or reimbursed for obtaining their own services - this seems like a small thing, but it's being put in here pretty much entirely because HMU services have generally been appalling when it comes to textured hair/a variety of skin tones. there's also stuff in here about working to hire more diverse HMU artists

it looks like it's going to be easier/provide a path for folks getting IMDb credits even if they're not credited on screen

miscellany: there's a bunch of gains in wage increases, P&H increases, relocation fees, franchise language etc. that all seem good to me, though my limited knowledge on those subjects prevents me from going in depth on them.

this is not important, but it tickled me, there's a term to replace all instances of "telegraph" in the contract with "email & text" which like...why has it taken us thirty years to do that lol.

the "...hm..."

intimacy coordinators: oof. when I watched the press conference SAG gave, I was fucking thrilled when they said that the new agreement required folks to hire intimacy coordinators for nudity and simulated sex scenes. that was almost reason enough for me to vote for it tbh - not requiring it is the exact reason I voted no on our last contract. however, reading the contract summary now, the exact language is: "Producer must use best efforts to engage an Intimacy Coordinator for scenes involving nudity or simulated sex and will consider in good faith any request by a performer to engage an Intimacy Coordinator for other scenes. Producer shall not retaliate against a performer for requesting an Intimacy Coordinator." this....sucks. "best efforts" and "good faith" are not the same as "required". IMO, an intimacy coordinator is the same thing as having a stunt coordinator or, like, any number of health and safety requirements. OSHA doesn't say you must "in good faith" put your "best effort" to providing fire exits. it's great that performers can request coordinators for any kind of scene, and this is still the strongest language we've ever had in a contract but....c'mon guys.

residuals: look, I can't speak to these new terms in any concrete way. there are increases, there are bonuses for streaming success, there's a whole thing about a fund regarding those successes that I need explained to me more in depth, but overall, it looks like we made some in-roads here. as someone who employs actors under digital distribution contracts that has no residuals (podcasts), I know how genuinely cumbersome the unholy trifecta of "views-success-profit" can be (as in views do not equal success, success does not equal profit, etc.). I also have no sympathy when the majority of companies dealing with that cumbersome trifecta are massive media conglomerates. anyway, long story short, idk if this is good enough, I'm hoping to attend the next info meeting sag has.

the bad

the new hair/makeup provisions are explicitly for principal actors. while I hope it leads to better, more inclusive HMU services all around I haaaate that this implies supporting or background actors (who oftentimes also have to sit in HMU) don't deserve the consideration. (then again, background actors are usually required to do their own HMU/bring their own costumes, but for productions where that's not the case, the same HMU provisions should apply IMO)

as with every contract, there's language that could be stronger, clarity that needs to exist, and important things missing - but this isn't the final contract and I'm not a lawyer, so I'm gonna leave that stuff to the experts.

but, "lauren", you say, "what about all the AI stuff? where does that go?" well, reader, I was planning on including that in the above but it's the hot-button issue right now and I think it's wickedly complicated, so I wanted to break it down separately, after I had a chance to point out all the good-bad-in-between stuff that's not getting talked about.

a note: in my career, I've learned there's two big things to keep in mind when reading a contract you might sign:

what is the worst case interpretation of this language (thank you to my lawyer, prince among men, for teaching me how to do this in practice (that said, anything I say here is not legal advice, he'd also want me to say that lol))

what are you willing to lose/compromise on/what are the limits of your pragmatism? contracts are not about a company giving you everything you want out of the goodness of their heart - it is always a compromise. pragmatism has to be a part of the equation.

so, with that said, I'm going to play a little devil's advocate here, and a) try to find the good/the pragmatic and b) catastrophize the worst case scenario. but first, it might be handy to look at this SAG infographic for some basic definitions. let's go.

the AI good

a ton of stuff here requires consent. that is not a small thing, and the consent continues even after your death (whether it was a yes or no; though this can be complicated by your estate/your union)

the language does establish that the consent must be a separate signing from the employment contract, even if its in the contract, which is great (but more on that below - timing matters)

actors often do get paid for use of their digital replicas, though it's different based on the use/type of replica.

the actor must be provided with a "reasonably specific description of the intended use". this language is vaguer than I would like, because it allows producers to decide what "reasonably specific" and "intended" means - there's always going to be some vagueness when it comes to this specific thing, but a good start would be for producers to require not blanket consent, but conditional consent for each significant use of digital replicas.

if the replicas are being used in other mediums, that must also be consented to, thank god.

replicas cannot be used in place of background actor counts on a given day - if I'm understanding this correctly, this means a production can't just have a bunch of fake background actors by themselves, they have to engage real people up to a certain number first (which in this new contract is 25 for TV and 85 for movies). we're already filling in background with digital people or copy-pasting of the same crowd over and over and have been doing so since at least the late 90s, so it's good we're continuing to put up boundaries around that.

the AI "...hm..."

it's unclear (to me) when an actor can be asked to consent. IMO, everything is meaningless if the consent is happening as part of regular contract negotiations. these things have to happen when - and only when - the actor has already been engaged in a role and feels empowered to say no

the use of independently created replicas (replicas pulled from existing footage, not created by the actor) being allowed without consent under first amendment reasoning - this is obviously concerning a lot of people bc first amendment arguments are so broad. that said, there's a pragmatism part of me that understands this is already happening/has been happening for a while and used in ways I think are perfectly fine - I was just watching the new episode of For All Mankind (one of the best TV shows right now!) and it's an alternate history, which meant that in the opening scenes of this season they had some bonkers good deep fakes of Al Gore saying stuff he never said. I think that's okay to do in a fiction show that imagines a different US history! "but Lauren", you might be saying, "Al Gore isn't a member of SAG!" are you sure? are you positive? because I'm pretty certain he is - he was in several episodes of 30 Rock, way more people are in SAG than you think (every NPR reporter for instance), and the two worst presidents we've had in the last 50 years (yes, those ones), are both definitely members of SAG (even if one is dead). now, the other side of this is that public figures like politicians are under a different social contract than actors, and if they wanted to sue, they could, unlike the average SAG actor who might have their image abused. this is why this is in the "hm" column - deep fakes and parody/satire/commentary use of replicas is already here and there's always going to be a 1st amendment argument to make, so we need to figure out how best to limit those and protect the most vulnerable.

alteration: with this language, a project can digitally alter without consent if the script and performance stays "substantially" the same. again, this language is too mealy-mouthed. I don't know that I have a huge problem with a line of dialogue getting replaced with a digital version of that actors voice if, for instance, a word was mispronounced, or wind garbled the sound or whatever - yes, it would eliminate the need for ADR, but if we put some limit on it like..."if there are more than 5 lines in a given episode/movie that require digital alteration in the service of clarity, the actor must be engaged for an ADR session or paid for the digital replacement" then I could see this being workable. I'm also personally okay with things like costumes being digitally altered but, again, we need limitations on that. digital altering cannot replace the art of costuming but, for instance, if a costume needs to be altered to include a hate symbol or something, I think that's fine (example: I have friends who worked at the VFX house for an alternate history TV show that involved a lot of Nazi costuming and set design - a huge part of that VFX house's job was to put swastikas in places, rather than props making nazi flags. I'm okay with that!) but again, these fringe cases do not a compelling arugment make, and this contract language can be interpreted too broadly for my comfort! like everything else in this "hm" category, I need to see the final contract language to decide.

the AI bad

there's a bunch of circumstances in which actors don't get paid for creating their replica/use of it and those circumstances are too broad for my taste.

synthetic performers - this is just awful. no. no, we should not be allowing AI to generate entire actors. just............no. there's some language about the producers having to talk to the union if the synthetic performer is "used in place of a performer who would have been engaged under this Agreement in a human role" but this doesn't apply to non-human characters so....wouldn't that be all roles?? leaving the producers room to be like "this role has to be synthetic, we never would've cast a human!" is bullshit. also, even if we're having AI create a magical talking unicorn whole cloth (which, like, also no, we have artists for this), that unicorn still needs to be voiced by a human person. this whole section is a disaster.

the exceptions to consent for digital alteration are bad-bad. I talked about the potential ADR replacement above and that has a whole host of issues with it that I didn't even get into, but I can see the argument. the rest are very troubling:

there is an exception under "any circumstance when dubbing or use of a double is permitted under the Codified Basic Agreement or Television Agreement" - okay, so does this mean we can replace dubbing artists and stunt performers entirely? this section is about digital alteration, but who's to say alteration couldn't turn an actor broadly miming a fight into an entirely digital, expertly performed fight that usually a stunt double would have done? with AI translation technology, does this mean we're replacing VO artists for dubs entirely? bad!

similarly, "Adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market" - Justine Bateman has a great twitter thread on the terrible puppetry potential of this but I want to draw attention to the particular market bit - we all know that selling to china is such a huge part of studios' strategies that they'll remove entire scenes or lines around queer stuff. to me, this clause makes all of that so much easier. I know the argument here is going to be "we can replace swear words and license it for kids!" which.......sure? fine? but, uh, we already have ways to deal with that? and the potential for abuse here is terrifying to me. with all the digital alteration stuff too, there's just so much icky implication for the beauty/body standard to get so much worse.

if a background actor’s digital replica is used in the role of a principal performer, they'll be paid as if they actually performed the days for that role, which, sure, but uhhhh why are we saying it's okay for a digital replica of a background actor to suddenly be a leading role!?!?! I can't think of anything more demoralizing than going to set to act in background (a job I've done! an important job! a fun job a lot of the time! but creatively limited) and then getting a much bigger role (the dream!) and.....not being able to, you know, act that role or be in scenes with other principal actors or do the thing that you've dedicated your life to doing. nightmare stuff.

woof. there's so much more to say but I'm going to leave it there. these are the concerns I'm going to go into SAG's meetings with, and the concerns I'll be considering as I decide how to vote. I know there are things I didn't address and very possibly things I misinterpreted or misrepresented - if you're an actor, I highly recommend a) reading that Justine Bateman thread and b) attending SAG's meetings to ask questions and express your concerns. and I'd love to hear what y'all think! my ask box is open.

[saltydkdan]

Sorry, if you already got this question before but in your honest opinion, which friendlocke was your favorite?

It's pretty hard, because I do enjoy all of them... BUT

I think the second one was probably my favorite if we're speaking overall. The first playthrough (Emerald) will always have a special place in my heart, but it was a glorified test run of a concept that I had no idea would actually work. Season 2 (Black) allowed us to be way more confident, and expand every aspect.

And despite all the issues with streaming and editing which eventually allowed me to discover that I DO INDEED get overstimulated sometimes-

Season 2 just really allowed me to hardcore flex my improv and editing muscles in a way that previous projects just didn't. And while it was stressful at points, I felt so driven in every other instance!

Somehow recording a semi well put together shitpost roleplay for 5 hours at a time, as well as editing and creating numerous custom assets for every other scene, is something I'm still actively impressed by. Usually I cringe at previous stuff, but the edits especially on these I still like to brag about.

Like damn, I just need to pat myself on the back, I really did that. The custom sprites even had shading based on the time of day in game so they don't look out of place. It took hours upon hours, but I'm still so proud of the work I did in this season (as well as all seasons, but Season 2 had a lot of these sorts of edits in particular).

Not to mention that Friendlocke Season 2 was such a MASSIVE collaboration and one of the biggest I had ever worked on to that point. The list of credits in the description legit hit the character limit. Something that had never happened to me before that point!

So many musicians, editors, artists, voice actors, and other folks got involved. Even though it was stressful I wouldn't have redone those videos in any other way. It came out so much more amazing than I ever could have concieved!

I can't believe that all this had started from me wanting to do my own spin on a Pokemon Nuzlocke of all things, and what I thought was a silly idea that wouldn't work haha.

Anyway sorry for the gushing and dumping, was just nice to reminisce about this stuff in such a positive and self reflecting sort of way, thanks for the ask!

[buf309]

Pose Reference Resources

I promised Dia (aka aerequets) that I will make a collection of pose references in the reply of one of her art posts, and then I completely forgot about it. Until now. I'm sorry for my bad memory.

So, yeah, better late than never I guess?

The pose collection I use the most is no longer free. They used to let you download a whole album (more than 8GB worth of data) to use offline, but now you have to pay $40/package or $200 for full sets. I still have the zip file for a very old version of theirs, but I can't legally share it. So, let's skip to the other options.

1/ First, you heard of those 3D dolls program that let you model your own reference pose? This one is an online one and for free, the whole ordeal. Of course since it's online and free, you can't save your model for next time, and it costs quite a lot of time to set the model up. So, you should take as much screenshots in as many tricky angles as you need once you done with the setting. Best using for complicated scenes where those below don't have what you need already available.

2/ This one is free and in 3D, you can rotate the model to any angle that you need. The only set back is the numbers of poses are quite limited. This one is best for using as a basic blocks then build up what you want to draw, or just as a practice to improve your understanding of human anatomy.

3/ This one is free for personal uses and the pose collection is massive. The setbacks are the language barrier (it's in Japanese, English is sometimes tag-a-long) and you have to search through their pages for what you need. The pics for each pose is static but they are in different angle in almost 360 degrees. There are many 2-person and 3-person poses too. Great for illustration inspiration.

4/ This one will only show reference photos of human head, at whatever angle you rotate the model. The web interface is easy to use. There are options like searching based on gender, ages, emotions, glasses, facial hair or not, etc. Good for practicing face drawing.

5/ This one will show reference photos for human body parts, at whatever angle you rotate the model, read the instructions for how to do it. The web interface is quite hard to use at first, just tinkering around for a bit, and you will be fine. There are options like searching based on gender and which particular parts that you need refs for. Good for that moment when you go "huh? how is this <body part> will look in this <situation>????"

6/ This one will only show reference photos of animal heads, and only the head, at whatever angle you rotate the model. The accurate skull refencence list is their best point. There are enough common species in the drop down list. Tbh, I don't use this much because I often need refs for the whole animal most of the time. But it's best for furry artists, I guess?

7/ Real model photos. They sell pose reference in themed packs, but there are enough free packs to use as drawing practice too.

8/ This is the best for general background reference. Lots of options. Not really good for very specific location results, but good for random background in drawings.

9/ Lastly, for specific objects or background references at strange angles, I often search for 3D models on this site then take screenshots of whatever I need.

That's all, folks. Hope this list can help ease some of the struggles that we will encounter on our quest of learning the art of drawing things 😂