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#in canon they're only one puppet
lynnsaster · 6 months
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THEY'RE HERE AND ALIVE!!!!
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The puppets are real!!!! I've been working on this personal project for the last weak (that's why I didn't post that much art recently) They're paper puppet versions of Sage! My favourite ghost ever! I may or may not be planning to do an ask with her, but I'm not sure if I have enough reach to do so. We'll see ;)
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stairset · 1 year
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Maybe it's just because of where I live, but the whole "Satine didn't like that her people were a bunch of warmongering imperialist assholes and told them to knock it off and implemented gun control and made the Jedi Torture Boxes illegal so that her people could rebuild and move on from their violent history of civil wars that reduced their planet into a nearly uninhabitable wasteland in favor of focusing on more productive things like art and education and this is literally cultural genocide and she's erasing history and she should've been a villain blah blah blah" take has always been so weird to me. Like I have absolutely seen people say things like that in real life all the time and about 90% of them have confederate flags on the back of their pickup trucks so. Yeah.
#''but the new mandos are mostly white in tcw!'' despite what many claim mandos were always mostly white even before tcw#i know people wanna act like they're The Single Most Diverse Culture In The Entire Galaxy but that was always largely an informed attribute#i mean star wars in general wasn't as diverse before the disney era that's why rebels and tcw season 7 have more non-white mandalorians#also the whole idea that she only took over cause of republic backing and made her people ''assimilate'' to republic culture#which first of all the republic doesn't have one culture it's made up thousands of planets with different cultures#contrary to popular belief the republic isn't really Space America it's more Space United Nations#and second of all her ENTIRE INTRODUCTORY ARC is about her being against republic overreach#and not wanting them to intervene in internal mandalorian affairs#but yeah clearly she's a puppet for the republic that's definitely consistent with what we actually see onscreen#and don't bother with the ''the republic glassed mandalore'' thing#that's legends and is never mentioned anywhere in tcw at all#as far as lucas and disney canon are concerned it's a wasteland because of centuries of civil wars#which sabine confirms in rebels#the whole erasing culture thing doesn't hold much weight either#when you consider satine is one of only two characters to actually speak mando'a onscreen (the other being sabine)#which. again. she did In Her Introductory Episode#and you can see mando'a writing all around new mandalore#in sharp contrast to the fanon idea that she suppressed the language or whatever#and like there's TONS of uniquely mandalorian artwork and architecture and stuff like that#those things are culture too she just focuses on the parts of the culture that aren't about killing people you don't like#also when pre vizsla starts his whole smear campaign against her and gains the favor of the people#she stands down because the people are on his side now#which shows she believes in the will of the people and thus it's safe to assume that the majority supported her favor when she took over#anyway i'm gonna go watch avatar and day zuko committed cultural genocide#cause imperialism is fire nation culture and he told them to knock it off#shut up tristan
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laurelwinchester · 10 months
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There is no way I will EVER believe Dean Winchester was supposed to say, "and I you." There's no way they would've written the line that way even if it HAD been written. It's so grammatically awkward out of his mouth that it makes me laugh when I see it. I'm not against the ship, but the delusion about 15x18 is unending.
honestly...yeah. i have to agree with this. it's a strange and somewhat awkward line of dialogue anyway but it is a super strange line of dialogue to attempt to give, of all people, dean winchester.
listen, i am not anti d*stiel. i'm at the point where i have no strong feelings either way for the ship itself. it mostly just makes me feel a bit bored. i believe cas was definitely in love with dean. i believed that long before he said it out loud. it was pretty obvious. i think there are different ways to interpret dean's feelings - and yes, one of those ways is that he was in love with him too. it's very possible. ultimately i just don't care enough to put any real work or feelings into that ship in any way.
but dean would not have said that.
it is so stunningly out of character that i'm genuinely boggled as to how so many people are just like ''oh good. now we have confirmation. this sounds right. this is a fact now.''
if people want to believe dean reciprocates, i get that. of course people prefer their ship to be a mutual thing. i totally understand that. i have zero problem with that. but there's just. no way dean winchester would have said it in that specific way. unless he was very suddenly and momentarily possessed by the ghost of an old english gentleman.
which, to be fair, does sound like the kind of thing that would happen to him, but that would be a weird time for it to happen.
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mariekanker · 8 months
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lineup but i had 2 cut it into pieces #verticalwebsite but you get the idea
[IMAGE ID, IMAGE 1: A fan lineup of Luffy, Zoro, Nami, Usopp, and Sanji, in that order, all post time skip. They are drawn in a cartoony art style and deviate quite a bit from their canon designs. Luffy is looking face forward at the viewer, smiling widely, and holding a peace sign towards in front of him. He's a little shorter with cartoonishly large eyes, ears, hands, and feet. Zoro is standing with his chest puffed out to the side, fists clenched, and glancing over at the viewer. There are no major changes to his design, though he has a mullet for some reason. Nami is smiling, mouth open, and holding her clima tact with Zeus emerging out of it and floating over her head. She's drawn to be more chubby, freckled, and has a cowlick in the shape of a stem and leaf. She's wearing a green button up, that isn't buttoned at all, exposing her black sports bra and stomach. She's wearing white jeans with a berri belt buckle and her regular sandals with heel shoes. Usopp looks a little confused, and is holding the kuro kabuto, with a small plant head attached like when he uses the grow up kabuto move. Usopp's eyes are cartoonishly large and the top of his hat covers the top of his eyes slightly, acting as a second brow. Instead of a long thin nose, he's drawn with a shorter fatter nose that connects directly to his top lip, almost as if his head was a sock puppet. His skin is colored much darker than an in the anime. Sanji looks at the viewer, annoyed, holding a cigarette in one hand, and resting his other wrist on the elbow crevice of his opposite arm. He is drawn with a short torso to make his legs look longer and more spindly, with cartoonishly large hands and feet. His hair is drawn more curly to make his eyebrow, and colored a strawberry blonde. IMAGE 2: Continuation of the lineup, this one has Chopper, Robin, and Franky. Chopper is looking at the viewer, facing forward, and holding a rumble ball in his hoof. He's been redesigned to have smaller eyes and a wider nose, thick human like eyebrows, and a tricolor fur coat of brown, darker brown, and cream for the chest. His hat remains the same, and he's wearing a pink tank top that says "Yay" on it and his magenta pre-time skip shorts. Robin is standing and a three quarters angle, glancing over at the viewer. She's been redesigned to have more jagged hair with cartoonishly large hands and feet to contrast her thin limbs. Her clothes are mostly the same as her default outfit, with the jacket redesigned to have longer sleeves and show less cleavage, the pattern on her skirt simplified, and her legs and feet are drawn as if her pants and shoes are one and the same. Franky is standing face forward, smiling widely, sunglasses on, head cocked to the side, and doing a thumbs up with one of his mini hands. Simplistic chest and stomach hair have been added, matching his hair color. The chest hair is in the shape of a star. His shoulders have been completely recolored to be black with a red stripe, white lettering, and have blue flame decals on them. He's wearing his default pre-time skip shirt and black speedos. IMAGE 3: Continuation of the lineup, this one has only Brook and Jinbe. Brook is playing his guitar, has his mouth wide open, and cocking an eye at the viewer. He's wearing his sunglasses, but they're pulled down to show the tops of his eye sockets. He's wearing his default outfit, the only changes are that the back of his suit is ragged and his pants are a bit scuffed. The floral pattern on his pants have been simplified as well. Jinbe is standing with his arms hanging down, looking to side at nothing in particular, mouth slightly agape. He's wearing yellow and white robe and purple cape from the wano arc. White spots are speckled across his cheeks, sides of his neck, backs of his hands, and tops of feet, meant to resemble the spots of a whale shark. His hands have a more paw like appearance with the fingers thicker and tiny claws sticking out. END iD]
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aerkame · 1 year
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Alright I read your request rules and I’m ready to request!
Wally Darling x Curious Reader
You know that little fic you made where you wrote the puppets coming into the real world? (I commented on it!)——I hope you wouldn’t mind me trying to branch off it! Imaging it happening to me, I would actually like to inspect Wally since he’s clearly not human. Of course, with consent. I would open his mouth- see what’s inside, touch his felt, his hair, all of it.
And I’d imagine he’d be curious about us too.
Sorry for this being a bit late, I wanted a short break from writing and drawing all day. Also I'm perfectly fine with that being branched off of! Most of my previous posts are kind of like foundations for future fics and requests to go off of.
Also for the sake of simplicity I will just call this an AU(Alternate Universe). The Alive AU. It's exactly what it sounds like, the puppets come to life but as their cartoon selves in the real world and are capable of going back to their own world at any time. (Wally needs to do that though or they're stuck, he knows what he's doing). I'm also doing this so that in the future when we do have answers to Welcome Home, it won't interfere with theories or what is considered "canon". This request is based on a previous post (linked below this), for context.
Just a Little Look
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Out of all the other 'puppets', Wally was the one you were most curious and cautious about. It wasn't that he ate differently, it wasn't because his eyes looked different from the rest, and it wasn't because he was always staring at you. No, it was the way he acted. He acted like he's done this before. The whole going into this world and not being a normal puppet bit. You decided that you might as well ask Wally if you could feel him or look inside his mouth...maybe not that first one though, that might come out as weird to him and the others. It's not like he had a reason to say no really, you were just curious.
The 'puppet' with an Elvis cut was sitting down on your couch one leg crossed over the other like the distinguished dude that he was, face buried in a newspaper from this morning. You don't remember teaching him how to read the newspaper, where did he even get that? "Hey Wally..." You shuffled your foot a bit, getting somewhat anxious. "Can I look in your mouth?"
"Hmm?" He looked up from reading the paper with an almost dreamy look to him. "Can I look in your mouth?" You repeated the question, this time he heard you as his head tilted to the side. "Now what would you want to look in my mouth for?" His voice was as calm as usual, though he did have a bit of a smirk today.
"I'm just curious is all, you're not like the others and I've never seen what you guys look like on the inside." You gestured to the inside of your mouth, sticking your tongue out. Wally slowly got up from the couch and leaned over you, smirk still lingering on his face. "Well, I don't see why not, but I'll only let you look inside me if you let me look inside you." You nodded, excited to finally get a look. "Alright, sounds fair." You responded as Wally folded up the newspaper and neatly placed it on the coffee table.
Bending down, Wally opened his mouth quite a bit to let you look, making a small "Ahhh~" like a child would when letting a doctor look at their throat. You peered over to see inside. It was what a normal puppet mouth would look like save for the small black void at the back of the 'throat'. You're not even going to question how Wally speaks or eats, nothing surprises you anymore at this point. Kind of weird to see what is basically a tiny void though.
He closed his mouth once you were done looking before leaning closer to softly grab your face in his hands. It wasn't what you'd thought it'd feel like. You were expecting something like felt, but that wasn't it. It was some other material you've never felt before, it was soft and smooth like silk, but not in a sense that it was fabric. "I believe it's my turn to see the inside of your mouth now." You nodded quietly and opened your mouth as wide as you could, showing off your canines and molars.
It was awkwardly quiet in the living room for a while and you slowly found yourself leaning further and further into the soft hands that held your head up earning a small chuckle from Wally. "Tired?" You nodded. It's been a rough week both from your job getting busy and you being busy at the house trying to keep your new guests out of trouble. "It's like I'm taking care of a bunch of kids.." You mumbled into his hands.
"How about you take a good nap then, you'll be up and full of that energy you need." There it was again. You could feel him staring at you with those eyes. You were too tired to say anything this time though and opted for just getting up and heading to your room. Leaving behind a still smirking Wally.
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I told you guys, I write medium to long posts even if they take a while.
Next up? Barnaby and Wally teach the dear reader how to slow dance. :)
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cheesycatz · 1 month
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Wow! It only took me 966 days of Spamton brainrot to make an actual reference
(text ver under cut)
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- Based on ventriloquist dummies and ball-jointed dolls, both of which require strings in order to move
- Bird nostrils: one of the only remaining "addison" features (also I didn't want to make him a chronic mouth-breather)
- Black hair is permanent from puppetification shenanigans
- Widow's peak to make him more skeletal
- Eyes, teeth, and muscles visible through joints are the only biological bits that haven't been covered by the plastic exoskeleton
- Scratches and yellowing across the plastic epidermis
- Tattered suit jacket and dress shirt; repaired with messy stitches and patches on elbows
- Joints poke out weirdly under suit, especially in the torso area
- Toes, tail, fur, skin, and part of his fingers are missing—destroyed in puppetification process
- Seam lines on body to mimic manufactured dolls
- Four fingers because bird
- Shoe-esque feet
- Where are his pants? Top 10 Questions Science Can't Answer
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- Technically had an underbite? Your lower teeth are not supposed to be directly below the upper teeth
- "Ball jointed body"—he still has muscle, organs, etc. under the plastic
- Animatronic puppet eyes
- Lazy eye? He just like me fr
- Had blue eyes, but they're more gray at this point
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- Pipis are, uh... he canonically makes nests for his eggs of unknown origin, I guess
- Jacket is longer in the back and ripped at the seam
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- Design is meant to work in a 3D environment; AKA no weird v-tuber hair flipping when he's facing forwards so he looks more "real"
- Flesh under his chin where the puppet jaw connects to his actual jaw hinge
- Glasses are screens & clear on his end
- Lenses glow
- He controls what [the lenses] display when he's not having one of his frequent mental breakdowns
- Four hair spikes on top make his mullet look less weird from the front
- Blue tongue (mandatory Spamton design element)
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- Addison Spam: 4 ft 11 in without those heels
- Puppet Spam: 3 ft 6 in - height of a ventriloquist dummy
- Puppetification: he slowly transformed into a living puppet due to his exposure to supernatural forces beyond reality. He was mostly unaware until he was on the streets due to his desecrated mental state.
skill issue
- Most shrinkage is from his legs getting shorter from the puppetification
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i think i have developed chronic spamton wasting disease
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gachagon · 11 months
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Frank is the "Question-Answerer"?
I've wanted to talk about this for a while but I've only ever spoke about it in Welcome Home theory discords lol. But anyways, this update we actually had two pieces of art from Clown's portfolio website separate from the main Welcome Home site be added to the main site, and I do remember Clown saying any art found on the main site is "canon" to some extent to the main story. Here they are:
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These two images can be found on the Staff Only page! The reason I find these two pieces of art to be really cool is because they show a side to the puppets that we haven't really been seen on the website yet, which is that they're literally puppets being controlled by actual people. And not just that, but the implications of the Frank picture being that they can be easily replaced if they "break" or that their were other versions of themselves before that they've never even met before.
And with the newest update really shining a light on Wally's newfound sentience, the possible dissociation that comes with experiencing a new thing with no one to relate to about it, and the loneliness that someone can feel amongst their friends when they're "different" in a way the others aren't, I think these two art pieces really show a new kind of horror that the story has just begun to explore!
I've always been really suspicious of Frank as a character because I personally theorize that he might be the Question-Answerer that the WHRP got into contact with. And that red box that his hands are holding look eerily similar to the envelopes that Eddie delivers (and also the envelopes that can be seen in some of the photos in the new update) I also think Frank might have also been one of the first Puppets who "gained" sentience in a way, and became aware that he is alive and that the world around him is fake etc.
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Frank's little bio here says he's the smartest neighbor in the neighborhood, and that the other neighbors would often come to him for advice on things. But also "Answers" to a lot of questions that would just be played off as a joke in the end.
And seeing as this is a piece of horror media about the experience of gaining sentience for the first time, I do find the one character who's whole thing is knowing more than the others to be kind of side-eye worthy lol. I've always personally interpreted that art of him with the red envelope as him discovering there were "prototypes" of other Franks. Perhaps the Playfellow company couldn't quite get his head to spin angrily in the right way, or it would do it to fast and he would "break" resulting in them having to make a new one each time.
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knight-a3 · 4 months
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This is the last of my fnaf backlog stuff for now. I'd need to scour some older sketchbooks for more. Although I've been messing with colors, so that might be something I could share.
So I wanted to try my hand at redesigning some fnaf characters. I just didn't like how hideous they were for something that should be designed to be endearing to kids.
Details under the read more to avoid clutter.
My mom saw me draw Ballora once(not knowing it's fnaf), and asked me to draw more for her. So these are a couple of the ones she requested. I'm not sure why she was so fixated on multiple ballerina pictures. Anyway, I didn't like how...scantily clad... Ballora looked. So I gave her a more family friendly outfit.
I don't quite like the lore surrounding Ennard, so I just gave him his own design, rather than be an amalgamation of other animatronics. Molten Freddy/the Blob/Tangle can fill that role without Ennard. I've been workshopping an idea where each member of the Afton family has an animatronic that is meant to replace them in some twisted fantasy William concocted, via some type of soul stealing/remnant/haunting situation. Ennard is basically hunting for Mike specifically.
The puppet was a hard one to pin down. I liked multiple different design option. Until I just went with multiple. There's the Marionette, the Mannequin, and Poppet. All variations of the puppet. They gave me pierrot clown vibes, due to the black/white color scheme.
Ballora has four minireenas, each themed after an emotion. Joy, Gloom, Fury, and Awe. I figured it would give them more personality than they have in-game.
I've changed Circus Baby's name to Circee, because I don't like her canon name. She also seemed underdressed, so I gave her a more harlequin inspired look. I repurposed Balloon Boy, DD, and JJ to be her bidy babs for the sake of streamlining. It's a more efficient use of resources. I figured it was only fair that they all got actual names too.
Trying to keep marketing in mind, I figured it would make sense for BB to be "the boy", DD to be "the girl", and didn't want JJ to upset that balance and left JJ ambiguous. Not necessarily even nonbinary. Just whatever gender any individual deems fit. Poppet is actually the same way. They're just robots. FazEnt isn't committing to anything.
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halfagone · 4 months
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Danny, You Need To Calm Down
Me: "I need to nerf Danny a bit for this fic. I should have him only reveal and use his intangibility."
Danny: *is still BAMF and kicks ass*
Me: "Hmm... I did not think this through."
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I am serious, though. If you're creative enough and have watched enough superhero media then you'll be able to find all sorts of unusual applications to some of Danny's powers.
With intangibility alone, all Danny needs to do is stand there and let his opponent tire themselves out trying to just land a blow and then fight back. If he has some more melee or martial arts training, he could use a nerve strike and bam, one-shot knock-out. And that's not even counting super strength or flight or telekinesis or why is this boy so overpowered?! /rhetorical
And if you know me, you know how much I love writing a good OP BAMF Danny. But it can be pretty restricting too. With an abundance of powers and a proven track record to gain more powers when necessary, it's not exactly easy to keep Danny down. There are a few known weaknesses we can use to our advantage here, but they come with their own issues:
Major Weaknesses
Blood Blossoms
We've seen blood blossoms are pretty effective on ghosts from the "Infinite Realms" episode in Season 3, but only on Danny's ghost half. I always thought it was a bit strange, since Danny has used ghost powers in his human form so technically it should still affect him? But that's just a personal headcanon so feel free to ignore that.
But! Since Danny could just transform (if he can get past the total agony it causes him) then he'll be fine again. Blood blossoms are also edible, as proven by Tucker, which makes me wonder if Danny could eat them in his human form and make it out unscathed? Since it's only his ghost half that's susceptible to them.
However, it's commonly headcanon'd that blood blossoms are extinct as we only see them in this episode back in the 1600s from the Salem Witch Trials. But canon also tends to bring up some really interesting concepts and then just... never mention them again, so it's possible they're still out there and the Fentons just never learned of them.
Ecto-ranium
We don't see this one come up too many times in fanfiction, if only because many of us have totally blocked out the episode it aired in, "Phantom Planet", from our minds entirely. Ecto-ranium is essentially the equivalent of kryptonite, but for ghosts. (Unsurprising, seeing as Phantom Planet likely took inspiration from Christopher Reeve's Superman II.)
This does come with some plotholes of its own, seeing as intangibility had allowed the ecto-ranium to pass through the Earth despite ecto-ranium supposedly making it impossible for ghosts to use their powers? I'm still trying to wrap my head around that one, I won't lie...
So obviously this weakness also has some shaky ground to stand on.
Mind Control
We see in "Control Freaks" that Danny is pretty susceptible to mind control as well, so long as it comes from the right source. We learn that Vlad continues to collect ghostly artifacts, so it's entirely possible he could find another magical device of equal power and use. Freakshow himself comes from a family with a wide range and collection of ghostly artifacts.
It's also possible that ghosts like Undergrowth could be able to control Danny as well, as he was able to puppet Sam through his vines and plants.
Danny is still capable of breaking through the mind control, if given enough reason to. There is also proof, though, that he can do a lot of damage to himself and others before that time comes. Just food for mischievous author thought.
Plasmius Maximus
This device only appears in the episode "Maternal Instincts" but Vlad had created it to shorten out Danny's powers for three hours. This is another instance of an interesting concept that disappeared after one episode, but considering how Danny used it against Vlad, maybe the man just didn't want to risk it a second time.
Nonetheless, this does prove Danny's powers can be temporarily locked away. How this is possible isn't exactly clear, but I've taken to using a yarn knot analogy to explain it. I won't bore you with that explanation (unless you're actually interested) since it leans more into fanon and headcanons than canon.
Lesser Weaknesses
Blackmail
Now this isn't really a surprise to anyone since Danny is a good kid and most superheroes have this weakness, but Danny is very much susceptible to threats made against his family and loved ones. We see that Freakshow uses this against Danny in "Reality Trip" to make him do his dirty work, as in: collect all the pieces for the Reality Gauntlet.
We might make jokes that Danny could easily defeat anyone he comes across, but the truth of the matter is that he takes these threats seriously and he's lucky more people haven't used it against him.
Inexperience
This one is more understandable and maybe not even technically a weakness but this boy is so silly stupid sometimes it's honestly really endearing. He doesn't have the best grasp of his powers so he can make all sorts of unfortunate mistakes. Danny is the type of person who learns as he goes, and thanks to the fact his one eligible teacher also so happens to be the same guy trying to murder his father... his options are a little limited.
However, this can be easily fixed given enough time and practice. Danny might not have any formal training but he's also proven to be a very fast learner which could very well make up for whatever else he lacks. Due to the unique nature of himself and his powers, there's also a chance that even with a mentor he would still largely be self-taught.
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It can still be pretty hard to write though. When you want to have high stakes, then you need to have a credible threat. And for a kid that has a gazillion powers, all with countless applications, it gets a lot more complicated. Honestly sometimes Danny might not have even needed the new power if he just applied one he already had in a different way? But so is the life of a teenage, overpowered superhero.
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weirdmageddon · 9 months
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💿⚛️ davejade headcanons
sorry for leaving you guys waiting on this for like a week lol i kept being like “tomorrow for sure” but falling asleep but anyway here it is. i might add more to this if i think if anything but reblogs might not reflect the up to date source version so you can always find it here
most of these are pointing out stuff thats basically canon anyway but whatever lol. basically canon headcanons
dave tries to impress jade to get her attention because he likes her
this ones for you *misses hoop by 5 feet*
he doesnt mind jade’s inane riddles honestly. he isn’t perturbed by how she just knows things like rose is, because he doesnt think into it too far. he trusts her
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he spends a lot of time indulging in her interests and showers her in his music and poetry
they draw things for each other a lot <3 jade has the pictionary modus and seems pretty good at drawing and of course dave sent her sbahj as furries in the mail. sending jpegs over the internet is BABY NONSENSE. real boys send their childhood friend/crush pictures they drew for them through the INTERNATIONAL POSTAL SYSTEM to an unspecified island in the middle of nowhere, pacific ocean that gets packages dropped by plane so the recipient can tangibly hold it and hang it in their room
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actually i was going through the commentary and hussie addresses it as such:
“Also notice her SBaHJ furry poster, which was clearly a very thoughtful gift from Dave”
aww
jade would give dave a "cool" plushie of a tiger or something nd he keeps it on his desk . froot’s beautiful idea
he loves her plushie sensibilities. so much less unnerving than his bro’s phallic puppets. they're still soft but no cognitive dissonance this time about the softness coming from foam puppet ass hoorayyy
theyre still reading homestuck on act 4 but they understood them instantly
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jade humors dave’s ironic cool facade because it makes dave feel more comfortable without feeling too exposed, but it’s because of this that he feels like he can open up to her because she isnt prying. (im still not over the smile here btw. only jade could make dave smile after a fucked evening where he spilled juice on his turntables and accidentally skewered an innocent crow with his sword and broke his window this mf is TYPING. also getting a bit of joy out of the fact that the only visible suit on his cards-themed bedcover in this panel is a heart)
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but he knows that jade is not unaware of what he's hiding. couldnt even refute her lol
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from the knight’s perspective, it’s “i’m not as [blank] as i appear. i want you know that about me if i know you well and trust you, or i DON’T want you to know that about me if i DON’T know you well. the reason is that i want to know that i can trust you to avoid turning my insecurity into a Whole Thing”
basically she allows dave to take initiative when HE feels comfortable and confident in sharing the things he’s self-conscious about. this really helps him be comfortable and form a strong bond with her
dave would wrap his arms around her to “ironically” imitate a pair of tangle buddy squiddles (while actually concealing genuine affection basically unbeknownst to himself) but he winds up looking just a little too into it for just an “ironic” bit yall……
jade is slower to realize her deeper feelings since she shows love to everyone (so long as theyre deserving of it!!!) it just hits her one day that she actually Likes him in a special way, while for dave it is more dynamic and gradual but very on the downlow, expressed in creative acts and services
once dave actually recognizes he’s really caught feelings for her down the line, dave and jade happily do the tangle buddies hug all the time. its like their handshake. its their weird couple thing
these two when together as a unit they do not give a shit about what other people think of them
this shit lol:
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Creative Fucking Powerhouse the two of them
davejade ass song to me
jade is quite spacey and super appreciates dave’s level-headedness and steady pragmatism while at the same time not being a rigid stick in the mud about it. for example when they were acting as each others’ server players dave was advising her but it was appreciated by jade
sorry its just literally socionics duality LITERALLY THIS IS THEMMM (also i spent WAY too much time making these graphics and integrating texts from multiple sources please appreciate it)
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fittingly with that, as ouroborista writes about the opposite space-time aspect dichotomy,
Space and Time are the fundamental Aspect pair. Their job is to make shit take place. To create novelty. Between them they span not only all of existence but also the inseparable twin approaches of any creative project. Space goes for breadth, for ideas, for expansive, holistic input, while Time goes for needlepoint focus and a rapid-turnover ability to pull through on the prompt. There’s a reason why these are the two Aspects necessary for any successful session of SBURB.
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jade is literally always having a little giggle about him. dave is a funny guy. lame court jester ass boyfriend
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he’d draw his post-ironic fursona and show it to her with the usual deadpan expression on his face, eyes obscured by his shades. but jade will look at it and when he sees her smile and laugh it makes it all worth it. his cheeks feel warm and he’ll smile slightly like “heh heh”. dave the type to smile like an idiot over anything jade does like his mouth keeps making a thin line and hes trying to fight it but . Jade
dave thought jade looked absolutely stunning in her 3 in the morning dress his mouth probably stupidly hung open the tiniest amount seeing her after swapping into it
of course she only wears it for what she considers "very special occasions"…..spending time with dave seemed to be a very special occasion :)
jade think dave looks sharp in his suits!!
imagine jade adjusting daves crooked bowtie and lapel and his palms start to sweat and he darts his eyes from behind his shades and chews the inside of his cheek she making him nervous bro 💯
jade is definitely the teaser and dave is the teased. still i dont think jade teases dave as much as john and rose which is why he feels more comfortable opening up to her about his shit. her teasings are much lighter and inconsequential
despite how funny and informal he is dave is a classy well-put-together romantic. he is responsible and harmonious in how he choses to present himself. remember when he got secondhand embarrassment from rose when she was drunk before her date with kanaya and he suggested to her and kanaya that the two reschedule? … he’d NEVER do something like that. sober. suit is ON. hair is neatly combed. he is right on time, not too early not too late, and his first words are “yo whats up”
dave has this designated driver energy about him
after dogtiering jade’s dog ears can perk and flatten, adding even more expressiveness
jade has so many hobbies and interests i think she’d get dave into horticulture somehow unironically
theyre both the kinda mf to ask “would you still love me if i were a worm”
dave’s hands are warm
jade’s skin can be cool to the touch in some places like the back of her arms or shoulders and dave places his hands there to warm them. or by rubbing them or something
idk just some associations space is cool and time is warm to me. the vaccuum of space is cold and time is associated with gears which are associated with generating heat and dave’s classical element is fire and jade’s is earth and her planet is initially covered in snow and daves is covered in lava idk…. just makes symbolic sense i guess but its also cute in its own right
dave would love going to the beach with jade on earth c cause the ocean is so boob i mean boob i mean boob i m,ean boob i mean SHIT . blue. blue
this Fucking animation bro
she infodumps about science and he sits his ass down to listen
jade does this (excuse the fact that the url is roselalonde)
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amerricanartwork · 19 days
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What's up with 12th Council Pillar, the House of Braids?
Just wanted to share something interesting I noticed in Metropolis while looking at the room names on the interactive map! I doubt I'm not the first person to discover or take interest in this, but nonetheless now that I'm into the worldbuilding for this game, both canon and headcanon, I hope to at least encourage a discussion about what the rooms I found could possibly be for!
*Oh and by the way, spoilers for Artificer campaign, just in case.
Alright, so I was originally looking for how to get to a specific room for an Artificer expedition, but decided to browse around on the map just to refresh my memory on the region overall. Right off the bat I think it's interesting how this region's rooms are denoted mostly with lexical names rather than the more common "Capital letter + 2-digit number" formula. But scrolling to the right is where my interest really got piqued when I saw this name for the room right before that long corridor on the way to the 12th Council Pillar, the House of Braids, labeled "LC_templegate":
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And the next room after that, "LC_templeentrance" confirmed my realization that this was a temple of sorts:
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Now don't get me wrong, Rain World has always had a fair amount of religious associations, and even just the name "12th Council Pillar, the House of Braids" gave me the impression from the first time traversing it that it was once some high-esteemed, holy location of sorts. But I guess that never really sank in and captured my greater interest until now.
Part of that's because earlier I was focused more on just completing the campaigns from a basic playthrough perspective, not yet as big on uncovering every little lore detail, and another reason I didn't really take it in was that, at the time of my first Artificer playthrough, I wasn't as big on headcanon worldbuilding and trying to uncover/imagine Ancient culture and society outside of very general ideas. But now I think about it, another major part of this lack of realization was because of how the main rooms of this subregion that stuck out in my mind were the low-gravity iterator-esque zones. Many of which are explicitly labeled with "LAB", like this one, and they even have the same neurons, inspectors, and/or those gravity-distorting spheres:
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I mean, that cube at the bottom even very strongly resembles an iterator puppet chamber!
But then the questions become: what are these rooms for, why are they so similar to the interior of the iterator they sit atop, and why put them in what seems like it was supposed to be a temple? And by extent, is this something unique to Five Pebbles, or do other iterators have similar temple-labs somewhere in their cities?
I guess the reason these parts stuck out to me more than the actual temple association was because 1.) we don't see this low-gravity mechanic and these features anywhere else in the game besides inside the iterators, so it already gets points for uniqueness, and 2.) they're such a great contrast to everything else within Metropolis; even the "temple" rooms still look very similar to the rest of the region in their general aesthetic.
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Seriously, what's up with all this "lab" stuff? It's not that I haven't seen these things before at this point, but why are they here, in a temple, of all places?
However, I do really like this idea so far, as I believe it speaks to a theme of Rain World I really enjoy: the seamless blend of science and spirituality. I enjoy seeing fictional worlds where "magical" things are not only objectively real, but have a scientific in-universe explanation, and/or are employed to create magical technology, yet in a way where these two ideas can exist in harmony rather than seeming like opposites. And the Ancients seem to have been very big on that, not only having a very strong cultural sense of spirituality but also being very technologically advanced, and incorporating those spiritual ideas and even elements of the world into their tech (ex: mass rarefaction tech derived from Void Fluid, an objectively real and "magical" substance with direct connections to their religious beliefs).
I have yet to come up with an explanation for what these iterator-esque lab rooms are (and on that note why they so strongly resemble iterator interiors, to the point they even contain their neurons and inspectors, which are supposed to directly aid in their functions). But as of now, just going mostly of basic gut instincts, my current theories are: A.) they exist in the temple so that whatever scientific endeavors carried out within were blessed with a sense of "holiness" in a similar manner to the holy ash Pebbles talks about, and B.) whatever tasks they were used for was one entrusted to the clergy class of this city, probably because the tasks were seen as something very important and connected to the Ancients' spiritual beliefs.
However, as I said I'm hoping to invite discussion with this post. Figuring out the Ancients' design philosophies and intentions for their creations has been a passion of mine when it comes to my headcanons, so I really do want to see if I can find a more concrete, or at least reasonable answer as to what the overall purpose of the 12th Council Pillar, the House of Braids was. Therefore if anyone has any extra details or theories as to what it was, I'd love to hear them!
And if you made it to the end, thanks for listening to my little spur-of-the-moment ramble!
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starlit-typewriter · 1 month
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Hello! (*^^*) I think you should post the deleted scenes. I think that It will be quite fun to read them, and I kinda think that it would be a bit of a waste not to post them since you put your time and effort into them even tho they aren't part of the story anymore. But of course, only post the ones that you're comfortable with since I like to think that every once in a while, writers write a story that might be too embarrassing for them to post (lmao)
Take care and have a good day/night!
(σ≧▽≦)σ
That's why I asked!
The thing with deleted scenes, is that some of them just straight don't happen in the actual storyline, they're like alternate version of what could've been. So I didn't want to confuse people on what actually happens in the main story.
Be that as it may, here's a deleted scene of the Wanderer ruminating over his own blessing. An alternate ending to Part 5, where he doesn't get dismissed by Nahida and gets grilled a lil bit.
~~~~~
Deleted Scene from Part 5, not canon to main storyline
The two watch the Traveler and Paimon leave, the Wanderer suppresses the urge to tap his feet in impatience. The Dendro Archon has made a point to ask him to stick around after their departures and whilst he had a sneaking suspicion why, he knew he probably wouldn’t like it.
Lesser Lord Kusanali turns to him with a sly smile on her face.
He already could already tell this was going to be bad.
“Just another tool you say,” she smiled innocently, parroting his stance from earlier.
The puppet looks away, unwilling to meet her eyes.
“You already know how I feel about divine favor,” he mocks, “The gods aren't guided by any kind of rationality or moral compass, it was probably done out of curiosity or on a whim,”
“Maybe so,” the Dendro Archon acknowledged, “But just because it’s out of curiosity or on a whim doesn’t mean it can’t be meaningful.”
He had no response to that.
“-and besides, don’t think I didn’t notice how smug you were when you discovered how much stronger your blessing was compared to Tighnari.” She added teasingly.
He didn’t know she noticed. Not that he cared, it was only natural he’d have more favor, frankly he’d be insulted if a mere forest watcher managed to succeed him. Besides it's not like he was comparing them or anything.
Lesser Lord Kusanali smiled at his silence. 
“Can I go back to my essay now,” he grumbled, wanting to leave this conversation.
“Ah, but you didn’t answer my question,” she interjected.
“I already told- ”
“I didn’t ask what you think of your blessing,” she shook her head, “I asked how it felt receiving it,”
Deep down he knew the answer, he just didn’t want to acknowledge it, didn’t want to get his hopes up only for it to be crushed by the merciless hand of fate. 
But he knew that she wouldn’t let him go until he answered, he also knew that if he submitted his essay late, he’d risk falling behind on the class rankings.
“I felt like I had the gnosis again,” he snapped, “Happy?”
She blinked at him, face unreadable.
“What!” he bristled,
“Is that something you still want?” She asked gently,
His mouth opened and closed, he wanted to say ‘Of course’, but well.
He wasn’t really sure anymore, it seemed that she realized it too since she dismissed him from her office soon after.
His mind was in turmoil as he stomped his way back to The House of Daena. 
If he concentrated, he could feel the flickering spark of divine energy cradled in his hollow chest.
Why are you here, he wanted to ask.
Why me?
Why now?
~~~
Hope you enjoy!
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With Playful land ending soon, can you try which part of the Halloween event is better which is either Playful Land or Glorious Masquerade? For example, the topic is characters and you picked Glorious Masquerade because of etc like that. (NRC cast design, NRC cast role, Yuu and Grimm's role, New character/s, Movie-inspiration event, Plot, Music, Place Setting, Opening, Ending) You can add more topics if you want.
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By “better”, I’m going to assume you mean which (between Glorious Masquerade and Stage in Playful Land) I preferred in each of those categories? (I say "preferred" here because I'm judging based on my own tastes; obviously everyone will have a different opinion on how the two events compare.)
It’s quite a few to get through, so I’ll just quickly summarize each. This post will also serve as my general thoughts on Stage in Playful Land.
***Spoilers for those two events below the cut!!***
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NRC cast design — I’d say the designs are pretty split down the center?? In theory, I love the concept of masquerade balls and marionettes, but in practice the designs look all over the place and I really only like a select few of them.
NRC cast role — GloMasq was stronger in this, especially the choices for the SSR trio. Malleus and Idia are a deliberate rival and foil to Rollo, whereas Azul’s UM comes in clutch during the final showdown. Meanwhile in Playful Land only Kalim seemed to be very significant story-wise; he was the one trying to convince everyone to sit down, eat, and try to understand Fellow’s motives, is the last to be captured, and gives the big speech about how he’ll never abandon his friends + the importance of school. Ace has his usual schtick of being brutally honest and there are some parts where Ortho’s robotic abilities come in handy (like playing sounds to distract the puppets), but these seem like very minor roles compared to what the GloMasq trio did. Perhaps they were good choices for the end when they all decided to destroy the amusement park though??
I also feel like some things the SSR trio does in Playful Land (like dispersing the puppets by using a “lost item”) could have been done by any smart or deceptive character (Leona, Vil, Cater, etc.), not just the SSRs (ie Ace). Furthermore, the other cast members in GloMasq seem much more important in how they split off and battle—there are good reasons or synergy given as to why they pair up the way they did (ie Riddle and Epel needing to be good flyers, Ruggie and Jamil willing to use others as meat shields, etc), while in Playful Land it seems more random (like Floyd losing interest) or obligatory (mostly the third years stepping up to defend the younger students).
It’s also anticlimactic how Fellow just let them all go??? Especially compared to Malleus, Idia, and Azul and Rollo squaring off to the bitter end.
Yuu and Grim’s role — Once again, this goes to GloMasq. In Playful Land, Yuu is automatically caged and tossed into a corner to wait it out to the climax. At least in GloMasq Yuu is actually doing something (even if it is offscreen): they’re with Grim and Trein, helping the townspeople from the flowers. (Note: I’m not entertaining the “but Yuu is magicless! It was a wasted opportunity for them not to have a bigger role in GloMasq!” thing because I’m talking only about canon and not hypotheticals here.)
New character(s) — … Do you even need to ask 😭 Obviously, I’m loyal to Roro-chan Rollo; I just find his story and character to be super interesting, especially with the root of his conflict being inner turmoil and an inability to move on… It makes him an excellent foil to Idia.
While I do also enjoy Fellow and Gidel, I feel that I’m not as invested in them because despite the terrible dark shit they're doing, the conflict they get wrapped up in gets resolved in an underwhelming manner. Plus, there was not a lot of elaboration on their own backstories?? It was mostly told to us via Fellow, yet kept so vague that the fans are left to fill in many missing details on their own. I’ll have another post out later going into more depth with how I feel about Fellow and Gidel.
Movie-inspiration — I think both events have their moments of film inspiration. A lot of GloMasq's comes through in the traditions and culture of the city, whereas Playful Land's are embedded into the games, foods, rides, and attractions in the park itself. Playful Land feels more overt because of how flashy everything is, but also because it's not really based on any real-world area (unlike the City of Flowers/Fleur City, which is fantasy Paris and therefore also has Paris elements) it has to stand on its own. They don't need to worry about developing a unique "culture" for a smaller area like a park; they can just cut loose and have everything be fun and whimsical like Pleasure Island is. For this reason, I feel that Playful Land has stronger movie ties.
Side note: I want to put out the disclaimer that I personally don’t think how much an event references its source material should be counted when evaluating the quality of its writing. Just because you mention things from the film or reinterpret them doesn’t mean the story itself is good.
Music — I’m going to give this one to Glorious Masquerade because while the tracks are nice for both (I love the dramatic bells in GloMasq and the eerie music box of Playful Land, and both songs with lyrics are also great!). However, the narrative context and meaning behind the songs with lyrics are very different, and I feel that this makes Let My Wish Resound performance that much more meaningful. Additionally, Playful Land introduced a sung version of Rave Up! Up! in part 3 (even if it was just the first half of it) whereas GloMasq saved its sung version for part 5, which grants us more time to get hype. (I also like the rhythmic/twistune of the boys dancing over the boys… idk, dancing and doing property damage for funsies.)
Opening — Both openings do a good job at building up the hype for the ominous events to come, but again GloMasq wins on a technicality… which is the quality of the evil laughs given during them 💀 Fellow’s is kinda weak (like it stutters and sounds like he’s out of breath), at least Rollo can do a slow, unabashed laugh like a proper villain/j
Setting — This one’s suuuuper subjective; I don’t really like amusement parks I know, I’m boring so that automatically means I don’t find Playful Land to be a compelling or interesting setting (even if it fits thematically). I’d much rather just be allowed to wander and explore a city unsupervised, get to learn about its history and culture by experiencing it myself. GloMasq’s City of Flowers/Fleur City allows Twisted Wonderland to be expanded so much more (like, thinking about how this city relates to other cities and countries), whereas one isolated floating park doesn’t add much to the overall world lore.
Plot — Playful Land was so… boring 🤡 I’M SORRY, IT’S TRUE (to me)????? Like, they were just aimlessly wandering around during the second half of the event (even though it should be obvious that Fellow is at the theater)???? While at least in GloMasq they knew where to go (the bell tower) right away and strategized around that… Plus, we keep switching perspectives between the captured boys and the action, which bogs down the pacing. GloMasq keeps the action going and only takes very brief pauses to check in on our villain for the evening. There was way too much time spent meandering and not enough time spent actually Doing Things in Playful Land.
Stakes — GloMasq’s were higher. This isn’t to say that higher stakes automatically means the event itself is good. It’s just that the same urgency isn’t present in Playful Land because the scope of it is not as grand. If the crimson flowers/fire lotuses spread, there is no stopping them—and it endangers many people, communities, industries, etc. if they do. Meanwhile, a handful of people go missing in Playful Land. It’s still tragic, and their losses will still impact their loved ones—however, that’s still on a smaller scale than what the flowers would have done to their world.
Ending — GloMasq trumps. It’s just perfect how Rollo indicates he won’t give up and then drops ominous lines foreshadowing Malleus bringing ruin to them all (ie book 7) 😂 Love the pettiness of the banter, the ballroom setting, the perfectly timed delivery of the gift/song, and especially how Rollo’s punishment was so perfectly fitting for someone as neurotic and self-righteous as he is!! Also loved little details like the gargoyle and Trein wanting to keep an eye on Rollo 💕
The conflict resolution for Playful Land felt like a deus ex machina…? Fellow’s literally about to win (he caught them all) and the boys get let off the hook because Fellow had a change of heart. The boss told him it will cost a lot to repair the destroyed puppets so it’s coming out of his paycheck… That, and I guess all the stuff the boys were saying about how great school is finally got to him? Fellow got so fed up he called the whole thing off???? So he releases everyone and they all go around busting up the park???? I mean, they did foreshadow it by pointing out earlier how Fellow isn’t loyal to his boss + showing more phone calls where the boss is getting increasingly annoyed 💦 so it’s not as anticlimactic as Endless Halloween Night (one of my least liked events). I just mainly dislike how the conflict is triggered in part by Fellow’s boss being rude 😭 Like damn, what if his final straw hadn’t been claimed??? Then everyone is screwed.
At the very end, Fellow and Gidel decide to go on the run?? Which… isn’t an easy thing to do but it’s hand waved away so fast. If the staff meant for it to feel this way because the original Pinocchio also left Honest John and Gideon’s fates ambiguous and they did show remorse for their victims 💦 idk, it’s cases like this that make me think TWST is at its best when it does more of its own thing rather than strongly stick to the source material…
I also have?? Mixed thoughts on how TWST doesn’t follow up on the whole “yeah a bunch of rich people are caught up in running a human trafficking operation using this scary ass magic”. I know crime must exist in TWST, so in a sense this is… realistic??? But it feels odd to see such a big thing being casually mentioned and not being treated with full gravity?? (Maybe these are the types of crimes that special mage police defense forces (like the one Deuce wants to join) investigate??) Guess that’s just going to sit in the back of our heads from now on… It’s not satisfying seeing a story “end” like this, but I understand why it had to be 😭
The cathartic release of breaking down the park that once trapped them all is fun, but too goofy. I know it symbolizes a lot more than that, but it’s just not for me.
And so (to no one's surprise, given the frequency with which I talk about R*llo), I much prefer Glorious Masquerade to Stage in Playful Land. It's not even a contest to me. A certain pseudo-French boy aside, I just think the former has much better writing overall. By comparison, Stage in Playful Land has a very strong aesthetic and start, but not much else to keep me engaged??? It was an entertaining if not mid event aside from the big scare when the twist is initially revealed (because none of us expected it to be that dark) and minor other parts like Kalim’s big speech. The rest of the event felt like walking around and not doing anything useful.
I honestly think the failure of Playful Land to execute on its ideas comes in part from the hype of Halloween events (like, so much attention is put onto them that when Halloween events flop, it is SUPER noticeable) and the legacy of GloMasq (which set the bar VERY high) 💦 A shame, really…
Anyway, round of applause for Roro, who stays winnin’--
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Sometimes I think about an AU where Harrow's birth didn't require 200 child murders.
Gideon and Harrow probably wouldn't have grown up in each other's pockets the way they did in canon, with 200 other kids around. Still, having only about a hundred kids in their approximate age range (I'm assuming continued births with a similar frequency here) would mean that they'd know each other at least in passing.
Harrow without the crushing guilt of 200 lives on her shoulders would not attempt to open the Locked Tomb, and even if she wanted to, she would be much less likely to happen to have Gideon's blood conveniently on her hands in her attempt, plus Gideon would probably not be following her around to catch her in the act. Though somebody else might, to be fair.
Bottom line is, Harrow's parents are probably still alive. While I'm not sure about the psychological consequences of this, one change that does seem likely is that they might arrange a betrothal for Harrow. We already know from GtN that the only reason Harrow didn't end up engaged to Ortus is that they didn't want to mix up the Reverend Family's and their cavalier's bloodline. So this AU's Harrow is probably engaged to a man (or trans woman), since the Ninth doesn't seem to have the resources for whichever technological advancement on artificial insemnation gave Camilla two dads.
So considering that, in this AU Harrow might be the one with eighty-seven escape attempts.
As for Gideon, even with more potential friends around, chances are good she still wants to join the Cohort. She would probably not experience the same level of alienation and downright hatred as in canon, since Harrow's parents have no reason to freak out about her, but the general culture of the Ninth just isn't a good fit for her. Since Harrow wouldn't be as desperate to keep Gideon specifically on the Ninth, I expect she could just make her intentions to pay off her indentured servitude in the Cohort known, and that would be considered a perfectly fine choice for her career. I expect she'd still train under Aiglamene, but as part of a regular program for Ninth House children with stabby ambitions this time.
Which would be how she and Harrow end up stuck together this time.
When the summon for he house heirs arrives, everyone takes a look at Ortus and goes "...yeah, that won't do." So Aiglamene suggests replacing him with her star pupil, Gideon Nav, who was about to go join the Cohort, but could probably be persuaded to step in as Harrow's cavalier if you offered her a little improvement on the terms of her indentured servitude.
As expected, Gideon receives the offer and goes "Sure, I can swing around a toothpick while Harrow takes her employment test, sounds like a good gig to me. And besides, 'Cavalier Primary' would look good on my resumée for the Cohort."
When they reach Canaan House, Harrow still hopes to restore the Ninth House to its former glory, but more importantly, she is desperate to escape her arranged marriage, especially since her eighteenth birthday is alarmingly close and Ortus just stopped being her cavalier.
Gideon meanwhile enjoys sword fighting, actual flavour in her food, and looking at hot women.
Harrow: Are you taking this seriously?
Gideon: Of course I am! I get five years off my contract for this! I'm just saying, what's the harm in having some fun while we're here?
Harrow: If I fail to become a Lyctor, I will have to marry Ortus.
Gideon: *shudders* Fair enough.
Overall, the setting is more of a romantic comedy with the projected ending of the Reverend Daughter scandalously eloping with her cavalier- until the first murders, that is.
Due to Griddlehark not having seventeen years worth of reasons to go for the worst faith interpretation of each other's actions, and Harrow being at least a little less paranoid, they're able to work together with less conflict. However, Harrow doesn't have convenient puppet parents at home to help her realise that the Seventh cavalier is a beguiling corpse, so the net result could easily be the same. The biggest potential difference I can think of is that Harrow wouldn't try to send Gideon away with Jeannemary and Isaac. Since I like the Fourth House babies, I'm going to declare two murders less here.
Overall though, I don't see any clear options here that don't end with Gideon dead on a fence again.
The big difference would be her perception of HtN.
In this AU, Gideon's relationship with Harrow isn't tainted with obsessive hate-love masked as indifference on Harrow's side. This AU's Gideon sees her relationship with Harrow as a spicy forbidden romance, and therefore ironically interprets Harrow's lobotomy much more accurately than canon Gideon, who has been joined at the hip to her Harrow for as long as she can remember, and I'd love to see how that would change her character in HtN and NtN.
Canon Gideon gives us the beautiful, heartbreaking "I gave you my whole life and you didn't even want it" combined with "She can be in hell for all I care, I just need to know where" for the two hit kill.
This Gideon on the other hand knows that Harrow would have married her given the chance and 'only' has to think about how Harrow might have died to save her.
Which raises the question of where Harrow's soul ends up in a world where she never entered the Locked Tomb. My personal theory is that, with no link to Alecto's body, Harrow is pulled back into her own body after Gideon's soul leaves it. Then we get Harrow stuck on New Rho with Pyrrha, Camilla and Palamedes, and Gideon with Jod and Ianthe, both of them desperately trying to find each other.
When Harrow sees the broadcast, she immediately marches to the Compound, blasts open the door and demands to see her girlfriend.
A few days later, the Ninth House receives another letter from the First, informing them that their Reverend Daughter is not a Lyctor anymore, but will wed the Emperor's daughter as soon as he can stay sober through the ceremony.
The End.
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unikhroma · 1 month
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the big acid theory post
(i am sorry for how long this is)
couple weeks ago someone on discord asked if i could dm them my gripes about acid theory, since they hadn't seen any criticisms of it. i was very surprised to hear that so of course i did what any normal deltarune fan would do and wrote an essay (aka complained for several paragraphs). posting for reference sake so i have all my thoughts in one place and never make a post about this topic again
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basically my criticisms for acid theory are on all tiers/interpretations of it as an life-changing event where he ends up disfigured. i don't think it makes much sense to happen for multiple reasons
for it to happen from a narrative perspective i don't really buy it. spamton's downfall is already tragic in that he lost his friends, his fame and fortune, and got evicted. in regards to the mansion, the eviction itself is the tragedy, in particular that it's implied that it wasn't only him that got evicted that day. a swatchling says that the mansion used to be for high-class citizens. the rooms that were once for these citizens are now for lightners, so it wasn't just that he had no money, he was gonna get kicked out anyway.
i mention this cause a common interp of acid theory is that the mansion staff threw him in as punishment, and i think there's little evidence for that given the circumstances. a while ago i went on this whole spiel about how mischaracterizing queen and/or swatch to try and support the theory makes it weaker to me but that's additional stuff
and about the acid as a threat, it's hard to take it seriously when the majority of mentions of it are for gags or game design-related. for example, the gold berdly statue being dropped into the acid slowly dips in because if it just sank instantly, you could very easily miss it. the swatchling being stranded on the island is a goof with anticipating a battle the moment you set the bridge out for them.
for spamton falling into the acid as an explanation for whatever caused him to be a physical puppet (this is going off of taking the addisons' word that he was an addison too), it doesn't really line up. it doesn't make a lot of sense from a lore standpoint; there's no evidence to suggest that the addisons look like puppets underneath. i mean it's an interesting hc, but to assume it's canon that that's why spamton looks like a puppet now is kinda just filling in blanks.
that one q&a answer where spamton talks about there being some kind of "spamton method" he used every day and became "big" to me implies that it was some kind of slow transformation into a puppet. it's not much to go off of, but it's a lot more compelling than taking a tumble in acid. there's more mystery there and might even explain why spamton showed up to the mansion less over time
i think at this point it's clear that at some point he did get pushed in by someone, as stated in the spa attire from the sweepstakes and one of his valentine's cards, but to me it seems like it was an example of him being mistreated by the other rich residents in the mansion. before he talks about getting pushed in a pool, he mentions that he's gotten swirlies at the mansion, and to me it seems like he's still really bothered by his treatment there which is why he mopes about it.
queen mentioning that the acid can shrink people is also played for jokes, even susie in the ch3 video saying that they'll die if they drink the acid is played for jokes (also i think it would probably hurt them cause they're lightners and not cyber darkners)
anyway, if acid theory ends up being directly confirmed without any cryptic wording and all that i would still dislike it. i just don't think it fits with spamton or ch2's themes and it's randomly dark in a way that's not appealing to me. i like psychological horror more and the puppetfication thing already fits that. i know it's definitely appealing to others and i don't think people are bad for liking it per se, but it's not my kinda thing at all nor do i think it's canon, so i personally want nothing to do with it
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eksvee15 · 8 months
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MORE PROOF THAT MEGALOVANIA IS THE PLAYER'S THEME
THANKS TO DELTARUNE AND SUSIE FOR PROVING US RIGHT ONCE AGAIN!
So we all have this constant argument of whether MEGALOVANIA is Sans' fight theme or the Player's (it's not Chara's. Stop) fight theme. Well, I believe Deltarune's use of the soundtracks solved that issue for us.
There is a firm belief that in Undertale, and by logic Deltarune, the theme heard is the theme of who initiates the battle. Undyne starts the battle against us, both times we hear her theme - Spears of Justice and Battle Against A True Hero. Flowey ALWAYS starts the battle, so we hear his themes - Your Best Nightmare and Finale, also counts for Hopes and Dreams given he and Asriel are one and the same. And it's pretty evident that whoever has the first turn DOES NOT ACTUALLY MATTER, it is misleading and is canonically not actually relevant - Undyne herself specifies she's letting us have the first turn, in any fight, she's fair, and ALLOWS US the first turn. Sans gets the first turn to catch us off guard, which is what he does during the ENTIRE fight, ATK 1 DEF 1 yet takes multiple attacks to be defeated and will obliterate your health bar, suddenly has laser weapons, dodges, can manipulate space and gravity, teleport, stops time, his entire character is "surprise bitch", no wonder he gets that first turn - heck on the third turn he won't even finish his "beautiful day" speech and start attacking MID SENTENCE
There is, aside from Sans, one other occasion where the Player initiates the battle - that being Monster Kid. Yet MEGALOVANIA doesn't play there, instead, we hear the OST "In My Way" which is ONLY played against Monster Kid and Flowey in No Mercy. But I believe it's intentional, think of your first Genocide playthrough - you still kind of feel iffy, like it's wrong. It's not much of a challenge as it is a chore at this point. You just killed Papyrus. You just killed Toriel. Two people that have shown love, care, and so much genuine friendship to you, it feels awful. You're a danger, but not yet, a megalomaniac. (Side note, I think Etika's playthrough of No Mercy shows us how LOVE affects the actual player, because killing Toriel is a pain, killing Papyrus feels absolutely awful, but then when you get through Undyne the Undying? Etika celebrated beating her, then stopped and said "Wait no, why am I celebrating, I just killed her". THIS. LV affects us and how we view the Undertale characters, from being friends and caring about them, to being a challenge to overcome in the end. And not a lot of people realise that fact)
Now that I've established all this, where does Deltarune come into play? Well, specifically in Chapter 1, we fight Lancer a number of times. And he has that memorable bouncy theme when you fight him, Vs. Lancer. We all know that theme. However there is ONE moment where we DON'T hear Vs. Lancer DESPITE facing Lancer in battle.
The Susie V Lancer battle in the Card Castle's prison.
There, Susie alone engages battle against Lancer. And we know she engages because Lancer doesn't want to fight her, heck he even avoids to attack her at some point. The battle engaged is ENTIRELY Susie's intentions to put Lancer in his place. And the theme that plays, is Vs. Susie. Because SHE engaged the battle. So it's not Susie against Lancer, it's Lancer against Susie, despite US controling Susie. Just like it's Sans against us, despite us being in control.
This is proof. Proof that we hear the theme of who engages in a battle. You could also take as back up proof the Spamton NEO fight in Snowgrave, because he has every reason to engage against Kris - they're threatening everything Spamton COULD have, so of COURSE Spamton engages, furthermore because Kris goes from puppeted to puppeteer in his eyes. Sans never engages in battle against us. We engage against him. Because we're trying to get it over with.
MEGALOVANIA is most definitely the player's theme in late No Mercy run, and we know this thanks to Susie evolving the opposite way in Ch1 that we do in No Mercy.
Thank you for reading!!
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