#its wild how its only when i open the original

[spheredotorb]

this made me remember the first impression i had of magolor........

[luck-of-the-drawings]

(OLD OC SKETCHES) Meet Sunnabelle Von Sunnoviche, final daughter of the Sunnoviche family. Peeking from behind a window, she witnessed a wizards final spell, one that reduced the world to a wasteland. Her noble blood damned her to [HELL], but unwanting to suffer with her family, she made a deal with the devil. She now hunts in his name. The top of her head was taken by the blast on that day. The fires of her spirit have boiled her blood into a super-heated plasma.

[meringuejellyfish]

:-p animal crossing is making me wanna draw nice things

[kpopnstarwars]

Who's Afraid of Little Old Me?: Feyd-Rautha x Reader

A/N: ty taylor swift i attempted to base this fic on your song but then i divulged as normal

tw: 18+, smut, p in v, inkpie, oral (both recieving), sub feyd by which i mean feyd is DOMMED, spit, degradation + praise, one spank kinda, swearing, lil bit of crying, mention of evil baron activities so sa + pedophilia, tiny mention of cheating but none actually happens, lmk if there's anything else bc lbr there probably is i just forgot it

wc: 3.9k

Feyd-Rautha has gravely underestimated you.

It is true that you are not strong in terms of Harkonnen definitions, but you expected a man destined to father the Kwisatz Haderach to be able to see past that. What was that the Bene Gesserit were saying about superior genetics? You don’t see even a glimpse of that in his frosty gaze when he regards you - he looks at you as if you’re a delicate vase that may shatter in the lightest of breezes. He thinks he needs to fear breaking you.

He misses how you miss nothing.

You are not Bene Gesserit; you are merely one of their pawns, a genetic machination produced from centuries of manipulations and deceptions, but you can read a man better than the majority of their number.

The seething jealousy in the clenching off Glossu Rabban’s fists is like a monster sinking its venom laced fangs into his heart: starkly evident to you - as evident as the barely repressed, parasitic fear of inadequacy that lurks like a second beast within the first. Just the same, the gazes the Baron sends your husband do not escape you. Nor does the caged, wild look that washes over him whenever you leave his uncle’s chambers: the look of a man who inside is still a boy, relief washing over him that he has left unscathed and untouched for another time.

Even more nuanced than that, you see the vulnerability within Feyd-Rautha. He craves to be loved, the way he should have been as a child, when instead he was desired; all this at an age where the most he should have been doing was playing with carved wooden toys at his parent’s feet.

He believes no one can see the last, soft sliver of his heart that he’s fought to preserve, that wants nothing but to have someone to be vulnerable with, just because he’s buried it so deep inside of him that sometimes even he doesn’t think it’s there any more.

But you see it.

You see beneath it too, to a place that he himself is not fully aware of. A place where he hates who he has become - a wild, savage creature, bleeding from wounds that do not seem to close up, slipping in its own blood when no one can see.

It’s from here, from this place, that the urge to preserve you somehow originates. He thinks you are a flower whose petals will easily be crushed in his heavy, calloused hands, and he is wrong; in a strange way it endears you to him, that he believes that he is too rough to hold you. You do not think it is quite love - not yet, at least, it is only the third month of your marriage - but when you see him fighting to not be the beast that he is before you in an effort to spare you, something that is not just pity stirs in your heart.

You can hear him now, pacing, cursing under his breath in the antechambers. Sometimes he sleeps there, on the narrow sofa, and you’ve come to realise it is those nights when he wants you most. Aside from your wedding night, he has made no other attempts to produce an heir, and you find his restraint valiant, but stupid.

He could try as hard as he liked; he would not get anywhere close to breaking you.

Rising from your seat on the small, ornate stool at the vanity, you push open the door to the antechamber and take a step into the room. Feyd pauses his pacing with his back to you, and you can see the tension in his shoulders and the rigid way he holds his body before he turns around to face you. His pupils are dilated, his eyes dark, and you watch him regard you with something too untethered to be restraint.

‘Am I keeping you awake, wife?’

You shake your head. ‘I had not retired yet.’

You know he expects you to explain why you’ve interrupted him, but you remain quiet - your silence is as much of a tool as your words. He doesn’t speak either, but his eyes tell you enough; they do not leave your frame, hungry, torrid, and his fingers twitch as if they ache to slip you out of the simple shift you wear to sleep and touch you everywhere, to explore the curves and dips of your body.

Tilting your head, you smirk. ‘If you wish to give me your heirs, husband, I would advise another method that differs from staring one into me.’

‘You don’t know what I want,’ he growls, but his face tells other tales.

Stepping forward, you reach out to him but he backs away. Still, the sheer thirst in his eyes sears away at you, even as his actions fight against it, his fingers closing on the doorknob. His hands are steady, his shoulders too, but the tightness in his muscles betrays him as always. Usually, you’d let him go now, but tonight you wish to see how far he will let you push him before he pushes back, so you snare his forearm in your fingers, tugging at him as he turns the knob.

He doesn’t look at you. ‘Don’t test me.’

You smile, cloyingly so. ‘Why not?’

Lightly, you trace your fingers down his chest, straightening the fabric of his black shirt while you gaze thoughtfully up at him through your lashes, lips curving upwards at the indecision in his eyes. He fights it, wrestles with the burning need, but in the end, he prevails, transforming it into a streak of anger that colours his voice as he tears himself from your grasp, recoiling as if your touch ignites pain within him - and maybe it is pain, that he wants you so but fears to indulge himself.

‘Get away from me.’

Feyd-Rautha does not give you a second to do so, because he is the one haring down the dimly lit corridor, his jaw tight, nails digging into his palms. Truthfully, you have never seen him move that fast, not even in the arena, and it almost makes you laugh - the great na-Baron fleeing from his wife and his own lecherous thoughts.

Maybe you did not win this round of tug of war, but he has asked something of you - to get away from him. Over the next few weeks, you follow this to the letter, avoiding him like the plague; you do not interrupt his pacing in the antechambers, nor do you haunt the bedroom like you normally do, asking him questions that he cannot answer. Feyd-Rautha is sensitive to change and you know he will seek the reason for it.

There is a barely cloaked intensity in his eyes when he finally corners you, and under it, you detect recognition: he sees that you are not who he thought you were, and he sees that you are not so different from him - always observing, always planning, and so, mind shatteringly hungry.

You were just dropping by the bed chambers to gather some of your clothes. The night before, you’d relocated yourself to one of the guest bedrooms - you could sense Feyd’s resolve cracking, and you knew that this would break it for certain: coming into his chambers to find them empty, wifeless, your side of the bed damningly cold. Jealousy is clear in his eyes as he backs you against the vanity, filling you with a rising sense of triumph.

‘What has caused this change in your behaviour, wife?’

You raise a brow, faking confusion. ‘What change? I would argue it is your behaviour that has changed, Feyd, you who can barely stand to be in a room alone with me.’

He snarls. ‘Who were you with last night?’

‘I thought you wanted me to get away from you,’ you reply, keeping up your pretence a little longer. ‘I slept in the guest quarters. You do not reciprocate any of my advances.’

‘Advances?’ He echoes, incredulous. ‘You taunt me, wife. It’s like you want me to break you.’

Cocking your head, you regard him coolly for a moment, letting some of the sharpness of your unmasked gaze leak through, letting him see the calculation in your eyes - you see the wariness it incites in him as he realises again that you are not who he thinks you are. Wordless, you lean in close to him, bringing your face to his, hovering there.

And then you let your arm drop and make a swipe for the knife at his belt.

Fast as a viper, he catches your wrist in your fingers, but you smile, challenge in your eyes as you bring his second blade to his neck. You’d slipped it out while he was distracted with your other hand, and he blinks at the cold press of it to his skin.

‘That’s the problem, isn’t it?’ You murmur. ‘You’re not scared of me, you’re scared of breaking me. Who’s afraid of little old me, huh? No one is, Feyd.’

‘They should be,’ he whispers, and when you meet his gaze, it sets you alight.

‘Indeed,’ you reply softly, letting your lower lip brush his.

As he kisses you, his hands seizing your face and locking you to him, you hook his knife’s blade in the collar of his shirt and drag it down, slicing the fabric until it flutters to the floor. Pulling away, you take him in - the moonlight planes of his sculpted chest, the broadness of his shoulders, his roiling, keen gaze. This man whets your appetite in the darkest kinds of ways: you cannot wait to ruin him.

Absently, you trace the outline of the tent in his pants with the tip of the knife blade. A breathy noise leaves him, and he freezes as if he can feel the cold kiss of the metal against his skin; you laugh, delighted that he is so mouldable in your hands.

‘Get on your knees,’ you command, seating yourself on the end of the bed.

It’s captivating, his lack of hesitation as he follows your orders. He sits back on his heels, looking up at you, and you can tell that he’s letting you see him like this, you can tell that if he didn’t want you to have him like this, you wouldn’t, but still, you reach out, gently skimming his shoulder with your fingertips.

‘All you have to do is say, and I will stop,’ you say.

He dips his chin. ‘I do not think I’ll have to.’

You smirk, something savage and powerful and thrillingly depraved rearing its head inside you, awakened by the sight of the na-Baron kneeling at your feet. That will be his last coherent sentence tonight.

Pausing, making him wait, you lean down a little, inspecting his features, the ardour in his eyes. He looks at you as if you hold the universe in your hands, as if you hung the stars in his sky, as if you are a  goddess, and he wants nothing but to worship you until he is expended.

You spit on him.

It lands on his cheek, and his eyes widen a fraction. A shudder wracks his body, and he simply stares up at you, breathing heavy, before slowly, his lips part, and he sticks out his tongue, his request evident. You grab his jaw, squeezing so that he opens up wider, and spit in his mouth - the low groan that leaves him as he swallows is fucking delectable.

His cock twitches in his pants when you pick up the knife. Tracing the blade over the shell of his ear, over his cheekbone and over his lips, you marvel at the way he holds still, awaiting what you’ll inflict on him next like a good little toy.

When the metal reaches his jaw, you nick the skin, drinking up his sharp intake of breath and the clench of his fists as the blood trickles down the column of his throat; you catch the droplet of crimson on your tongue, licking a careful stripe up his neck, grinning when you catch his lips in a kiss and he trembles at the taste of his own blood. Feyd is greedy, his tongue brushing against yours as he leans up into your touch, the way his mouth works against yours hot, fervent, pleading.

Planting a palm to his sternum, you push him back, chuckling when he strains to follow you, eyes glazed, lips swollen. You spot a streak of red and swipe your thumb over his lower lip, wiping it off before standing.

‘Get up, strip, and get on the bed,’ you bid him, pulling your own shift over your head.

Feyd scrambles to follow your orders, yanking his pants down, and you take your time to admire his muscle sheathed body; strength ripples beneath his skin, a sweet dichotomy to his weeping cock, rock hard and flushed rosy. He halts his movements, as if he’s pinned down by your appraising gaze.

‘For whom do you wait, husband?’

As he turns to get onto the bed, he’s a little too slow and you swat at his ass. A choked sound leaves him, and you laugh at the way his knees almost buckle. Feyd’s ears run red when he lies down on the mattress, and you straddle his thighs, sneering at the way he twists his fingers in the sheets, squirming beneath you.

‘Pathetic.’

You don’t give him time to respond, instead wrapping your fingers around his cock and pumping up and down fast, and he gasps at your rough touch, his back arching and his hands coming up to touch you - you wave them off you, meeting his eyes.

‘No touching,’ you intone, the hint of warning in your voice enough to render him obedient.

This time, you take his cock head in your mouth. He’s so fucking sensitive, reacting as if the sweep of your thumb down the underside of him and the slide of your tongue over him is mind shattering; it doesn’t take you long to get him teetering at the edge of his orgasm, just for you to pull away at the last moment.

His thigh jolts, weak pleas of your name leaving his lips, gripping the sheets so hard you wonder if they’ll rip. Again, you take him in your mouth, deeper, one hand dipping to play with his balls; you revel in the wretched sound that he makes when you hollow your cheeks around him, your teeth grazing up his length. You toy with him until you think he’s moments from breaking, until he’s writhing upon the sheets, face contorted in pleasure loaded with sweet, sweet agony.

‘Please let me come,’ he whimpers, voice cracking, the look in his eyes crazed, pitiful. ‘Please.’

You decide to give it to him, jerking him brutally fast until he comes; it hits him like a tidal wave - his eyes roll back in his skull, his body tensing, rigid and impossibly taut before he goes boneless, a broken cry of your name on his lips as he spills all over his stomach. A single, ecstatic tear slides down his cheek as his orgasm seizes him, snatching him up and shaking him like a ragdoll.

Lingering at his side, you wait until he’s come down from his high before getting up to retrieve a damp cloth from the bathroom, perching on the bed beside him and cleaning up his come, pressing kisses to the surprisingly soft skin of his hips. One wavering hand comes to rest in your hair, and you glance up at him, biting back a smug grin at the dazed look in his eyes.

‘Feeling okay?’

He nods.

‘Words,’ you chide.

‘Y - yes, na-Baroness. Better than okay.’

You raise a brow at that. You did not specify for him to call  you anything, so this is all his doing; he fidgets beneath your gaze, and you note that he’s growing hard again, his cock stiffening between his thighs.

‘Can I…’ He begins, but trails off, thinking better of it.

‘No, little na-Baron,’ you reply coyly. ‘Tell me what you desire.’

His eyes scorch you with their yearning. ‘I want to taste you, na-Baroness.’

You smile. ‘As you wish.’

You lean back against the pillows, letting your legs fall open for him. It’s somewhat comical, the way his eyes widen as he sees your slick cunt, and he swallows harshly - you can almost sense his mouth watering. Carefully, reverently, almost, he nudges your knees over his wide shoulders, bringing his face close to your pussy, admiring you. It’s as if he’s testing himself, waiting to see how long it takes for him to break and taste you.

Lurching forward, Feyd groans, low and deep and right against your clit when he laps at your heat, quickly becoming insatiable as his tongue moves masterfully at the apex of your legs, laving over your clit and curving in and out of you. Bolts of pleasure spear through your body, fierce like crackling lightning at the eye of a storm - he is everything to you in this moment. He shatters you, breaking you and mending you anew.

As he brings you closer, your body begins to shake and your legs close around his head; you suffocate him with your thighs, and you can tell he lives for it from the way he fervently grips your ass in his large hands, kneading the flesh and moaning into your pussy.

Something pulls tight within you, deliciously so, and you cry his name in warning, fingers curling around the base of his neck to hold him still as your hips buck, rutting into his face. Dimly, you can see him grinding into the mattress as you fuck yourself on his tongue - the chafe of his nose against your clit makes you shatter, and you fall apart for him with a ragged cry, nails digging into his shoulders.

You’re still coming down from it when Feyd begins to lap at you again, dutifully cleaning you up, and you twitch with the slight overstimulation, hooking a finger under his chin to see his eyes: his gaze is loaded with the heat of a thousand suns, and yet somehow it is also bleary, drunk. A laugh escapes you, and you tug at his hand, encouraging him to lie beside you.

‘Good boy,’ you hum as he nuzzles into your touch. You can feel him achingly hard against your thigh, and you let yourself catch your breath before reaching down and wrapping your fingers around his cock. ‘Want to fuck me now, hm?’

He nods avidly. ‘Yes, na-Baroness.’

All it takes is for you to half spread your legs before he’s climbing eagerly between them, hesitating before looking up at you for permission. You dip your chin, smirking, and then he’s sinking into you, burying himself inside you.

Voice cracking, Feyd chokes out your name, and he shudders, gasping at the velvet vice of your cunt as it clenches, bearing down on him. Sharply, you rock your hips up to meet his, and this time, a soft, keening whine leaves him, and he squeezes his eyes shut, biting down hard on his lower lip.

He can barely keep himself from spilling inside you.

‘You can barely hold it, can’t you, my little na-Baron?’

His words come out jumbled, his speech scrambled, mind ground to a standstill by the all consuming heat of your cunt; he babbles out protests, saying that he can, desperate to prove he can, stammering that he wants to make you feel good.

Cruelly, you buck your hips up against his again, and a pained sound looses from his chest, but he thrusts to meet you, hips lurching forward, his arms almost buckling either side of your head. Panting, he pulls out slowly before slamming back in, unable to stifle the whimper that tears from the back of his throat when you rake your nails down his shoulder blades, claiming him, littering his shoulders and neck with bites.

‘That’s it,’ you sigh as he finds his pace. ‘Just like that, good boy.’

A strangled noise tears itself from him at your praise, and he fucks into you, frantic, almost feral. Eventually, his thrusts begin to turn sloppy, and you kiss him in order to steal his breath and taste his fervid moans of your name on your tongue as he comes deep inside you.

Pressing a palm to his lower back, you pin him there, buried snugly within your pussy as you reach down with your other hand and rub your clit hard - it takes but a moment for you to come, and he writhes at the cataclysmic feel of your walls fluttering around him, overstimulating him, his mouth falling open in a silent cry as he comes again with your cunt milking his cock.

Completely spent, Feyd goes limp, and you rub your hand over his back, smoothing circles on his skin with your lips to his forehead. The post orgasm clarity begins to hit him, and you feel him go rigid - slowly, he pulls out, his seed leaking out now that he’s not filling you, and he attempts to get up, but his legs are too weak and he collapses beside you instead, his chest heaving, his eyes still a little hazy, still fucked out, even as he fights for lucidity.

There’s something on his face that cuts at your heart - a look of expectancy, as if he’s waiting for you to get up and leave now that you’ve had your fill of him. Concerned, you reach out, and he leans away from your touch.

‘Feyd,’ you murmur. ‘It was not too much, was it?’

‘N - no,’ he replies. ‘I just…’

Sitting up slowly, you look him right in the eyes. He stares back, bewildered, but you press a finger to his lips, foregoing your own fumbling words to instead recite the pledge of allegiance of a Harkonnen soldier to their general; his eyes widen - you know you have hit home. You’d exchanged wedding vows, of course, but these have a different meaning: you see it in the respectful way it is uttered, a soldier acknowledging his superior’s presence.

You pledge to him not only your heart, but your sword - your service - too.

‘Wife,’ Feyd bites out. ‘Surely you do not mean - ’

‘I mean it,’ you cut in. ‘Every word.’

Again, you reach for him, and this time he does not flinch away, letting you tuck him close to you, his breath coming out shaky. Gently, you tip up his chin, planting a chaste kiss on his parted lips, and he returns it slowly, wondrously, no teeth or tongue, just the gentle brush of his mouth against yours: the innocence of it is bittersweet - has anyone ever kissed him this tenderly?

Carefully, you withdraw, wanting to see him, but he does not let you meet his eyes, instead hiding his face in your neck, his lips at the hollow of your throat. You grant him the privacy of not being seen when you feel wetness on your skin, his hot tears tracking down and pooling in your collarbone - his hands ball at his sides, and you pry open his fingers and lace yours with his, pressing a kiss to his knuckles. Tightly, you wrap your arms around him, holding him with a hand cupping the back of his head, cradling him to your chest.

Your voice is quiet in the still air, but it carries as if through an arena, a promise arcing through the air like a soaring arrow.

‘You no longer walk this world alone, Feyd-Rautha.’

best believe when i started writing this i did not anticipate the 2x 'good boy's 🧍

dune taglist: @callumsgirl @oh-you-mean-me @insufferablyunbearable

[strangersteddierthings]

The Interview

Inspired by this post by @xoxoladyaz. Read on Ao3.

-

Eddie wakes up to one single missed call from Gareth on his private phone.

No one calls his private phone.

He dials back instantly.

"Hey Eddie," Gareth greets. He sounds tired.

"What's up? What's happened?" Eddie asks, a thousand and one scenarios running through his mind. Gareth is in Indianapolis, and Eddie's thoughts are filled with only his uncle back in Hawkins.

"Nothing's happened that we can't deal with, or rather, that I've already been dealing with. But, uhh, there's an interview you should watch. Let me send you a link-" there's a pause as Gareth does just that "-and just call me back after you've watched it. I know we usually ignore the shit people say about us but this- it's different."

"Okayyyy," Eddie says slowly. "I'll watch it."

They hang up without goodbye because Eddie's just going to call him back after the video. Opening his messages he sees the link, and then Gareth sent a follow up text you need to watch from 12:32 onward.

The video is nearly two weeks old already, and YouTube shows him a face he knows. Robin Buckley looks older but it's definitely her. Her hair isn't styled much differently than she had it in high school, just above her shoulders and a little wild. She's wearing a three piece suit in emerald green, slightly oversized on purpose by the look of it. She's sitting in a chair, cradling a grammy with one arm, as the interviewer sits across from her.

Eddie taps the screen and drags the progress bar closer to the 12-minute mark and listens. He hears the tail end of Robin's response to some question about her album before the interviewer asks what must be the question Gareth wants him to listen to.

'So, I think everyone is dying to know if you and Eddie Munson are friends. You're both from Hawkins, Indiana. Isn't that correct?' the interviewer asks.

Robin's smile slips a bit, 'I- uhh, this is going to be unprofessional of me but I made a promise to someone regarding if I was ever asked about Eddie Munson. So, can I have one minute to make a phone call before I answer your question?'

'Oh. By all means, make your call.'

Eddie watches as Robin is brought her phone by someone who is probably her personal assistant. She wastes no time in unlocking it and finding whoever in her contacts list.

'No time for formalities. I've been asked about Munson. Can I tell the truth?' Robin's mic isn't strong enough to pick up whatever answer she gets on the phone but she shakes her head to whatever answer she's been given. 'I told you, I love you more than this career and I've already got the grammy. I'll handle the fallout. It's not about me. It's about you.' What follows is a few seconds of silence before Robin nods and says goodbye, ending the call and passing the phone back to the PA.

The interviewer's eyebrows are up to her hairline in shock. 'That sounds ominous. You think it's career ending?'

Robin grins and it's almost feral. 'Corroded Coffin's fans have always been ruthless, and perhaps a bit heartless, so what I have to say will certainly set them on the attack. To answer your original question, yes, Eddie Munson and I are from Hawkins. We even shared band class in high school, but that's the end of what connects us. We are not friends, but we once were.'

'Can you elaborate on that?'

'Our friendship ended ten years ago when he ruined my best friend's life for fame and fortune, and Steve's never really known a day of peace since.'

Eyes wide, the interviewer leans closer, 'Steve? As in, Hey Steve, Steve?'

Robin nods, 'Just the one.'

'Are you prepared to talk about how one song ruined your friend's life?'

'That was the purpose of the phone call. Yes, I think people should know the truth. Munson vented his bullshit breakup rage into a song and fucked off out of town. A week after its release, his fans doxxed Steve. He wasn't out to his parents, you see, and Corroded Coffin's fans, Eddie Munson's fans, outed him. They sent hate mail to his house by the ton, it seemed. The fallout from that- the aftermath-' Robin cuts off as her eyes water and she swipes at them, smearing some mascara across her cheek. 'I'm sorry. I almost lost my best friend, the platonic love of my life, that day.

'It's public knowledge, what happened, you can look it up online if you know what to look for. But it is also so incredibly personal. I want to be the one to say this because it's important. What you do in life, it has consequences, and sometimes those consequences are for other people. Whether you think it will, or not. I'd rather people hear it from a human voice, from someone who loves Steve, and not the journalist view. No offense,' Robin shoots the interviewer a sweet smile.

'None taken, please continue.'

'Steve was hospitalized, I won't give the details,' Robin says, in a watery voice as she's clearly trying to not cry at the memory. 'When Steve was finally released from the hospital, there was no one but me to pick him up. And he's going through this while nursing a broken heart. He and Munson had only been broken up for maybe a month before Hey Steve came out.

'In less than two months, Steve had lost his parents, his home, all his belongings, and the man he thought he'd marry one day. And to top it off, that man gets to become rich and famous off a venomous, hate-filled song about their breakup. It talks about Steve like he's coward for not willing to be out, yet, and how... what's the line, about conformity?'

'Conformity holds your leash, baby, so run to the end of your chain and bark,' someone off camera shouts.

'Yes, that, thanks. Accusing Steve of picking 'conformity' over his love. Steve wasn't picking conformity, he was picking safety! And the worst part? The hate mail has never stopped. Steve lived with me and my family for a few months after getting out of the hospital before the hate mail got too much, and someone showed up at my childhood home, looking for him, threatening him. They had a gun. It was traumatic. I was still in my senior year of high school-' Robin cuts off, taking deep breaths.

The interviewer reaches across to place a comforting hand on Robin's, 'I can't even imagine what that must have been like.'

Once Robin has composed herself, she says, 'sorry, this is a lot. I've had ten years to come to terms with it, and I've waited seven for someone to ask me about Munson. I didn't think it would be this hard.

'And it's not- I can't blame Munson, or Corroded Coffin, for everything that happened. He doesn't control his fans. But he's never said anything about the treatment his fans give Steve. And if they're like this towards Steve, are they like this towards all his other ex's? Does Munson not care, or, almost worse, does he not even know?' she stops again, getting a faraway look for a moment before looking at the interviewer again. 'I had to help Steve move again. Just last month. They're still finding him. Sending him hate. Doxxing him.' Now she looks at the camera directly, "Eddie Munson. Call off your fans. Stop playing Hey Steve at concerts. Isn't a decade of hurt enough?'

There isn't a lot that makes Eddie feel anything these days, he'll admit. A decade of fame has made him a bit cynical and callus. However, Robin had said something that made his insides squirm. He swipes across the screen, rewinding the video to hear Robin say Steve had lost his parents, his home, all his belongings, and the man he thought he'd marry one day. Swipe. -ents, his home, all his belongings, and the man he thought he'd marry one day. Swipe. The man he thought he'd marry one day. Swipe. Marry one day.

He pauses the video. That can't be right. That has to be a lie Robin is adding. To garner more sympathy or make Eddie, and therefore Corroded Coffin, look worse. Steve and he had been young and naive when they'd dated. There was no way they'd have ended up married, even if Eddie had stuck around Hawkins longer. Gay marriage wasn't even legal when they broke up in 2013.

Eddie unpauses, skips forward to the end and listens to Robin speak directly to him. Stop playing Hey Steve? The song that rocketed Corroded Coffin into the limelight? No way. And call off his fans? Like they're dogs he's supposed to control or something. The video ends and the YouTube algorithm shows him a number of react videos. Eddie clicks on one and falls down the rabbit hole.

At first the algorithm shows him responses in his favor. Videos made by his fans defending him, or strategically picking apart what Robin had said. Eddie wants to agree with them, he doesn't think he's done anything wrong other than live his life, but then.

Then a video of a guy wearing merch sold during their tour last year plays. He's on the right side of the video while a screen recording is on the left. It takes him less than five minutes to get Steve's past addresses found. And Eddie is... well, he's a little horrified at how long the list is. At the short amount of time Steve's spent in any one place is.

The guy in the video reads out the state, city, and how long Steve lived at each address. The longest one is when Steve made the jump from Florida to Maine, where he lived for 19 months according to the video, and that was years ago.

And then the guy, he fucking starts to speculate about where Steve might have moved to next.

"We can't know for sure, but it looks like he headed back west? You can see from the last 3 addresses he's been just jumping state lines to the next place. I'm guessing Oklahoma, Kansas or Nebraska next. If Steve thinks he can try and ruin Corroded Coffin through Robin Buckley, then it's up to us to prove him wrong," the guy is saying, and Eddie thinks maybe this guy is just exaggerating but the comment section is already filled with other people saying vile shit about what they should send to Steve or what they'd like to do to him physically and-

Eddie clicks off the video, to the next recommended. The more he watches, the angrier they seem to get. He goes to the search bar and looks for new react videos.

He finds that everyone has an opinion. He watches videos where his own fans express their disappointment in him. They talk about how Corroded Coffin runs an antibully campaign and then allows their fans to bully an ex and for not calling out the ones doxxing people, wanting to know which was the reason - does Eddie not know, or does he not care? Eddie didn't know. Truly. But he can't help but wonder if he didn't know because he didn't care.

He'd written all his feelings into a song, and now that he's older, he can see that a lot of what he was feeling is an exaggeration and dramatization of what really happened. But the point is, he'd written out his feelings and moved on.

The man he thought he'd marry one day.

His stomach twists uncomfortably as Robin's voice rings in his mind.

He continues his spiral down YouTube until Gareth calling him again breaks through and he answers.

"How is this the first time I'm hearing about Robin's interview?" Eddie demands.

"You've got a damn good PR team, that's how. I guess you fell down the rabbit hole, then?"

"How'd you-"

"Is been almost 4 hours since we talked. Doesn't take that long to watch a 30 minute video."

"Oh. Alright. So, why did you want me to watch the video? Am I supposed to respond to Robin?"

"No. People don't actually want to hear from you. They want to hear from Steve. And that's why you needed to watch. 'Cause Robin's announced that Steve's finally ready to make a statement. Robin's going to post it on her Twitter. Tonight. So, we've got to be ready. If anything Robin said turns out to be true, we might have a problem on our hands. A slander lawsuit being just the beginning."

"Fuck."

"What a way to sum it up," Gareth chuckles into the phone before his tone becomes serious, "hey, how are you doing, though? With it all?"

He thinks about it, and how he really feels, before answering. "It's been years since I've thought about Steve, y'know? I... I've had that luxury. I didn't know.... Did you?"

"No. Hell no! I'd of said something. I mean, shit man, we run an antibully campaign 'cause high school was shit to us. If I'd known at all we'd have been telling them to fuck off. Harassment's just what they call bullying adults."

Eddie swallows. "Guess we just have to wait and see what Stevie has to say."

"I'd come sit on the couch with you and refresh twitter frantically but, well, Indy's a bit of a ways off. I'll call after Robin's posted, then?"

"Yeah, man. Let's see the damage," Eddie sighed. "Talk to ya later."

"Bye."

Eddie digs out his laptop and pulls up Robin's twitter page. He adds an auto-refresher extension and sets it to refresh every minute before opening his phone and pulling up YouTube again.

[byfulcrums]

I hate it when people make the DC characters feel scared of Phantom. Or when they make them freak out over how crazy his life is

Most of the characters would just go “Oh a Ghost King! That's cool” and either attack, befriend or ignore

They always write Dick to be the responsible one when he's not. If he saw this child he wouldn't go “Omg he's so young!!! Poor baby!!!” he'd go “Oh god no please don't let B see this one” and then “Hey this one's kind of fucked up. I'm going to keep it for a while to see what happens wish me luck🤞”

Or when they make the JL freak out about him. Guys, Flash is able to break reality, time travel, destroy the multiverse and more. If he finds out Danny is Dick's clone or something he'd go “again? How many clones are there?” and just vibe with it

Danny would be so happy to find people who just don't give a shit about how weird he is. He only has his friends and sister and they're just. Three people. This boy needs mental help and everyone freaking out about him isn't helping. He's just vibing with his new also overpowered friends

“Yeah so I'm half dead. I was killed by a ghost portal that opened right where I was, and instead of actually killing me it brought me back to life. I'm a ghost possessing its own body. Sometimes if I feel too weak I'll look the way I looked when I died — with my chest half open and my eyes bleeding. My blood is green. I will probably see everyone I love die. Wild, right?”

“Oh yeah! I've got my own experience with dying. It sucks, man. It's funny for the fastest man alive to not have been able to outrun death lmao. Speedsters also age really weirdly. I'm a married adult with two children but I look like I'm 18. But then later I look like I'm 30. And then 20. And then 40. Sometimes I'm afraid I'll look into the mirror and won't recognize who I see haha”

“Talking about body horror! I don't know if I'm the real me. I've created so many mes (the scout thingies) that I can't tell if I'm the original one or not. Maybe I died, and I'm the only thing that remains of me, and I would never be able to tell. I could be being tortured right at this moment. I could be trapped in the speedforce. And no one would ever know because I'm right here, but if I'm not me then they'd live with an imposter by their side”

“Ahh, body horror. My old friend”

(they're all on the verge of a panic attack)

Danny, glowing with a green light at 3am in the kitchen: Hey what the fuck are you doing here

Green Lantern, also glowing with a green light: I live here you fuck

Danny: Shit this isn't my house??

[sillysowa]

Ask and you shall receive, my lovelies!

ALL MINE!

PAIRING: HOBIE BROWN X PLUSSIZED!FEM!READER

GENRE: SMUT! PWP

WORD COUNT: 1.9k

WARNINGS: NON DESCRIPTIVE BODY SHAMING, FACESITTING, FACE RIDING, VAGINAL SEX, BODY WORSHIP

AUTHORS NOTE: I TRIED MY ABSOLUTE BEST TO WRITE ABOUT AN EXPERIENCE THAT I AM NOT INCREDIBLY FAMILIAR WITH, PLEASE LET ME KNOW IF ANY OF MY REPRESENTATION OR CONTENT IS OFFENSIVE OR INACCURATE! I WAS NOT COMFORTABLE WITH WRITING DESCRIPTIVE BODY SHAMING. SORRY IF THIS SEEMS AT ALL RUSHED, BEEN HELLA BUSY!

SYNOPSIS: YOU SURPRISE YOUR BOYFRIEND HOBIE AT HIS BIGGEST CONCERT YET, ONLY FOR SOME GROUPIES TO MAKE YOU FEEL LIKE SHIT, BUT HOBIE DOESN’T LET THAT SLIDE—OH AND HE FUCKS THE SHIT OUT OF YOU LATER!

—

Today was a big day. Hobie and his band are going to have a concert at their biggest venue yet, and you’re going to surprise him in the crowd. Originally, you and Hobie were pretty bummed because you had plans that day already, and you were almost positive that you wouldn’t be able to get the day off—but turns out you were wrong. Without telling Hobie, you managed to clear up your day completely, and get VIP floor tickets to the show. You had even gone shopping for a concert outfit that would make you look amazing under the concert lights. You are incredibly confident in your body and how it looks, and you really wanted to show it off.

It was the night of, Hobie left earlier, obviously disappointed that you wouldn’t be there but still understanding that your schedule was busy. The smell of his cologne when he bent down to kiss you, his guitar over his shoulder and his amp in his hands was a sight for sore eyes. The moment he left, you went straight to the nearest mirror and did your makeup, spending all the time necessary to look your absolute best. Finally it was time for the outfit. It was beautiful. It was absolutely everything you wanted and it looked beautiful on you. You couldn’t wait for Hobie to see you, illuminated in the neon lights and done up for him, but you really couldn’t wait for him to fuck you up.

You got to the venue early, making sure you could guarantee that you were front row, and prepared yourself to stand for a very long time. The looks that you were given from the groupies who walked to the VIP line made you roll your eyes. There was always those girls—the tall, stick-thin, bratty—and they always needed to make sure you saw them when they looked at you nastily. You just looked forward, and waited out the time until the doors opened.

When they did, you walked with a quick pace, not running, but definitely not walking. You made your way up to the front row, slightly to the right where Hobie plays—you knew because you saw his guitar propped up. You heard the sound of heels, giggled and snobby sounding voices around you. It was the girls from earlier. They were all around you, and you could hear their whispers. It didn’t get to you before, but god it was starting to get to you now. You tried your best to keep ignoring them when a tall blonde woman who didn’t look like the type to be at a punk-rock concert, leaned over and whispered something gut-wrenchingly rude in your ear before standing straight and chatting with her friends. You stood there, suddenly incredibly insecure and crushed. Your spirits were high before, but now? Now you just wanted to go home…to Hobie. That was when you remembered why you were here. You were here for Hobie.

When the lights came on, there’s a ruckus all around. The crowd squeezes together uncomfortably, the room growing loud and wild. The girls around you throw insults your way when you don’t move, holding onto the railing tight. The first song started, and you heard a flurry of yells from Hobies bandmates, and then Hobie. A chill raced down your spine like a rollercoaster down its tracks, and Hobie raced onto the stage. He looked amazing—A fishnet top with a leather vest over it, dark blue jeans held up by a spiked belt, as much silver jewelry as he could fit, and messy black eyeliner.

The song was going amazing, Hobies skilled fingers that you loved oh so much dancing across his guitar as beads of sweat formed on his forehead, his beautiful smile coming out for all to see. Nothing good lasts forever though as when you excitedly jumped with the crowd, the bitchy girl to your right started hurling insults at you. This time you didn’t take it so well. You started questioning her,

“What the fuck is your problem?”

“You, you fucking skank!” She yelled obnoxiously, “Can you fucking move?” She said with the most audacity you had ever seen in your life. Some of her friends laughed, some of them looked at you with a nasty stare, but you just shook your head,

“I payed for these tickets just like you. I’m just trying to enjoy the show, asshole.” You grunted, facing forward to catch the end of the song and ignoring her when she suddenly shoved you. You stumble for a moment, bumping into the fellow groupie bitches to your left only for them to grunt and get pissy. You turned around, ready to fuck her up when,

“You betta get your grimy hands of my girl.” Hobie spoke into his mic, voice deep and angry. He stared directly into the blonde girl’s soul, causing her to freeze and stare blankly at him, then dumbly point at herself like she wasn’t caught in the act,

“Yeah you, what the fuck do you think you were doin?” He laughs, “Get the hell out of my venue.” He suddenly deadpans, “C’mon, get.” He says, the whole crowd invested and booing the girls. They squeeze out of the crowd and get ushered out by security. You’re incredibly flustered as suddenly there’s a ton of eyes on you, everyone wanting to get a look at the lead guitarists girl.

“Take a peek at my girlfriend, people. Isn’t she lovely? God I can’t wait to tear that outfit off of her later!” Hobie gushes into the mic, his deep voice echoing in the venue. The whole crowd starts cheering and getting hype, the next song starting soon after. You knew you were in for one hell of a night.

—

“Can’t believe you actually came, you cheeky ting.” Hobie smiles as he kisses your neck, your back pressed against the deck of his boat. He had rushed you out of the venue earlier, cock already hard in his jeans and hands all over you,

“I wouldn’t miss it for the world, Hobie, I love to see you on stage.” You smile, thoughts caught up on what those girls said to you about your body earlier. You wonder if there will ever be a day where you feel confident in your skin without getting torn down by someone. You didn’t notice that you had started tearing up, but Hobie must have noticed because he grabbed your face, your eyes refocusing on him while he’s on top of you,

“Who the fuck were those girls?” He suddenly asks, his tone dead serious,

“Just some random groupies I think.” You say dismissing any conversation that might come up about what had gotten you in a fight with them, but sure enough,

“What caused that scene, love?” He questioned, head tilting and deep eyes analyzing your every move and facial expression—nothing gets past Hobie—especially not things like this,

“They…they made a couple comments about my weight.” You admit, trying to move past it as soon as possible.

“And that’s got you bothered?” He asks, already knowing the answer,

“No.”

“No?” Hobie asks, “I don’t buy that—you’ve got that distant look in your eyes doll. Do I need to remind you just how beautiful you are cause I have no problem doing that.” Hobie whispers, voice growing seductive and needy as he kisses your shoulder, his hands dipping down to cup your pussy. When you shudder and sigh, he chuckles, kissing you and suddenly flipping you both, you on top of him. Hobies strength never ceases to amaze you, and you’re even more amazed when he gently lifts you by your hips, sliding himself to be level with your cunt,

“Sit on my face baby, want your sweet pussy~” Hobie grunts, licking his lips and tearing your underwear off. You gasp and cry out when he pulls your hips down, eating you out like he’s gone mad. You rock your hips into his face, your clit bumping against his nose,

“…So pretty…so fucking good…and all mine…” Hobie grunts while he eats you out, his face buried between your legs and his eyes crazed. The warmth and wetness between your legs drives you crazy, panting and moaning as you thrust your hips against him. Hobies fingers grip your thighs, tongue fucking you while his nose rubs your clit. You feel your orgasm coming, and you can barely warn Hobie,

“I-I’m gonna…” You moan, your hands in his hair, looking down at him. Hobie just speed up his ministrations, hungry for you. When you cum, you shake and whimper, the sound of Hobie’s grunts and slurping overstimulating you almost instantly.

“Hobie~” You whine, writhing to get off of him when he finally gives in, gently helping you get positioned under him. He kisses you passionately, one finger under your chin. The kiss is full of love and passion, and Hobie kisses all the way down your body, whispering how much he loves the things about you that no one else has seen. How much he loves the things about your body that are truly unique, and the things about your body that you might not truly love. Hobie loves it all.

He undoes his belt, the sounds sending need straight to your core,

“I love you baby, y’know that?” He whispers,

“Yeah…I do.” You say, breathless,

“Let me show you, baby.” He groans, lining his tip up with your entrance and gently thrusting in. You wince at the size of his cock in you, and Hobie groans, his head dripping down beside you,

“You feelin’ good doll? Does that hurt?” He grunts out, his hands gripping the wood underneath you. The night is cold out on the water with you and Hobie all alone, and the feeling of him inside you is like heaven. You gasp out into the dark sky as Hobie fucks you, whimpering,

“Feels perfect, Hobie~”

His cock stretches your walls, his moans of how beautiful and pretty you are etched into your skin with each kiss. Your thighs shake and tremble and your head spins from all the praise, Hobie fucking you into the floor.

“You like that? Yeah? Good girl baby so good f’me just keep giving me those pretty moans baby” He moans, kissing you as he speeds up. He’s fucking you with reckless abandon, the boat even slightly shaking. He pulls away from the kiss panting wildly and throwing his head back as he thrusts into you. The noises that spill from your lips are animalistic, and your pussy squeezes around him,

“Hobie!” You whimper, your hands shaking on his back.

“Come on, cum for me luv.” He groans, kissing you deeply as you moan into his mouth. Your eyes widen and then roll into the back of your head, the sounds of both your skin slapping resonating around you. Hobie speeds up impossibly faster and you cum—seeing stars as you squirt all over him. Almost directly after, Hobie spills his cum deep inside you. You can feel the twitching of his cock and the warmth of his semen inside you. Tears spill out of your eye, Hobie breaking the kiss to wipe them away. His thumbs smoothing over your face. Hobie pulls out of you and scoop you up, bringing you to his bed and cleaning you up softly—the whole time whispering sweet praises to you and kissing every inch of your skin for the last time that night. Hobie cleans himself off, helps you into one of your sleep shirts that you left on the boat last time, and slips into bed behind you, holding you all through the night.

No one will ever tear down your self esteem with Hobie around. He was sure of it.

[deathmetalunicorn1]

Hello author its me the on who requested the Love after death in both part and the others... I finally have courage to reveal muself and no longer anonymous.

First of all before i request another one (sorry for being greedy) i wanted to thank you for responding to my requests especially the angsty ones, you never failed me to give a comfort and motivation, i cannot thank you enough for that.

And now for my request if you remember my other request about ei reader x ror characters that you can't write due to being unfamiliar to the character?

I will ask you instead to write a ror x demi godess freader. She commonly use a weapon like lu bu when fighting but once her weapon breaks or she found a very strong opponent she use her katana. She summon it like in the gif in below.

Now the fun part is how would the ror charcters react? Would they ended up having a nosebleeds, ended up shy or tease them?

Gods

Thor

Poseidon

Shiva

Rudra

Budhha

Zero

Beelzebub

Loki

Ares

Hermes

Aphrodite

Humans

Kojiro

Adam (platonic)

Hercules

Jack

Lu bu and chen gong

Raiden

Qin shu huang

You can choose who to write because i know there is a lot of them😅😅😅😅

Ahh~ my sweet love, your angsty requests have been so much fun to write! I don’t mind you asking for another, you’re not being greedy, I’m just happy that you are patient while I write all these requests plus my own original works.

I do have one question however….

Why in the world does she have a sword between her titties?! I actually looked this up and watched the scene where she does this, and I’m just flabbergasted that she had it there!

-As a demi-goddess, you had the choice of fighting for either side, as both Zeus and Brunnhilde had approached you to fight, both knowing your skills as a fighter.

-You were initially going to refuse both of them, but after Zeus tried to command you, while Brunnhilde asked you, you chose to fight for humanity, not liking being commanded to do anything, something Zeus regrets as he lost a good fighter because he was so pushy with you!!

-Your opponent was strong, which excited you, as that meant you didn’t have to hold back!

-You swung your halberd with ease, and your opponent, Kand, a minor earth god, managed to snap the blade clean off, breaking your halberd.

-The other fighters and the audience in attendance called out in worry for you, as they didn’t want to lose someone like you, beautiful, powerful, and smart, you really were the whole package.

-Kand laughed at you, pointing a finger at you while he held his belly, “Can you still fight me Y/N?! Now that I’ve broken your only weapon!!”

-You glared and brought your hands up to your chest, “Who said that was my only weapon?”

-What could only be described as a black hole, opened at the top of your chest, on your cleavage, as you tilted your head back.

-A sword began to emerge from the black hole, glowing brightly as your hand lifted to the handle.

-Your eyes snapped open, glowing with power as you pulled out a beautiful katana from the magic black hole between your breasts, clutching it as the light faded.

-Kand was gawking, pointing rudely as his eyes were wide, “Where the heck did that come from?!”

-You charged at him, fast enough that it looked like you disappeared, before reappearing behind him as he fell, his head rolling off his shoulders.

-You pouted lightly, “It’s rude to ask a lady questions like that.”

-The crowds went wild, roaring loudly.

-Thor- Was stunned on how quickly the match ended, able to see that your katana was your true weapon, you were good with the halberd, but there was something natural about you holding a sword. He blinked once or twice, confused on how you were hiding that sword.

-Poseidon- Eyes widened only just slightly before relaxing as he watched you pull your sword out, before his amusement grew with how easily you took care of that weaker, cocky god. It made him curious about how strong you actually were.

-Shiva- Immediately turned to his wives, who were cheering for you, “Can you really hide stuff in your chest like that?” they just giggled, like they had a secret as Parvati spoke, “That’s a woman only secret~” but all three were impressed with your skills.

-Rudra- Eyes went wide when your halberd broke, but when the sword started to emerge from your chest, his jaw dropped, mouth hanging open before you pulled that out, completely stunned on where you got that sword!

-Buddha- Smirked, moving his lollipop to the other side of his mouth, finding it alluring and could instantly tell that your sword was your true weapon as you ended the fight so quickly after pulling it out. Then had to ruffle Zerofuku’s hair after the boy asked him if he had anything like that between his chest.

-Zerofuku- Was confused as to why you had a sword between your chest. He looked up at Buddha who had a big chest, wondering if he had anything between his own which got his hair ruffled by the taller god.

-Beelzebub- Was more intrigued with the magic that appeared there first, curious as to what it was. Froze, eyes wide when he saw you pulling the sword from your body, unable to look away.

-Loki- Looking disrespectfully, gawking with his tongue lolled out, full blush on his face as he could only gawk in awe. He wanted to get a closer look~

-Zeus- Cheering loudly, leading the charge of the cheers of the arena. He had never seen anything like it and he was so excited!!

-Ares- His whole head was bright red, staring shamelessly, blood dripping from his nose as he couldn’t believe what he just watched, gripping the arms of the chair tightly.

-Hermes- Amused by Ares’ reaction just a bit more, but was stunned with the magic that you used and even more so when he saw how big the actual sword was.

-Aphrodite- Giggled softly, hiding her mouth behind her hand, amused to see the reactions of others, but as a large chested woman herself, she knew well that any woman could hide things between or under her boobs, like knives~

-Hercules- Lifted a hand to his face to hide his blush, embarrassed to stare at you in such a way, but couldn’t take his eyes off of you, especially when you handled your opponent so easily.

-Kojiro- His face was bright red, watching you pull that from your chest, but he immediately focused on your form, his eyes widening as he saw you move, being one of a handful that was able to keep up with your moves.

-Jack- Was staring before he started, his cheeks warming as he turned, being a gentleman, not wanting to gawk at a young lady such as yourself in such a way. Was impressed with your skills with the sword however.

-Lu Bu- Could sense the power radiating from you, a feral grin appearing on his lips, wanting to fight you himself. However, he was one of the few that wasn’t bothered where you had your sword stashed.

-Chen Gong- Unlike his lord, as soon as you pulled that sword out he flew back, blood spurting from his nose, twitching on the ground. He didn’t even see the end of the fight.

-Raiden- A bright grin on his face as he watched you pull your weapon out, delight on his face as he found it attractive, “What a woman!” cheered loudly with the rest of the crowd.

-Qin Shi Huang- A bright smile on his face as he watched the scene, amazed by the magic that had appeared, wanting to know more about it, but very pleased watching the show.

-Adam- The time from when you pulled your sword out to being announced the winner was only about five seconds, but he was instantly glaring, exerting his pressure to those around him as he glared at them, ready to throw hands and lay waste to those who would say anything impure about his precious daughter!!

[nicolesainz]

kiss kiss bang bang (SV5) - part 2 from “Tricks and champions”

Sebastian Vettel x f!reader

Author’s note: Thanks to the lovely comments I received from @maverick-mwah the seb one shot will have a second part. I dearly appreciate the love you showed for this fic!

Warnings: smut, minors dni, 18+, age gap, hints of fluff, major daddy issues, aftercare, taking her virginity, its pure porn!

Summary: After the wild ride you had with Seb, the visits at your house don't stop. Especially when your parents aren't home either. This leads Seb to control you since vulnerability has taken over.

My parents decided to fly away to Spain for the week in order to celebrate their anniversary. It's very sweet that my father still deeply cares about mum after all these years of marriage. That's how all couples should be.

People my age, having an empty house like mine, would definitely use it in order to invite friends and party until very early the next morning. Or get fully wasted with a mix of drinks. Which was my original plan. And yet, I don't really regret how things turned out.

The first night being alone sled by lonely and boring. I ordered some food and had a marathon of The Office, followed by a small concert with all of Taylor Swift's songs. In an empty house, almost in the middle of nowhere in Germany, activities are limited. Or so I thought.

"You need to come to the party. Don't be a buzzkill now." My best friend said over the phone as I was cleaning the mess of a room I have. I usually am up for any available party but I just wasn't in the mood. I would rather drink my feelings away than dress up in uncomfortable heels.

"Sorry bae, not in the mood. Plus, I am feeling a bit unwell. Probably was the Chinese food I had last night." This was a lie, obviously. I was perfectly fine, plainly bored.

"Do you want me to come over? Do you need any help girl?" There's an apparent worry in her voice, which I am trying to dodge very quickly.

"Thank you lovely but I will be alright. Go have fun and text me if anything occurs." I reassure her genuinely touched with her worry.

"I will but if you need me for anything I will rush to you. Take care y/n." We exchange our goodbyes and hang up.

It's a very gloomy day and the house is very quiet. Going to this party was probably my only chance to hook up with someone just to remove Sebastian from my thoughts. Which has become impossible after the ride we had two weeks ago.

After the tricks in the circuit, wherever I look, he is there. Either in real life or in my imagination. I imagine him inside the shower with me, in between my thighs, on my bed.

Literally fucking everywhere.

Last week, at the annual Sunday dinner my family hosts with Sebastian, he was caressing my thigh under the table, as he was casually chatting with my father. It was probably a bad idea to wear that short skirt.

I decide to take matters into my own hands and fully clear out my bed, lay a towel, light up some vanilla scented candles and finish the job by myself so I can take off the thought of Sebastian from my mind.

I put on a complication of his 'dirtiest' team radios where he curses every time either in English or German, dropping sexual hints while he is frustrated.

I plug in my AirPods and put the video on replay until I manage to finish. I put some lube on my fingers and start rubbing it against my pussy. The moment Seb's voice echoes inside my ears, I feel a wave of pleasure taking over me, as slight groans come out of my mouth.

Along with Sebastian's voice, I moan some 'fuck'' and 'shit' as I slide and pump my fingers inside my wet self in a faster pace. My womanhood clenches around my fingers although the desperation in my voice shows how needy I am of Sebastian.

"Jesus Seb." I let out during the thought that my fingers are Sebastian's, pushing me to my limits.

I open my eyes slightly only to be met with a blurry figure of a blonde haired man. I was so obsessed with Sebastian that I was hallucinating.

And yet I wasn't.

He was indeed in the room.

Watching me masturbate with the help of his voice.

I panicked instantly and pulled the covers on top of my body, trying to hide from the feeling of embarrassment and Sebastian's gawking eyes that were scanning me from head to toe.

"So when the cats are away, the mice come out and play. Or in your case, simply come." He jokes around with a massive smirk plastered on his face.

"I-it's not what it looks like, I was, uh" I didn't know how to excuse my actions.

"And yet it so is what it looks like." He rolls his eyes but immediately looks back at me, licking his lips.

"Okay fine, you caught me in a vulnerable moment. I have needs but no boyfriend to satisfy me. I would've gone to a party just to release my frustration but better safe than sorry." I don't know why I said all those things to Sebastian but for some reason I open up to him more easily.

Literally and figuratively.

"So it was very difficult for you to think of me, right?" He exclaims but quickly silences himself as the audio from my phone hasn't paused and the cursing is loud and clear.

He looks around the room to see from where this sound is coming from and when he notices I am trying to mute my phone, he grabs it from my hands and takes a lot at the content amused.

"So you were thinking of me. Just not calling me but simply replacing me."

Sebastian kneeled down to my height and removed the covers from my legs. My panties were still wrapped around my thighs and small hints of wetness were apparent. No shame took over me. Which was oddly weird.

"You know I am here for you if you ever need me, baby. For anything." He positions my body right in front of his face, looking me deeply into my eyes with such innocence, yet I knew that none of his following actions were gonna be the same.

"It's not right Sebastian. You're twice my age and a friend of my father's. You are a person I admire, not someone I should be thinking of in that way." That was the moment where I felt truly ashamed of myself but with a few words, Sebastian made me feel like what was going to happen between us is the most right thing in the world.

"Admiring someone doesn't necessarily mean you can't love them or want them in any other way. I know the kind of girl you are, Y/n. You've literally confessed to me your entire love life, pleading for a man that will treat you right and be there for you."

I didn't know if I wanted to cry or smile at his words. I was right there in front of him, spread legs and needy of a mans touch. He barely looked down at my womanhood or removed his eyes from mine. I needed a man who could bring the best of both worlds.

He was right in front of me.

"I need you Seb. Madly. I can't get you out of my head. Help me." I cooed softly, my desperation is clearly showing more than it should.

"All I will ask is, are you willing to let me take care of your need 100% dear? Because there is no going back after that." The fact that he asked me for reassurance and didn't throw himself at me the moment I begged him, proved to me that no man can be like Sebastian.

"I trust you blindly." I put my forehead softly against his and he instantly captures my lips into a soft kiss, full of reassurance, trust and emotion. His hands are on the sides of my thighs, holding against them firmly and climbing on top of my body feeling more of his warmth.

Sebastian's piercing blue eyes focus on the rhythm of my breathing that is being patterned on the mannerism the way by breasts bounce up and down. I can feel myself blushing given that no matter how many men have looked this tensely at me, only he can cause butterflies to my stomach.

With one arm, he removes his t-shirt, revealing a very well fitted 36 year old on whose body I want to lay my hands on and worship like he is a greek god. I softly trace the V-line on top of his belt and the kiss becomes even more tense with a simple touch.

"You don't know what you're doing to me." He mumbles against my lips as he is trying to unbuckle his belt and get rid of the trousers that are hiding from my sight the hardened erection I caused.

"Then show me." I so easily say, yet I don't know the mix of pain and pleasure I am about to experience because of my actions. Sebastian grunts and with my help, his trousers are on the floor and I can feel against my wet unclothed pussy his erected cock.

Sebastian breaks the kiss and stands up, in the process of which he is picking me up as well. My breathing becomes harder as he takes my top off and now we are semi naked in front of each other. Only a few barriers which in a few seconds are gone. I strap off my bra slowly, revealing my breast to his sight.

"You are beautiful. Absolutely mesmerising. My god" he sighs and kneels in front of me. I am absolutely shocked by what he is doing. I feel his hands holding firmly my thighs and in matters of seconds his lips on my pussy, eating me up like a starved man. His tongue flicking against my clit, sending euphoric vibration at my entire body.

"Fuck, Seb" I moan uncontrollably as he keeps feasting on the juices that are covering my womanhood and his jaw. My fingers tangle on his blonde curls, pulling them slightly as I am trying with all my willpower not to crush his face with my trembling thighs.

My head falls back and my moans become louder and louder as Sebastian slowly removes his his mouth from my pussy and slams it against mine, while inserting his index and middle finger inside my wetness.

"So innocent and yet you're clenching around my fingers like a needy whore." His fingers are pumping inside me in quite a fast pace but just the perfect one to send me into fucking oblivion. My fingers are scratching his back like a wild animal.

"I need to cum, Seb, please." I have never begged anyone for anything in my life and yet, another first time of mine had just been ticked off the box with the help of Sebastian. He applies a bit more pressure to my very swollen pussy, by using his thumb to play along with my clit.

"Then do so baby. All over my fingers." The moment he says it, I release immediately along with a tense groan from both of us. God that felt amazing. Sebastian grabs me back, laying me on the bed, knees weaker than wooden sticks but surely needy for more.

"I need you to be fully sure of what is about to happen darling. Allow me?" My heart drops to my stomach with his words. A few minutes ago he was fucking me with his fingers with such ease and now he is asking for permission.

Best of both worlds.

"There is no man on this earth I trust more than you, Seb. Yes, I am fully aware." I reply with a kind smile on my face, reassuring him that he is the only man I need and want.

His lips connect with mine once more, although this time the kiss was more meaningful than anything. It was me showing Sebastian that I trust him with something so sacred and fragile but something I would only want him to have.

His fingers are toying with my nipples while his mouth is occupied with my neck, trying to leave as many hickies humanly possible. I do not mind at all, though I will need many formulas of makeup to hide his mess.

"Can I touch you?" I quietly ask him as he still was wearing his underwear that were trying to hold on his frustrated cock. I was so afraid of asking him such a thing even though it wouldn't be my first time touching a man.

"Your touch is what I am craving." He grabs my hand and places it on top of his edged bulge that wants to be taken care of. Having his confirmation, I remove the barrier, the boxers, in swift movements, with his cock springing out.

I wrap my hands around his erection, feeling the hints of pre cum on the tip, I spread the minimum liquid all over, pumping him slowly and teasingly sliding him through my wet folds, causing him to moan on the crook of my neck.

"Jesus baby. I need you." He blurts out and my excitement reaches extremely high levels. When I feel Seb's body lowering on me, I remove my hands from his cock and hold on against his butt. In very slow movements, Sebastian slides himself inside me, as softly as he can, whilst I am trying to adjust to his size.

Sebastian has filled me up entirely and my pussy has been stretched to its limits. He tried to play safe at first with slow trusts that would help him find my sweet spot. Tears of exhaustion and pleasure were covering my eyes.

Suddenly, he picks up the pace, thrusting harder into me, pushing my limits to the maximum and earning multiple moans of his name along the way. The room smells sex. The air smells sex. He and I smell like sex.

"Oh my Seb." I moan as if there is no tomorrow, shamelessly, giving him the satisfaction of achieving to make the first time of a woman better than half of the female's population. Not even better. Heavenly good.

"This is for you. All for you my good girl."

[blueskittlesart]

I've heard that while most people really really love BotW and TotK, some people hate those two for going open-world, and some people hate TotK specifically for something about the story. As the resident Zelda expert I know of, what do you think of those takes?

"something about the story" is a bit too vague for me to answer--if you look at my totk liveblog tag from back when the game was newly released or my general zelda analysis tag you may be able to find some of my in-depth thoughts about the story of totk, but in general i liked it.

the open world thing though is something i can and will talk about for hours. (I am obsessed with loz and game design and this is an essay now <3) breath of the wild is a game that was so well-received that a lot of the criticism from older fans who were expecting something closer to the classic zelda formula was just kind of immediately drowned out and ignored, and while i don't think it's a valid criticism to suggest that botw strayed too far from its origins in going open-world, i am more than willing to look into those criticisms, why they exist, and why i think going open-world was ultimately the best decision botw devs could have made. (totk is a slightly different story, we'll cross that bridge when we come to it.)

Loz is a franchise with a ton of history and a ton of really, REALLY dedicated fans. it's probably second only to mario in terms of recognizability and impact in nintendo's catalog. To us younger fans, the older games can sometimes seem, like, prehistoric when compared to what we're used to nowadays, but it's important to remember just how YOUNG the gaming industry is and how rapidly it's changed and grown. the first zelda game was released in 1986, which was 31 years before botw came out in 2017. What this means for nintendo and its developers is that they have to walk a very fine line between catering to older fans in their 30s and 40s now who would have been in nintendo's prime demographic when the first few games in the franchise were coming out AND making a game that's engaging to their MODERN target demographic and that age group's expectations for what a gaming experience should look like.

LOZ is in kind of a tough spot when it comes to modernizing, because a lot of its core gameplay elements are very much staples of early RPGs, and a lot of those gameplay elements have been phased out of modern RPGs for one reason or another. gathering collectibles, fighting one's way through multilevel, mapless dungeons, and especially classic zelda's relative lack of guidance through the story are all things that date games and which modern audiences tend to get frustrated with. for the last few releases before botw, the devs had kind of been playing with this -- skyward sword in particular is what i consider their big experiment and what (i think) became the driving force behind a lot of what happened with botw. Skyward sword attempted to solve the issues I listed by, basically, making the map small and the story much, much more blatantly linear. Skyward sword feels much more like other modern rpgs to me than most zelda games in terms of its playstyle, because the game is constantly pushing you to do specific things. this is a common storytelling style in modern RPGs--obviously, the player usually needs to take specific actions in order to progress the story, and so when there's downtime between story sections the supporting characters push the player towards the next goal. but this actually isn't what loz games usually do. in the standard loz formula, you as the player are generally directly given at most 4 objectives. these objectives will (roughly) be as follows: 1. go through some dungeons and defeat their bosses, 2. claim the master sword, 3. go through another set of dungeons and defeat their bosses, 4. defeat the final boss of the game. (not necessarily in that order, although that order is the standard formula.) the ONLY time the player will be expressly pushed by supporting characters towards a certain action (excluding guide characters) is when the game is first presenting them with those objectives. in-between dungeons and other gameplay segments, there's no sense of urgency, no one pushing you onto the next task. this method of storytelling encourages players to take their time and explore the world they're in, which in turn helps them find the collectibles and puzzles traditionally hidden around the map that will make it easier for them to continue on. Skyward sword, as previously mentioned, experimented with breaking this formula a bit--its overworld was small and unlocked sequentially, so you couldn't explore it fully without progressing the narrative, and it gave players a "home base" to return to in skyloft which housed many of the puzzles and collectibles rather than scattering them throughout the overworld. This method worked... to an extent, but it also meant that skyward sword felt drastically different in its storytelling and how its narrative was presented to the player than its predecessors. this isn't necessarily a BAD thing, but i am of the opinion that one of zelda's strongest elements has always been the level of immersion and relatability its stories have, and the constant push to continue the narrative has the potential to pull players out of your story a bit, making skyward sword slightly less engaging to the viewer than other games in the franchise. (to address the elephant in the room, there were also obviously some other major issues with the design of sksw that messed with player immersion, but imo even if the control scheme had been perfect on the first try, the hyperlinear method would STILL have been less engaging to a player than the standard exploration-based zeldas.)

So when people say that botw was the first open-world zelda, I'm not actually sure how true I personally believe that is. I think a lot of the initial hype surrounding botw's open map were tainted by what came before it--compared to the truly linear, intensely restricted map of skyward sword, botw's map feels INSANE. but strictly speaking, botw actually sticks pretty closely to the standard zelda gameplay experience, at least as far as the overworld map is concerned. from the beginning, one of the draws of loz is that there's a large, populated map that you as the player can explore (relatively) freely. it was UNUSUAL for the player to not have access to almost the entire map either immediately or very quickly after beginning a new zelda game. (the size and population of these maps was restricted by software and storage capabilities in earlier games, but pretty muhc every zelda game has what would have been considered a large & well populated map at the time of its release.) what truly made botw different was two things; the first being the sheer SIZE of the map and the second being the lack of dungeons and collectibles in a traditional sense. Everything that needs to be said about the size of the map already has been said: it's huge and it's crazy and it's executed PERFECTLY and it's never been done before and every game since has been trying to replicate it. nothing much else to say there. but I do want to talk about the percieved difference in gameplay as it relates to the open-world collectibles and dungeons, because, again, i don't think it's actually as big of a difference as people seem to think it is.

Once again, let's look at the classic formula. I'm going to start with the collectibles and lead into the dungeons. The main classic collectible that's a staple of every zelda game pre-botw is the heart piece. This is a quarter of a heart that will usually be sitting out somewhere in the open world or in a dungeon, and will require the player to either solve a puzzle or perform a specific action to get. botw is the first game to not include heart pieces... TECHNICALLY. but in practice, they're still there, just renamed. they're spirit orbs now, and rather than being hidden in puzzles within the overworld (with no explanation as to how or why they ended up there, mind you) they're hidden within shrines, and they're given a clear purpose for existing throughout hyrule and for requiring puzzle-solving skills to access. Functionally, these two items are exactly the same--it's an object that gives you an extra heart container once you collect four of them. no major difference beyond a reskin and renaming to make the object make sense within the greater world instead of just having a little ❤️ floating randomly in the middle of their otherwise hyperrealistic scenery. the heart piece vs spirit orb i think is a good microcosm of the "it's too different" criticisms of botw as a whole--is it ACTUALLY that different, or is it just repackaged in a way that doesn't make it immediately obvious what you're looking at anymore? I think it's worth noting that botw gives a narrative reason for that visual/linguistic disconnect from other games, too--it's set at minimum TEN THOUSAND YEARS after any other given game. while we don't have any concrete information about how much time passes between new-incarnation games, it's safe to assume that botw is significantly further removed from other incarnations of hyrule/link/zelda/etc than any other game on the timeline. It's not at all inconceivable within the context of the game that heart pieces may have changed form or come to be known by a different name. most of the changes between botw and other games can be reasoned away this way, because most of them have SOME obvious origins in a previous game mechanic, it's just been updated for botw's specific setting and narrative.

The dungeons ARE an actual departure from the classic formula, i will grant you. the usual way a zelda dungeon works is that link enters the dungeon, solves a few puzzles, fights a mini boss at about the halfway point, and after defeating the mini boss he gets a dungeon item which makes the second half of the dungeon accessible. He then uses that item in the dungeon's final boss fight, which is specifically engineered with that item in mind as the catalyst to win it. Botw's dungeons are the divine beasts. we've removed the presence of mini-bosses entirely, because the 'dungeon items' aren't something link needs to get within the dungeon itself--he alredy has them. they're the sheikah slate runes: magnesis, cryonis, stasis, and remote bombs. Each of the divine beast blight battles is actually built around using one of these runes to win it--cryonis to break waterblight's ice projectiles, magnesis to strike down thunderblight with its own lightning rods, remote bombs to take out fireblight's shield. (i ASSUME there's some way to use stasis effectively against windblight, mostly because it's obvious to me that that's how all the other fights were designed, but in practice it's the best strategy for that fight is to just slow down time via aerial archery, so i've never tried to win that way lol.) So even though we've removed traditional dungeon items and mini-boss fights, the bones of the franchise remain unchanged underneath. this is what makes botw such an ingenious move for this franchise imo; the fact that it manages to update itself into such a beautiful, engaging, MODERN game while still retaining the underlying structure that defines its franchise and the games that came before it. botw is an effective modern installment to this 30-year-old franchise because it takes what made the old games great and updates it in a way that still stays true to the core of the franchise.

I did mention totk in my opening paragraph and you mention it in your ask so i have to come back to it somehow. Do i think that totk did the gigantic-open-world thing as well as botw did? no. But i also don't really think there was any other direction to go with that game specifically. botw literally changed the landscape of game development when it was released. I KNOW you all remember how for a good year or two after botw's release, EVERY SINGLE GAME that came out HAD to have a massive open-world map, regardless of whether or not that actually made sense for that game. (pokemon is still suffering from the effects of that botw-driven open world craze to this day. rip scarlet/violet your gameplay was SUCH dogshit) I'm not sure to what degree nintendo and the botw devs anticipated that success, (I remember the open world and the versatility in terms of problem-solving being the two main advertising angles pre-release, but it's been 7 years. oh jesus christ it's been SEVEN YEARS. anyways) but in any case, there's basically NO WAY that they anticipated their specific gameplay style taking off to that degree. That's not something you can predict. When creating totk, they were once again walking that line between old and new, but because they were only 3ish years out from botw when totk went into development, they were REALLY under pressure to stay true to what it was that had made botw such an insane success. I think that's probably what led to the expanded map in the sky and depths as well as the fuse/build mechanics--they basically took their two big draws from botw, big map and versatility, and said ok BIGGER MAP and MORE VERSATILITY. Was this effective? yeah. do i think they maybe could have made a more engaging and well-rounded game if they'd been willing to diverge a little more from botw? also yeah. I won't say that I wanted totk to be skyward sword-style linear, because literally no one wanted that, but I do think that because of the insane wave of success that botw's huge open world brought in the developers were under pressure to stay very true to botw in their designing the gameplay of totk, and I think that both the gameplay and story might have been a bit more engaging if they had been allowed to experiment a little more in their delivery of the material.

[genericpuff]

The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 1/2

Here we go, Part 3 of my analysis of the current FP episodes - a three-parter episode set leading up to the midseason finale of LO.

Part 1

Part 2

Truth is, I had actually forgotten a lot of the weird (and very stupid) shit that happened in this episode, that I thought Episodes 251 and 252 had already offered up the worst that this three parter set could dish out. Boy, was I wrong, because when I went back to check out Episode 253, I was reminded of a reality that my brain had wiped out in an attempt to protect my withering psyche-

I also forgot just how long this episode is. It's so long that I frankly can't even fit it all into this post, so this is gonna be part 3 1/2.

Anyways, let's just get on with it. This is the final stop on our trip into absolute nonsense.

CAUTION: THIS IS PART 3 OF A 3 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS WILL BE A LONG POST. BRACE YOURSELF.

Well, it's the midseason finale, and what better way to open it up than with the final title card-

Typo and all. It wouldn't be an LO episode without one. Granted, IIRC this typo has been edited out, but the version of the screenshots I have from it feature it in all its original unedited glory. So enjoy that.

And yes, just like the last two times, the title itself only applies to the final cliffhanger, which is an absolute doozy especially for those who were there to experience it in real time.

This is already a bit of a wild opening compared to the last two episodes, but it's quickly revealed that this is laying the foundation for the prophecy that Psyche gave to Apollo back in Episode 252. In true LO fashion, the story can't actually be linear in any regard, we're always segmented from pieces of information at a time. Loyal fans will call this a "writing style", I call it Rachel just trying to get another 70 cents out of me.

That said, I will say the art here is fairly decent, but I think that just goes to show that LO's one of worst features these days - ironically enough - is its coloring. What began as its strongest feature has now become one of its biggest weaknesses due to the sheer laziness in its rendering and the colors become more and more saturated into the grotesque over time. So at this point, you pretty much have to rob these characters of their colors to make them look decent, and of course at that point it just further highlights Rachel's same-face problems. She definitely tried to make them look distinguishable here, at least, with Hestia and Poseidon being the most unique.

Now, this isn't the first time that we've heard of this herb being referenced - it was stated by Hades that Hera was the one to originally poison Kronos with the herb after gaining his trust - but to see it suddenly just pop up and play a role again out of nowhere already gives me a bad feeling in my stomach. It feels like yet another plot device - especially when presented in this type of format - that Rachel is suddenly using to try and seem "unique" in her writing, much like the strange narration we got back during the "Run For Your Life" sequence. It's just once again LO lacking any specific identity, it's always trying to be a million other things at once.

I will say, much of this in and of itself is panel filler. Why? Because the location of the herb doesn't matter. You'll see what I mean in a moment, but the mentioning of Anthedon plays no role here, it's just yet another obligatory "see, I know how to Google things!" lip service moment from Rachel "self-proclaimed folklorist" Smythe.

Anyways, Eros is perplexed by this but Psyche immediately catches on, knowing right away that Apollo is going for Zeus. And this is where we get yet another one of the dumbest sequences in this comic.

(see what I mean that the location of the herb doesn't matter? Because Apollo already got it and laced it into the cupcake).

Now, first of all, the fact that Eros and Psyche believe Kassandra's prophecy is already hilarious in and of itself, because ... well, because it literally defeats the point of her establishing it as a curse in the previous episode. Unless it only works on mortals? It never stated as such, so we literally just have to go with it and pretend not to notice that.

But most of all, of course LO had to play this off as some joke. Like, "hahaha how awkward! I've already eaten the cupcake!" and he still doesn't seem to really be in shock. Zeus has seen what this herb has done to gods before him, and yet his reaction to this is akin to a dad getting upset that he stepped LEGO's that he asked his kid 20 times to pick up off the floor. The whole "record scratch" style formatting of this followed by Zeus' lack of reaction just really makes me not care about any of this, because clearly the story doesn't care either.

But we don't see who he makes these calls to because the comic, of course, can't spend any longer than 10 panels on a single scene, so we cut to Hades and Persephone.

Again, I don't know what the point was of having Hera relay this information to Persephone for her to relay to Hades, aside from the fact that Rachel needed to act smart with Therapy Speak that didn't even apply to Hera's situation (as we talked about in the last part). They gotta make Persephone the center of everyone's world though, so it's Persephone who's delivering this info and trying to come up with the solution.

Hades, though, wants to focus on his wife's birthday the commemoration of spring.

SIR. THE WOMAN YOU WERE IN AN AFFAIR WITH SINCE BEFORE YOUR WIFE WAS BORN IS CURRENTLY GRAPPLING WITH YOUR FATHER WHO ABUSED HER AND IS NOW HAUNTING HER. THIS IS NOT THE TIME FOR FLUFFY ROMANCE TIME. THERE IS A CHILD BEING HELD CAPTIVE IN TARTARUS AND LITERALLY NO ONE SEEMS TO CARE.

Anyways, apparently (for some reason) Hades is the one who has to go meet Demeter out front. Even though Hades has literally NOTHING to do with this ceremony, it's not his domain, but Persephone literally says "yep, that's correct" when he asks if he needs to go out to meet Demeter.

This just feels like such a pointless conversation and I don't get what the point of this exact exchange is. Again, this isn't Hades' domain, so I don't see why he needs to be the one to go meet with Demeter.

But then, of course, to make matters worse, this man has the absolute audacity to pretend like he's never done anything wrong to Demeter. As if she should be obligated to be cool with sharing a bench with this man who literally terrorized her for years and then essentially groomed her daughter.

I hate him so fucking much and I can't believe we're supposed to be rooting for him. He has not undergone ANY of the character development necessary for me to want to care about him.

Anyways, Hades has a seat with Demeter, and the conversation is very brief before Hades says that he has a gift for her. And what is it, exactly?

Oh great, Hades. Sure wish you would have had this consideration hundreds of years ago. I fail to see what good this does for her now because it doesn't change the fact that he still cost her the role of Queen of the Mortal Realm and treated her like shit for hundreds of years. This comes across as such a shallow and empty "apology" because it's barely even a "gift", rather something she was OWED back then that he didn't want to hand over for his own selfish reasons. He still comes out the winner here because he's gotten to spend thousands of years being a rich slave-driving oligarch while Demeter has had to maintain the Mortal Realm on her own even without the glory of having a title.

I especially detest this "twist" because it's less of a twist and Rachel finally accepting the fact she couldn't come up with anything better than what her fans had to come up with for her. If this had been the fact the whole time, we would have seen it established back when we first got those flashbacks showing Hades being a total prick to her over the volcanoes. Instead, Rachel dragged it out for weeks and weeks until finally dumping this "twist" that her fans had been talking about all that time. This is yet another one of those "Rachel used her fanbase to come up with her ideas" moments. I know that that seems a little mean and presumptuous, but the fact of the matter is that the writing in this story is such an absolute mess that you just know Rachel's writing by the seat of her pants and has to rely on her audience's headcanons to actually fill in the gaps of her story. Most of the time when people commend her for the "great storytelling" in LO, what they're referring to are things they came up with entirely on their own because of how easy it is to just make assumptions about LO's storyline. Rachel benefits off the story being as vague as possible because then her fanbase will fill in the gaps with their own assumptions and give her all the credit for an idea they came up with.

By the way, to the "self-proclaimed folklorist" who wrote this, the volcanoes were really just entrances into the Underworld. Hades did not own them. They were owned by Hephaestus. And I would argue that the volcanoes were only seen as "entrances" into the Underworld because, fun fact - if you jump into a volcano, you die!

Hades frames his reasoning as feeling like Demeter was pushing him out of the Mortal Realm, but this makes no sense because none of that is on her. He claims that he felt like an "outsider" but the reality is that he made himself that way. He resigned himself to being King of the Underworld, he ate the pomegranate and made the deal with Erebus, and even he stated that he could still actually leave the Underworld, just not for long periods of time. So he was the only one keeping himself away from the Mortal Realm, not Demeter. We even see that in the VHS tape flashbacks where Hades stumbles onto Demeter's property and she lets him sleep it off in her home. So this whole sob story about how he felt "pushed out" by Demeter is such a bad take from someone who's routinely known to make himself out to be the victim. Because Hades can't have an actual reputation for a reason, no, this is a "retelling" told by someone who got all their Greek myth info off Tumblr circa 2016 and the front page of Google, so Hades has to be the misunderstood uwu sad underdog. Even though he routinely does things that reinforce the reputation he has within the comic, like being a slave driver, abusing lower class nymphs, and grooming teenagers.

Minthe showing up for a split second in the background is the best this comic has been since S2. We stan our girl Minthe, fucking run girl, do what Persephone couldn't do. She's the real hero of this story (｡･∀･)ﾉﾞ

And honestly, I'm sorry, but Demeter really SHOULDN'T be taking the high ground on this. She has more than enough reason to be upset. For a comic that tries to celebrate feminism and holding abusive men accountable, it sure is willing to make the women - often victims of the men - the real villains who have to "do better". Except for Persephone of course. Persephone is married into the system now, she doesn't have to "do better", she's a "boss babe" for being abusive and petty and undeserving of her status because she's the self-insert Y/N character.

So the ceremony for commencing Spring begins. I gotta say, for the final major scene of the mi(n)season finale, the art is severely underwhelming. You can really tell the difference between S3 and S1 art here, there's barely anything extra done to make this scene even half as impactful as the most basic of scenes from S1.

Like, it's fine, but it still feels so half-baked and rushed to attempt to replicate the kind of art that's been gone from the series for years now. The full sequence itself is actually quite lengthy, with a lot of nymph hands just moving around and playing instruments, but it's about as bland as any other panel, so it makes the sequence itself feel dragged out and boring.

This is about as pretty as the sequence gets and it's still not even as good as the original Dread Queen transformation. There's barely any rendering in the skin, and they couldn't even be bothered to make the hands look normal. It's like it's trying so hard to be "original LO" but is fundamentally missing the point of what made the original LO so captivating.

But oh noooo, looks like Persephone did a bad!

Are they actually gonna give her some kind of flaw? Are we gonna FINALLY gonna find out what she traded to Erebus?

No. We're just gonna make her the cause of winter.

Spaghettios.

And that's where I'm leaving this review for now because, as mentioned in the beginning, this episode is a LOT longer than I remember it being. There's still a whole ass segment with Apollo that we need to cover and I don't want to leave it out but I also don't want to do it entirely in text format and I've hit that pesky image limit. So I'll be posting that second part as soon as I can!

That said, I really can't stand this "subversion" by making Persephone the reason for winter.

First of all, because this is a common problem in a lot of H x P "retellings", as many of them fundamentally miss the point of why Persephone is the "Goddess of Spring".

Persephone was not born the "Goddess of Spring". She was born Kore (Κόρη), a maiden born from Demeter. It wasn't until after she was taken by Hades that Demeter, in her grief, took away the harvest and created winter. It was the return of Persephone every six months that brought about the spring, hence, she earned the name, "Goddess of Spring". What these retellings COMPLETELY MISUNDERSTAND is that the gods aren't 'born' with their titles, they're granted these titles by the mortals who comprehend them and write of them as harbingers of their respective elements, stories, and messages. Zeus wasn't "born" the God of the Sky and Heavens, he was granted that title after he overthrew Kronos and took the Heavens for himself. Hades wasn't "born" the God of the Underworld and the Dead, he was granted that title after he became the ruler of the domain of death.

Where these retellings really fuck up is constantly trying to "subvert" the H x P myth in an attempt to romanticize it, thus undoing the point of why Persephone is called "The Goddess of Spring". A Touch of Darkness also made this mistake by putting a "twist" on Persephone's character by having her start out as someone who couldn't make things grow. But if she sucks at making things grow, then why is she still referred to as The Goddess of Spring? In LO, Hades is referred to as "Grandpa Winter" and the seasons already seem to exist as we saw in this episode through the ceremony, so why has she been called "The Goddess of Spring" this whole time?

But I also can't stand this "subversion" because it fundamentally misunderstands the very myth it's trying to "retell". By giving Persephone the "curse" of creating winter, it further robs Demeter of her own agency in this story, more than it already has. It wasn't enough to make Demeter a helicopter mom, it wasn't enough to drive an actual rift between her and her daughter, they had to take away Demeter's entire role in the story and the creation of the seasons and give it to Persephone.

And this is, surprisingly enough, NOT the first time the comic has done this. There are many traits associated with different gods that have been given to Persephone and Hades. The volcanoes belong to Hades rather than Hephaestus, Persephone is "more beautiful than Aphrodite", Thanatos' and Psyche's butterfly symbolism is given to both Hades and Persephone, Aphrodite's symbolism of roses is given to Persephone, the list goes on. Every single plotline has to involve Persephone as the hero, and every single attribute that's commonly associated with other gods has to be granted to H x P in some way to make them better and more interesting than every other cast member in the comic, and yet they still come across as vapid and boring protagonists with nothing to show for themselves.

So to give the ONE thing from the source material that made LO what it is, it comes across as so unbearably cruel.

But then again, we should have seen this coming. After all, Rachel does not cite this as a retelling of The Hymn to Demeter. She simply refers to it as its more unofficial name: The Taking of Persephone.

Look, I get it, the story is meant to be told from Persephone's POV (or at least through the lens of her being the main character) so I can understand why Rachel may have chosen to reword this to make it more clear. But it's really depressing that she went to such an extent with making it about Persephone that she had to rob one of the most integral character of her moment and retribution. Especially when one of the only books in her cited "research" that's primarily about Persephone is, shocked, The Hymn to Demeter, which is listed at the very bottom of every "research" list you can find in LO's history.

LO should have just stayed as self-indulgent fluff. This isn't "subversion", this isn't a "twist", it's just yet another item on the list of making Persephone the most Important One of all. Even when it attempts to be a 'flaw', it fails tremendously by acting as yet another aspect of her being a Mary Sue, because her 'flaw' has come at the cost of another character's story, identity, and strengths. What was originally a tale of grief, retribution, and standing up against a patriarchal system, has now been warped into a consequence of a muddied plot that doesn't have anywhere left to go. For a story that claims to be "feminist", it has ironically missed the original point of its source material entirely, and completely robbed itself of the feminine strength it could have had if it hadn't tried to be "subversive".

I don't really have anything much more to say than that. I could leave it here for good, but we do still have that extra segment to talk about that covers the actual final cliffhanger in this episode, so... we'll see you on the other side.

[onskepa]

HELLO HALO HELLO! I SAW THE UPDATE THINGY AND NOW I HAVE ARRIVED WITH A REQUEST! Whew!

Okay so here me Out! I've been thinking about neteyam alot but I have yet to request maybe some neteyam and Aonung together falling for reader

My request is based of a made up Tribe I Made,

/backround information/

the tribe is called the Tawsyuram (Aurora Mountain) tribe who live on a mountain high above a sea of clouds.

The original Tawsyuram clan had almost gone extinct due to a destructive Na'vi clan, but was saved and had grown anew due to the help of a large close knit group of humans from the slums on earth. Due to they're now Tsahik, Mai a human woman who was a doctor trained in surgery and herbal medicine was able to regrow and heal the spirit tree using an earth seed (when I do my full info thing on my tumblr you'll learn more, but that's later!)

Due to the healing of the spirit that houses Mother earth's (daughter 'Rrta) spirit herself a plant had blossomed allowing the humans to breath great mother Eywa's air the humans along side they're now Na'vi spirit family live in harmony over many years.

(They live within the mountain caverns)

/the request/

The Sully's were originally traveling to hide away from the RDA and Quaritch, were going to seek uturu from the Metakiyan, that was until they cam across this young avatar driver? Na'vi teen? Saying her clan would be able to hide them from the RDA gladly.

Neteyam who was intranced by this strange bubbly and wild girl who (as his father called it) talked like an excitable hippie, was absolutely gorgeous... and it would seem his soon to be mate Aonung would agree, also just a little question but, how the HELL IS SHE FLYING AN IKRAN WITHOUT TSAHEYLU!?!?

\Basically I would like to request the Sully's and Tonowari's family having to go into hiding and stuff meet this Ki (a character from Mars needs Moms) like teen girl who finds the Sully's mid travel and offers to shelter them within her tribe since they'll be much more accepted there. They arrived at the floating Mountain, though quite dizzy since they aren't used to being this high above, and are welcomed by the Tsahik who is a bit ditzzy though very calming and understanding, high difficult to anger see's there strife and welcomes them wholeheartedly all the while kinda jokingly yet a tad bit seriously scolding her daughter (the reader) about how she wasn't supposed to leave the Mountain until she was 18 to pass her Iknimaya (since those in the tribe bond with they're ikran's just before they hatch at a young age, giving them time to learn how to fly and practice the bonding dance when they are 18.) Along the way Neteyam and Aonung fall pretty hard for the happy go lucky tsakarem.

Basically the Sully's coming to learn a different side to humanity than they're used to./

\a bit more info to help with the story/

That Tawsyuram's healing hut is sheltered between three gigantic curly trees with book shelves holding many medical records, medicine information and tactics. With a huge curly tree in the middle with glass jars holding glowing bug fireflies to light of the room, tables and comfy sleeping mats and big pillows on the floor in the open spaces of the room for the patients.

Little ones at the age of 6 to 9 will go up to the Ikran nest that house the expecting ikran parents to be with either a food gift or a nesting gift, That is only given when the the egg wiggles in the direction towards its chosen, sensing its soon to be rider. After the gifts are given the children will carry the egg in a type of bundle strapped to they're chest making it easier to carry to a large crystal that gives off heat, watching as the ikran hatches from its egg on a soft nesting near the crystal. The baby will then nip its chosen on they're skin too show they have chosen they're future rider.

Once a year has passed, the child and its somewhat grown ikran who know are coming into they're colors will learn to fly together as a part of their training. The child with a sky diving wingsuit and the youngling ikran, with jump off a not so high ledge gliding of floating above a somewhat deep lake.

The Iknimaya is quite dangerous, so the Na'vi and humans alike agreed that it will only be carried out when the child has become 18 years of age. To do the Iknimaya they must fly on the back of they're ikrans back and then are left to climb up the flat faced mountain, which is even high than they're home's mountain. They meet their ikran onto of it and then jump sky dive off the mountain with a special wingsuit material made to look like they're ikran, which is made by the parents as a sign of sending them off into adult hood. They will then fly with they're and must land on their back and bond mid flight, strengthening the already growing bond they had when they were little.

The humans planters who run the fields found ways to plant human food, while the doctors and a few scientists found ways to detoxify the pandora meat so they may eat it. Their cook fire has a huge round island like table where the cooks cook the food inside the circle. The cook fire room if big to hold many of the tribe with two stories with pillows on the floor to sit on. Even sweets like cakes and such are on the menu!

The Na'vi and humans also wear clothing like the Omaticaya and Metakiyan but also wear winter clothing using wool from a pandora like sheep that are taller than humans but only come up to a Na'vi's waist.

The Tawsyuram clothing

All the images were made from using Bing AI prompts I made.

(I hope this is an okay request? And not like too much, if the whole neteyam and Aonung thing isn't cool, then I'm fine with you just doing Lo'ak. Thank you for taking the time to read this!

I hope you are having a wonderful morning/evening/afternoon/night! Hun!

Helloooooooooooo darling! Honestly you have such a big imagination and vast ideas here. It took me a good while for this story to be as good as you visioned it to be. Unfortunatly some stuff was cut out but I hope that what stayed is good for you and everyone to read! So sit back and relax! Enjoy!

--------------

Tawsyuram clan

It wasn't easy. Leaving all that you know for somewhere that beyond what you are literally built for. And to look for a clan that is willing to welcome a family that seeks refuge from a way is even harder. There is a lot to gamble on. Child born living only the life of war, and to live a life of peace is very desirable but would be getting used to. 

So that is what Jake and Neytiri sully do. Leaving their home for the sake of their children. The question is, where? Where can they go? Who is willing to accept them? While Jake sully had an idea of heading to the islands of the reef na’vi where they are more isolated. He needs a plan B in case the reef clans reject them. 

If only by Eywa’s miracle can a open chance appear before him.

“Why not join us?” 

A human. With an ikran. A Human riding an Ikran was standing before the sully family. A Human, without a MASK. And very short too. Everyone was staring at the human in unbelievable shock. None uttered a word. 

“Hello…..? Is something on my face?” The human asks her ikran who only grunts in response. 

“Who are you?” Neytiri was quick to react, her blade ready to strike. The human raised her hands to show she meant no harm and didn't take another step.  “Easy, I am not here to bring you harm. My name is Danu”. 

“What do you want?” Jake asks/demands. 

“It's not what I want, it's more like what you need,” Danu replied. 

“And what would that be?” Kiri asks, feeling a slight irk prickling behind her head. 

“Protection from the RDA. My clan can help you with that and more” Danu adds. 

“What clan would have humans in it?” Neytiri hisses, not liking the young human by the second. 

“The Tawsyuram clan” .

The travel towards wherever the girl was leading them to didn't take that long. Only about a day. The family would have gone longer if they still headed towards the reef islands. Instead of going north, the girl led them south. Where neytiri can remember, is just pure open mountains and large bodies of water. No clan inhabits those areas. At least clans neytiri is familiar with. 

“We are here!” the girl shouts behind her. The family looks around, but all they see is thick clouds surrounding them. Cant see anything further than 15 feet of range vision. “Where is here?” *Jake asks. The girl didn't answer. The view did. 

High above, in the middle of vast floating mountains stood one massive floating island. Large and vast. As they get closer, more details are easy to see. The island has its own mountains, its own clouds! Everyone was in awe. 

“Welcome everyone! To Aurora mountain!” 

Words cannot even begin to describe the beautiful mountain. Wild ikran flying freely, clouds forming above the mountain peak. Plants grow in so many shades and colors. It was vibrant. And it felt so familiar yet new to the sully family. And as they landed on the ground of the mountain, the gentle breeze welcomed them. Everyone got off of their ikrans and looked all over at the new location. 

Danu happily jumped off of her ikran and skipped along. “Come on, there is so much to show you. My mother would love to meet you all” gesturing to follow her. 

The family all stuck together, still wary of this place. Unsure of what to think of it. “Ma’jake, what if it's a trap?” Neytiri suspects, holding tuk close to her as the child wanted to follow Danu. Jake reassured her by holding her close, “our ikrans are ready to take flight again, we are armed and ready to fight. We should be fine” he replies. 

Kiri and lo’ak on the other hand were admiring the new view and happily followed Danu as they entered the save. The entrance was hidden by massive leaves that can move by a single touch. Inside was a path full of colorful paintings and murals. So many details and no doubt so many stories it holds.

“Come on, don't slow down on me! Everyone is excited to meet you!” Danu’s voice echoed in the cave. Picking up speed, everyone followed Danu, where she stood in an open area, her smile big and bright and arms wide in a welcoming gesture. “Welcome to our home!” she announces proudly. 

“Oh my Eywa….”

The inside literally looked like a whole new world. Ikrans flying high above the massive cave, hanging flowers from the cave sides or from smaller floating rocks. Waterfalls everywhere, little creatures flying or running about. And most of all, na’vi and humans were together. Many playing games, farming, chatting, anything they did together. What Jake noticed was that the humans were not wearing masks. And neytiri noticed that there was a mix of pure na’vi and what looks like hybrid na’vi’s like her children. It was a perfect utopia. Perhaps suspiciously too perfect. 

As they continue deeper into the village, the locals all stop to look at them, curiosity evident in their eyes. Some children even follow them closely. 

“This is so weird…” Lo’ak whispers, kiri was quick to shush him. 

“Come, my mom will be super excited to meet all of you!” Danu says, learning them through the village, and through another patch of forest. “I know the village must have overwhelmed you but it was to give you the view of your possible life here. Of course if you choose to stay” Dany informs, moving some plants out of the way without the need to cut them. 

“Who is your mother…?” Neytiri asks. 

She wasn't given much of an answer as Danu climbed a set of stone stairs leading up to an uphill. The family quickly followed and coming in view was a tree. But not just any tree, a tree so different yet so familiar. With a hue of glowing teal color and Atokirina floating about, this was the people’s spirit tree. However, something else floats alongside the Atokirina. Something neytiri has never seen before. 

“MAMAAAAAAAAA~!!” Danu calls out in a happy cheery voice. 

At the base of the tree stood a human woman. Long braided hair, the ends with what seem like white stone and beads spreaded around her braids. Her outfit seeming to tell she is of higher status. 

The woman looks over at danu and smiles, welcoming the girl in a tight embrace. “Mom! I have brought some new guests! Meet the Sully family!” Danu happily introduces and she points to the family. 

The woman looks at the family, and greets them in the na’vi way, with grace and elegance sewn in every movement. “Welcome to our home, it seems like you have traveled a lot. Perhaps some rest is needed before you can ask your question"

They were given a home. Looked like a mix of a marui and a hut if Jake could describe it as best as he could. It was spacious, the kids got to have a private spot each and the pit for a cook fire was in the middle. They got to settle down and gather their thoughts, until jake called in for a family meeting. 

“Look, I get this is all new. For you, for us. But it seems they are willing to take us in without even asking. So try to be on your best behavior, all of you. Especially you lo’ak” jake says, looking at his second son. Lo’ak wasnt making eye contact so neteyam grabbed him by the neck making him face his dad. 

“Will we really stay here…?” Tuk asks nervously. While it seemed very exciting exploring a new place and meet new people, it was also scary. Jake took a moment and answered, “if they let us baby”. Tuk made a whining noise, frowning “I want to go home!” she whimpers. Close to crying. Neytiri looks at her baby with sadness, “oh tuk…”. Jake holds tuk’s hand to comfort her. “This is most likely to be our home now…and we will make most of it” 

“What does your father always say?” Neytiri asks her children…

“I hope you have all settled well. Come, you must all be famished” the woman says with an unusual softness to her voice. The sully family were invited to her home, where danu happily helped in serving the food for the newcomers. 

“I'm sorry, but what was your name again…?” Jake asks, wondering of the lady. And the woman lightly taps her head, “oh where are my manners. My name is Mai, the tsahik of the Tawsyuram clan” mai introduces herself. 

Neytiri’s tail sways curiously, “tsahik? You? But you are a human” she says. 

“Indeed, but soon you will learn neytiri, that this clan, this mountain, is not like what you know” Mai says, giving a playful wink. 

Mai gestures to everyone to take a seat as Danu serves everyone their portion. The food looked and smelled delicious, and from long travel, all of a suddenly everyone was starving. Tuk was all too happy to dig in, lo’ak doing the same. Both humming at the welcoming taste on their tongues. 

“Hungry I take it?” Mai teases as she takes a bite from her food. Neytiri cautiously takes a bite, her ears perking up liking the taste. It taste familiar yet different at the same time. Kind of tricky to describe the taste. But it had meat and other nutritional pieces of food. 

Danu sat next to neteyam, the boy looked over at her, really taking in her appearance. 

“You can stare at me all you like, pretty boy, but later, it's meal time” Danu winks at him. Neteyam nervously smiles but looks away, feeling his cheeks heat up in embarrassment. He didn't say anything further and just ate in silence. 

After their hearty meal, questions flowed out like an endless river. But everyone asked so many questions at the same time, it was a mumbling mess. So, with a simple gesture of a hand, mai lowers the volume collectively. “One by one, all of your questions will be answered” was all she said. 

“Exactly, what is this place…?” Jake asks. A lot has happened in the few hours they have been exposed to something this strange. Even for pandora standards. 

“A floating mountain. Well, to be more specific, it is a mountain cut from the northern mountains. It is so big, it created its own ecosystem. I found it many years ago and settled in” mai explained. 

“Found it…? How?” 

“I was a scientist when the RDA arrived, much like many, I fell in love with this planet. It's precious and pure. I remember crying for seeing something so beautiful, so natural and colorful. To say, it didn't take a whole lot to change my mind. So secretly I planted my own ideas. Quiet literally” 

Mai turns to point at the spirit tree.

“That tree? It grew from a single seed that I brought with me from earth. Originally, the seed was of a red oak tree. However, when infused with the pandora soil it grew to something different. Something more beautiful. I see it as something from Eywa, her way of blessing the tree, blessing this mountain. And through this miracle tree, we humans can breathe the same air as the na’vi”

Once the na’vi were mentioned, it was neytiri’s turn to ask, “Why would na’vi come here?” 

Mai offered tuk a sweet treat as she continued, “why wouldn't they? After many raids from the RDA, many lands destroyed and their homes gone, where else could they have gone? Yes to another clan, but who is to say that clan won't be targeted next? They are tired of constant loss, so here is their answer”

Jake knew there will be many more questions to ask, so he thought of telling his kids to go out and explore, but mai beat him to it. 

“Danu my love, why dont you give the sully kids a proper tour of our home? Make sure they know and learn everything of their new home” mai tells danu. Her daughter nods in glee and leads the kids outside of her home. 

“Now, with them being entertained, lets talk about…”

“C’mon, this way!” Danu tells the four kids as they follow her closely. Neteyam being very close, might as well be at equal sides, lo’ak not too far and kiri carrying tuk as to not fall behind. Through the many plants, trees, and small bridges, they return back to the village where everyone was doing something. 

Tuk smiles as she gets to see the village life in a longer range. Everyone looked so busy, chatting, moving cattle from one place to another, people in stalls trading some items for others, others cooking and feeding those who are hungry. There is something going on in every corner. 

“It looks so……busy” lo’ak says as he observes the people. 

Danu lets out a short cackle, “of course! It is always busy here, wither hunting, weaving, trading, there is something going on and there is always something new! Come on, let me show you!” 

Once again Danu leads the siblings. Weaving a path through the busy crowd, neteyam follows easily, not losing sight of her noticeable hair. He and his siblings silently say “excuse me” and “I'm sorry” as they catch up to danu. They caught up to her as she stood in front of an older na’vi. Sitting on his seat as he fans the smoke of something he is cooking. 

“Welcome danu, are those the newcomers I see?” the kind elder na’vi asks, danu nods eagerly. “Yes, I am showing them around the village and soon the whole mountain!” she answers happily. The sullys introduce themselves one by one. While they chatted, tuk couldn't help but drool as the tasty looking food. The elder na’vi noticed and asks, “Would you like one young tuk?” 

Tuk hides her face behind kiri’s arm but shyly nods, the elder na’vi chuckles and hands her the most delicious looking treat. “Here, all yours, it is a fish kabab, but be careful. It is really hot” he says, tuk accepts and gently blows on it before taking a bite. Her big eyes sparkle with delight. 

“MMNNNNN~!! Its so yummy!!” she happily praises. The elder na’vi smiled with joy, then he handed a fish kabab to each sully. “Enjoy your treat” he says, everyone happily thanked him and soon they made their way again through the paths. 

“Damn, this is good” lo’ak comments as he enjoys the fish kabab. Danu turned to him, “trust me, that kabab is just the start. Our cooks are so talented and know just how to use everything and make a delicious meal!”. As she goes on to explain what each clan member does, of all the siblings, neteyam seems to hear but not 100% listen. 

He focuses more on danu’s voice and her personality. Something about her seems to draw him in. Is it her enthusiasm? Her boldness? Her extroverted ways? Neteyam doesn't know himself, but if they really are going to stay, he has time to figure it out.

“Oooooooohhh~!! They look so fluffy!!” Tuk says as she points at cute, sheep looking creatures that are being hurdled by a human farmer. Danu took her time to introduce the kids to many aspects of the mountain, To show them that here, it is safe. 

“What are they exactly? I have never seen or heard of them before?” kiri asked curiously. 

Danu snickered a bit, her shoulders shaking from trying not to laugh “they are called…..floofers. I am not joking, that is what they called”. Tuk looks back at the cute creatures, three yellow beady eyes on each side, 2 sets of horns curled backwards with six hooved feet and remarkably pure white floof as their fur. However small, they look tough. 

“I like it, floofers is an interesting choice of a name” lo’ak comments as he twirls a hanging vine nearby. 

“But why that name?” it was neteyam’s turn to ask, danu shrugged. “I'm not sure, my mom named them that. I guess because they are floofy? I really don't know but I like it either way” . 

They all admired the different herd animals in the massive farm land, until danu led them somewhere else. But as they keep on exploring, kiri notices that a few here and there are interesting glowing insect like creatures. They remind her of Atokirinas, they fly gracefully in a delicate manner. Close to a butterfly shape, they seem to be a bit see-through, almost as if they are either made of thin glass or thin fabric. The light they produce is beautiful, a gentle white glow. And for some reason they are getting closer to her, and kiri in return getting closer to them. 

“So pretty!” tuk notices the pretty looking insects, letting one land on her hand. 

“Awe, they like you” Danu coos as the glowing beauties land on kiri, taking interest. “What are they…?” Kiri whispers as to not scare them. 

“Tswatuhì” Danu replies slowly, admiring the little display in front of her. “They are like atokirina, little blessings of our great mother. And it seems they have taken you quite well kiri” 

The little butterflies then left kiri and landed on tuk, lo’ak and neteyam, giving each of them their own glow. “Oh ma’eywa, truly a lovely blessing” Danu says in awe. Humming a bit, Danu enjoys the scenery. 

“Truly, truly you guys are like disney princesses” she comments. 

“What's a disney princess?” Tuk asks 

“It's a Earth thing” 

“Ma’jake…are you certain?” Neytiri asks nervously. They have returned back to their new temporary home after talking with mai. They had a lot to think over. So Jake, rubbing his chin as he sits with his mate by his side. 

“You heard what mai said. This place is hidden in the clouds and aware from any RDA areas. It is just…too good. Too good of everything. The mountain, the environment, the people…” he goes on. 

Neytiri lingers on the people part. Yes, the people. Human and na’vi and the inbetween. As they made their way back, she noticed many romantic couples that were na’vi and human. If they are going to stay, this is something she has no choice but to tolerate. Yet the irony is there, to run away from humans they now have to live with the humans. 

“And our children…?” she asks more. But before Jake could respond, as if on cue, their children returned with baskets full of things and big smiles on their happy faces. 

“Mom! Dad! You won't believe what we saw!” Lo'ak said eagerly, tuk light slapped his arm because he beat her to it. 

“Look look, this fruit is called a watermelon! And it is so good! Very sweet and we can make all sorts of treats with it!” tuk showed the big green melon to her parents. Jake saw it and couldn't believe his eyes. 

“Watermelon…huh, this was long gone back in my time…” he whispers. 

“We had fish kebabs and we gotta try to make some! Oh! And some of the locals were kind enough to give us these….” 

The kids happily spoke of their little journey through the mountain, the people they met, the foods they tried and the overall culture thanks to their new friend Danu. But as they chatted away, Neytiri and Jake shared a look. Perhaps it wouldn't be so bad to stay.

As the sun sets below the horizon and darkness covers all sky and land, the mountain and the life inside comes to life. Bioluminescent colors glow in beautiful colors, and like any part of Pandora, the mountain was its own other word once darkness falls. 

Nocturnal creatures come out, and the daytime creatures lay in their nests to sleep. 

And the Tawsyuram mountain? They thrive. 

Like any tribe, the Tawsyuram clan was no different when it came to communal meals. Everyone went to the main center of the village, light hearted laughter, people dancing, singing, enjoying the moot. It was different yet it felt so familiar to the Sully family. The 5 gather together in a huddle like grip, many other locals surrounding them, giving their greetings and offerings to make them feel welcome. 

They appreciate it, Jake is neytiri still feel nervous but the kids have gotten more used to the welcoming treatment and more comfortable talking with the other villagers. Even tuk managed to chat with other kids around her age! 

“So…I take it you kids like it?” Jake asks his children, they all nodded eagerly. “Do you feel safe here? Welcomed?” Neytiri asks after him. 

“As welcoming as they can get mom” lo’ak grins as he presents her a basket full of unfamiliar fruits and flowers. Kiri snatches a mango from the basket and happily munches on it. “What about you neteyam?” neytiri turns to ask her eldest child. 

But neteyam didnt respond, not immediately. 

In the center of the moot, there was a ring of young teens, many around his and his siblings' age, dancing and enjoying the moment. Among the youth was danu, who was dancing in a very grateful way. The rhythm of the music flowed around her, keeping up with the pace and matching every beat and note. She looked so lovely with the lighting of the fire. Really hypnotizing really. 

Until danu’s eyes met his. Her smile widened more and she makes her way over to neteyam, grabbing his arm tugging him forward. “Come on, dance with me” danu invites. Feeling hesitant, neteyam respectfully tries to deny, “oh no, I dont know how” he says. Earning a little giggle from danu, she tugs him harder making him stand, “it is the way” danu said. 

She successfully brings him to the center of the moot where he begins to follow her moves and quickly gets the hang of the dance. 

Neytiri and Jake look in awe as they are reminded of their night. 

“I believe that answers your question” jake whispers as they take in the full warmth and welcome of the Tawsyuram clan. 

Okie this one seriously took me a looooooooooong time! There was so much re-writing and adjusting, I feel like despite how much I did, its not enough to truly cover what I envisioned but I did my best to fit everything in. So I hope you all enjoyed this one! Until next time! See ya!

[so-i-did-this-thing]

Where do you find all your neat little trinkets and such? Is it just accumulated over the years, or do you use marketplace, or antique malls, commissioning stuff? I want to add more to my home, but I don't really know where to look outside of hyper specific ebay searches.

I guess, more succinctly, how do you Find Things?

Heya! Finding cool stuff is a lot about doing just enough research. I'll show you how my mind works.

Let's say I saw this cute cat in the wild. I want to buy it, maybe see if it's something fun to collect.

If I use Google lens on the photo, I get some promising results - this is something that was mass-produced!

Let's click on a result.

I've learned something! This ceramic is called "redware" and the figure is from the 1950s. So, off to another web search.

Oh! A maker name! "Shafford." This will make future searches easier. And look - there are other related cats - it looks like as various household items! (If you further researched the original cat, you'd also learn it is a tape measure and was made in Japan.)

Now, let's say you don't have a photo to start with, or just a vague idea of something you might want. Let's hop to Facebook marketplace and see if anyone is selling cute ceramic black cats.

All of these results could go down their own research paths, but again, I'm using the example of the Shafford cats.

Armed with some knowledge, it takes just a few searches to find an impressive haul. Honestly, if that wasn't 5 hrs away from me, I'd buy that lot in a heartbeat, selling/gifting what I don't want.

For future searches, you now have two paths:

Search for things using basic terminology to find sellers who aren't super knowledgeable. So, something like "vintage kitchen cabinet". You might luck out and find a seller who just wants the thing gone, they don't know its value, and it might be a steal for you!

Search again using the specific terms you have picked up from your research. So, "jelly cabinet." This will get you in front of listing from experts, where you are likely to find a better quality item at the current market price.

That is how I found this for my kitchen, btw.

Learn the common synonyms and mispellings. Bookcase, bookshelf. Captain's desk, secretary desk.

Click on seller stores and profiles to see related items. As you research, you will start to stumble across other items and figure out your sense of taste. You will find cool shit you never knew existed. You will learn new search terms as you pick up bits of history. You will also start stumbling across online speciality sites, or local resources, like antique shops and vintage fairs. You might learn what estate sales are, or about auctions open to the public. You start developing a habit of scouting out shops and sales when you're in a new town. You put big fairs and small swap meets on your calendar. You build relationships with contemporary artists who make things you like.

My sense of style is something I've actively been refining for decades now, and it isn't just vintage tchotchkes. I do this for clothing, for the crafting I'm into, etc. Curiosity and style go hand in hand and the best part is that your eye and research chops will only improve, even if you're just window shopping.

I hope this helps!

[bonefall]

one of the most frustrating things to me with the mapleshade/birchfall situation is its like. the only time since into the wild where the books acknowledge queens don't have to reveal the fathers of their litters. when mapleshade tells beetail (? the deputy whats-his-face) shell be raising the kittens alone, he accepts it without question. this implies her lying about birchface being the father was unnecessary, but in Bluestar’s prophecy everybody immediately assumes thrushpelt is the father the minute bluefur is known to be pregnant, and bluefur not correcting this is treated as a reasonable decision despite it being the SAME situation! it's just the authors want mapleshade to be unreasonable so this time it's bad actually.

The in-universe Queen's Rights are so poorly defined and utilized that the BB!Queen's Rights are essentially an entirely original framework. They sometimes exist in the books and sometimes don't, depending on if the writer remembers them or not.

They actually seem to not be a thing in Bluestar's Prophecy, from what I remember. Thrushpelt offers to be the pretend-father as a result.

It seems to have protected Fallowtail though, until Reedfeather decided to kidnap his kids.

Featherstorm's first litter, Raggedpelt and Scorchwind, are bullied for being fatherless and face constant speculation.

Same with Flintfang, Blackstar, and Fernshade. They're not even actually halfclan, Blackpaw holds his tongue and refuses to reveal the truth to stop bullies.

Brokenstar faces open bullying from his adopted siblings for not knowing who his mother is (but also he stops Yellowfang from telling Lizardstripe about it because he overheard a conversation where she told her friend she feels like the baby is stealing milk)

StarClan pushed for Squilf to lie to Brambleclaw for this reason, because they assumed (correctly) that having HalfClan suspicion would make it harder for The Three to be accepted into ThunderClan

So if a queen has "a right" to not reveal parents, it's not very protective. Your kids are going to face bullying and discrimination regardless of how loyal you actually are, or who the dad is.

But yeah suuuure Mapleshade was evil and horrible for not correcting Frecklewish. I can totally accept that in this completely arbitrary situation that somehow it would have turned out better if she told her No and left the whole Clan speculating.

[rebeccathenaturalist]

Environmental Generational Amnesia: When We Forget Nature’s Past

Originally posted at my blog at https://rebeccalexa.com/environmental-generational-amnesia/

One of the most traumatic and formative experiences of my life occurred when I was thirteen years old. The woods that I loved exploring behind our yard were completely bulldozed one day; I discovered this when I got off the bus from school. It was part of the destruction of an entire wild area that would become yet another subdivision devoid of trees and vines and wildflowers, with no place left for bobwhite quail or garter snakes in the flat green lawns. I was devastated, and in an attempt to try to help me my mom chatted with the developer when she happened to run into her in town. “She knows how you feel,” my mom said. “Her woods were the ones that were torn down to make the junior high track.” Not only did it just not make sense to me that someone who had been through what I was experiencing would then go on to do the same horrible acts, but it was also my first introduction to the reality of environmental generational amnesia.

The term was coined a few years ago in a paper by Peter Kahn and Thea Weiss. It refers to how each generation considers how it first experienced a place as its true baseline, and any change that comes after it is abnormal or unnatural. So for me, the track at my junior high with just a line of trees along the creek was my understanding of its baseline, but the developer remembered that land as acres of woods. A hundred years ago it may have been a farm. Go back several generations to when only the Osage lived here, and it was probably undamaged oak savanna, or perhaps a tallgrass prairie.

When you multiply that shifting understanding of the “normal” state of a place by all the people in a given area, something is bound to be lost as generations die off, and new ones are born into the present state. Couple that with a serious lack of nature literacy, and you have fewer people discussing what the place is versus what it once was.

In cases where almost all the land has been significantly changed by human activity for centuries, it can be incredibly challenging to piece together what it was like before we came through and wrought such imbalances. The only evidence may remain in a few remote undamaged patches, scraps of partial plant and animal communities, and oral and written information passed down by people, whether indigenous or colonizing. Sometimes ecologists and other scientists need to look at the ecosystems of neighboring areas to get some idea of what might have been here before. It’s often a matter of trying to piece together an incomplete puzzle, giving best educated guesses as to what filled the empty niches.

If you have a population that has a dim memory at best of what a place looked like before it was changed at all, they’re less likely to understand when there’s a problem. I knew, for example, that it was wrong to tear down the woods behind my home, but my baseline was “mix of trees and shrubs of various species surrounding a creek with a limestone bed next to a twenty year old subdivision.” No one could tell me what that farm looked like before it became a farm, and I didn’t understand at the time that the mix of plants and animals I knew and loved were neither the complete original assortment, nor were they all native. How was I to know that my yard was once spacious grassland, dotted with white oak here and there? How should I have come to understand that the woods I had cherished were badly out of ecological balance compared to what had once been, that they were exhibiting signs of recolonization after multiple massive disturbances before I was even born?

And this is just one example of one person’s understanding of one place. This environmental generational amnesia has rippling effects worldwide, with people not understanding that the rivers nearby aren’t supposed to be as stick-straight as they are, that the coastline should be covered in wetlands rather than open sand, that the dense forest is only there because natural fires were suppressed and allowed the trees to take over the last meadows. There are even those who have no idea that their air, water, and soil aren’t supposed to be loaded with pollutants, because pollution is all they’ve known for generations. It’s tough to imagine an extinct wetland when you can’t even see the water for the trash, and the sky is brown instead of blue.

It’s not going to be an easy task to try to revive the collective memory of Lands That Were. A good starting point is to talk to our elders, both alive and dead. When we ask those who still live what they remember of a place, we can glean important details even if they themselves weren’t ecologists, or formal scientists of any other sort. If we can take them to these places and have them show us where important landmarks were and describe what has changed, we can start to see more clearly what’s been lost. And when we read the writings and view the landscape art of those who are long passed, we get important snapshots of what was there long before any of us today were alive, tracing that ecological story closer to its origin.

We also need, more than ever, to preserve what ancient ecosystems still remain, whether that’s old growth forests, or prairies that never knew the tearing of the plow, or wetlands never drained or polluted. We can’t just miraculously replace them in a matter of a few years, and they offer us crucial pictures of the end goal in places where  we are attempting long-term habitat restoration. They are living, breathing records of what places looked like before, of the biodiversity and other natural structures that were in place for thousands of years.

Finally, we need to be talking openly about the disconnect between what is and what was. If I, as an incredibly nature-obsessed kid, was startled to think about how my “normal” was only a faint shadow of past ecological glory, then imagine how jarring it must be for someone who is further removed from nature to understand that the forest they walk through is really supposed to be a prairie. (Especially after many years of being told that “planting trees” is the answer to all the ecological problems we face!)

With time and education we can bring about awareness, and that awareness will help us make better decisions for the future. There are so many people who want to undo ecological destruction and make the world a better place; we just need to have better, more accurate information out there on what can be reasonably done. Much of that hinges on having a clearer idea of what’s been lost, so that we can make plans to save whatever is left, and restore as much as we can.

Did you enjoy this post? Consider taking one of my online foraging and natural history classes, checking out my other articles, or picking up a paperback or ebook I’ve written! You can even buy me a coffee here!

[salty-an-disco]

some more magical girls au stuff

and also some lore stuff:

– ‘The Echo’ is an immortal entity originated from the first ever echo to be created in that construct that trapped two gods. And now, eons later, this echo is obsessed with keeping a balance between the reincarnating pieces of these gods, and is always seeking out Quiet’s pieces reincarnations so that they always have the power to slay the pieces of the Princess that keep coming back. In this AU, this manifested as him basically making the voices magical girls

– the Echo is attached to a mirror; its shards used to make several hand mirrors he can be on at once and is how he communicates with the voices. Has mild shapeshifting abilities as an inky shadow that usually takes the form of a crow

– the Princesses create dimension bubbles around them ala Madoka Magica that change their surroundings to match their respective themes; they can only be dispersed by either killing the princess or helping them find closure in their stories (Echo conveniently doesn’t tell anyone about the latter option). They’ll always come back when they’re killed tho (often worse), and the cycle can keep going.

– Hero is in community college, studying law (it’s not his passion at all, but his family really wants him to be a lawyer and he can’t disappoint them!!), and often does gigs as a delivery boy for several businesses or other odd jobs. One of the newest magical girls alongside Contrarian – name in this AU is Hiro Capricórnio, and his transformed name is Starling; he has a stars and knight theme, and is able to summon a long, silver, feather that he uses as both a sword and a shield

– my Contra design kinda looks like a vocaloid so I decided he’s an actual superstar in his normal life who goes by the name ‘Contra Jester’ �� their shows are always a fun spectacle that mixes in jokes and comedic gags in their musical performance (kinda like an inverse Bo Burnham, but with more lighthearted themes) – his AU name is Carter Thomfoolery (actual birth name) and their transformed name is Lyrical; has a music and clown theme and can summon a lyre that he uses to do all sorts of effects on the people affected

– Oppy is Carter’s agent and a senior magical girl. Doesn’t technically has any credentials to be managing a super star and was caught money laundering before, but hey! as long as he doesn’t try to meddle in their shows, Carter won’t sue them :) — was very concerned when they found out Carter was made a magical girl considering how unpredictable and uncontrollable they already are – AU name is Oscar Wilde and transformed name is Jack of Trades; has a showman/magician theme and can use the cards up his sleeves and his echoing voice to convince others to do what he wants

– Paranoid is a workaholic trying to get into medic school while juggling two part-time jobs and her responsibilities as a magical girl. Is very distrustful of the Echo in her mirror that gives her orders, but is EVEN MORE distrustful of the princesses; one of which is a recurring Nightmare she has only barely managed to defeat a few times. Tries to help/keep an eye on Lyrical and Starling, since she knows how it is to just start this off without much (helpful) guidance – AU name is Pamela Noid, and her transformed name is Little Shrike; has a plague doctor/engineer theme, the suitcase she carries can be opened to all sorts of contraptions that creates toxins and acid-filled bombs or guns, can also produce healing medicine (the pinnacle of “I’m a healer, but–”)