#light novel short

[originalartblog]

[Storm Bringer]

“In fact, I was against using Adam for such a frivolous investigation from the very start,” Dr. Wollstonecraft began in a huff as she crossed her arms again. “The government is always like this. They send a mechanical detective, then blow him up once they’re done to keep any secret information from getting out. [..] I suppose this is the government’s way of saying we ought to neglect science in favor of human life!”

Dr. Wollstonecraft, ma'am, I think your ethically-dubious opinions on science are better saved for other audiences.

Dr. Wollstonecraft (aka Mary Shelley) based on @videogamelover99's design!

[fairydrowning]

"Somewhere, someone is falling in love with a person who loves them back after a whole winter of being alone and broken. It is the earth's magic to make people trust in the warmth of love again."

– Juansen Dizon, Via "juansendizon" on Tumblr

[candy-crackpot]

One of my favourite things about how Hoshino writes Allen is the ways different characters will admit to, admire or in the Earl's case be unsettled by his strenght.

Allen doesn't have as much destructive force as Cross, Sokalo or Klaud but everyone acknoledges his crackhead determination and resolution, but the characters are so dead certain in him as if he was an unstoppable force of nature.

From the time the Earl and Allen meet on screen for the first time

How Kanda is stunned by his Anti-Akuma weapon's evolution

How Bookman trusts that Allen is still alive even as they got some very vague information on Allen's condition

Komui doesn't even try talking Allen out of boarding the Ark because of course Allen would and Komui knows there's no stopping Allen once he decided to do something

How the Earl pursued eliminating Lenalee even with Cross and Tiedoll lurking nearby, but Allen shows up and he grabs his kids in a blink of an eye and disappears as if the IRS was after him

When fighting Jasdevi Lavi turns to Allen to discuss the plan, as if he was the leader of the group

Lenalee outright calls his willpower superhuman and how Krory backhand deems him strong enough to carry while Krory back him up

How Tyki and Lenalee are shocked by him fixing his weapon on his own

Or be very unsettled when Allen surpasses the Critical Point

How both Komui and Reever almost instantly figure it out that Allen was the one who broke the Critical Point

Road guessing that she probably couldn't kill Allen with direct physical attacks

How Cross knows and trusts Allen's spirit and abilities

How Kanda likewise covertly acknowledges Allen to be strong by demanding he pays attention so together they can destroy the Level 4

Apocryphos commends his fighting spirit, that Allen could withstand what Crows and even Kanda got folded by, on three tries, AND retained his memories

Kanda once again trusts Allen to deal with the fusion Akuma going after him.

Everyone who even remotely knows Allen consider him a force to be reckoned with and I really enjoy how it's shown within the story.

[stardustizuku]

Part 3: A Criticism on Wilfred

Okay, Wilfred is an interesting character. I would go as far as to call him “a deconstruction on the paragon of a fantasy hero”.

He’s the heir to this duchy, who by the evil doing of others has been stripped away from the right of succession.

Despite it all, he’s hardworking and with natural talent, capable of overcoming all hurdles through putting his all into it. He’s nice, he’s kind, and has a positive outlook on life that makes him great to lead big teams and unite them under him. People around him look up to him, and believe in him. In fact, when he arrives at the Academy he realizes that, despite his duchy’s position, he’s able to fight side by side with powerful Greater Duchies. In any other story, he would be the hero.

But Ascendance of a Bookworm is not his story. And while he (and his retainers) sees him as this amazing heir that’s faced nothing but problems since a young age - everyone else sees him for what he truly is.

A spoiled kid, who never learned to become an archduke.

But this is only hinted at in Part3, and doesn’t implode on itself until (again) Part5.

You see, in Part 3, Rozemyne serves as a buffer to paint him in a much better light. She applies a lot of the logic we have from our world. “He’s a kid, he shouldn’t be dealing with so much work”, “he may be lazy but he’s well meaning and wants to become a better person”, “it’s unfair to compare him to me, an adult”, and “I would make the same mistakes he has, so his situation is unfortunate”.

Because of Rozemyne’s coddling, we see Wilfred as this kid who is trying. Who deserves the position because, for one, Rozemyne would be even worse than him at it, and he really, really wants it.

But this changes in Part 4, when we meet way more nobles around their ages, and critically: We know about Charlotte.

Charlotte is so important. People who justify and try to make excuses for Wilfred, have either not read in depth Charlotte’s chapters (which granted, the most powerful one of them “A New Step Forward” comes from the Side Story Collection), or have swallowed Rozemyne’s Kool-Aid when it comes to why Wilfred is being treated unfairly.

The truth is, from another noble’s perspective, we realize that Wilfred being given his title of heir is pretty much the definition of getting spoiled rotten. In any other duchy, HELL, even Ehrenfest before Sylvester, such a thing wouldn’t fly. The succession is a competition. If you think of it that way, and see how Wilfred is behaving - you realize how badly he’s losing. There’s no way that, as he was before Rozemyne, he could have become a decent archduke.

This could have changed, if at any point, Wilfred stopped perceiving himself as the legitimate heir who had his title stolen. Because that’s not what happened. He was meant to fight with his siblings for it. But because of pure luck, he was given it without even having to prove himself. When the people around him failed to train him, that title was temporarily removed. (Emphasis on temporarily because Sylvester had every Goddamn intention to keep Wilfred as the heir)

And we don’t really see him, ever, acknowledging his siblings as any sort of threat. While on paper, he has been stripped from the title, he never has to truly internalize it. It's shameful, yes. But Melchior is straight up too young. He knows Rozemyne won’t be given the title of archduchess, that Sylvester won’t ever allow it.

And something to note about: We know why: She’s a commoner.Sylvester will never let her be Aub for that simple fact - BUT

Wilfred does not know that. He should know that Rozemyne is the “best” candidate, from early on. That’s just a fact. But Sylvester purposely shields him from that harsh truth.

Objectively, Wilfred should know that it is only through luck and Sylvester BLATANT favoritism that Rozemyne isn’t a threat. But because he does not register until FUCKING PART 5, that he is fact, inferior to Rozemyne, he gets baited by Lestilaut. He almost loses Rozemyne, because of his own ego.

And with Charlotte, my poor girl, he doesn’t even registers her as a threat. When Charlotte straight up tells him “I would have beaten you, had I been granted the same privilege you have” aka, being born a man - Wilfred never understands this as a warning or even taunt. He still thinks he’s better than Charlotte. He still thinks that, were things leveled, he would have beaten her. And that couldn’t be further from the truth.

If you haven’t caught up on it yet, Wilfred is a blatant criticism of sexism and the patriarchy.

He has a privilege he does not recognize, and because of it, he acts he’s entitled to a position in power - that anywhere else, it would be UNTHINKABLE for him to have.

He’s literally surrounded by women three or four times more competent than him, yet for the simple fact that he’s a man, and Sylvester likes him more, those women will NEVER come to have the power they deserve.

AND, when he does come the realization that, perhaps, Rozemyne truly is a better suited candidate: he lashes out.

When Lestilaut points out she would be a better archduchess than him, his first instinct is to lash out (and quite aggressively I must add) at the heir of a GREATER duchy, who he does not even get along with! Again, Hannalore and Rozemyne are close friends but Lestilaut and Wilfred are NOT.

This is the society that constantly berated Rozemyne for showing a hint of emotion. She held back even as Royalty itself threatened her most beloved Ferdinand - and Wilfred cannot even handle taunts.

He only calms down when she straight up declines. Stating that she wants to be a first wife. Lesitalut retorts that she could very much be a Dunkelferg first wife.

This sort of snaps Wilfred out of a trance. But interestingly enough, the idea confronted is no longer “Rozemyne is better than me”, but “Rozemyne may actually be a good wife candidate”. Again, the fight isn’t centered, at that point, in who’s better suited to be archduke - because Rozemyne herself smashes apart that idea.

It gets shifted to Lestilaut informing Wilfred that Rozemyne is a coveted first wife candidate, that he’s not using properly. Which is a much easier truth to swallow.

He does not come to terms with “Rozemyne is better than me”, which she objectively is, but with “she’s actually a valuable fiance”.

Sylvester, on the other hand, was very quick to realize that Rozemyne was a valuable asset. Someone who he couldn’t let go of, and adopted because of how vital she was to improving the duchy. Again, while he does care for her, he’s aware that regardless of that - she’s worth it. If she causes him headaches, it’s worth it. If she causes a problem, it’s worth it. She’s running the temple, she’s running their new main export and economy, she is rising their ranks like nowhen before.

It took Wilfred, Lestilaut literally shouting it to his face, for him to realize this. To start seeing Rozemyne as valuable, instead of troublesome. And the moment he realizes, oh, maybe she’s more than competent enough - he’s forced to confront the truth: She’s a better candidate than him. And his current title is only uphold because he’s married to her.

His lashing out in Part 5 Volume 4 is a direct result of him having to confront that he’s a nepo-baby that was only given this position because he’s a man. And instead of owning it, or making sure that despite it all he’s still deserving of the position - he throws a tantrum.

When Charlotte realized that the odds were stacked against her favor, she cried, yes. But she had to maintain appearances. She continued to smile, she continued to support her brother, and worry for the other members of the family. She even had to support Sylvester, despite the fact his obvious favoritism was constantly hurting her.

When Wilfred realized that someone else was better than him, namely Rozemyne, he lashed out. I’m mostly keping up with the Translation Light Novels, so most of his internal turmoil isn’t being shown as of yet. We see it through Charlotte, Sylvester, Rozemyne and other retainers. But suffice to say, that while Rozemyne finds it simply a teenager being a teenager - everyone point out how incredibly damaging his little outburst is.

Unlike other kids, Wilfred is set to become the Aub, and while it’s been promised to him, he still has to work for it. And unlike other kids, such a tremendous amount of power, is not something to wield freely. He is not like any other kid, and cannot be measured in those terms - precisely because of the title he’s set to have. With great power comes great responsibility. If he were to be a commoner, yeah, he wouldn’t have to deal with this. He would be allowed to be just a kid. But if he’s set to become Aub, which he WANTS, he has to play the part. Act like a noble, respect the rules. Just like Rozemyne was forced to do, just like Charlotte trained all her life to do.

He has to learn to manage his emotions, his workload, etc, just like his sisters have. Neglecting to do so, is putting the brunt of his emotional labor unto them.

Here’s where PART 5 does its job wonderfully - because by this point, we’ve seen that the kids of greater duchies, have to work their asses off to support their duchy. Things like feelings, and desires are thrown out. You do not decide who you’ll marry, you do not decide if you become aub or not, you do not decide basically anything in your life. There’s a sacrifice to be made if you want power. You have a role to play, and you either stick to it to perfection, or you get the short end of the stick.

Charlotte has grown with this mentality, she understands it. She plays her role, and does her best to support her duchy.

Wilfred, does not.

He expects everyone to want him as an Aub because, thanks to Veronica, that’s everything he’s ever been promised.

Patriarchy is poisonous because it promises men power. And when capitalism tells them they can’t have it, their first instinct is to blame women.

Much like Wilfred has done, by blaming Rozemyne. For “not being a good enough fiancé” or “for trying to steal his rightful position”.

Wilfred is, unfortunately enough, an antithesis of one of Rozemyne’s core values. Meritocracy. He’s the definition of nepotism.

And if Wilfred represent the corruption of Meritocracy, Veronica represents the corruption of Family.

Veronica corrupts it in a very interesting way that almost parallels Rozemyne.

Veronica was the daughter of a first wife, who loved her husband. Said husband, however, only loved his second wife. This caused her mother great anguish, something she had to witness. She lost her older brother, then lost her mom during childbirth. Finally, her only baby brother was taken to the temple by the second wife she hated. This leaves her with an obsession to keep her blood related family safe, and a disdain for second wives.

In a way, having her family torn from her, and wanting to protect them even from afar, to the point or bending and breaking rules to do so - is very much a Rozemyne thing.

But while Veronica did it by ignoring most of Noble's ways and via corruption, Rozemyne is constantly kept in check from doing as much.

Wilfred is a direct result of the generation trauma Gabrielle imparted. Veronica grew obsessed with making sure her bloodline was better off - at the cost of the suffering of anyone who wasn’t.

She saw everyone as an enemy, someone to subdue. Because if she let them fester, maybe they would take her baby brother away. Maybe they would hurt her kids. Maybe she would lose her mother again.

Ironically, it was this unwillingness to let them grow that eventually rotted them. If she hadn’t let Bezewanst do whatever he wanted, Sylvester wouldn’t have told Ferdinand to get rid of him. If Wilfred had grown with the proper education, he wouldn’t have been as easily tricked.

Veronica and Wilfred also serve as a reminder to Rozemyne of what, even well intentioned, toxic love can do. It’s better presented when she refuses to meet Kamil, even when she absolutely could, because it isn’t safe to do as much.

To add, Rozemyne sees family entirely different from her, and Wilfred for this matter.

Family to Rozemyne isn’t something bound by blood. Her family doesn’t begin and end with that of the lower city. Her retainers from the temple, Cornellius, Charlotte, and most importantly, Ferdinand, are family to her. They deserve her unconditional protection. She cares and loves them.

Contrast it with Veronica who saw Florencia and Ferdinand as threats to her family. And said view of the world is translated to Wilfred.

He sees Detline as family. And after Ferdinand get married, he stops fully perceiving him as such. This is again, likely due to Veronica and her faction. We saw that during Rozemyne’s two year slumber he grows really close and reliant on Ferdinand.

But when the issue of worrying for either Detline or Ferdinand came up - he chose Detline.

Someone he knew almost nothing about, but has his blood and Veronica’s looks. Instead of Ferdinand, someone who supported him for more than three years.

What’s more, he stopped seeing Rozemyne as an ally in Part 5 Volume 4. He could never fully trust her because, again, she’s adopted. Yet, he did go to Charlotte for help, expecting her to help. Likely, because he sees her as actual family, and therefore in his side.

Rozemyne isn’t blood family. Therefore, expendable.

Veronica’s corruption reached him. He tainted one more of Rozemyne’s core values.

All this said, he’s not an irredeemable monster. If anything, the LNs make it clear that despite all this, he’s still a good kid, who given the time and training could become a good archduke.

(Again though, Charlotte wasn’t even offered “time and training”, she was dismissed from the title despite her qualifications for much less)

It’s actually made quite clear that he could be great. Instances of Part 4 shows just how he’s a really nice kid, capable of propping others up, conscious of his actions, asking for help when needed and a natural leader. In this case, his environment has corrupted him - yet he’s not beyond salvation.

He is not an irredeemable monster, since he’s had time to grow, change and better himself. I’m looking forward to how exactly they’ll handle his character in coming novels.

The same, however, cannot be said of Sisgwald.

PREV << MASTERLIST >> NEXT

[lllakristos]

One day, you'll realize your gut feeling was correct all along.

That you were right from the start.

They were never your friend, nor did they genuinely care about you.

You were merely a convenience, an unpaid therapist, and a source of validation for their shortcomings.

Human nature is so complex yet so disappointing when you hold your standards high.

[fictionadventurer]

Elizabeth Gaskell has the kind of brilliance that makes you forget how brilliant she is until you come back to her work after reading inferior authors. Her type of talent is understated skill that does everything so well that it looks easy.

She has prose that's descriptive without being flowery. Plots that take their time but also keep pulling you along. She writes about everyday life in a way that makes it enthralling without over-romanticizing it. She can take what would be stock characters in the hands of other writers and explore their upbringing and history so thoroughly that they become real, nuanced individuals. And she does it all so simply that you barely even notice how much talent it takes to write like that.

[yuzuna123]

Jun...my sweet beloved lonely angel...you don't deserve this my love! 😢😢 i hope future games and future tekken 8 content, or any content after Tekken 8 whatever they may be, manga, light novels, Story DLC's, movies, treats you with the love you have for Kazuya and Jin.

[starryvomit]

=♥️>

[aroacehanzawa]

i'm going to be real with you guys for a moment. i don't think i'll continue following bsd much after this point

[temiree]

                       << Previous Page | First Page | Next Page >>

Yes, that standalone shot I did of Nes I did back in April was meant for this, haha. I did adjust some things (adding Irwin to the background, opening his mouth a bit), but otherwise there's nothing else I wanted to change and I loved how the practice piece turned out so I thought, hey, might as well save time and use it for this, right? Sorry if the page is a bit underwhelming consequently, but I'll try to do another one soon. :3

Page 88 is up early for $10/mo comic supporters on my Patreon!

[originalartblog]

[Storm Bringer]

My lips could not help but automatically curl into a smile as I watched Master Chuuya walk with a spring in his step.

[magicalgirloftheday]

✧・ﾟ:Today’s magical girl of the night is: Pastel Mary from Magical Girl Raising Project: breakdown!✧・��:

[beloved-blaiddyd]

I'm not dead, but I sure as hell turned off my brain for two days due to overwhelming frustration HAHAHAHA anyways here's a quick WIP. I'm off to sleep. I'll finish that one fic (not this one) tomorrow jwkwkskkw

[note-boom]

Higuchi and Ranpo are just such interesting author-based characters in BSD.

I know it's weird to connect the two but hear me out...

So far, the only authors I can remember that don't have a known ability are Aya, Higuchi, and Ranpo. Aya and Higuchi will likely get an ability (latter has been confirmed to have one, at least) while Ranpo...probably won't? Though you never know.

But the reason I bring Higuchi and Ranpo together is because the latter is an author who is heavily implied to be the son of one of his IRL counterpart's characters. And meanwhile, the former is someone who has one of the real people in her IRL counterpart's life (that is to say, BSD Higuchi's sister) brought into the manga. Yeah, Tanizaki and Akuatagawa have their sisters be based off characters, and we also have Haruno based off a Tanizaki character, plus Fitzgerald's characters in the eyes of god story arc.

But I really think that it's interesting that Ranpo is the child of his own character. And that Higuchi is I think the only one with a family member that is based on IRL Higuchi's own family situation. That we might actually have a BSD character based on a real life person that wasn't a significant writer of some sort (to my knowledge, at least).

I don't really have a point with this, but it is interesting and aghhhhhhh Asagiri I'M BEGGING you to do something with Higuchi that doesn't involve Akutagawa! There's so many things about her and I want to know!

[heirloomcaterpilllar442]

Evil Dialogue Prompts

Prompts to crunch down on your reader's hearts.

1.) "Did he come back? Did he ever make it home?"

2.) "You know, when my life flashed before my eyes? I guess I just thought you'd be in more of the scenes."

3.) "I don't think we want this anymore. I don't think you're good for me."

4.) "We're all out of mangos. I would buy more, but since you left, well. You're the only one who was eating them. I'm not sure what I'd even do with them now."

5.) "I just checked in to the heartbreak hotel. Didn't think you'd take the room next door, baby."

6.) "High school was like, a really long time ago. Why do you think I'd care now?"

7.) "I don't want you to stay, actually. But since I need someone? I guess you'll do fine."

8.) "This is the last time we'll be ordering here. Do you think they'll remember us at all?"

9.) "I'm sorry, I'm so sorry. It was a dream... I was asleep."

10.) "That's my necklace. Did you really keep it this whole time? I didn't expect that. I didn't expect you to come back at all."

11.) "Don't touch me. I don't think you know what you've done."

12.) "Do you realize how hard I'm trying? Do you know that everything I do is for us?"

13.) "You look at me like a three piece fried chicken pack. I look at you like the whole henhouse. Don't you see? We're not the same."

14.) "My mom says hi. I think she misses you too."

15.) "Dying? No, that's not something I'm scared of. It's more like being forgotten. It's more like everyone letting go of me at once."

Tell me if you end up using some :) I'd appreciate that!

[fullscoreshenanigans]

Hello!! I'm really sorry, but could you do a summary of the Krone and Isabella light novels? I can't find anywhere to read them. thank you so much!!

No need to apologize, happy to help!

I've talked about the contents of the first light novel here. Almost all of it is available either translated in text or via sound dramas with English subtitles. The exception is the "NER in Bird Cages" story, which is only available in English as a summary.

I've provided a general overview of the second light novel here, as well a link to the masterlist of TPN content for the English-speaking fandom. The first half is dedicated to Isabella, and the second half to Krone, though if you've read chapter 181.2, you'll already be familiar with most of it.

If one of the stories is part of the content of a post, I'll usually tag it as light novels, the title of the light novel in question, and the title of the specific story. (e.g., TPN Light Novels + Moms' Song of Remembrance + The Starry Sky and Leslie's List)

Here's all the light novels laid out with their story tags (with the exception of the fourth one because I've only read the half that's translated):

Light Novel 1: A Letter from Norman

• "The Ghost Incidents at Grace Field House" - Norman reminiscences about his earliest memory with Emma and Ray, when they were about three or four, trying to solve the mystery of the spooky occurrences around the house. • "The Day Emma Cried" - Norman recalls an incident when he was about seven and became terribly ill retrieving Emma’s handkerchief during a rainstorm. Thinking he’s on death’s doorstep, with Isabella’s permission (to both appease Emma and test Ray’s loyalty), Emma and Ray go out to find the miracle cure, a white flower that only blooms at night. • "NER in Bird Cages" - Norman muses how he's never seen Ray cry before he remembers the incident where they rescued an injured bird sometime after Emma's ninth birthday. Ray deals with the grief of not being able to save his beloved older sister, Susan, if he wants to save Emma's and Norman's lives. • "A Gift from the 39th Girl" - The Grace Field kids secretly work on putting together a gift for Norman’s eleventh birthday.

Light Novel 2: Moms' Song of Remembrance

• "The Starry Sky and Leslie's List" - Isabella's story where she remembers helping Leslie with a list of goals he set out to accomplish over the course of two days before he's shipped out. She also reflects on her relationships with Ray and Sarah. • "Searching for the Skies of Freedom" - Krone's story; chapter 181.2 is a retelling of this.

Light Novel 3: Records of Comrades

• "Two Paths" - The story of how Lucas and Yuugo's group acquired the tea set we see Yuugo with in the bunker, interspersed with scenes of Lucas interacting with Emma and Yuugo interacting with Ray during the present timeline. • "Two Wills" - Gillian and Nigel's story of their earlier days at Goldy Pond when they both lost their sisters, Lala and Emilia. • "Two Destinies" - The story of how Mujika and Sonju met and how Leuvis inadvertently ended the farm system and thousand-year promise because he was bored.

Light Novel 4: Films of Memories

• "The Days to Celebrate" • "Operation Stormy Night" - The Grace Field children reminiscence about the night their older siblings helped them feel safe during a particularly bad storm. • "Ray and Conny" - The Grace Field kids are telling Emma about their life at Grace Field house when Conny comes up. Ray recalls to himself how he helped three-year-old Conny adjust to sleeping in the larger shared bedrooms with some indirect help from Susan. It's a story only he and Norman know now. • "The Chess Proverb" - Ray teaches Norman how to play chess, and Emma and Norman join in a match with Ray against Isabella. Serves as a metaphor for how each of them approaches a problem and how they balance each other out when they work together. • "Don and Gilda" • "The Guiding Star" - The story that explains how the trio got on the roof for the chapter 119 cover art and the comfort they each draw from the stars.

Finally, here's my general tag navigation page that's hopefully accessible on mobile as well as desktop.