#love room

[zegalba]

Love Room | Mazandaran, Iran by Didgah DesignArchitecture Studio / Mohammadreza Norouz

[briery]

Love Room, by Didgah Design Architecture Studio/ Mohammadreza Norouz. Located in Mazandaran, Iran, the form is designed in such a way that it is not possible to see from the outside to the inside.

[cloud-ya]

outcast of the village

[poorly-drawn-mdzs]

The math just adds up!

[jowbokitten]

"I don't condone hitting women, but I never said anything about strangling bitches." -Lucifer (probably)

[andi-o-geyser]

a full SAGA of chaos choices at the diner in the centre of your mind

[sleepysebris]

:) 🖤

@mlsecretsanta gift for @thequeenofspace! happy belated holidays and apologies for the delay, had a serious family emergency followed by sickness! I had so much fun making this though, was so excited to finally draw these two 🖤 hope you enjoy!!!

[aletterinthenameofsanity]

Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)

I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.

On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.

But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.

And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.

When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.

Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.

[redsray]

I love the hc that Tim never really stopped taking pictures of heroes and vigilantes even after he became Robin. Not even out of hero worship or anything-- he just found it fun. In fact, being Robin just made this hobby easier to do. He has them separated in folders and definitely has blackmail photos included.

The first time Tim met the Justice League one of his first reactions was to sneakily take at least one picture of each of them. Clark vaguely heard a camera shutter but he could never find any cameras or camera owners.

Sometimes Bruce comes to him and asks for specific pictures of members of the JL doing things they shouldn't be doing i.e Barry ditching a meeting cause he was eating Chipotle in the Watchtower kitchen. No one knows how Bruce gets the pictures except for the other Batfam members.

Tim is the god of blackmail right behind Babs. You need older blackmail or videos? Go to Babs. But Good quality blackmail photos? Tim is your guy.

He has at least 4 folders full of pictures of Dick specifically. One for his time as Robin, one for Nightwing, one for Discowing and one for just Dick.

He also manages to have pictures he definitely should not have because how did you get into the cave before you were Robin, Tim, but he refuses to elaborate on those. i.e Robin Jason out of costume, cozily reading at the batcomputer ("seriously, Tim, that's creepy"), Dick when he first adopted Haley ("were you there when I rescued her?!"), Damian training with the League of Assassins ("how the hell did you get that"), Duke back during the We Are Robin movement ("I do not remember you pulling out any cameras what the hell")

[glassrooibos]

FABIAN DON’T DO THAT. THAT’S SCARY.

[boltlightning]

look! the moonlight shows us for what we really are. we are not among the living, and so we cannot die — but neither are we dead.

[mushtoons]

sorry this interaction wouldn't leave us alone

[willabee]

sitting on cardboard in the dark

[stil-lindigo]

the fox god.

a comic about a trickster.

--

creative notes:

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[mienar]

the wandering painter, part one

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[fairydrowning]

Grief is the only proof that I love and I love well. Love and grief are actually intertwined with each other and as "Akif Kichloo" once wrote, "the opposite of grief is not laughter or happiness or joy. It is love. It is love. It is love."