#next level workflow

[trendoptimizer]

🚀 AI Tutorials Designed to Help New Creators Streamline Workflows! 🤖✨ Mastering AI doesn’t have to be hard! These beginner-friendly tutorials are crafted to help new creators automate tasks, simplify editing, and manage projects with ease. Dive in and learn how AI can take your workflow to the next level—so you can focus on what you love creating! 🎥💡 Click this link : https://tinyurl.com/fbhea698

[technologyequality]

AI-Powered Decision-Making: How to Execute with Precision and Confidence

AI-Powered Decision-Making How to Execute with Precision and Confidence Scaling a business is one thing, but making the right decisions at the right time? That’s the real challenge. We’ve already explored AI-powered leadership, customer experience, innovation, and strategic planning. Now, it’s time to connect the dots and focus on something that determines whether all of those efforts succeed…

[arkadijxpancakes]

Yes. The Weasleys had too many kids. An analysis. (Part 2 of 2)

So, where were we? Right. The Weasleys have so many kids that it fucks with their family dynamic and with the mental health of everyone involved. Last time, we looked at Molly and Arthur during the war. We ended in 1981, which means that all kids are born, now. Molly is still nursing. (It’s common to nurse kids up to two or three years, while slowly weaning them, so I assume that this is what Molly does.) She’s finally done with becoming pregnant every other year, however. And it’s about time, because her workload is bigger, than any single person can handle. And while it will decrease over time, it will stay enormous for the next couple of years.

1982 – Bill (who will be 12 at the end of the year) starts Hogwarts. It’s his first lick of freedom. There is no babysitting-duty at Hogwarts. All he has to do is stay out of trouble and earn good grades. Other than that, he is free to do what he wants. He will be the only Weasley-sibling in Hogwarts for two years. Because of this, his parents probably have enough money in reserve to buy him a full Hogwarts-kit without resorting to second-hand-stuff too much. (He might get second-hand books, but his robes and wand are probably new.)

At home, life is still hard for Molly. She has one less kid to take care of, but the kids who are still in her care are a handful. She still needs to teach Charlie. Percy got 6 over the summer and is a little nerd, so she is likely teaching him, too. Fred and George are still chaos incarnate. (And they are just getting started, really.)

Bill’s duties (chores around the home and watching his younger brothers) get passed down to Charlie. Percy might try his hand on this, too, because he is still in direct competition with the twins and Mum gives him attention when he helps her.

The war is over and the Weasleys start to feel the effects of this. As Death Eaters are captured and sentenced, the Wizarding World starts to feel safe, again. The stress eases off (but Molly is probably still grieving.) 

Arthur’s work schedule slowly goes back to more normal levels, allowing him to spend more time at home. However, he missed out on a big chunk of his children’s childhood. It’s also hard to return to his role as a parent, because at this point, the roles of the family are pretty much established: Molly is in charge and does most of the work. Some of the easier chores are passed down to her kids (first Bill, now Charlie, later Percy). This includes watching over his younger brothers while Molly takes care of her toddlers. It’s kind of hard for him to integrate himself into this dynamic. (Just imagine him doing the laundry or the dishes – it’s very likely that he has a different way for doing this, which could easily disrupt Molly’s workflow or simply just annoy her.) 

I think he will mostly stick to the stuff he did when Bill and Charlie were little. So he’s taking his kids out for trips on the weekends. But this is difficult, too, because it’s not Bill and Charlie anymore, but Charlie, Percy, Fred and George. Their dynamic is entirely different, and it’s hard to keep an eye on all of them, while also satisfying their needs equally. (Especially because Percy, Fred and George start to clash.) As a result, the trips are probably not as frequent as they once were.

It’s also possible that Arthur picks up his Muggle-hobby at this point. (Picking up this hobby causes him to spend at least some evenings in his shed, tinkering with Muggle-stuff instead of helping his wife. I imagine him to fade into the background a little bit, while he leaves the household and child-rearing to his wife.)

1984 – Charlie starts Hogwarts.

There are now two Weasley-Siblings at Hogwarts, but things are still pretty chill for them. It’s still just Bill and Charlie, after all. Bill is probably considered trustworthy enough by his teachers to receive a time-turner, so he can take all electives Hogwarts has to offer. (I do wonder how much Molly’s expectations are playing into this. She clearly expects her children to do well at Hogwarts, both in terms of grades and behavior. At this point, he is either a massive nerd like Hermione, trying to perform well to fulfill his mother’s expectations, or both. He is also setting a standard for his siblings here, whether this is on his own accord or because of pressure he receives from Molly.)

At home, Percy (now 8) takes over Charlie’s duties. He tries to control Fred and George. It’s likely that he fails miserably. They are just too close age-wise for this to work. 

Fred and George are 6 now and start to play rough. Last year, Fred turned Ron’s teddy bear into a giant spider (which probably caused Ron to develop arachnophobia). Next year, they will try to talk Ron into making an Unbreakable Vow with them. So keeping an eye on them is getting harder, not easier.

At this point in time, Scabbers exceeds the life span of his species. Rats can get up to two or three years old. (And Rowling knows this. This information is included in book 3, when Ron takes Scabbers to the pet store to have the witch there check on him.) This is Scabbers third year with the Weasleys, so his time is up. No one seems to notice, though. I don’t blame Percy (or the other kids) for this, but Molly and Arthur should notice that they don’t have to replace a rat or have a talk about how Scabbers is happier in the great rat heaven. They don’t and I wonder why. My suggestions are: a) They are either not paying any attention to Percy and his pet (which would suck) or b) Scabbers is turning into Peter and uses a wand (his own or Molly’s) to confund them as needed (which would suck even more).

1987 – Percy starts Hogwarts.

At the end of the 1986/87 school year, Bill (who is a prefect now) takes his OWL in all 12 courses Hogwarts has to offer. It’s possible he returns his time turner after this or keeps it until his graduation to deal with his NEWT-workload. He now starts his sixth year. Charlie is in his fourth year and is already on the Quidditch team. Molly is very, very proud of both of them.

Percy is a wee first year and doesn’t have to watch out for any younger siblings for once. He can focus on learning instead. He is probably the first boy in the family to end up with hand-me-down robes, as he has a similar build as Bill and Bill has probably outgrown his first set.

Scabbers is six, now. So he has lived twice as long as a normal rat would. Still, no one has caught up to the fact that he is awfully old for a rat. It’s very likely that he accompanies Percy to Hogwarts. (It should be noted that Hogwarts only allows cats, owls and toads as pets, so Percy probably got a permission to bring a rat instead. However, no one at the school notices Scabber’s age either.)

Life at home is still chaotic. Fred and George are 10, Ron is 8 and Ginny is 7. Molly is probably teaching all of them. Her workload is slowly going down to a more manageable level, but keeping the twins in check is still a challenge.

She probably doesn’t expect Fred and George to do chores and watch over their siblings. (At least not in the same way she expected from her older kids.) Mostly, because she can’t trust them to do it. (Remember the Unbreakable Vow? Yeah, that.) Additionally, Ron simply has no authority over them, so that’s not an option either.

1989 – Fred and George start Hogwarts.

In his seventh year, Bill was made Head Boy. By now, he took his NEWTs and left school. He probably returns home for a little while, before he takes the first chance he gets to fuck off to Egypt and play with cursed tombs. (We should probably talk about English wizards, Egyptian treasures and colonialism here, but that’s a completely different can of worms.)

Charlie took his OWL and is now in his sixth year. He’s still on the Quidditch team and should be Quidditch Captain by now. He’s also a prefect. So between them, they got all the big achievements Hogwarts has to offer: Prefect (both of them), Head Boy (Bill) and Quidditch Captain (Charlie). Bill also got 12 OWL, which is an achievement on its own. Molly will measure her other children against this later.

Speaking of Molly: While her home life is going to relax a lot this year, her expectations are still around. She is still expecting her kids to do well in school. Considering that Fred and George are now at Hogwarts, the old demand “Watch over your younger siblings!” is back and in full swing. I can’t see Charlie doing it – he has his head full of dragons and Quidditch and lived five blissful years in Hogwarts without the need to look after anyone all that much. Sure, Percy was at school, but he has already learned to look after himself. I don’t think Charlie will start with this now. Not unless the twins interfere with his prefect- or Quidditch-duties or are completely out of line.

Percy is a different story, however. He is in his third year and still taking after Bill. Just like Bill he takes all electives, so it is likely that he also gets a time turner for this. At this point, Percy has ingrained the idea that he needs to perform exceptionally well at school and Bill set an incredible high bar to reach, but he is willing to do just that. He also spent a lot more time at home dealing with the twins. Molly’s expectations for him to be a good boy and to look after his younger brothers will now put pressure on him again. He will probably try to control their chaotic behavior, but they are 11 now, and they will listen to him even less than before.

For Fred and George, this is heaven. They finally escaped the watchful eyes of their mother and have a whole new world to explore. So many secret passageways and even more victims to play pranks on. Percy is annoying, but they can play pranks on him, too. They will soon steal the Marauder’s Map from Filch’s office, which will open up even more possibilities. It’s great. 10/10, no notes.

Life at home is finally manageable. It’s just Molly, Ron and Ginny (and also Arthur and his Muggle-stuff). This is probably a nice time for Ron, because there are no older siblings around to steal his limelight. However, at this point he has the family dynamic internalized and his self-esteem is pretty low overall.

1991 – Ron starts Hogwarts.

By now, Charlie has left Hogwarts. It is unlikely that he actually finished his education, however. When Harry becomes a member of the Gryffindor team in Philosopher’s Stone, Fred says: “We haven’t won since Charlie left, but this year’s team is going to be brilliant.” Had Charlie finished his education, he would have left in summer 1991. The quote is from autumn 1991. In this case, the quote would make no sense, because there were no matches for Gryffindor to lose between Charlie leaving and Harry becoming Gryffindor’s new seeker. So he must have left before then, probably sometime in his sixth or seventh year, after his seventeenth birthday.

It’s important to note that we don’t read about any fights over this. I can’t imagine Molly being happy with this, but he must have had her permission. (Otherwise we would know about it. Molly can’t shut up about the failures of the twins, she would not shut up about Charlie’s failures either.)

Percy is in his fifth year and a prefect. By now he is the career-driven rules lawyer we meet in canon. He will end this school year by taking all 12 OWL – just like Bill. (When Ron is made prefect in OotP, Molly makes sure to tell everyone that he is now a prefect, just like his older brothers, and she seems very comfortable doing so. I assume, Percy heard his fair share of this, when he was made prefect.)

The twins are in their third year and members of Gryffindor’s Quidditch team. By now, they have earned themselves a reputation as pranksters.

Ron is the sixth Weasley-kid to enter Hogwarts. While his older siblings might have gotten some second-hand stuff, everything he owns was basically handed down to him: Bill’s old robes, Charlie’s old wand and Percy’s old pet rat. To be clear: none of those things make much sense to hand down (or at least not to Ron).

Bill’s old robes should have gone to Percy after Bill left Hogwarts. They should be of a similar height, while Ron (as an eleven-year-old) should be somewhat smaller. Instead of handling it that way, Percy got new robes as a reward and Bill’s robes were handed down to Ron. This is clear favoritism on Molly’s part. It’s no surprise that Ron (who already feels overlooked by his parents) feels upset about it.

Giving him Charlie’s old wand makes even less sense. We know, that the wand chooses its wizard. Charlie’s wand did not choose Ron, so it would not perform as well for him. In addition, in book 1 the wand is described as follows: “He rummaged around in his trunk and pulled out a very battered-looking wand. It was chipped in places and something white was glinting at the end.”

That thing is basically falling apart. That was either a lot of wear and tear during Charlie’s time at Hogwarts (considering the fact that we have not heard anything about this with other wands, this is unlikely) or the wand was already a hand-me-down when Charlie got it. In either case, giving Ron a wand that has its core more or less poking out, doesn’t sound very safe. I wonder why Arthur and Molly decided to do this. Did they expect Ron to have a great learning experience with a damaged wand? Did they want Ron to use the wand until it eventually did break, saving them another year or two before they had to buy a new one? (And yes, they would indeed need to buy him a new one in his third year, but they had no way of knowing that. Unless there are prophecies for that kind of shit. And even then. The fuck?)

Money is tight, of course. But is it really that tight? They could afford to get Percy an owl, after all. And buying a wand for their son is an expense they've had 11 years to plan. I understand getting second-hand robes and cauldrons, as they see a lot of wear and tear. But this should not apply to a wand in the same way. This is just really, really odd.

And then there is the elephant – and with elephant I mean rat – in the room: Scabbers. Firstly, that rat should be dead for at least seven years by now. No one seems to notice. No one cares. What the fuck.

Secondly, why is Percy giving his pet to Ron? There just isn’t a great explanation for this. Scabbers has been his pet for ten years. TEN. Percy should be attached to his pet like glue. After all, he has Scabbers since he can remember. Why is he willing to part with his rat? The only reasons I can think of:

1) He does it because Molly asks him to. She is clearly playing favorites, here. Not only does he get new robes when he becomes prefect, but he also receives his very own owl as a gift. It’s possible that this owl comes with strings attached, and Percy is required to give Scabbers to Ron to get the owl. Which would be a pretty fucked up situation for every child involved and should’ve been handled differently.

2) Percy wants to get rid of Scabbers. He doesn’t know about Scabbers’ Peter-shaped secret, of course (otherwise he would’ve reported this). But it is possible that he feels, on a subconscious level, that something about Scabbers is off. Not in a dangerous way (again, he would’ve reported this), just in an unpleasant way. (This would still be odd. Especially when we consider that no one noticed Scabbers age.)

3) Scabbers has decided that it’s time to jump ship. Percy just turned fifteen this year. He is old enough to grow suspicious of his seemingly immortal rat. It’s possible that he cozied up to Ron to manipulate both boys into making the switch. Or he turned into Peter and confunded some Weasleys. Who knows. He’s still a Death Eater and mass murderer on the run, after all.

1992 – Ginny starts Hogwarts.

The flock has left the nest. Molly’s work is mostly over. It’s just her and Arthur who stay at the burrow. She still takes care of the household, but the responsibility for her kids rest on other people’s shoulders, now. There is nothing left to do, except knitting, sending care packages, worrying about her kids careers and hexing the occasional howler. Molly could get a job now or pick up a hobby or two. I mean, she does read Gilderoy Lockhart’s shitty books. She is a fan of his, after all. But she doesn’t seem to enter any community over this (no fan club, no reading circle, no nothing. It’s just her). And there are no other hobbies outside of that. 

Apropos community: We don’t really see her having a community. She is a pretty important side character, but the books never mention that she has friends or other contacts outside her family. It seems like she is focusing on her kids and only on her kids.

Which would explain her meddling. Because Molly meddles a lot, when it comes to her kids and their futures. She keeps putting pressure on Percy to look after his younger siblings – this will expand to Harry after she gets to know him. Percy (still a good boy) does as she wishes. It’s not healthy, neither for him nor for his relationship with his siblings (who are mostly annoyed by him), but Molly either doesn’t notice or doesn’t care. In the future, she will be very cross with Hermione after reading Rita Skeeters articles about her. She will also be upset about the twins' career choice and Bill's choice of girlfriend…

And yeah, that’s basically it. At this point, the family dynamic is firmly established and ingrained in her children’s heads. Percy is already set up to explode in the near future. Being Molly’s Golden Child is neither good nor healthy, especially considering all the pressure that comes along with it. His relationship with his siblings isn’t all that great, either.

Fun fact: We don’t know if anyone ever told him about Scabbers’ Peter-shaped secret. If it did happen, it was probably pretty traumatic. That shit-show was his pet for ten fucking years and he handed it down to his younger brother. That’s nightmare fuel, even if Peter never hurt any of them.

The twins have firmly established themselves as troublemakers. At least some of their “jokes” really aren’t funny and border on cruel, neglectful and/or harmful. (Remember the Unbreakable Vow? Yeah, still not funny. In 1993, they also tried to lock Percy in a pyramid. Yes, I don’t think they wanted to hurt him, not really, but that thing was still a cursed tomb. Things could have gone wrong, and at that point they were old enough to know better. In their last year they tested their joke-sweets on younger students who were neither adequately informed nor old enough to consent for something like this. Yes, they tested the sweets on themselves first, but something could still have gone wrong because of allergies and all that stuff. And after they left Hogwarts and started their joke shop, they do sell love potions to students, complete with options to smuggle that shit into school. Additionally, instead of going bad/losing their potency, those love potions get stronger with age. This alone is a horror story waiting to happen.)

Ron is affected, too. His self-esteem is pretty low when he starts Hogwarts and it will stay that way throughout the series. This will inform a lot of his decisions (especially the bad ones) in the future. 

We don’t know much about how all of this affected Bill, Charlie and Ginny. Bill and Charlie just aren’t as involved in the narrative, and Ginny stays kind of… bland and love interest-ish… throughout the story.

So… yeah?

Am I saying that the Weasleys did not love their kids? No, of course not. Especially Molly shows her love regularly. (Her love is more like a water hose than a watering can, however. Very intense and focussed on a single spot at a time, instead of reaching all her kids equally.)

What I am saying is that the Weasleys, as a family, are pretty dysfunctional. Many factors are playing into this – Molly’s and Arthur’s dynamic as a couple and as parents, the number of their kids, the war, etc. It’s impacting all of them negatively. Molly is stressed out, Arthur is out of touch and some of their kids lose their trust (either in their parents, in their siblings or in themselves.) It also makes their love feel conditional. The twins feel this whenever Molly is comparing them with their older (more well-behaved) brothers. Percy feels this when he comes home with that promotion and is demoted from Golden Child to family-traitor within a heartbeat. Ron has internalized it and desperately seeks attention and affection elsewhere.

They still love each other, but it’s a difficult position to be in for most of them.

And the worst thing: I don’t think Rowling notices any of this. She did not intend the family to be as dysfunctional as it is. She keeps portraying the Weasleys as this great, loving family who took Harry in when he needed it the most. And of course they did – but that’s not all there is to it. There are so many issues that go unresolved in the books. Molly never learns to back off. The responsibility for the conflict between Arthur and Percy is placed entirely on Percy, despite Arthur being at fault, too. The twins never really learn that a prank can go too far. Ron doesn’t really solve his self-esteem-issues. Rowling does start to give him some character development regarding his self-esteem-issues multiple times, but he always seems to revert back over the course of the summer holidays. 

The family really deserved more effort to go into the writing.

Note: This analysis is not meant to say that stay-at-home parents are bad or that Molly should have gotten a job while having seven little kids at home. What I am criticizing is the way we treat care work. Because it is work, and a lot of work. A stay-at-home parent is often on call 24/7. A stay-at-home parent never really gets to take a break, never can take a day off, and never just can leave their work for another day. But they do deserve breaks and days off, just like any person with a day job. And that is where their partners and the rest of their families come in.

And this is the other thing I wanted to criticize here: The way we glorify living as a nuclear family. It’s said that you need a village to raise a kid and I do think this is true. Having more people involved in child-rearing (be it relatives, neighbors or professionals like teachers) is a boon. Families had access to this for millennia. Raising your kids with the help of your family and your village was normal, up until very recently. And it’s a shame that the Weasleys seemingly had no help like this. And yes, I do see the fault with Rowling, who wrote them that way. She basically took the concept of the nuclear families of the 1980s and 1990s and slapped it onto the family, without any world building at all.

(Please also note, that I consider stay-at-home parents to be different from tradwives. When I use the term “tradwife”, I am specifically referring to stay-at-home mothers who do not just take care of their household and their kids, but who also commit themselves to having as many kids as possible and who tend to take on other duties (like homeschooling) as well. The most common examples of this are probably families who belong to fundamentalist Christian churches or cults.)

[hummingjay]

Random Replika headcanons because replikas are cute

Aras spend a lot of time crawling in vents, so their upper body strength is next level. They're also really good climbers. Also, when they do climb, they use overly smooth movements, like walking without bobbing up and down, mostly so they don't jarringly drop a tool on a belt, but this freaks others out. Some Aras find the smell of exhaust comforting, but not in the vents. It's like hearing bugs and animals in the forest: Comforting and safe-feeling in the forest, but a deer cry in the city is disconcerting. They also have excellent night vision, even though they carry flashlights. Kolibris are almost entirely immune to caffeine. Lots of sweet tea, so they're hyper which helps a heck-ton with keeping up with Storches and other taller fellas. Aras either love or hate hanging with them depending on the Ara or Kolibri, since on one hand Kolibris can get past their stoic demeanor and on the other Aras can't really keep to themselves. Uncannily good at close quarters combat, despite small stature. Goes for the crotch hard and often. They mainly use bioresonance for non-combat means, as overuse causes headaches and nosebleeds. If a kolibiri does try to kill with bioresonance, it is extremely painful for both parties, ending with ears, eyes, and nose bleeding, and sometimes so painful victims attempt ending themselves partly through. This usually only happens on accident, when a Kolibri is extremely unstable, Storches favorite drink is unironically water. I love water too so no hate. They like watching Aras climb since it reminds them of a spider, which they find cute, especially when Aras carry wire with them. In every cadre at least one (1) Starling has snorted gunpowder at one point. Both Starlings and Storches have built in ear protection for gunshots.

Elsters are also stoic and when given the chance hang out with Aras, sometimes only talking about mechanics. Because Eules are friendly, patient, and can read Aras faces, they eventually get close and an Ara may give access to vents or plants. This is the equivalent of a platonic (or not) wedding ring.

If an Ara decides you're unkind and shares this info with the cadre, it's not just a silent treatment. If you're mean enough, floors will come loose, doors will randomly malfunction, your service requests will remain unanswered just until Adler is about to file a performance complaint, and lights will randomly turn off. If anyone tries to bully a Mynah in any way will face consequences, severe ones. The culprit behind this could be literally anyone except Mynah, and consequences vary depending on the culprit, from ostracizing to being 'accidentally' locked in a room, to being straight up beaten up, and sometimes if the bullying is bad enough high ranking units will opt for decomissioning for 'disrupting workflow' and 'assault on a worker'. Once Storches get past their sadistic tendencies they're actually really fun to hang around and converse with, especially on literature on mythology and warfare. Odd fascination on Sisyphus but it's debated between Storches on wether he's happy or not. Adlers write and they write well. Handwriting on point, but they rarely write in cursive. Because they're sticklers for the rules not all Replikas like them too much, but as long as you comply with regulations they're relaxed guys who enjoy talking about writing and pens. Never insult a favorite pen. They will despise you. Debating pens in a general sense is admissible and often enjoyable. Insulting their Falke can and will have them legitimately attempt to murder you with whatever is on hand, always stating that a 'crime against the nation was committed'. Adlers can forgive protocol mistakes but never forgive such a sin. So long as performance is not hindered protocol breakages are permitted. Adlers are chill with replikas and even Gestalts having relationships with each other, and sometimes covers for them. If performance drops this can change. Each one writes fictional stories about an OC that they will never talk about but Kolibris and Falkes know about anyway. Often immune to propoganda but genuinely don't care, they legitimately love the nation enough that they're okay with whatever the nation is doing. Eules will go out of their way to be nice. If you out-nice them they can and will think of it as a challenge. They sometimes place freshmade food near the kitchen vents to let the Aras know it's time to eat. Eules will use ribbon to tie bows on each others hair and arms. Falkes quickly grow extremely protective of their workers, sometimes extending this fondness to gestalts, though they always let them work most grievances out on their own. If Aras grow similarly fond of their Falke they'll report back to her like Odin's ravens.

[fuck-customers]

So y’all know how when you go to a clinic you usually end up waiting 30+minutes past your appointment time, and you get upset because you probably received a dozen notifications beforehand telling you to arrive early or else? Yeah, lemme give you a peak behind the curtain real quick. Spoilers: it’s management obsessing over money

So at my company, appointments are automatically only fifteen minutes long, but we have the opportunity to edit appointments to be thirty minutes long instead of fifteen, which we usually end up doing because of a mix of chronic understaffing (like only two people per clinic levels) and the fact that a lot of people need more than fifteen minutes to be taken care of, even for “simple” things like runny noses. Management doesn’t like that, though. See, going from fifteen to thirty means going from four patients (or customers in their words) to two, therefore half the money.

So they call us lazy, tell us we’re “triaging” and “pre-diagnosing” and will literally stop us from doing our jobs to make us explain every individual thirty minute appointment or added break. They also frequently change our equipment, our policies, our workflows, and don’t tell us until after, so we have to learn things on the fly or play catch up. Nearly 100% of these assholes have no medical degrees or certifications, and several of them have openly told me they’ve never worked in healthcare before

So yeah, next time you’re stuck in a lobby for an hour past your appointment, know it’s because someone without a degree gave the people with degrees garbage cans masquerading as medical equipment and told them to (for HIPPA’s sake know these are generic examples and not specific patients) sew together someone’s grandma’s face in fifteen minutes (we can’t, so you get pushed back) followed by seeing a car crash survivor in fifteen minutes (we can’t, so you get pushed back) followed by some traumatized three year old with a UTI in fifteen minutes (WE CAN’T, so you get pushed back), etc.

We’re trying y’all, but we just get punished for it and your wasted time means nothing to management’s money

I'd always just assume it was the bean counters that quadruple the appointments to squeeze more people in at a time for max profits.

My Rheum is especially bad about that. You get there the "mandatory" 15 minutes early, they'd call you back 2 hours past. Leave you in the room alone for another 45min to an hour, then take your vitals and after another 2 hours he walks in says "everything looks good and I'm sending in your refills." and walks out and it's over.

30 years of it and the supermarket still gives me grief when I take the whole day off. "You don't need the whole day for a 15 min appointment." Like they have never been to a doctor. My Rheum is the only one on my insurance for 350 miles. So...

-Rodney

[lucabyte]

Psst. What's your process for Comics? I would like to Know (Because your ISAT comics make me a little bit feral and I would like to learn)

Okay so the cop out answer is: i basically wing it every time since im very very new to making comics and my method is still evolving. but that's not helpful and i like to yap so ill talk through My Method anyway

So first of all: Ideas.

All my ISAT shit is like. extremely dialogue heavy & mostly focused on the same like. 3 topics and philosophical concepts over and over lbr. So mostly when it comes to drafting that I'll just let my brain bash the dolls together until i notice either 1. a fucking banger line (this usually becomes a punchline i then work backwards from when writing it out) or 2. that i keep coming back to the same like 'scene' in my mind.

(I'd love to know. how to make this work for like. OCs??? But I haven't quite cracked that one yet sorry)

For the former though what usually happens there is I write things out on my phone (this happened with the bonnie-centric ones a lot?) or i'll leave a voice note for myself. Or, if i'm at my computer it goes straight into notepad, which is where everything goes before i draw it.

so these are just like. Disgustingly strewn about on my desktop. But this is how i type up the comic scripts, which I do before i put the dialogue in csp because csp's text tool sucks ass, but you can see how these end up having Some Semblance of the final formatting? Some more than others. But they don't have much consistency in how i'm tagging the dialogue LOL. (bonus: one of these i never ended up making. because i come back to the same wells SO FREQUENTLY that it gets embarrasing to retread sometimes) Then I just... screenshot the notepad file and paste it into a csp window LOL.

So I've pulled up three comics just because theyre like, recent ones? (Links to all 3 -> x, x, x) And oh yeah immediately they're rather inconsistent. But this is the level of detail i do in my thumbnails. (Hello Golf Ball Loop) MOST of my long ass comics look like the first one though, and all of them follow the same thought process.

I will take the dialogue, and then just draw a panel that i think works with it. Then move onto the next line, and the next. Basically thinking mostly in speech bubble placement rather than anything? But I'll just keep... going downwards until it is done. You can see the speech bubbles tend to include either nothing or the vaguest indicator of what's inside them.

(The third one here is an outlier because iirc I actually had this very visual idea while drawing something else and went to go quickly draw it out so the text actually went right into CSP bc there was so little of it. But it was still panelled really sequentially for what action I know I wanted in each panel.)

Overall this is probably because of my habits from learning animation? I thumbnail as if im storyboarding, if that makes any sense. Or is any different to how people usually do it, anyway.

My friends who actually read comic books have told me off already for my vile leaning-tower-of-pisa bullshit formatting. I understand their criticisms because genuinely what the fuck am I doing half of the time? I like it though lol. It's a reflection of how stream-of-conciousness my workflow tends to be, but fuck if it means the aspect ratios aren't the wooooorst LOLL

Then i resize the thumbnails to be roughly 1920px wide, aspect ratio be damned. And at this point I usually also have to draw a big grid so that i can align the comic and make it not on a weird tilt. The most thought that goes in here is that I try to avoid making panels too samey in layout from line to line, and try to keep vaguely to making panels the same-ish height but a width of the page either in halves or thirds. Making it so they aren't completely inconsistent sizes does a lot for making things not look too sloppy.

My first sketch over the thumbnail usually is neat enough to be The Final Lines because I'm impatient. EXCEPT when i realise its going to get Fucking Complicated at which point i pull out the CSP models and my beloved cubes. Then i take a billion years to pose a consistent scene (and often realise where I need to cheat angles. Like for loop reaching down to sif's face. That doesn't make sense in 3d space so I had to cheat). This is basically par for the course whenever I want to do a scene where there's Any consistency in character positioning and they aren't just Talking Heads.

THEN. After the sketch (which was done with speech bubble placements in mind back at the thumbnail stage) I will finally put in the speech bubbles. This usually means re-sketching them, then putting the text down and doing all the typesetting (VCR mono looks very ugly in CSP a lot of the time so I fuck with the spacing of individual letters a lot) and THEN redrawing the speech bubbles around them properly.

Sometimes I'll fuck myself over here and have to move stuff but ideally, if I weren't working like some kind of fucking barbarian, I'd do the speech bubbles before finalising the lineart. But I don't on account of going straight from thumbnail to final lines. You'd do this during the sketch stage if you were normal.

then it's finally panel border time. And then when I get to this stage I just make like. another few new layers above everything but the text where i just clean up. Everything that I had neglected while drawing. So any extra white lines or places where i just think things look bad and i want to redraw them entirely. I will also sometimes literally make a flattened copy of an entire panel to just move it around slightly. It's a deeply evil part of the workflow and i apologise for it. But also it's the major benefit to drawing in straight black-and-white with no tones. It means i can just overdraw anything that is unclear in the end.

(and reposting again Links to all 3 -> x, x, x for easy comparison if u want it)

ANYWAY for further reading. I know I've already stated these before somewhere on my blog but for ease of access... The major inspirations for how my comics Look are as follows:

1. tumblr user Floralmarsupial's homestuck comics found [HERE]. She did a LOT of straight up black and white comics that are ingrained deep in my brain at this point. These are always in the back of my head.

2. Leo Fox [LINK] regularly gets really strange and esoteric with overlapping panels and unorthodox layout. I stared at these a lot when i was starting to make the first couple ISAT comics even if i'm not going nearly as abstract as him

3. tumblr user the-hydroxian-artblog's comic Hangin' Out [LINK] has GORGEOUS typesetting and their art in general uses a lot of speech bubbles that convey some really funny shit by just resizing the text in funny ways. Gold standard for emotive typesetting and also their lin weight and b/w illustrations are gorgeous.

4. sonic the hedgehog idw keeps me humble and reminds me to make the speech bubbles fucking SMALLER. if im left to my own devices i make speech bubbles and fonts WAY too big so reading a cleanly formatted professional comic book for children reminds me what i should be aiming for in legibility.

anyway hope this helps? the answer really is "fuck it we ball" tho

[amethystfairy1]

Why does Tango wear a crop top? 🤔

Let's find out...

10 Years Ago 

Under-City Labs

“Little spark!” 

“What!? What!?” Tango about toppled from the step-ladder he was sitting on, in order to reach up and tinker with the guts of a massive sorting machine he’d designed for identifying resources from deliveries and then transporting them to the lower levels. 

He spun where he sat to swing his boots over the edge of the step-ladder and peered down. 

Doc was standing there with a supremely disappointed expression on his face. Tango immediately filed back through all of his doing within the past month trying to figure out what he’d messed up this time. 

The creeper mutant tapped one loafer a few times. 

Tango matched ruby red eyes with him, trying to keep any nervousness off his face.

“Y-Yeah? What can I do for ya, Director?”

“Do not call me that.”

“Doc. What can do for ya, Doc?”  

Doc’s natural eye narrowed.

“What are you wearing?”

Tango glanced down at his outfit. Currently he was wearing a redstone streaked old tee shirt he’d long since torn the sleeves off of. It was oversized, to be honest he might’ve stolen it off of Jimmy in high school, he didn’t really remember. His claws were on full display, caked with grime considering he put them use helping him work with the finer wiring.

Instead of using. Y’know. Pliers or something. 

“W-Work clothes? Why?”

“Those are not work clothes. Work clothes are gloves and long sleeves, Tango.” Doc replied with the tone of a mother hen, and the little blaze-born whined in the back of his throat.

“But it’s sooooo hot in here! I’m already on fire!” 

“So you are. That does not mean you cannot get burnt or cut working with these machines.”

“I’m careful…” Tango began but Doc raised his eyebrow at him with a firmly set jaw and folded his arms, augmentation over green skin. 

“…ish.” 

“Gloves and long sleeves.”

“But Doc! I also use these for working with wiring, it’s easier than pliers!” 

Tango made grabby hands down from the step ladder at Doc, clicking the sharpened tips of his claws together.

Doc’s augmented eye adjusted, red glow flickering. He tilted his head and heaved a ragged sigh, raking back longish dark brown hair with his metal hand and planting his other hand on his hip. 

“I can see that, and for small projects that is fine, but not when you’re working in mechanical here.” 

“But it’s so hot.”

“Then take breaks!” 

“I don’t wanna take breaks!”

“Tango!” Doc’s tone dropped one octave from his already deep voice, and Tango flinched. His flares momentarily went out completely before sputtering to life again. He’d been practically raised by this man, and now that he’d started at the labs earlier this year he’d been trying to learn the balancing act of their workplace dynamic.

Which, as it turned out, wasn’t all that different from their dynamic anywhere else. Doc was allergic to authority and despised formality, for the labs was more like a big conglomeration of the under-city’s best and brightest just kind of…figuring things out. There was a loose hierarchical structure, but that was more just so the assignment of workflow would be more comprehensible and less completely and utter chaos. 

So Tango huffed and spun back toward the machine he was tinkering with, shoving his hands up into the wiring, tongue poking out and worrying between his sharp teeth as he shouted back in reply.

“Fine, fine, fine, I hear ya! Gloves and long sleeves from tomorrow on out, you got it!”

The Next Day.

“Tango!”  

Tango fumbled the comparator he was holding and dropped it to the ground with a clatter he jumped so hard when that booming voice shouted over his workshop area within the mechanical branch of the labs. 

“Why have you gotta scare me like that!?” The blaze-born demanded as he turned to see Doc picking his way around the chaos of Tango’s workshop area. It wasn’t exactly organized, but it was organized enough for him, and sure, the last time Pearl had visited him during work hours she’d about had a conniption, but whatever. This was how he worked best. 

“What is that!?” Doc gestured at Tango pointedly. 

“What? You said gloves and long sleeves, so I’m wearing gloves and long sleeves!” Tango was barely able to hold back the mischievous grin that tried to clamber upon his face.

Doc looked him up and down twice.

“You’re kidding me.”

“Gloves and long sleeves. See?” Tango set the comparator he’d been carrying aside and then threw his arms out and made jazz hands. His flares crackles and his blaze-rods danced and twirled to mirror his amusement at Doc’s rather stunned expression.

Tango had traded the old cut-off tee for a tight, bright red cropped long sleeve that cut just beneath his pecs, leaving the entirety of his toned stomach exposed down to his belt, which held several tools as well as a carabiner clip for his gloves. His brown work gloves were new, Doc had gotten them for him as apart of his toolkit for starting work in the mechanical sector of the labs full-time after having helped out more and more since his mid-teens. They still felt a bit stiff, but Tango supposed they’d break in the more he wore them.

Doc planted his head into his hands and groaned. 

“Little spark, you’re going to drive me insane, aren’t you?”

“Pleased to be working with you too!” 

Tango saluted, then spun on his heel to return to his work, his tail coiling and twisting cheerfully behind him, and Doc rolled his eyes, but didn’t fight him anymore on it. 

...

And there you have it! That's why Tango wears a crop top! Because he's a little shit who subscribes to the idea of malicious compliance!

This was a bit short for my taste to post on A03 with the entire series proper, but I felt like just writing it anyway, and I figured would be fun to have them over here! I'll be tagging little stuff like this as 'ttsbc ficlets' and if you have any other small seeming innocuous questions about TTSBC or Traveling Thieves that you think would be fun to see answered in this format, please do send me an ask! I think it'll be fun and as some of y'all who have followed me for awhile may know, I struggle with writing short, so this seems like it'll be good practice!

Hope you liked it! 💖

[txttletale]

Your discussions on AI art have been really interesting and changed my mind on it quite a bit, so thank you for that! I don’t think I’m interested in using it, but I feel much less threatened by it in the same way. That being said, I was wondering, how you felt about AI generated creative writing: not, like AI writing in the context of garbage listicles or academic essays, but like, people who generate short stories and then submit them to contests. Do you think it’s the same sort of situation as AI art? Do you think there’s a difference in ChatGPT vs mid journey? Legitimate curiosity here! I don’t quite have an opinion on this in the same way, and I’ve seen v little from folks about creative writing in particular vs generated academic essays/articles

i think that ai generated writing is also indisputably writing but it is mostly really really fucking awful writing for the same reason that most ai art is not good art -- that the large training sets and low 'temperature' of commercially available/mass market models mean that anything produced will be the most generic version of itself. i also think that narrative writing is very very poorly suited to LLM generation because it generally requires very basic internal logic which LLMs are famously bad at (i imagine you'd have similar problems trying to create something visual like a comic that requires consistent character or location design rather than the singular images that AI art is mostly used for). i think it's going to be a very long time before we see anything good long-form from an LLM, especially because it's just not a priority for the people making them.

ultimately though i think you could absolutely do some really cool stuff with AI generated text if you had a tighter training set and let it get a bit wild with it. i've really enjoyed a lot of AI writing for being funny, especially when it was being done with tools like botnik that involve more human curation but still have the ability to completely blindside you with choices -- i unironically think the botnik collegehumour sketch is funnier than anything human-written on the channel. & i think that means it could reliably be used, with similar levels of curation, to make some stuff that feels alien, or unsettling, or etheral, or horrifying, because those are somewhat adjacent to the surreal humour i think it excels at. i could absolutely see it being used in workflows -- one of my friends told me recently, essentially, "if i'm stuck with writer's block, i ask chatgpt what should happen next, it gives me a horrible idea, and i immediately think 'that's shit, and i can do much better' and start writing again" -- which is both very funny but i think presents a great use case as a 'rubber duck'.

but yea i think that if there's anything good to be found in AI-written fiction or poetry it's not going to come from chatGPT specifically, it's going to come from some locally hosted GPT model trained on a curated set of influences -- and will have to either be kind of incoherent or heavily curated into coherence.

that said the submission of AI-written stories to short story mags & such fucking blows -- not because it's "not writing" but because it's just bad writing that's very very easy to produce (as in, 'just tell chatGPT 'write a short story'-easy) -- which ofc isn't bad in and of itself but means that the already existing phenomenon of people cynically submitting awful garbage to literary mags that doesn't even meet the submission guidelines has been magnified immensely and editors are finding it hard to keep up. i think part of believing that generative writing and art are legitimate mediums is also believing they are and should be treated as though they are separate mediums -- i don't think that there's no skill in these disciplines (like, if someone managed to make writing with chatGPT that wasnt unreadably bad, i would be very fucking impressed!) but they're deeply different skills to the traditional artforms and so imo should be in general judged, presented, published etc. separately.

[grits-galraisedinthesouth]

John Kettler: Chief of The unSUCCESSFULS Invisible Staff

John Kettler is out after only three (3) months on the job. No sympathy for anyone who partners with these two (2) bullies. You're either too lazy to read a book or maybe you like to help bullies.

"Joshua lives with his wife in Santa Barbara, CA and holds an MBA from Clemson University with an emphasis on Entrepreneurship and Innovation."¹

Richard Eden for Daily Mail: When the Duke of Sussex appointed Josh Kettler as his grandly titled chief of staff earlier this year, it was said that he was the perfect man to 'guide' Harry 'through his next phase'. However, the Daily Mail understands that Mr Kettler has suddenly quit his job after scarcely three months, amid much intrigue. Josh Kettler is no longer working for them,' a source in California told this newspaper today. The timing is a particular blow to Harry and his wife Meghan as Mr Kettler would have been expected to accompany them on their 'quasi-royal tour' of Colombia, which kicks off this week."

The total number the Sussexes have lost since they married in 2018 is said to be at least 18, with nine or more having left since they moved to California in 2020.

Mr Kettler was seen entering St Paul's Cathedral with the duke for the anniversary service, which was attended by figures including Harry's uncle, Earl Spencer, but no other members of the Royal Family.

Later that month, Mr Kettler was a key figure on the Duke and Duchess of Sussex's three-day 'tour' of Nigeria and was by Harry's side as he met government officials in the West African country. His role on the visit was said to be a foretaste of what he would achieve in the future.

Prince Harry and Meghan with Mr Kettler (circled) by their side. His role on the visit was said to be a foretaste of what he would achieve in the future.

¹Bio: "Joshua Kettler is an experienced executive accelerator, organizer, and confidant. Seasoned in guiding C-suite functions, critical cross-functional program management, high-level strategy development, and board of directors / investor relationship management. Focused on bringing unparalleled products and experiences to customers while working in lockstep with leaders, executing on their vision.

Joshua spent the better part of a decade with Patagonia, a leader in outdoor apparel, serving as a trusted resource and right hand to the Vice President of Global Sales and Customer Experience. He helped direct all revenue driving strategies and operations worldwide, spanning seven major markets and $1B+ in yearly revenue. His efforts included managing the organization's workflow, prioritization, and oversight of regional GMs, while providing input on critical decisions including distribution strategy, customer touch points, internal and external communication, organizational structure, and personnel matters.

In 2021, Joshua shifted is focus to start up ventures, becoming Chief of Staff to the CEO of Better Place Forests and most recently joining Cognixion as Chief of Staff and Head of Strategic Partnerships, helping to accelerate and support the transformative AR / BCI company.

Joshua is an avid trail runner and skier, and a steadfast supporter of conservation and the environment. Joshua lives with his wife in Santa Barbara, CA and holds an MBA from Clemson University with an emphasis on Entrepreneurship and Innovation."

[blissfullyunawares]

5 Days of Helping You Outline Your Next Novel

Day 5: Obsidian for Outlining

Find all 5 installments of the mini series: helping you outline your next novel

*I have added a layer of “static” over my screenshots so they are distinctive enough to stand apart from the surrounding text

did you miss this series? here you can find all posts here: [day 1] [day 2] [day 3] [day 4]

Do you use Obsidian?

What is Obsidian?

A note-taking and knowledge management tool that allows you to create and connect notes seamlessly.

Uses a local-first approach, meaning your data is stored on your computer, not the cloud (unless you choose to sync).

Features bidirectional linking, which helps create a non-linear, networked way of organizing ideas—great for brainstorming and outlining.

Why should you use Obsidian?

Flexible & Customizable – Unlike rigid writing apps, you can design your own workflow.

Distraction-Free Writing – Markdown keeps the focus on text without extra formatting distractions.

Ideal for Outlining & Organization – Connect story ideas, characters, and settings effortlessly.

Obsidian for Writing

Outlining

Creating a One Pager

Create a single markdown note for a high-level novel summary.

Use headings and bullet points for clarity.

Link to related notes (e.g., character pages, theme exploration).

Here’s an example of an outline I’m currently using. This is what my website will have on it (and what goals I hope to achieve w my website)

Using the Native Canvas Tool

Use Obsidian’s native Canvas tool to visually outline your novel. (Best on PC)

Create a board with columns for Acts, Chapters, or Story Beats.

Drag and drop cards as the story evolves.

Writing

Why Write Directly in Obsidian?

Minimalist interface reduces distractions.

Markdown-based formatting keeps the focus on words.

No auto-formatting issues (compared to Word or Google Docs).

Why is Obsidian Great for Writing?

Customizable workspace (plugins for word count, timers, and focus mode).

Easy to link notes (e.g., instantly reference past chapters or research).

Dark mode & themes for an optimal writing environment.

Organization in Obsidian

Outlining, Tags, Links

Each chapter, character, important item, and setting can have its own linked note.

Below, for example, you can see the purple text is a linked page directly in my outline.

Use bidirectional linking to create relationships between (story) elements. Clicking these links will automatically open the next page.

Tags can be used for important characters, items, places, or events that happen in your writing. Especially useful for tracking.

Folders for Efficient Storage

Organize notes into folders for Acts, Characters, Worldbuilding, and Drafts.

Use tags and backlinks for quick navigation.

Creating a separate folder for the actual writing and linking next (chapter) and previous (chapter) at the bottom for smooth navigation.

You can also create and reuse your own internal templates!

Spiderweb Map Feature (Graph View)

Visualize connections between characters, plot points, and themes. Below you’ll see the basic mapping of my website development project.

This view can help you spot disconnected (floating) ideas and create bridges to them.

Exporting

Why Export?

Ready to format in another program (Scrivener, Word, Docs, Vellum, etc).

Need a clean version (removing tags, notes, etc) for beta readers or editors.

Creating a backup copy of your work.

When should you export?

Personally, I like to export every 5 chapters or so and update my live version on Google Docs. This allows my family, friends, and beta readers to access my edited work.

After finishing a draft or major revision.

Before sending to an editor or formatting for publication.

Where should you export?

Personally I copy and paste my content from each chapter into a google doc for editing. You may also want to make note of the following export options:

Markdown to Word (.docx) – For editing or submitting.

Markdown to PDF – For quick sharing

Markdown to Scrivener – For those who format in Scrivener.

To Conclude

Obsidian is an invaluable tool for novelists who want a flexible, organized, and distraction-free writing process.

Try setting up your own Obsidian vault for your next novel! Comment below and let me know if this was helpful for you 🫶🏻

your reblogs help me help more ppl 💕

follow along for writing prompts, vocabulary lists, and helpful content like this! <333

✨ #blissfullyunawaresoriginals ✨

[luminavt]

Level-5, Fantasy Life:i and Generative AI Stable Diffusion.

The Developer of Fantasy Life: i, Level-5. Just announced a lot of delays for their upcoming games at Level 5 Vision 2024: To the World's Children.

In this presentation, a lot of the games showed off BEAUTIFUL and unique looking art styles and character designs. They stand out from what a lot of current anime games were offering.

I watched it live on stream and my stream community enjoyed seeing it all. However the very next day?

We learned through this article posted above, that the developer had started to embrace using Stable Diffusion, a form of Generative AI, for the Art Assets in three of its games. Megaton Musashi, Yokai Watch, and Inazuma Eleven are shown in the official government presentation.

As someone who is very passionate about Fantasy Life i?

Seeing the company you grew up loving embrace a form of Generative AI that doesn't collect the data of their original works without explicit consent is HEARTBREAKING.

However, I want to be as clear and accurate as possible.

There is very clear evidence that Level 5 is embracing Generative AI for the games listed in the video. There is no clear evidence that these techniques were used in the development of Fantasy Life: i. This post is being shared with you for your awareness.

Fantasy Life for the 3ds is one of the most magical games I've ever played.

The game had so much charm that I showed a minimum of 6 different friends, and upon just watching me play it? They immediately went to buy the game themselves.

It was so charming, so simple yet aesthetically pleasing that anyone could appreciate it for what it was.

This game was developed by Level-5.

The fact that Level-5 was the developers is what got my eye on this game in the first place. Ever since Dark Cloud 2 for the Playstation 2 I fell in love with what these developers can do.

Dark Cloud, Ni no Kuni, Rogue Galaxy, I fell in love with the developers ages ago and what they do meant a lot to me.

It feels awful that I cannot feel comfortable supporting the developer as a whole anymore.

I don't fault anyone if they choose the purchase the game still because ultimately, i know the game means a lot. Part of me still wants to experience the game.

However, its clear that Level 5 is one of the developers who plan to fully integrate Gen Ai into their development cycle going forward and I wouldn't be surprised it's why they have so many delays in all their games. As they may be adapting to a new workflow.

As someone who heavily endorsed this game as a streaming vtuber, I felt it was only fair I spread this information. Thank you.

Link to the article will be on my following tumblr post for full context.

[trendoptimizer]

🎬 Content Creators Are Leveraging AI to Follow the Latest Trends in Video Editing! 🤖✨ Stay ahead of the curve with AI tools that make it easy to adopt cutting-edge video editing techniques. From automated transitions to dynamic effects, creators are using AI to produce trendy, polished content faster than ever. Elevate your editing game today! 🚀🎥 Click this link : https://tinyurl.com/3tyr7c8x

[seniorpollinationtechnician]

Meet the Townies: ᴇᴛʜᴀɴ ᴀɴᴅ ɪꜱᴀᴀᴄ

Ethan Harper grew up an only child and spent his formative years immersed in the world of engineering. His fascination with machines and technology was inspired by his father who was a skilled mechanic. While attending high school, Ethan secretly began working on a personal project where he attempted to design and build a robot. He poured countless hours into this endeavor, often sacrificing teenage milestones to tend to this robot he later named ISAAC (Intelligent System and Advanced Assistant Companion). Upon graduating High School, Ethan enrolled at Foxbury Institute where he pursued a degree in Mechanical Engineering. During his time there, Ethan excelled in his studies, consistently earning top marks and impressing his professors with his innovative ideas and dedication to the craft. In his free time, he continued to work on ISAAC since the university's state-of-the-art facilities and access to cutting-edge resourced allowed him to make significant improvements. He refined ISAAC's design, enhanced its capabilities and incorporated the latest advancements in artificial intelligence and robotics. After graduating with honors from Foxbury, Ethan quickly began carving out a professional life for himself. His reputation as a brilliant young engineer opened many doors and he received numerous job offers from leading tech companies. Ethan's expertise eventually caught the attention of the military who offered him a position to develop a project for them. Though he initially hesitated, the opportunity was too enticing to pass up. Despite his professional success and the accolades he received for his work, Ethan felt an intense void in his life that he couldn't seem to fill. His relentless pursuit of perfection in his projects, particularly with ISAAC, often left him feeling isolated. The extensive time he spent in the lab, both during his time at Foxbury and throughout his career, meant that his personal life took a backseat. Ethan's social interactions were limited and he found it difficult to connect with others on a deeper level. His closest colleagues, at one point, noticed and gently encouraged him to step out of his comfort zone and try dating. Ethan reluctantly agreed and while the dates he went on did not lead to a lasting relationship, it helped Ethan open up and see the value in balancing his personal and professional life. As he continued to make strides in his professional career, Ethan was approached by his alma mater, Foxbury institute, with an invitation to teach part-time. The university recognized his achievements and believed that his expertise could inspire and educate the next generation of engineers. Teaching at Foxbury became a profoundly rewarding experience for him. Standing before eager students, he shared his knowledge and passion. He found joy in helping them navigate their own paths and would often encourage them to think creatively and push the boundaries of what was possible. Meanwhile, ISAAC continued to improve every day, becoming an indispensable part of Ethan's life. By this point, ISAAC's capabilities extended far beyond what Ethan originally intended. ISAAC excelled in research assistance, laboratory management, and technical maintenance. The robot could analyze complex data, run simulations and suggest innovative solutions to engineering problems which significantly sped up Ethan's workflow. ISAAC also managed clerical tasks such as organizing files, scheduling meetings, and maintaining equipment, allowing Ethan to focus on more critical aspects of his projects. ISAAC'S home automation features made Ethan's personal life a breeze, as well. The robot could control various smart devices, perform household chores, such as cleaning and grocery shopping, and even cook meals based on Ethan's dietary preferences. Recently, Ethan and ISAAC relocated to the town of Oasis Springs due to a job offer at a cutting-edge research lab.

[prince-liest]

The more comfortable I get with the inpatient workflow (knowing how to order things, how certain things work and are done, how to navigate the EMR, etc), the more happy I am to realize that inpatient rotations aren't actually all that bad in terms of the work of them. They suck specifically because they are exhausting 12-13 hour days, 6 days a week and you simply do not get to have a life while you're on this rotation but while I'm at the hospital, it's pretty much fine.

I wish I had the time and energy to work out and also not eat two out of my three meals every day of hospital food, and more time to rest, but I'm also relieved that I definitely do not actively dread or fear going to work every day like I was worried I might. Like, it sucks, but it's not active misery, yfm? My spirits are high. Definitely not super tenable, though.

Also, I have ED next and honestly fuck the emergency department. So glad there are people out there that enjoy emergency medicine, but I am simply not ADHD enough for that shit. I didn't have any bad shifts on my first ED rotation but I still disliked the whole workflow and baseline stress levels.

Anyway, things that did stress me out this week (CW dire hospital shit):

lady who kept threatening to leave the hospital against medical advice because she hated being there that much, even though she had an infection for which she needed an IV-only antibiotic or else she would almost certainly die. everything kept going wrong. she could go home with a central or midline cath; her line was peripheral; picc team couldn't put in a picc line because of her surgical history, so we had to go to interventional radiology and put in a Hickman line; we found this out on Friday and so she wasn't scheduled until Monday; on Monday she almost got moved to the next day because there was an emergency bleed during her time that IR was needed for and she said if we didn't get her scheduled in 45 minutes she was leaving the hospital. ended up discharging her at like 6pm on Monday and I ended up crying at work on Friday (the 13th! yay,,) in the resident library which surprised even me but apparently I'm not immune to "so WHAT if I die?? what do I have to live for? cancer and pain?" after three days of doing my best to juggle "doctor" with "therapist" every time I saw her. she likes me a lot which I think means I did a decent job but that really ran out my emotional energy.

the dude whose nurse called me three times in 45 minutes while I was trying to juggle discharging the above lady and doing my first admit. he was throwing things at the walls in his room because he wanted a cough drop and simply could NOT wait. what the fuck ever.

[openphrase123]

What's your workflow for planning and then executing a long-term project, like the massive fics you write?

this is how i do fanfics And also original stuff and it's how i've been writing for like ten years (your mileage may vary though i think long project planning is a different kind of beast depending on the person.

also this is the same process as i have for making other media too but obviously with the language tweaked to fit the media (like this is how i plan and execute my game, too!)

have a scene or concept haunt me so thoroughly that i write a short speculative piece about it. if you get here and it's good but can't get past the next step, that's a sign it's meant to be a cool oneshot instead of something multichaptered

decide why i'm making it. what question am i trying to answer, what themes am i trying to explore?

write 2-3 chapters of it freeform style, not caring about where these scenes are going or how they flow into each other (for things that aren't fics, this can just be like. a small section of what it Is). if you're not feeling it here this is a sign to make the scope smaller and make the piece as short as you can tolerate it for. if you are feeling it, this is where you're figuring out the overall tone and style of how the wider work is going to go

figure out the ending. write the ending scene now if you have to. you can change it later but you need to know generally where you want to go

make an outline. how many sections do i need to get from the opening scene to the ending scene? what happens in each chapter?

for ME and how i post, if this is a fanfiction, write at least 25% of it before posting a single thing. or if nothing else write 3 weeks of updates.

start posting

vibe and write at least 3 weeks in advance. if you need a break you need a break. it's free fanfiction, people get it.

now, some creators will be like "whatever you write, take out 10% of it to be economical" this is the modern writer's equivalent of the devil talking. you need the fluff. you need the downtime. you need the epilogue. slow your fucking stories down. let people marinate in them. yeah if you're writing something short form or in a specific format you might need to take stuff out but if you're writing fanfiction or a novel or a game and there's no limit on how long it is. don't worry about spending a couple pages dicking around. every piece of human media from the dawn of time has had interludes, B plots, long meandering pieces of fluff... it makes the parts where the story Hits really stand out. inutile's tragic moments wouldn't be as effective if there weren't fun jokes or levity interspersed in between

that said you need to know when to stop adding shit. only put things in that you think you have a reasonable time to address fully and completely. you will learn this the hard way one day and i cannot teach this or stop you from making this mistake. i learned this mistake writing homestuck fanfiction when i was 13. but in my defense it's really easy to go overboard with homestuck fanfiction

panic because i'm like 90% of the way through and tired of it and start doubting whether the story was ever good at all and if this was wasted time

finish it. celebrate. wait like two months

reread my own work and say "this is sick as hell"

(if this is original work, this is where you start editing it. this is a different beast. i will not elaborate here. fanfiction is for fun and is at the same level as my original fiction drafts. on a rewrite everything will be more polished and purposeful)

repeat forever and ever as long as there are stories to tell

also. this one is just me because it's how my brain works. but ideally i work on two/three longform projects at once, so that when i get tired of working on one my brain will go "ooh shiny" and latch onto one of the other ones effortlessly. if you have adhd this will either work for you perfectly or it will ruin your life

[cinderella-ish]

If you know anyone who writes music, today has probably been a very crappy day for them.

Finale, one of the most dominant programs for music notation for the past 35 years, is coming to an end. They’re no longer updating it or allowing people to purchase it, and it won’t be possible to authorize on new devices or if you upgrade your OS.

I’ve personally been using Finale to write music for about 20 years (since middle school!). It’s not something that I depend on for money, and my work should be compatible with other programs, so I’ll be fine, but this is very, very bad news for lots of people who depend on this software for their livelihood.

(cut added so info added to reblogs doesn't get buried!)

The shittiest thing is that this was preventable. From a comment on Finale’s post:

As a former Tech Lead on Finale (2019-2021) I can tell you this future was avoidable. Those millions of lines of code were old and crufty, and myself and others recognized something had to be done. So we created a plan to modernize the code base, focusing on making it easier to deliver the next few rounds of features. I encouraged product leadership to put together a feature roadmap so our team could identify where the modernization effort should be focused.

We had a high level architecture roadmap, and a low level strategy to modernize basic technologies to facilitate more precise unit testing. The plan was to create smart interfaces in the code to allow swapping out old UI architecture for a more modern, reliable, and better maintained toolset that would grow with us rather than against us.

But in the end it became clear support wasn’t coming from upper management for this effort.

I’m sad to see Finale end this way.

Finale also could allow people who own the software to move it to their new devices in the future, but Capitalism. It’s a pointless corporate IP decision that only hurts users.

There are three main options for those of us who are having to switch: Dorico, MuseScore, or Sibelius.

Sibelius has been Finale’s main competitor for as long as I can remember. It currently runs on a subscription model (ew). The programs are about equal in terms of their capabilities, though I’ve heard Finale has more options for experimental notation. (I’ve used both; Finale worked better for my workflow, but that’s probably just because I grew up using it.)

Dorico is the hip new kid and I’d personally been considering switching for quite a while, but it’s ungodly expensive (about twice what Finale cost at full price). Thankfully, they are allowing current Finale users to purchase at a price comparable (well, still 50% higher) to what Finale used to cost with the educator discount. It apparently has a very steep learning curve at first, though it is probably the best option for experimental notation.

MuseScore is open source, which is awesome! But it also has the most limitations for people who write using experimental notation.

I haven’t used MuseScore or Dorico and will probably end up switching to one of those, but it’s also not an urgent matter for me. Keep your musician friends in your thoughts; it’s going to be a rough road ahead if they used Finale.