#no hate to those tropes or stories because they’re awesome too

[frownyalfred]

friendly reminder to newbie smut writers: your sex scenes can be fun, naughty, dirty, playful, intense, etc without choking, spanking, pain play, or other kinks.

those things are great in certain fics, don’t get me wrong! but your smut doesn’t have to be edgy to be good.

vanilla doesn’t mean your smut is bad, or boring. the sexiest, most sensual scenes can be simple, kind, or even humorous.

[lardygaga]

I’m so tired of people trashing the dark pictures anthology because they’re blinded by their until Dawn nostalgia glasses.

Like just say you’re bad at these games and don’t like them because you don’t pay attention and move on. Maybe actually collect clues and analyze hints as opposed to being lazy and you’ll enjoy them

I’m convinced the Until Dawn fanboys don’t like decision based games- considering UD only had about 3 decisions that impact the story. Not saying I dislike until dawn because I do like it, but if I see one more person say “iT dOeSnT fEeL lIkE UnTiL dAwN” I’m going to scream. Go play until dawn???

You’re allowed to subjectively dislike the games… but not if you don’t put in the work. Maybe it sucked simply because you and your choices sucked.

Man of Medan was fantastic. It was scary, and it was the first game to emphasize co op. If you played this game solo your first time, that’s your fault. Sure, the twist can be seen coming if you’re paying attention. However, I’ll never get over my friend killing me and me thinking I died to the grim reaper. It was awesome. The number of endings, the plethora of different paths, and the overall setting were spectacular. People have complained about the twist without knowledge of the story of the Ourang Medan or the movie Ghost Ship. Would you have preferred a direct copy of something that has been done before? The criticism of MOM is completely invalid. Plus, the dark pictures anthology plays on ALL horror tropes. Biological horror is still horror and that doesn’t make it bad writing.

Little Hope has a special place in my heart. Again, people are up in arms about the monsters not being real as if anything would have made sense if they were. The bus driver is haunted by the death of his family in a house fire he caused and tried to blame his little sister. He does this by creating a false narrative in his head of Megan being evil and the witch trials were a perfect metaphor for the events taking place. The locked traits need to be removed because he needs to remember his family by their good traits and be able to forgive himself and put the past behind him. That’s why if the characters don’t face their own demons- they die in the house. It’s not rocket science if you collect the clues and pay attention. But these streamers like to have a cash grab with these games by rushing through making stupid choices and bashing the game and I’m really over it- I’ve had to unsubscribe from so many people over this. Little Hope’s endings are deep and sad- so is the story with Megan, again, if you’re actually being mindful. Those who don’t like LH are too dense to understand it.

House of Ashes hasn’t received as much hate seeing as the whiners finally got their real monsters, however, I did see a reviewer call the game racist which is unfounded and ignorant of the times it was based. The story here is immaculate, and if your choices caused the characters to be unlikeable then maybe make better choices. Salim and Jason have a wonderful friendship and the dialogue is immaculate.

The Quarry could have had more jumpscares and I’m sure they lowered that because people are never pleased. However the quarry is my favorite game because it truly feels like my decisions matter and after seeing just how many routes there Are in this game, I love it more and more every day.

Im worried about the future of these games being in the hands of an audience which doesn’t know how to play them

[morimementa]

Nobody tagged me, I just decided to put myself on blast. Whoever wants to fill this out too, go nuts.

How old were you when you realized you like guys getting hurt? 7? 8, maybe? I feel like a lot of what I like in media can be traced back to the shows I watched in elementary school and how my preferences developed.

What was that very first scene you remember which gave you those glorious butterfly feelings? Anyone remember that edutainment show, Book of Virtues? No? Well, there was this scene where the boy character twists his ankle and the girl administers first aid and tiny me was like, “Awesome! Finally a girl saves a boy!”

When and how was it that you realized “Hey, I’m not so messed up in the head!” and that there’s a definition and a community for this sort of thing? Probably around the time I discovered fanfiction and realized, “Oh, there’s a lot of stories I like!” I can’t pinpoint an exact moment, but that must have been where I learned the terminology.

What’s your favorite whump trope?  Fever, kidnapped and tortured, panic attacks, flashbacks, anything that requires comfort from someone else, ideally with cuddling. Quick, magical healing and post trauma care are also great. There always has to be a rescue or a catharsis.  What’s a whump trope you hate? Gore, character death, whump but no rescue, long term illnesses and after affects. I know it’s not very realistic, but I like a happy ending. One minor pet peeve I have is when a caregiver catches the whumpee’s illness. As far as I’m concerned, nothing is ever contagious, because this is happy fun time where everything always ends up fine.

Who’s your favorite whumped character? Hoo boy...Loki, Bucky, Detective Void , Sam Winchester if I feel like dipping into a fandom I’m meh about, Leon from SWSH, Orym, Caleb, Dorian, and Caduceus from Critical Role...There’s probably more, but you get the idea.

Someone please write Detective Void fanfiction, we are sorely lacking fan content. What’s that whumped scene(s) you watched over and over again (we you know you do it and we understand)? Netflix’s Ragnarok has a scene where Laurits is not pregnant and in not labor with the world serpent. 

I. I also have an Mpreg hyperfixation.  Bullet or stab wounds? Whichever, really. Fevers or hypothermia? Fevers, definitely. They’re usually not as serious and can be treated with relatively little stress. For me it’s less about the agony and more about the caregiver giving them affection and TLC.

Emotional or physical? Both. While I’m a sucker for heartbreak, I like minor or at least treatable injury.

Injured and asks for help, or tries to cover it up? How about; tries to cover it up because no one “has time” for them to be sick or hurt, only to have it backfire. Or, they ask for help, but get brushed off, then collapse when it gets too bad to handle alone. 

Lastly, does anybody know about this addiction of yours? I feel like my bestie knows, even though I can’t remember outright saying it. We wrote a lot of stories together and we have similar tastes. Beyond that, I’m sure a few people have figured it out. I don’t know why I enjoy the trope so much. I suspect it’s some insidious combination of maternal instincts and sadism. 

[ladyartemesia]

Since I'm in love with your writings and your taste in reading too. I know that your favorite is Brother's best friend or Best friend's brother, I would like for you to recommend me some of them please ❤️❤️🙏

꧁Brother’s Best Friend꧂

Clandestine by @junghelioseok is fantastic. Jeon Jungkook is the best friend of the reader’s slightly younger brother. He’s sexy and charismatic and DEFINITELY knows what he wants. The growth of his (clandestine) connection with the reader is utterly delicious. This one made me laugh and swoon.

Guarded by @xjoonchildx is basically legendary in my book. The lady in this story is not only Hoseok’s best friend’s sister—she is also his BOSS’s sister and by boss I mean mafia. This is the first installment in Ana’s amazing Rap Line Mafia Universe and it delivers on every level. Hoseok is tasked with protecting the boss’s sister after she is being threatened by sinister forces unknown and sparks fly.

Plums and Melons by @winetae is THAT FIC. The fic I just daydream about sometimes. It’s a fic about two people caught hard in eachother’s gravity. It’s so sexy and cerebral and the main characters are so hot. Jimin is just a guy trying to live his life, but whatever is brewing between him and his best friend’s sister is driving him insane. He wants to be a good guy, but she just isn’t playing fair.

Are You Sure? by @cutechim is such a swoon-worthy and touching piece of wonderful. I tell you I was MOVED. This is beautiful and emotional and EXTREMELY satisfying. Taehyung’s best friend has a sister who he has always secretly adored. When she comes to him and asks for some intimate experience, he isn’t strong enough to say no—not when she’s everything he ever wanted.

Drivers License and Detour by @gyukult is sweet and tender and just a fantastic coming of age story. The reader has been in love with her brother’s best friend, Park Jimin, for almost all of her youth... but what is going on in his head?It’s a tender story that really warms the heart. AND I am happy there is more coming. I would read about these two all day. She published the second part and oh my gosh it’s so incredibly perfect I could scream. This was just such a beautiful journey every step of the way.

Milestone by @1kook is probably one of the first brother’s best friend BTS fics I read and it is amazing. I adore it so much. Because Jungkook is your brother’s best friend he is there for every milestone in your life. But you’ve both grown up now and neither of you are kids anymore. It’s hot. Like really hot. Dialogue and set up are so sharp and fast paced I really loved every second.

Young God by @njssi is scorching hot smut with complicated feelings and warm revelations. You think it’s going somewhere and then it goes somewhere else and honestly it is so awesome the whole time. Jungkook was always your brother’s sweet little friend, but he’s returned determined to show you that he is all grown up.

Tease by @caiuscassiuss floored me. I loved it so much! I spent the whole story just squealing happily about everything. This story has it all. It’s scorching hot. It’s enemies-to-lovers. It’s Taehyung. Jungkook’s sister and Kim Taehyung do not get along AT all—so she decides to bring him to his knees by making him desperate for her. It’s a wild and completely awesome ride.

Wasabi by @ironicarmy is a classic. Hobi is a bad boy that Namjoon vehemently refuses to let near his precious baby sister. But love is too strong a force and soon Hobi and the clever object of his desire decide that some things are worth fighting for. It’s a really sweet story of facing challenges and relying on the people you love. Warm and fuzzy feelings abound, but it’s also super hot.

Forbidden by @btssmutgalore is a masterwork blueprint for this trope. Hobi is a carefree player who falls brutally for Taehyung’s sister. They two of them eventually give in to a VERY steamy series of secret encounters and feelings get very involved. This is hot, suspenseful, and emotionally satisfying. Excellent characterizations as well.

Prohibido by @personasintro is an office AU with a twist. Namjoon is not only her brother’s best friend, he is also her boss and the two of them have incredible chemistry. Watching them pretend that they’re not insanely attracted to each other is so endearing and hot. Reader is convinced her feelings are one-sided. It’s lovely and fun. Definitely a slow burn, but worth it.

Strawberry Kisses by @kimnjss is a fic that I devoured in one sitting and then re-read again immediately. Jeon Jungkook is a player who matches with a girl on a dating app and has no idea she is the sister of his revered mentor and close friend, Min Yoongi. I laughed. I cried. I GASPED OUT LOUD a bunch. It was a whole thing. This is a hybrid social media/written AU and it’s pretty much perfect.

Tempestuous by @ppersonna is so special to me because it was written at the very beginning of my friendship with Lindy. She was looking for requests and I was quick to request my favorite trope. Lindy is bae now and this fic she wrote is marvelous. You are forced to spend the weekend in the same house with your sexy arch-rival Taehyung who just so happens to be your brother’s best friend. Naturally snarky hotness ensues.

Off Limits @floralseokjin is basically a famous entry when it comes to this trope. It’s a Jin fic and Miss Jordan writes EXQUISITE Jin characterizations. There is a hint of mistaken (or unknown) identity in this one which makes it even more fun. Sparks fly between you and a devilishly charming Kim Seokjin at a party. You don’t find out until later who he really is—and why he’s off limits.

And finally I’ll recommend my own Brother’s Best Friend fic All I Want for Christmas is You featuring a charming Taehyung who falls for Jimin’s sister. Jimin basically blackmails his best friend into escorting his sister to several holiday galas. Tae and Jimin’s sister have never gotten along, but they soon discover (through multiple pranks and mishaps) that love (and desire) are out of their control.

Not Your Fairytale by @yeojaa is incredibly sweet and tender. Erin really does emotion so well and her Yoongi characterization is honestly so nuanced and brilliant. This story is about a girl who had her heart broken and instead of canceling the cake tasting she scheduled with her philandering ex-fiancé, she wrangles the tsundere best friend of her brother to pretend to be him.

Brother’s Best Friend by @bts-hyperfixation is a short and sweet moment between two people who have been fighting their attraction for each other. It is so hot and delicious I tell you. You’re in trouble and the person you call is probably the person you shouldn’t—but you aren’t the only one willing to take a risk tonight.

Off Limits by @kaddiiction will break your heart and put it back together again. This one was recommended to me by a reader and I cannot thank them enough. It is fantastic. Jimin is a player but he crosses the line when he begins a liaison with his best friend’s sister. Still there is far more to this situation—and Jimin—than meets the eye.

꧁Best Friend’s Brother꧂

Orectic by @gimmesumsuga is one of my favorite fics of all time. It is a hybrid fic where the reader is a cat hybrid and Hoseok is the brother of her best friend who comes to stay with her while her bestie is away... It is so tender yet SO HOT. I’m telling you I cannot even keep count of how many times I have read it.

Theophany by @ilikemesometaetaes was a JOURNEY. It made me so emotional. Like the story centers around art a lot, but let me tell you, this fic IS art. Jimin is just the man of my whole dreams in this piece as the brother of a former best friend with an irresistible allure. It is a coming of age story with the most beautiful twist. AND THE LOVE SCENE—oh my gosh I screamed it was so good. This story is just so so good.

Run by @neonlights92 is Jungkook’s story in the mafia universe I am COMPLETELY OBSESSED WITH. You don’t have to read the whole series to understand it (BUT YOU SHOULD). This is best friend’s brother meets arranged marriage and honestly it’s fantastic. Jungkook doesn’t do love and affection and being forced into an arranged marriage with his sister’s friend who has always had a crush on him is just a blow to his freedom... or is she? GAH! This story—like all the stories in this universe—is superb.

The Magic to Happiness by @readyplayerhobi is a best friend’s brother meets teachers AU meets Hogwarts AU. Now... all of those are top tier tropes so finding them together is like winning the lottery. Hobi was once just a skinny kid who had obvious heart eyes for you (his sister’s best friend) but now he’s tall and confident and really attractive. The magic of this story is evident in every word of the sweet relationship that blooms between these two.

Problem with You by @monvante is so sweet and kind of hilarious. I giggled so much! Jungkook is your best friend’s brother and he is kind of too perfect and too handsome and he’s always around and you hate him and he hates you... Right? When you cross paths with the infuriating Jeon Jungkook at your best friend’s wedding, you discover that you may have been wrong about a great many things.

Show Me Yours and I’ll Show You Mine by @ktheist is so so SO fabulous. I was obsessed with this (now complete) series from the very first installment. You and Tae are besties who have know each other since you were little kids, but lately Tae’s older brother Jin has been lookin mighty fine. Just how far can you push him till he breaks. And if he breaks.... what then?

This list is BY NO MEANS exhaustive. I just used it to compile some of my FAVORITES in this particular trope.

➪ IF YOU HAVE ANY OTHER BROTHER’S BEST FRIEND FICS I SHOULD CHECK OUT PLEASE COMMENT (seriously please I love this trope so much) AND I WILL ADD THEM TO THIS LIST.

➪ Newer Additions are in PINK!

➪ Newest Additions are in BLUE

[thedeadhandofseldon]

The Anti-Mercer Effect

On the Accessibility of D&D, Why Unprepared Casters is so Fun, and Why Haley Whipjack is possibly the greatest DM of our generation.

(Apologies to my mutuals who aren’t in this fandom for the length of this, but as you all know I have never in my life shut up about anything so… we’ll call it even for the number of posts about Destiel I see every day.

To fellow UC fans - I haven’t listened to arc 4 yet, I started drafting this in early August, and I promise I will write a nice post about how great Gus the Bard is once I get the chance to listen to more of his DMing).

Structure - Or, “This is not the finale, there will be more podding cast”

So, first of all, let’s just talk about how Unprepared Casters works. Because it’s kind of unusual! Most of the other big-name D&D podcasts favor this long, grand arcs; UC has about 10 hours of podcast per each arc. And that’s a major strength in a lot of ways: it makes it really accessible to new listeners, because you can just start with the current arc and understand what’s going on!

And by starting new arcs every six or seven episodes, they can explore lots of ways to play D&D! Classic dungeon delve arc! Heist arc! Epic heroes save the world arc! Sportsball arc! They can touch on all sorts of things!

And while I’m talking about that: Dragons in Dungeons, the first arc, makes it incredibly accessible as a show - because it lets the unfamiliar listener get a sense of what D&D actually is. (It’s about telling stories and making your friends feel heroic and laugh and cry, for the record). If I had to pick a way to introduce someone to the game without actually playing it with them, that arc would definitely be it.

And I’d be remise not to note one very important thing: Haley Whipjack and Gus the Bard are just very funny, very charismatic people. Look. Episode 0s tend to be about 50%(?) those two just talking to each other about their own podcast. It shouldn’t work. And yet it DOES, its one of my favorite parts, because Haley and Gus are just cool.

And a side note that doesn’t fit anywhere else: I throw my soul at him! I throw a scone at him - that’s it, that’s the vibe. The whole podcast alternates between laughing with your friends and brooding alone in a dark tavern corner - but the laughs never forced and the dark corner is never too dark for too long.

Whipjack the Great - Or, the DM is Also a Player!

I think Haley Whipjack is one of the greatest Dungeon Masters alive. The plots and characters! The mechanical shenanigans! The descriptions!

Actually, let’s start there: with the descriptions. (Both Haley and Gus do this really fucking well). As we know, Episode 0 of each arc sees the DM reading a description - of a small town, or the Up North, or the recent history of a great party. And Haley always strikes this tricky balance - one I think a lot of us who DM struggle with - between giving too much description and  worldbuilding, and not telling us anything at all. She describes people and events in just enough detail to imagine them, but never so much they seem static and unreal - just clear enough to envision, but with enough vagueness left to let your imagination begin to run wild.

While I’m thinking about arc 3’s party, let’s talk about a really bold move she made in that arc: letting the players have ongoing control of their history. Loser Lars! She didn’t try to spell out every detail of this high-level party’s history, or restrict their past to only what she decided to allow - she gave them the broad outlines, and let them embellish it. And that made for a much more alive story than any attempt to create it by herself would have - but I think it takes a lot of courage to let your players have that agency. Most Dungeon Masters (myself included) tend to struggle with being control freaks.

And the plots! Yeah, arc one is built of classic tropes - but she actually uses them, she doesn’t get caught up in subverting everything or laughing at the cliches. And it’s fun! In arc 3, there really isn’t a straight line for the players to follow, either - which makes the game much more interesting and much trickier to run. And her NPCs are fantastic and I will talk about them in the next section.

Above all, though, I think what is really impressive is how Haley balances mechanics, and rules as written, with the narrative and rule of cool - and puts both rules and story in the service of playing a fun game. And the secret to that? She’s the DM, but the DM is a player, and the DM is clearly having fun. Hope Lovejoy mechanically shouldn’t get that spellslot back, but she does, and it’s fun. The changeling merchant in Thymore doesn’t really make some Grand Artistic Narrative better, but wow is it fun. And she never tries to force it one way or the other - the story might be more dramatic if Annie didn’t manage to banish the demon from the vault, but it’s a lot cooler and a lot more fun for the players if Annie gets to be a badass instead - and the rules and the dice say that Annie managed it.

Settings feel like places, NPCs feel like people, and the narrative plot feels like a real villainous plot.

Anyway. I could go on about the various ways in which Whipjack is awesome for quite a while - she’s right, first place in D&D is when your friends laugh and super first place is when they cry - but I’m going to stop here and just. Make another post about it some other time. For now, for the record I hold her opinions about the game in higher esteem than I do several official sourcebooks; that is all.

Characters - Or, Bombyx Mori Is Not an Asshole, And That Matters

Okay, I said I would talk about characters! And I will!

Just a general place to start: the party! All of the first three parties are interesting to me, because they all care about each other. Not even necessarily in a Found Family Trope sort of way, though often that too. But they generally aren’t assholes to each other. The players create characters that actually work together, that are interesting; even when there’s internal divisions like SK-73 v. Sir Mr. Person, they aren’t just unpleasant and antagonistic all the time. Listening to the podcast, we’re “with” these people for a couple hours - and it isn’t unpleasant. That matters a lot. (To take a counter-example: I love Critical Role, but the episode when Vox Machina pranked Scanlan after he died and was resurrected wasn’t fun to listen to, it was just uncomfortable and angering and vaguely cruel).

All of the PCs are amazing, and the players in each arc did a great job. If you disagree with me about that, well, you have the right to be incorrect and I am sorry for your loss. Annie Wintersummer, for one example: tragic and sad and I want to give her a hug, but also Fuck Yeah Wintersummer, and also her familiar Charles the Owl is the cutest and funniest and I love him. And we understand what’s going on with Annie, she isn’t some infinite pool of hidden depths because this arc is 7 episodes and we don’t have time for that, but she also has enough complexity to be interesting. Same with Fey Moss: yeah, a lot of her is a silly pun about fame that carries into how she behaves, but a lot of how she behaves is also down to some good classic half-elven angst about parenthood and wanting to be known and seen and important. (Side note: if your half-elf character doesn’t have angst, well, that’s impressive and also I don’t think I believe you).

There are multiple lesbian cat-people in a 4-person party and they both have requited romantic interests who aren’t each other. This is the future liberals want and I am glad for it.

Sir Mister Person, the human fighter! Thavius, the edge lord! Even when a character is “simple,” they’re interesting, because of how they’re played as people and not action-figures. And that matters a lot.

In the same way: the NPCs. There really aren’t a lot of them! And some of them come from Patreon submissions, so uh good work gang, you’re part of the awesomeness and I’m proud of you! The point being, the NPCs work because enough of them are interesting to matter. It’s not just a servant who opens Count Michael’s door, it’s a character with a name (Oleandra!) and a personality and history. They’re interesting. Penny Lovejoy didn’t need to be interesting, the merchant outside the Laughing Mausoleum didn’t need to be interesting, but they ARE! And Haley and Gus EXCEL at making the NPCs matter, not just to the story but to us as viewers. I agree with Sir Mister Person, actually, I would die for the princesses of the kingdom. I actually care about Gem Lovejoy of all people - that wouldn’t happen in an ordinary campaign! That’s the thing that makes Unprepared Casters spectacular - and, frankly, it’s especially impressive because D&D does not tend to be good at making a lot of interesting compared to a lot of other sorts of stories.

And, just as an exemplar of all this: Bombyx Mori. Immortal, reincarnating(?), and described as the incarnation of the player’s ADHD. I expected to hate Bombyx, because as the mom friend both in and out of my friend-group’s campaigns, the chaos-causer is always exhausting to me. And yeah, Bombyx causes problems on purpose! But! She is not an asshole.

And that’s important. Bombyx goes and sits with the queen and comforts her. Bombyx gives Annie emotional support. Bombyx isn’t just a vehicle to jerk around the DM and other players; Bombyx really is a character we can care about. To compare with another case - in the first couple episodes of The Adventure Zone, the PCs are just dicks. Funny, but dicks. Bombyx holds out an arm “covered in larva” to shake with a count, and robs him of magical items, but she also cares about her friends and other people! She uses a powerful magical gem to save her fertilizer guy from death! Yeah, Bombyx is ridiculous, but she’s not just an asshole the party has to keep around for plot reasons; you can see why her party would keep her around. And one layer of meta up, she’s the perfect example of how to make a chaotic character like that while still being fun for everyone you’re playing with, which is often not the case. And I love her.

The Anti-Mercer Effect - Or, “I think we proved it can be fun, you can have a good time with your friends. And it doesn’t have to be scary, you can just work with what you know”

The Mercer Effect basically constitutes this: Matthew Mercer, Dungeon Master of Critical Role, is incredible (as are all of his players). They’re all professional story-tellers in a way, remember, and so Critical Role treats D&D like a narrative art-form, and it’s inspiring. Seeing that on Critical Role sets impossible standards - and people go into their own home games imagining that their campaigns will be like Critical Role, and the burden of that expectation tends to fall disproportionately on the DM. And the end result, I think, of the Mercer Effect is that we get discouraged or intimidated, because our game isn’t “as good as” theirs. (And I should note - Matt certainly doesn’t want that to be our reaction).

So the Anti-Mercer Effect is two things: it’s D&D treated like a game, and it’s inspiring but not intimidating. And Unprepared Casters manages both of those really freaking well. Because they play it like a game! A UC arc looks just like a good campaign in anyone’s home game. They have the vibes of 20-somethings and college students playing D&D for fun because that’s who they are (as a 20-something college student who plays a lot of D&D, watching it felt like watching my friends play an especially good campaign). They’re trying to tell a good story, sure, and they always do. But first and foremost, they’re trying to have fun, and it shows, and I love the UC cast for it.

And that’s the other half of it: it’s inspiring! It’s approachable; you can see that Haley and Gus put plenty of work into preparing the game but it also doesn’t make you feel like you need hundreds of pages of worldbuilding to run a game. Sometimes a cleric makes Haley cry and she gives them back a spell-slot from their deity! That’s fantastic! It’s just inspiring - listening to this over the summer, when my last campaign had fallen apart under the strain of graduation, is why I decided to plan and run my new one!

That quote from Haley Whipjack that I used as the title for this section? That’s the whole core of this idea, and really, I think, the core of the podcast.

The Mercer Effect is when you go “that’s really cool, I could never do that.” But Unprepared Casters makes you look at D&D and go “wow, that looks really fun. I bet I can do that!” And I love the show for it.

And I bet a lot of you do too.

[comicaurora]

hey Red, i wanted to stop by to say thank you. a while ago I watched superpowered and evil side and I was reminded that Inu-yasha exists. and just now I finally finished watching it.

and when I listened to the podcast of that episode (i think), you mentioned being obsessed with it at some point. and my question was, can you put into words why you liked it so much?

again, thanks! I'd forgotten how much I enjoyed it.

Hhhh good question. The short answer is I don't get to choose the hyperfixation. The longer answer is it was a character-driven ensemble cast monster-of-the-week story with a lot of tropes I liked, including in no particular order

I am an Asshole and I Hate Everyone and Suck now excuse me while I go out of my way to do something very kind and helpful (this happens about once an episode)

I am a Cold-Hearted Monster to whom Humans Are Nothing More Than Ants and I have forged an entire identity around the superiority of my Pure Demon Blood and this is my human Rin she likes naps and never shutting up

hello this is our friend, he acts like he's mean but actually he's incredibly loyal and selfless, aw look he overheard us complimenting him and now he's threatening us

more broadly it is truly hilarious to me how everyone in the group genuinely just don't buy inuyasha's "I'm a big scary jerk" act and are nothing but friendly and chipper while he's trying to brood. peak dynamic.

the villain tricked you and/or held your loved ones hostage to make you fight us? man I hate that guy. what? no I'm not mad at you just because you "stabbed" me "several times" now get in the friend group already

we're in love with each other, we KNOW we're in love with each other, literally everyone knows, we're just both incapable of expressing it outside of life-threatening danger (applies to every canon couple in the show)

flexible tone! sometimes things are really chill and goofy and somethings things get Dark As Shit! applies more strongly in the manga, lots of stuff got toned down for the anime

some dang clever plot devices to justify a lot of variance in the overall power level and threat level. This bit verged on being tedious (naraku must always be juuuuuust too strong/well-hidden to stop) but worked very well in a lot of smaller ways - weapons break or get new powers that are hard to figure out or are temperamental in general, characters have more trouble fighting when they're injured or depowered, environmental hazards affect different characters, etc. This contributes to the flexible tone thing, since a threat that'd be a joke in normal circumstances might be a big problem with one little situational change.

on that note, characters getting injured is a lasting plot point? surprisingly uncommon for fighting anime where there'll either be magic healing or single wrapup scenes of characters swathed in anime bandages. slowing things down to let characters heal gives more time for characterization and keeps the pacing balanced.

monster of the week format plus biiiiiig rotating supporting cast that can just Show Up Sometimes contributes to a formula that allows for a lot of unique episodic adventures

there's a couple episodes early on where scary demon shit shows up in the modern world! that's awesome! I wish more of those plots happened!

[the-bat-collector]

SUPERBAT Rec List!! AU NO POWERS ish PART 1

I love NO POWERS NO CAPES AUs but its been so hard to find them!! so decided to make this list to help y’all in your search  :D

The length varies, but I prefer long fics so most of these are 10-20k up to 200k 

Heart and Soul by Pandamomochan

E - 150,044

Clark Kent used to be a renowned composer who was said to be able to write masterpieces that were designed uniquely for each individual player. Famous musicians around the world would flock to him in hopes that he would write for them because his pieces were always said to bring out any player's crowning performance. That is, until one day Clark loses his wife in a tragic accident and decides never to write again.

Years later, Clark's son, Jon, gets admitted to the famous "Gotham School of Performing Arts". It is there that Clark meets Bruce Wayne, a strict, uptight, by the book piano instructor who is said to be able to craft the best musicians around the world.

this is one of my favorites. I'm not really into Hurt/Comfort but this is so beautiful!! highly recommended I'm biased cause I play the piano

Seeing Bruce Wayne by Evilpixie

E - 15,089

Clark Kent is the only male midwife working in Metropolis General. Bruce Wayne the residential pediatric surgeon.

I'm so into medicine/doctor AUs this is also one of my favorite fics!if you have to pick one from this list, pick this one!!!

On The Cusp by vesper_house

E - 47,378

Clark's life isn't going so well. He's in his thirties, he works at a coffee shop run by his old crush, his journalism career is going nowhere, and he's broke. It takes only one tall, dark and handsome stranger to change everything.

COFFE SHOP AU COFFESHOP AU!! We need more of these, the dynamic between Bruce and Clark is Great!!!!

A Game You Can't Win by NightFoliage

T - 78,328

Injustice is the hottest MMORPGs available to play! Set in a world where superpowers exist, players can become civilians, heroes, villains, and anybody in-between. Designed by Hiro “Toyman” Okamura, and Timothy Drake-Wayne, Injustice was created with the best Wayne Industries technology available and has the most human NPCs. The game is beyond it's time and is planned to be at the top of the charts for a while.

By accident, Clark finds himself pushed into the spotlight and new found fame. To him, Let’s Plays are a means to stay in touch with friends and to make money. He never got into LPing to become famous.

Bruce, who funded the game after Jason’s accident, is irritated (not jealous) that a video game player is such a big topic among the kids. After the nth time they mention him, Bruce decides to take matters into his own hands and see what all the fuss is about.

link to art

ONE OF MY FAVORITE SUPERBAT FICS OUT THERE!!!!!! this is great and fun and Clark is the best!

As We Grow by butterflyslinky

E - 23,451

Clark Kent is a farmer deep in debt to Lex Luthor.

Bruce Wayne is a billionaire with seven children and no luck in love.

But their families have a scheme to get them together and hopefully make life a little bit better.

Modern Medicine by BuckinghamAlice

G - 5,208

Pediatrician Dr. Clark Kent becomes beloved to his patients, the Wayne boys... as well as to their doting father Bruce.

ABSOLUTELY lovely and adorable, you get the feels!

Hellooooo, nurse! by weirdraccoon INCOMPLETE WIP

T - ?????

Clark enjoys his job at the Free Clinic. He loves helping people and tending injuries. Saving lives. But this man... Bruce Wayne is going to kill him if he doesn't get killed first.

Bruce is still Batman on this one but HERE ME OUT, Clark is a nurse! is incomplete but looking forward to the following chapters!!

Two Cities by EllenD

E - 96,152

Clark Kent, is simply Clark Kent, junior reporter for the Daily Planet who moved to Metropolis from Smallville with big dreams. Bruce Wayne is a billionaire playboy from Gotham, who also happens to be Batman. They meet, date, and fall in love, though not without hurdles because mild-mannered Clark is also socially awkward as heck. But when the most dangerous criminals in Gotham are gunning for Batman, Clark gets caught in the middle of it all. (He's basically Batman's Lois Lane) Meant to be set in the Dawn of Justice movie universe, but also draws inspiration from video games, comics, and those awesome Batman cartoons.

This is part of a series, but this is the main fic of it. Love this trope of Clark is just a civilian and Bruce is Batman. Warning this fic does contain disturbing topics so read the tags.

Here Comes the Sun by batsy_rocks

T - 18,815

Clark Kent is a kind-hearted reporter working in the big city. Bruce Wayne is a stressed dad of four with no idea of what he's doing.

Then they meet.

Seasons of Love by littlechinesedoll

G - 4,603

Clark Kent took over that farm at the edge of the Town of Smallville. He likes Smallville's resident doctor, Bruce Wayne.

The best gifts for Bruce are ginger ale, salad, coffee, and any kind of flowers. He hates gems, and bars of copper, silver, and gold.

Petals and Ink by drunkraiinbow

T - 12,976

With a new kid joining the family, Bruce tries a new tattoo artist to continue the tradition of adding them to his sleeve, but he won't trust just any artist. Clark manages to win him over with his incredible talent and his farm-boy friendly demeanor, and he may even have begun to win Bruce's heart. However, Clark might have a few things to learn first.

FLOWER SHOP TATTOO PARLOUR AU! what else is there to say, this is extremely cute and a fast read! :D

Faceless Killer by Batsymomma11

E - 51,519

Detective Bruce Wayne from the GCPD and detective Clark Kent from the MPD have been asked to create a joint task force in an effort to catch the John Doe Killer that has been ravaging their sister-cities. Aside from their long-standing animosity towards one another, it should be a breeze to work together. Besides, lives depend on them getting along.

They never expected they'd trip headlong into a romantic entanglement that feels a lot more serious than even the killer they're chasing.

The Tailor by maderi

E - 16,026

When Clark is assigned to cover the Wayne gala, he finds himself in need of a professionally tailored suit. His tailor though is drop dead gorgeous, which brings up a lot of awkward situations during their appointments.

Heroes of the Squared Circle by Mithen

M - 226,687

They've gone by many names: Billionaire Brucie, Country Clark, the Kryptonian, the Dark Knight. But no matter what their stage names are, one thing has always been true: Clark Kent and Bruce Wayne are the world's finest wrestlers.

Six's a crowd by Untoward INCOMPLETE/ABANDONED

G - 10,133

When Alfred has to make an emergency trip back to England, Bruce soon finds out he can't manage running a business and taking care of six kids all alone.

He turns to a nanny agency for help, and is astonished when he finds Clark Kent, who seems like he can handle anything.

Clark not only can take care of the kids incredibly well but seems to be breaking Bruce's walls down rather well too.

After Hours by ????

E - 3,175

At the end of a long semester Clark can't hide his attraction to Professor Wayne any longer. Grad School AU.

This is practically a one-shot, not really my type of fic but worth adding!! Haven't come across this professor trope in Superbat so if you got any recs, send them my way!

Wings and Fangs by DanielleN3

E - 17,224

Clark thought he could never fall in love with anyone, especially not after being alone for such a long time… but all of that changes when he encounters a sexy vampire in Gotham.

TECHNICALLY they both have powers in this one but there are soooo different from cannon that I think this fic still qualifies for this list

thirteen by CapnWinghead

T - 22,890

Drowning in student loans, Clark Kent takes a summer job as the Wayne family nanny.

OKAY. so this is not entirely NO POWERS, but I mean Clark is a NANNY so this is great! TRUST ME

Kiss me, take my breath away by J_Jubilee

E - 37,934

There were legends about Gotham Reef. Legends that said it was haunted by a beast of foul temper. Stories told of a ravenous sea beast that feasted on the flesh of men, and was said to be more hideous than Satan himself. Others told of a woman with eyes that glowed like gold to lead sailors to their death. Some even spoke of a witch that cursed men and wreck their ships, taking all their treasures with it. When Clark’s catamaran is wrecked by a terrible storm, he learns that the stories were oh so far from true.

Baby Bats by AlmondRose

G - 4,003

this is a short series of adorable and simple domestic fluff

------

Haven't read this one but heeey the art is sooo pretty soo decided to add it anyways

Dragon Heart by Hells Angel 921

T - 27,660

Kal wants to make up for his past.

Bruce tries to move on with his future.

They eventually meet in the middle.

link to art

I didn't know that Dragon/DragonSlayer was a thing but hey... apparently it is, so here it is.

----------------------

---------------------

hehe and so my rant ends here! let me know if you know fics that fit any of these tropes! I’m all ears

[cant-think-of-anything]

I think part of the reason that there’s such a dissonance between what kind of character Matthew is ~supposed~ to have and what kind of poor traits shine through, especially in his treatment of Alastair, is not just because of CC’s poor handling of alcoholism (and, in my opinion, mental health issues and depression) but also because: Our first introduction to these characters happened a long ways before some major changes to TLH.

Namely… Alastair and Cordelia were basically white in CC’s original planning. There’s just no way around that. Their flower cards, where they’re not just whitewashed but purely white, prove that (and they STILL haven’t been updated, by the way.)

Also, Alastair’s hair: in CoG it was dyed blond, and CC wrote it off implicitly as a racism thing when she decided he was Persian (which I guess happened after the short story where we met Alastair and before TLH) , which would have been fine it if it was an arc written better. Except, I don’t think she realized that it would make Matthew’s comments about Alastair inherently and obviously racist, being a white author. And I doubt that it will be dealt with and named or even acknowledged outright in the final TLH installment.

Kind of the same thing with Cordelia. I’m not saying POC can’t have like red hair because obviously POC don’t come in a prepackaged set of five or six traits that are all configured randomly, but something has always rubbed me the wrong way about the way that CC writes the majority of her POC and especially WOC as exotic. I mean, Kamala as a character is to me a special favorite (even though CC did her dirty and didn’t do a good job portraying her character or intersectional identity) but I rolled my eyes so hard when she had lighter brown or “amber” eyes in canon or officially commissioned art. With Cordelia, I know CC once said she uses henna to redden her hair which is great for her, and I guess I have less of a bone to pick with that because it’s semi(?) realistic, but still. Also the fact that so much of her description as a beautiful person comes from her hair. Again that’s cool, and women of color should be loved wholly including being loved for the parts of them that they freely change (such as Cordelia’s hair) but… the proportion of the fixation on her hair as what makes her lovely rubs me the wrong way sometimes. I feel like it’s sometimes an out from CC making the ~scandalous~ decision that a woman of color can be beautiful because of the traits she is born with. Idk it’s just for me I had this long standing repulsion towards my colorings and my facial structure and white girls would tell me I was whiny about it and then I finally began to piece together things like “Eurocentric beauty standards.”

Going on a tangent slightly, but something else that bothered me was when Anna insulted Cordelia after buying her those dresses and everyone kinda treating it as a compliment? And just cause Cordelia, a fictional teenager, didn’t get mad about it doesn’t mean readers of color can’t see the underlying racism behind “Cordelia looks MUCH better in these dresses which are SUITED for her skin tone.”

I think that narrative could have been handled much better: if it was Cordelia picking out her own clothes as an act of maturity and self-realization and ownership, if Cordelia herself said (in a different way lol) “Damn right I can wear lavender ruffles if I want to and crimp my hair but I’m not going to let white fashion prevent me from outshining everyone because dark skinned women INVENTED jewel tones.” And I think some people will argue that Cordelia’s context makes this too self aware of a development but I would say that it would have been a powerful part of her development outside of her relationships, especially considering that she’s supposed to be a main protagonist. Full arcs for the win baby!

But even aside from all that what bothered me about Anna’s dresses was the fact that it was a white woman showing the “truth” or the “right way” or “saving” a woman of color, a trope which I don’t think CC intended but committed nonetheless. I think from a white author POV the thinking was “Anna is such a free bohemian who lives true to herself and she’s going to help Cordelia become that way too,” which irks me because I feel like that just worked against CC in terms of POC rep and also because that same ideology is used in an attempt to make Anna’s treatment of Kamala justified even though Anna as an out person, with racial and economic privilege and the support of an extensive and powerful family network, pressured and tormented Kamala into coming out.

I have a lot of thoughts on that relationship, mainly: it shouldn’t have been dragged out this long because from the beginning, Every Exquisite Thing, it was clear they were looking for different things. And if CC had left it at that and let them go on their separate ways after a week of knowing each other that would have been fine: Kamala can’t do an out and proud relationship and Anna doesn’t want secrecy, so they’ll develop on their own. And then later Kamala’s pursuit of Anna in the actual TLH books was I think meant to be a thing about “the lengths you’ll go for true love” but it felt forced. Honestly… It just feels icky. like this woman of color is just so hung up on this white woman who abuses her repeatedly and can’t handle her own misogyny and internalizations. And I hate that because both had such awesome potential! To me it’s less that I dislike Anna ( I’d need a whole other post to explain that) and more that I dislike CC for wanting so bad to claim sapphic rep but not wanting to put in the effort to portray it effectively- and pretty much all that entails is writing the relationship without acting like it exists in a pseudo-vacuum where the history and realities of interracial relationships and queerphobia don’t exist in the way we obviously recognize and experience.

And characters like Cordelia and Alastair are amazing and have so much potential; I think the true origin of the problems with their portrayal is that they weren’t really intended as POC or even queer representation in the first place. I don’t know if Cassie would have taken a different approach to her characterization had she known Alastair would be a brown gay man when she first introduced him, but I hope it would have at least made her more conscientious of the inherent application of colonialism and racism in her storytelling from that point onward.

I want to finally add that I’m not saying any portrayal of racism is bad. I’m saying that the racism in the story is not part of a conscious framework that critiques racism appropriately. I think CC wrote the beginnings of the narrative, decided she was going to develop the diversity point content, and then either didn’t look back at the older content to analyze it and the other (white characters) through a new lens of race and outsiderness and queer personhood, or she looked at it and didn’t know what to do with it, or looked at it and didn’t care.

Sorry this got so long! Thanks for listening.

- A.

I feel like CC handled everything poorly in regards to characters who had a lot of potential.

The fact that Cordelia and Alastair are both originally white and it's so obvious in the way every bit of racism is handled by the characters. Matthew's comments in CLS are very important and they should've been handled with the same severity that Alastair's words were. CC changing the characters to POC was a big decision and when she did so she should've went back and actually read her own material. I can assure you that it will not be handled in CHOT, my expectations for CC recognizing the importance and gravity in the words she writes regarding racism or any of her "implied racism" bullshit have gone to the ground.

Because while golden eyes are obviously so easy to write when discussing discrimination obviously racism is out of the question /j

THAT'S EXACTLY IT, women of color in these books are so pathetically rare that on the rare occurrence that she does write them they should all be given these features that aren't as common in POC and written as more beautiful because of those features. I read CHOG after I became more appreciative of my ethnic features but if I had read this a year or so ago? Or even if I had read it after just feeling insecure in general? It would've been awful. The implication is that the lighter features in POC are the most beautiful, with Cordelia's red hair being put on a higher pedestal than her dark eyes and Kamala's eyes being focused on more than her hair (because I literally went back and counted the numbers to prove it and it's exactly what happens.)

I'm sure Cordelia's hair is stunning, but it's the way that when she's described (or more accurately being sexualized) it is just her hair and body that is shown, not the color of her skin or the color of her eyes.

God the pastel thing pisses me off so much. It's not even that Anna tells Cordelia that she would look better in darker colors it's that she says it suits her skin tone. Implying that anyone with brown skin should be barred from wearing pastels. And Kamala? In the few times she is described, she's wearing dark colors or champagne gold, never light blue or purple or pink WHICH HONESTLY SUITS HER PERSONALITY. It's also the way that the dresses Anna sent her are described to be more revealing- it's weird. Anna barely knew her when she started dictating everything that Cordelia could put on her body.

“Damn right I can wear lavender ruffles if I want to and crimp my hair but I’m not going to let white fashion prevent me from outshining everyone because dark skinned women INVENTED jewel tones.”

I literally would have loved that. It recognizes that she doesn't need to follow these "rules" on what to wear but still shows her choosing what she wants to wear without making all the darker skinned readers feel like they can't wear a certain color.

I think what some people fail to realize is that these books are also aimed at upper elementary and middle school and a middle schooler with dark skin reading something like that? In a book with characters they love? It's going to be so harmful

Someone else mentioned that CC said Kamanna's relationship was complicated because Kamala didn't defend Anna: Defend her FROM WHAT? Literally what is there to threaten Anna?

These books are filled with tokenism and then praised for it. The idea of Kamala X Anna has so much potential but they're portrayed in such a toxic way. Throughout the last through books Kamala puts herself through so much guilt and regret and turmoil just for Anna to literally use her, blame her, and cast her aside. And it's so fucking annoying because it pushes this idea that this woman of color who was terrified and in an extremely vulnerable position is in the wrong for choosing her safety and presents them as guilty and shameful for doing such a thing.

I would disagree, the portrayal of racism is bad, because it is used at random points in the story and never brought up again, if you interduce racism take it seriously it's not the kind of thing you're meant to half-ass in a book thousands of people will read

I agree on everything else though, so much of these books are incredibly harmful and they are presented to a young audience so it's overall just a gross situation

Thank you for the ask though! I loved answering this, if you ever have anything else you're more than welcome to come back <3

[terapsina]

So, my favorite books of 2020

To be clear, it's books I read this year not books that came out this year.

Let us begin.

1. A Memory Called Empire by Arkady Martine - The story follows Mahit Dzmare, an ambassador from a small mining Station that's been sent to the heart of Teixcalaanli Empire (which encompasses hundreds of thousands of planets) to replace her predecessor. And oh wow is the world building amazing in this book. And all she was sent to do is make sure that the Empire interferes as little as possible in her home, but of course stuff hits the fan the moment she gets there. And she has to somehow protect Station secrets, solve a murder, stop a civil war and like ten other things all at once and do it all alone even though that had NOT been the plan when she was chosen for this. And the book makes us both love and be repulsed by Teixcalaan all at once and it's beautiful. Also there's queer women main characters in a story centered around surviving space politics and do you KNOW how rarely I find that in a book?

2. Gideon the Ninth by Tamsyn Muir - Lesbian Space Necromancers. And their buff lesbian knights in skull face-paint with SWORDS (who hate them, really, hate is totally the right word (this is only like 20% sarcasm, it's complicated)). I can't even describe this book, it's like a mishmash of every genre imaginable, it's both fantasy AND science fiction AND buddy cop comedy (where they hate each other) AND the princess and the loyal knight (who hate each other).

3. The Raven Tower by Ann Leckie - you know I didn't know how much I needed an omniscient rock as the main character from whose point of view to see the story, until I read this book. I have never been so invested in a literal rock (who is also a god). Basically book for people with soft spots for non-human characters with soft spots for humans. One such human being Eolo, who is unfortunately stuck in a story that was inspired by Hamlet (and is the bff of the Hamlet character, also he's trans, and awesome). I want to say more but everything else feels like a spoiler.

4. The Goblin Emperor by Katherine Addison - One of the most feel-good books I've ever read and I loved it so much. Main character is Maya and he's a half elven/half goblin prince that was never supposed to be emperor. And then his father and all his older brothers die in an accident and what do you know, he's emperor. And he's SUCH a fish out of water but he's also so KIND, and he inspires loyalty because he just. won't. change. that. And he keeps doing the right thing, the good thing instead of following in the expected footsteps of the emperors who came before. But he also grows so much, and learns to stand up for himself. And just, this book is like a warm hug okay? But like, with court politics.

5. Foundryside by Robert Jackson Bennett - I love this book. You know what one of my favorite genres is? Other than fantasy and science fiction? THIEVES PULLING THE IMPOSSIBLE JOB with a good smidgen of found family trope. This is one of those. Plus set in a fantasy setting with a FANTASTIC magical world building. The main character is Sancia Grado who is hired to pull a job, and then she finds out she might have not been given QUITE all the information. So she ends up needing to save... basically everyone. Also they might end up destroying capitalism, it's everything I've ever wanted. Plus gay girls having crushes.

---

P.S. Also with honorary mentions to some other books I loved just as much but I got tired of trying to describe but yeah seriously look those up too, they're awesome:

Network Effect by Martha Wells (more Murderbot and more ART and more robot friendship where both of them are assholes who love each other a lot), Dawnshard by Brandon Sanderson, Provenance by Ann Leckie, the entire Imperial Radch trilogy by Ann Leckie (I might have read a lot of Ann Leckie this year), The Long Way to a Small Angry Planet by Becky Chambers (basically Firefly but better, and gayer and with more aliens and less sexism), The Return of the Thief by Megan Whalen Turner (I can't believe it's over but I loved the end so much), The Empress of Salt and Fortune by Nghi Vo (short and sweet and sad and basically magic).

[bigskydreaming]

I know some people just aren’t comfortable engaging with parts of canon where Bruce is abusive, because that’s just not the version of the character they’re here for, and I get that.

But the second a fic shows a willingness to address or even center itself around something like RHATO #25 or the Batman issue from King’s run where Bruce hits Tim......but DOESN’T acknowledge any of the many, MANY times that Bruce has been abusive to Dick on both sides of the Reboot, from post-Forever Evil to after Jason’s death post-Crisis and times in between?

Yeah, that’s when I see red.

Cuz that’s when it starts to look an awful lot like people are viewing abuse as some kind of narrative spice that they can selectively dole out only to those characters they like, while ignoring the times its applied to characters they don’t like because it might make them too sympathetic or interesting or what the fuck ever.

And I know people aren’t viewing abuse that way, right? Like surely there’s got to be some other explanation for why fics that heavily reference every single time Bruce has done something bad to Jason or Tim seem to act like Dick was just passively at Bruce’s side through all this, backing him up or else just being too naive to think Bruce could ever be like that, instead of like....actively a victim of their father’s abuse as well.

Look, its one thing for a certain character to not be your focal point or someone you’re particularly interested in, but you GOTTA look at the way this looks when you treat a character who has had instances of being a victim of Bruce’s abuse going back over thirty years, as like, being enabling, uncaring of or even party to Bruce’s abuse to the others in more recent years. Like, I focus a lot on the times he’s done it with Dick like in NW #30 or NTT #55 and just talk about Bruce and Dick in reference to those, because I’m trying to keep the focus limited to just Bruce and Dick for the purposes of whatever point I’m making, but the thing about that is.....I’m not CLAIMING that Bruce has never been abusive with any of the others, they’re just literally not even coming into the post because it isn’t about them. 

But the second you open things up to a full fic where things from all points of canon are being referenced in characters’ issues with Bruce, and you have a full cast list assembled.....it doesn’t work the same way because now you’re not just not talking about Dick’s experiences there because he’s not the focal point, now you’re actively writing over his experiences with a veneer of oh Dick and Bruce are fine, nothing like this has ever or would ever happen with them. That’s when you’re making for whatever reason a conscious CHOICE to depict certain kids of Bruce’s as victims at his hands, but NOT depicting the one who inarguably has been written that way the LONGEST and going back the furthest....because you simply don’t WANT him to be as sympathetic or the others or someone who can relate to them on this front, you want him to be an OBSTACLE to all that.

That’s shitty. I don’t know how else to tell you that that’s shitty. Please stop reserving abuse as some kind of ‘prize’ that’s only awarded to your personal faves’ backstories, because oh my god is that an offensive fucking take both coming and going. Not only are you unintentionally framing abuse as something ‘that can be quite good, actually, cuz it makes characters (people) interesting,’ you’re also again, as I said, seeing absolutely zero problem with taking a canon abuse survivor and making him part of the issue instead of someone similarly affected by it, simply because you don’t like him or find him interesting and you don’t want him to be the same as Jason or the others in this regard.

Frankly, this applies to the way this fandom treats a LOT of specific kinds of traumas. Like catch me side-eyeing the massive trend of Jason-as-Robin era fics that have Jason view Dick as spoiled, pampered, and harder to relate to or understand even than Bruce because god forbid one of those fics go with the juvie origin for Dick. I’ve more than once heard people say “I just don’t like that origin for Dick because I find it too angsty” and I gotta say, its a good thing that Cass and Damian’s origins aren’t too angsty to avoid and that nobody has ever extrapolated from what we do know about Jason and Tim’s childhoods to go into extremely elaborate and angsty detail about every possible facet of abuse or neglect they might have endured. 

I mean nah, this isn’t yet another way in which people deliberately depict Dick as just ‘not getting it’ because he hasn’t been through the kinds of stuff the others have, and its like. Okay but see thing is, he actually HAS, and you not acknowledging any of those instances is a CHOICE that you’re making as a writer, and as readers, we’re allowed to question those choices. We can look at what you’re presenting in the way that you’re presenting it, and think okay, but one of these things is not like the others, and the way you treat various characters as extremely sympathetic because of various aspects of their canon stories or their backstories while acting like the same could never ever be true of a character it absolutely has been true of on many different occasions....its super uncomfortable. And it kinda casts a shadow over everything you write into your story about abuse or specific other traumas because now there’s actually this implicit undertone where its like, okay but we actually only care about these things when they’re affecting someone or some character we LIKE, and that’s.....yeah. Not awesome.

I’ve ranted many a time before about the abuse apologism that runs rampant in this fandom, particularly in the vein of people refusing to acknowledge Bruce’s abusive actions (which again, I understand and am fine with up UNTIL...) but being perfectly comfortable sticking with any and all of Dick’s REACTIONS to literal abuse, but now deliberately separated from the inciting actions which makes it look like he’s just instigating shit or upset for no reason whatsoever. That’s literal abuse apologism, no matter what your intentions are, because hate to break it to people, but “Avoid Acknowledging An Abuser’s Actions And Flip The Focus To What The Abuse Victim Is Doing Wrong Instead” is literally chapter one of Abuse Apologism 101. But this shit? Abuse only happens to people I care about or find sympathetic already, because weirdly I seem to be able to make excuses for or overlook any instances of abuse that happen to someone I DON’T like?

That’s literally chapter two of the same damn book.

And good god but am I tired of people harping endlessly on about how much they care about these topics while blithely doing nothing BUT reinforce abuse apologism tropes and narratives in the process of shining a spotlight on the abuse that happens to personal faves and personal faves only.

And this definitely falls into the same pattern of people who happily talk about taking a match to canon and watching it burn at the exact same time they make the deliberate choices to depict Dick as the one Batkid who just doesn’t truly get the others and never will, or is unrelatable or all these other things.....

And its like hey guys? 90% of the stuff you hold against Dick Grayson or cite as your reasons for not liking him? When we say those aren’t canon its not because we’re trying to be the canon police always showing up to bust up your fun and be like no no no you naughty people, that never happened so you’re not allowed to write that. No. That’s not a thing. That’s not what that is. What it ACTUALLY is, is us pointing out all the times and ways where when Dick comes across as a giant asshole in fics, and we’re like why tho, we’re just literally trying to understand where your interpretation of his character is coming from, and you guys are like bitch its canon, and we’re like okay no but thing is, its really actually not. Its us just being like hey, the vast majority of the stuff you say you dont like about the guy or the times you leave out all the stuff that you cite as what you DO like about other characters, its like....

But anyway....

[godsofhumanity]

CLASS OF THE TITANS (2005-2008) | REVIEW

so here’s a show that I used to watch as a child but couldn’t actually remember almost a decade later! then i discovered that it was about greek mythology and i knew i had to watch it again, and it is soooo worth it.

OVERVIEW:  The descendants of Achilles, Artemis, Hercules, Jason, Narcissus, Odysseus, and Theseus are summoned to New Olympia on a mission to save the world from Cronus, who wants revenge after escaping from 4,000-years imprisonment.

RATING: 8/10. the show is honestly actually quite accurate to a point,, and i actually learnt new things about greek mythology from watching. there’s a lot of thought put into the storyline, and it’s really great to see.

AVAILABLE ON: youtube (Retro Rerun has all 52 episodes)

NOTE: there is an unaired alternative ending you can watch here. skip to 3:50.

THINGS I LIKED:

- greek myth au where Pan is a DJ who goes by the name of “DJ Panic” and uses his music to make plants grow wildly and kill off the human race >:D

- literal dad Apollo with a full belly and beard???? what a hottie

- EVIL CRONUS!!! what a great villain!!!!! he has everything you could ever want in a villain:

evil smile, evil laugh, evil motivations, wears black 24/7, follows a red/black/grey/white colour theme, is tall, says “ta-ta” and waves like a posh british person, says the line “come to daddy” when referring to a monster, grins a lot, wicked eyebrows, black hair with a lethal streak of grey, sharp cheekbones, is polite in a condescending way, mocks people, has cool scythe weapons, hires dumb henchmen.

- Hephaestus where he isn’t dumb or bullied by the other olympians!!!! he’s smart and a little feisty, and he has a special boot for his leg!!! he’s probably actually one of the most essential gods in the story!

- Zeus is not portrayed as a playboy.. if you want King Zeus, Leader of the Greek gods and Pursuer of Justice- this is the show for you <3

- Hermes being a dad and scolding his son, while also being proud of what a great thief he is (this is about Autolycus)

- using the version of the Arachne myth where Athena curses Arachne because she was pissed at how good Arachne was. i do think that Athena must have been a little bit vain as demonstrated in Paris’ myth AND the Arachne myth so i’m glad they chose this version. however, Athena acknowledges that perhaps she was unjust, and Arachne acknowledges that she shouldn’t have been so egotistical about it- and they make up, and Arachne is turned back into a human <3

- Hera’s battle armour transformation

- Orion and Artemis T-T Orion’s transformation from the sky was very awesome and creative,, and it was very touching how he and Artemis made-up <3

- awesome story line!! it’s very well written, and it explores so many different aspects of greek mythology- some stuff i hadn’t even heard of until i researched further!

- makes mythology easier for children to understand, without dumbing it down too much. Cronus even refers to Hera, Poseidon AND Zeus as his children, despite Hera and Zeus being married- but it’s done so that it doesn’t sound weird, which is an incredibly brave decision for a kids’ show

- portraying the descendants of the heroes as being of various cultures- this is something soooo tricky to do i feel, and so many people do it in a way that completely erases the fact that greek mythology is GREEK! here, the greek gods themselves are still greek, and the main protagonist (Jay) is also Greek,, but they make it completely plausible that since thousands of years have passed, the Greek hero bloodlines have mixed with other cultures and thus their descendants are of other cultures besides Greek. i thought this was a very clever way of having diversity without it being at the expense of authenticity. 

- the soundtrack was pretty cool i thought, and the animation very smooth

- classifying Narcissus as a “hero”.. idk,, i just thought it was a funny idea and Neil’s power being “luck” was hilarious

- everytime Jay said “Cronus!”

- if you like the HC that Poseidon has no idea how to swim due to him taking advantage of his ability to control the sea, then there is a scene towards the end of this show where Poseidon is literally drowning due to the fact that he doesn’t know how to swim T-T

- the ending!!!!!!!! aghhhh Cronus ur the baddest of them all King <3 really wish there was a season 3, but at the same time, it was a good place to stop.

- Herry’s grandma whacking Cronus. get his ass Queen!

THINGS I DIDN’T LIKE:

- i guess rewatching as an older person, i never realised how misogynistic some of Archie’s lines were.. like, i love Archie as a character- but some of his lines, especially those concerning Atalanta, were so possessive and weird and it’s odd because none of the other characters are like that. 

- not something that i didn’t like per say, but i kinda thought from the first few episodes that it was Jay and Atalanta that would be together, but then Theresa came and it became Archie and Atalanta (punks stick together) and Theresa and Jay (good kids/leaders stick together) which was a little stereotypical i guess,, just something i observed

- alternative ending- i HATE the way Jay’s finger just kinda,, “wiggles” at the end like he’s still kinda alive after a piano has been dropped on him T-T

- Odie complaining every two episodes about how he’s “underrated” and “unappreciated” just because he’s the nerd character. the geeks on the team are literally so essential to the team’s success,, like the team would literally die without them and i’m a little sick of the trope where the nerd throws a temper tantrum because they’re the “weak link”... STOP IT! i want to see the nerd being on equal footing with the team, and understanding that they are just as valuable as the brawns of the team.

- Daedalus’ android counterpart was actually insanely freaky,, as was Cronus’ robot version, especially when it’s skin started to melt off in the fire :0

- Artemis being one of the 7 “original” heroes... Atalanta was literally right there?? also Hippolyta? Penthesilea? idk,,, odd decision.

[not-close-to-straight]

Random Wanda Vision Thoughts--

Episode 1: I am an emotional bitch crying at Wanda and Vision saying “i do” at the end of episode 1, like can these babies please catch a break? they just want to be happy. 

Also Agnes and the 70′s show mom are my favorite wtf. 

STARK TOASTERS I SEE YOU. 

WHO IS WATCHING THEM WTF 

Episode 2: 

Dottie should die, she seems like the type who needs gently run over by a bus

WHO IS IN THE RADIO

Elizabeth Olsen is so cute in this, absolutely adorable 

IS THAT DAVID SCHWIMMER PLAYING THE PIANO

Vision is drunk from getting gum in his gears, I’m actually cackling right now. 

Tiny bit culty with the “for the children” thing, huh? Yikes

BABY BUMP! 

Some creepo decides to get in on their world and Wanda literally went “i think the fuck not, let’s try this again and this time in technicolor” 

is that the cop who asked out Ant Man on the radio?

The difference in “sitcom” Wanda who is happy in her world and “real life” Wanda when she realizes something isn’t right is honestly astonishing and Grade A Face Acting. See what happens when they let women do more on screen then walk around in tight clothes with full lips parted in a sexy pout? 

Episode 3: 

Seventies Vision’s hair is ENDING ME, I can’t even deal with that. 

IT HAS TO BE DAVID SCHWIMMER except he looks like “russ” from friends instead of “ross” 

Poor Vision is not handling impending fatherhood well 

COMIC BOOK NAME DROP BILLY AND TOMMY I LOVE IT 

Poor pregnancy fritzing Wanda. DID WANDA JUST GLITCH A TIME ERASE AND NOT MEAN TO? Listen, I did not expect to love them as a couple this much. EW HER WATER BROKE OMG 

A STORK 

Oh Wanda, poor baby she’s so afraid, I write way too much fan fiction about how all these characters are secretly terrified to go through life alone to be okay with this. 

Why did I start crying immediately when the babies were born, I’m too emotional for this. She is so beautiful and Vision is so soft meeting his son as himself, oh my gosh. THE TWIN SCREAMS while the other twin comes omg this is Grade A Sitcom bullshit. 

The doctor knows something is Up and so do Herb and Agnes. *don’t be suspicious, don’t be suspicious*

...have we actually seen Ralph and I’m just blanking on it? WHY DON’T THEY LIKE GERALDINE? WHO IS SHE?

Oh no i’m crying again over pietro and the sokovian lullaby. Don’t let me watch this while I’m PMSing wtf this is torture. GERALDINE KNOWS ABOUT ULTRON

OH SHIT WANDA IS PISSED LOOK AT THAT DANGEROUS LADY. that head tilt is fucking lethal. 

I love agnes oh man. I know because of spoilers she’s something of a bad guy? but I love her

WHAT HAPPENED TO GERALDINE OMG DID WANDA KILL HER

Oh no, not dead. Just kicked tf out of the bubble. I just realized the symbol is for Sword. Is this some sort of experiment to keep Wanda contained post Endgame? I should have read more spoilers, I’m fucking confused. 

Episode 4: OH HOLY SHIT IT’S MONICA RAMBEAU AND IT’S POST EG SNAP OH MY GOSH SHE HAS NO IDEA SHES BEEN GONE FOR FIVE YEARS MY HEART IS BREAKING MY HEART IS BREAKING I CAN’T TAKE IT 

It IS the cop that hit on Ant Man! WHAT DO THEY MEAN WESTVIEW DOESN’T EXIST 

Oh it’s Darcy! Damn straight it’s Dr. Lewis. How very shocking, a woman was the one to show a room full of Ridiculous Men what’s going on?

ZOMBIE VISION OH MY GOD “no we can’t” oh man she is starting to CRACK and Vision knows something is wrong OH NO 

At this point I should point out that I am 1000% surprised at the quality of the show and 1000% pleasantly surprised by how much I’m enjoying it. The bar for Wanda’s character development was literally subterranean, but this is has been frankly sort of amazing?? 

Episode 5

Agnes asking about “taking it from the top” WHAT. I love so much the way the characters “break character” it’s so interesting and well done! WHY IS WANDA LYING TO VISION. 

WHERE IS RALPH

oh my god the babies are children now?? why isn’t agnes noticing?? THEY’RE SO CUTE I COULD CRY ALL OVER AGAIN 

I do not. trust. hayward. Why is he asking about Wandas nickname? Monica knows whats up-- she knows Wanda is grieving and hurting. 

THE VISIONS CORPSE WHAT? WHAT IS WANDA DOING OH MY GOD SHE STOLE VISION. Vision has a living will? Don’t you have to be human for that? Are you telling me the woman that loved Vision would straight up ignore his wish to not be turned into a weapon after his death? I have a hard time with this. 

Oh no Vision is starting to worry me. He’s onto Agnes, he’s noticing Wanda getting careless...the boys are adorable though. Good on Agnes for not even flinching. 

DAMN RIGHT WANDA COULD HAVE TAKEN OUT THANOS LETS HAVE SOME RESPECT PEOPLE. Also, why is Monica being sketchy about Captain Marvel? 

EMAIL ALERT EMAIL ALERT “none of it is real.” oh my god what is happening?!?!

“Is this yours?” OH MY GOD. “This will be your only warning” she is so unafraid and I love her for it. I love her accent coming back when she breaks characters LOOK AT HER TURNING ALL THOSE MEN AROUND I LOVE HER. 

“Fix the dead” oh my god the shock on her face. The absolute irony of her trying to tell her boys there’s rules when she’s writing the playbook as she goes. Oh my god. “Can’t I?” Jesus, then the credits start rolling because she wants the episode to be over but Vision won’t let her OH MY GOD. My heart is breaking

WHAT DOES IT MEAN SHE DOESN’T KNOW 

SHE RECAST PIETRO

Episode 6

OOOOH look at the classic costumes! Pietro is slaying me. I mean, it’s the wrong pietro but its still very funny. The way Vision calls her out and then plays it off is.... spooky. She is fully aware thats not her brother. “Be good.” holy shit. 

Look at me not liking Hayward again. “which one is the sassy best friend” i feel like that’s....racist. “don’t use the last five years as an excuse to be a coward” DRAG HIM SIS 

Listen Uncle Pietro being a little shit head is my favorite. I use the OG Pietro in my fics but this one is hilarious. 

Vision lied about being on duty? Yikes. The one house where people are stuck in a loop? YIKES. Its crazy how everyone is starting to be super aware of Wanda pulling the strings--MAGIC CHILD OMG. 

Whats past ellis avenue? Is that the limit of Wanda’s powers? I don’t super understand how Vision has his powers if he’s technically dead. HE DOESN’T KNOW WHAT THE AVENGERS ARE she really just gave him enough life to exist just barely. Agnes knows he’s dead so she wasn’t snapped??

Agnes’s witchy laugh while dressed like a witch is legit awesome. We call that FOREEEEEEEEESHADOWING! Oh and there’s Ellis Ave. Got it. 

Monica’s blood is changed?? Idk how to feel about Black Character willing to die for White Charaxter? I mean I know Wanda should be Jewish but still. Uncomfortably close to icky tropes but maybe I’m reading too far into it.

YIKES where was she hiding the kids till now? How’d she do all this? “I’m not a stranger or your husband” YIKES.

OH MY GOD DEAD PIETRO

OH MY GOD VISION STAY IN THE BUBBLE SOMEONE SAVE HIM SAVE HIM OMG BILLY CAN HEAR HIS DADDY DYING SAVE HIM

“The people need help” oh Vision you are truly Worthy

She literally expanded her world to save him omg

DARCY WHERED YOU GO geez look at power of this girls mind it’s about damn time we got a glimpse at just how intense her powers are

Season 7

Ok is this like a reality show? Oh man she is GLITCHING.

Oh no it’s just Wanda not Wanda vision cos she feels alone? So sad. She really is losing it isn’t she and not in a “lol how awkward” sortnof way but in that truthful hard to watch way that so many of us feel when we’re at the breaking point

“I actually did bite a kid once” I literally ugly laughed right there

I KNEW I COULDNT TRUST HAYWOOD

It’s so nice to see Darcy used in a real way. Her character was totally wasted in Thor

The way Wandas little interviews get more and more sad :(

Uhhh what does that mean Agnes is quiet on the inside? Again with the Ralph thing. I’m starting to think there’s no Ralph at all??

LOOK AT THIS GIRL WITH HER SPACE ROVER . She’s got that same look of determination her mama had. WHAT IS HAPPENING TO HER WHY ARE HER EYES BLUE

“....soooo Wanda killed me?” I’m ugly laughing again and I shouldn’t be but the comedic delivery is excellent. The whole “office” vibe with the cameras is making an otherwise devastating episode fairly funny

LOOK AT THIS GIRL STANDING UP TO WANDA we love a sharp cheekbones beauty

“Maybe I already am” I mean, I would have loved to hear that post Ultron when for some reason everyone blamed Tony for everything?? But hearing it now is just horrifying and I hate it

Oh vision deciding to go get to his wife is beautiful.

WHERE ARE THE BABIES WHERE ARE THE BOYS OH MY GOD IM FREAKING OUT WHAT BASEMENT THATS NEVER GOOD

Uh hey what the fuck is up with Agness creepy basement of horrors??

AGATHA HARKNESS OH MY GOD

This song is a BOP wtf she deserves an Emmy for this shit

Snoopers gonna snoop what?

Episode 8

Of course it’s Salem, where else would a witch story start

“They simply bent to my power” What a queen

lmaoooo THAT ACCENT COMES AND GOES Agatha really said what we’ve all been thinking

Wait so Wandas power drew Agatha in? I thought maybe Agatha trapped her here?? SHE DOESNT KNOW WHAT WANDA IS

THE BABIES

Oh ouch this trip down memory lane is gonna hurt me isn’t it?

Oh no her mama I’m dying inside send help. The TV sitcoms. Oh my god is this her last memory before her parents died. HELP ME I CANT WATCH THIS

Oh my god, she had powers when she was little?? SHES NOT AN EXPERIMENT???

Listen I generally think telling a story retroactively is lazy writing? Just give us a well developed story the first time?? But this is BRUTAL and brutally well done.

SHE SAW HERSELF IN THE MIND STONE???

Would it have been so difficult for them to give us even a PEEK at this version of wanda vision in CACW? Marvel has the worst habit of just popping up like “oh hey these two love each other all the sudden with no real reason for it” but this is wonderful. So much character development.

Oh listen to this woman begging to be able to bury her husband omg. WAIT SO SHE DIDNT BREAK IN AND TAKE HIM?? WHAT ARE THEY DOING TO VISION?? DID HE PUSH HER INTO THIS PSYCHOTIC BREAK?? HE TOTALLY PLAYED HER INTO RECREATING VISION SHE JUST WANTED CLOSURE. He literally showed her visions dismembered corpse and said “say goodbye” I will kill this dude wtf

“I can’t feel you” guys I have to pause this so I can cry for a minute

“I can’t feel you” and then she leaves. Totally alone in the world. My heart is an empty husk.

Why the house though? Why west view?

OH FUCK ME UP ARE YOU KIDDING ME VISION WAS GOING TO BUILD THEM A HOUSE I CANT TAKE THIS ANYMORE

It’s not even real vision? Just the projection of her broken heart? “Welcome home” I am broken. Physically broken.

CHAOS MAGIC

SCARLET WITCH

I CANNOT

OH MY GOD WHITE VISION??? NO NO NO

[sinisteredgirl]

Flower of Evil (2020)

Yeah I know, it has a lame-ass title (I mean really, show? Flower of Evil??) But don’t let it fool you, because the Kdrama ride has been one of the most enjoyable ones so far. Safe to say, ending aside, this drama made it to my faves list.

Flower of Evil is about a married couple who seems to be quite the typical happily married duo; the wife (Cha Ji-Won) is a detective who’s good at her job, and the husband (Baek Hee-Song) is a metal crafter/artisan who runs a business. They have a daughter (6-year old Eun Ha), and all is seemingly well for this happy family, until a series of killings open up a cold case—one which unravels the identity Baek Hee-Song as Do Hyun Soo, the alleged serial killer on the run.

So I started watching this show back when I was in a bit of a Kdrama slump. The one before this (Dr. Romantic Season 2) didn’t give me much joy, so I was really looking for something to perk me up. I then read the summary of this show on Netflix, saw that it was a Baeksang awardee/nominee, and then bam. And boy, am I grateful for that random algorithm that got me to this show.

For story, I’d say the writing would have been stellar had it not been for a few jumps in logic as well as that fucking ending. The pacing was beautifully done, and the way they made things connect and flow is so awesome to behold. The ending though is really a love-it-or-hate-it kind of deal, and for me it was the latter. But I didn’t dislike it enough for it to affect my utter love for the other episodes. It’s something workable—something that eventually you’ll go okay, alright, fine. Still not a fan but fine, show, fine.

The show shines, however, with its characters. And especially with our lead characters—the married couple—who the writer created with so much love and thought. They are nuanced and layered and have so many dimensions on them that it’ll probably take me another long post just to talk about it. 

With Hyun Soo, who is adept at cognitive empathy but has a hard time processing and expressing emotions, the struggle is always determining what is genuine and what is manipulation. And Hyun Soo is aware of this, as he himself doubts any emotions that he actually genuinely feels and brushes them off as only part of his manipulative behavior. As he struggles to process and express his genuine emotions, it eventually bottles up and manifests itself physically through his chest pains, reaching tipping point during the magnificent bridge scene. Later on, when he is able to acknowledge that he does feel genuine emotions (through the help of Ji Won), the chest pain stops, and he becomes much more open to his emotions (he cries a lot, becomes more visibly upset, etc). 

With Ji Won, the struggle is coming to terms with the fact that her husband lied to her for fourteen years. Fourteen years. The identity of her husband is a whole lie, and she even heard him say that he never loved her, not even once. I love love love the fact that she isn’t just Mother Teresa to her husband and welcomed him immediately; she had to process through the torment of the betrayal, the devastation, and the (continuing) lies, all the while trying her best to protect his identity as well. This push and pull strained her up until her breaking point in Episodes 9 and 10. Despite all odds, she places her trust in him again because she understands that he really does love her and that she’s all he’s got. 

(Okay but let me rant more about Ji Won for a sec. Listen, I am extremely critical when it comes to leading ladies in Kdramas because a lot of Kdramas start with really interesting female leads who eventually fall flat just to make way for tropes like boy-saves-girl, etc. Worse, there are Kdramas that totally detach the female lead from the main story (yes, I’m looking at you, My Love From Another Star). In short, I’m very critical about the way a show handles its female leads/characters because they usually get the shorter end of the stick.

With this in mind, I totally fell in love with the character of Cha Ji Won. Armed with a sharp mind and excellent observational and deductive skills, she does her job as a detective exceedingly well. She pushes hard with her questioning while also being able to comfort those in need (like the kid during the 1st episode). The show always emphasizes how much of an asset she is to the police department, and her sunbae and superiors know this. 

Aside from this, she also has the ability to inspire and instill confidence in people. Like what Hyun Soo said, she can be very convincing with her words. Driven and unfaltering, she is able to untangle the shadows and unravel puzzles. Arguably, the main antagonist was actually more afraid of her than any other character; he wanted to kill her precisely because she was too much of an unpredictable variable. So yeah, good job show for creating such an awesome character as Cha Ji Won.)

The dynamic of Hyun Soo and Ji Won is actually one of the most interesting points in the show and is also one of my fave aspects: one tries so desperately to maintain the web of lies, while the other tries so hard to unravel it. They move in a circle, like what Hyun Soo said in the final episode, but this dynamic is actually more apparent during the first several episodes when Hyun Soo was still trying so hard to keep his identity as Baek Hee Song. When the masks have been uncovered, however, it’s a delight to see them work together as a team. And they work efficiently well together, like how they worked on negotiating with the human trafficker and how they stormed the in-laws’ house for a confrontation. 

I also love the fact of how Ji Won seems to understand Hyun Soo the best, at times even better than himself. She knows that he is very much capable of feeling emotions and is capable of love, and she helps him realize this. Hell, she even knew that Hyun Soo was held up just by the way he talked to her on the phone. But she also correctly said to him that she’s no fortune teller, and that he has to share with her his thoughts and plans so that she can understand him further. Yay for communication!

It’s going to be another long post, but it’s quite amazing to see how Ji Won has influenced Hyun Soo to be a better person. He didn’t have to save the trafficked victims and enter such a dangerous deal, but he thought about how Ji Won would not have turned a blind eye on the situation, so instead, he chose to save them. As mentioned during one of his hallucinations with his dad, he has been trying to mimic Ji Won and to live as a decent person—a good person—just for her. Throughout the story, we can see how much he actually depends on Ji Won for strength and support—waaay more than how Ji Won is dependent on him. In a sense, she really is his world, and we can see how he crumbled when he thought she was dead.

(Also something that I appreciated is the fact that they’re already married, so they’re past the awkward stage and is now on the happily-married, DTF stage lmao)

Moving on, another aspect of the show that I loved is the fact that the other detectives are smart as hell too, and that humor is injected appropriately and is not a separate from the main story. 

For the other aspects of the show, I think the music is okay, and I liked some of the instrumental pieces (Flower of Evil and Someone to Remember). 

Okay, at the risk of this post being too long, my tl;dr really is that this is a great show—not perfect of course, but its flaws (especially the ending) should not deter the viewers from enjoying the ride from the earlier episodes. Definitely one of my faves.

[jonroxton]

can you talk about chlark beyond chloe? personally i think it's weird that the writers kept adding kisses and weird romantic moments without any pay off. i don't know much about the fandom back then but i think the writers were baiting fans since clark/chloe seems to be the second most popular ship after clex. second i personally think chloe would never be happy with clark or anyone tbh and she doesn't seem like the type of person who would have kids so the finale was weird to me.

this got looooong :)

0. it WAS weird, and the choice to never not once go for it with them was to the story's detriment. I'll get into it a little later on in this post.

Re: shipping in sv fandom. there was definitely drama (clana was HUGE when the show was airing and every ship was basically derailed by it lol) but I stayed in my clois lane with a small circle of fandom friends much like I do now. a good measure of clois fans were fans of lois and clark from other mediums, come to sv just for lois and clark, myself included. we were pretty insulated as a fandom even back then. I do remember seeing more Chlark after the S5 finale (when Chloe kisses him goodbye), but those dropped off after Jimmy was introduced right away in S6. The most drama I encountered was with Chloisers: Chloe fans who believed wholeheartedly that Chloe was Lois. They hated SV!Lois and were convinced she would die so Chloe could take her name and job and place by Clark's side, thus a Chlark endgame. this was a popular theory amongst that fandom even into s9, when the clois ball started to roll for true.

bait and switch

a lot of Chlark is rooted in this notion that chloe WOULD be the best thing for Clark, the ideal Lois, the true best friend, the human hand guiding him through Earth's troubles. she would be could be the BEST possible lois archetype for Clark. it's not a wrong interpretation. she was specifically written as a lois-and-lana-proxy (teenage lana is a reporter in some AUs and even some as an adult as a tv correspondent) and she's given many lois-ish traits (tenacious, secretly crushing on clark and in denial), but this interpretation is deeply flawed. first, because lois does eventually enter into the picture and she has her own defining traits that, when compared to chloe, make chloe seem much shallower than realized. secondly, within the complete context of the story, her position in the greater narrative is not as ~the one who got away, the way it did very early on in S1-S4, but one who clark tolerates.

they're friends because clark is forgiving and chloe has staying power. their friendship is riddled with insecurities and unknowns the characters create for themselves. their dynamic is defined by conflict, not resolutions. this is not made easy by the fact that chloe is such a strangely written character, but ultimately she is positioned as a counter to clark achieving his happiness. not a thematic narrative foil but an obstacle clark eventually relents to.

2. and it has been so from the get-go

S1 is the best season for them and the single season which actually considers Clark's side in this dynamic. everything about them later on can be explained with how they are in this season. and that's the problem. when they're 14 it's nice teen angst drama and works perfectly to establish the dynamic. when they're 24 it's at best a pattern, at worst regression. we expect certain behaviors, dismiss them too, when it's children, at least I do. clark and chloe never move beyond the dynamic they establish in s1 and early s2. in essence, clark and chloe remain children around each other. they have many discussions in the later seasons that make at least one appear petulant.

so S1 clark has just been told the greatest secret of his existence and he imprints on lana hard that same night (right AFTER jonathan tells him, he meets lana at the graveyard and talks to her for the first time EVER, a lot of childhood imprinting going on in SV). all of s1 follows clark's heartache over lana, watching her from afar and figuring out a way to be near her. this pain is exacerbated by the fact that he believes he caused her her greatest grief: the death of her parents via the meteor shower which he arrived in.

here the first beat of the chlark dynamic is established: chloe's job and passion – the wall of weird and her pursuing the meteor infected oddities of SV - directly affects clark in a negative way (he's suicidal for much of s1-s3). so her crush on him is countered with her unknowingly causing him great grief. om top of that: clark becomes part of this passion of hers and she eventually begins to pursue him as a story to be uncovered, very superman yes. here tho, it causes nothing but strife for them and paints chloe in an awful light (and clark too, highlighting his refusal to open up). I personally enjoy this aspect of them in s1. bc they're so young I give em a free pass and it's a good conflict playing around with old superman tropes, but it makes for a fraught friendship.

3. the second beat

is that neither chloe's crush on clark, nor his asking her to stop pursuing his truth, do anything to stay her. her tenaciousness becomes intrusiveness and inconsideration (many of her accomplishments irt the daily planet are directly bc she betrays clark). she simply will not listen to her friend and does not believe his livelihood and autonomy is worth losing a story over. this is literally the opposite of comics/live action lois lane, who in various versions drops the clark reveal story to protect him. this passion turns vindictive pretty early for chloe, who eventually pursues stories about clark out of jealousy and entitlement (against lana also).

4. the third beat

is that clark doesn't ever see chloe as romantic prospect except this time in s1. the tornado trapping lana pulls him away from any solidifying of the clark/chloe dynamic, and that's that. but we know clark was willing to go for it in early s2 when he apologizes to chloe about running off on her. it's chloe who decides not to go on with the relationship. clark is visibly confused, but also 15 so he can't see that chloe is putting on a brave front to protect herself from clark running off again. I liked this too as it's another play on superman tropes, but my sympathy for them stops here.

5. and stays here

these beats are the entirety of this dynamic. everything about chlark can be distilled down to their childhood. it's why I don't hate them completely, bc I have a lot of love for kids who hurt in such a way and that time is never easy. in s8 (I think its s8) when we get a flashback to when they meet as kids (more imprinting!). little tenacious cute chloe kisses insecure clark bc of the funny awkward tension, acknowledging it, and then immediately takes it back because they're better as friends. (also they’re like 11 lol)

every single romantic moment with them is undercut either by chloe herself, or by the presence of other storylines/romances the writers wanted to pursue. the lack of integrity in chloe and the lack of interest in clark, regardless of how sincere their connection or how messed up, is a central part of their dynamic that needs to be reconciled with their friendship. and its exhausting bc there is never a point they are ever truly comfortable around each other.

6. to a fault

knowing the secret doesn't change chloe's methods. it doesn't make chloe clark's great confidante. if anything, it complicates matters for both because their relationship then becomes about the greater good and clark's great destiny. everything chloe does becomes about that, which in theory sounds awesome, but is executed much the same way as s1!chlark: by reiterating behaviors that highlight the negative aspects of that loyalty and the negative aspects of their characters.

the single time they do actively examine what this loyalty means and how chloe's hero complex complicates things for chlark is with s8 and davis. she protects davis with the skills of subterfuge and secrecy she developed as clark's friend. and it costs her jimmy and a lot of her personal integrity as a character. tho ironically it makes chloe the strongest she's been as a character. this is the first time clark is forced to view chloe as an enemy and he never quite recovers from discovering the dark depths she’s willing to go to. 

it's an arc dealing with the established beats: how far chloe is willing to go for a kryptonian (very far), how much she's willing to do for him (A LOT and all of it illegal), and what it costs her (jimmy). it deals with her jealousy (always second choice) and her motivations (uncovering the truth). this great want that she struggled with for years is turned on its head and examined, revealing just how weird and dark her hero complex is because obviously davis is not clark. davis/chloe served to highlight more than any other arc how it's really too bad that clark never saw her that way, because she has so much love to give and when channeled, it's a great force. only it's a great force for evil. clark has to confront that it’s not just lex but his other closest friend who is willing to go so far. they backtrack hard in s9 and s10 but they keep this underlying wariness in clark towards Chloe throughout. it’s not anything new, but it’s no longer subtext that clark doesn’t fully trust chloe.

7. And that's the rub

in the end. chloe and clark have many storylines they're in together and chloe's important.... to develop clark and as a counter to clark. clark never instigates anything, not once, for 9 years! when the show did give us Moments TM, clark is reacting, not actively making choices to connect to her. if anything, clark is incredibly awkward about chloe when they become intimate. he doesn't seem to know what to do with her crushing on him (the elevator scene is a great one to show just how awkward chloe makes him feel). more than that. clark never tells her his secret. and later on, chloe doesn't tell him half the crazy wild shit she does to protect him bc she knows he would disapprove. I still hold that the only reason they work is bc clark is a forgiving character and would give her chance after chance after chance. that's the watsonian explanation, but the doylist explanation is that the writers just never cared to explore them beyond this point.

8. and what was beyond that point?

they would've been a great counter to lexana in S6 and early clana (clark finally having a gf who knows). it’s playing the clark/Chloe as a straight lois/clark proxy before actually pursuing lois and clark. it could’ve been the precursor to davis and caused an even more personal conflict! the kiss at the end of s5 was their chance. they could've written chlark devolving much the same way lexana did in s6 (or not). but again. the writers never went that far and clearly never wanted to. it kept chlark forever in this stage of childhood friendship always on the brink of collapsing, tittering either way. it's also tough to speculate bc clark's just not into her. in fact he becomes more and more wary of her, to the point where he believes she can do horrible things, and he's right. the stories continually make their methods complete opposite.

they go out of their way to show chloe realizing how happy clark is with lois. and even play a joke on the fandom by literally turning her into lois and seeing the sparks between her friends. it's almost... cruel but it does serve to show how clark is when he's smitten and he's never looked at chloe that way except during the dance when they were kids. other unrequited dynamics have at least some spark from the desired, but nil from clark. clark is into chloe in late s1, but she shuts him down, and when he seems to be into her again (damn that s5 kiss was a good one lol), she shuts him down again. it's just a weird writing choice all around, and that they kept nuggets of it throughout the show is the thing I cringe at most whenever I rewatch.

9. bait and switch 2

with hindsight it is definitely ship baiting and that sucks for that dynamic bc without it their friendship would’ve been the stronger, or at least not full of so much negativity. all it did was remind everyone that chloe’s been duped since she was a kid and that clark is both stupid and strange for never noticing and letting her get away with shit just bc she’s the most loyal. I don’t ship them and even I get frustrated lol

[zechleton]

Ranting and Raving About Magic in 2022

I haven’t written about Magic in ages, so what better way could there be to get back into the habit that a stream of consciousness spiel about the 2022 announcement?

Strap in, folks, because this is going to be long and poorly edited.

Actually, it’s not that long, about 1500 words. It might feel longer, though.

Neo-Tokyo or something idk

As one of the five people on r/magictcg that didn’t want to return to Kamigawa in standard set, I have to admit this one looks surprisingly awesome. The couple of pieces of art Wizard shared looked fantastic, as usual, and I’m a sucker for that blue/pink colour scheme. I’m not a huge fan of time travel as a story telling device but since the Magic story has always served the card game, using tropes I don’t enjoy is far from a deal-breaker. Yeah – I’m cautiously optimistic about this one.

Someone Made Elspeth an Offer she Couldn’t Refuse

Obviously, we know much less about this set. Still, it sounds right up my alley. I’m curious how Wizards is going to make Magic meets The Godfather work, but the good kind of curious. On top of that, I’d really like to have some more shard-based commanders on Arena for Brawl, and I assume we’re the “three-colour demon crime families” isn’t referring to clans (triome?) again after leaving Ikoria behind. Also, come on, how can you not love the sound of demon crime families?

Glory, Glory, Dom United!

There is a part of me that gets nervous about nebulous concepts like design space whenever we go back to an old plane again. All these crossovers (more on those later) take on a different appearance when viewed through an “are they running out of ideas” lens. Still, Dominaria was fantastic, by far the best “return to” set – though I’m hoping Innistrad claims that throne in a few weeks. With that in mind, I’m expecting Wizards to knock it out of the park with DU, just like they did with Dominaria.

The Nostalgia Wars

I might scoff somewhat at Magic’s storyline sometimes, but I’ve read the stuff that people think is good. I own both collections of the Artifacts Cycle. They all pale in comparison to good fantasy, but they’re not bad, and they hold a special place in my heart from when I was more invested in stuff like lore and story. The point of that ramble? 2022, more than ever, is Wizards’ mining the seemingly neverending mineral that is nerd nostalgia. It further adds to my “are they running out of ideas” worry, but I can’t say the nostalgia hit/psychological manipulation isn’t working on me. Hell, Return to Return to Innistrad has me more excited than any set for a couple of years now so I guess I’m part of the problem.

Uncaring

The phrase “not for you” is thrown around distrubingly often in Magic circles nowadays. Unfinity, however, is decidedly not for me. And that’s fine.

Dungeons And Dragons Battle for Baldur’s Gate Commander Legends I Think That’s The Whole Title But Maybe I Missed a bit I’m not Sure

Yikes, what a mouthful. I hate the title, both its length and unwieldiness. I don’t really have much interest in the set either. Commander Legends was a neat idea with a lot of flaws. Adding crossover flavour from another IP I have little-to-no interest in isn’t helping matters, though I appreciate that Adventures in the Forgotten Realms was super popular. For me, AFR was pretty much just a core set without any of the usual references to sets I do know and care about. Another “not for me” release.

Double Trouble

Hmm. I’m torn here. As a primarily limited-focused player, Masters sets have been some of my favourites ever. Original Modern Masters is still one of my in my top five sets of all time, and I have fond memories of almost all of the others, too.

Original Double Masters, though, was a victim of apathy brought on by the never-ending deluge of Magic product being released nowadays. I have never even seen a booster of this product, much less opened one. Without looking it up, I can’t even tell you if it was hurt by the pandemic or not, because there’s just way too much fucking stuff nowadays. I don’t know what else to say.

Oh, hang on. Was this the set with a $100 VIP Booster? Hahaha, fuck off.

Jump Around

The original Jumpstart was surprisingly enjoyable on Arena. I never wanted to play it more than a few times, and sometimes you got packs that relied entirely on your opponent getting mana screwed, but those few times I played it were pretty fun. I think putting stuff like obvious eternal format staples like Alosaurus Shepherd in a set like this is some extremely anti-consumer bullshit, but as a play experience it was an interesting mesh of draft and sealed. Not as much fun as either of those, but close enough that the novelty carried it into the “pretty fun, actually” camp. I expect more of the same – I’ll probably do a few runs if I have gems or gold spare.

Universes Beyond: Warhammer 40K Commander et al

Really, this is the bit about all the crossover stuff.

Another vomit inducing title and one that has left me with some introspection to do. Like many people, I find a lot of this crossover stuff distasteful, but I can’t really say why. The fact that the Street Fighter one – an IP I have some amount of investment in – seems less egregious than Warhammer of D&D makes me think that I don’t necessarily object to crossovers on principal. Does my dislike come from the fact that, so far, all of the other crossovers don’t involve properties I care about? Maybe. Even the mechanically unique line of text that pissed off so many people when the Walking Dead set came out doesn’t bother me that much, because Commander is a format I can take or leave.

The Fortnite one rubs me a different wrong way, though. Partly, it’s the sheer fucking inevitability of it all. Of course a popular part of the nerd sphere will have a crossover with Fortnite because that’s just the world in which we live. Partly it makes me feel old, uncool, and excluded, like all the other crossovers I don’t care about, sure. But there’s something more visceral about Fortnite. It’s fucking everywhere and I resent feeling like I have to have an opinion about it. Still, I don’t really have strong opinions about most of the other crossovers, so why this one? I really don’t know. Maybe this is one “this isn’t for you” too many from a game that has been part of my life for over 20 years.

I haven’t bought a single Secret Lair, but I’m generally willing to accept that they’re a bonus product that isn’t needed by anyone but is wanted by some. Hell, if they put out Secret Lair: Snapcaster Mage with good art (at last), I could probably te tempted into picking one up. It would be against my better judgement, though. Something about all these “not necessary but also don’t miss out, aren’t they cool, spend more money please” products rubs me the wrong way. Playing Magic and hating capitalism are difficult interests to reconcile. That’s it. That’s the tagline for this article.

Oh, right, it’s just a blog. Never mind.

Oh, God. The Fornite Secret Lair is going to be the Snapcaster Mage one, isn’t it?

Then there’s Lord of The Rings. My pal Kristen will be thrilled about this, was my first thought. I’m less enthusiastic (shocker, right?), but at least LOTR makes sense as a thing to crossover with. I mean, apart from the obvious business sense. It doesn’t have any guns and it isn’t an obnoxiously ubiquitous battle royale FPS, so that already puts it ahead of two of the other three crossovers. Indeed, without LOTR, you can make a reasonable case that MTG would never exist in the first place. Personally, I view LOTR in the same way I view The Beatles – they were important, and worthy of respect, but have been surpassed in every way since.

And the movies are better than the books. There I said it.

Regardless, this one is fine, actually. I still don’t particularly care for crossovers in general, especially as the setting for a standard set, but at least it makes sense this time.

Shut up Already

Alright, I hear you. I know a lot of that was negative towards the end, but I want to reiterate that a lot of the stuff happening in standard sets next year is really exciting, if a little unoriginal. The crossover/sellout stuff and the interminable deluge of FOMO-driven products is worrying and disappointing, but I guess we just have to try and ignore the ever-increasing number of “not for you” products and focus on the stuff we do like. Seriously, Neon Destiny looks amazing, and I don’t even like anime.

[kingdomtual]

Okay I just finished watching Imitation and I’m gonna give a review, idk why but I have a lot of feelings LOL gonna write this without giving away big plot points so no spoilers for you if you wanna know if you want to watch it or not (probably everyone already has but whatever I’m usually late to the show)

Things I liked about it:

- Imitation was a really interesting drama because it didn’t focus on all the fun stuff of the idol world like a lot of idol dramas do. It’s main focus ends up being more on the struggles idols have to deal with, mainly pertaining to the dating issue but instead of putting it fully on the labels for keeping their artists from dating it also focused on how sasaengs think, talk, and react about their idols dating which I thought was a nice touch because that SURE IS REAL LIFE. (unfortunately they kinda drop that plot point as it goes on, but whatever) 

- It also had plot points pertaining to mistreatment of idols by the industry and their labels, which was another thing that I liked about it. It’s a tough world, and it should be more mainstream that we know about and find ways to help idols as they’re dealing with all of this. Idk it’s just something that should be talked about more, so I’m glad they did. 

- The cast was beyond fantastic. I think that’s honestly what made the show for me. Obviously the casting director knew the draw would be having actual idols in their show, but even those who were just actors were absolutely fantastic and did a great job in each of their roles. Dojin and Hyuk were obviously my favorites, but I think they’re everyone’s favorites LOL their acting chemistry was spot on and it really felt like they had been bffs for years.

- LA RI MA. Queen, icon. Absolutely in love with her tbh. What I really loved about her is that she started off being a rival for Ryeok to Ma Ha, and I thought to myself, ‘Great. She’s gonna end up being a flat character.’ but I think she ended up having the most character growth in the entire story, besides maybe Ryeok. The way she is so confident, knows her worth, and takes care of those around her makes her such an enjoyable character to watch. Every scene she’s in she totally steals, I love her LOL 

- The last two episodes definitely make the entire show worth watching. They’re really full of heart, you get so excited, and watching them perform is really cool. I won’t give away any of the ending, but it is worth it!

Things I didn’t like:

There are a few things that made me feel ‘meh’ about the show. It kinda felt like there were a lot of plot points that dragged on a bit too much for me. This is totally a personal opinion so like obviously you might feel different! Cool.

- So, the idea that the story starts out with a love triangle didn’t appeal to me at all LOL I hate that trope, but even after that ends it starts going through the whole ‘we’re idols that have to date in secret’ and all that angst that comes with that and I have to admit there were a few mid series episodes that had me so bored because it felt like I’d already seen this to some degree before. I ended up mostly enjoying whatever subplots were going on instead of the main plot. It’s not that I didn’t like their romance, but sometimes it was just SO uncomfortable because they were uncomfortable LOL idk, romance plots are not usually my jam, but there are enough other elements to make the show enjoyable for me.

- Struggles would come up and then immediately not be an issue by the next episode. I know this is only a 12 episode drama (which I think is a shame, I think if it had been 16-20 episodes then it actually would have fared so much better but alas) but I feel like...I mean if a massive contract issue comes up and can be resolved with a quick call or an article being written, then it wasn’t an issue...and yet the fact that two idols are having angst over dating can be drawn out over the course of 4 episodes just didn’t make sense to me LOL like you’d think the dating issue would have been resolved faster than a contract issue? idk maybe it’s just me. 

- Eunjo’s plot, which is essentially a subplot until the end of the show, is far more interesting than most of what goes on LOL I almost would have liked to have that mystery be woven more thoroughly through the show instead of it being sprinkled in occasionally and then BOOM at the end it all comes together. I just think it might have had more impact.

- GROUP DYNAMICS. Bruh! This is what I really wanted okay? LOL I mean obviously the focus is mostly on Ryeok and Ma Ha but god I would have loved having more scenes with group dynamics and seeing how they actually all get along instead of making the other members all side characters until the very end when we see that they actually all care about each other. I didn’t even know Jaewoo was the leader of SHAX until the end of the show, man LOL like it would have been nice to see more from him, and all of the others, especially since Jaewoo was essentially a snitch to the their label owner for so long and ending up having so much guilt over it, but we never saw that until the last episode. 

I also think I would have preferred to have seen more of the past SHAX with Eunjo, because Ryeok was apparently his bff and yet we don’t really get to see any of that, you know? We just hear about it. This show does a lot of telling instead of showing and I do think that’s because of the episode limit, but it’s just a shame. I think the ending would have been more impactful if we’d gotten to see them altogether more at the beginning.

- If you’ve decided to watch Imitation solely for Seonghwa and San, I’d advise against it LOL they have like two lines per episode they’re in (which isn’t all of them, Sparkling is barely in the show aside from Yoojin(Yunho)) and basically they don’t get to say or do much of anything until the end LOL I get that Sparkling is a secondary character group, basically, but it would have been nice to have seen more dynamics from them, too. I think Seonghwa and San could have honestly been like Dojin and Hyuk, the comedy duo of SHAX, but they just didn’t have the time or whatever, I suppose. Like I don’t even know Seonghwa’s character’s name LOL the only reason I know San’s character’s name is Minsu is because they said it once at the second to the last episode. LOL so, just a warning. But you atinys will be fed by seeing much Yunho and Jongho, I promise.

 I also would have loved to have seen more group dynamics from Sparkling, as I said, because until the 11th episode, I think, I don’t even see them really being like, “guys! I love you all, let’s stick together until the end!” which really confused me bc my dude Hyun Oh was literally causing property damage and giving them a problematic image but apparently they were good with that LOL idk idk

- The whole sasaeng issue gets dropped right before the ending and I thought that was rather strange since up until that point sasaengs had been one of the main roadblocks for the romance plot and they had been rather vile and annoying LOL unfortunately the show often had to skip over or completely drop or quickly resolve a lot of the large ongoing issues in order to come to a conclusive end and I thought that was a bit sad but I do understand why. Can only do so much with 12 episodes.

Overall opinion:

I really enjoyed it. I know I have some critically things to say, but as a writer I just kept seeing plot holes and had to talk about them briefly LOL (or not briefly because idk how to be brief) I think that the tone of the story was good, and that what they were trying to convey through this story was also good. I think it does give an idealistic image of idols freeing themselves from the oppressive evil labels and living the way they want, because unfortunately that’s not always a viable option, however it did remind me of Hyuna and Dawn’s story in a way and that warmed my heart! Love conquers all, my dude, we love to see it.

I would honestly love to watch more idol dramas like Imitation that star idols and therefore we get some sick performances and awesome music and it tells an interesting and somewhat realistic story! I think it’s something anyone can enjoy, even if for me it did get a little long in the middle with all the romance stuff LOL the ending was totally worth it for me, I think it’ll be worth it for you!