#not using sapphic to not use lesbian i just don’t know but i love women but also i’m confused

[soupicore]

how to dress so everyone knows i listen to noah kahan and hozier ?

[beesspacedotorg]

The Sky is Blue, the Grass is Green

Summary: You love your girlfriend more than anything else in the world. It's not hard, she's perfect for you. You'd give her everything she could ever want and more still.

Warning: SEX LESBIAN SEX WITH GIRLS AND LESBIANS. I will say that reader has a vagina as does lino. hits is because I wrote this while half asleep after not sleeping for 16 hours with a sore throat and forgot to write gender neutral reader. outside of the fact that the reader has one of those body type is not specified because :|. uh. spanking (sorry, I'm me) and mommy kink (me) and girls being in love with each other

notes: happy pride month. I've been listening to a lot of music by sapphics recently and it made me gay. Also I saw some loser say that Chappell Roan is the first queer person to publicly yearn for women and that is phenomenally untrue. Internet person who I've never met, this was written to spite you. Sorry for not making this more inclusive to women of all body types or to all lesbians regardless of gender. mayhaps I will write something for you soon. EXTRA NOTE: Moon Chaeyoung is not a kpop idol (to my knowledge) she is Cindy Moon aka Silk aka a Spider-Man. Chaeyoung is her Korean name. sorry for the slander, Cindy, I love you more than anything but I needed a name.

You’re going to make her your wife one day. You know this with the certainty that you know everything else. The sky is blue, the grass is green, you are going to marry Lee Minho. You’re staring at her, watching her make breakfast (that isn’t actually breakfast because you’re eating it at 2pm) in an old school shirt of yours and you can feel your love for her swell through your heart to be pumped through the rest of your body. You think that loving her is the most effective drug on the planet, that people wouldn’t need anything stronger than an ibuprofen because just spending a minute alone with her is enough to give you a high unlike any other. She turns around to plate the food and catches you staring, she always does, and it makes her ears blush crimson.

“Yah,” she says it softly, “take a picture, it’ll last longer.”

“Why would I need a picture when I have the real thing right in front of me?” Her ears turn a new, deeper shade of red and she avoids your gaze.

“You’re a charmer, you know that?”

“I have the most beautiful woman in the world in front of me and you want me to be normal about it?” You roll your eyes playfully, and reach for your cup to take a sip of your juice.

“No, you don’t,” she says, suddenly.

“‘No, I don’t’ what?”

“You don’t have the most beautiful woman in the world in front of you,” she hands you your plate - with no eggs because you can’t stand them, and no pork because it makes you sick, and french toast the way your dad used to make on lazy Sunday mornings - made with love and care just like everything else she does.

“You don’t have the most beautiful woman in the world in front of you,” she repeats, sitting down next to you with her breakfast that’s completely different from yours, “I do.”

-

“Minnie Mouse?” You just came from work, calling through the house to see if she’s home, too. You can tell from the aggravated sigh that comes from the living room that she is, indeed, home.

“You could literally call me anything else,” she’s wrestling Dori on her lap, the tabby always staunchly opposed to having his nails clipped.

“Where’s the fun in that?” You sit down beside her and take the clippers, letting her soothe and calm Dori while you make yourself his least favorite for the night. You’ll live. He’ll come begging for attention when Minho’s too busy being great at everything to give it to him.

“The fun is not having your girlfriend break your toes in your sleep.” You laugh at her and bring her Doongie, holding him instead because he doesn’t care about the whole process even a little bit and you want to pet his soft head.

“Did you know there’s nothing they can do for broken toes?”

“Really? Doongie, please stop wiggling so much.”

“Yeah, they kind of just say ‘good luck’ and kick you out before charging you one million dollars for breathing hospital air.”

“American healthcare really is something. How’d you learn that by the way?”

“My friend had an experience once. Also, it was mentioned in a video game.” She laughs, kissing Doongie’s forehead, then yours.

“Did you learn anything else in that video game?”

“I have incredibly poor hand-eye coordination.”

“I could’ve told you that.”

“What- what’s that supposed to mean?”

“Will you get a towel to wrap Soongie in, please?”

“Hey, wait. Hey! You can’t just say weird things and walk away!”

(“Can you really tell that I have poor hand-eye coordination?” You ask her this while she’s splayed out under you, two of your fingers knuckle deep in her sweet cunt while a thumb circles her clit.

“What?” She’s out of breath and her chest is heaving in a way that makes her tits look even hotter than normal. You almost lose your train of thought.

“Earlier. You said you can tell that I have poor hand-eye coordination.”

“Jesus- you stopped fucking me to ask me that?” One of her hands that was cradling your wrist goes up to her eyes to rub at them. “You’re something else.”

“Well! I just remembered it! Maybe I’m not doing a good job-”

“Stupid girl,” she’s got you on your back now, seemingly not caring about the orgasm she was approaching before you got distracted. “When have I ever not told you when I didn’t like something?”

“Uh. Never?”

“Exactly, so why do you think I’d start now? With this?” She gestures between the two of you and you look, stupidly, like you will see something other than your naked, sweaty body and her equally naked, equally sweaty, incredibly sexy body.

“That’s… that’s a great question.”

“I was just teasing, jagi. That’s all.” She kisses the side of your mouth and you can feel the way her lashes flutter along your cheek in a perfect butterfly kiss. Everything about her makes you fall deeper in love the longer you know her, even her stupidly long and perfect eyelashes.

“So, about my hand-eye coordination.” She drops her head to your shoulder with another curse and your hand comes up to play with her hair.

“It’s still bad, believe me. I don’t notice it when we have sex, though. You’re perfectly good with your hands, jagi.”

“The best?” She smiles, kisses you on the mouth this time.

“The best.”)

-

She’s got you in between her legs in the tub, her strong thighs thrown over yours so you can’t move while she aims the jet of the shower head directly on your clit. It’s almost too much, it always is, an unyielding wall of pressure that sends shocks of pleasure through your body in a way that makes you squirmy beyond belief. The first time you did this to yourself, you ended up with bruises on your back, the first time you did this with her, you almost elbowed her in the face. As it stands, she’s got her arms wrapped around you as best she can as you whine underneath her.

“I can’t, I can’t. ‘S too much, please.”

“Jagi,” she coos it right into your ear, “you haven’t even came yet. You keep tapping out before it gets good. Don’t you wanna come, baby?” You nod and she tilts her head out of the way so you don’t nail her in the jaw.

“I want to, but it’s so much.” She coos as you again as your legs scramble uselessly for purchase underneath hers. The tile is too slippery for you to do so, and Minho’s thighs are no joke. She’s danced for years and her gym routine is nothing to scoff at. You could spend hours writing sonnets about her legs if you weren’t so distracted.

“You can though, can’t you, kitty cat?” Your hand pats frantically at her arm until she gets the message to hold it in one of her own. “You can be good for me, right? You’ll come the way I want you to?”

The sound you let out in response to that is more of a cry than anything else, she shushes you and kisses your cheek sweetly like she isn’t the one overloading your nerves with sensation, like the isn’t the one unleashing as much water pressure as possible on the most sensitive part of your body. She shifts her grip just slightly, adjusts the angle and that has you lurching forward so fast you almost knock her over.

“Silly girl, don’t run.” She pulls you right back to her chest, boobs pressed against your back as she fixes the spray directly at the angle that had you reeling. “I always forget how squirmy you get when we do this.” She giggles, like she’s watching a silly cartoon.

“Mommy,” you can’t think enough to say anything intelligent, high, pitchy moans coming out in place of words. You want to answer her, to tell her you weren’t trying to run, that you will be a good girl for her. She’s trained you better than this, but you can’t say much else beyond her title, beyond her name. You hope she knows what you’re trying to tell her anyway.

“Oh, jagi.” Her voice is soft and sweet, but the way she’s pinning you is not. Neither is the way she’s forcing you to take what she gives you. “Mommy’s here, kitty cat. Mommy’s got you.”

“Mommy. Mommy.” You’re repeating it, over and over, too dumb to say anything else as you feel the overwhelming input you’ve been receiving crest higher and higher. She hums after each mention of her name like she understands what you’re saying. Hums like you’re one of the cats meowing at her for attention. You suppose she’s not too far off.

You cum with a near silent scream, breath halting in your chest in a way that used to concern Minho when it first happened. She doesn’t keep the water pressure going for too long after that, dropping the showerhead to replace the stream with her fingers to help you ride it out. She only loosens her grip when you slump back against her, loose limbed and dazed, muscles still twitching from how tightly they were tensed. She kisses the side of your face and very politely keeps her hands above your waistline while you calm down.

“You feel better?” She’s holding the shower head again, and giggles when you close your legs, simply holding it to the side so it doesn’t spray water all over the floor.

“Mhm. Thank you, mommy.”

“I’m glad. Let’s finish showering, yeah? Mommy will clean you up.”

 (You’re leaning heavily against her as she guides you to sit on the bed, grabbing your respective lotions and hair care products and turning to take care of you first. You whine at her.

“Let me do yours!” She raises an eyebrow.

“Keep your eyes open for more than thirty seconds and maybe I will.” You lift your hands and manually pry your eyelids apart. She bats at them until you stop.

“Ew, it’s so gross when you do that. Freak.”

“I miss five minutes ago when you were telling me I’m the love of your life.”

“Five minutes ago you weren’t being a little shit head.”

“False. I’m always a shit head.” She hums and grabs your chin, wiggling your head a little until you look at her.

“No, sometimes, you’re my sweet little girl.”

“Oh.” There’s absolutely no hiding the way you react to her when she talks to you like that and your hands fly to her hips as she lets go and leans back out of your personal space to grab the stuff to start your post-shower routine.

“Let me eat you out.” It’s sudden, and comes out of you in a rush.

“What?” She nearly drops the bottle of leave-in, ears turning red.

“Please? Please. I’ll get on my knees right now.” She scoffs.

“You’re falling asleep as we speak”

“No, I’m wide awake right now. Please let me, please.” She hums.

“Let me finish what I’m doing and if you’re still speaking in full sentences and not going crazy with sleep induced hysteria, I’ll let you.”

“Yippee!”

“If you fall asleep you can have what you want in the morning.”

“You’re the best, ever.”

“I’m aware.”

By the time she’s done taking care of the both of you, you are definitely not well enough to be doing anything. That doesn’t stop you from trying though, and you fall asleep with your head pillowed on one of Minho’s thighs. She has to readjust you so you don’t suffocate in her cunt. What a way to go.)

-

Minho is having a bad day today. It isn’t often she has those, generally unflappable to most things, but she’d gotten into a fight with one of her work friends and came home in a huff.

“I just don’t understand why she won’t listen to me!” She’s slamming things open and closed around the kitchen while you sit on the counter. She works around you as she always does and doesn’t slam anything if it’s less than two feet away from you.

“I know, she’s a bitch. You should report her to HR or something.”

“I should!”

“I’ll help you draft the email. I’m very good at sounding bitchy in a nice way.”

“You are!” She’s aggressively chopping vegetables next to you and you rest a hand on her shoulder.

“Be careful of your fingers, lovie.”

“I’m always careful.”

“Of course you are,” you’re unusually agreeable because it will do nothing but harm to work your girlfriend up when she’s already upset. Besides, of the two of you, you’re more clumsy, so it’s not like you have any legs to stand on. 

“Do you want solutions to what’s going on, or do you want me to keep calling your coworkers mean names?” It’s nice to ask people what kind of support they want, you learned. Minho is a coin toss, sometimes she wants an immediate solution, sometimes she wants to complain. You always do your best to meet her where she is.

“The second one, please.” She’s sauteeing something in the wok, and it smells delicious. You peer over her shoulder.

“Pause. Is that pancit?”

“Yeah.”

“You’re the love of my life.”

“Yes, yes,” you touch your pointer finger to the tip of an iron-hot ear as she speaks, “please call Moon Chaeyoung a cunt again, it’s funny.”

And so you do, going into detail about all the ways Moon Chaeyoung is inferior at her job compared to your girlfriend until she asks you for genuine help.

(“Is there anything else you need?” She’s laying with her head in your lap as you make tiny braids in her hair. Her eyes are closing and she hums as she thinks about it. You’ve already given her all the advice that you can, her only course of action now is to do it.

“Well. I can think of some things.” She turns her head to the side and shoves her face into your crotch like an animal. You swat her shoulder lightly.

“You’re a horn dog. Insatiable.” She turns her eyes to you, squinting them so her cat-like gaze shifts from playful to predatory.

“Which one of us woke the other up this morning because they couldn’t stop shoving their hands in their pants?” She sits up, leaning over you.

“I was dreaming!” You’re giggling, slipping under her arm and moving away.

“You kept going after I woke you up!” She stands up, throwing her arms in the air indignantly. You cross your arms in response.

“I was horny!” 

“That’s exactly my point.” She has her head in her hands so the words come out muffled. She grumbles something and lunges after you. You squeal and head towards your room.

“Yah! Get back here you little shit!” She lets out a huff as you throw a cat toy at her.

“I thought I was the love of your life!”

“That was before you decided to run from me- don’t you dare close that damn door-” The bedroom door clicks shut and the sound of your giggles is uncontrollable. You hear her walk away before the lock jiggles and her head pops through.

“Guess who?” You laugh again, heading towards the bed to throw more things at her, it does nothing to stop her. It’s not long before she has you pinned underneath her.

“Hi,” you smile at her, leaning up for a kiss.

“All that and all you want to say to me is ‘hi’?”

“Yeah.” She rolls her eyes and flips you over as you yelp in surprise. You’re about to start questioning her when a sharp sting lights up your ass.

“Ah- Minho! Hey!”

“Stop squirming. I’m not done yet.” There’s another smack over your pants before she pulls them down and her palm is connecting with skin.

“This isn’t fair! I didn’t even do anything!” You’re protesting while laying limply across her lap. She laughs at you.

“‘This isn’t fair’ she whines. Why is your pussy so wet then, hmm?” She spreads your legs a bit and lands a smack there too, snickering when your legs close reflexively on her hand. “Be a good girl, jagi. Take what you’re given.”)

-

It’s sunny when you ask her. The air is hot and humid and she’s wearing this dress that’s making your brain melt out of your ears. You’re having a picnic, because you can, and she’s talking about this show that she’s watching with Jisung.

“And then- and you’ll never fucking believe this- he goes ‘I could never court her’ and she overhears. If that happened to me I would literally explode.” You hum, shoving a heart shaped sandwich in her mouth while you look at her side profile. She’s beautiful, sharp nose and a round face. You want to live the rest of your life with her.

You’ve talked about it before, on hazy mornings when the rest of the world is just waking. In the middle of the night when the only sound is the hoot of owls and the buzz of crickets. At lunch, at dinner, at breakfast. In the shower, over the phone, through text messaging when you’re at work. You both are listed on the cat's vet information, something she changed a year into dating that she was nervous about telling you.

  “I don’t want you to feel pressured,” she’d said, “or like they’re your responsibility. I can take you off if you want, but I thought that if I was out of town or if something happened, you should be able to take care of them.” She’d been nervous, ears red with shame instead of the cute way they flush when you flirt with her. 

“Thank you, jagi.” You don’t often call her that, preferring to torture her with bad puns using the syllables of her name, so her breath catches in her throat.

“You’re sure?”

“Of course.”

She knows every order that you get from fast food restaurants, she hounded your parents for their chicken noodle soup recipe when you got sick one time. She learned how to make your grandma’s spaghetti sauce and let’s you call her mommy in bed because it makes you feel safe.

She’s everything to you and then some, so when you tap her shoulder and hold out the ring you bought, it’s as natural as breathing. A fact of life, an inevitability. The sky is blue, the grass is green, you are going to marry Lee Minho.

“He keeps friendzoning her. It's absolutely despicable, like, are you blind or something-” She turns her gaze to you and her eyes go wide. “You’re joking.” Her eyes are welling with tears, something that you hardly ever see.

“I’m as serious as a heart attack, baby. Will you be my wife? I promise if you say yes I’ll start helping you make the bed in the morning instead of laying on it and making your job harder.” She hugs you, knocking you back onto the blanket you’re sitting on. The movement tips over your cup of lemonade and you damn near lose the ring.

“Of course I will. And you most certainly will not help. But that’s okay, I love you even if you create weird bumps in my sheets and mess up my hard work not five seconds after it’s done.” She kisses your face all over, resembling more like an overexcited puppy than the cats she favors, and you grab her hand to slip the ring on it.

“I love you, Minho. I really do.”

“I can’t believe I get to marry the most beautiful girl in the world,” she says, looking down at her hand.

“You don’t,” you start, kissing her cheekbone. “You don’t get to marry the most beautiful girl in the world. I do.”

(“You know,” she starts as you’re packing up, “I was going to propose to you soon.”

“You’re kidding.”

“Absolutely I am not.” She fishes around the pocket of her dress before pulling out a ring.

“This is so funny. Can I still have it?”

“Of course, it’s yours,” she slips it onto your finger, face heating up to match her ears, “everything I have is yours. Everything and then some.”)

[henry-fox-biggest-stan]

Some more obscure and / or underrated lesbian literature : An incomplete list made by a lesbian in hopes of making other sapphics happy

(I haven’t read all of them)

Sorted by years (this rapidly became a history lesson of lesbian literature sorry I’m a nerd)

Ancient times

(A good article about lesbians in ancient greece / rome)

Queen Zhuang Jiang 庄姜 (???- BC 690) / We know about Sappho and Enheduanna, but what about her? She wrote poems some of which were, uh, pretty gay. I learnt about her here. It is said than her poems are in The Book of Songs (which is a collection of ancient Chinese poetry). I couldn’t find a lot about her but I found enough to believe than (hopefully) she was a real person and the internet isn't lying to me.

Dialogues of the courtesans - Lucian of Samosata (somewhere in the second century BC) / Basically Dialogues of the courtesans is a collection of dialogues between well, courtesans (prostitutes). Either between themselves or between clients. One of the dialogues is called “The Lesbians”. Link to read (somehow finding a pdf of Dialogues of the courtesans is pretty hard but reading it chapter by chapter online it’s not??)

The Babyloniaka - Iamblichus (somewhere in the second century AC) / Lost novel, so all you need to know is here

Of course we can’t forget this Pompeii poem

1200s

Bieiris de Romans (somewhere in the first half of the 1200s) / Bieiris was a French poet, and we only have one of her poems with us because the others have been lost. We don’t know much (anything) about her, except that she was a woman, French, and who wrote about a woman called Maria. Some say that this mysterious Maria referred to the Virgin Mary, others than Maria was her gf, and others than she was writing in the perspective of a man (because obviously a woman writing about other women in a not so platonic way is unthinkable). Anyway, feel free to get your own conclusions, here’s the poem (translated)

1500s

The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena - Konrad Eisenbichler / So while this is a modern book, it is the only one I’ve been able to find than includes Laudomia Forteguerri’s poems (1515-1555). Some historians considered her to be the earliest Italian lesbian writer. “Although only six of her sonnets have survived, all are testaments to the love she bore for other women, and five are specifically dedicated to Margaret of Austria.”

The Maitland Quarto / Manuscript (1586) / So, this is a collection of 95 scot poems, and poem 49 is pretty sapphic. It’s technically anonymous, but it has been attributed to Marie Maitland (who transcripted the manuscript and is thought to have added her own poems there). The last lines mean “'There is more constancy in our sex / Than ever among men has been”, I haven’t been able to translate the rest of it. The poem.

1600s

The Flower's Shadow Behind the Curtain - Ko Lien Hua Ying (somewhere in the 1600s) / It is said this book was written towards the end of the Ming dynasty (1368 to 1644). It’s a erotic book, and chapter 22 includes an erotic story between two 16 year old girls. I found it in Sex in China: Studies in Sexology in Chinese Culture by Fang Fu Ruan (believe it or not, I don’t just randomly know all this books, I did research)

Aphra Behn (1640-1689) / English writer, one of the first female writers to live through her writing. She was also a spy. She wrote a lot about women. “Homoeroticism is standard in Behn's verse, either in descriptions such as these of male to male relationships or in depictions of her own attractions to women. Behn was married and widowed early, and as a mature woman her primary publicly acknowledged relationship was with a gay male, John Hoyle, himself the subject of much scandal.” (here). She wrote a lesbian love poem (in the link before, it also makes an analysis of it). The poem: To The Fair Clarinda

Poems, Protest, and a Dream: Selected Writings - Juana Inés De la Cruz (1648-1695) / So the thing about Juana is than every single spanish-speaking lesbian knows her (and loves her), but hardly anyone who doesn’t speak spanish has ever heard of her, which is a shame, because she’s an absolute icon. She was a Mexican nun who was also incredibly gay. You know how Sappho is called the tenth muse? Juana is also called the (mexican) tenth muse. She’s also called the phoenix of America, which is incredibly badass. She learnt how to read at 3 years old, at 8, she asked her mother to send her to college dressed as a man (her mother refused). She learnt and studied by her own, because she wanted to learn. She studied by cutting her hair (if she got something wrong or forgot something, she cut a strand of her hair as a punishment) because she said that “a head adorned with hair is worthless if it’s a head naked of ideas”. When she was sixteen (important to note than she already spoke Latin fluently at 12, having mastered it in just a few lessons) the archbishop Payo Enríquez de Rivera heard of her, and decided to ask her to be the company lady of his wife (his wife and her eventually would have a relationship) and decided to test her intelligence. He got 40 (!!!) university profesor of all subjects, and they all asked her questions related to maths, literature, philosophy, etc. She answered all of them right. At around 21, she decided to become a nun (not out of faith, but because it was either becoming a nun and being able to continue her education, or marrying a man and stop studying. To her, the choice was clear). Also it is said she owned around 4000 books in her personal library. So yeah, an educated, extremely intelligent gal, who wrote lesbian love poems to her gf, and who was definitely not afraid to stand up for herself.

1700s

The Game of Flats - Nicholas Rowe? (1715) / Poem, “game of flats” was an 18th century slang for lesbian sex. Link to read <- that website includes lots of 18th century queer history and poems like this one

The Sappho-an - Anonymous (1735 or 1749) / When I first heard of this I couldn’t believe it. It sounds like an AO3 fanfic, or some modern erotic book (one of those than have a real person in the cover), or maybe a forgotten 1970s lesbian book. It’s none of that. It’s an anonymous poem written in the 1700s. The plot? The goddesses of Olympus are sexually unsatisfied because the gods keep on going after mortals (except Ares, he’s just too busy with war) instead of paying attention to them. The gods keep going after woman and male mortals, so Hera just says yknow what if they can sleep with men then we can sleep with each other. Sappho also appears. Link to read.

Fanny Hill, Memoirs of a Woman of Pleasure - John Cleland (1742) / Ok fine, this one is not sapphic but the main character (female) does have sex with a woman at one point. This is basically an erotic novel. Very dirty (specially for the time period) and very banned in lots of places. The main character is Fanny, a prostitute. It includes lots of straight sex, some gay (mlm) sex, and two pages where Fanny describes in detail having sex with Phoebe, bisexual prostitute. Not sapphic, but thought it was worth mentioning.

1810s

Christabel - Samuel Taylor Coleridge (1816) / So, have you heard of Carmilla (1872)? If you’re reading this post, you probably have, if you haven’t, it’s a classic (vampire) book than is said to have inspired Bram Stoker to write Dracula. It’s also incredibly gay. Well, some say it was Christabel than was the inspiration for Carmilla. Of course we don’t know this for sure, but the similarities definitely are there. Review from a reader: “what if we were the protagonist and villain of a never-completed sensual gothic poem (and we were both girls) / alternately: when you meet a wickedhot girl only she's SPOOKY but that's SEXY and turns out your dad and her dad were also gay back in the day before having a sexy gay falling-out and she's like 'babe let's get naked and hold each other close' and you're like '—wait fuck I mean uhhhh I PRETEND I DO NOT SEE IT!'” I haven’t read this one, however for what it seems Christabel is not explicitly a vampire. Since the poem is unfinished we don’t know the end, and we just think she’s a vampire because so many things used in here were also reused for vampires characterization (like not being able to enter a house unless invited)

1830s

Mademoiselle de Maupin - Théophile Gautier (1835) / “A woman uses her incredible beauty to captivate both d'Albert, a young poet, and disguised as a man, his mistress, Rosette. In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.”

1870s

Mademoiselle Giraud, My Wife - Adolphe Belot (1870) / “The sensational Mademoiselle Giraud, My Wife tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers.” In reviews it says than this is a homophobic novel (who’s surprised) but “Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men”

1880s

Jill - Amy Dillwyn (1884) / “Jill is the story of an unconventional heroine—a gentlewoman who disguises herself as a maid and runs away to London in search of adventure after her mother dies and her father is pursued by a Victorian gold-digger. Once in London she uses her position as lady's maid to become close to her mistress. Her life above and below stairs is portrayed with irreverent wit in this fast-paced story, but at the centre of the novel is Jill's unfolding love for the woman she works for. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. A new introduction tells the autobiographical story on which the novel is based —the author's own passionate attachment to a woman she called her wife, but who she couldn't have.”

Mephistophela - Catulle Mendès (1889) / “Telling the story of Baronne Sophor d'Hermelinge, a woman as thoroughly martyrized by her creator as any other heroine in the history of fiction, in spite of the enormous competition for that title established by countless writers, male and female, it is one of the archetypal novels of the Decadent Movement, and one of the most striking, precisely because is it such a discomfiting piece of writing, the deliberately controversial nature of which has been further enhanced as its surrounding social context has changed over time. Highly influential, especially on the works of such writers as Jean Lorrain and Renée Vivien, Mephistophela, in placing lesbian amour in the foreground of the story, deals forthrightly and intensively with a literary theme that had previously only been treated with delicacy and indecision, mostly in poetry. It is essentially a horror story about demonic possession, about contrived and cruel damnation, devoid even of a Faustian pact, which merely employs obsessive lesbian desire as an instrument of damnation.” Goodreads review: “As a story it is quite straightforward. Girl has same-sex desires and the novel follows her various affairs up to about the age of thirty. […] More controversially, Stableford (and the books blurb) suggests that it is a novel of demonic possession. Now Brian has probably forgotten more than I will ever learn about the period but a few of the episodes show distinct Charcotian traits (an early childhood 'illness', two doctors in conversation etc) and a (really great) fantasy/visionary episode in the book seems to show, to me, the influence of Michelets book on witchcraft. If anything, the book seems even more subversive that Stableford suggests, as Sophie seems largely 'out and proud' and the author often says that she is 'is as she is' suggesting to me that it is 'natural' rather than demonic. I wonder whether the publisher asked Mendes to add some suggestion of the demonic to 'tone down' the idea that people were actually like 'that'.”

1890s

Avant la nuit / Before the dark - Marcel Proust (1893) / Short story (seriously, less than 10 pages). I read it the other day before bed and it’s pretty good. Talks about Françoise, a woman, revealing her homosexuality to her friend Leslie.

A Sunless Heart - Edith Johnstone (1894) / “Its first third focuses on Gasparine O'Neill, who shares an intense connection with her sickly twin brother, Gaspar. Living in poverty, the two struggle to live decently until Gaspar dies. Here gritty naturalism gives way to fantasy, as Gasparine is rescued from despair by the brilliant Lotus Grace, a much-admired teacher at the local Ladies' College. Sexually exploited from the age of twelve by her sister's fiancé, Lotus cannot love anyone, not even her illegitimate child. Gasparine devotes herself to Lotus, but Lotus finds her final brief happiness with a woman student, Mona Lefcadio, a passionate Trinidadian heiress. Exploring issues of race, sexuality, and class in compelling prose, A Sunless Heart is a startling re-discovery from the late- Victorian era. The appendices to this Broadview edition provide contemporary documents that illuminate the tension between romantic friendship and lesbian consciousness in the novel and address other debates in which the novel the nature of Creole identity, the education of women, and the dangers of childhood sexual exploitation.”

The Songs of Bilitis - Pierre Louÿs (1894) / Poetry. However, believe it or not, these were not written by a woman but by a man. Why add it then, well, the story is quite original. The author (Pierre Louÿs) published this verses as written in Ancient Greece by a “disciple of sappho” named Bilitis. He created this whole character, she was a woman, she was a poet, she was a sappho disciple, her work has been lost until now, and she was a huge lesbian. Of course, this is not true, but still, it’s an interesting read. “Between their open celebration of lesbian love and the eventual revelation of their true authorship—the verses actually were written by French novelist and poet Pierre Louÿs—they became a succès de scandale. Although debunked as a work of antiquity, The Songs of Bilitis remains a classic of erotic literature.”

1900s

A Woman's Affair - Liane de Pougy (1901) / "Despite her beauty and her riches, Annhine de Lys, one of the most notorious courtesans of 1890s Paris, is bored and restless. Into her life bursts Flossie, a young American woman, and everything changes. The love she offers Annhine is dangerous, perverse and hard to resist. Ignoring the warnings of her best friend, Annhine encourages the affair."

I Await the Devil's Coming - Mary MacLane (1902) / “Mary MacLane's I Await the Devil's Coming is a shocking, brave and intelectually challenging diary of a 19-year-old girl living in Butte, Montana in 1902. Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten. In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confesional style. In its first month of publication, the book sold 100,000 copies--a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.” She’s pretty sapphic and claims her (female) lit teacher is her true love. Also an excerpt from a Goodreads review: “She awaits the Devil to come and marry her and bring happiness if only for three days, meanwhile rehearsing suicide. She prays to the Devil to deliver her from “unripe bananas; from bathless people; from a waist-line that slopes up in the front" but offers sensuous instructions on how to eat an olive, and enjoys porterhouse steaks and fudge she makes with brown sugar. It's quite a ride. Many recent reviewers pigeonhole her as an ahead-of-her-time Goth or emo, simply transcribing an eternal and universal teen angst.”

Q.E.D. - Gertrude Stein (1903) - Autobiographical short story about a love triangle between three women; Adele (Stein), Mabel, manipulative and wealthy, and Helen, who seduces Adele.

A Woman Appeared To Me - Renée Vivien (1904) / I have no idea how to explain this book other than it's all I ever wanted and it has an absolutely breathtaking prose. Think of The Picture of Dorian Gray, Oscar Wilde’s writing style and descriptions, the character's philosophy, and the queer toxic relationships in the book. Now make it lesbian and even more explicitly queer. Also I'm pretty sure the main characters want to fuck Sappho. On the second chapter the main characters + some side characters (all women + one guy) are having a discussion (a symposium of sorts) about how much they love sappho and how believing she married a man is stupid and how they don’t hate men, just really dislike them, and the guy says: "Mademoiselle, you are trying to hide from the irresistible seduction of the male. You will certainly finish your love-life in the arms of a man." And our main character being an icon finished the chapter answering him this: "That would be a crime against nature, sir. I have too much respect for our friend to believe her capable of an abnormal passion!". It’s so good. I have seen mixed opinions on this one, but I’m just gonna say: the girls than get it, get it. Everything by Renée Vivien is so good, but this is her only full novel I think (she also wrote poems and short stories). If you have to read only one book out of all the books in this post, let it be this one.

Zezé - Ángeles Vicente (1909) / Not translated (I think) but it’s the first lesbian novel written in Spanish which is pretty cool (even cooler than it was written by a woman who, in 1909 (or around it) divorced her husband and lived through her writing). The plot is basically, the narrator (the author) is on a ship and shares the cabin where she’s staying with another woman, Zezé, a cuplé singer, who tells her about her life (her childhood in a religious school, where she discovered her sexuality with had a relationship with another (female) student, her life in Madrid as an adult and living life as a woman, etc)

1910s

Despised & Rejected - Rose Allatini (1918) / A gay man and a lesbian are friends during WWI, which they are against (an anti-war novel). I think the book is in the perspective of the gay man, but his friend is also a main character.

The Scorpion - Anna Elisabet Weirauch (1919) / A review by a reader: “This book felt more like historical fiction than a novel actually written in 1919-1932, considering the explicitly lesbian relationships and coming of age and coming out style narrative. The story follows the life of Metta, a lesbian who grew up with a controlling family in Berlin. The narrative follows her from her first crush on her manipulative governess, to her first love the older and intelectual Olga, and her foray into the gay scene in Munich and beyond. The story isn't without suffering and it isn't just a love story despite how much you might want it to be. Definite trigger warnings for suicide (not Metta), poor mental health, homophobia and general cringe comments due to the time of writing. But the point of the book is for Metta to find a way to be, a way to live her life comfortably and happily, essentially to find herself.”

1920s

The Bacheloress - Victor Marqueritte (1922) / “Monique is an emancipated French woman who leaves home to escape a marriage of convenience to a man whom her parents have forced on her. She then succumbs to all sorts of carnal temptations including a lesbian love affair with a singer. The scandal provoked by Victor Margueritte's La Garçonne, here translated as The Bacheloress, led to its author having his legion d'honneur revoked, which only propelled this novel about a brazenly independent "new woman" to best-seller status. What was shocking then was not so much the reckless behavior of its heroine, who is depicted as the victim of psychological torment, but the portrait of the corrupt post-WWI society in which she lives. Authentic as Monique is, the types of love she encounters, set against the hostile and contemptuous portrayal of her peers, only amplifies her struggle.”

Yellow Rose - Nobuko Yoshiva (1923) / This is the only book than has been translated by this author, she was a lesbian who wrote Class-S romance (a Japanese book genre of the time, which focused on lesbian / homoerotic relationships between women [so-called romantic friendships], than usually take place in an all-girls boarding school). This specific story talks about a teacher-student relationship. She has other books, one called Yaneura no nishojo (two virgins in the attic) (1919) which isn’t translated, but sounds good, the story “is thought to be semi-autobiographical, and describes a female-female love experience with her dormmate. In the last scene, the two girls decide to live together as a couple. This work, in attacking male-oriented society, and showing two women as a couple after they have finished secondary education presents a strong feminist attitude, and also reveals Yoshiya's own lesbian sexual orientation”.

Freundinnen: ein Roman unter Frauen / Girlfriends: a Novel among Women - Maximiliane Ackers (1923) / Only in German, not translated. Review from an English reader: “This novel—which went through several editions in the 20s before being banned by the Nazis—is uncompromisingly, heartbreakingly queer. The novel tells the story of the love between two actresses in Wiemar Germany, Ruth and Erika. Both women struggle to support themselves on the stage, to live independently, and to come to terms with their love for each other and how they might live and express themselves and their desire.”

Surplus - Sylvia Stevenson (1924) / Review from a reader: “This book should be included in lists of seminal lesbian fiction. Published in 1924, Surplus is the story of Sally Wraith's young adult adventures after the end of WWI, during which period she served as an ambulance driver. The novel is not explicit and dos not detail a physical relationship between Sally and her romantic friend Averil but Sally refers to Averil as her "dream girl" with whom she wants to spend the rest of her life. This novel was published before Radclyffe Hall's Well of Loneliness , which is often hailed for its early negative portrayal of homophobia. But I find it compelling that Sally's love for Averil is not treated as deviant. It's just tragic for any babydyke to fall in love with a straight girl!”

The Captive - Eduard Bourdet (1926) / Theatre, “Irène is a lesbian tortured by her love for Madame d'Aiguines, but pretending engagement to Jacques (man). Though Irène attempts to leave Madame d'Aiguines and marry Jacques, she returns to the relationship, saying that it is "a prison to which I must return captive, despite myself". Madame d'Aiguines is not seen in the play, but leaves behind nosegays of violets for Irène, as a symbol of her love.” Read here

Women Lovers, or The Third Woman - Natalie Clifford Barney (1926) / “This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman."

HERmione - H.D (1927) / “This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a find, “a posthumous treasure”. In writing HERmione, H.D. returned to a year in her life that was peculiarly blighted. She was in her early twenties—a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... “I am Hermione Gart, a failure” —she cried in her dementia, “I am Her, Her, Her.” She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as Her"

Lucia Sánchez Saornil (1895 - 1970) / Spanish poet, putting her here because she’s part of generation ‘27. Read her Wikipedia page because she’s literally iconic (I can’t put the link here for some reason). I love her so much. She was an anarchist and very revolutionary. She wrote under a pen name to be able to explicitly write about women and lived with her partner (América Barroso) until she died. I haven’t been able to find an English translation of her writing, but I do have found a French one, so better than nothing

Dusty Answer - Rosamond Lehmann (1927) / Coming of age story of Judith Earle, sensitive, lonely, who grew up as an only child, but with 4 neighbors (all cousins) to make her company (and eventually harbor romantic feelings for). Then she moves to college, where she meets Jennifer and enters a relationship with her. Although the relationship is not explicitly romantic.

Ladies Almanack - Djuna Barnes (1928) / “Written as a medieval calendar, Ladies Almanack is a clever parody of the crazy sapphic circle of Natalie Barney and her Académie des Femmes. Sharp, biting, witty and transgressive, it is also a modern and pioneer in his vision of lesbianism and the issues surrounding relationships between women. The emotional endogamy, transvestism, motherhood, marriage or differences between sex and gender are already presented in the book with a charge of irony and acidity that is rare in the treatment of the topic. And it is also a breath of fresh air, an essential reference to know the world of lesbian women in all its breadth and diversity.”

1930s

The Angel and the Perverts - Lucie Delarue-Mardrus (around 1930) / "Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette." Technically not lesbian, but it’s “set in the lesbian cercles of Paris”

Broderie Anglaise - Violet Trefusis (1935) / Technically not a lesbian novel, but by a sapphic author. Do you know about Virginia Woolf and Vita Sackville-West? Of course you do, everyone does. However, do you know than Violet Trefusis used to be Vita’s lover? They dated as teens and again as adults. There’s this whole gay toxic romantic circle between Violet, Vita, and Virginia. Violet wrote this book where she’s basically adding Vita, Virginia, and herself into the characters and dissing them. The plot centers on an encounter between Alexa, a celebrated English writer (Virginia), and her rival, Anne (Violet), and their discussion about their mutual lover, Lord Shorne (Vita).

Summer Will Show - Sylvia Townsend Warner (1936) / Sophia Willoughby's husband has a mistress who he cheats on her with. So she grabs him and packs him up to Paris with his mistress. She'll raise their children and he can have his mistress all day long if he wants, what she wants is to not see him. Sadly, her children die, and she goes to Paris, where she'll find her husband's mistress, and the two of them start an affair with eachother.

Diana: A Strange Autobiography - Diana Frederics (1939) / “«This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted». This is how A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's This is the autobiography of a woman who tried to be normal. In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intelectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple.”

1940s

Hidden Path - Elena Fortún (somewhere around the 1940s) / Maria Luisa grows up on 1910s/1920s Spain. She is a peculiar girl, one who despises wearing dresses and wants to dress as a sailor, who could spend all day reading, who loves painting, and who swears she will never marry. Oh, and she's also a lesbian. Based on the author's life Maria Luisa is kind of the author's alter ego, and it follows her from childhood to adulthood while dealing with a world not created with people like her in mind. (Not published until 2016)

El Pensionado de Santa Casilda / The Boarding School of Saint Casilda - Elena Fortún (somewhere around the 1940s) / This book is not translated, but if you know spanish I recommend to pick it up. A group of 14/15 year old girls who go to the same spanish all-girls boarding school, and they are all in love with each other. It follows them into adulthood and how they navigate their lives being women and lesbians in the past (Not published until 2022). Messy lesbians at its finest. Like, seriously. Lesbians still in love with their ex and not over their first love, dating their friends and their ex friend, and the ex of their friend, and having sugar mommies, etc etc

1960s

Winter Love - Han Suyin (1962) / “As a college student in London during the bitterly cold winter of 1944, Red falls in love with her married classmate Mara. Their affair unleashes a physical passion, a jealousy, and a sense of self-doubt that sweep all her previous experiences aside and will leave her changed forever. Set against the rubble of the bombed city, in a time of gray austerity and deprivation, Winter Love recalls a life at its most vivid.”

The Chinese Garden - Rosemary Manning (1962) / “A "very intelligent, sensitive, and compelling" novel of adolescent rebellion and sexual awakening at a girls' boarding school (Anthony Burgess). Set in a repressive British girls' boarding school in the late 1920s—where not only sexuality but femininity is squashed—the novel is the coming-of-age story of sixteen-year-old Rachel, a sensitive, bright, and innocent student. Rachel finds refuge from the Spartan conditions, strict regime, fierce discipline, and formidable headmistress at Bampfield in a secret garden. She also finds friendship there, with a rebellious girl named Margaret. As Margaret has her mind expanded by a scandalous tome entitled The Well of Loneliness, she engages in a bold, forbidden act—the ultimate transgression at Bampfield—and Rachel is drawn into the turmoil. Confronted with the persecution of her friend and troubled by a growing awareness of her own sensuality, Rachel faces an imposible choice that drives her to desperate measures.”

The Microcosm - Maureen Duffy (1966) / “At the House of Shades, Matt, a bar-room philosopher, tries to make sense of the disparate lives which cross here -- of Judy who saves herself and her finery for a Saturday night lover, of Steve the gym teacher who dreads a chance encounter with a pupil in this twilight environment, and of Matt herself, who needs these vicarious exchanges despite the security of her relationship with Rae and her sense that this lesbian sanctuary is a prison too, enforcing the guilt and estrangement of the city streets beyond. Elsewhere there are women such as Marie, trapped within an unwanted marriage and unable to admit her sexuality, and Cathy, for whom the discovery that she is not 'the only one in the world' is an affirmation of her existence. With its innovative structure and style, perfectly mirroring the voices and experiences of women forced by society to live on the margins, The Microcosm remains as powerful today as when originally published in 1966.”

1970s

Beginning with O - Olga Broumas (1977) / A poetry collection by a lesbian, greek writer.

The Same Sea as Every Summer - Esther Tusquets (1978) / A stream-of-consciousness type book, by an author who has been compared to Virginia Woolf. “Poetic and erotic, El mismo mar de todos los veranos ( The Same Sea As Every Summer ) was originally published in Spain in 1978, three years after the death of Franco and in the same year that government censorship was abolished. But even in a new era that fostered more liberal attitudes toward divorce, homosexuality, and women's rights, this novel by Esther Tusquets was controversial. Its feminine view of sexuality (in particular, its depiction of a lesbian relationship) was unprecedented in Spanish fiction. The disillusioned narrator of The Same Sea As Every Summer is a middle-aged woman whose unhappy life prompts a journey into she past to rediscover a more authentic self. However, events force her to realize that love or trust will inevitably be repaid by betrayal. This pattern assumes various forms in a story that moves forward as well as backward, playing out in Barcelona among the haute bourgeoisie. Richly textured with allusion, The Same Sea As Every Summer is also a commentary on post-Civil War Spanish society by an author who grew up during the repressive Franco regime.”

Así es: Mi vida 3 - Victorina Durán (somewhere in the late 1970s) / So, not translated but has great historical value. Basically, this is the third book out of Victorina’s memories that she wrote in the 70s. Victorina (1899 - 1993) was so cool. She was an icon. She was a sceneographer, a painter, a costume designer, writer (aside from her memories, she has some theatre plays), etc. She actually wanted to be an actress. She was part of the Círculo Sáfico de Madrid (the sapphic club of Madrid, a club made out of her and her friends, who were sapphic) among others. She never hid her sexuality. She was friends with almost all the importante well known people in 1920s / 1930s Spain. This book is the third one out of her memories, and it’s focused explicitly on her relationships (all with women). She said she wanted to focus on them and give them a book of their own, so this is of great historical value, giving insights into the queer spaces, lesbian scene, wlw relationships and being gay at that time. I need to read it so bad if someone has a pdf please tell me I’ll send them my fanfic wips

1980s

On Strike against God - Joanna Russ (1980) / “A lost feminist masterwork by feminist and speculative fiction icon, Joanna Russ, about a young lesbian's coming-to-consciousness during the social upheaval of the 1970s. When Esther, a recently divorced professor, has her first lesbian love affair, the fallout brings her everyday miseries into focus and precipitates a personal crisis. She flees her small, upstate New York college town, grapples with gender confusion and the ghosts of therapists past, and fumbles her way through comedic sexual self-discovery, oscillating all the while between visionary confidence and debilitating self-doubt. Confronted with the homophobia of straight feminists and the misogyny of gay men, Esther is left to forge a language for her feminism and her burgeoning lesbian desire. On Strike Against God is quintessentially experimental but accesible, alternately wry and earnest, poignantly didactic, playful, and emotionally charged.” From a review: “For anyone like me who's unfamiliar with the quote which inspired the title: A judge was sentencing a picketer from the early twentieth century shirtwaist-makers strike (the first large scale strike by women), and he told her, "You are striking against God and Nature, whose law is that man shall earn his bread by the sweat of his brow. You are on strike against God!"

Faultline - Sheila Ortiz Taylor (1982) / “An outrageous, zesty, funny Lesbian novel; the adventures of a Lesbian mother with six children, three hundred rabbits, and very relaxed attitude."

The Swashbuckler - Lee Lynch (1985) / "Frenchy Tonneau leaves her closeted home in the Bronx for the bars of New York City, the freedom of Provincetown, and the liberation of Greenwich Village in the 1960s and 1970s. Her hangouts, her women, her small yet universal world tell the stories of the times - and the stories of lesbians today. A timeless journey and a riveting read, The Swashbuckler is heart-wrenching, heartwarming, and unforgettable." Butch main character, lesbian life in the 60s/70s, lesbian-feminism, butchfemme, etc.

Fried Green Tomatoes at the Whistle Stop Café - Fannie Flagg (1987) / listen, LISTEN, I know this book is not obscure, absolutely not given it even has a movie adaptation, but people do not give this book the love it deserves. I'm constantly thinking about Idgie and Ruth, they are one of my favorite fictional couples ever, and also my favorite lesbian fictional couple. They are such interesting characters with such an interesting dynamic and I just love them so so much. A femmebutch couple in 1920s Alabama, who go through many hardships but still find eachother, still end together, and even have a restaurant, live together, and raise a kid. And not only them, but the book is made out of 4 main characters (or 3 depends on if you see Ninny as a main character or not), Idgie, Ruth, and Ninny and Evelyn. Evelyn, an 80s depressed housewife in her 40s finds solace and a true friend in Ninny, a 90 year old woman staying at a nursing home (not ‘cause she needs it, but to keep a friend company). Ninny tells her the story of Idgie (her, kind of, sister) and Ruth, her best friend and lover. Evelyn finds feminism and hope through the memories, getting inspired by Idgie and Ruth's story and becoming happier in her life. It has several points of views and it jumps between years (first 1980s, then 1920s, then 1940s, then 1980s again, etc) and it also talks a lot about racism in 1920s Alabama, and i'll just stop because I love this book so much and i could go on forever. Oh, and also they murder a man and feed him to a police officer.

Lovers' choice - Becky Birtha (1987) / A collection of eleven short stories about lesbian women.

1990s

Out Of Time - Paula Martinac (1990) / Susan finds an old photograph album with pictures from the 1920s, all pictures being of a group of women (four in total). She's told it's not for sale, but she steals it anyway. After some digging, she finds out than two of the girls from the photos were lovers! And not only is Susan trying to navigate the details of her life and of her relationship with her own girlfriend, but she obsesses over the women in the picture, and eventually, the spirits of the girls start to haunt her.

The Gilda Stories - Jewele Gomez (1991) / Gilda escaped from slavery in the 1850s, until she's taken by a vampire who (consensually) turns her into a vampire too. Gilda moves through the decades finding community and connections and helping people, and slowly builds a place for herself in time. (Fine, not actually obscure since I’ve seen it all around the internet, but it just sounds so good)

Annabel and I - Chris Anne Wolfe (1996) / Plot summed up by a reader: “Half-orphaned Jenny-Wren spends her summers at her uncle Jake's fishing lodge on Lake Chautauqua. One summer day when she's twelve years old while boating with her uncle, she finds a girl on the end of a dock reaching futilely for her escaped model boat. Jenny swims over and rescues the boat, meeting the orphaned Annabel, spending her summers at her grandmother's summer estate. This begins a friendship that endures and grows for years as the two girls spent each summer together, only to be separated at the end of summer. As the two grow older, they realize a magic is at work that keeps bringing them together, despite the near century between them. As the summers come and go, the two young women discover their love for each other, and the realization that their love is imposible. Can their love persist beyond those fleeting summers and flourish, in the face of time?”. Review from a reader: “The foreword says this book is for all wlw, and that, "Because there are as many different ways to love a woman as there are women who love women; it's the loving, not the label, that really matters." That really captured the core of what this book does, it treasures the love we create with our bare hands for and with another woman.” A time travel romance (Jenny is from the 1980s, Annabel from 1890s)

Ain't Gonna Be the Same Fool Twice - April Sinclair (1996) / Bisexual mc. “Jean "Stevie" Stevenson, the indomitable heroine of "Coffee Will Make You Black," is back—somewhat older and wiser, with some experience and a college degree -- diving headfirst into the hot tub, free love, yoga, and vegetarian lifestyle of 1970s San Francisco. In this liberating new world of raised consciousness, mind-expanding, and disco-dancing, a soul sister with passion and daring has room to experiment with life and love to find out who she "really" is.”

Beyond the Pale - Elana Dykewomon (1997) / “The story of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists." While it is a romance, it's also more than that, it's about the life of Jewish women in the 20th century.

Crystal Diary - Frankie Hucklenbroich (1997) / “Frankie Hucklenbroich's razor-edged, compelling, often wryly humorous story hustles us from the blood-and-beer-drenched corners of her St. Louis meat-packing district '50s youth, through the sex-soaked Hollywood alleys of her '60s baby butch years, into the druggy metropolis of '70s San Francisco. Moving relentlessly from one woman to another until faces and bodies blur, scamming her existence, learning what the street has to how to make a buck, how to make it with a woman, how to court the dangers of crystal meth, how to survive.”

Hers 3 - Terry Wolverton (1999) / Short stories

2000s

Valencia - Michelle Tea (2000) / "Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart."

Naked in the Promised Land: A Memoir - Lillian Faderman (2003) / “Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia to seek a better life in America. Lillian grew up in poverty, but fantasised about becoming an actress. When her dreams led to the dangerous, seductive world of the sex trade and sham-marriages in Hollywood of the fifties, she realised she was attracted to women, and that show-biz is as cruel as they say. Desperately seeking to make her life meaningful, she studied at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she became a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power, Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.”

Her Naked Skin - Rebecca Lenkiewicz (2008) / Theatre. “Militancy in the Suffragette Movement is at its height. Thousands of women of all classes serve time in Holloway Prison in their fight to gain the vote. Amongst them is Lady Celia Cain who feels trapped by both the policies of the day and the shackles of a frustrating marriage. Inside, she meets a young seamstress, Eve Douglas, and her life spirals into an erotic but dangerous chaos. London 1913. A crucial moment when, with emancipation almost in sight, women refuse to let the establishment stand in their way.”

The Rain Before it Falls - Jonathan Coe (2008) / “A story of three generations of women whose destinies reach from the English countryside in World War Il to London, Toronto, and southern France at the turn of the new century. Evacuated to Shropshire during the Blitz, eight-year-old Rosamond forged a bond with her cousin Beatrix that augured the most treasured and devastating moments of her life. She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy—its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her-- are linked to generations of women she never knew. A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific.”

2010s

When We Were Outlaws - Jeanne Cordova (2011) / "A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women's Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Cordova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution".—to change the world and end discrimination against gays and lesbians."

Call Me Esteban - Leila Kalamuié (2015) / “With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.”

Jigsaw Youth - Tiffany Scandal (2015) / “Lose your best friend because you finally Came Out. Spend days driving aimlessly because there's nothing to do. Serve your rapist breakfast because you need your job. Fall asleep to gunshots and sirens because that's the only sense of home you've ever known. Hold hands with ghosts. Your life is in pieces, but you can't be broken. Wipe off the blood. Tired of being told who to be, what to wear, how to act and who to fuck. Break the rules and learn fast how to never get caught. All you need is nothing, but you're happy with your car, guitar and camera. Throwing around polaroids of tits like they're money, you swap stories about adventures and realize that we're all running away from something.”

Creatures of Will & Temper - Molly Tanzer (2017) / Recommended as a sapphic picture of dorian gray retelling, it tells the story of Dorina (hedonistic, art lover, and woman-kisser), her older sister Evadne (fencer and responsable), Lady Henrietta (suit-wearing, cigar-smoking lesbian who is a horrible influence), and Basil, Dorina and Evadne's uncle, and who's character has not changed much. They also summon demons.

The Adventures of China Iron - Gabriela Cabezón Cámara (2017) / “1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina's foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

2020s

Thirst - Marina Yuszczuk (2020) / “Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. It is the twilight of Europe's bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women-and they cross a threshold from which there's no turning back. With echoes of Mary Shelley's Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.” Lesbian vampires!

The Lives We Left Behind - Olivia Bratherton-Wilson (2021) / I read this one so long ago and I don’t remember everything with detail, just than I really liked it. “1943. Seventeen-year-old Dorotea Miller is given the responsibility of managing the family farm when her father and brother are conscripted, leaving her with only her distant mother and the unfamiliar Land Girls for company. Angeline Carter and her four younger brothers are evacuated to the Welsh countryside to escape the bombings; the Miller farm is nothing like they've seen before and certainly more than Angeline bargained for when she meets the surly, unwelcoming farmer's daughter. Despite their rocky start, misunderstandings and tragedies, Dorothea and Angeline realise that their friendship may run deeper than either of them had prepared for.” There is also a sequel! That one I haven’t read tho.

Agatha of Little Neon - Claire Luchette (2021) / "Agatha has lived every day of the last nine years with her sisters (the other nuns) : they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a formermill town now dotted with wind turbines. […] Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding? […] It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves." Lesbian nuns

Burning Butch - R/B Mertz (2022) / A butch lesbian memoir of their life growing up catholic and surviving in the world, while dealing with faith and what it shape it takes to them.

London on My Mind - Clara Alves (2022) / So, the English translation just came out! Funny thing is, I started this in 2022 even tho I don’t know Portuguese (translating paragraph by paragraph with google translate) and it was pretty good. I haven’t finished it (translating a whole book with google translate is definitely work) but I’m so ready to read it now that it’s translated. Dayana (seventeen, black, plus size, and Brazilian) is forced to move to London with her father (who abandoned her mother and her) and his new family after her mother died. She’s having a pretty horrible time, until, on a walk, finds a redhead girl… escaping Buckingham Palace?? So of course, she helps her escape. Who exactly is this girl? Why was she escaping?? The answer, her name is Diana and she’s sort of (super) the princess of Wales. Huh.

Helen House - Kayla Kumari Upadhyaya (2022) / “Right before meeting her girlfriend Amber's parents for the first time, the unnamed narrator of Helen House learns that she and her partner share a similar both of their sisters are dead. As the narrator wonders what else Amber has been hiding, she struggles with her own secret--using sex as a coping mechanism--as well as confusion and guilt over whether she really cares about Amber, or if she's only using her for sex. When they arrive at the parents' rural upstate home, a quaint but awkward first meeting unravels into a nightmare in which the narrator finds herself stranded in a family's decades-long mourning ritual. At turns terrifying and erotic, Helen House is a queer ghost story about trauma and grief.”

Promises in Pompeii - Violet Morley (2022) / Set in Ancient Rome, it tells the story of two girls, Octavia and Helvia, childhood friends, and their journey through life as women and through their feelings. In the author ig, she said it includes: adventure/survival, against the odds, brothels, butch/femme, coming of age, disguised as a man, first love, friends to lovers, opposites attract, etc. I’m currently reading it, and I really like it so far.

Nettleblack - Nat Reeve (2022) / “Subversive and playful, Nettleblack is a neo-Victorian queer farce that follows a runaway heir/ess and an organisation of crime-fighting misfits as they struggle with the misdeeds besieging a rural English town. The year is 1893. Having run away from her family home to escape an arranged marriage, Welsh heiress Henrietta “Henry” Nettleblack finds herself ambushed, robbed, and then saved by the mysterious Dallyangle Division - part detective agency, part neighbourhood watch. Desperate to hide from her older sisters, Henry disguises herself and enlists. But the Division soon finds itself under siege from a spate of crimes and must fight for its very survival. Assailed by strange feelings for her new colleague - the tomboyish, moody Septimus - Henry quickly sees that she's lost in a small rural town with surprisingly big problems. And to make things worse, sinister forces threaten to expose her as the missing Nettleblack sister. As the net starts to close around Henry, the new people in her life seem to offer her a way out, and a way forward. Is the world she's lost in also a place she can find herself? Told through journal entries and letters, Nettleblack is a picaresque ride through the perils and joys of finding your place in the world, challenging myths about queerness - particularly transness - as a modern phenomenon, while exploring the practicalities of articulating queer perspectives when you're struggling for words.”

Sunburn - Chloe Michelle (2023) / In Ireland, the early 1990s, Lucy feels out of place in her small town. She falls in love with her best friend and she has to find a way to find herself, make a meaning out of her feelings, and hide the truth from her conservative small town and religious peers.

Lucky Red - Claudia Cravens (2023) / "A vibrant and cinematic debut set in the American West about a scrappy orphan who finds friendship, romance, and her true calling as a revenge-seeking gunslinger." Lesbian cowboys

Neon Roses - Rachel Dawson (2023) / “Eluned Hughes is stuck. It's 1984 in a valley in south Wales: the miners' strike is ravaging her community; her sister's swanned off with a Thatcherite policeman; and her boyfriend Lloyd keeps bringing up marriage. And if they play '99 Red Balloons' on the radio one more time, she might just lose her mind. Then the fundraising group Lesbians and Gays Support the Miners comes down from London, and she meets June, a snaggle-toothed blonde in a too-big leather jacket. Suddenly, Eluned isn't stuck any more - she's in freefall. June's an artist and an activist, living in a squat in Camden. With June, Eluned can imagine a completely different - and exciting - life for herself. But as her family struggles with the strike, and her relationship with her sister deteriorates, should she really leave it all behind? From the Valleys to the nightclubs of Cardiff, London and Manchester, NEON ROSES is a heartwarming, funny and a little bit filthy queer coming-of-age story with a cracking '80s soundtrack.”

Tale of Three Ships - Darcia G. Laucerica (2023) / “In a world under the thumb of an empire, pirates sail away searching for a breath of freedom. But even the ocean is tainted by the powerful nation that has spread lies about women being bad luck at sea. Glenlivet has never cared about the fear-mongering. Her ship welcomes those who are rejected and need a home. For all the sailor' s superstitions and "codes" of piracy the captain mocks every day, not leaving the docks when it's dark is a personal boundary she swears by ever since acquiring The Outsider about eight years ago. She just might have to break her own rules to protect her crew, escape the claws of a king who wants her dead, and murder the man who raised her.” I’ve heard so many good things about this. Lesbian main character, with mlm and trans side characters. Author in social media said it includes: Chosen pirate family, sirens, indigenous and latine inspired characters, anti-colonialism, and people fighting injustice and abuse.

How to Breathe Ash - Alex Nonymous (2023) / “Eleanor Perrault doesn't know if there's a right way to handle being suddenly orphaned at sixteen, but it's definitely not the way that she's been coping with it. It's been two months since her parents died and despite her autism normally causing her to be even more emotionally volatile than most of her peers, she still hasn't even managed to cry over them yet. On top of trying to learn how to grieve properly, Eleanor's juggling starting a new semester in a new town with an aunt who seems eternally disappointed in her and a cousin who's randomly decided to start hating her. And a crush on the incredibly pretty president of her new school's QSA. How to Breathe Ash is a contemporary YA Cinderella retelling following Eleanor through elaborate dances, anonymous chat rooms, and learning the right way to not be alright.” Autistic mc! While I haven’t read anything from this author (yet) they have lots of wlw/nblw/nblnb books with autistic main characters.

War and Solace: A Tale from Norvegr - Edale Lane (2023) / “A battle-hardened shieldmaiden. A pacifist healer. Can the two find love amid the chaos of war? From Edale Lane, the award-winning, best-selling author of Sigrid & Elyn, comes a new Tale from Norgevr! Tyrdis is a stalwart warrior raised to value honor, courage, and military prowess. When a traumatic injury renders the powerful protector helpless, she depends on the lovely, tender-hearted Adelle to restore her from the brink of death. Is it merely gratitude or true love that draws Tyrdis to the healer? Defying cultural norms, Adelle despises violence and those who propagate it, but when her shieldmaiden patient saves the life of her beloved little girl, she must reexamine her values. Could Tyrdis be more than a stiff, efficient killer with an amazing body? In a kingdom steeped in conflict with their neighbors and internal strife, shocking secrets are revealed, and both women strive to ensure justice prevails. Can they overcome their differences to safeguard their friends, end the war, and fall in love, or will fate prove to be a cruel sovereign?” Historical fiction set during 643. The author also has another two sapphic books set in the same time period.

Maddalena and the Dark - Julia Fine (2023) / “A novel set in 18th-century Venice at a prestigious music school, about two girls drawn together by a dangerous wager Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls' orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family's reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known. But Maddalena has a secret: she has hatched a dangerous plot to rescue her future her own way. When she invites Luisa into her plans, promising to make her dreams come true, Luisa doesn't hesitate. But every wager has its price, and as the girls are drawn into the decadent world outside the Pietà's walls, they must decide what it is they truly want—and what they will do to pay for it. Lush and heady, swirling with music and magic, Maddalena and the Dark is a Venetian fairytale about the friendship between two girls and the boundless desire that will set them free, if it doesn't consume them first.”

Greasepaint - Hannah Levene (2024) / “Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar. In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie's childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there's always dinner at Marg's. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene and Yiddish anarchist tradition, Greasepaint is a rollicking whirlwind of music and politics- the currents of community embodied and held inside the bar.”

Perfume & Pain - Anna Dorn (2024) / “A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes-and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet—and celebrity-obsessed world”

How It Works Out - Myriam Lacroix (2024) / “Surreal, darkly comic and achingly tender, Myriam Lacroix's debut sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? After Myriam and Allison fall in love at a show in run-down punk house, their relationship starts to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam's depression was Allison's flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker-or sexier-would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love's many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a formally inventive, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.”

All the Painted Stars - Emma Denny (@a-kind-of-merry-war) (2024) / “Oxfordshire 1362. When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past caches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love…” The cover of the edition coming out in November is SO pretty and lately I’ve been looking for medieval sapphic books like crazy.

Gentlest of Wild Things - Sarah Underwood (2024 - out august 15th) / So this book is by the same author as Lies We Sing to the Sea, and I’m in no rush to read that book (a so-called odyssey retelling even tho the author has admitted to never actually reading the odyssey??) but this one looks compelling. “On the island of Zakynthos, nothing is more powerful than Desire-love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendent of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire's thrall. Until Leandros' wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: if she can complete the four elaborate tasks he sets her, he will find another bride. But it soon becomes clear that the tasks are part of something bigger; something related to Desire and Lamia, the strange, neglected daughter Leandros keeps locked away. Lamia knows her father hides her for her own protection, though as she and Eirene grow closer, she finds herself longing for the outside world. But the price of freedom is high, and with something deadly-something hungry- stalking the night, that price must be paid in blood…” The author said that “Gentlest of Wild Things is a sapphic vampiric twist on the story of Eros and Psyche”

The End Crowns All - Bea Fitzgerald (2024 - out on July 18th) / “Princess. Priestess. The most beautiful girl in Troy. Casandra is used to being adored - and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl - and the war she's going to bring to Troy's shores. Helen fled Sparta in pursuit of love, but it's soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it's more than the army at their walls they must contend with. Casandra and Helen might hold the key to reweaving fate itself - especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?” Sapphic retelling of the iliad where Helen and Kassandra end up together

If asked, I’ll also do one with gay books

(No 1950s lesbians because I don’t like pulp fiction :( )

[willalove75]

stop simping over women and pay attention to your husband. You clearly made your choice to be with a man and have his child rather than choose a woman. You bisexual women don’t get to exist in lesbian spaces when you lean towards men. Unless your husband lets to you step out on your marriage or lets you have delusional thoughts that any lesbian would want a woman knocked up by a man. You bisexual women who lean more towards men or are with men have no right to be in sapphic or lesbian spaces. And lady d is a lesbian so as if she would be with someone who let a man touch them let alone knock them up.

Oh, I'm sorry, did my husband tell you that I'm not giving him enough attention? Didn't think so.

Yes, I made a choice to be with him, because I fell in love with him. Because he's my best friend and my biggest supporter in everything I do (yes, he even supports my writing and fics and he tells me often how proud he is of me). I did not chose him because he's a man. Truthfully, his gender had absolutely nothing to do with why I married him. I just happened to fall in love with and marry a man, but that does NOT make me any less of a bisexual woman.

"You bisexual women..." and people question whether or not bi-erasure is a thing, meanwhile, this entire ask is such a great example of just that😒

"delusional thoughts that any lesbian would want a woman knocked up by a man." is truly offensive to not only every bi woman who has been with a man, but any woman who has. What about the lesbians that got pregnant by men?? Because this may come as a shock to you, but it does happen. It may not happen a lot or often, but it does. Does that mean that those women are "tainted" or "ruined" also??? No it fucking doesn't, you idiot.

It really makes me laugh when people try and use a fictional character to make a real life argument. You want to know why? BECAUSE THEY'RE NOT FUCKING REAL!!! So honestly, you have absolutely no idea if that's true or not because she's a fake fucking character from a video game. Are you also this upset at the fic writers who make her trans??? Or what about fic writers that make Alcina's partner trans??? Or are you just that much of biphobic person and this is the hill you're choosing to die on?? Either way, you're an actual bigot.

This post just SCREAMS biphobia and bi-erasure and it's fucking gross. You are so very obviously projecting your own issues and insecurities in this and honestly I would be embarrassed if I were you. Because not a single thing you said is true AT ALL or holds any merit.

Bisexual women who lean towards men or who are with men ABSOLUTELY do belong in those spaces. Just because a bisexual woman is married/with a man or leans towards men does not discredit or change their sexuality. No bi person automatically becomes straight if they date/marry the opposite gender or become gay/lesbian if they date/marry the same gender. It's called BIsexual. More than one gender. You do not get to invalidate every bi person with this shitty (and inherently wrong) opinion.

I know you wrote this trying to get a rise out of me, and congratulations because you succeeded. But I also know that people like you leave messages like this because they feel so broken and hurt and shitty that they want others to feel like that too. Unfortunately for you, I grew up in the era that birthed anonymous hate messages so you'll have to try harder next time. Not only that, but I am proud and confident in who I am and no pathetic anonymous (especially anonymous, you pussy) message is going to shake me.

I am a proud bisexual woman. I am proud to be married to my husband. I am proud that I will soon be the mother of a little boy who I will raise to be a much better person than you'll ever be. I am proud of what I've written and no, I will not stop.

[funhouse-mirror-barbie]

This will be more of a vent post than it is a critique or review. It’s just something I personally find so agitating and I wanted to talk about it to just get the feelings of my chest.

I hate. And I mean hate. That they named her “Vaggie”

More below cut/includes slight spoilers from released content and leaked audition sheets.

I just. And please keep in mind that this is all my personal opinion and you’re allowed to think whatever you want. You can love her name and think it’s the most creative beautiful name in the world and that’s fine. That’s your opinion, and that’s great!!

But this is my opinion—V’s name isn’t funny. It’s not creative or clever.

It comes off as trying to be “edgy” or daring, but it just flops. And it’s incredibly frustrating to be sapphic (I’m a lesbian) and to see one of only TWO sapphic characters be literally named after “female” genitalia.

And I wondered for a while if I was just being weirdly picky about this, but if this leak turns out to be real (and I am PRAYING it’s not):

Then the exterminators, a seemingly entire female group, are named after genitalia. Like. Why? What is the point of having a group of characters being named after genitals??

I have a hard time describing why this makes me so angry and makes me feel so disrespected. I think it’s because:

1. Whether intentional or not, it comes off as reducing women characters to their genitalia.

2. It’s reducing a sapphic (possibly lesbian, but never confirmed) character to her genitals. Again, whether or not this is intended, the writers have made it so that everyone who hears these characters names immediately thinks “oh like Vagina”. This is even a joke in the prequel comics:

And the FIRST EPISODE:

Apparently the original character that V is based on was actually named “Vagina” just straight up. Oh but they used a Y. Because. That really makes it unique a cool. (Being sarcastic)

3. Again. I don’t care if this was the intent or not. But it feels just so so reductive to name a whole GROUP of women characters after different female genital parts. It’s just disrespectful. And again, I don’t think it was meant to be this—but it just? It’s so reductive and just stupid.

Like. I also want to make it clear that I’d be saying the SAME thing as I am now if it was a male character named “Penissy” or “Scrothomas” or some stupid shit. If Angel Dust’s name was like… “Tainty” or “Schlong” or something I would also be frustrated and upset.

Because that would be the same thing. A gay man character reduced to his genitals. Anyway this is done, it’s disrespectful and feels gross and reductive to me.

But I don’t know what I expected because this is the same writing team that thinks a character referring to himself as “The Dickmaster” and saying “dick” 600 times in a row is peak comedy writing. Ugh.

Again, I’m sorry this is more a personal vent than any sort of review or critique. I’m genuinely hoping that the Lute audition sheet is not anything that will show up in the show, and that Clitorissa and Labianne will never see the light of day. It’s just.

It’s not funny. It’s stupid, and annoying, and I hate it. ¯\_(ツ)_/¯

And V deserved to be called by a real name, not a edgy unfunny punchline.

[yourfavismspechomohet]

love, there’s no such thing as a “bi lesbian.” someone can’t be bi and a lesbian. Coming from a lesbian myself it just doesn’t happen that way. Being a bisexual means that you like BOTH, being a lesbian means you ONLY like non men. It’s a mockery of real lesbians, it’s not a real sexuality.

Let’s take this apart separately, shall we?

“There’s no such thing as a Bi Lesbian”

Tell that to all the Bi Lesbians that follow me, and like my posts, and request for posts.

Tell that to the Bi Lesbians I reblog from and talk to occasionally.

Tell that to the older queers that identify as Bi Lesbians.

I guess apparently they don’t exist then. 🤷

“Someone can’t be Bi and a Lesbian”

Ah, this is a very popular one on this blog that I keep getting. I could link you to those, but I won’t. Here’s some ways you can be Bi and a Lesbian at the same time:

Biromantic Homosexuals

Homoromantic Bisexuals

Bi people who label themselves as Lesbians, to reclaim queer history. Because ALL Sapphics, regardless of if they were attracted to men or not, were referred to as Lesbians.

Bi people may also label themselves as Lesbians to reclaim being called a Lesbian by Biphobes trying to get them to pick one.

Bi people who lean more towards women, may call themselves Bi Lesbians.

Abroromantics/Abrosexuals may label themselves as Bi Lesbians because their orientation only swings back and forth between those two.

“Coming from a Lesbian myself, it just doesn’t happen that way.”

Well, for the second part, “It doesn’t happen that way”, just go back to the previous comments on “Someone can’t be Bi and a Lesbian”. It does and can happen.

Now for the first part “Coming from a Lesbian myself”. I hear this a lot. Not just from Lesbians, not just from queer people, but people of all different communities, one thing I hear all the time is “Coming from a [Blank] myself”. You need to understand that you are not the only Lesbian on earth. And Lesbians are not a hive-mind. You’re not all the same, and you’re not all going to have the same opinions. If that were the case, all Lesbians would look, talk, act the same way, and have the same views. But you don’t, because you’re not a hive-mind. Simply implying that all people of the same sexuality should have the same opinions is wrong. Believe it or not, I’ve seen all different kinds of lesbians who were Pro-Mspec Lesbian, who were Anti-Mspec Lesbian, and were neutral on Mspec Lesbians. And if all Lesbians had the same opinions, you would not be separated on these different opinions.

“Being a bisexual means that you like BOTH, being a lesbian means you ONLY like non men.”

Being Bi means that you could just about like any gender. It doesn’t just mean both, as in men and women. Bi people could definitely just be attracted to women and men, but they’re also Bi people attracted to all different kinds of genders under the Nonbinary umbrella.

As for being a Lesbian, it means that you’re attracted to women and Nonbinary people. And if we can agree on that, we also have to agree that there are other Nonbinary genders where one identifies as a woman AND a man, that you may also be attracted to. Saying that Lesbians don’t like men excludes Multigender people. Even if that’s not how you mean for it to sound, I can tell you that a lot of Multigender people feel that way.

Also, a common misconception is that Non-Men and Non-Women is okay to use for Gay and Lesbian definitions. It’s not. What you probably didn’t know, is that the terms have racist origins. Black and indigenous queer people have literally been talking about this since this definition was coined. “Non-Men” and “Non-Women” are terms that have been historically used to describe the degendering of black people.

Forcing these terms for queer definitions is Anti-Black, I could forgive you if you didn’t know that and stop using those definitions after now knowing the origins.

But if you still use these definitions even after knowing this, congratulations! You’re racist! Pretty sure there was a book about this, “Bad faith and anti-black racism” by Lewis R. Gordon.

“It’s a mockery of real lesbians, it’s not a real sexuality.”

Mspecs have just as big a part in Lesbian history as Lesbians.

All sapphics were Lesbians regardless of if they liked men.

The term “Bi Lesbian” has been around since the 70s. I’d like to see you try and tell an older queer Bi Lesbian, that they’re “mocking” Lesbians and that their sexuality isn’t real. They probably accomplished more than you have in your entire life, because you want to fight with people on queer labels that you think are and aren’t valid because apparently no queer identity is acceptable unless you agree with it.

Love, wether you like it or not, Bi Lesbians and even male Lesbians have always existed and will continue existing. And they don’t need your permission to be themselves.

[sitp-recs]

I wanted to ask a question... idk if you're straight, bi.... but I consider myself a lesbian and since I read HP books in the pandemic I became obsessed with them, then wolfstar then drarry. I love pansmione, ginsy and linny as well but they didnt hit the same (besides some specific fics) like drarry to me bc I love draco's background story so much. I love how they complete each other (two sides of the same coin / being used as pawns / relatable traumas etc). anyway I was thinking what do you think about lesbians reading mlm/gay men fiction? specially if some of them are explicit. I love them and fic got me through the pandemic as well but I feel guilty :( I read other types of books too (a lot of sapphic ones) but yeah I always come back to drarry. help.

Hi anon! I’m sorry to hear that you’ve been feeling this way about preferring mlm over femslash. You are not the first person I see mentioning this and I think your experience is 100% valid and probably more common than you imagine. Following that logic, I should only read stories featuring bisexual women but you see, I’m not always interested in fics reflecting my own reality and issues. Most of the time I’m not even in the mood to read wlw or straight sex, no matter (or maybe exactly because of) how familiar it feels. I read it occasionally, but I normally use fic as an outlet to escape and read the stories that interest and intrigue me the most, and sometimes they couldn’t be farther away from my own experiences.

Be it because of the writing itself, or because I care more about Harry and Draco than I’ve ever cared about Ginny and Luna, Drarry just attracts me more than Linny. Hell, Ron/Ginny attracts me more than Linny. There’s no rationale behind what I ship, no objective way of knowing what will hit the right note for me, and so I gave up on tying to rationalize it a long time ago. Additionally, as a queer person I noticed that I often feel attracted to queerness in general, so I think it makes a lot of sense to connect to a gay character or mlm story even if you’re a woman (and vice-versa).

We all get different things out of fandom/fic and your reasons for enjoying this and not that work are entirely your own. I believe that our fandom experience should be all about self-indulgence and prioritizing joy and healing over anything else so from my perspective, I don’t think you have anything to feel guilty/ashamed of. That’s my two cents on it, just keep reading what you love and what brings you joy! ❤️

[rainbowsforbeginners]

Rainbow 101: 001

Today’s topic, as voted by you: What is LGBTQIA+?

Hello, class!

Welcome to Rainbow 101!

To start us off, today I’ll explain the acronym LGBTQIA+:

It stands for Lesbian, Gay, Bisexual, Transgender, Queer/Questioning, Intersex, and A-spec - And the little “plus” at the end stands for any other queer labels that don’t fit neatly into the main acronym!

You may also see it shortened to LGBTQ+, LGBT+, LGBT, as well as a few others - But, they all refer to the same community!

Now, as this is a beginner-friendly lecture, I’ll also give a brief explanation of the main “flagship” identities - Though I highly encourage you do your own research of any terms you find interesting, as I will likely not be able to cover all nuance here!

Also, if anyone has any comments, questions, corrections, or kudos, please put them in the ask box after class!

Alright, let’s get started:

Lesbian:

Someone who is a lesbian is a women who is attracted to other women - Non-binary people can also use this label if they wish! The term Lesbian is also related to the terms WLW and Sapphic - Though I recommend finding sources who are more well-versed in those labels to understand the nuances/differences!

Gay:

The “proper” definition of gay is similar to lesbian, being a man who is attracted to other men - And non-binary folk can use this one, too! - However, you will also find many people use “gay” as a broad blanket term similar to “queer,” so context is useful here! Gay is also sometimes called MLM (men-loving-men, not multi-level-marketing :) )

Bisexual/Biromantic:

Someone who is bisexual/biromantic is attracted to multiple genders - Commonly interpreted as simply “likes both men and women.” But, as with many of these labels, there can be nuance that is different for every person; Such as having attraction for multiple, but preferring one over another. You’ll often see Bisexual/Biromantic shortened to Bi!

Transgender:

Someone who is transgender doesn’t fully identify with the gender they were assigned at birth. For example, someone who was born as a girl named Jane and later transitions to a man named John. (Something to note here: While many transgender people do fully identify with the “opposite” gender, and undergo various visual/biological transformations (ha!), there are many who don’t do either! Some people only change their pronouns, and some may not change anything!) Non-binary people are also under this umbrella term - though not everyone identifies with the label! You’ll often see Transgender shortened to Trans!

Queer/Questioning:

From what I’ve seen, “Queer” is a pretty broad label, often used as a collective term for all LGBTQIA+ people - But, I’ve also seen some people use it as a catch-all personal miscellaneous label, when they don’t care to explain or define the details! “Questioning” is pretty simple - It just means the person is figuring out some aspect of their identity, but hasn’t quite gotten there yet!

Intersex:

This one I don’t know as much about as I could, but my understanding is that an intersex person falls between or outside of the biological sex binary - And it can be as drastically obvious as physical organ differences, or more often, as subtle as having unusual chromosomes!

A-spec:

A-spec, or the A-spectrum, is a wide category for those who experience little, no, and/or specifically-parametrized attraction! Aromantic (or Aro, little-to-no romantic attraction) and Asexual (or Ace, little-to-no sexual attraction) are the more popular, “flagship” labels, but the A spectrum also includes Aplatonic, Agender, Afamilial, Asensual, and probably a few others I don’t know of! To oversimplify for the sake of comedy, the A-spec is for those of us who look at everyone else and go, “No thanks!” with varying degrees of intensity.

Plus (+):

And the + is for everyone else who might not fit within the above!

…And there you have it - That was a lot, and I’m glad you stuck around to the end!

I want to note here that many of these labels have more sub-labels nested under them, and/or have more nuance than we covered today - So, if any of you have questions or clarifications, or have a correction to make, please feel free to drop a note in my ask box!

Also, any ideas for future topics to cover would be much appreciated!

Batteries and Bars,

Neon

[wen-kexing-apologist]

Bengiyo's Queer Cinema Syllabus

For those of you who don’t know, I decided to run the gauntlet of @bengiyo’s queer cinema syllabus, which is comprised of 9 units. I have completed four of the units (here is my queer cinema syllabus round up post with all the films I’ve watched and written about so far). It is time for me to make my way through Unit 5- Lesbians, which includes the following films: The Incredibly True Adventure of Two Girls in Love (1995), Bound (1996), Water Lilies (2007), Saving Face (2004), D.E.B.S. (2004), Set It Off (1996), The Handmaiden (2016), Carol (2015), Imagine Me and You (2005), Two of Us (2019), Rafiki (2018), and The Color Purple (1985). 

Today I will be talking about 

The Incredibly True Adventure of Two Girls in Love (1995) dir. Maria Maggenti

[Runtime: 1:34 , Watched on: Netflix, Language: English]

Summary: Randy cuts class to run her aunt’s gas station. Evie’s the popular girl at school. When the two meet, they discover love, trouble- and themselves. 

Cast: - Laurel Holloman as Randy Dean - Nicole Ari Parker as Evie Roy

__

Well, the Lesbians unit is already off to a great start with this film. Watching this movie was oh so very much fun and I am very happy that we were getting movies with this many sapphics in it, it’s a rare treat, at least on my end. 

It was a very interesting piece of media to start with after Heartbreak Alley because nothing too terrible happens in the movie itself, but the film is not a bubble type of film where homophobia and the consequences of being queer don’t exist. Randy and her family were especially impacted by it, we are just tuning in to a time in their life where they’ve come out the other end of the truly terrible life moments. 

So when Evie shows up, wealthy, sheltered (at least from the consequences of being queer), and initially unaware of her own sexuality we get to see all the ways in which Evie can be brave because she doesn’t know any better and Randy can be brave because she does know what can happen and tries anyway. It’s taking me back through the Race, Class, and Disability unit a little bit in the way the movie shows all the freedoms and restraints that come with Evie and Randy’s respective positionalities in the world.

Evie isn’t scared of holding Randy’s hand at the diner because she doesn’t believe that someone would beat them up for it. Randy has just gotten over the initial fear of holding hands with a girl she likes in public when the waitress comes over and interrupts the moment and Evie has to be the one to make the second attempt at holding hands in public at the diner. 

I love the little nods towards that line, the way that Randy wears her Act Up shirts to school and people are able to clock her, but she still tells Evie that she was seeing a married woman, and Randy sees that as coming out to someone (which it is) and Randy tells her aunts that she came out to someone at school and is congratulated for it because you never really stop coming out and it can be a big deal or a small one every single time. 

Randy’s only friend is Frank, another queer kid at school, and Evie’s got three friends we see her with most of the time who are all straight women generally uncomfortable with Randy as a person and especially grossed out by the thought of Evie and Randy hanging out, much less dating/being in love with each other. I was definitely worried initially when Evie’s friends started talking about Randy that she would get quiet, or relent, or play along with her friend group. I have to say that was probably one of my most favorite parts of the film, that Evie didn’t do that. Evie spoke up against her friends, she defended Randy time and time again, and maybe it’s the sheltered aspects of her life that allow her to just come right out and tell her friends, after they were already being so homophobic, that she was in love with Randy and they could simply stop being friends with her if they had a problem with that. 

And in fact, Evie’s friends do walk away, and Evie is left alone in a diner because she told her friends she loved a woman. And she’s allowed to be upset about that, and Randy is also allowed to be like “yeah, I could have told you that” about it because, again, she knows all that there is to lose by being out and clockable. 

You can see it in the way she handles conflict, that Ari presses her against the wall, and grabs her by the scruff of her shirt, and threatens to kill her for seeing his wife, and while it is hilarious that Regina is just standing there unfazed, hitting him with a fly swatter until he lets go, Randy just standing there with her neck red from being assaulted, holds popsicles to her neck and immediately lies to Evie about what she just experienced. In fact, if I recall correctly, Randy never once breathes a word of that encounter to Evie, even though they are a couple, and Evie cares about Randy. But why would you tell the freshly minted queer you were preoccupied with being threatened for your entanglement with another man’s wife?

There were lots of little things that I loved about this movie, especially as they related to the home. That Evie is there in a big house, with just her mother, refusing to talk about her feelings around her father in a relatively silent house cutting straight to the cramped, overcrowded kitchen with four lesbians wriggling around each other trying to get dinner on the table. I love the camera work around Lena when the camera pans slowly down her entire body, when the only thing in frame is essentially just Lena’s tits bouncing around as she does boxing moves. And my absolute favorite, the tops of heads we see passing back and forth and back and forth while Randy and Evie stand perfectly still, holding hands, and talking to Randy’s family the first time that Evie meets them. 

gif by @roseillith

I love that they let Randy’s aunts argue about a very present concern (their differing feelings about having Lena in their house) and that that argument is not the be-all-end-all of their relationship. I love that Randy’s biggest issue is not that she is queer, but that she likely will not be able to graduate highschool. I love that Evie’s biggest issue is also not that she is queer, she does not struggle at all with her queer awakening, and that the biggest problem her mother seems to be having is that she left the house a mess when unsupervised for a few days. Which is not to say that her mother will not struggle with the sexuality aspect of it, but that I don’t get a sense that Evie will be kicked out of the house or need to flee it the way that Randy absolutely did when she came to live with her aunt. 

Their issues feel very high school, and their romance, and all the drama around it feels very high school, and I think the movie did a good job conveying the messy, shitty, dramatic bullshit we put our families through as teenagers. 

Favorite Moment

My absolute favorite moment, hands down, by miles in the film is the fight between Randy’s aunts. And this may end up resulting in essentially two favorite quotes being put down in this post, but I just have to talk about the conversation that Rebecca and Vicky have over an ex-girlfriend that has been staying with them after breaking up with her boyfriend. 

I love that this fight has a number of layers to it: one, that Lena is an ex-girlfriend of one part of the lesbian couple and that can definitely wear down some patience from the current partner; two, that they are raising a child that isn’t their own and are adding an additional stressor on top; three, that they do not have the money to really swing another long-term guest; and four, the difference in their life history as queer people is majorly informing the perception of how this is going. 

We don’t have only messy lesbians, we have a long-term, established relationship between two people who are doing the thing where they make continuous and active choices to stay together and are talking about the things that are causing tension in their household to try to reach some level of compromise. They are allowed to fight without me having to worry that they are going to try to throw some break up between the adults in Randy’s life into the mix. 

This film came out before gay marriage was legal in the United States, but I love that we can understand the depth of the commitment Rebecca and Vicky made to one another, in whatever version of a partnership they have created for themselves with one of the most incredible lines of the film: 

Rebecca: “I made a vow that my house would always be open to the people I love. You and I both took that vow when we moved in together. I needed it when I was young. Randy needed it when she moved in with us. Even you needed that once.” Vicky:  “No I didn’t.”  Rebecca: “No, I guess you didn’t.” 

I love the quote because it does speak to the queer experience, my housemate and I are both queer, and we have tried our hardest to make sure that our other queer friends know that our door is open if they need it. We know Randy has been disowned by her mother, we know her aunt must have been raised in some level of similar environment, and it is understandable from Rebecca’s point of view that she and Vicky remain a support and safe haven for wayward queers forever. And how that viewpoint builds on Vicky’s problems with Lena staying with them instead of Lena going home to her mother to get over the break-up.  Because if Vicky never had the experiences that Rebecca and Randy had of having nowhere else to go, then I can totally see how it might be harder for her to understand why Lena is staying with them and has been staying for so long. 

And I like that Lena is still there at the end of the movie, which indicates to me that Rebecca won that argument and Vicky is at least continuing to tolerate the newest addition to their little queer family. 

Favorite Quote

“I don’t want to shock you or anything but I really wanna hold your hand right now. I’ve wanted to hold your hand all day.” // “I’ve held hands with a girl before.” // “Girls like me?” // “I guess not. But what could happen?” // “We’d get the shit beat out of us, that’s all.” // “Just for holding hands? I don’t believe that.” // “God Evie, you are so sheltered.” // “Unshelter me.”

I like that Evie can be brave in this moment expressly because she does not understand what she is putting on the line by being queer in public. But she is turning 18 soon, and she is heading off to college, and she cannot be protected forever, especially not if she wants to be herself, and if she understands her queerness and wants that to be an active part of her life that she doesn’t have to hide, she will learn eventually. And she does, she tells her friends if they have a problem with her being in love with Randy that they can leave. And they do. And if you ask me there is a part of Evie that is saying that only because she doesn’t think they actually will, and that she is surprised when they actually do get up and go. But she pays the price and she is sad about it, but not remorseful. Never remorseful about being open with the people that she cares about and losing them as a result. 

Score

8/10. I was not a huge fan of the acting in a lot of this, and the script was not the strongest. But there were some really great moments that felt so true to form and I am endlessly glad that this film exists. 

[wheneverfeasible]

I don’t remember if this was brought up but do you think there’s a reality out there where Chuck created the Winchester sisters? Like there’s a Deanna and Samantha Winchester, instead of Dean and Samuel.

Do you think Deanna would have realized she was bi sooner, or would be under comphet because John probably wasn’t open much to the idea of a queer child in his traditional worldview? Or would she have thought she was a lesbian first because she had to overcompensate for her lack of a father and so focused more on liking girls, especially if she was like Dean and showed a preference for women.

Would her and Lisa have been a thing? Would Samantha and Jessica have been a thing, or would Sam have fallen in love with another girl who also liked girls? (Jessica could be sapphic, we only know her past with Sam, so who’s to say, could be maybe she “experimented” with her friend Samantha and realized she could like girls too.)

Would Samantha have even liked girls, or would she have liked boys? Would she have liked both (or all)?

Would Deanna have been more accepting of her feelings for Castiel (who would still be in his Jimmy meatsuit because that wouldn’t change necessarily, unless Chuck *really* wanted to switch things up) as a woman if her Castiel *also* rebelled liked Dean’s did? Or would her Castiel have toed the line like all the other Castiels?

And then say this universe existed. What if our Dean accidentally got changed into his alternate universe’s body and had to navigate what it was like to be a girl and deal with actual issues that women faced. Like dealing with her period, or misogyny. He would be hit on by sleazy men who used the same pickup lines that he’s used and he’d realize how much of a dick he’d been in the past.

Which is an annoying trope that happens in real life with dudes who pretend to be chicks online, but still something that could work to open his eyes.

And then idk he and Castiel could bang lmao

But nah seriously, in Deanna’s and Samantha’s universe, how much do you think things would change? If everything else had been the same up until their births, and the only thing different was that they were born girls. Everyone else was still the same, say even Castiel’s rebellion, and it was just them that changed.

Anyways getting back into my SPN rewatch and Sam is fighting his soulless self in his mind while Castiel is off trying to crack open Purgatory and I’m dreading Dick (joke intended because lol yeah). Great jokes in S7, but one of my least favorite storylines with Dick and Sam’s whole thing leading up to Gaddy.

But yay Charlie!

Charlie and Deanna would bang for sure btw

[ultrone]

I feel like coming out to Jeff would be so fucking funny.

He’s buying a cake that’s shaped awfully quite like a vagina.

When you’re the car together he only plays music made by sapphic women & Hozier.

If a man comes up to you whether he’s flirting or not he’s interjecting with, “Leave my lesbian alone!” or something like that.

Asks if it’s impolite of him to offer you a hotdog.

He definitely tries to set you up with girls. “I don’t know why you just won’t ask her out? She’s hot.” “Jeff, I don’t know her sexuality.” “So ask her!”

Asks for sex help. Not in a fetish way. “You’re a woman who hooks up with women. You’re a walking cheat code!”

Buys flags and rainbow gear. Will go to Pride and enjoy being flirted with by queer men.

I don’t know why I did this. You used that picture of Jeff and had a brainstorm.

-🐈‍⬛

P.S. I’m so sorry

this is amazing i loved it so much 😭😭 best hcs of jeff i’ve ever read istg they’re so accurate LMFAOO 🙏🏻

my mans would have the time of his life at pride i swear 😭 he’d also come to gay bars with you and accept drinks from random cute men ☠️

[breakingstanding]

I am actually devastated over Michaela… not because I care about Michael or the book, but if they’re making Francesca queer, there’s no way they’re making Eloise a lesbian (which she SO clearly is!). I saw the spoiler of Franny and thought okay they can make 2/8 queer, and then I watched and saw they made Benedict queer too! I just can’t see them doing 3, especially 2 women.

It’s so disheartening because so many people have been rooting for sapphic eloise and I think hardly anyone was wanting Franny.

I think i’m more upset with this than if none had been queer because like ugh we were SO CLOSE. We could’ve had it all. like imagine how happy we could all be right now. 😭

they’ve been setting up queer benedict and eloise since season 1 so I just don’t understand why they would do this. (sorry for venting to you- none of my friends that’s watch are caught up yet)

Always happy for a vent, and I definitely feel you! I'm personally really excited about Francesca's storyline because I really liked her this season and Michaela is EXTREMELY hot lol - but I'm also frustrated that it's the sister we've had as a side character for one season who will be getting a queer love story, and not the one we've been invested in for three seasons.

Ultimately I think the frustration we are feeling is more because this is reflective of larger issues that always pop up in fandom than being upset about not getting a storyline we wanted for a character (although I'm not going to pretend that's not a factor too!) a) There's such a pattern in fan spaces for queer people to see themselves in a character and to recognise clear queercoding, and then to have straight people come in and condescendingly say "not all characters with x trait have to be gay" - as if we have an overabundance of queer characters and are trying to get our grubby gay hands on more. So much of the discourse around Eloise amounts to people saying "not all feminist characters have to be lesbians" which is crazy to me because WHERE are all these shows that are supposedly full of feminist lesbians?? Please tell me I would love to watch them!

b) Straight fans will get all different types of characters and plotlines for the heterosexual couples and then act like queer people are being greedy if we ask for more than one for us. Just within Bridgerton there have been three straight main couples already - and of the queer siblings we've also gotten to see a cute romance between Francesca and a man, and will likely see Benedict fall in love with a woman (this is not to diminish their queerness, obviously bisexual stories are incredibly important regardless of the gender of the love interests, more just pointing out the sheer quantity of m/f love stories straight fans get to enjoy).

It absolutely sucks that we exist in a TV landscape where instead of being excited about what looks to be a delightful relationship between Francesca and Michaela we are instead mourning the loss of other another character's queer potential. It's absurd that we are so rarely allowed to have multiple sapphic characters (who aren't each other's love interest) on the same show - particularly because in real life queer people tend to flock together!

The feeling reminds me of being part of the 100 fandom nearly a decade ago. I distinctly remember when it was leaked that Clarke and Lexa were going to kiss. The sapphic side of the fandom were definitely very excited - but there was also this strange sense of dread too. I saw countless posts of people bemoaning that now that she was gay they were definitely going to kill her off - and they were right! Bury your gays was such a common trope that we could see it coming a mile off.

This has felt like a very similar reaction. Queer fans spend a lot of time dealing with subtext and are very good at recognising tropes and patterns, and we know that the chances of Netflix allowing one their tentpole shows to have two sapphic main characters is slim to none.

I hope we are wrong and things are changing for the better, I really do.

I think the best thing we can do now is swallow our disappointment and make sure we support Francesca/Michaela fiercely to prove that there is an audience for sapphic stories.

[girl4music]

“But without a doubt the most iconic on-screen lesbian representation to come from the 90’s and perhaps of all-time is unquestionably Xena and Gabrielle from ‘Xena: Warrior Princess’. A series which started airing in 1995 and spanned 6 seasons following the character of Xena, an infamous warrior on a quest to seek redemption for her past sins alongside the small town bard Gabrielle. It’s no secret that the writers for Xena purposefully implemented romantic subtext between the characters of Xena and Gabrielle from the very beginning. This subtext eventually bled into main text in the later seasons. Xena and Gabrielle were declared soulmates, they kissed on the lips more than once, and they even got married. It’s also been confirmed my the creator of Xena, Rob Tapert, in numerous interviews that the romantic relationship between the two was deliberate and carefully planted in the show. He and the writers had to contend with the censors - meaning that they were limited with what they could portray on-screen. Tapert has also said that they had written an episode where they actually outed Xena and Gabrielle but Universal told them that they couldn’t use it so they ended up having to do a rewrite. The show, at its core, is a piece of lesbian media but it’s a piece that is distorted by performative heterosexual elements for the sake of keeping the studio happy and to keep it marketable to as big an audience as possible. It’s been well documented that the writers faced a lot of barriers with the network desperately trying to censor any overt romantic implications between Xena and Gabrielle. However, the writers creative efforts to get around the censorship alongside the lightening in a bottle chemistry that Lucy and Renee had undoubtably created one of the most iconic lesbian couples of all-time. ‘Xena: Warrior Princess’ is an example of lesbian representation that managed to thrive against censorship and it was a lifeline for a lot of lesbians and bisexual women in the 90’s who struggled to see that type of relationship and love between two women anywhere else. It really is a special show and alongside Ellen is absolutely one of the most defining pieces of lesbian media from the 90’s” - @sapphicunderground

Please check out this wonderful creator’s breakdown of the negative and positive lesbian representation of the 90’s. It is thoroughly educational and insightful and it affectionately gushes about my favourite TV show and WLW relationship of all-time. I still don’t know if can call Xena and Gabrielle a lesbian couple or relationship given I headcanon Xena as bisexual but I can say that it is absolutely the greatest lesbian representation that I have ever seen in my life. And I implore people who want to see proper positive lesbian or WLW representation to watch this show. Sapphic Underground also has a 1 hour long lesbian review of ‘Xena: Warrior Princess’ on her YouTube that I would also recommend people to please check out.

When we talk of positive representation for LGBTQ media here on Tumblr or on any social media platform… I hate that Xena and Gabrielle are almost always ignored or even removed entirely from the conversation just because it was not explicitly textually confirmed as canon when it is easily one of the most authentic representations of WLW there is. Like,… in principle. Not just in TV but in any platform of art/entertainment that has ever been created. The creators for Xena went above and beyond expectations to provide something that was sorely missing in the landscape of art/entertainment media. Like if you watched it, you would understand what I mean with this. It’s revolutionary what they did with it.

[starlightrosari]

Gender struggles from childhood to now (22)

I don’t look like the other girls

I don’t get along with other girls

I get along better with boys

I want to be one of the guys

I wish I looked more like a boy

I don’t feel I belong in women’s spaces

I feel uncomfortable with female gender expectations and experiences

I feel jealous of how my friends who are boys are developing into their bodies

I feel uncomfortable with my genitalia

I feel uncomfortable with my body

I want to look more androgynous

I hate my body

I don’t mind my name, but it feels too feminine. It’s okay on other people, but I’d prefer a nickname for myself

The first nickname was cool, but still felt too feminine. This new nickname sounds really androgynous though, it feels good being called it

I feel like a tomboy

Am I transgender?

Do I have internalized misogyny from having mostly male friends?

I wish I could get along with women so I was treated equally

I just feel small and infantilized, I have to dress more mature and womanly and then I’ll love my body

I’m depressed and dissociated from myself because of people pleasing and trying to fit in with heteronormative people

Who am I?

I’m just a lesbian having a hard time with my sexuality, that’s why I have these body issues and gender issues. And I just don’t know who I am because of depression and trauma

I stopped being called my birth name entirely. I guess family can still call me it even if it feels weird, but it feels good being called “Ari” at my college and by my friends

I stopped people pleasing

I feel better now that I’m dressing masculine

I feel better now that I’m not being called pretty all the time

Maybe I actually am trans?

I kind of like they/them pronouns

Maybe not, I’m okay with my body now and people think nonbinary isn’t real. This is too complicated

I still feel uncomfortable calling myself or being called a woman though

I don’t want to base my identity off the misogyny I deal with anymore, I feel most comfortable calling myself nonbinary for now, and it’s okay if it’s a phase, I just need to explore how I’m feeling

I don’t like using she/her pronouns

I’m terrified to come out to people, maybe I should just tell them I use she/they pronouns so it’s not as big of a deal

I came out to people, but now I feel like I shouldn’t have given them “she” as an option at all

I still wish I were more like a boy, but I don’t think I have gender dysphoria

I’m so envious of my favorite fictional boy characters, I want to cry, I’m nothing like them

I wish when I were out at night I didn’t look like such a girl. I want to look like the beautiful men and androgynous people I see. I want to cry, I hate my body sometimes

Actually I do have gender dysphoria and always have

I wish I were able to be androgynous in the way men can be

I feel uncomfortable being viewed as the feminine bodied person in a relationship. In fantasies I’m always masculine

I feel dysphoric every time I lump myself as sapphic, but maybe it’s just internalized lesbophobia?

No, I prefer calling myself queer. Just because identifying as lesbian stopped me from being cis/heteronormative and was an important part of finding my true self, doesn’t mean I have to keep identifying as it. Still don’t know if I’m attracted to men though

Actually I was attracted to men all along, I just wished I were viewed by strangers as an mlm couple and hated the idea of being viewed as a straight relationship. It was easy to mistake as being lesbian because it at least felt better being seen as a queer woman than a straight girl, so I avoided that possibility altogether by refusing that I was attracted to men because it felt too dysphoric to imagine

I often get really depressed being misgendered, and I feel really detached from myself most days. I don’t want to keep feeling this way

I definitely don’t feel good being called feminine terms or dressing feminine, trying to be more of a girl didn’t make me feel better about myself, I’m absolutely trans and don’t have to doubt myself anymore

I don’t feel dysphoric calling myself nonbinary and neutral language, but I don’t feel euphoric either. How do I identify and what do I do about my dysphoria?

Do I want to transition? It’s so confusing and scary, I wish I were binary trans so I wasn’t so afraid of the irreversible changes

Weighing out changes of the body on T and pros and cons of being off or on T, I’m definitely feeling like some of the changes would make me really euphoric compared to being without it

I actually kind of like calling myself masculine terms. I don’t feel like a man, but maybe I’m a demiboy?

I wanted an androgynous body when I was very young, and I still want one now. I was gaslit by cis people that how I felt about my body was just insecurity, when it was in fact gender dysphoria. I want to transition to a body that feels like me

I like he/him pronouns and feel affirmed being called masculine terms. I’m going to use he/they pronouns and I identify as a nonbinary boy

I’m terrified of having to deal with transmasculine erasure and transphobia coming out, but I can’t keep staying in the closet. It hurts too much. I need to come out

[the-sappho-of-lesbos]

hi, sorry if this isnt a good blog to send this to i just dont know where to turn atm (if this isnt a good blog to ask for help plz lmk where would be better, soz). im 22 and figuring out im sapphic & im trying to join online lesbian spaces but everyone seems so anti-babydyke and im starting to notice that being a lesbian is more about discourse and infighting than it is about wanting to kiss a lady. i thought it was about kissin ladies and thats what i want but how do i make other lesbians not hate me? i feel like all of the other lesbians expect me to have a PhD in lesbianism before i call myself that, before i consider a femme attractive, its like i have to pass thru all these hoops to prove myself even to other queers that im a real lesbian because i can name every lesbian historical figure. again super sorry if this is a bad blog to send this to i do not have a clue who to ask about this or anything im totally lost rn lol (genuinely sorry for literally being that annoying baby dyke ppl complain about rn. ignore me if you want im not gonna be tilted. thx for listening

This isn’t a bad blog to send this too. I’m just genuinely sorry you are going through this and I’m sorry if I don’t have a way to help. But I’ll try my best!! And maybe some more people in the comments will be able to help in ways I can’t.

But just know I’m sending you lots of love and that there isn’t anything wrong with you. At the end of the day, regardless of whatever else is happening, your sexuality really is just simply who you are attracted to. And that’s okay. You are enough ♥️♥️

(I’m also going into this assuming you are at least 18+, so I apologise if I’m wrong on that )

Firstly , you aren’t just seeing things. There is definitely a lot of infighting in the community. Like a lot. I would say it’s typically more intense and in your face online then it is IRL, but I’ve also seen IRL gay groups go really deep off the end with with this stuff.

From what I have read and from people I have talked to, this has sadly sort of always been a thing. We just have different waves of it and different things it might be focused on based on the time period and the world events affecting that at the time. I think in general it’s a very human thing that allllll groups do, but when you are in a marginalised, oppressed and small group of people it can feel a whole lot more concentrated and obvious because there is less room for it to go.

Again, this is just based on conversations I’ve had and things I’ve read, so take it with a grain of salt. But there has also been misunderstandings, disagreements and different beliefs on what things are , what they mean and who should do what in the community. Ranging from politics to fashion to marriage to sex to identities around butch/femme and what it means. For one piece saying something you have another saying something different.

This can cause a lot of confusion and infighting amongst people. A lot of tension at times. And because of trauma a lot of people tend to want to be around people with similar alignments in understanding and belief.

A lot of things can affect that like age , location etc.

But none of that is a reflection of you or your worth or your sexuality. And there ARE people in the same boat as you. Even when it doesn’t feel like it.

There have been waves in the past of some women using and or claiming lesbianism to be a response to sexism. We are currently living in the time after that. And because of that a lot of opinions and thoughts and actions taken place are in a response to that wave. Be it people trying to push it , denounce it , confused by it or hurt by it.

I think this has lead to some of the scaffolding of the current culture we have today.

I understand that need and drive for community and the horrible feeling that can come along when the said community feels like it is in shambles. I feel that way a lot too. And I’m sorry I can’t take that away.

I feel like I’m rambling at this point I’m sorry.

I just want to say though there is nothing you have to prove to anyone. We all figure this stuff out at our own pace. Anyone who treats you poorly for not knowing something or just genuinely not showing interest in it is on them. Your lesbianism doesn’t mean you owe anyone an opinion or a certain way of dressing or feeling. The only person you owe is yourself and that is to show kindness to yourself and be around people who respect you and love you for the wonderful lesbian that you are.

EDIT : I just re-read and you said you are 22 I’m so sorry I missed that 😩

[ladyloveandjustice]

Summer 2023 Anime Overview: Undead Murder Farce and My Happy Marriage

Undead Murder Farce

Premise: Our story takes place in Victorian times/the Meji Era. Tsugaru is a half-oni (demon) and half human as a result of a mysterious man doing horrible experimentation on him. He’s approached by Aya Rindo, an immortal woman who has been reduced to a head (transported in a birdcage by her combat-saavy maid Shizuku) because the same man beheaded her and stole her body. They agree to team up to find the man and hopefully get Aya’s body back. As they look for the man, they travel Europe and to solve mysteries related to monsters and inhumans.

Undead Murder Farce was definitely my show of the summer season. It’s a fun mystery series starring three asshole weirdo protagonists, it’s bursting with monsters and demons and bizarre people, full of references to Victorian literature and rakugo and all kinds of nerdy stuff, it’s got stylish, slick direction from Mamoru Hatekayama (you know him from Kaguya: Love is War, and Rakugo Shinju) and it’s really gay.

The trio of Aya, Tsugaru, and Shizuku all have really have a snarky comfortable friend dynamic and their banter as they solve vampire murder mysteries, try to outsmart Arsene Lupin and a gang of Victorian literary monsters, and investigate a werewolf village and it makes for an entertaining watch. Aya will never stop making stupid jokes about how she’s just a head in a cage, and we love her for it.

The “let’s stuff in every Victorian public domain character we can” arc is where the show really starts to shine (though unlike some others, I do still really like the vampire murder mystery arc a lot—I just love the idea of a vampire murder mystery, and we really get a good feel for the cast. It’s definitely the weakest arc of the series, though). UDM gets to whip out all its literary nerd credentials. The case involves: Sherlock Holmes, John Watson, Arsene Lupin, The Phantom of the Opera, Carmilla, Frankenstein’s Monster, Aleister Crowley, Phileas Fogg and two surprise characters.

And yes, they remember that Carmilla is gay, which automatically puts in above 99.9% adaptations of the character. They do make her older and WAY more of a sexpot than the novel version, which, eh,  but she’s 100% the ultra-campy Blueprint Problematic Lesbian Vampire she deserves to be. Like in the novel, she exclusively feeds on and seduces women and she gets into a deeply sapphic rivalry with Shizuku, who she tries to subdue and toy with using her vampire powers. (As you can expect from the character, there is the assault stuff that comes with that territory, though they don’t go too far with it, she kisses Shizuku's neck and messes up her shirt a bit).

But also, we find out Shizuku is used to making love with someone who has “centuries” on Carmilla and is “far more experienced ”, which can only be Aya. This is further confirmed when Shizuku shows jealousy over Tsugaru and Aya’s transactional kiss in the next arc and Tsugaru has to reassure her. And then Shizuku just CONTINUES to stumble into sapphic situations. She gets surrounded by naked ladies and bonds with them like twice in the last arc. It’s great. Everyone thought it might be be Aya/Tsugaru at the beginning, but turns out UDM is For the Gays and it straightbaited you. Amazing.

It's not just Carmilla that UDM shows off its nerd (and gay) credentials with—there’s the interesting choice to make the Phantom of Persian descent, which is clever as a reference to the Phantom’s time in Persia in the original novel AND adds an extra layer to the “unfairly treated as an outcast” element of the character. (Lupin and the Phantom also team up in the story and give off such strong gay energy (Lupin especially) that a lot of people ship them). And like in the novel, Frankenstein’s Monster is smart and even functions as the more level-headed one in the villain gang.

All of that stuff is catnip to me, but the best part of UDM is following it’s convoluted mysteries and seeing Aya strut her stuff figuring the them out while everyone gets in cool fights. It’s very good at what it does, and it’s a fun romp with some interesting themes about being on the margins of society and what makes an outcast simmering underneath. I had a great time with it, and I’m aching to see more of these scrappy misfits and their adventures. If you’re here for a campy but intelligent mystery series about lovable weirdos with a side order of gay, absolutely check this one out!

My Happy Marriage

Premise: Miyo was born without supernatural talents despite her father's expectations, and after her mother passes away, her father and stepfamily treat her abusively and use her as a servant. Miyo's family sticks her with an arranged marriage to Kiyoka Kudou, a man with a reputation for being cold and cruel. However, she quickly finds he’s not what he seems, and she slowly begins to gain confidence in herself.

My Happy Marriage is a straightforward Cinderella story, but one that actually focuses on the psychological effects of being abused and the slow recovery and healing journey of its protagonist. Even if she's not with her abusive family anymore, Miyo still has completely shit self esteem and even just running into her Evil Stepsister ™ in the street sends her reeling back to where she started, consumed by fear and sadness. The story is about her finding a place where she’s loved and supported, and slowly gaining confidence, and her and her husband learning to communicate. She’s still shy, domestic, and very devoted to being proper for her husband throughout, and sometimes needs help, but her learning to let herself be loved and learning to find her own strength and power is the focus of the story. It shows how many obstacles you have to bravely face just to move forward after trauma. And in the end, Miyo finds her own way to save the day. I think that’s really valuable.

Though, like in the original Cinderella story, there is the issue of the pure, domestic woman being contrasted with evil, conniving, social climbing women (though at least there’s no “and they’re also ugly” thing going, and they have her dad be shitty too). It wasn’t bothering me too much--even the ‘training to be a proper wife’ stuff Miyo decides to do since it wasn't out of place in the Meiji era setting-- until Miyo met her sister-in-law. Sis is a divorced woman and a little more “modern” and forward than Miyo and I was excited at first, because hey, a woman in this story who doesn’t fit either the ‘demure’ or ‘evil’ archetypes. But then it turned out her tragic backstory was that she’s a shitty cook and therefore failed to be a proper woman for her husband’s family and her in-laws drove her to divorce, which she 100% blames herself and her lack of domestic skil and 'unwillingness to compromise" with her mean in-laws for. She’s not challenged on this attitude at all. I can easily see a future plotline where she reunites with her ex-husband and he reveals he didn’t mind the cooking or something, but as it stands, it’s pretty disheartening and I don't see why it was a thing.

Still, Miyo’s arc is cathartic and well done, and the animation absolutely beautiful throughout. It’s nice seeing a story focusing on recovery that focuses on the small triumphs that come with learning to see your own value after being told you’re worthless. The supernatural element is a fun touch. It’s already been renewed for a second season and I’m definitely here for the rest.