#now this person has the right idea

[thebrainrotsreal]

Freeing myself from the shackles of an organized comic format to get this idea out of my head!! Also, just follow the numbers if the layout is too confusing otherwise, but basically I want Spectra to be Jazz's Nemesis so bad. It just makes sense.

SO: the hypothetical episode's showdown would be them battling, and no Danny, he's already got beef with a packers obsessed billionaire. Now, Spectra's got the high ground with overwhelming power, but she's sloppier and easily irritated because of it! Jazz then outsmarts her, getting her angry enough to make enough mistakes to be corned and canned by the thermos.

Also minor spelling error ugh, meant to put "no one could", not "no could".

[starry-bi-sky]

Unpleasant Revelations - DPxDC Ficlet Idea for the Stillborn Au

"Have you met my youngest, Damian, Mr. Masters?"

Its only from twenty years of long, hard experience and practice that Vlad doesn't increase the room temperature from 'borderline uncomfortably cool' to 'unbearably hot' the moment Bruce Wayne pulls his youngest and "only" biological son out in front of him.

He puts only in quotations because twelve year old Damian Wayne looks scarily, uncannily like one Daniel Brown. Jack and Maddie's foster son, second victim of their foolishness, and only other halfa in existence. Second only to him.

It's nauseating how similar they look. From the scowl and terrible glare on the young boy's face, to his brown skin -- which was only a few shades lighter than Daniel's, the shape of his nose, and even the strange winged edge of his eyebrow. Something that Vlad has long since come to find endearing on the child he considered a son of his own. The only difference was that Damian had dark, sharp green eyes.

Daniel's eyes were blue. The same glacier shade as his father's, who stood behind Damian with a proud, oafish smile on his visage.

It was infuriating how similar they look. Vlad might not have rapidly swung the room temperature from one extreme to the other, but he can't stop himself from letting the fury burning within his core from slipping out and raising the temperature up a few degrees.

Because it really only meant one thing.

Damian Wayne and Daniel Brown were related.

Damian Wayne and Daniel Brown were brothers.

Standing in front of him, it was clear as day. He can already picture a phantom image of Daniel standing beside Damian, the same scowl written on his face, the same glare carved into his eyes. The only difference being the dark, exhausted circles beneath them that seemed to be permanently painted onto his skin. The only thing missing being the permanent loneliness and vigilance permeating his being like a scar.

This, if revealed, would be enough to ruin Bruce Wayne's reputation. Or, at the very least, darken it quite a bit. The great philanthropist Bruce Wayne with another secret blood child? One related to his youngest? One that had been put into foster care? Seemingly thrown away?

It would be a firestorm.

One that Vlad is not keen on starting.

It would ruin Bruce Wayne's reputation, yes. But it would hurt Daniel in the process -- the harassment he would face alone might just be enough to break that fragile child completely. That was just not something he could allow. Or, even worse, bring him into his biological father's care and custody -- something Vlad was even less willing to allow.

It's not out of kindness to Wayne that Vlad will keep mum about this.

His grip on his champagne flute tightens, just a bit. He's still aware enough of the world around him to not let it shatter in his hands. His plastered, pleasant smile tightens around the corners, and he forces his focus to slide from Damian to Wayne.

"The resemblance is uncanny, Mister Wayne." He says, slanting his smile to the side slyly. Although he's not talking about the resemblance between Wayne and his son. Rage simmers beneath his skin, burning coal and embers in the core of his chest, nestled between his lungs, as he meets the man's eyes.

Wayne swaggles his head proudly, his ditzy smile widening as he squeezes his son's shoulder affectionately. Bastard, Vlad wants to spit.

He breathes in through his nose, and exhales out through his mouth. The champagne in his hand cools, and stops its unusual bubbling.

The Damian boy scoffs under his breath, his mouth still coiled upward into a scowl. With the revelation of his blood relation to Daniel evident, Vlad's not sure if he should find it endearing or not.

He is not Daniel, so he decides that it's just simply irritating. He decides to ignore it.

"And you said he was your only biological son?" He asks, voice lilting and head tilting. He knows its a suspicious question at worst, insulting at best. But considering Wayne's past proclivities, he can hardly call it an unexpected question.

Damian puffs in great offense, face twisting angrily. It reminds him of Daniel when Vlad insisted that he was wrong about something or other, and for a moment his heart swells, fond.

But this is not his child, and so the feeling quickly crashes and burns, simmering back into rage. This was not Daniel -- this was his replacement. A replacement that Wayne was free to keep.

Wayne chuckles, idiotically, as if he'd said some funny joke. Vlad's other hand, the one gripping his cane -- something he's required ever since he was dispatched from the hospital all those lonely years ago -- tightens instead. He grinds his teeth -- him and Jack Fenton would get along like a house on fire, he hates it.

"I can understand why you'd ask that, Mister Masters," Wayne says, squeezing Damian's shoulder again, "but yes, Damian is my only biological son. Although that doesn't mean I don't love my other children any less."

Bastard.

For all his posturing and flouncing about caring for his city and his children, Vlad never would have thought the Prince of Gotham capable of abandoning one of them.

But, well.

They all have their dark secrets.

And what one man throws away, another man picks up. If Bruce Wayne didn't want the treasure child that was Daniel Brown, then Vlad Masters was more than happy to take him instead.

"I see."

[w1lmuttart]

Found an old design I made of star boy back when everyone was rewriting the movie Wish lol

Went with both their true form, as well as a human form to blend in on earth. Anyway I like this guy so theyre mine now :)👍

[bluerosefox]

Consorthood Via Combat

Okay I know we all love the headcanon that Danny becomes the King of the Infinite Realms after defeating Pariah Dark in a 'Keep what you kill' kind of way, only its not kill but defeat in combat, but what if Danny's future consort/husband/wife is chosen the same way.

Like what if Danny is dating one of the Bats (can be anyone tbh from any fandom, I just love the batfam) and they've been dating in secret for a while and knows each other's identities. The one he's dating even knows about the King thing as well, that's how much Danny trusts them at this point.

So when they wake up to a glowing green sticky note with the words 'Alls fair in love and war. -CW' they know of the ghost Clockwork and his riddles ways, and keep on hand the anti-ghost weapon (in their preferred weapon of choice) Danny had gifted them as a 'just in case' option, all day.

So they were fully prepared for a fight when they, and the rest of the Batfam, get pulled away from their dinner to the Infinite Realms, in a huge castle in front of an empty throne, surrounded by a bunch of weird eyeball ghosts and one angry/jealous, snobby looking ghost, whose been trying to gain Danny's eyes/favor for months now especially since they have the backing of the Observants but nothing works, and said ghost challenges the "Current lover of King Phantom to a duel for the rights of courting him!"

(This law was created by Pariah Dark who wanted his future consort strong so he let them fight it out for the spot. It was entertaining for him to watch ghosts fight for it. But it needed to be done in front of the throne, no King was needed to be present, and both fighters needed to be endorsed by powerful and old beings (the ghost fighting for Danny's hand had the Observants, meanwhile the bat Danny is dating had technically been endorsed by Clockwork when he sent the sticky note)

They fight, the Bat Danny is dating wins, and Danny returns from a 'oh so serious problem' the Observants said he needed to fix only to find the person he's dating in an argument with Clockwork over 'I only fought because Danny isn't some prize anyone can claim, we are not forcing him to stay with me even though I won. He has the right for his future.', Clockwork whose just smiling and chuckling in his all knowing way, the Observants tied up in ghost rope, the annoying as heck ghost that's been trying to get in his pants for the last few months also tied up and beaten up, and... oh boy that's the Batfam... all watching... and yep they're all looking at him.

Not the way he wanted to finally meet them.

[lunarharp]

played dragon age 2...just simple scribbles

[rocketbirdie]

What was Zack and Cloud 1st kiss like, where did it happen and when? Also, who did the 1st move?

I'm gonna be evil and say that they never got to have a real first kiss before Zack's death. He would give Cloud the occasional smooch on the forehead while he was in his coma, but he didn't want to overstep any boundaries despite knowing full well that he was stupidly in love with him.

As for a Zack lives au though... Cloud wakes up already acclimated to Zack's clinginess and takes Zack's smooch attacks like a champ. But seeing as he's dense as a tungsten cube, he fails to realize that Zack loves him??? Eventually the past few years catch up to him and Cloud has a little breakdown, which Zack gets to cure with a real kiss for once.

[bidisasterevankinard]

Wip Wednesday

do I have the stage where I start new wips but barely write the one's I have because I'm super indecisive and not inspired? yes. let's hope soon I will be fine and work on my wips I want to work on. Anyway meet new wip where bucktommy will have long angst in their relationship because Tommy needs to grief "what ifs" with Sal he never thought about till he sees Sal as Captain of 118 (it's an au where Sal is a captain instead of Gerass)(it's only the start of the fic btw)

thanks to nonny @racerchix21 and this song (the title taken from the song and it's "I tried to go on like I never knew you"

Tommy knows it all should be in the past. In stolen kisses in bars they knew Gerrard and the team would never come too. In usually passionate and wild - almost never tender and sweet - sex. In secrets they shared under sheets, when they both knew that the moment their fabric cover was gone they couldn't talk about those moments of comfort and vulnerability they shared. In breakfast’s Sal made for him and his nonna's lasagna recipe Tommy cooked for the man. In wild dreams Tommy knew could never be a reality. Especially not when Sal changed stations and firstly their meetups were less and less frequent until they stopped after Sal’s wedding. 

And Tommy swears he thought he was over it. Over Sal. Over dreams of the future they could never share. But one look at the man whose appearance barely changed since Tommy last saw him five years ago, staying near 118 trucks the same way he always did, while talking with Chim, and all that got back at him. All the memories of stolen love and painful hope to be happy, proud and loved. Preferably by his “best friend”. By the one of the best men he ever met even if they could be rough with each other or rude or just wrong. Sal always came back with sorry, that Tommy knew was genuine. They were so wrong together, but also so wrongly perfect. So electric. Sal made him feel how almost no one could. Only his first crush Eric from the army, Sal and …

“Hey, handsome, sorry for the delay, Hen needed help to choose a present for Karen,” Evan kissed his cheeks, smiling like thousands of suns.

If Tommy didn’t know and was pretty acquainted with Evan’s quirks and little signs of his fatigue, he would never think the man just ended his 48 hour shift.

“It’s fine, baby.”

Tommy smiles and he hopes his inner turmoil of seeing an old friend is not shown on his face.

“Have you met my new captain yet?”

“No, but I don’t need to.”

Evan adorably tits his head and Tommy wants his heart to be so fast only because of it and the taste of Evan’s lip balm on his cheek, but he swears he can feel the taste of liquor he and Sal were drinking last time they kissed. Right before Sal asked Jennifer out on their first date.

“I worked with Sal. Even more than Chim and Hen,” Tommy says and Evan for a second frowns and then hits his face.

“And they were no less inseparable as you and Eddie,” Chim says, with the loud sound of gum bubbles breaking.

Tommy doesn’t know when he and Sal got closer to them, but he would really happy if they never see that Tommy was there at all. 

“God, of course. In my defense it was so long ago I just haven’t even thought that all three of you were a team.”

“Yeah, I left the station almost a decade ago and it feels like it was in another life, so it’s fine, Buck.” 

Sal smiles at his boyfriend and Tommy wants to make as much room between them as possible. Maybe it will help him to to separate all these feelings of worry and anxiety and love and confusion from the sight of the man he had loved for years, but had never had the opportunity to own his love completely for himself, never feeling that Sal had given him his heart, and a man who he knows is step away from get into his own chest and rip out his heart with all the vessels and give it to Tommy if he just says the word. Sal would never do it even if Tommy would beg

I was tagged by @tizniz @cal-daisies-and-briars @diazheartsbuckley @diazsdimples

Tagging @wikiangela @neverevan @hippolotamus @watchyourbuck @evnnkinard @evansboyfriend @evanbegins @evanbi-ckley @repressedqueen @rogerzsteven @racerchix21 @eddiebabygirldiaz @theotherbuckley @pirrusstuff @saybiwithme @steadfastsaturnsrings @devirnis @giddyupbuck @honestlydarkprincess @kinard-buckley @loveyouanyway @lonelychicago @bigfootsmom @bekkachaos @bi-buckrights @bewilderedbuckley @monsterrae1 and anyone who wants to

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[local-limebug]

jason todd has so many underrated canon love interests. essence, isabel, artemis, and rose are all characters i love with him. like those are good ships. why is everyone ignoring them?

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[thepromisedbride]

i don’t talk about bridgerton on here but just to clarify. i will not be having ANY eloise hate on this account. i will bite.

[godblooded]

just an fyi, and it feels like it needs to be said here: your blog is your own space and you should be able to say whatever the fuck you want. if you’re sad? vent. get sad. maybe put it under a cut, definitely tag it, but get sad. if you feel like you need someone to talk to? drop a freaking message about how you’re feeling like you could use a buddy, or anything randomly engaging. if you’re having a hard time, you should feel safe and okay to talk about it in your own space. we’re writers and we’re people and while there’s a lot to be said for how engagement outside of oneself is necessary in rp (and really really needs to improve), i think there’s a lot that must be said about people reaching out to others. it’s become so solitary here — the whole ‘reblog from source’ thing when it comes to shit like about and musings is absurd. the whole refusing to like things is ridiculous. yes, curate your space, that’s important, but curating your space into a studio apartment only you live in doesn’t make this a community anymore, it makes it a studio apartment you live in.

just be yourself here. do whatever you want. but i’m always saying: remember you’re not alone, and don’t let yourself feel that way.

[qtubbo]

Ive actually been trying so hard at trying to figure out why people think qphil doesn’t care about qtubbo, and I mean specifically care nothing else. Cause you can argue tubbo’s not one of his most important people that’s fair, but also you don’t have to be at the top of a list for them to care. It’d also be really hard to argue that he doesn’t trust tubbo, and in that same vein not respect him at all. Their relationship is very complicated, and it is true that it’s way more onesided than people like to admit, but it’s not like Phil has just shown Tubbo zero attention or love. My best guess so far from all I’ve seen it’s because Phil fundamentally doesn’t understand who Tubbo is as a person, and has this very shallow view of him. So people have taken Phil’s mischaracterization of Tubbo as a sign that he doesn’t actually care for the real Tubbo? Idk I like to figure out how fandoms think… (oh also if you have your own ideas why just like tell me I’d love to know)

[moeblob]

(throws them into a modern AU)

So since Ymber wouldn't be a deity there are some things he lacks physically - such as no pointed ears and no bright blue undertones to his hair. Just the basic blue. (does he dye it in a modern AU ? who knows) Also while he doesn't have a collar to symbolize his servitude to humans I still think he should have a choker.

I had some help a while back brainstorming how there would be some form of "superior" dynamic could still exist and I really liked the idea given that he's a famous architect. (he does design all constructs for his city as a deity so it checks out - he likes buildings) And Deacon just admires all the guy's works and never expects to run into him but of course they do! Gotta have a very awkward "oh it's you I'm going to melt into the earth" and "I have no idea who you are but we should hang out".

Sooo Deacon still just really admires Ymber and feels like they're on totally different levels and doesn't understand why Ymber would want to associate with him since he's just a "boring human".

[dreamingaboutsakuratrees]

Dear God how I fucking hate when people dismiss s character's traits because "that's just a facade! you as the reader have to see underneath it!!" like yeah no fucking shit Sherlock, a well written character has more than one (1) defining trait but that doesn't mean their most prominent one or the one most recognized by fandom ISN'T there

yes this is about people thinking dick grayson isn't actually a ray of sunshine, that it's just a mask. he's much more than the happy one, of fucking course, all batfam members (when written well) are, but that doesn't mean that being happy and bright is not a crucial part of his personality. he brings light to people's lives, he's a beacon of hope, that's what Robin was born for, as a light to Batman's darkness. That's what Nightwing is. He can be serious, sure. He's smart, an amazing strategist, incredibly good at fighting, he can be manipulative and morally gray and sometimes an objectively bad person. But he's ALSO funny and quippy and bright and sunshine. BECAUSE HE'S WELL WRITTEN.

Like Jesus stop making him so sad and wrong all the time just because you want so bad to go against "fanon". It's not fanon if it's literally his core trait. It's not fanon if it's what the character was BORN AS. God.