#powers analysis

[princessofghosts-posts]

Nico's Powers and Rick way of writing them.

Honestly,I've been wainting to write this.

We all know Nico powers:

Can manipulate the shadows and travel in them (Umbra-kinesis);

Can sense someone's death and soul;

Can summon ghosts and talk to them;

Can summon skeletons that obey to his orders and fight for him;

Can use dreams to send messages;

Can unconsciously split the ground and create cracks or Underworld's openings;

Can turn someone into a ghost and make them forgot their life and ability to speak;

Can turn someone into a skeleton;

Has influence on the dead and can evade them when he has to;

Can create earthquakes (not major ones like Percy);

Technically has Geo-kinesis powers too (like Hazel);

Can summon zombies to serve him;

Can conditionate the CJ's lares speaking ability by forcing them to shut up;

Can influence the dead ones with his mood;

Death-touch;

(If I missed some feel free to add)

Other than this,you need to remember that his title as Ghost King give him some more leverage,and his sword is an uniqueness in the world that give him the ability to suck someone's soul in it.

By only this list you can tell that Nico is extremely powerful,and he is still younger than Percy,with a weak physical body (depression and ED do some wonders to you-) and wasn't never "officially trained" like him since he wasn't around camp much. But he still pulled insane acts even without being 100% ok most of the time.

Nico powers,differently from Percy and Thalia,are extremely versatile. While those two can use whatever source or form of water/lightning to fight,they can't do much outside of their fathers's domains. And then you have Nico. Nico that can use his powers to travel around the world and sending messages with a mental link,other than use them to fight. People always talks about Percy controll over all types of liquid (even poison or the Underworld's rivers),but there is still water in them,so it's normal for him to do so. Thalia can use lightnings because it's normal for her to do so since those are Zeus's main sources of power. But Nico's powers are more than just controlling the dead,he can manipulate dreams (something that only the Hypnos cabin can do if I remember correctly) and can use geo-kinesis too,even tho not as much good or frequent as Hazel (before she started to work with her mist affinity). He can do it all.

I'm not trying to pull the "Nico is more powerful than Percy" argument here,but more focusing on Nico's versatility usage of his powers. And Rick made a mistake here with him,that he realized later and tried to minimize.

You see,when you have a powerscaling system,you usually take the main character as the "default": it's from them that you start to build it so other people can understand where others characters stand,compared to the MC,on the scale. Most of the time,people want their MC to grow stronger after every fight,starting from the bottom,untill they are the most powerful character in the story. It's a format done everywhere (anime,movie,comics,fanfic,books,ecc...) and Rick Riordan also used it with Percy. And when you have as MC the "most powerful character ever" (in this case the most powerful demigod since Heracles times),you need to be careful with your side characters,especially when the author doesn't want them to outshine the MC. For this reason,most of the time,they are either weaker than them or have extremely excessive drowbacks. A good example of this is Jason: Rick introduced him to us as the roman counterpart for Percy,but made us understand that he wasn't never at Percy level of power. And when you have a "side" character as Nico,adding to the fact that he's most of the time the wild card for their victories and always know everything,you have a big problem.

Riordan made it clear that no one (for now) can surpass Percy in term of abilities. But he still went out of his way making Nico's powers more versatile than the others. Logically,he should have been stronger than Percy,especially because death cannot be stoped and it's part of everyone life,but canonically it wasn't going to happen since the MC is Percy. Riordan realized in a second moment that his powers were too much and decided to make sure Nico was always held back by something from going full out (like Jason).

Nico is the only child of the big 3 that,if he use so much of his powers,has extremely horrible drowbacks even when he shouldn't. I could understand during MoA-BoO events in HoO,he was either dying or disappearing into the shadows because of his kidnapping and Tartarus,and still had an extremely draining task to finish. But from HoO to ToA there is a big timeskip (I think 6 months or more but I'm not so sure) where he should had all the time in the world to heal and having back full controll over his powers. But he doesn't. Nico still faint after shadow-travelling,even tho after his trip with the statue he should have been stronger and not having problems for a normal trip. Which sucks,especially when Rick most of the time make him pull some jaw-dropping power-play that give you the full picture on how strong he really is.

I don't think Percy had so many downgrades with his powers,I never saw him almost fainting from controlling the waters. He get tired,yes,but that's it. Thalia has more restrictions because of her fear,but I also never saw her having so many problems after using her powers (after she went with the Hunters we never see her in general anymore). Neither did Hazel with her geo-kinesis powers (before Rick decided to make her learn mist manipulation). Jason is a whole mess because he faint every day when he gets hit by a brick,even when he isn't fighting or using his powers (Rick didn't do him justice either). It's only Nico that has so many negative effects.

And the fandom can explain it,in a canon logic,with: "He's s still young,he will have time to grow stronger." (I agree) ;"He wasn't never in a good physical condition so it's normal that he has this many negative effects." (Even dying he was still able to curse someone to literally becoming a ghost) ; "He was malnourished and depressed,since he didn't take care of himself before he still have problems,wait for him to be healthy." (Again,even in those conditions he still pulled insane stunts). But,outside of the narrative,Riordan totally nerfed him because he realized that he wrote his powers too powerful and useful compared to Percy's,and since he couldn't have his MC outshined,he made sure to slow Nico in any way possible.

In BotL and TLO there are 2 scenes that,for a long time,I thought I was the only one to ever have read them since no one talked about them.

In the end of BotL when Percy get out of the Labyrinth and went with Rachel to see the coffin,Nico created an earth barrier (or something closer to it) to help them escape form Kronos's attack. He never did that after it,and I never saw people acknowledge that scene so I legitimately thought that I was imaginating it. Which was strange since it came right after the famous "Did you just throw a blue brush in the eye of the Titan Lord?" scene,but no. It really happened and Nico did use the earth at his liking. After that Riordan decided to never bought it up and Nico never manipulated the earth in that way (he still split the ground a couple of times) again.

In TLO after Nico went to free Percy from the dungeons,they escaped the palace and went to the Styx. During their escaping Nico glared at the guards,while growing weaker and weaker with each one,and they ignored them. Again,since I never saw someone talk about it I genuinely thought I was remembering things wrong. Especially because it was part of the whole "Betrayal" plot that everyone know. But again,it wasn't the case,Rick just decided to never bring it up again. It was the only time Nico did something like that. Someone can say "Well,those are the royal guards and their boss is his dad they would never go against him." but the guards were against Nico,if he didn't do whatever the fuck he did,they were going to tell Hades about their escape. So,again,Rick realized he gave him a powerful trick and then hoped that one one would remember it after he used it one time.

All of this shows that,even if he is good at writing certain things,when it comes to others topics (like power-scaling,Tartarus's trauma and many more) he just can't write well and try to put patches on the holes,without having success. But that's for another post that I will do.

Rick lack of continuation in his work,and he needs to decide what the hell he is going to do with Nico,because the guy himself is a contradiction that needs to be solved. And if I see someone else say that he is weak because he continue to faint,I'm gonna crash out very very very bad since it's Rick's fault. Nico has grown enough in his power to stand tall and use them without having majors problems (if he abuse them,then of course he is in big troubles). He isn't anymore the 13 years old kid that was dying during a world-ending trip after days of being captive by the enemy,and Riordan needs to acknowledge it and move on from that.

[mandareeboo]

Constantly and consistently thinking about Eda being the most Powerful Witch on the Boiling Isles. How it's not even hyperbole-- how Eda was so naturally talented and gifted with magic, with the Isles, that she made a whole room of doors specifically to keep learning magic because she loved it so much. How when Eda loses her magic, it's a giant beam of light that pulses in waves from the sheer FORCE of it. How Lilith Clawthorne, one of the most talented Witches from the Emperor's Coven, could not best her at her worst, because even then she was still more powerful.

And the curse takes it from her. And the coven sigils take it from her. And Lilith tries to take it from her, and even though she deeply regrets it, she succeeds.

Emperor Belos demands Eda brought to him because he knows, deep down, that she is stronger than him. How he deems her not a threat any longer after losing her magic, how she has to rebuild her own identity. How much she loves magic that she infodumps about it-- she takes out library books, she learns how ancient Witches did magic, and how much long she pours over old scrolls and maps of Bonesborough like they're old friends. How, after curbstomping Belos, she immediately opens a college about the importance of wild magic.

The most powerful Witch on the Boiling Isles-- unable to do the thing she spent so long learning to do best-- she's now teaching the next generation of witches to be even STRONGER than her-

[iaconite]

celebrimbor pointing out the imperfection in sauron's fabricated reality, as both of them match in skills as a creator. sauron can craft the most appealing illusion in the entire world, but celebrimbor will always sees right through the deception, due to sauron's need for order. the reality he crafted is perfect. too perfect. nothing in this world is perfect. the patterns of the mouse, and the candle is the flaw within his works. celebrimbor merely critiques it.

[saurongorthaur9]

I adore Charlie's attention to detail with Sauron's mannerisms, and I particularly love his angry finger wiggle.

It shows that Charlie really thinks through Sauron's mannerisms. On the surface, it's kind of a cute, funny little mannerism, but if you think about it, it has a much deeper, darker implication.

Why? Because when we see Sauron using magic, particularly in Season 2, it's often by flicking his fingers or twisting his hands.

We see it most obviously when he uses his hands to control the elven guards and force them to kill each other. We also see it when he flicks his fingers to throw Mirdania off the wall.

With that in mind, it seems obvious what the "angry finger wiggle" really is. He wants to use magic. He wants to literally blast apart his surroundings and kill everyone in his path. He's doing everything to control himself to not let loose his magic, and it manifests as the little finger wiggle.

[catras-breakup-song]

x / x / x

original thread 1

original thread 2

[shyjusticewarrior]

Duke canonically would rather have a gun pointed at him than be dismissed

"Dynamic Duo" from DC Power: Rise of the Power Company

[rayroseu]

I really appreciate the beauty of Malleus New Year's card. But most importantly, other than its gorgeousness, I also appreciate how it pays so much homage to his status and character, from the flowers, the clothes, and the setting. 🥹

We know that wisterias were prevalent in his Dorm Groovy SSR, this time its another flower which is the red plum blossom here😭❤️

In Chinese philosophy, the Plum tree’s blossom is a symbol of winter ending and a herald of spring. The tree’s pale pink blossoms are cherished because they bloom vibrantly and so bravely amidst the winter chill. They symbolise perseverance and hope, as well as, beauty thriving in adverse circumstances.

The way this flower's meaning is so matched with Malleus' character is so precious. We know he's "the herald of spring" because his birth brought forth a hope that the Draconias(or the faes in general) won't die out just yet (the ending of winter) and the fact that this flower blooms even in winter probably symbolizes the fact that when he was an egg, he was still perservering to live. This also applies to his life as he grows up. With the way even if his life is riddled with loneliness and exclusion, he makes an effort to go out and adjust himself with others, he doesn't give up even if his reality consistently places him in situation where his goals can never be achieved (that is, him being accepted socially and him being ignorant of human culture but still makes an effort to understand it), he just continues to be hopeful that someone/ some place will invite him, therefore his ability to thrive in adverse circumstances.

The way he slowly rises in this card makes me feel like it symbolizes how slow paced Malleus is "in going out/getting used to outside of his comfort zone", actually lol. He described his admission to NRC as him being nervous because its an unknown place but still hopeful for the experiences that he might get(acccording to the vignette of his GloMas SSR), just like him here rising from the snow and the way he lifts the veil which makes me think he wants to see the world outside of his country's point of view with his own eyes.

Japanese tradition holds that the Plum (or ‘ume’) is celebrated as a protective charm against evil, so the ume is traditionally planted in the northeast of the garden, the direction from which evil is believed to come.

I also read this symbolism which makes me tear up lmaooo 😭Because we know in Book 7, Briarland was invaded from northeast where the Silver Owls originated from 💀 The fact that the plum blossom is a protection flower and he's surrounded with it in this card makes me think that it symbolizes how protected he was during Briarland's era 😭and another thing to dissect from his slow rise from the snow with the fact the plum blossom signifies protection is probably the fact that he took so long to hatch despite many people caring for him.

Side note that in Malleus Bloom Birthday Groovy, it implied that he was born in daytime during a snowfall, and he was happy experiencing the winter, just like in this New Years card where he's smiling against the heavy snowfall 🥹

In Japan, plum blossoms symbolize good fortune, an auspicious flower, along with pine and bamboo, and the arrival of early spring. They are often used as the design for New Year’s greeting cards and other celebratory occasions. (And maybe this is just the likely reason why this flower is here in Malleus' card and I'm overthinking it above lol

Next thing I want to mention is his clothes, that attire reminds me of the formal outfit of a Japanese Emperor (From what I searched, its called sokutai, but what Malleus wears is much more simpler I guess, its a outfit derived from it which is called ikan.) This post is a great overview about these two outfits.

Ikan is the work clothes of nobles and government officials in the Imperial Court after the Heian period. Sokutai is a formal costume for those from the Emperor to the court nobles in and after Heian period (Heian costume). Ikan is called 'tonoi (nighttime) costume', whereas sokutai is called 'hino (daytime) costume'. (which probably references the fact that he's a night fae)

The point is, what Malleus wears in this card is a very traditional garment that only high ranking Japanese officials can wear. But what he wears isn't the clothes of an emperor yet, but just for a high ranking official, which is accurate to his status that he's still a crown prince not yet the king, because only Maleficia truly rules Briar Valley right now.

I love the decision that they made him wear such a prestigious outfit because the story of the New Years event is the characters working on customer service lol Its like his clothes is a reminder that he is still highly distinguished even if temporarily he's a worker.

Lastly the VEIL !!!!!! That's the thing that catched my eyes the most in this card lol I KNOW they're not referencing a wedding here because the veil don't look the same, but its so good not to mention that the one of the headress of a Japanese bride is called tsunokakushi and its description can be related with Malleus a lot lol.

The term is a compound of 角 (tsuno, "horn") + 隠し (kakushi, "hiding"). This derivation is listed in some sources as a reference to hiding a bride's "horns" of anger, jealousy, or other negative qualities, in order to present a more virtuous image for the wedding. However, this interpretation might be a folk etymology resulting from a shift in the reading and meaning.

The headdress and the veil aren't the same thing but I kinda feel like this is the idea they're going for considering the veil is 1) hiding his horns, 2) he's a character associated with being jealous, and most importantly, 3) only the person he is looking at can see his face (which is the point of most wedding veils/headdress, to hide the bride's face so that only her partner can see it).

But long veils, like the one Malleus is holding is also just a garment for a noble to hide their nobility. Which is this is probably the likely reason, considering he's using that veil to cover up his horns and his clothes, the most obvious features of his status.

Also, it could be just a fun reference to the fact that Maleficent in live action wore a long veil to hide her horns so that she wouldn't scare the humans lol

[sparsilees]

tom riddle is a yapper. he loves his monologues and dramatics.

draco malfoy is a yapper. he, too, loves the sound of his voice and dramatics.

ron weasley has no qualms about being loud and seen. he grew up in a large household, fighting to be heard over his siblings.

harry potter grew up in a cupboard, friendless except for the spiders, and learned to subdue and suppress and submit at the dursleys. he isn’t loud, he isn’t boisterous, he isn’t talkative, he doesn’t like socialising, he keeps his opinions in his head and his feelings buried inside, he has very few close friends, he doesn’t reveal his worries and struggles easily, he dislikes showing his pain and weakness, and he sure doesn’t give up his secrets and personal details freely, sometimes not even to ron and hermione.

this is what canon harry’s like—very quiet and an introvert, someone who speaks when spoken to or has cause to broadcast his voice, and someone who’d rather blend into the walls than draw unnecessary attention to himself.

[fumifooms]

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

-

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

[clfixationstation]

the first two episodes of She-ra are still so fascinating to me because we're presented with these two characters, Adora and Catra, and from design alone, you can tell Catra's the more rebellious one: with the lack of Horde red on her clothes, ripped leggings, and spiky hair; contrasting Adora's zipped up, clean cut red jacket and practical ponytail. The first scenes show us Adora diligently preparing for the day and arriving on time for training, and Catra showing up partway through, seemingly slacking off, and using an underhanded tactic to secure victory. Catra jokes around and Adora joins in, but Adora straightens up and salutes the second Shadow Weaver appears. Catra slowly assumes attention, then falls back into a forced relaxed position, notably neglecting to salute. Throughout the episode, we see Adora is deferent, always toeing the line, where Catra is "disrespectful" and clearly disregards and resents authority. Yet, Adora is the one to defect.

Though we know Adora is the main character and must become She-ra and join the good guys™, it's still somewhat of a subversion of expectations. It drew in my attention immediately. What reason would Catra, who seemingly dislikes the Horde and is mistreated by Shadow Weaver, have to stay? How could Adora, who previously seemed so dedicated to serving the Horde with all of her being, leave so easily? It's such a good set up for the series

[pixeldoodles]

Am I losing it? Is any of this intentional? Idk here’s some interesting things I noticed.

[princessofghosts-posts]

Another day another occasion to talk about Nico's powers that got barely acknowledged in the books. Today we feature: the ability to transfer his memories through his darkness.

I know it was a plot device used to make Jason understand him better during their encounter with Cupid,and to make Bryce understand he messed with the wrong people,but that alone is a uniqueness to give to someone.

That some anime-shonen-type-of-power to have. The one you use to make them react to their life like they are in a fanfic and are watching/reading the original material. I don't think I ever saw something like that even in animes,or at least not in this way and not in the ones I watched. And I spent my childhood on those (still do).

And it's also pretty OP because the side effects on Bryce were brutals. He started to bleed because he couldn't handle Tartarus,and Nico had the strength to kill him off even in so much emotional distress. And both Reyna and Hedge felt sick to their stomach too,even tho Nico didn't want to involve them but it's a sign that it's an ability that can cover a bit of ground,and not only the person next to him. He did the same with Cupid and Jason watched (for real) Nico's whole life flashing in front of him in only a couple of seconds. That's sick.

And extremely impressive. Most of it was probably triggered by his anger and negatives emotions (read: do not engage with the son of Hades when he is angry) but it's still part of his power right? So he probably had this ability since the beginning (read: Rick added it only for necessity but for my sanity I'll ignore this) and it's just another one to add to his power list. He just is so versatile.

And if he tries to control it?? Instead of leashing out all of his memories/emotions,what if he can pilot them to make his enemy saw certain things to make them scered? Like with Bryce with Tartarus. But instead of them watching him in Tartarus,is just straight up Tartarus,as if they are there. And if he can exploit it,then maybe he can try to manipulate their own fears against them,making sure they go slowly insane and paranoid.

Mix this with his dream's manipulation ability and Nico can explode someone mind just because he want too. Decorate a bit with skeletons and ghosts popping out while they less they expect it and you got a masterpiece. There is so much potential here to use to terrifying someone that you can create literally everything.

[risestarkiss]

Donatello's Inspirations

Rise Ramblings #91

So, I’ve noticed that Donatello has a habit of being inspired by what he sees and adopting those aspects into himself.

This system of integration is most prevalent when it comes to the people he loves or admires.

Take one of his favorite stims, for instance.  

You don’t have to look too far to find that phrase's source.

He admires and loves his Papa, thus one of his dad’s favorite sayings is one of his favorites as well.

This aspect of incorporation also extends to his beloved heroes.

One of my favorite examples are his signature eyebrows.

He didn’t have them, then he did. We know that he started drawing them on nine years ago (with a sharpie, lol) but I wonder where he got the idea for the eyebrows in the first place…

Before he knew that Lou Jitsu was his father, Donnie had already incorporated the man’s eyebrows into his mask. Therefore, one can argue that the adoption of Lou’s well-coiffed brows was not due to a simple familial bond. Instead, Donnie just wanted to be more like his hero, Lou Jitsu (and thought the brows were cool, lol.)

However, that’s not the only hero Donatello took inspiration from.

[grandwitchbird]

Dragon Age has been doing a really clever thing with its protagonists and the heroic power fantasy that only fully comes together when you look at the series as a whole, so let’s do another ramble. Under a cut to save your dash.

Origins is a traditional RPG power fantasy. It likes to tell you that it’s not by gesturing at Loghain and alluding to unreliable narratives, but what it shows is the power fantasy. No matter what your warden does, they’re the hero. Are you a casual genocide enthusiast? No problem you can still ride off into the sunset looking for a cure. Also hey you have a critical weakness/flaw (the calling) that kind of dooms you or gives you cause to vaguely ride of into the sunset. Very heroic indeed. There’s a layer of textual interest added by the presence of unreliable narratives, but ultimately it’s the hero’s choices that shape and determine the world and story, right down to very gamified relationships. The origins system itself, the fact that your warden could have been anyone, is the actual textual proof that this isn’t all that’s going on. It just only really gets paid off by later games, and that’s pretty important given where this franchise ended up.

—

Enter DA2. Hawke is a champion, not a hero. Hawke fights for those who can’t fight themselves. Hawke can’t save the world. They can’t even save their family or city. It’s a battle of attrition that sees them somehow worse off no matter what. The still-gamified but now more nuanced and challenging relationships become the focus because they’re really all Hawke has. Now the power fantasy is still lurking around the edges. It’s just challenged at every turn. You can free Kirkwall, but Anders is always going to blow up a church.

—

Which brings us to Inquisition. Somehow, you’re both as much of a nobody as Hawke and you’re responsible for more than the Warden. And it’s miserable. The power fantasy is constantly undermined. No matter who your inquisitor was, by the end of the game they’ve been completely subsumed by their role: turns out power has teeth.

In a move that delivers on the unreliable narrative throughline that Origins established and DA2 strengthened, the Inquisitor must play the hero and save the world. It doesn’t matter if your Inquisitor is a kind person doing their best or a racist power-hungry asshole, and that is now a systemic issue within the world itself. The erosion of your character’s personhood is explicit within the text as characters struggle to see you as more than your role and you’re asked to shape the faith of an entire world even if you don’t share that faith. The cost of this erosion is made incredibly literal with Ameridan’s story and then in Trespasser, where the anchor, both cause and symbol of the Inquisitor’s role and power, is killing them. Relationships become somewhat less gamified but more importantly, you’re given an explicit textual mirror in Solas. He’s there to reflect your behavior but also your loss of personhood to a role. It’s essential that he’s the one to save your life at the end of Trespasser. Even if you’ve never shown him a moment’s grace, here is your mirror to see you as a person one last time.

—

And then there’s Rook. Now we play a mirror to Solas, a character who has been the hero, Mythal’s champion, and a man subsumed by his role/s. He’s really the narrative gift that keeps giving.

We walk the dreadwolf’s path this time, and the dreadwolf is a classic tragic hero. He’s stuck in a story where he must save the world and where a critical flaw will always be his downfall. We’re Varric’s second who must step up to champion his cause after the events of the introduction. And we’re barely keeping ourselves together under the burden of leadership. And here is where Veilguard finally delivers everything this franchise ever promised. Because under all that we’re truly just some guy. Just like Solas is just a guy who got stuck in situations he never wanted. His response was to become the hero or play the villain (depending on the story) because that’s easier. But if Rook can truly choose the ‘hard truth’ that the world is never going to “stay fixed” (oh hi Inquisitor… and Hawke… and Warden) and that other people can have better ideas and make hard calls and their own choices? If we don’t have to ‘win’? Rook can reconcile the inevitable tragedies of this kind of story with their very human needs and escape the story altogether. The cost, of course, is the power fantasy.

[cloverstellar]

I think something a lot of the general audience for stranger things is forgetting to consider is WHY Will is so interwoven into Vecna’s plan in season five, and how him dying doesn’t make sense.

Will has now been essentially confirmed as a lead if not the new total main character of stranger things in the date announcement trailer. Why? If he was just a target for Vecna’s possession, wouldn’t the season be marketing him more like it did with Max in season four? While Max had a pivotal role in being possessed by Vecna, she wasn’t THE main character for four, and Vecna clearly needed her dead (and had no qualms about killing El at the end too).

Vecna DOESN’T want Will dead.

Will, while under the influence of the mind flayer in season two, said (in a gross summarization) “the mind flayer wants to kill everyone BUT me.” and now it’s been confirmed by Will at the end of season four in his talk with Mike that it was ALWAYS vecna targeting him, even from the beginning. that means vecna doesn’t want Will dead, and needs him alive. He needs Will for something beyond just being a spy, because a spy is useless once everyone is dead. Why keep Will alive after killing everyone else in season 2?

(putting everything else under a cut bc I ramble)

something about Will is incredibly important to the new seasons plot outside of just a potential possession. If Vecna wanted to possess him for spy purposes or for another gate death, why Will? It doesn’t make much sense outside of that lingering connection to him, because all the characters now know that Will could at any point be walking eyes for Henry, which renders being a spy useless. so why is Will so important to Vecna? It was confirmed by the duffers that we’ll finally see why Will was taken, confirming that it wasn’t just a simple accident like it was portrayed as in season one. And here’s the one reason I can think of:

Will has powers, and Vecna needs them. Maybe not powers in the traditional stranger things hand-raised-bloody-nosed sense, but maybe in a way that’s a bit more like Kali? Something creative. Most powered individuals in stranger things usually make things levitate and mess with objects/minds and can enter the void, but I think Will’s has something to do with his position in the party. Something more abstract, which we know is possible since Kali has powers totally different from El’s. His powers may even play into him being an artist.

We have already seen him using true sight, though I’d argue that it’s actually shadow walking or shadow step, an ability used by clerics in DnD to teleport in shadows (the upside down in this scenario). If he was just seeing flashes of the upside down, the mind flayer wouldn’t have been able to reach him. His soul was genuinely partly in the upside down. (It’s also why he was able to hide so well while down there- and why Jonathan said Will could hide anywhere to hopper in season one- clerics can naturally conceal themselves in shadows, so he could camouflage himself to the upside down better than most).

Will is, throughout the show, consistently being compared to his DnD classes (be that cleric or wizard depending on the characters POV or timeframe). I’d argue he’s paralleled to and called his DnD character more so than any other character, both in merch and onscreen. that’s important because his DnD character HAS POWERS (magic class user), and the duffers been spending all this time building up to the reveal of it in season five. you could say that’s purely coincidental, but if we call back to season two, Mike tells Max that Dustin is the bard, wills the cleric, lucas is the ranger, he’s the paladin, and that el is their MAGE.

mages are wizards. Wizards in DnD gain their powers through intense study and training (El spent her life in the lab dedicated to honing her powers with Papa) and clerics (Will) get their powers from a connection to some divine entity or dimension/creature (Aka the upside down) and whatever new powers Will gained he got from his overexposure to both the upside down and the mind flayer.

what’s interesting though is that even though Will is a cleric, Will calls HIMSELF a wizard, aka “Will the Wise” multiple times both in the show and in comics, and Mike is the one who’s still calling him the cleric.

This could mean that Will’s supernatural plot for season five COULD play into him being a multiclass, and having elements from both his cleric role with Mike and his own self-identifying role as a wizard play into his powers and association to Vecna.

Regardless, Will’s character (be it cleric or wizard) is associated with the light class. It’s why he can use fireballs and cast light spells (use the lights in the upside down). You know what Vecna is called in season four?

a dark wizard. Vecna is the character foil to Will’s (and El’s) light wizard. You know what wills character can cast? Fireballs! What hurts the upside down? Fire. Alongside that, Will clearly has a connection to the gates as well (hence interdimensional cleric powers), and I think it’ll have something to do with Vecna’s leaked line of Will being a builder with him. “We are going to do such beautiful things together, Will, such beautiful things…”

Vecna could need Will’s potential ability to bring the upside down fully into Hawkins, especially since he’s weakened. As we’ve seen in BTS photos, Hawkins hasn’t fully merged into the upside down yet. If the infection of Hawkins slowed to a near stop, Vecna will need Will’s ability to bleed the two worlds together (seen in season one when he nearly opened a gate in the wall of his home), and he’ll do that by trying to appeal himself to their shared experiences over being different, another nod to them being character foils.

(physical evidence of them being FOILs >> their identical drawings)

if henry’s appeal to their similarities doesn’t work, then that might be how a possession could come into play, and Vecna will try to turn Will into a puppet again if he refuses to become his secondhand.

And that’s what’s going to make Vecna fail. He’s going to underestimate Will’s support system. While they’re clearly two sides of the same coin and henry knows that, Will has love and support and family, whereas henry distanced himself from and killed everyone while under the influence of the flayers particles in his system.

That’s a big recurring theme in stranger things; that love conquers all. (Which could be how Will unlocks his powers in season five but that’s another story)

It’s how Max narrowly evaded her death time and time again- she both imagined her happiest moments with lucas and El and latched onto it. Will HAS that in Joyce, in Jonathan, in Dustin, in Lucas, in El, in Hopper, in Mike, but Vecna thinks he doesn’t, because WILL doesn’t think so either. At least not yet.

it’s glaringly obvious that despite being surrounded by people in seasons 2 and onward, Will feels terrifyingly alone. Nobody else has gone through what he has. He feels like he has no one in his corner, especially in season four when Mike pulled away. But part of his “coming of age” as the duffers called it for season five will most likely be his realization that he isn’t alone, that there’s people who unconditionally love and support him through it all, and I think that’ll tie into byler’s relationship blossoming too.

on a more legitimate analysis note, I’ve seen a lot of people comparing Will’s scream of “RUN!!!” to his scream of pain while possessed as the upside down was torched. But to me, I think it was more of a direct callback to when the mind flayer showed up and he yelled “GO AWAY!” Over and over before the possession took place.

But what’s new is the anger in Will’s scream. He could be getting possessed and telling his friends to save themselves, OR he’s fighting back against something while telling his friends to RUN. That’s will, retaliating against whatever he’s looking at above him. Fully surrendering himself to the danger rather than trying to make it disappear. He’s terrified, but also determined and so incredibly angry. (and his eyes are green, not brown like when he’s possessed) He’s not screaming for the monster to leave out of pure terror like his possession in season two, but actively fighting and intentionally putting himself in harms way.

It’s both a significant showing of his character growth and in my opinion a hint that he’s not being unwillingly possessed, but rather giving himself up as a target while someone escapes. A sacrifice. But logically, that only works if he’s important enough to be worthy of that much attention to Vecna. he has something valuable, or is at least significant enough of a threat to warrant that much distraction to save everyone else (him having powers). Honestly, I’m hoping his abilities tie into the creation of the upside down. It’s clear now that there’s a border on the edge of the pocket dimension, like a literal snapshot of Hawkins, and I think it’d be cool to tie in his position as an artist and cleric/wizard into the creation of the upside down alongside El and Henry’s contributions. Among other things, electrical/light centered powers and interdimensional travel powers seem more likely to happen but I think it would be dope to see how that plays out.

ANYWAYS I have more to say but I’m tired maybe I’ll post more later

[rbvcdeluxe]

something something max's main color being red with blue highlights something something grace's main color being blue with red highlights something something motivations something something alive and dead something something