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#ranting works too
the--firevenus · 1 year
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rewatching some lok analysis, listen im not a lok fan in fact im closer of a hater , but i love listening to people make analysis of this messy show, great stuff
anyway, rewatch some of these analysis videos reminded me of how much i feel so fucking bad for mako, he was done so dirty in the writing that i think i want to die a lil bit cuz hes my fav. HE WAS MY FAV AND GOD FUCKING DAMN IT IM STILL SALTY AND SAD AND MAD
he deserve so much better.... god they wasted my boy so bad, so fucking bad im still seething with anger years later god fucking dammit
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dollya-robinprotector · 5 months
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Dress me up, make it tight, I'm your dolly You're my doll, rock'n'roll, feel the glamour in pink Kiss me here, touch me there, hanky panky~
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Inspired from This post of @just-dol-headshots and this ask from @hakusins. Don't worry I'm still aiming for your ass Haku-Dean :) References and something under the cut
We all have to agree Bully Robin should have some softer and caring sides. When there's only them two and no one else is around to judge, he can let loose and slip back into that kinda of "Original Robin" we know and I love. I mean, that's what JDOLH made that got me into these swap messes from the beginning jsjkhskjhd you knowww the HUG!!
Reference: Barbie Girl (Aqua) and this cute ecchi Clamp Chobit piece
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All in all I'm a pink bietch and Dollya won't be losing her V-card anytime soon that I can promise so hang in there okay mr.Bully.
edit: OMG THIS IS MY 1000TH POST TTOTT)) JKSDJLASKJKDLA
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SELF-INDULGENT HERE WE GO
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lotus-lamps · 4 months
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tysm the weekly light for giving me motivation to draw LMAO
a lil messy but thats ok. it was a lot of fun so thats all that matters haha (I LOVE RENDERING AND DO THE LIGHTING AND ALL THAT SHIT ITS SO FUN) rip mothy gilbert also had too much fun ig lmao
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froggtogs · 7 days
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rockin’ out!!
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hisui-dreamer · 8 months
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jamil, who loves showing affection by cooking food for his loved ones, making sure the curry is seasoned to perfection and your favourite dessert to go along with the meal.
and you, with zero spice tolerance but so incredibly overwhelmed with gratitude and affection for how hard jamil's worked. and with your favourite dessert right there enticing you, you're determined to finish every drop of curry on your plate.
...
it doesn't go too well.
indeed, you have finished every drop of curry. but you've also downed around 12 cups of water, and the burning in your mouth is still unrelenting. jamil visibly looks concerned with how much water you're drinking and it's unavoidable you address your non-existent spice tolerance.
jamil sighs, and his eyes show a hint of exasperation you often see when he's following kailm's whims. you avert your gaze to the floor, upset at yourself that you've disappointed him and maybe he hates you now how could you not like his fo-
flick!
ouch! your hands reach up to shield your forehead, and your eyes meet his. not exasperated, maybe slightly, but amused and... loving??
"dummy, don't go forcing yourself to eat what you don't like," he sighs
you timidly explain you could never do that with how much time and effort he puts into his cooking
his smile widens slightly.
"for now, i guess i'll be making more desserts for you then,"
he chuckles at the way your eyes light up.
"here," he feeds you a spoonful of the chilled dessert. "is your mouth still burning?"
oh. you don't think it is anymore.
but your heart sure is.
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enden-k · 4 months
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almost forgot how healing it is to just sketch ur ocs after shit work until youre too tired
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aro-bird · 7 months
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Okay, for aro awareness week, I need you all to start recognizing that:
NOT EVERYONE IN THE ARO COMMUNITY IS FROM THE UNITED STATES OR EUROPE.
Please, when we're having discussions about aphobia, allonormativity amatonormativity, and other issues for the love of god STOP PRETENDING THAT WE DON'T EXIST AND LISTEN TO US!
We aren't just your token aros that exist in the other side of the world just for you to prove that we are everywhere or whatever point you're trying to make, we are living, breathing human beings and members of the aro community and we deserve respect and to be remembered not as a point in your discourse but as equals.
I am sick and tired of people just assuming that everyone in the community is either from the United States or Europe and only centering those voices in the discussion. We exist too.
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blueskittlesart · 21 days
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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tippenfunkaport · 8 months
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That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.
Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."
The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.
And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?
#love how they manipulated people into spreading that post by making it seem like a cishet vs gay thing#when the real message is OP thinks trying to sell your writing is cringe and 'weird' and 'normal people' with jobs would never#which would of course never have flown on the fandom website#so they played into the queer shipping is purer than cishet shipping puriteen thing#and it worked!#because my god people are gullible#this is the direct pipeline that leads to AI thievery#''normal' people write for the joy of it anyway so why do you need pay? you are just greedy and 'weird'!'#'oh no this isn't about who we get to call cringe and who gets to profit from art it's about um...#(quick what's a hated m/f ship?).. oh uh 'shitty' REYLO#and not our super pure uh... (spirk is still popular right? lets throw in that avengers one too to make it seem timely) stucky!'#I'm sorry if I have no sense of humor about this but the year is 2024 and people are still way too ready to sneer#about writers trying to earn a fucking living in the shittiest timeline#and i need you to look deep into yourself and ask you why it's so important to you to tell yourself that only people writing what you like#are 'normal' with real jobs and to vilify everyone else as 'weird' and 'shitty'#for trying to make an income during a financial fucking crisis#i would say sorry for ranting about this but I'm not sorry because wtf#write whatever you want#publish whatever you want#there is no moral fucking purity in what the content is#and one thing certainly doesn't make you more 'weird' or 'normal' than the other#like there is soooo much shitty mlm that started as fanfic???#that post is 100% OP made up some guys to get mad about and called them relyos for the clicks#writing#publishing#writblr#writeblr#i wasn't going to tag this anything but you know what fuck it I'm mad#i had like 5 more tags but tumblr cut me off which is fair 😅#fan fiction
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villain-byteniwoha · 1 month
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Oh sskk with their opposing black and white aesthetic (both in fashion and in ability), their parallel backstory, their shared loyalty to Dazai (who is canonically preparing them to become partners, mind you), their clashing ideals; the way Atsushi unearths the humane side of Akutagawa and how Akutagawa, in turn, nurtures Atsushi's rage.
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The fact that they make each other hold on to their self-worth... So, so much of the text can be read as romantic, it's insane to me.
Akutagawa's ability is literally using his clothes as a weapon, and for him to be able to give Rashoumon at all while leaving himself bare to violence? Just so Atsushi, who's always had to beg for the pain to stop, who's just gained control over his damn ability to regenerate, can be armored—be stronger.
Tell me that's not a metaphor for vulnerability, I dare you. The inherent intimacy of giving someone your cloak to shelter them while you take the brunt of the harsh environment. The contentment of having the person you love, safe. (This is an ode to Chapter 88 btw in case you didn't notice.)
Like—there is something so raw about being someone's enemy. It is showing the worst parts of yourself (the anger, the self-worth issues) and knowing your other half will come back to you, regardless. It's feral and wild and uncontrollable; Akutagawa will bear his scars like they are the most tender love marks, and while Atsushi may heal, he will always know the pain of Akutagawa's claws.
Their abilities aside, they just click with each other, but they live with circumstances where that connection is (portrayed as) unwanted. BEAST is proof enough that they can bond over the horrors of their past, where others would not be able to comprehend them.
There's also, you know... Something something, Atsushi telling Akutagawa that he's more than what Dazai says. Akutagawa telling Atsushi he's stronger than his past. Something along those lines.
Something something I love you because I know no other way than this, where I does not exist nor you and all the other love sonnets in the world.
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ganondoodle · 1 month
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got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-
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i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions
i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)
its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized
(huh, i wonder about what kind of person that part was about .. hmmmm)
(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)
(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")
also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much
(i dont know what the last point has to do with anything??)
(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)
(also yes the hyrule monarchy is also evil :))) )
(and also not so secretly so either :)) )
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themachine · 4 months
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ginniesfangirllife · 3 months
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............
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No. I refuse to view these two as the same person.
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ajitomiel · 3 months
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jon kent and transfem damian bc i saw some posts about her and it got into my brain for WEEKS so i had to draw her for my peace of mind... also nika would have those knee high converse shoes and damian would wear them thats it thats the post
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trix1erose · 4 months
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headcanon that jesse and lukas would have an apartment in central beacontown since their house is so far out itd probably be inconvenient with jesse’s job
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lumiereswig · 5 months
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I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:
It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."
If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.
The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.
My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.
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