#she isn't just on another level when people are talking about good things and a poor little baby when they're critiquing her

[theghostofashton]

.

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[hollowed-theory-hall]

Do you think Harry could be scary at times? Like put actual fear into people? Because I think I remember some moments where Hermione was afraid of him or was a least kinda hesitant with him. Like this quote here from HP and the Deathly Hallows:

“You nev­er re­al­ly tried!” she said hot­ly. “I don’t get it, Har­ry – do you like hav­ing this spe­cial con­nec­tion or re­la­tion­ship or what – what­ev­er – “

She fal­tered un­der the look he gave her as he stood up.

“Like it?” he said qui­et­ly. “Would you like it?”

“I – no – I’m sor­ry, Har­ry. I just didn’t mean – “

He literally just looked at her, stood, and she was over there stuttering and backing down.

Yes! OMG, yes! Harry can and is scary when he wants to be and I love him for it!

A few more examples that popped into my head:

“I haven’t finished with you, boy!” “Get out of the way,” said Harry quietly. “You’re going to stay here and explain how my son —” “If you don’t get out of the way I’m going to jinx you,” said Harry, raising the wand. “You can’t pull that one on me!” snarled Uncle Vernon. “I know you’re not allowed to use it outside that madhouse you call a school!” “The madhouse has chucked me out,” said Harry. “So I can do whatever I like. You’ve got three seconds. One — two —”

(OotP, 45)

Uncle Vernon reacts to him with anger, which is his fear response. But Harry is talking quietly and deliberately, he isn't shouting and Vernon shuts up and listens, not cutting Harry off with his shouts. Harry actually cuts him off speaking quietly and Vernon lets him. And Vernon lashes out, as he always does when it comes to magic — because it scares him. Harry scares him.

“Well, it’s like Hagrid said, they can look after themselves,” said Hermione impatiently, “and I suppose a teacher like Grubbly-Plank wouldn’t usually show them to us before N.E.W.T. level, but, well, they are very interesting, aren’t they? The way some people can see them and some can’t! I wish I could.” “Do you?” Harry asked her quietly. She looked horrorstruck. “Oh Harry — I’m sorry — no, of course I don’t — that was a really stupid thing to say —”

(OotP, 450)

Hermione stutters around Harry quite a bit. I think she is, like, concerned about him at all times at the back of her head a bit since it takes very little from him to rattle her. I'm not copying it here but you see it too when Harry shouts at her and Ron at the beginning of OotP, Ron argues back a bit, but Hermione gets incredibly rattled. Hermione doesn't deal with Harry's anger well. There are more scenes like the one you mentioned as well.

I'm re-reading Deathly Hallows right now and came upon this scene:

Somehow her [Hermione's] panic seemed to clear Harry’s head. “Lock the door,” he told her, “and Ron, turn out the lights.” He looked down at the paralyzed Dolohov, thinking fast as the lock clicked and Ron used the Deluminator to plunge the caf into darkness. Harry could hear the men who had jeered at Hermione earlier, yelling at another girl in the distance. “What are we going to do with them?” Ron whispered to Harry through the dark; then, even more quietly, “Kill them? They’d kill us. They had a good go just now.” Hermione shuddered and took a step backward. Harry shook his head. “We just need to wipe their memories,” said Harry. “It’s better like that, it’ll throw them off the scent. If we killed them it’d be obvious we were here.” “You’re the boss,” said Ron, sounding profoundly relieved. “But I’ve never done a Memory Charm.”

(DH, 146)

That needs to be talked about more.

Some people like to point at Remus telling Harry that "the time for Expeliarmos is over" as proof Harry isn't willing to kill, but this isn't true. Harry isn't willing to kill Stan Shunpike, whom he considers innocent, Harry was the calmest of the trio and very much considered killing the Death Eaters and chose not to for completely tactical and cold reasons, not ones of ethics or qualms about murder. And I love the dynamic this short scene portrays with the trio a lot. Like, Harry is calm under pressure and calls the shots, Ron offers a way to deal with things, and then Hermione actually executes the memory charms. And here too, when Hermione stepped back, she was scared of Harry (and Ron a little). She doesn't for a second think he wouldn't kill them if he thought it was the right thing to do. She stepped back because she was scared Harry would kill them.

“...Thank you!” said Mundungus, snatching the goblet out of Ron’s hand and stuffing it back into the case. “Well, I’ll see you all — OUCH!” Harry had pinned Mundungus against the wall of the pub by the throat. Holding him fast with one hand, he pulled out his wand. “Harry!” squealed Hermione. “You took that from Sirius’s house,” said Harry, who was almost nose to nose with Mundungus and was breathing in an unpleasant smell of old tobacco and spirits. “That had the Black family crest on it.” “I — no — what — ?” spluttered Mundungus, who was slowly turning purple. “What did you do, go back the night he died and strip the place?” snarled Harry. “I — no —” “Give it to me!”

(HBP, 245-246)

Harry lifts Mundungus and strangles him... and both Mundungus and Hermione are scared of him... because he is scary.

said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand. “The boy . . . Is he dead?” There was complete silence in the clearing. Nobody approached Harry, but he felt their concentrated gaze; it seemed to press him harder into the ground, and he was terrified a finger or an eyelid might twitch. “You,” said Voldemort, and there was a bang and a small shriek of pain. “Examine him. Tell me whether he is dead.” Harry did not know who had been sent to verify. He could only lie there, with his heart thumping traitorously, and wait to be examined, but at the same time noting, small comfort though it was, that Voldemort was wary of approaching him, that Voldemort suspected that all had not gone to plan. . . .

(DH, 612)

Voldemort is outright scared of Harry and isn't willing to come near him to check if he's dead...

Like, I am not a fan of the weaker, softer fanon version of Harry James Potter that I see on occasion (obviously everyone can do what they want, I just personally don't like it much when he's portrayed as small and submissive as if Harry has ever submitted in his life). He is not as tall as Ron, but he isn't short either (the same height as James, so likely around 6 feet), he is physically capable of lifting Mundungus even without magic with a single hand and he is so magically capable (more than almost every other character, bar exceptions like Dumbledore, Voldemort, and Snape). No wonder he can be scary, both physically and magically. And yes, Hermione is outright scared of Harry at times. So are other characters.

So, yeah, I strongly agree, Harry can definitely scare people if he wants to, and sometimes even when he doesn't. He seems to have an intimidation factor he isn't fully aware of and therefore doesn't notice all that much.

[celaenaeiln]

Something fanon gets wrong

Dick Grayson is genuinely one of the greatest fighters in all of DC.

I know people have trouble believing this for some reason but a man who has defeated every single one of his enemies, other people’s enemies, and has consistently come out on top should have his abilities talked about a bit more because they’re amazing.

Let's start small to big. Firstly Donna talks about Nightwing's abilities.

When I read this I was confused by what she meant. Prowess means skill or expertise and that makes sense but Dick has a lot of power behind him though...

And then I realized she meant metaphysical power.

Dick isn't a magician. He can't run at supersonic speeds, throw buildings, speak to animals, communicate with the dark, fly above the clouds, bounce bullets off his chest (Oh, wait. He can do it off his ass instead never mind), turn into animals, or other amazing abilities. But his skill is so high that he is easily able to keep up with people who can.

M'gann, the white martian with extraordinary capabilities, tells Dick, "You are just a human, with no superpowers, yet you have consistently excelled throughout your career, despite being surrounded by godlike beings."

This is incredible.

We see Dick leading teams of superheroes and metas all the time and we take it for granted but we never acknowledge the immense power and skill he must have for him to be able to do this.

Repeatedly. Time after time. He outsmarts both his human allies and outfights his meta ones.

One of Dick’s greatest OP moments is when he takes down the entire Titans team -Gar, Raven, Donna, and Jason too when he hung around with them- single handedly. And when Jason put a gun to the back of his head in supposed victory, Dick opened his hand to let the golden bullets fall, gleaming in the light with the coldest line, “with these bullets?”

We all know how amazing Bruce is, but Dick is on Bruce's level.

No?

Okay, here's the evidence.

Dick has fought Azael in a sword fight to a standstill when Azael has beaten Bruce separately and Tim and Jason combined.

He has defeated Ra's in a sword fight and Ra's is one of the greatest swordsmen.

Sometimes he doesn't even need a sword to defeat a skilled swordsman.

He's a League of Assassins member and we all know that anyone from the League of Assassins is never just good. They're excellent. The entire fight Dick is looking for Blockbuster and he's so capable and good at fighting the entire scene was like watching Thanos flick Captain America away vibes. He's not even looking at him when he smashes his foot into Shrike's face!

Most importantly, he has defeated Deathstroke

The greatest thing about Dick is he is able to defeat Slade at the peak of Slade's abilities. Slade doesn't need to be weakened for Dick to win.

Here's where people has some hesitance accepting Dick's abilities.

"Bruce has defeated Slade but Dick has never been able to!"

He literally has in Dark Crisis but I'll give you the lead up.

Dick can easily disarm Slade.

He can predict Slade's moves ahead of time and properly counteract them.

He can go toe to toe with him and in one comic, they dance down a hallway, fighting, neither able to get the upper hand. The mercenary meta, considered by the US Government to be 1 of 2 greatest assassins (the other being Katana) isn't able to pin down and defeat a 20 year old despite his enhancements.

I left out the scene where Dick twisting Deathstroke's arm and smashing his face into a bedroom mirror despite being complete weaponless and in his civilian identity. No protection and no support. But it's another example of how Dick's poweress is much greater than people expect of him.

Of course there are panels where Dick has been defeated by Slade but Dick isn't 17/18 anymore. He isn't learning to fight without Batman hovering over his side.

Also there is a panel everyone references to when talking about Nigthwing losing to Deathstroke. This one.

sure. okay. whatever. BUT WHY WON'T YOU SHOW WHAT HAPPENS NEXT COWARDS?!?

THEY DANCE-FIGHT LIKE THEY'RE ENEMIES IN A BALLROOM ON OPPOSING SIDES BUT CAN'T AFFORD TO LET ANYONE FIND OUT.

THIS IS SOME HIGH LEVEL JAMES BOND-RED NOTICE-MISSION IMPOSSIBLE- TYPE SHIT.

"Close the hold, you morons! Close the--Guuk!"

That's Slade talking by the way. To his allies. Who do you think made him "GUUK!"?

And here they were evenly matched.

But Slade had to pull out bombs he had been saving for when other people came in order to defeat dICK AND HE STILL LOST BECAUSE DICK BESTED HIM.

Yup. Dick is just that good.

Nightwing defeated Bane

Before you go into saying something like "it was a holographic construction." What the fuck difference does that make? Does a holographic construction alter the strength used by the enemy, change their fighting style, phase through when fighting, act dumber than the real deal? No, right? The fact is Dick broke Bane's back the exact same manner that Bane broke Batman's. All those scenes of Bane punching Nightwing around? Let me remind you that the guy snuck up on Dick. The second time Dick underestimated Bane's powers before getting ready to put in real effort before Batman interfered to take Bane for himself.

All those amazing scenes of him defeating enemies that we've scoffed at recently? They're just a continuation of what already is written. It's not new or unbelievable, it's expected.

Here's my final point. Dick has defeated all of the Justice League's enemies in one go.

This is Batman/Superman comic where Kara gets infected so Dick as Batman sends her to the medbay while he tears down the Watchtower to save her. As in every single defense mechanism the Watchtower has, he demolishes it with his pure skill and abilities. Furthermore, the Watchtower defenses were enhanced by cyborg Superman to be lethal. To kill on sight.

Just. Phenomenal.

He did it! He defeated all of them and made it to the electronic controls he was aiming for.

Another thing I want to point is Dick's strength is greater than what people assume it to be.

He's the world's greatest acrobrat and has a build fitting of that but the strength he packs in his body is equal to that of a meta. Maybe it's because of how he only fights with metas and has teammates that are all metas but he has raised his striking power to equal that.

He shatters cyborg superman in one blow.

He can handle blows from meta humans in a way most others can't which suggests to me that he must've done some kind of training or have maybe increased pain tolerance or have the ability to backseat the pain so it won't affect his fighting. How many can take a hit and rise up the next second?

He's not metahuman. Batman must've done several tests because he also was amazed by robin Dick's poweress lol but really Dick is just extraordinary. Give him any enemy and he will garaunteed defeat them without using cheap tricks or surprise moves which is why he is one of the greatest. The only time people have gotten an upperhand on him is when he has been emotionally weakened. Emotionally. Imagine the absolute monster he would be if he controlled his emotions like Batman.

But I would never want him to though because his emotions are the reason why he's the light of DC.

[wilcze-kudly]

I do find it annoying how a lot of Zutara fans tweak the character's stories, personalities and even the timelines to suit their own needs.

Once again, there's nothing wrong with fanon and headcanons, however if looking through the lense of canon, you're objectively wrong.

I ended up stumbling on a post from a Zutara shipper. (At this point I'm regretfully considering not following the tags for Zuko or Katara because I get way too much Zutara content lol) I'm not replying directly to her because I don't want this to turn into an argument, and I know she doesn't take criticism very well.

Ok, So let's break this down.

The character who was first out of the group to trust Zuko?

I'm quite sure this is referring to the scene in Ba Sing Se's caves. And yes, that is a very important scene. I think it's a very important scene preceeding Zuko's 'relapse'. It shows how he's matured during his time in Ba Sing Se and therefore it serves to add to our dismay when he joins Azula. I adore the fact that Zuko's journey to redemption is not linear, it certainly adds a lot to the character and shows us how his trauma affected him.

It's also a horrific moment for Katara. To have her worldview on Zuko and firebenders as a whole challenged, and then for it to go blowing up in her face. It rips open old wounds of her childhood. It refreshes her resentment of Zuko and the Fire Nation as a whole. It parallels the death of her mother when Aang dies due to Azula's lighting and she is unable to do anything about it. It places her back in that spot of helplessness. Even though she's grown up, even though she's a master waterbender, she still comes a hair's breadth to losing one of the most important people in her life.

No wonder she hated Zuko so much after this.

It's an important moment for both characters, but I wouldn't say it is that in a romantic sense. It's a sweet, hopeful moment that then turns absolutely horrific and visceral for both parties.

I could argue that there are other characters who could be given the title of 'first to trust Zuko'. Funnily, Appa being one of them lol.

But other characters trusting Zuko dovetails nicely into the next point.

The character who emotionally connects to Zuko?

Well, technically, I'd argue that most members of the Gaang connect emotionally on one level or another with him?

But I'd argue that Aang is the person Zuko connected with the most. Aang is Zuko's parallel. Aang is the first person to reach out to Zuko. Aang is the person who showed mercy to Zuko, multiple times. Aang is the person who valued Zuko's life, the life of someone whose whole life goal is to capture him.

This was also an incredibly important moment to Zuko. This is the thing he brings up when trying to convince the Gaang to let him join.

Zuko: Why aren't you saying anything? You once said you thought we could be friends. You know I have good in me.

The character Zuko feels safest letting his guard down around?

It's Mai. Love her or hate her, her relationship with Zuko is incredibly important to him. Maiko isn't my favourite Zuko ship, in full honesty. But even platonically, Mai and Zuko are one another's reprieve from their respective shitty lives.

People often talk about Katara touching Zuko's scar while discussing healing his scar, however one could argue that she did so as a medical examination. Mai touching Zuko's scar is a casual thing, neither of them really make a big deal of it and that's the beauty of it.

I'm mainly talking out of my own personal experience, as someone with a huge amount of burn scars, but there is a world of difference between someone inspecting my scars like Katara did and simply accepting them as a part of me, like Mai does for Zuko.

With Mai, Zuko isn't the scarred banished prince, Ozai's son or Azula's brother. He's just Zuko. And they speak freely with one another, arguing like real people do. Often, being comfortable having arguments is actually a sign of being comfortable with one another.

The character who helps Zuko heal from his trauma?

Once again, this is a bit of a flawed question. By the end of the show, Zuko isn't even fully healed, in my opinion. He has made leaps and bounds on the road to recovery, but when he will truly heal if ever is yet to be seen.

Zuko's journey to recovery includes plenty of people. This includes Iroh, Aang, Song and Jin. People who show him the error of his coping mechanism. Who challenge his worldview, who coax him out of the his shell of pain and anger.

The character known for showing most compassion to others?

Yes, Katara's compassion is a huge part of her character. Her need to help and protect those who cannot do that for themselves cannot be understated.

But Aang's compassion for others and all beings is just as great, if not greater than Katara's. Compassion and nonviolence are huge parts of his culture and his own philosophy.

Aang: Wait, we can't just leave him here. Sokka: Sure we can. Let's go. Aang :No, if we leave him he'll die. Aang airbends himself off Appa and retrieves Zuko, bringing him to Appa. Sokka: [Sarcastically.] Yeah, this makes a lot of sense. Let's bring the guy who's constantly trying to kill us.

Friendly reminder that Aang could've absolutely wrecked Ozai, but held back because his own moral compass was so powerful. Hell, he was friendly and nice to Azula, the woman who literally killed him.

This is why Aang and Katara work so well together. They're both incredibly compassionate people who will immediately jump in to help others in need. Like they did during the Painted Lady, destroying the factiry together.

The character who primarily bears the burden of having to step up into a parental role?

I think "parental role" is an incredibly vague term. There's a lot of things that go into a "parental role". Katara plays a stereotypically "maternal" role, while someone who plays a "paternal" one would probably be Sokka.

Katara deals with very "homemaking" tasks like sewing and cooking, etc. And Sokka often takes on the role of leader, hunter, gatherer and also protector, despite being a nonbender.

This coincides nicely with their core childhood traumas. The loss of Katara's mother impacted her greatly, leading her to have to step up into a motherly role. While Sokka was clearly heavily traumatised by his father departing and the crushing responsibility of having to care for his entire village.

Sexism also probably played a part in this dichotomy.

The character who represses their emotions to be strong for others?

I'd argue that this could apply to all the members of the Gaang in some capacity.

Aang's pain is something most of us will never experience and cannot hope to understand. The complete horrific destruction of his culture and home followed him through the entire show. He was entitled to his grief and rage, yet he supressed it. We see during Appa's kidnapping, how easy it would be for Aang to rage, to let himself be destructive. And yet, he wakes up every day and chooses to smile and goof off, because his friends need someone to remind them how to be children.

Sokka puts on a very impressive bravado, despite having a lot of insecurities. However, as the oldest member of the Gaang (pre Zuko) he puts on a facade of the confident and unbothered older brother. Even if he's the butt of almost every joke, he still keeps that demeanour up, letting it slip only a few times.

I'd actually argue that Toph is the person whom this label fits best. While we know Toph as witty, callous and strong, we have to remember that she kept up the facade of her parents' good, helpless little blind girl for no reason other than her mother and father's comfort. She actually hides a lot of her hurt, covering it up with a prickly exterior.

I want to do longer think pieces about Toph and Katara so apologies if this isn't complete.

I'm actually baffled by the idea of Katara repressing her emotions. She's actually quite straightforward and open about her feelings. She yells and feels a lot of emotions and lets them be heard. She gets angry and sad. She's actually kinda bitchy sometimes and that's honestly why I love her so much.

The whole inciting incident of the show was her getting so pissed off she somehow pulls a giant iceberg from the bottom of the sea.

She is anything but repressed.

She is angry.

She's angry at the fire nation, at Sokka, at her father, at men, and with good right to be so.

This is what makes her an amazing character and one who broke the mould of a lot of female characters at the time. Her anger and unrestrained emotions rang true with a lot of watchers at the time. I'm not sure why this is being taken away from her rather than celebrated.

I reiterate the point I made at the beginning of this post: there is nothing wrong with headcanons and fanon interpretations for one's enjoyment. I do find it a bit odd when it changes a character too much (because then, why not just create an oc?) but it's all in good fun. However, you shouldn't push that onto other people and how they perceive canon and you certainly shouldn't use it to take away from other characters. It's a very unfair way of entering discourse.

[kidrat]

having feelings about trans Gwen,,, like there's the 'superhero leading a double life' allegory for being closeted, which ppl have noted, but there's plenty I haven't seen anyone mention yet! like, the fact her dad has a trans patch in support of her means she's out.

She's a young trans *girl* (as opposed to a trans woman) living as her authentic gender in a loving home. she went to her school dance in a dress. she did ballet! which of course boys can do too, but often times when people are assigned male they don't get the chance to explore feminine hobbies. It's really lovely that someone, likely Gwen's dad, supported her enough to let her have those girly experiences and memories, whether she was living as a girl when she took dance up or as a gnc boy.

While it's subtle rep, I still think it's awesome to imply a character like Gwen is trans. Trans girls don't always get to have a childhood. Transmisogyny fetishizes transfems and presents them as always victimisers, never victims. They're barred from girlhood and it's connotations of innocence, vulnerability, lovableness.

Not that Gwen isn't a hashtag strong female character! And not that she hasn't had to grow up fast in other ways. She Is Literally Spiderwoman and she plays the drums and has agency and expresses negative emotions. But she's also a teenager, and she gets to be hugged and comforted, and to be set up for a soft friends to lovers relationship with another teenager, a cis boy who respects her and only knows her as a girl and thinks she's amazing and draws her in his sketchbook. That is not a role the media often lets trans girls have!!! It's lovely to think young transfems might be able to see themselves in a character consistently shown as worthy of affection.

Of course, the fact that Gwen is in the closet about being spider-woman is even sadder knowing this is her second rodeo. Lots of us have hesitated to come out a second time because our parents were supportive about the first thing and well, putting something else on them feels like taking the piss or hoping for too much.

Something else I wanted to talk about is how Gwen being trans effects a reading of her Peter's death, especially taking into account the new information this film gave us about this. There's this gendered switch happening, where Peter passes on his usual role to a woman. What's more, he has to die for her story to happen. She loves him, and never wanted him to die, but she's blamed for it anyway. Her father talks affectionately about the dead Peter, calling him his daughter's best friend. He talks about him like a son. He vows revenge on Gwen for killing him. It's a fantastic allegory for how some transphobic parents hate their out trans children for 'killing' the kid they had before.

I think with the above in mind, maybe we can see the subtext of Gwen's arc with her dad in this film as that of a supportive parent who's nevertheless got some biases left that hurt his trans daughter, who doesn't speak up for fear his acceptance is conditional.

I don't think it's a stretch to suggest that protecting a trans daughter is this Captain Stacy's motivation while he's working as a cop. Obviously there's the text that he wants to be a 'good cop' to work against the institution's bigotry, and he displays the trans flag on his work jacket. His quitting the police is a fantastic story beat because it makes a point about the real world while also serving a lot of the analogies going on.

Good cops quit. They realise you can't be a well intentioned cog in a bigoted machine. It doesn't matter if you're a bigot or just taking actions a bigot might because you're working within parameters set by bigots. It's an important message. Within a trans reading of the film, I'd also see this plot moment as Stacy realising he can't protect his trans daughter if he's still playing by the rules of a society that see her as threatening and duplicitous. He's then able to stop seeing her on some level as having killed his son.

They're able to be close again because he has completely rejected the cis culture he was a part of, rather than just decrying the worst parts and slotting Gwen in. She no longer has to worry that he'll rescind his acceptance if she's too trans, and so he gets to know all of her because she can let him into her world without self-editing.

Anyway, those are my thoughts on Gwen after watching Across The Spiderverse two hours ago lmao.

[haunted-xander]

I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.

Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.

But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.

Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.

Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.

Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.

And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.

Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.

But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.

The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.

Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.

Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.

She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.

Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.

But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.

And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.

He tells her to live her own life, and he learns to live his own too.

[hxrukii]

vil, malleus, and idia with child reader who is similar to Sofia the first?

❝I was a girl in a village doing alright, but then I became a princess overnight. And now... I've been transported to another world?!❞

╭・๑ 𝐒𝐮𝐦𝐦𝐚𝐫𝐲︰ʚ Some of NRC with child!Reader who's similar to Sofia the First..‧₊˚✦

‧₊˚↷ 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫(𝐬)┊❝ Vil Schoenheit, Malleus Draconia, Idia Shroud. ❞ ⸜⸜*

↷︰ʚ 𝐍𝐨𝐭𝐞 ‧₊˚✦ Reader and Yuu can be the same person and is a gender neutral. Sorry this took so long!! My motivation never wants to cooperate with me 😭

╰・𝐖𝐚𝐫𝐧𝐢𝐧𝐠(𝐬) ‧₊˚꒰ Platonic (obviously). ɞ‧✦

During the Opening Ceremony, a child suddenly appears at NRC, with no way to send the child home, since according to the Dark Mirror, the child's home does not exist. Crowley decided to have the Dorm Leaders take care of the child while he slacks off looks for a way to send the child home, for he is gracious. How will some of the dorm leader's react?

At first, Vil was probably unsure of the headmage's idea of leaving the child with him.

He is a busy man after all, and he is worried that he might just not have the time to take care of the child.

And he also was worried by the fact that the child might just be too rebellious and have him grow grey hair before he even hits his forties.

To his surprise, Sofia!Reader seemed to be unusually mature and also has a high level of self-control for a child their age.

But now Vil was worried, after all, it is said that some child act more mature than others because they grew up in a toxic environment, where they were forced to grow up too fast.

He probably began to feel even more worried when he noticed they Sofie!Reader seemed to be have some trust issues. Which, mind you isn't exactly normal for a child.

Now tries his best to take care of them and making sure they feel safe.

Becomes somewhat protective of Sofia!Reader. If he will admit it or not is another thing.

But because of that, he is constantly stressed whenever he leaves Sofia!Reader alone 'cause she always seems to run into trouble one way or another.

Wasn't there during the Opening Ceremony, so he was surprised when Lilia came back to Diasomnia with a child.

What is a child doing at Night Raven College??? (Why did they name it Night Raven College when it's a high school??!

Was probably terrified of hurting or scaring Sofia!Reader, stayed as far away from them as possible.

To his surprise, and delight (somewhat) Sofia!Reader seemed to not be scared of him.

Was probably really surprise when Sofia!Reader seemed to be very good at using magic.

Took it upon himself to teach Sofia!Reader every self defense spell he could think of sho that she could protect herself.

Very overprotective.

Sofia!Reader now has one of the top 5 best mages in Twisted Wonderland as a bodyguard and also said bodyguard's retainers protecting them.

Probably really intrigued by Sofia!Reader's amulets.

Like wdym the amulets let's you talk with animals? And allowed you to transform into a mermaid, or any animals or muthinc being you see? At allows you to shrink yourself? And you can summon people when you need help??? (Nobody tell him that some of these people are related to the Great Sevens.)

Probably dying and panicking internally

I mean, I don't blame him, Crowley literally dumped a whole child onto him.

Idia is probably scared shitless of Sofia!Reader, he seems like the type to think that children are literal demons.

Thanks the Great Sevens that Sofia!Reader is actually pretty calm.

After all the panicking, I feel like Idia would probably know how to take care of Sofia!Reader, since he had to take care of Ortho before his death so he isn't really clueless about what he should do. (Fun fact: did you know that human Ortho died at age 8? Which is how old Sofia was at the beginning of the show.)

Though at the same time, Idia can barely take care of himself so also having to take care of a child would be pretty challenging.

Ortho is usually the one to take care of Sofia!Reader, because Idia was to busy with his games or something.

Idia will probably be the on introducing Sofia!Reader to technology, since they literally never even saw of phone in their entire existence (which wasn't a very long time but still.)

Would probably also be interested in their amulets and how it works, but doesn't expect to learn much from Sofia!Reader since they also don't know how the amulets work.

꒰ ◁ ꒱┊❝Back to Vil, Malleus, Idia's Masterlist❞

[muneca-lemon-steppa]

Mooooo ! I love you so much bby 💕 my I request one with Alfie with the touch starved prompts “you never have to earn my affection-not now, not ever” and “I’m never more at peace than when I’m in yours arms”? Thank you lovely❤️❤️

My baby girl!!!!!!! Ugh thank you so much for sending this in. Did my heart ache writing this? Yes. Did my stomach hurt? Also yes. Am I sorry for it? NO. WE DO NOT APOLOGIZE FOR EMO HOURS IN THIS HOUSE. Hehehe Anyway I love ya so much I hope you enjoyyyyyy.

100 Follower Celebration: Your Love is Enough

Alfie Solomons x Fem!Reader

There were many perks that came with being Alfie's woman. While there was certainly a good deal of danger lurking around, there was an undeniable air of safety you had due to all the eyes watching. You got access to all the hot goings on around the city. You lived comfortably. And above all, you got to love Alfie Solomons fully and purely and unabashed. There was only one downside really... the talk.

It was no secret that you were significantly younger than Alfie. It was something you and Alfie never shied away from and didn't feel a need to. Regardless of any age difference, you and Alfie understood each other on a cosmic level, a way no one else could. You loved him with your whole heart and soul and Alfie would burn down the world if you asked him to. You were one. And anyone who truly knew you and Alfie knew that this was true love. That this was the type of love and devotion that epics were written about and empires crumbled over. But there were always going to be people who didn't know. Always going to be people who didn't understand.

You were perusing fabric patterns in the shop down the street one early afternoon, looking for the final pattern to add to a quilt you were making for Ollie's soon to be born first child. You delicately touched the cotton blends along an aisle, imagining how it would look along the squares you had already picked, taking mental note as to what was available.

"I just cannot imagine what he sees in her. I mean... she is a child isn't she?"

Your ears perked up to the tone. It was Mrs. Vorsed from down the corner, the one you waved to every morning without even a smile in return. Another voice responded, "You know how men are. They just want a little toy to play house with until they find a wife."

Who on earth could they be talking about?

"Mr. Solomons needs a real woman in his home. My Portia knows what it means to be a lady of the house, and knows her place. I mean that girl he is shacked up with... I can hear her shouts and laughter from down the street! What does she know about keeping a home, much less keeping a man?"

A snicker erupts, "Well I'm sure she won't last long. He'll tire of her eventually when he realizes what he truly needs. Then Portia can swoop right in!"

The cackles fade away with the sharp chops of heavy footed steps. Despite your efforts, the knot in your throat never went down. You lungs refused to take in breath as the words spun in your mind. How could they say those things so confidently? They didn't even know you. They never even stepped foot into the house, how could they know how you keep it? Alfie never said more than a good morning to Mrs. Vorsed. How could they know anything about you or Alfie? Yet their words kept spinning and spooling around in your mind. What if... what if they were right?? What if people saw something that you couldn't see? What if you had deluded yourself into thinking that Alfie was truly happy and in love with you? What if he was unhappy but didn't want to tell you out of duty. It all became too much in your chest, and you left the store without your fabric, but the weight of the world on your chest.

That evening Alfie could not wait to get home to you. Every evening Alfie nearly buzzed at the prospect of coming home to see your face again, and wrap himself around you, getting as close as possible. You made his day better. You made his life brighter and joyful and meaningful. It made all the business and badness worth it. Stepping through the threshold with a press to the mezuzah, Alfie calls out, "Sweet girl! I'm home! You in the kitchen darling?"

He hears you call back and smiles wide, stomach growling hungry for supper and you. Taking off his coat and hat he ambles into the kitchen, watching you stir something magical in the massive soup pot. "My dove ,my angel, my joy, what are you doing? Making food for the Royal Navy are we?"

You turn to him, and he can clearly see that something is wrong. Your lips are quivering and poorly attempting to portray a smile, and your eyes are glassy and red rimmed. He feels a stab in his chest, "Now wait a minute treacle... what's got you crying?"

You wiped your cheek and turned away, "I'm not crying."

With a scoff he grabs your chin gently, turning you to face him, "I thought we didn't lie to each other my sweet. Especially since you're the worst liar since the Garden of Eden. Why are you crying? Come on now confess."

You shrugged as Alfie's hands moved up and down your arms, "It's nothing. Stupid really I shouldn't be crying."

"Nah nah. It ain't stupid if it's got my sweet girl crying like that. Out with it."

The tears kept falling, though you tried to keep an even tone, "I just... I heard some women talking. Mrs. Vorsed and another lady."

Alfie rolled his eyes, "Always a bad sign. C'mon what else."

You sniffled, "And... well... they said that... I wasn't good enough for you. That I didn't know how to be a good woman to you. And that you would be better off with someone else. That you would soon grow tired of me. That I'm not deserving of you, and Portia Vorsed would be a better match for you."

The tears started coming harder, and you couldn't help the shaking of your body. Alfie's stomach dropped, and rage replaced it. Alfie shook your shoulders a bit in his passion, "What the fuck is wrong with them? Treacle, Mrs. Vorsed is the worst gossip in Camden, and doesn't know anything about anything. She hasn't got anything better to do but talk absolute shit. Portia, right? She is the silliest woman in town, she can't even do basic arithmetic because she's too busy being an idiot. I mean fuck me treacle I can barely say good morning to Mrs. Vorsed without getting proper fucking agitated!"

Alfie kissed your forehead and brought you to his chest, "YOU are the one for me. I don't give a shit what Mrs. Vorsed or what any other decrepit woman or idiot man thinks. You are my life. You are my stars and my moon and my sun alright? You don't have to be 'good enough' for me. Fuck you just are. You never have to earn my love. You've always had it. Even before I knew you my old and brittle heart was yours. You got that?"

You nodded, the tears pooling in his shirt. Alfie pulled you away from him to look into your eyes. "And treacle I don't even think Mrs. Vorsed can see more than a meter in front of her so she probably has no clue who she is talking about."

You laughed despite the tears and Alfie grinned. All he wanted to do every day was to make you smile. He was convinced that was what he was put on this earth to do. You put your hand to his face, feeling him lean into the warmth of your palm. "I just want to love you and care for you like you do me. I just worry that I don't do enough sometimes."

He grabbed your hand, kissing your fingertips, "Ah my sweet. I'm never more at peace than when I'm in your arms. I'm never more at home than when you're next to me. The whole business could go to shit and I'd still be the richest man in the world because I have the greatest treasure in you. And I mean that my love. You believe your old man right?"

You nod. The lump in your throat finally dissapated and the weight melted away. There was truly no love like Alfie's and yours. People could talk all they want. People could make any assumptions they wanted. That didn't change what was true. And what was true was that you and Alfie belonged to each other and would for all of eternity.

[yangsharperavery]

my carmy/sydney related thoughts on season 2

i think when digesting this show, it's done more easily when we see who carmy and sydney are as people and how they bring that beingness to their dynamic.

it's interesting to see the takes from people who are troubled by what they saw in this season in terms of their relationship.

i personally thought there was so much fascinating groundwork that was laid.

we knew when molly gordon was cast they were likely trying to introduce a love interest for carmy.

i was not shocked, i was not surprised. i literally expected it.

doesn't mean i wasn't rolling my eyes but i was well aware of what function she would play within the narrative.

but the writing is so sharp that there are a million subtle elements of carmy's character, and what we know about him up to this point, including what was illuminated by the christmas episode.

let's first talk about carmy's choices and behavior where it relates to claire vs sydney and the restaurant.

we know that carmy is awkward, isn't incredibly relationally experienced and has sacrificed everything for his career and specific level of skill.

he'd just been ruminating on expanding his experiences as expressed in the al-anon meeting.

we know this man is intensely grief-stricken and also that he's battling his own mental health.

we also know he's literally been bred from chaos and emotional tumult.

even him not going to his own brother's funeral makes so much sense after that christmas episode.

he couldn't stand to witness what that type of grief had done to his already deteriorating mother.

so he's trying to conceptualize fun.

notice he wasn't trying to conceptualize love or relationships or a partner.

it was literally presented and integrated as fun.

so he runs into this girl he used to a have a crush on and even then, he's not sold because he knows himself, he knows his priorities, his propensities toward self sabotage, etc so he gives her a wrong number.

yet she persists.

so to me, this may seem like a sign to him to give this a chance, do some exterior exploration of something outside of the kitchen and outside of his career and outside of his own neurosis.

so he's just going with the flow. trying to be "normal". not really knowing the content or context of anything. another reason why he wasn't even calling claire his girlfriend.

claire even brings up the fact that they'd hung out so much but didn't actually talk.

which is SPOT on because the audience only actually ever sees them talking about their careers or what they were like as kids/teenagers.

but you know who carmy DOES talk to? hmm, more on that later.

so claire is symbolic of this thing that was pleasant when he was younger, when he was less of this grown conglomerate of anxiety and disarray and sorrow. a part of him that's separate from all of his current worry and fixations and dysregulation.

him saying he loves her so much and that he thinks she's so great actually rings hollow because we, the audience, didn't actually get to see when and where that level of specific emotion or intensity occurred.

so off rip i don't believe him. i don't think about it in the context of if or when he and sydney explore anything, because it feels patently untrue to me.

and completely separate from sydney.

it's not earned. it's not rooted. it's not tacitly valid.

it's fine. it's a good time. it's some laughs and conversation and sex and a nice, normal person he has fond, nostalgic memories of.

and i think it's written that way on purpose!

so him professing this to other people feels like this way to continue digging a hole of his own distraction, his absence, his lack of attention to detail.

i completely understand the frustration that many feel about interpreting this like carmy was essentially choosing claire over sydney.

carmy was trying to have an unfamiliar and different experience and didn't have the depth perception, the self awareness and the internal regulation to recognize he was doing it to the detriment of something so deeply and irrevocably important to him.

as soon as sydney brought it up, he got defensive but then moments later recognized his errors and apologized.

she told him she didn't want to share his attention.

he told her she was absolutely correct and that she deserved his full focus.

what's fascinating about this part is they aren't even explicitly talking about the restaurant.

she says "me" and "i", he says "you".

uh. wow.

now even in the context of JUST the restaurant this is saying ALOT here.

him instantly apologizing and agreeing with her requests means a substantial amount.

carmy isn't an ass because he stood sydney up for the palate cleanser. or even because he went absent when he shouldn't have.

carmy is deeply troubled and wounded and suffering and he was grappling for something else to feel or do or think about besides what he's ALWAYS thought about and done and fixated on.

that's why he's unreliable, that's why he's haphazard and emotionally or energetically messy. he's coping.

that's why he knows he makes mistakes all the time. because he feels like he's a screwup in a lot of specific ways in his life so he's used to it.

he's not being malicious or cruel or even unkind to sydney.

and this isn't an excuse. it's a reason. it's what all the information we have about him up to this point is providing us.

and yes, his timing is godawful.

but he trusts this person so implicitly because he knows how talented and capable she is.

carmy does not know HOW to be a partner, of any kind. where would he have learned that? where would that have been modeled for him?

"this is what you wanted originally and i'm giving it to you."

so let's transpose the way carmy and claire are presented with how carmy and sydney are together.

he literally can't WAIT to hear what sydney has to say. about literally anything.

at any given time.

"say more please."

all he wants to do is listen to her talk. he wants to know everything about her. the personal stuff too, almost especially.

he listens to her so closely. in the first or second episode she loses her train of thought and he repeats everything she just said.

i don't even think it was restaurant related.

he brings up her mother not once, but twice.

he feels like he should have known that sydney lost her.

he wants to pour into and believe in her because he does. he already does.

he's ready to apologize to her because he knows what a mess he can be and often is.

he knows what his anger can do. he knows how he was conditioned and raised in the industry and he doesn't want that at all for her, least of all from him.

especially after she walked out last season.

he's hyperaware of it. he calms down instantly both times she does the sign for sorry that HE taught her.

he has this propulsion to NEED to know what's happening with her in the very moment something occurs.

he did it last season when she quit on the spot and he kept trying to talk to her when she was leaving.

he did it this season when she was frustrated and trying to say goodnight after carmy was actively telling everyone goodnight and to go home, yet he tried to talk to her when she was leaving.

"what?"

"i'm saying goodnight."

he was repeatedly ushering everyone out but because of the look on her face, carmy's like wait, "what's that about, what's happening?"

he can't stand it!

same with them outside last season when he brought her food and asked what was wrong.

if something is up with her, he reacts immediately.

if she's peeved, he wants to know why right away, he wants to know what to do to make it better, how to approach it, what to say, he goes out in search of that information in the moment it's happening.

sydney is his soft place.

he feels very anchored and tethered to her and i believe she feels the same with him.

sydney is his respite. his peace. the thought of her literally calms and stills him.

her being energetically seats him.

we saw it penetrate his seismic and consistent panic in real time.

that was clearly displayed for all of us to witness.

he doesn't want to be cruel or unkind or anything other than present and communicative with her.

i'd venture to say he actually doesn't want anything more than that, besides maybe the restaurant to succeed.

now sydney is in her "i have something to prove" era.

she is so driven and so determined but she's also a realist and is inundated and surrounded by all this proof that what she's doing may be foolhardy.

at the very least, it's incredibly risky. it's a jump.

and someone deeply ambitious and creative and tuned in and focused like sydney has such fear of failure.

because she knows what it often means for someone like her.

that's why she overextends herself so continuously.

she's often had to and she thinks it gets her closer to the opposite of failure.

she was not only aware of the gaps carmy's absence was leaving but also planning this tasting menu with a MILLION things on it because something was gonna be the star because it MUST.

and i think the carmy absence flares a bit of abandonment as well, like he's left her in a lurch.

she has feelings about that.

she finds out why he did, and TRIES not to have feelings about that.

that's confusing and she's already beyond stressed out so she tries to stuff it.

her success is so tied to her identity because she's worked so hard to get where she is and still feels like she's not where she wants to be.

so she wrestles with worthiness and worry and the financial climate of affability for restaurants. she's riddled with what if she can't hack it?

she has evidence of that being true in the past.

she has evidence of her past failures and those are what keep her up at night, not the infinite possibilities of her future successes.

and that's also why she picked carmy.

because she was always going to pick the best.

she was always going to follow the career and moves of the standout in the industry.

of the person that made the best meal she's ever had.

so if he's anal retentive or jumpy or doesn't call about changing the structural elements of their restaurant while it's happening, she deals with it because she picked him.

she chose him. and then he chose her.

(and then she lightweight chose him again when she came back)

so that's why when they're talking he so often checks in by looking her in the face, scanning her expression. he instantly picks up on something being off or wrong or him being "shitty".

or why when they're under a damn table, despite being peeved or annoyed with his disappearing acts, she lets out the most vulnerable, softest admissions about the perceived necessity of her contribution and future failure.

or why he responds with "i couldn't do it without you" so instantly, so rapidly, it's like it's etched in him. that's the quickest response he'd given to anything she said to him the entire season, she barely got the words fully out before he was verbally soothing her.

then he STAMPS this by saying "i wouldn't WANT to do this without you."

there was such an unexpectedly, viscerally aching quality to that exchange.

it's honestly searing.

i'm sorry are these wedding vows or are we talking about opening a damn restaurant?

or the way he says "you love taking care of people" to her when she talks about making sugar food.

that's also a stellar mirrored moment because i've seen a few people, i believe @eatandsleepwell is one, talk a lot about how that's one of carmy's main drivers and internal tenants.

they see so much of themselves in each other.

the buried parts, the unknown parts, the odd parts.

the parts they wanna work on. the parts they wanna exalt.

they are so similar. they are also quite different.

they have reflected one another in the narrative since s1 ep1.

they exist so flawlessly within the others interstices.

she wordlessly hands him pepto for his stomach.

he tells her he won't let her fail.

the pulsing undercurrent of sydney and carmy is pretty fucking palpable.

there's people on social media who weren't convinced or didn't ship them last season that have suddenly completely seen the vision.

whether the writers actually go there or not remains to be seen.

i don't necessarily trust that they will or won't to be honest because i know there are so many moving pieces and variables and factors.

ships get bypassed and messed up all the time.

i don't watch any shows for ship guarantees but i know how writer's rooms work.

i'd venture to bet that at least 1/3 of that room DOES have an interest in seeing something happen between carmy and sydney, (maybe even 1/2).

or at the very least the option to have it explored.

different people write different episodes, the showrunner/creator can scratch or add whatever.

scripts are TIRELESSLY edited and shortened.

yet there is alot that makes the final cut that points to the potent carmy and sydney marrow.

him giving her the captain reigns before they served for the first time, her saying 'let it rip'.

to me, sydney walked into that failing sandwich shop with a mission that day, they locked eyes and immediately fused.

something happened to the both of them in that moment and they largely don't even realize or can adequately reckon with its magnitude yet.

[mari-lair]

Let's talk about Teru and Aoi and how interesting Teru behavior with Aoi is.

Teru is on a mission to see what has changed from the original timeline to this one, he said so himself.

But he makes a strange move and completely ignores the very big change he was presented with: His engagement with Aoi. The plan was to abandon his 'brand new fiance' and go look for other changes.

Aoi holding his armband, asking for his attention in a very Aoi way and showing a willingness to go on a date with him shocked Teru less than the engagement news but it stuck to him in a way the engagement did not.

Just compare how Teru go 'welp it is what it is, what a strange timeline,' with a level of dismissal that makes him talk to Akane instead of Aoi about the situation.

To how he takes this Aoi at least seriously enough to question her request for them to go out.

So the idea Aoi wants to date him is more confusing to him than being engaged. So much so he does what he does with the original Aoi and starts asking her questions, even picturing the old Aoi as he ask for her hand, adding a lot of '...' in it.

It feels like a test.

A test Aoi failed by accepting his hand, doing something the Aoi he knew never would.

Teru is closed up during his date with Aoi.

He goes with the flow because he needs answers to go back home, he needs to figure out why she is so different but he is tense about this date. His sword bag is a tight fist, pulling at the strap when she clings to his arm.

During their entire date, he keeps this fake little smile on. Avoiding to touch her as much as he can, and not having much to say despite usually not only being good at acting like a flirty prince when people want him to, but having fun in the role.

So Teru isn't indifferent in his date he is tense as fuck.

When he decides he'll send the picture to Akane and Aoi breaks character from lovey dovey fiance, Teru shows a hint of interest again, he goes "ohh? is there a problem?"

It's another test.

She fails but her panics about hurting Akane must either remind him of the og aoi or entertain his more sadistic side, so he goes 'hmmm', which is unimpressed for sure, but still a far more positive reaction than the "unease" that popped up when aoi had held his hand.

By the end of their date i'm pretty sure Teru comes to the conclusion Aoi likes him. I believe this for two reasons.

First, he start playing along with his fiance role instead of being guarded and silent, asking her to feed him with a smile that doesn't feel fake or tense, it's his usual :D expression instead of the :) he has been wearing this whole chapter.

The second thing of note is that this is the first time he actually touches Aoi.

During the entire manga, even in the old timeline, Teru never even poked her shoulder, but this time he lightly holds her hand to stabilize the snack.

He seems bothered by people crowding them and he actually perks up when Aoi asks him to go to a more isolated place, his smile feels somewhat casual at the invite too, not like his tense ones from before.

When Aoi slaps him he is surprised.

And this part only further suggests that when he had asked Aoi to fed him, he was under the impression she genuinely likes him in this timeline.

So he doesn't have a problem doing couple things like being fed by Aoi as long as he believes Aoi enjoys it too.

But she doesn't like him.

Just like the Aoi he knows doesn't. It feels right.

Teru is happy.

Immediately after learning this Teru tries to find more similarities with the old Aoi, asking about her crush on akane and going back to his mission of determining why changes happened.

Aoi mentions they are both unhappy in this arranged marriage and that they are only playing along to appease their families. Teru is surprised that he is unhappy too.

I am not entirely sure what this means but it is noteworthy that he seems genuinely surprised the 'him' of this timeline is opposed to the marriage Aoi.

This little Teru is a brat, but his smile and blush contrast with his word. Either he is displeased greatly by this but refuses to 'play victim' like Aoi, or he cares more than he lets on.

He was the one who found her when Aoi admitted her intention was to hide. So he went out of his way to find this "annoying victim blaming girl"

Maybe this means his parents ordered Teru to go find her fiance, make a good first impression, and put on appearances, maybe he went to find her himself for some reason?

As of now, it's hard to say, we don't have enough info about this new timeline to guess very well, but it is food for thought.

Now back to the old timeline, with the Teru we are familiar with: Aoi asks about his family, about expectations and performance, and that isn't a topic he is very comfortable with, just look at his face.

But he does answer her.

He is very awkward, but he doesn't lie, it feels genuine.

He even mentions his mom, which he hasn't mentioned to anyone before, not even Akane.

[raayllum]

scene of all time. to me

I'm gonna be circling back to Rayla and Callum's argument/talk over the dark magic use over and over again in the next 6ish months (if not years) so this is not all of it, but everything I feel ready to articulate right now. Let's go

First off we have Rayla's concern being at the forefront of her mind — dark magic almost seemingly killed him the first time, "it puts [his] life in terrible danger," she wants to protect him and doesn't want him to be hurt, etc. Callum tries to put moral qualms onto her (and we'll get to his in a second) and see if that's her reasoning, but Rayla doesn't take it cause she hit that turning point way back in 2x08 / 2x09.

I also think the framing of "Because it makes you vulnerable to the thing you're most afraid of" is interesting, because I don't really believe Callum when he agrees.

Between "I think deep down I knew, I just hoped if I didn't think about it" and "When you were under the ice I was so scared, I thought I was going to lose you like we lost her" and "I'm afraid that he'll use me [...] and hurt people I care about," I think what Callum is most afraid of is Ezran or Rayla dying. Full stop. After all, he was more unwilling to live in that reality than he was in one where Aaravos took him over.

Gonna talk about her asking why in a bit, wanna talk about Callum's outburst and dismissal first.

C: It doesn't matter. I did it, I'm ruined, it's too late for me, who cares?

He spirals hard with his anger and upset over everything, and you can tell by her face how worried she is. Even the fact that Callum looks away from her repeatedly in this scene, similar to how he avoided looking at her when she first came in 4x03, to have those emotional walls and distance up. It likewise makes me think of Callum insisting "There has to be a way to make it right" in 1x02 only for Harrow to inform him "No, it's too late for that". There's also some semblance of "well I made my choice so I'm just Like This now" that we saw/see from Viren (and Aaravos) as well, which of course isn't true, but that's how it feels. Why Callum is so adamant about this is another thing I'll get to in a minute.

But contrast the "I'm ruined" with Rayla's "you're a good person Callum, maybe the goodest" in a couple of episodes, and the "who cares?" when Rayla is right there, caring about him as he pulls a, well, her of sorts.

Then we have Rayla reaffirming for the 4th time that she wants to know why Callum would keep doing something that's dangerous, that hurts him, that puts him in terrible danger (almost like how she Leaves to protect him or uses herself as a shield constantly or something).

What is his 'good reason' (5x01) because the only thing that makes sense to her is that he'd have one? What could Possibly be worth that cost and level of risk to him, of the thing she believes he's scared the most of?

Wasn't the one she was expecting, we can say that much.

C: Finnegrin was going to kill you. I didn't have a choice, because... I would do anything for you.

Now, there's two ways to read the above line. You can read it as Callum trailing off in "I didn't have a choice, because..." his love for her compelled him to act, and there was no other option he was willing to consider. This best fits with the condensed/cut lines from Finnegrin's Wake of "It seems to me like love has a tighter grip on you than those chains around your wrists, so I'll do you a favour and set you free" where Callum could either lose Rayla but 'be free' or keep loving her and stay 'chained'. Then, "I would do anything for you" is a reaffirmation of how he feels and his vow of sorts to her. This is the one I lean towards if I had to pick definitively between them.

The second way we can read the line is "I didn't have a choice because I would do anything for you," which is that his capacity for the 'anything' removes his agency. This is definitely the one that's in line with the mindset of dark magic creates, which is that if I can do something, if I can save/help/protect/cure someone, then how can I not, no matter the cost or sacrifice?

Rayla processes the reevaluation of the vow and its boundaries.

He did it for her, risked all of that and himself for her, in order to save her life. "Am I supposed to thank you?" And I think again we see the parallels between her leaving to protect him, and how she would've rather died than have Callum use dark magic again (as she's about to say in a minute) but this really stood out to me in comparison to Viren and Claudia and Viren and Soren later this season.

Claudia mandates "You have to stay! You have to [do what I want]! I saved you! You owe me your life!" in 6x01. We learn in 6x06 what, precisely, Viren did to save Soren's life, and Soren then offers up his heart to Viren for Katolis in 6x08, something in Claudia's vein of logic (though not to her herself) Viren would be entitled to. But Viren, and Callum, make it clear that Soren and Rayla don't owe them anything just because the two mages saved their lives with dark magic.

Then Rayla switches gears and gets to the heart of the matter.

Now this was really exciting to me for a few reasons. The first is that I always wanted the "Make the sacrifice" angle from Viren-Aaravos in 5x09 to come back around for Rayla and Callum in a future season since I love that fourway foils dynamic a lot. Rayla refusing to kill him, and Callum refusing to let her be killed/sacrificed in some other manner. You don't have characters say shit like this (nor have this be what causes Callum to stumble and the ship starts breaking) unless you plan on going there for both of them, which is likewise what I've always wanted since even before S4 came out. The fact that this is also spearheading us to talk about Rayla's ideas of sacrifice and of herself ("Cause I know you Rayla, you never do anything for yourself") is especially beautiful and exciting.

Ergo, this argument is the scene of all time. To Me.

[mylesimeblr]

Prompt: Aonung is terrible at courting Spider.

It’s not that Jake isn't happy Spider is finally getting some attention… He is! He knows how lonely the kid has been feeling lately. It was hard to watch him so depressed. They never talked about it but Jake knows he probably didn’t have the best of times with the RDA. Jake knows them. He knows what they’re capable of. And he found the kid bruised and looking very tired. What happened with Neytiri on the ship clearly didn’t help their relationship. His mate had always disliked Spider, even though the kid tried really hard to fit in.

He was afraid settling up with the Metkayina would be hard for Spider. It was, at the beginning. They were very distrustful of humans and Jake couldn’t exactly blame them. But eventually, they warmed up to him and Spider even made some friends.

And Jake was happy for the kid.

Until he wasn’t anymore.

There was one thing he hadn’t anticipated. That no one had anticipated to be honest. The effect of human pheromones on young Na’vi… Spider was growing into a man and the hormones his body was producing in immense quantities were particularly effective on coming of age Na’vi… Making him extra attractive all of a sudden.

And the courting began.

It was cute at first when the Metkayinia girls offered Spiders weaved items and flowers. Spider didn’t really get it and was very confused at first. But it was cute and Jake was glad the boy was being noticed. This would do some good to his ego and Eywa knows the boy needs the boost. But when males began to bring extra fish for Spider or impress him with their skills, Jake couldn’t help but frown. It’s not that he disapproves of males courting each other - he’s not from the twentieth century after all! But there were obvious physical differences between the Na’vi and Spider that had Jake slightly worried. The girls were already taller than Spider and would get much bigger with time. But girls were less scary than those young warriors in training. Sure, they were bigger and stronger but there was something about the broad male bodies and their large items that positively terrified Jake for Spider safety..

As selfish as it was, he secretly hoped those courtship gifts wouldn’t go anywhere and that the young Metkayina were only interested in Spider because of the hormones he was releasing and the fact that he was exotic. It was selfish to think this way, he knew it… Lo’ak and Tsireya were courting and Kiri had caught the eye of Rotxo. And Jake was happy for his kids. Tsireya was kind and a good balance to Lo’ak’s fiery temper. And Rotxo loved Kiri for all she was.

So wishing that Spider’s suitors would get bored early in the process was not exactly nice.

But Jake wasn’t stupid. Courtship was not just about gifts. When a courtship was accepted and succeeded, it led to activities Spider’s human body was absolutely not suited for. Jake didn’t want to think about it - out of respect for Spider. But watching yet another bulky boy bring Spider his catch of the day and give the human a look that couldn’t be described as anything but suggestive, Jake saw red.

Fortunately, Spider didn’t seem interested - or he probably didn’t really understand. And Jake was relieved.

But then, Tonowari’s son, Aonung, of all people, decided to join the list of suitors and the young male took things to the next level, courting Spider the manly way. If the other Na’vi had been rather shy and offered a couple of gifts before backing away, Aonung did not and his courting methods were rather… questionable at best - aggressive and really not effective from Jake’s opinion.

The young Metkayina almost buried Spider under a mountain of fish daily, knocking the poor human into the sand once after throwing a much, much too large fish his way and Spider remained stuck under the weight of the thing, only the tip of his fingers popping from the sand, desperately wiggling to get free.

He also took Spider on his Skimwing for a ride that was, as far as Jake was concerned, everything but romantic. The young Na’vi sped up a bit too much, way too eagerly, and Spider’s light human weight was promptly ejected and crashed into the sea in a flash of tangled blond hair.

When he decided to take Spider for a swim, he led him to a shallow creek that was only shallow for Na’vi. When Spider jumped off the Skimwing, expecting to wade into the water, his feet touched only nothingness and Aonung saw the boy disappear at the bottom of the spring in a loud Blouf. Aonung pulled him back to the surface, but gripped him too hard and bruised a rib with his much superior strength, leaving Spider to be bandaged and bed ridden for three weeks.

This was the worst courting Jake had ever seen. But the real worst was that Spider had no idea Aonung was trying to court him at all. For Spider, Aonung was either trying to get him killed or befriend him the Akula way.

[witchthewriter]

𝑫𝒓𝒂𝒈𝒐𝒏 𝑫𝒊𝒓𝒆𝒄𝒕𝒐𝒓𝒚

𝐇𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐲𝐨𝐮𝐫 𝐛𝐨𝐧𝐝𝐞𝐝 𝐝𝐫𝐚𝐠𝐨𝐧 | 𝒑𝒂𝒓𝒕 𝒕𝒘𝒐.

⤷ gender neutral, Valyrian blood (dragon rider), and any size reader. Requests are open, thank you for reading!

a/n: so I realised I didn't exactly go with the 'how they show their love'. Instead, I've changed it to general headcanons w/ your bonded dragon (because I can talk about a whole lot more!)

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

𝐃𝐑𝐄𝐀𝐌𝐅𝐘𝐑𝐄

・Also known as 'The Mother of Dragons', her pale blue scales shone with silver detailing, giving an almost shimmering appearance.

・30% Aggressive, 35% Loving, 15% Graceful, 20% Wise

・A mother hen sometimes; won't fly until you've had something to eat, you MUST have your water satchel at all times

・Her favourite food is lamb, she cannot stand pig. Even if there isn't anything else to eat, she would rather starve. You have no idea why she's like that.

・LOVES the water, absolutely adores waterfalls in particular. That's where she likes flying off to.

・It's mind-blowing to see a dragon swim, a lizard-like head bobbing up and down. Making happy noises as she floats in the crystal-like water

・She's actually one of the dragons who does like to collect things. In can range from precious jewels to gold to shells to things she's found while swimming

・You bring her things if you've been away (she doesn't like when you don't visit her at least daily)

・But she forgives you when she sees the sack full of *things*

𝐌𝐄𝐋𝐄𝐘𝐒

・Known as 'The Red Queen,' in her youth, she was the fastest dragon in all of Westeros.

・When she was younger, and being trained; she excelled. So much so, that others wondered if she could become the next Balerion.

・Because it isn't just about brute strength, but understanding commands, connecting with what needs to be done etc. Some dragons learn the art of war, and others just ... participate in wars.

・That's why your father pushed you so hard to train. It wasn't to experience difficult situations, but to understand how Meleys would react to them. And in turn, she learned how you react.

・You and Meleys became known for your victories, for if there is a battle, or even a war, you and Meleys are called in.

・Meleys does not like to be touched by anyone but you - so you're the one who bathes her, who tends to her wounds.

・Meleys is very graceful, and likes to be preened. Especially the crown of thorns that grow from her head. With each year they seem to get stronger and larger.

𝐂𝐀𝐑𝐀𝐗𝐄𝐒

・The most unique-looking dragon to ever exist in Westeros. And you love that about him.

・His elongated neck is one of your favourite features about him (he was a bit insecure about it when he was younger. His appearance freaked out not only other people, but the other dragons. Who basically shunned him

・He wasn't allowed in the Dragonpits because too many wanted to fit him.

・But Syrax, she was his only friend. Well, besides you...Well, you're his family.

・Both of you are loners, but intimidating loners. That's how you became the most formiddable pair. All that time together.

・Because then you started to move in connection with one another. Like magnets. Foreseeing each other's decisions, and being able to react; this connection makes it so easy to win battles.

・Even against other dragons and dragonriders, they just don't seem to be on your level.

・Caraxes is very warm, moreso than the other dragons as well. It may be because of his colouring, the fact that his fire is also so hot it melts men in armour where they stand. It might also be because his neck changes how his fire sits within him.

・Either way, it makes for a great help in the Winter when you're shivering, while in the clouds, flying.

𝐒𝐘𝐑𝐀𝐗

・Willful and stubborn, Syrax doesn't like flying unless the weather is nice.

・She LOVES being doted upon. Call her a good girl and she's yours.

・However, she does have a quick temper

・And doesn't like her limits pushed

・Understands when something is important, i.e., when she has to be used as a weapon (she likes using her fire - bit of a pyromaniac)

・She shows her love by flying you to the outlands of King's Landing or Dragstone. You love being near the water, with the sun beating down on you.

・Syrax is impatient though and you have to find a place where she can fall asleep underneath shade

・Snorts when she scares someone

・Syrax HATES when she gets dirty, and demands to be bathed every day

・Training her was actually a nightmare. She has the capacity to learn a lot but just doesn't have the ambition

・She had to be bribed with food, basically all the time.

𝐒𝐄𝐀𝐒𝐌𝐎𝐊𝐄

・More of an introverted personality. Doesn't care for warfare, but trains when he has to. But when it comes to you, he will fight til the very end.

・Extremely loyal, doesn't like being away from you for very long

・And is the second best looking dragon in all of Westeros

・But you always tell him that he's the prettiest boi the world has ever seen

・The difference between Sunfyre and Seasmoke is that Sunfyre knows he's a hottie and loves the attention. Seasmoke doesn't care for the cheers of the crowd

・Seasmoke is a lot less self-indulged

・He does love being near the water. Definitely has Pisces energy about him.

・The pink frills behind his neck are very ticklish and once nearly shook you off because you wouldn't stop tickling them.

・He prefers to eat fish over anything

・And you actually made him a pearl necklace from all the oysters he finds while diving into the ocean

𝐒𝐔𝐍𝐅𝐘𝐑𝐄

・The most beautiful dragon to ever grace Westeros.

・Known as 'Sunfyre the Golden.'

・Well that's what the Maesters had written in the history records

・Sunfyre is very stunning

・With gleaming gold scales that seem to create sunspots when the sun hits them

・His wings are pink entwined with gold. Pearlescent white showing here and there.

・Crowds flock to see Sunfyre

・And both you and Sunfyre love flying above those crowds, hearing the cheers as you swoop low and show off

・However, even though he loves being complimented, he mostly just wants to be loved. Adored. He hates being on his own, and absolutely loves when you sleep beside him.

・He will tug on your clothes when he's bored; but one time he accidentally bit you and you were so grumpy with him.

・To make up for it, he had brought back a dead sheep (in dragon language that means " I'm sorry " )

𝐓𝐄𝐒𝐒𝐀𝐑𝐈𝐎𝐍

・One of the younger dragons, she is known as 'The Blue Queen.' Her name is after a Valyrian goddess. One of power and glory.

・But you just know her as Tess, and she nudges you whenever you do so

・She's your best friend, and you're hers.

・For a dragon, she's very reliable and down to earth (major metaphorical sense for the latter)

・Her appearance is nearly completely blue, with touches of pearlescent white on her horns. Her eyes are a glowing blue as is her flame.

・Very good around children, and has actually allowed one to touch her snout.

・Has a thirst for adventure and you show your love by allowing her her freedom

・Never chaining her in the dragonpit, your only command is not to go too far when she might be needed.

・She actually loves flying at night, and keeps herself steady so you can watch the stars

[slvt4em1lyprenti2s]

There’s only one bed

Summary: you and Nat go in a mission and there’s only one bed

Word Count: 1.7k

fluff

Pairings: Natasha Romanoff x fem!reader

!NOT PROOFREAD!

Natasha's POV:

Fury Just called me into his office to have a mission debriefing. Normally we'd have the brief with all the Avengers but, this is an undercover mission and let's just say majority of the team aren't very good at that. They blow their cover all the time and can't persuade people to save their lives. Ironic because that's exactly what it does on missions, save their life.

I've been told I'm going with someone but a name hasn't been given yet. I hope it's not an Agent from the academy. They're all newbies so I'll have to hold their hand the whole mission because they're clueless. As I'm walking I bump into Wanda.

"Oh hey, good luck on your mission!" she cheerfully said.

"Thanks also, do you know who I'm going with? I mean like any details about them?"

"All I know is apparently she's very popular among her fellow students, and by that I mean, she's hot."

"Students?! Great, so she's from the academy?"

"Yeah but, Fury wouldn't send her with you if she couldn't handle it."

"I guess your right but they can be really annoying needing to be walked through every single step of the mission."

"I guess you're right but, rumour has it, she's the best of the best. Your level even."

"Ha, I've heard that one a hundred times before, no one's better than me c'mon Wands you know that."

"Haha, yeaah I know Nat but just give her a chance?"

"Fine, I will but, I got to get to Fury now, I'll see you around."

"Bye, good luck!"

We parted ways and I gave her a smile. I walked into Fury's office and was welcomed by the sight of a beautiful woman with wavy y/h/c and shining y/e/c eyes. I going to be honest Wanda wasn't lying, she's perfect. Oh my god, I can't be thinking about these things she's my mission partner! She was already sat down in a chair opposite Fury when I came in so I took the chair beside her.

Fury started talking first, "Thank you for both making the time to be here, as you know this is an undercover mission so, pack a bag that'll last at least 2 day and 2 nights. We can never predict what'll happen at these kind of events."

"Speaking of, what event is it and why exactly are we going?" I questioned

"Well I'm glad you asked. It's part organised by Darren McHugh, not a big name in any industry but filthy rich. Attending the party is Lauren Emerson, your target. All you need is information from her about a weapon Hydra is developing. Her father has every Hydra scientist and engineer in his pocket so, she'll know a lot. Now, she's interested in women which is why there is no men on this case with you. I need you y/n to seduce her and get intel while Natasha watches your 6 and looks for another possible target who, isn't confirmed to be there, but there's a good chance he will be.” Fury explained.

"What's the other guys name?" the other girl asked Fury responded, "James Scott."

"Is that all?" I ask

"Yes that's all. Here's your personal copies of the file and be ready at the quinjet in 30 minutes."

With that we both left but I couldn't help feel a pang of disappointment shoot through me at the thought of her flirting with other people. Damn I really need to snap out of this.

I got up to my room and pack my things. I also put in my red dress and black heels for the party and go to the quinjet. As I'm walking I see her already standing there. She catches me staring as I walk towards her and she extends her hand.

Reader POV:

I look over and see Agent Romanoff coming towards me, eyes trained directly at me. I offer my hand for her to shake and she does. "Agent y/l/n, y/n y/l/n."

“Natasha Romanoff.” She responds

With that we both boarded the ship, settled down and engaged in conversation. It was a long flight and we were going to have to spend the next 24-48 hours together so, may as well get to know each other. This conversation however turned into shamelessly flirting with each other constantly.

Time skip to when the ship lands and they get to the hotel (still reader pov):

We get the the hotel and Natasha asks for our reservation at the front desk. While she's doing that I take a minute to really take in this place because it's massive. There's a chandelier on the ceiling and art all over the walls. The architecture is beautiful and it has gold accents along every wall. It also smelt like vanilla, don't know why that's relevant but it smells nice.

I hear a 'thank you' and 'enjoy your stay' so I assume that Nat has got the key so I begin walking to the lift (elevator). I step in and so does Natasha just a bit behind me. She presses the button to the 5th floor and we stand in a comfortable silence for the short 10 second ride. The doors open with a ding and we step out and go look for our room. Natasha takes the lead and goes straight to our door and opens it with the key card.

"Wow Shield really outdid themselves with this one ay?" I think aloud

"Yeah, they really did." She agreed

As we were walking around the both of us were quick to realise something.

"There's only one bed." Natasha pointed out

"I was just thinking the same thing. I'll take the sofa I don't mind at all." I say trying to come up with a solution.

"No, it's okay I can." Natasha instantly tries to shut me down

"Honestly I'll sleep there it's fine." I repeat

"Look uhm, you don't have to but to save ourselves a very polite argument do you wanna just share it. I mean it's a double so..?" She nervously asked

"Yeah sure I mean, if your up for it?" I half mumble

"I'm the one who suggested it dummy of course i'm up for it."

I chuckle at her response and put down my bags by the bed. If I was being honest with myself I couldn't help the butterflies that formed when thinking about sharing a bed with her. Goddamnit, she's my superior I can't be thinking like this.

Natasha POV:

I brush my teeth and get changed in the bathroom whilst y/n orders room service. When I walk out she was getting changed so she only had a bra and pyjama trousers on.

"Oh.., oh! I'm so sorry!"

No sorry it's my fault I should've told you I was changing."

"It's fine, I mean we're both girls right? Nothing we haven't seen before."

"Yeah, yeah you're right, both girls."

"Never seen a girl with abs like that though."

The blush spread on her face faster than a forrest fire. She was flustered and I took great pride in knowing I did that. I made my way to the kitchen so I'd be ready for room service when it came.

Three knocks at the door alerted me that the food was here. I thanked the staff and put the food on the counter.

"Hey y/n tea's here!" I yelled to her. (It depends where your from but tea is just how we say evening meal, like dinner)

"Thank god, i'm starving." She gave me bright smile before plating everything up.

We sit on the sofa with our food and watch whatever trashy TV shows are on. We laugh at parts of it and it gives me butterflies, her laugh has quickly become my favourite sound. It's just so beautiful and care free, it also means she's happy which makes me happy. I'm snapped out of my thoughts when I hear her softly say.

"Hey you okay? Lost you for a second there."

“Yeah, oh um, yeah I'm fine just thinking."

“About what? You were very focused."

"Nothing don't worry about it. Anyway, it's late we should go to bed."

"Your right I'll take the plates into the kitchen."

While she was doing that I went to the bedroom and set up the bed. I was laying down when she came in, she tentatively lowered herself o to the bed and layer down facing me.

"You sure it was nothing?"

"It wasn't really nothing and I'm about to talk a lot and I don't want you to talk till I'm done okay?" I respond with a hesitancy in my tone.

"Go for it." she says.

"I like you, like really like you. I know it's wrong because I'm your superior and your not even out the academy yet but I'm 25 and your what like, 20, 21 give or take so it's not like it's weird. Also can you blame me? You're perfect. Everything about you is perfect. Even though we only just met I can't help falling for you y/n. I'm sorry if I've just ruined the friendship we built today but I really needed to get that off my chest."

I look her deep in the eyes for any kind of reaction to what I just said. After a couple seconds of processing she smiled at me. Probably the biggest smile i've ever seen her have. She still hasn't said anything so I speak up. "Well?"

She doesn't answer me, instead she gently grabs my face and kisses me softly. Our lips dance against one another as second nature. Once air becomes a problem we release from each other's grasp.

"I like you too, if that wasn't already clear."

She giggled like a school girl when I grabbed her waist and started peppering kisses all over her face. She stopped and snuggled closer to me and buried her head in my chest.

"This woman is the one for me" I thought to myself as I held her safe in my arms. Although I really wasn't looking forward to this mission now.

[reallyromealone]

Maybe a part 3 to resilient?

Resilient chapter 3

Eddie Munson x male reader

Stranger things

Warnings: omegaverse, male reader, angst, Omega male reader, implied mpreg, Eddie feels like Dookie

☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️🐟☁️

(sons name) excitedly ate his pancakes, (name) looking fondly at his kid as Hopp drank his coffee while reading the morning paper "so ducky, you are gonna hang out with grandpa today, isn't that fun?" (Name) Gently cleaned the pups face as they moved on to their bacon, extra crispy just like (sons name) liked it.

(Sons name) Looked giddy before glancing at his grandpa "what we doin!?" He asked with an aggressive level of excitement and Hopp chuckled "you gotta see bud" his eyes holding a glimmer of excitement as he finished his coffee "now finish your food"

Eddie stood infront of the apartment door, nerves invading his mind as he hesitated to knock, pulling back when he was about to and pacing slightly in a small circle.

"Stop being a bitch munson... Just knock on the door" he took a deep breath and knocked on the door, waiting anxiously for ten minutes before knocking once more "he's not there" a withered old voice said as Eddie turned to see an elderly woman at the door across the hall "do you know where he went?" Eddie asked anxiously and the woman sighed "moved to his dad's or whatever... Good kid, gonna miss 'em" Eddie thanked the woman and left the building, a shuttered sigh escaping his lips as she toyed with his car keys, thankful that no one really cared about him as he got inside his mustang and just rested his head on the wheel.

"Fuck" he was at Hopps? That was practically a death wish for Eddie... Hopp had zero qualms for shooting people off his property and added bonus of Sheriff... Yeah he wasn't going there.

He drove around town, aimlessly looking for any sign of the Omega as he tried not to let anxiety flood him as well as avoid anyone he may know, especially Robin and Steve... The two were a danger within themselves.

(Name) Was happy as he ended his shift, walking to the local toy store to get his toddler a few gifts as he had a fair more amount to work with now that he didn't pay rent, already having decorations hidden in his closet for the party in just a few weeks.

(Name) Looked at the toys his son would like, large building blocks and paw patrol were big contenders as he looked at his options carefully "I am not getting that... To many parts" parts he and his dad will definitely step on eventually and frankly that's not what they needed.

(Name) Was excited as he left the store with a few bags of toys, giddy he got to splurge on his little sunshine.

He wasn't expecting to lock eyes with Eddie... He always thought of this day... The day he would eventually see him, have something witty to say or maybe be cool and put together and make Eddie regret hurting him like he did...

But all he did was stare, throat tight and body suddenly freezing cold as Eddie looked like a sad puppy "can... Can we talk?" Eddie said softly, (name)s breathing uneven as he felt himself grow dizzy with anxiety... Suddenly he felt like the helpless teen he was almost four years ago.

It was extremely tense as they sat before one another in the back of a small diner, coffees infront of both of them, neither speaking for a solid ten minutes.

"So... You're back" (name) whispered as he fidgeted with his fingers, Eddie wanted so badly to reach out to him but he knew that would be a terrible idea "I am... Wayne showed me the letters... I-I didn't know" (name) just stared at him coldly, anger flooding through him "yet you still did what you did" (name) whispered, voice shaking with anger as he looked Eddie in the eye "never did you think to believe me, to listen to me... But now suddenly I matter? I don't care if you didn't know, I will never forgive you" (name) seethed, a strength rushing through his veins that he didn't know he had and Eddie looked gutted at his words. Good.

"You sent me a cease and desist, I don't understand why you are talking to me since you clearly despsie me" (name) was more confident as he leaned back "after all, I'm just a gold digger and a whore who wants to earn THE Eddie munsons favor again" paraphrasing Eddie and his band mates + parts of the gangs words and Eddie looked like he was killed over and over again "I am so sorry... I'll cancel the cease and desist! I-I just wanted to make amends... Meet my son..."

"You can meet him but know I will never forgive you..." (Name) Said coldly "you can even do a DNA test if you want... Make sure you are actually the father of a whores pup" (name) knew he was the dad, (sons name) was literally a mini Eddie down to his smile but god did he want to rub salt in the wounds.

"I have to go, I have things I need to go do, I'll let you know when he and myself are ready to see you" the Alpha shakily handed (name) his number, he watched as (name) lifted bags up "goodbye, Munson" (name) said coldly and left Eddie in the diner, coffees untouched.

(Name) Rushed to his car, his dad giving him his old truck to drive and drove off, unsure where as he reeled at what just happened, god he was shaking.

He got home, sitting in the driveway as he felt anger and anxiety flow through him, he avoided ANYTHING Eddie related for almost four years and bam! There he was with a shitty apology and god (name) felt like he vindicated his past self for telling off his ex, fuck Eddie Munson frankly.

(Name) Left the toys in the car, unsure if his kid and dad were home, not wanting to risk it as he unlocked the door "YOU HOME!" (sons name) Squealed as he ran towards his dad, (name) smiling as he lifted the pup in his arms "so are you my little firecracker!" (Sons name) Gently bonking his forehead against his dams, having learned cats do it do it was his new favorite thing "how was your day with grandpa?" (Name) Asked as he walked into the kitchen area where he saw cookies and Joyce along with his siblings "what are you two doing here?" He knew Joyce had gone to go see them but... "Mom got us, we can't miss our favorite nephews birth" will said softly and (name) smiled stupidly before looking at his son "they came just to see you!"

When (sons name) went down for his nap, (name) spoke of the meeting with Eddie to his family as he nibbled on a cookie "he apologized to me and all that but god I just wanted to beat him with the mug... How dare he act remorseful when he was so cruel to me" how dare he expect that sympathy and empathy when he denied (name) it all those years ago, (name) crushed the cookie in his hand as he grew more angry, thankfully wearing scent blockers so no one had to smell the death stench of an angry Omega.

"So are you going to let him meet (sons name)?" Joyce would support anything (name) decided as her step son sighed "...I- I will let him meet him but on my terms... I plan on meeting him again and maybe bring Steve when bringing my terms... Everything is about (sons name)s comfort"

(Name) Spent the night putting the terms together, thinking of anything needed.

Then he sent off the text for a meeting to set boundaries with a deep sigh.

He didn't know if he wanted his son to have Eddie in his life but he knew it wasn't fair to his pup... Didn't mean he liked it though.