#so much more than this

[zomblorbs]

i wish there wasn’t such a stigmatized view on platonically loving people.

I can’t call people nicknames and pet names like hun and honey without them immediately assuming i have romantic interest in them.

i can’t tell my friends i love them without adding on “platonically” or shortening the phrase “ily” “love you” “love u”

i love a lot of people. i love my sister, i love my boyfriend, and i love my best friend. All different versions of love.

let us love people openly and honestly without it being seen as “making a move” or being romantically interested.

please please please stop assuming that love is strictly romantic, i promise you life becomes so much brighter and bigger when you stop keeping love strictly romantic.

[phantomrose96]

You know, an interesting tumblr transformation that's happened gradually, and which I've seen no one talk about: ask-culture has essentially dropped off to nothing.

By which I mean, asks used to be WAY more of the tumblr economy. They used to be more common to send, and receive, and see. They were integral to the collaborative, forum-like behavior of old tumblr communities, not even to speak on the HUGE number of ask-blogs that used to exist to only be interacted with in ask-form.

I'm not saying this in a vying-for-attention way but instead in an observational way: I used to get way way more asks in like 2015, even with a fraction of my follower count. I wonder if it's due to the homogenization of social media sites? There's a lot more of this divide between "content creator" and "consumer" instead of just a bunch of peer blogs who would talk to each other. "Asks" aren't really a thing on twitter, are they? And as I understand it, the closest thing to an "ask" on instagram or tiktok would be a creator screenshotting some comment and responding to it in a new reel or video or whatever those content mediums are. Are asks just too tumblr-specific? Is that aspect of the site culture dying out as more and more people converge to using all their social media sites in the same way?

[excavatinglizard]

Shoutout to my dad for being the funniest person I know

[bisclavaret]

a day late to my 6 years on t anniversary ✨🏳️‍⚧️ a short comic about looking back

[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[excali8ur]

When you meet your past lives but they're all ignoring you and freaking out over this one guy?

I've seen a few versions of this floating around with the different Leos and I wanted to have a go at doing one for Mikey. They're all collectively realising what a bus sized bullet they dodged by not ending up as messed up as Ronin

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[spinaholi]

sandra lynn’s dating history now includes:

the most red-flag, gaslighting, married guy who became a world renowned insidious televangelist and ruined her perception of love and self-worth

the saddest, wettest, cardboard-box-living, yogurt covered man with an ancient hereditary curse of bad luck

the arch devil of gluttony and living embodiment of insatiable desire and hunger

a former drug addict, high school student councillor, werewolf, who’s probably the most mentally healthy person to ever exist

sexy pirate

[chloesimaginationthings]

FNAF puppet and Michael Afton got beef,,

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[swordsandholly]

Double Date - Double Down

NSFW | MDNI

Simon ‘Ghost’ Riley x Fem!plus size!reader

Word count: 4.9k

Summary: When you get a call in the middle of the afternoon from your friend begging you to fill an empty spot on a double date your initial instinct is a hard no. After all, no one wants to go on a blind double date and be surprised by the fat friend. It doesn’t help that this Simon guy is stupid fucking hot and obviously doesn’t like you - if his lack of talking is anything to go by.

A/N: Just a fun little oneshot I used as a warmup between working on chapters of future multi chapter projects.

“I said *no*.” You snap, angrily folding the washcloth in your hands.

Your friend splutters from the other side of the phone, the desperation in her voice only growing now that she’s on her fourth ask. “*Pleeeaase*! Steph backed out last minute and no one else is free-“

“How do you know I’m free?”

“You just said you were!”

You huff. She’s got you there. When she first called, you admitted you didn’t have anything going on but that was *before* she told you the plan for the night. Before she mentioned that her very, very conventionally hot military boyfriend wanted to do a little double date with his friend and one of hers. Plus, you take a least a little offense to being second choice. Really, last choice, it seems.

“Cass, you can’t just set up a blind date and take your fat friend. That’s not-“

“You’re not fat, love. You’re beautiful.” Her words drip with turned honey. You make a gagging face to yourself in the mirror. “You just need more confidence!”

You sigh loudly, pinching the bridge of your nose. You could try, for the millionth time, to explain to her the nuanced ins and outs of dating as a fat woman. The rules and stats that could rival even the most complex rpg… or you could be petty. It takes less time to be petty. “If I go, you’re paying for my drinks.”

“Johnny’s friend will probably-“

“Yeah, and when he leaves you’re paying for my tab.”

“He won’t-“

“We got a deal?”

She clicks her tongue. “*Fiiiine*.”

At least you can get wasted for free either way. A small consolation. She texts you the time and location, barely leaving you with enough time to shower and turn yourself into something presentable. Not that you really care. It’s going to be shit either way, most likely. Staring yourself down in the mirror, you suppose you could at least try to look somewhat attractive. If you’re about to get rejected (or possibly shouted at, you’ll never forget *that* horrendous interaction) you might as well feel your best.

The pub is small as you push through the front door. Casual. A couple pool tables, some darts, a large bar and few booths with stools on the outer side. You scan the room, searching for Cass’s familiar face.

“Over here!” Cass waves with a wide arc at you, a grin plastered from ear to ear. At least she’s having fun.

You take a long breath, bracing yourself for whatever is about to happen. Cass introduces you to her boyfriend - who is somehow even hotter in person. You can see why she’s so smitten with him. Johnny looks you up and down as he shakes your hand. He doesn’t comment, or make a face, or really react in any particular way, but you can feel a shift. Something in his eyes…

Maybe it’s just your imagination. You’ve always been a little over sensitive.

“Si will be back in a sec. Stepped over tae get a drink.” He flashes a grin.

You hum, quietly folding your hand as Cass pushes a cocktail for you that she preemptively ordered. Criticize her as much as you like, she knows her mixes.

“There he is.” Johnny grins, turning slightly.

You follow his gaze, heart sinking as your eyes settle on the man approaching your table. He’s massive. Tall and wide. Total brick shithouse. His face is mostly covered by a black surgical mask. A few years ago you might have questioned it but at this point you couldn’t care less, especially when his dark eyes meet yours, small flecks of gold honey catching the low bar lights. Barely styled tufts of blonde hair stick up from his head. They look like they might curl if he let it grow a little longer.

All in all, wayyyy out of your league.

He settles into his seat with all the confidence of any military man - back ramrod straight. He extends a large hand. “Simon Riley.”

You murmur your name, somewhat enthralled by the half lidded, almost bored look in his eyes. Now that he’s closer you notice a large scar splitting his left eyebrow and light, newly forming crows feet in the corners of his eyes.

“S-so you’re military, too?” You stutter, eyes trained on his the massive hand holding his glass. It’s nicely vascular, his nails are well groomed but it also looks like he could snap you in half with it.

Not that that’s entirely a bad thing - whatever that may or may not say about you.

He nods. “I’m a Lieutenant.”

“Oh! Officer position. So you’re smart, then?” You try to be charming, to give him a sweet smile and keep your body language open.

“Enough.” He deadpans. It takes a few beats for you to realize he’s not going to say anything else.

“Uh…” You squirm awkwardly under his gaze. It’s intense - his dark eyes nearly black in the low light of the bar. “I do hair.”

Conversation is slow, to say the least. The longest answer he gives you is maybe five words. He only flips up the mask long enough to take a sip of his drink every so often. You start to talk less, opting toward a group conversation in which Johnny takes the lead, which he is obviously very good at. He regales you and Cass with a few stories of his and Simon’s adventures. Some funny, some brave, some worrying. He’s setting the man up to be a god, nearly, but Simon himself just shakes his head and insists Johnny is exaggerating.

You wonder what he sees in Simon. Alternatively, you wonder what *you’re* supposed to see in Simon. Besides his good looks, of course. He’s… bland. Obviously bored if his constant glances toward the exits and rhythmic, occasional tapping on the corner of the table are anything to go by.

“Want tae go dance, lovie?” You overhear Johnny as he leans in toward Cass.

She glances at you, then Simon, then back to you before nodding enthusiastically. “We’ll give you two some time *alone*.”

In any other situation, you’d probably beg her to stay in desperation for a conversation buffer. Here and now, though, you’re grateful. You can finally let this poor guy off the hook. You wait until they’re gone; fully out of earshot before turning to the man in front of you.

“I…uh… look…” You chew your lip, glancing between him and your folded hands on the table. “Sorry… I know I’m probably not what, uh, what you expected… I get it if you want to leave. It’s - you don’t have to stay, or whatever. Don’t have to be polite…”

He cocks an eyebrow, eyes boring through your skull. “Why would I want to leave?”

“I know what I look like. You don’t have to be nice.”

His raised brow turns into a slight frown. “I think you’re quite pretty.”

You scoff - blushing despite yourself. “Again, you don’t have to be nice.”

“Do I seem like the type to just be nice?”

You continue to gnaw at your lip. He’s got you there. Simon definietly doesn’t come off as the type to bow to polite society. “You’ve barely talked to me.”

He stares for a moment. It’s his turn to avert his eyes, swirling around the whiskey in his glass awkwardly. Almost bashfully. “It’s not you. I’m… not great in public… especially in crowds…”

Oh.

*Oh*.

You’ve completely misjudged him, haven’t you? Shit. He’s just a big awkward lug isn’t he?You sigh, rubbing your temple. “Oh God, *I’m* the asshole, aren’t I?”

He chuckles, “I wouldn’t go that far.”

“I’m sorry it’s just…” you scrub a hand over your face. “Most men don’t really want to be surprised with a fat girl on a blind date. Guess I assumed the worst.”

Simon hums. A low vibration that settles into your bones. He gets up, sliding into the booth side of the table beside you - his massive frame pushing into your space. He smells like spices. Cinnamon and pepper. A little hint of leather and tobacco underneath. It’s heady, and some primal part of your mind wishes you could roll around in it like a dog.

“Some men might like a waifish little thing, that’s their business, but personally…” He leans in, a large hand resting on your wide thigh. “Yeah. I like somethin’ I can get a proper handful of.”

“*Oh*.” You squeak, back stiff. Was that what you saw in Johnny’s face before? Approval?

“‘Ere’s a thought - we go back to mine. S’quiet. Can talk more freely. See where the night goes, hm?”

You smile hesitantly, finally looking up to meet his gaze. It’s honest. Kind. Dark pools of sincerity. It’s against your better judgement. Impractical. Out of character. Even so, you allow yourself to surrender with a warmth in your cheeks and a small nod.

“I’ll get an Uber.” He pulls out his phone, tapping away. “Five minutes out.”

“Want to wait outside?” You offer, nodding toward the front entrance. Simon just nods, following you out close behind. Neither of you say much of anything while you wait, but you watch him out of the corner of your eye. He taps on his leg a few times in much the same way as he did on the table.

He dutifully opens the car door for you, letting you slide in before climbing in beside you, long legs slightly cramped in the small sedan.

“You don’t live on base?” You ask as the Uber drives away from the infamous military housing. You’d been there once or twice - a while ago when you were younger and messier.

“S’too loud.” He shrugs. “Too crowded.”

“Well, at least you’re consistent.” You smile.

Simon hums, resting his hand on your thigh once again. It’s casual, not too high up or too much pressure. Not presumptuous.

“How’d Johnny get you out there in the first place? If you’re so *averse*.” You tilt your head.

He shrugs, “Was supposed to be another Sergeant we work with but I guess he cancelled. No one else was free.”

“Ah, so we’re both last choices, then.”

“Yeah?”

“Made Cass promise me free drinks if I came.”

“Smart girl.” He chuckles, holding out a hand to help you up out of the car upon your arrival. His hand is warm when you take it, and a small part of you feels disappointed when he lets go.

The building is small. Old. All red brick with a thirty year old intercom and an elevator that you’re pretty sure hasn’t been inspected since the place was built. About halfway down the hall, you start to second guess yourself. You don’t know a thing about this guy - you don’t know what’s going to happen as soon as you get on the other side of his door. His weird, bright red door. Wait - why is this whole floor covered in red doors?

“Alright?” He grunts, back turned to you as he wrestles with the lock.

“Uh - why is your floor color themed?”

Simon laughs, wide shoulders shaking with the movement. It’s a low sound, something that vibrates in his chest. Makes you want to press your ear to it, see how it feels. If it will reverberate into your bones as well. “The old lady that owns the building is a bit… unique. Likes to talk about colors and karma and destiny stuff.”

“Ah.” You nod, as if that makes any sense at all. “So you’re red?”

“Apparently.”

His apartment is actually quite homey, as you step into it. From a stiff military man like him you expected something akin to an ikea floor model. Instead it’s furnished with a well worn, green couch. A large TV with an extremely up-to date surround sound system and an entertainment center filled to the brim with CDs sits against the wall. A few movie posters fill the walls. All horror classics - you count three of the scream movies. The first two final destination. There are condensation rings on the coffee table.

Behind you, you hear the door lock and unlock three times, but you don’t pay it much mind.

“Want a drink?” Simon asks, already popping open a decanter full of something gold on a small drink cart beside the kitchen island.

“Sure.” The agreement is automatic - blurted out before you can second guess taking a drink from a total stranger.

You watch a little too closely as he takes off his light jacket, exposing his strong arms and a half sleeve tattoo. It’s a bit tacky, all skulls and military symbols. The black ink has been sun worn over time. The motif of a young getting his first tattoo after enlisting. He settles down on the couch with the decanter and two glasses, patting the spot beside him. You plop down. It’s pretty comfortable, honestly.

His fingers loop into the mask’s straps. You find yourself watching with wide eyes and bated breath as he removes it. His nose is crooked - broken more than a couple times, you think. There’s a scar running from his nose to upper lip that could only come from a cleft palette. It’s charming, in a way. When he turns toward you, you notice a patch on the side of his face that looks like a rather large burn all the way down to his sharp jaw. The roughness of him works, somehow. The scars and tattoos and choppy hair all coming together to create the visage of a life hard lived.

“You’re really pretty…” the words slip from your tongue before you can stop them.

Simon splutters out a laugh, the slightest hint of color appearing across his cheeks. “Didn’t take you for a flatterer.”

“I’m not.” You huff before nodding toward the posters. “Horror fan?”

He hums, passing you a glass. “Are you a fan? Of horror, I mean.”

“Found footage!” You grin a little too excited. “It’s the best genre.”

“Terrible taste.” He scoffs.

“Wrong! Found footage can be anything you want it to be - slasher, thriller, mystery, mocumentary. Anything.”

“Which makes them messy.” He argues. “Anyone can make one.”

“Yeah! Theres so many hidden gems out there.”

“Whatever you say.”

“Oh, I’ll put you on them. We just need to get you a good one.”

“Askin’ me on a second date already, love?”

“Oh, fuck off.” You shove at his shoulder. He was right, it is so much easier to talk freely out of the bar. Away from everyone and everything. His posture is far more relaxed, laid back into the couch with his hips canted forward rather than stiff as a board.

“We could watch one now?” He offers. If you were more sober, you might have heard the twinge of pleading in his voice. As it stands you’ve already drained the glass he gave you and are perfectly buzzed enough to be ignorant to the subtler parts of communication.

How convenient.

“Okay.” You whisper.

After a bit of debating back and forth you settle on Hell House. After all, it’s been your tried and true method for getting anyone and everyone into the genre. You don’t notice it, at first, but you slowly begin to scoot closer to him as you fold your knees up on the couch. Eventually, tucking yourself under his arm sling across the back cushions. Between him and the drinks - which you’re pretty sure is a rather fancy bourbon - you feel what could only be described as snuggly. Limbs loose and pliant, smile easy and words flowing as you cheer and jeer at the characters together.

At some point, Simon’s dark eyes meet between yours. You lean in, so does he. Inch by inch until your lips meet. It’s tentative, at first. Testing the waters. His lips are soft and move expertly against yours. You part for him has his tongue darts across your lower lip.

It’s easier than it usually is for you. Easy to let him pull you over his lap. To rest your hands on his broad shoulders as you take each other in. Normally, you’re not a person for one night stands. A commitment kind of gal. You can’t exactly say no, though, when you have a beautiful man’s hands traveling over your body like it’s the only thing in the world worth paying attention to right now.

He breaks the kiss just long enough to grunt, “Bedroom?”

“*Yes*.” You gasp between kisses.

Suddenly those large hands grasp under your ass as you’re hauled up. You grapple to hold onto the back of his neck, keeping your weight forward.

“Simon!”

“Yes, love?” He asks as if he didn’t just life you like a sack of potatoes.

“A-aren't I heavy?” You question as he makes his way through the apartment, peppering kisses over your neck and jaw.

“No.” He replies bluntly. Like what you asked was stupid.

You’re placed on a bed with all the gentleness of a rare china plate- one hand cradling your upper back and the other tucked under your thighs. There isn’t any time to take in the room before Simon is kissing you again but you do count approximately five pillows and zero navy sheets.

That shouldn’t be as hot as it is.

Simon leans in close, nose ever so slightly bumping yours. “Before we keep going, I want to establish a rule. Red light means stop. At any time, for any reason.”

You can’t help but smile. “Okay.”

“Say it back, doll.”

“Red light means stop.” You reach up and cup his face. So handsome. So warm.

“Good girl.” He murmurs. “Let’s get these off, hm?” Simon pulls your clothes off deftly - dragging those rough palms over your skin as he moves and kneading at the plushness of your hips appreciatively.

You reach up to tug at his shirt. “S’not fair if I’m the only one naked.”

Simon chuckles and hastily sits back to yank the shirt over his head, giving a lovely show in the process. You think this what people mean when they talk about an Adonis. There’s a comfortable soft layer of his strong abdomen. Something you want to sink your teeth into. Your fingers trace each dip and curve of his muscles, the lovely shape of his pectorals, the raised scars littering his body. Floral shapes from bullets along with slashes and smaller jabs. A particularly nasty one runs down his side, coving his ribs. A burn, you think.

“You’re beautiful.” You murmur. Definitely out of your fucking league. You move to sit up, reaching for his waistband.

His hand pushes your shoulder back on the bed. “Let me take care of you tonight, bird.”

Your face warms. Simon kisses your cheek, continuing down to your chest and taking one of your nipples in his mouth. Gently sucking and nipping at it while flicking the other with his hand. A shameful whimper escapes your throat.

Simon leans up to murmur in your ear, “What do you want, sweet girl?”

“Want you to fuck me…” You murmur, embarrassment making you want to close your legs. His solid hips block you.

“Oh, I will, but first I want those beautiful thighs wrapped around my head.” Simon continues to place kisses down your body, over your stomach, stopping right at your panty line and tracing along it with rough fingers. His arms circle your thighs and in one swift motion your hips teeter on the edge of the bed, Simon kneeling between them. His fingers hook in the waistband of your underwear.

“W-wait…” You sit up on your elbows.

He freezes, looking up at you.

“I, uh, I haven’t exactly *landscaped* in a while… wasn’t really planning-“

Simon huffs out a laugh. “I’m a grown man, love. You think a little bush is gonna scare me off?”

All thoughts related to anything within the proximity of embarrassment come to an instant halt as Simon’s lips wrap around your clit- sucking and nipping and lapping like a man starved. Like he’d die without it. A low groan rumbles through his throat.

“F-fuck!” You gasp, whimpers and moans interrupting any chance you may have at putting words together.

“Taste so fucking good, princess.” He mumbles against you. A shaky moan rattles through you as he pushes a thick finger in, working it gently. His other than grips your hip tightly, pinning you in place. The pet-name sends a shiver down your spine - leaving you rolling your hips and clenching on the finger inside you.

“Fuck, Si…” You gasp, tangling your fingers in his hair.

“I can tell your close, baby.” Simon groans. “Cum for me. Come on, be a good girl and cum all over my fucking tongue.”

The bastard knows the power he has in that voice. He *has* to. That baritone gravel sinks in your veins and all you can do is whimper. Panting pathetically the closer you get. His fingers curl up and your back arches harshly as your climax washes over you. Your legs tremble as he works you through it; stopping just shy of pushing you too far.

“Hey!” You gasp indignantly as a jolt shoots up your spine as he settles a final, harsh suck on your clit.

Simon taps your hip, climbing back over you as you scoot up on the bed. He carelessly kicks off his pants as he goes, toeing them off before settling between your legs. Those dark eyes rake over you leisurely - taking in every inch. Every curve and dip and flaw categorically. He sucks in a breath and sighs. “Bloody ‘ell, look at you… so fuckin’ pretty.”

Your face heats and you look away. “Who’s the flatterer now?”

“Not me. Just bein’ honest.” He places a quick kiss to your soft jawline before reaching over to dig through his nightstand drawer. You don’t miss the gold foil of the condom wrapper.

You can’t stop yourself from licking your lips as he pulls off his boxer briefs. Simon is uncut, already ruddy and leaking and just begging for your mouth. Maybe next time, though. He’s already slipped on the condom, carefully hooking one of your legs over his shoulder and the other around his hip. The man has a laser-focus to him, you’ll give him that.

“Still want t’ keep goin’?” He mumbles, eyes locked on his cock as is drags between your folds.

“*Please*.” You whine pathetically. Simon’s chuckle turns into a gasp as he presses in. It’s achingly slow and you roll your hips in demand for more.

Simon lets out a low groan as his hips meet yours. The stretch is perfect - just enough to feel completely full without pushing you too far. As though your bodies were made to slot together just so. Your head falls back, chest heaving as you beg him to move, to fuck you, just *please* for the love of god-

“Needy little thing.” He gives you a sloppy smile before setting a brutal pace. You find yourself clawing at his back, clinging to him as your back arches and the most obscene sounds are systematically torn from your throat. The angle he has your hips placed causes his cock to bully that sensitive spot inside you - dragging over it with every thrust.

Simon leans toward, bracing himself on his forearms and pinning you under him as he fucks into you. “So fuckin’ good f’me. Knew you would be. So soft and sweet and goddamn *pretty*.”

“*Fuck, Simon*.” You gasp, nose bumping against his as your lips intertwine. Breaths and moans intermingle as you both chase that edge. There’s nothing else, in this moment, just you and Simon and the sounds only he has ever managed to pull from you.

Your orgasm hits you like a train. Out of nowhere and all at once, tensing every muscle into a trembling mess as you clamp down around his cock. Simon sinks his teeth into your neck as his own climax takes him, cradling you close and moaning out your name so muddled you almost miss it.

For a few moments, you stay frozen in place trying to catch your breath as you come down. Your limbs feel like jelly when you finally try to move, body limp and pliable. It almost feels like a loss as he pushes off of you, leaving you open and vulnerable to the cool night air while he ties off the condom.

“Be right back.” He murmurs, slowly climbing off you and heading for an attached bathroom off to the left.

You let your eyes slipped closed only to jump and shoot back open as a dap rag drags between your thighs. A little yelp escapes you as the rough material drags across your oversensitive clit. Simon chuckles at you, tossing the rag back somewhere in the bathroom before crawling into the bed beside you. It’s so easy to curl into his chest and let those strong arms encircle you.

“Have fun, love?” Simon murmurs into your hair.

You just hum happily, smiling against his hard chest.

“Good.”

It’s just as easy as the rest of it to fall asleep like that. To seek out the warmth of his body in your satiated haze and press into him, allowing the night and rhythmic beating of his heart to overtake you. You feel four small taps between your shoulder blades just before tipping over the edge into comfortable nothing.

You wake slowly to an empty bed. The light from the window above you streams in - bathing the room in a light golden tone. It’s cozy. The blankets seem to pull you in, keeping you snugly in place. Distantly, you hear the sound of pots and pans clinking.

Shockingly, you’re not hungover. Well, not much at least. There’s a slight twinge in your head and a not unpleasant soreness in your hips. You dig around, finding your clothes strewn across the room haphazardly. Your underwear are nowhere to be found and you eventually give up with a shrug. They weren’t one of your best pairs anyway.

When you come out of the bedroom, you pause. Simon stands in the kitchen, working on something over the stove wearing only a pair of sweatpants. They hang loosely around his hips, showing off the rises and dips of his strong muscles and well defined waist. This scene somehow feels too intimate despite your activities the night before.

“Perfect timing.” Simon turns, placing a plate down on the kitchen island. The omelette before you looks immaculate, all the way down to a light garnish on top.

Your eyes turn to saucers. “You…you made me breakfast?”

“Course.” He nods sharply as if it’s the most obvious thing in the world. As if *not* doing so would be some sort of affront. Either you’re still asleep and this is all a dream or you stumbled upon the perfect man through pure happenstance.

He turns the stove off and on and off twice before standing at the counter across from you while you sit on one of the stools at the island. It’s a comfortable silence as you both eat. Simon keeps glancing up at you as if waiting for your disapproval. Boyish, somehow, despite the size and breadth of him.

It’s perfect. The eggs practically melt in your mouth and the goat cheese and vegetables taste fresh. You can’t help but him happily as you eat.

By the time you’re done, you think you might be a little in love.

Maybe you should text Cass and thank her or something. Maybe a gift basket. “Oh. My phone’s dead.”

“Didn’t charge it before y’left last night?” Simon cocks an eyebrow, chewing on his last bite.

You snort. “It was last minute, remember?”

“What if I’d been some sort of psycho? What was your plan?” He grins as he takes your empty plate. If you were a more impulsive woman you may have gone so far as to lick the damn thing.

“Are you a psycho?”

“Not generally, no.”

“Well then, nothing to worry about.” You grin, watching a little too happily as he rinses down the dishes and loads the dishwasher.

Simon just scoffs at you.

You glance at the time above the stove, disappointment settling deep in your chest. “Shit. I should get going.”

“I’ll get you a cab.” Simon offers automatically, reaching for his phone.

You shift side to side, twiddling your thumbs. “Y’know… we never finished the movie…”

Simon cocks and eyebrow. From the pleased smirk on his face you can tell he knows what you’re implying. He still patiently waits for you to say it out loud.

“Would, uh, would you want to exchange numbers? Maybe… meet up… again…?” Your voice is more timid than you’d like. This fear of rejection is new. Being rejected is nothing new for you, so why does it suddenly feel so high stakes with this one guy you barely know?

You don’t miss the way his eyes light up ever so slightly at the question. “I’d love to.”

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[dozydawn]

Fenton Vaseline Glass Snail, Vintage Yellow Opalescent Uranium Glass

[m1zumono]

i think a lot of people don’t realise that cas pulling dean out of hell in lazarus rising wasn’t cas pulling dean off the rack, it was cas pulling dean AWAY FROM the rack, away from the people he was torturing

the first time cas touched dean he saw the pain dean was inflicting on other people, saw the way he enjoyed it, and it didn’t change how pure dean was to him, it didn’t make him any less good

[celaenaeiln]

You know what’s interesting?

Dick didn’t set out to murder Zucco with the intent of being a killer. He viewed it as an unfortunate byproduct of his actions.

His real goal was to “purge the world of criminals” because “darkness needs light.”

Do you realize how unhinged that sounds? It means Robin wasn’t created from anger. It was created from the messed up psyche of a child who realized at 8 years old that the entire world needs something better than what it was given and so he went out and became it.

I cant properly explain how insane that is. It’s like putting the logic of the Joker inside the mind of child but turning it for good. Everything is falling into place now. That is why the Joker hates Dick-he is the one Robin the man couldn’t break. Literally COULDN’T because when he’s facing Dick, he’s facing the version of himself that would have existed if he had put himself to good. That was would break HIM.

Imagine spending the better part of your life doing your utmost worst to show Batman that people and the system are inherently evil only to have him fall head over cowl for a version of yourself to completely invalidate your reason for existing. How psychotic would you turn when you realize you have nothing to prove?

This also explains why Dick is so well adjusted and sociable in a way that Bruce and the others aren’t.

Bruce loses it when he loses his children, he thinks it’s a failure of his abilities and doubts his life’s work.

Jason loses it when he thinks he’s been replaced because his reason for being is having someone care for him.

Tim loses it when he comes to a dead-end. He feels helpless and lost when he doesn’t know the next move because his reason for being is being able to solve what’s wrong.

Damian loses it when he feels abandoned. He feels hurt and broken because he’s a child who wants to be loved.

The reason Dick was the perfect choice for Dark Crisis and to become the dawn of DCU is because his sole reason for being is to be the light.

That is why Bruce refused to destroy a planet when Superman asked him too. That is why Dick was the only person in the universe who could control the Darkness infecting him when even Deathstroke lost his mind to it. That is why the evil Justice League chose Dick of every one to kill-to make a point.

This is why he’s looked up to by major heroes such as Superman, Wonderwoman, the Titans, the children, the villains, and the civilians.

This is why Harvey Dent called Robin Dick “Batman’s secret weapon.”

Although anger was the baseline emotion, Dick doesn’t have anger issues because:

Robin wasn’t created for revenge. It was created with the intention of building a world so unrealistically good, that the level of the vision Richard Grayson was aiming for and set the standards for- is so terrifyingly inconceivable.

And that-is why he is a happy, feral, monster.