#so they can be machine translated into any language

[gamebunny-advance]

Huwah~

I don't like that it's so difficult to find out who exactly has retweeted my posts.

I don't even get a notif if someone leaves a reply. I feel like that website is basically useless to me.

Edit: Resolved. I'm just a moron, but I'll keep this post up in case I forget how to do this again.

[books-are-my-life-stuff]

For French fans, the upcoming French release of Mashle Vol. 18 (last volume) will be in deluxe edition. It will come with 6 exclusive badges featuring the Adler kids, the manga, reversible jacket cover, the second light novel, and poster.

It's now already available for preorder in online bookstore sites such as Amazon, and will be released in February 21.

As an additional information, French edition of Mashle got a lot of extra treatment, for having multiple releases with special covers and special editions, while also being the first one to release Mashle light novel in other languages. I think at this pace, it will be just a matter of time until the fanbook is translated into French, and it might come with a lot of purchase benefits too...

[notherpuppet]

What is your opinion of AI? Personally, I think that like any technology, it depends on the user and their intentions, but that is just me.

What about you?

1. Theft

The most central issues with AI as it is now is that the programs were trained/are trained with STOLEN art. Stolen visual art, music, writing, etc.

The vast majority of what it has been fed is stolen. As in, the artists behind the work were not ever given the chance to consent nor be compensated for their works being used to feed the machine.

This reason alone is straight up copyright infringement and the optimist in me does believe the long arm of the law is gonna shut these programs down for that. But the long arm of the law is looooooong, and the technology is disrupting people’s livelihoods now. Unlike robots or machinery that was invented and built to expedite assembly line/factory work, this technology is only functional by using other people’s labor. If we didn’t live in a society where you have to “earn” your right to live in it, then this would still be wrong, but it probably wouldn’t be such an existential problem.

There are active class action lawsuits for infringement of copyright. And the private sector has begun filing suits and I’m quite certain they’ll win because again—it’s simply theft. These companies did not make licensing contracts, they’re not paying royalties to the artists they stole from.

So if you consider using ai that generates “art” (whether it is visual, music, writing, etc.) please consider stopping immediately, as you would actively be benefiting from theft (which is wrong imo!!!!)

2. AI in its present form dishonors the human spirit

In my personal relationship with AI technology, I do not use it to generate ideas or ‘art’. I detest the notion to use technology in that way tbh. AI is a form of technology, so it’s difficult to break it down into every specific use it actually has. But here’s an attempt; no to generative AI, okay to certain AI.

There are kinds of AI programming in the programs I use (such as features that help you color in a shape quickly or make a perfect circle). This is useful tech (that requires zero IP theft) and I like it because it helps me by taking care of tedious tasks so that I have more time to spend in the creative and drawing processes. But I still choose the colors, I still draw the images, I still write the stories.

I think the way AI is used right now with a focus on “creative thinking” (where it’s not actually creating anything it’s just churning out other people’s *stolen* ideas and practice) is a total waste. AI being used as an assistant to help humans find information easily can be/has been swell. And requires no theft :D

But for whatever reason (greed, capitalism are my guesses), tech companies are leaning into a direction to replace creativity with AI?? I imagine the people behind this view the practice of art as tedious work because it is challenging??

But the beauty of art and the practice of it is that it allows humans to experience and overcome challenges with little to no stakes.

When society determines that is not a valuable use of human time, then I think we’ll all be significantly more miserable. If we allow a machine to be “creative” and leave us to only experience challenges with stakes—like survival (rent, putting food on the table).

So here are some examples of how I feel about AI uses;

AI to translate languages, find resources, discern malicious malware/spam from harmless messages > 👍🏽

AI to generate ideas/art for you > 🤢 Why??????? Why would you want that…that’s the most exceptional part of the human experience and you relinquish it to a bot trained on stolen ideas? 😭

[tac-the-unseen]

I love all ur blog sm!! Can I ask abt something with the slashers (specially Thomas <3) with an foreigner!reader that don't quit speak english very well and normally forget words?

(Sorry if something is spelled wrong, English is not my native language lmao)

Absolutely, I can!

And because the request didn't specify, this fic will strictly be about speaking a foreign language.

Sorry if this is inaccurate! I'm a native English speaker and don't know many who aren't. Sorry in advance!!

Slashers x Foreigner!Reader

Micheal Myers:

•This man will act like he doesn't care but in reality he's so intrigued. (It might be why you're still alive) 

•He’ll spend his time watching you practice your pronunciation and recognition patterns, like it's a movie.

•Is he a bit mean about it? Yes. Will he laugh? Probably.

•If you find yourself not knowing what certain words are and stumble around until you find the right word, You'd be surprised at how patient he is. 

•If you are very new to the English language he'll secretly get you flash cards and stash them into a place he knows you'll find them

•Despite everything, if you ask him for help, he will help. He might be mute but he can write and use TV to aid you.

Billy loomis & Stu macher:

•Stu is already romanticizing your language, but instead of using the actual name of your language, he calls it “Talking pretty to me”

•Billy asks if you want any text books or study equipment to help you on your English speaking journey 

•Both boys are a surprising help! Stuttering trying to articulate what you mean? They've already jumped in to, A) help save you some of the embarrassment, and B) give you time to think about what you're trying to say. 

•Someone making fun of you? They're either dead or a social outcast by the end of the week. 

•Are you struggling to remember a certain word? These boys are willing play charades until you figure it out. And they won't drop it either, Stu says ‘It’s bad to give up when you've already come so far.’ 

•Over all it's not so bad (Stu 100,000,000% uses Google translate to figure out how to say ‘i love you’ in your native language) 

Thomas Hewitt:

•When both of you met, he had never met an actual foreigner before.

•He knew people travel around and occasionally some valley girl would end up in their small town, But someone from a whole different part of the world?

•His interest in you spiked the moment he heard your accent 

•Thomas has so many questions but doesn't know how to ask you

•With him being mute and your struggles with English, It's not the easiest relationship. In the end both of you just end up pointing at things and making noises to get your point across. 

•Absolutely loves to listen to you speak in your native language, Even if he'll never understand it. 

•When he's first trying to court you, he leaves you slightly damaged flowers (he struggled to pick them) to communicate his affection. 

•even with a language barrier, he's gonna love you like no one ever could 

Bubba Sawyer:

•He had no idea people outside of America existed 

•When You fell into the palm of Texas and his brothers found you failing to remember the word for your favorite snack, They knew you would be an easy target.

•When they kidnapped you and brought you to the basement so Bubba could chop you up, he was fascinated by the way you desperately tried to beg him not to kill you. 

•It ended in a huge fight in the family, But he got everyone to let you live a bit longer.

•Sits Criss Cross applesauce while you speak for your life. You could babble about anything and he would listen intently. 

•He pulls out his alphabet soup machine and spends hours typing with you. (You help him finally get past the clown level)

Bo Sinclair:

•absolute meanie, stinky poopy head about it >:(

•will mock your stutters and say stuff like “Oh come ON! The word is Cat! C. A. T. CAT! What's so hard about that?” 

•If you speak your native language around him, He thinks you're insulting him or intentionally hiding something. 

•”If you could say it to my face in your language you can say it to my face again in mine!”

•The same sentiment is not shared when it involves bedroom fun

•Will eventually apologize, But that's going to take a while 

Vincent Sinclair:

•As another non-speaking fellow he takes his time to make sure you two can understand each other 

•He’ll mostly use body language and and little doodles to get his point across 

•Stuttering over a word? He doesn't care, he'll let you work it out without any judgment!

•Want his help? He has several books, Vincent will just pull out a book he knows as the word in it, flipped to the page, and point at the word. 

•Love listening to you talk, In English or not. He'll happily let you yap his ear off. 

Lester Sinclair:

•Poor boy was lovestruck when he first heard you talk!

•Full on heart eyes while you explain where you're from and how you ended up here 

•If you end up fumbling on a word he'll start shouting out potential words for what you're trying to say. 

•Example: “and then I had too…uh…um..” “Run? Pee? Eat? Were you hungry? Are you hungry right now?” 

•So helpful, I know

•But the guy is already googling restaurants based off your native cuisine. He's got the date set up. 

•”It's no biggie, I'm a native English speaker and I still can't get it right!” 

Billy Lenz:

•Billy 100% understands the struggle of finding the right word to say 

•He can't stop stuttering himself, so when you start stuttering you kind of reinforce us in his brain that you were meant to be together 

•He feels like he can bond with you over it, and even feel safer around you knowing that you also mess up 

•the thing is if you start stuttering, he'll start stuttering. If you can't get it by God he will.

•”W-we can't bo-oth be wrong.” 

Brahms Heelshire:

•this man will 100% try to learn your language as soon as he finds out you're a foreigner

•That man has a huge library, there's bound to be at least one book written in your mother tongue 

•He spends a lot of time practicing your native language so he can speak to you more comfortably

•You already know he has children's learning books he'll pull out if you ask. 

•Can't find the word you're looking for? He's already 10 books deep, he'll find it for you. 

•Brahms is a well-educated man and he intends to use His years of learning to help 

•If you want to take classes to better your English skills he will 100,000% throw money your way to do so.

Hannibal Lecter:

•Now Hannibal really understands 

•He's a Lithuanian who learned English as a 10 year old

•He didn't struggle as much, But for the first couple of months you bet he was stumbling. 

•If you're struggling with a word, He has a process of teaching you so you don't forget it again. 

1) Identify what you're trying to say 

2)Slowly begin to sound out the word 

3)Have you recite the word a few times 

4)He'll either teaches you a little tune to remember or he'll do something so you remember the moment 

•Does it feel a little condescending? Yes. But it works 

•He's also willing to pour an ungodly amount of money into your English education if you ask 

•He'll even teach you himself in his spare time

Will Graham:

•Doesn't really know what to do, He's a bit awkward about it 

•He'll also identify the word and repeat it a few times so you can get a better handle on it.

•He thinks it's a bit funny and a bit cute when you stutter or mispronounce something 

•He will gently correct you and move on like nothing happened 

The Lost Boys:

•holy fucking shit this is a cluster fuck, let's do this one by one 

•David

-David, having been around a while, has picked up a couple languages.

-If he does know the language you're speaking he'll speak it back to you and guide you into English better than the other boys could 

-If not, he'll just read your mind and tell you what you're trying to say. It's by far the easiest way to articulate what you mean. 

•Dwayne

-Dwayne being just slightly younger than David has also picked up a couple languages 

-It's really the same if he does know your language But with a little more verbal teaching 

-If he doesn't he'll patiently wait until you figure out what you're trying to say. 

•Paul

-as soon as you start to stutter over yourself Paul starts shotgunning words off 

-some slightly related to the situation and others wildly out there 

-”Drink? Food? Ocean? Horse? The unforgiving eyes of God and His kingdom???” 

-he'll do this to confuse you and have a nice laugh 

•Marko

-Marko speaks English and Italian, so if your language isn't one of those two you're kind of shit out of luck 

-”Come on babe, you'll get it” 

-He finds it a bit funny but still tries to help in little ways 

Thanks for reading <3

Sorry if this seems hastily written together, I haven't had the request in a while so I kind of jumped at the opportunity.

[you-have-a-metal-arm]

'Til The End of The Line pt. 2

Pairing: Bucky x Avenger!Reader

Word Count: 1.7k

Warnings: Mentions of hospitals

Summary: You get injured in a mission, and Bucky cannot bear to see you in such state.

Author's Note: Please do not copy or translate my work. English is not my first language, so please understand grammar or spelling mistakes.

Thank you for those who enjoyed the first part, and thank you again for waiting.

Part 2 is now yours.

The world around Bucky seemed to blur as he followed the medical team through the corridor. His heart pounded in his chest, each beat echoing in his ears like a drum. The sight of you lying so still, bloodied and broken, was something he never thought he’d see—not like this, not when he hadn’t even told you how much he loved you that morning.

As Dr. Cho and her team wheeled you into the surgical room, Bucky’s steps faltered. He felt like he was wading through quicksand, every movement heavy and slow. He wanted to be with you, to hold your hand, to tell you that everything would be okay. But he was kept out of the room, forced to watch through the glass as the doors closed behind you.

Tony, standing beside him, placed a firm hand on his shoulder. “She’s strong, Bucky. She’ll pull through.”

But Tony’s words felt hollow to Bucky. He had seen too much death, too much loss. The fear of losing you was like a knife twisting in his gut. He couldn’t lose you—not when you were his reason to keep fighting, his anchor in the storm.

His mind raced back to the last few months—the mornings spent in quiet domesticity, the late-night talks about the future, the way you laughed at his terrible jokes. How could it all be ripped away in a single moment?

Bucky pressed his hand against the glass, his breath fogging up the cold surface. His other hand clenched into a fist, the tension coiled tight in his chest. The image of you, fragile and bleeding, burned into his mind.

Minutes passed, or maybe it was hours—he couldn’t tell. Time had no meaning as he stood there, waiting, praying, hoping for a miracle.

Tony stayed by his side, silent. Steve joined them, his face drawn and pale. The guilt weighed heavily on Steve’s shoulders, and Bucky could see it. But Bucky had no room for blame—only a desperate need for you to come back to him.

Finally, after what felt like an eternity, Dr. Cho emerged from the operating room. Her face was tired, but there was a glimmer of hope in her eyes. “She’s stable, but it was touch and go for a while.”

Bucky’s knees almost buckled with relief, but he held himself upright by sheer will. “Can I see her?”

Dr. Cho nodded. “She’s still unconscious, but you can sit with her. It’s important she has someone she loves nearby when she wakes up.”

Bucky didn’t wait for further permission. He pushed past the others and entered the room where you lay. The sight of you hooked up to monitors, IVs, and machines tore at his heart, but at least you were alive. Your chest rose and fell steadily, and the color was slowly returning to your cheeks.

He pulled up a chair beside your bed, taking your hand in his. The warmth of your skin, even faint, was enough to give him hope. He brushed a stray lock of hair from your forehead, his thumb tracing the lines of your face as if memorizing every detail.

“I’m here, doll,” he whispered, his voice breaking with emotion. “I’m right here. Please, come back to me.”

The room was quiet, save for the beeping of the machines that tracked your vital signs. Bucky stayed by your side, his grip on your hand firm but gentle. He didn’t sleep, didn’t eat—he just watched you, waiting for any sign that you were waking up.

Hours passed, and the rest of the team came and went, offering support, but Bucky barely registered them. His world had narrowed down to just you, lying so still in that hospital bed.

At some point, he must have dozed off because he was startled awake by a faint pressure on his hand. His eyes flew open, and he looked down to see your fingers twitching slightly in his grasp.

“Y/N?” His voice was barely a whisper as he leaned closer, his heart pounding in his chest.

You stirred, your eyelids fluttering weakly. It took you a moment to orient yourself, but when your eyes finally opened, they were full of confusion and pain. “B-Buck?” Your voice was hoarse, barely audible.

“I’m here, doll, I’m right here.” Bucky’s relief was palpable as he squeezed your hand gently, his eyes misting over. “You’re okay. You made it.”

A weak smile tugged at your lips, though the effort seemed to exhaust you. “I… I thought… I wasn’t going to make it.”

“You did, though,” Bucky whispered, his voice thick with emotion. “You’re safe now. We’re together.”

Tears welled up in your eyes as you looked at him, your hand trembling slightly in his grasp. “I… I heard you… on the comms. I was so scared… that I’d never see you again.”

“It’s quite a miracle that she woke up. But we still must keep an eye out for any damage to her brain,” the doctor said.

“I’ll call Dr. Cho for further checkups. My job’s done for now.” The doctor left, and Bucky’s gaze returned to you.

Bucky sat back down beside you, his eyes brimming with unshed tears as he clutched your hand like it was the only thing anchoring him to reality. He couldn't believe you were awake, breathing, speaking to him. The terror of almost losing you hadn’t yet faded from his mind.

You looked at him, your voice barely a whisper but full of the love you had for him. “Hey, I told you I’m not going anywhere, didn’t I?”

Bucky let out a shaky laugh, a mix of relief and disbelief. He leaned forward, pressing his forehead to yours, feeling the warmth of your skin that he thought he’d never feel again. “You scared the hell out of me, doll. I thought—”

His voice cracked, and he couldn’t finish the sentence.

“I know, I know,” you whispered, your free hand weakly brushing the tears from his cheeks. “But I’m here. I’m not going anywhere, Buck.”

He pulled back to look at you, his blue eyes swimming with emotion. “I don’t know what I’d do without you,” he admitted, his voice barely holding together.

“I can’t lose you. I won’t.”

“You won’t,” you reassured him, squeezing his hand with as much strength as you could muster. “We’re going to get through this. Together.”

For a long moment, Bucky just stared at you, memorizing every line of your face as if afraid it might vanish if he looked away. The weight of everything he had almost lost hung heavily in the air between you, but so did the promise of the future you still had together.

“I love you,” he whispered, his voice trembling with the intensity of the words.

“More than anything in this world.”

“I love you too, Buck,” you replied softly, your eyes shining with the same intensity. “And I’m sorry for putting you through this. For making you worry so much.”

“Don’t,” he said, shaking his head. “Don’t apologize. None of this is your fault. You’re the strongest person I know, and you’re going to get better. We’re going to get through this, and then we’ll live that life we talked about.”

A small, hopeful smile tugged at your lips. “Yeah, with the house, the backyard, and maybe… maybe even those babies.”

Bucky’s heart swelled with emotion at the thought. The future seemed so far away, but with you here, with your hand in his, it felt possible again. “Yeah,” he agreed, his voice choked with emotion. “We’ll have that. I promise you, we’ll have that.”

You closed your eyes for a moment, exhaustion weighing heavily on you, but you fought to stay awake, to stay with him. “I’m going to hold you to that, Barnes.”

He chuckled softly, brushing a strand of hair from your face. “You better. I’m not going anywhere either, doll. You’re stuck with me.”

“Good,” you whispered, finally allowing yourself to drift off to sleep, knowing that Bucky would be right there when you woke up again.

As you slept, Bucky stayed by your side, his hand still holding yours tightly. He didn’t move, didn’t even blink, afraid that if he did, this fragile moment of peace would shatter. But as he watched the steady rise and fall of your chest, he let himself believe that everything was going to be okay. That the darkness had passed, and the light of a new day would bring the life you both deserved.

And for the first time in what felt like forever, Bucky allowed himself to hope.

---------------------------------

Tag list @baw1066 @hzdhrtss @mrsnikstan

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Thank you for reading and enjoy your weekend :)

[sunnymoonxx]

red eyes, fangs and talons | miguel o'hara × fem!reader

summary: After another session with Miles, you're left with Miguel filled with anger and frustration. And only you know how to ease him up.

warnings; this is just pure filth, read at your own risk, degradation, unprotected p in v, oral (m receive), vulgar language, kinda voyeurism? if you close your eyes, praise, fangs, talons, talking about being "used," mentions of blood, bondage, angry sex

author's note: I'm not a native English speaker, so I apologize for any grammar mistakes. Also, the Spanish xd. I studied Spanish for a while, but it's no better than google translate, I tried my best xd.

m.list

"No puedo más, no puedo más," you heard a voice mumbling after the room cleared out, leaving only you, Jess, and Miguel. For the past two hours, you and Miguel have been trying to explain to the new recruit, Miles Morales, how the canons work and how they can not be changed. It obviously took a number in Miguel. He covered his face in his hands, back crouched, holding himself back to not break another innocent machine. You and Jess stood silently, glaring at each other, too scared to say anything. At moments like this, even Jess questioned her choices in life.

You decided to risk it and step forward towards Miguel, who still kept whispering something to himself. You were just a few steps behind him when he turned around, his eyes glowing red, facing you.

"Jess, don't take your eyes off Morales," he demanded, not taking his eyes off you. He towered over you, his hair a mess, eyes dark red, and fangs visible over his lips. He was animalistic. And it wasn't the first time you saw him like this. "Make sure he stays here."

"Copy that," Jess responded without hesitation. The next thing you hear is her motorcycle starting, leaving you alone with Miguel. Miguel's talons grew bigger, caused by uncontrollable anger and desire to destroy things. He ripped a machine in half, not even a few minutes ago, and even tho you've known him for years, you couldn't help but be a little scared. You stood there, not daring to say anything, not even knowing what to say, as Miguel moved towards you, scanning you with his vampire-looking eyes.

"You help him one more time," he started, his voice deep and steady, his accent more visible now. "You're out." The thought of being kicked out of the Spider Society made your heart skip a beat. This was all you had. You couldn't go back home. You had nothing there. But you knew Miguel or Jess wouldn't hesitate to send you back if it meant protecting the Multiverse. So you nodded without letting out a word. You understood, even tho you couldn't help but feel pity for him. For Miles. He's still just a kid. But if it meant the multiverse stayed safe, you would do anything to protect it. Even letting Miles' dad die.

"I understand," You kept your head low, not daring to look him in the eyes. You wanted to go and disappear into your room before you felt Miguel's hands grab your face, his talons touching your cheeks, lifting your head up.

"It's the right thing to do." He whispered, his voice a tad softer, but you could still hear the anger filling him. And you've been through this many times to know how this always ends. You didn't fight it. You actually enjoyed it, although you'd never admit it to yourself.

"Yeah, I know." You smiled at him, staring into his bloody eyes. His fangs pierced his lips, causing a drop of blood to drip down his chin. Without thinking, you lifted your hand to brush it off, Miguel carefully watching you. He didn't flinch or move. He let you caress his lips to wash away the blood on his full lips. You didn't even notice you were backed up against a table, Miguel's hand on your waist while the other still held your chin. You dropped your arms, fingers sliding down his torso, not breaking eye contact.

"I made a mistake, I know." You whispered, Miguel tilting his head, his talons carefully caressing your cheek and moving down to your neck. "I've made you angry." He nodded, approving of what you were saying, his eyes following the talons outlining the lines of your collarbones. His claws were so sharp. If he wasn't careful, he could rip your skin apart. And even though he was mad at you, at Lyla, and Miles at everyone, he didn't want to hurt you. There were always other ways to show you his anger and disappointment with you.

"I'm sorry for that, Miguel." You let out, his talons stopping where your heart would be. It was beating fast, blood rushing through your veins. He could feel it all. Hear your inconsistent breath. Feel you tremble beneath him. He could smell the heat between your legs.

"Está bien," his lips formed a little smile, you were sure you were imagining it. His hand moved to your chin again, grabbing you harder, forcing you to look at him. "Just don't obey my orders ever again. Is that clear?" He said out loud, making sure you heard him.

He grabbed your cheeks so hard you couldn't even open your mouth in response. But he knew you understood. And while you were focusing on his one hand grasping your cheeks, you gasped when you felt his other hand rip your suit in half, letting it fall to the floor. The number of torn suits of yours and the number of the new ones that Lyla has made for you, because of this reason. You lost count after seven.

You didn't wear anything under your suit, as it would ruin the lines of your figure, you were fully exposed to him now, his talons moving up and down your stomach. They were cold to the touch, making you hold your breath every time they touched your skin. But they still managed to make your panties wet with arousal. You loved it when he took you like this. Like you were his. Like you belonged to him. You exist just for him. You fucking loved it. Being taken from behind while pulling your hair. His fingers fucking your cunt because you wouldn't stop annoying him. You choking on his cock after he's had enough of your teasing. Being in the Spider Society had its pros and cons. This was one of the pros.

"Eres tan hermosa, arañita". he let out a breath, his talons circling your nipples. If he was so gentle with you, it made your walls clench around nothing. His hands stopped at your ribs, his eyes again scanning your face, head tilted. Like he was thinking about what he wanted to do. What he's gonna do with you tonight. It didn't take him a long time to figure out.

You watched as he placed his strong hands on your shoulders, slightly pushing down. You understood what he wanted. You kneeled in front of him, no questions asked. You've done this so many times, you knew his thoughts by memory. For a few seconds, he just stared at you, naked kneeling in front of him, looking at the massive bulge in his suit. Fuck, he almost came just by looking at you. So desperate for his cock.

You moved your hair out of your face, right before his suit opened, right at his crotch revealing his cock, already covered in precum. He was thick and big, spreading you every time he fucked you. It was a mix of pain and pleasure, making tears fall from your eyes, and orgasm take over your body. He never failed to satisfy you. Never failed to make you beg for more.

"You know what to do," he said, looking down at you, grasping your hair, pulling it slightly. You smiled to yourself, lifting your hands still on your knees and bringing them to his cock. As you grabbed him, your whole hand couldn't fit around him. Made you wetter than before. You decided to tease him a little bit, leaving just slight strokes, not fully touching him, your lips so close to him, he could feel your breath. You regretted it a few minutes after he lost his patience, pushing your head forward, his cock deep inside your mouth.

"Take it, you whore." His hands held your head in place while his hips thrust into your mouth. His cock in your mouth, leaving bruises, your eyes filling with tears. You loved being used like this. You loved being fucked like a slut. You enjoyed it when he called you derogatory names. Sometimes, he mixed it with praise. Fucking you hard, telling you how good of a slut you are for him. He could fuck you with his words without even touching you.

His hips started to move faster, his cock throbbing inside your mouth. He was close. And he was gonna cum on your tongue. Just how you liked it.

"Fuck," he growled, his hold on your head losing strength which confirmed he would finish in your mouth. "So good around my cock," he whispered to himself, fucking your mouth harder, making sure to leave bruises. To mark you as his.

"I'm-." Before he managed to finish the sentence, his cum started to fill your mouth, warming your tongue. He stayed there for a while, recovering before pulling out, breathing heavily. He watched you as you swallowed his load, licking your fingers after cleaning your lips. Fuck, you looked so good.

"You look so good when I fuck your mouth," he smiled at you, trying to push away the sweaty hair on your forehead. You looked so beautiful, kneeling in front of him, your tits out, your cheeks and eyes red, sweat dripping down your forehead. You were a mess already, and he had just begun.

"Stand up," he commanded. You had some trouble getting up after sitting for so long, Miguel noticed and helped you by lifting you up and sitting you down on the table in front of him. He was still so huge, your eyes facing his stomach. You both loved the size difference.

"I want you to be quiet," he said, his eye redder than before. "You're not gonna make a single sound, or I'll stop. Do you understand?" You nodded your head, understanding completely. You've already been through this. Many times, he left you all spread out in his bed because you couldn't keep quiet. Forcing you to deal with it on your own, but nothing ever felt good as his tongue or his cock.

"Good girl," he said, staring into your eyes, his talons digging into your thighs as he spreads me apart. Your cunt is so wet, the smell hits him in the nose. All he's done was fuck your throat and you were already soaking wet for him. He couldn't help but laugh to himself. He didn't break eye contact as his hand traveled down between your legs, making you bring your hand to your mouth to not make any noise as he touched your bare cunt. His fingers on your wet clit, gently moving up and down.

"No así, mi dulce." He clicked his tongue, shaking his head. It was too fast, you didn't have time to think as he turned you around fast, pushing you down, your tits touching the cold wood of the table. Ass up, and bend over. His favorite view. Just waiting to get fucked like a slut.

You should have known he wouldn't stop at this, as he also took your arms, forcing them apart and sticking them to the edge of the table with his web shooters. His feet kicked your legs, so they were more apart from each other.

"Joder, eres tan jodidamente hermosa." He whispered as he stepped back to take a better look at you. Bent down over the work table, legs apart, ass up, your tits pushed against the wood, and your arms tied up by his web shooters. So ready for him. Ready to get fucked in the ass by him. He loved the control he had over you. He cherished every second of it.

You felt his talons, going up and down your spine as you lay there, waiting for him to use you. He bent down to your ear, his fangs digging into your earlobe. "If you want me to stop, now is the time, sweetie," He whispered gently, awaiting your answer. You nodded your head.

"Good," he smiled, stepping back again as he took off his hologram suit, his brought shoulders and back visible to the world. You wish you could have seen him exposed, just like you, in the middle of an open office. Anyone could've walked in and seen you being fucked like a slut. But anyone with common sense knew not to bother Miguel now. So you were safe. And for Lyla? She's probably in here somewhere. But this was nothing she hadn't seen before.

Miguel's fingers brushed over your wet clit, testing you, if you make any noises. He was determined to break you tonight. When you stayed silent, he kneeled, attaching his fat tongue to you. That's when he heard a little whimper out of you. You could feel his cold fangs touching your lips, but you know he wouldn't use them like this. There were other places where he loved burying them inside of you. As your thoughts were occupied with his fangs, his tongue started to move faster, licking up and down your slit, his hands spreading your ass cheeks apart.

"Tastes so good," he growled against your cunt, sending shivers down your spine. His tongue and mouth were one of your favorite things about him. The way be devoured your cunt every single time. He could yell at you about how you're useless and only causing problems, but seconds later, he'd be on his knees, eating you out like he'd never eaten before. You could crumble on his tongue, and see stars and worlds just by the way he worked on your cunt.

You tried so hard to keep quiet as his tongue kept working on you, preparing you for his cock. His hands were still grabbing your ass you were sure he left a mark. He loved showing others you were his. That you loved being fucked and used by him.

You felt your orgasm approaching before you felt his tongue disappear and heard him get up, standing now behind you, staring at your cunt. The room was quiet, only his heavy breathing filling the silence. You weren't sure how you were gonna keep silent, and you were sure you were gonna fail.

"Tan bonito para mi," he smirked, grabbing his cock and stroking himself for a while before his tip touched your entrance. "No hagas un sonido." He said before slamming himself deep inside of you, spreading your cunt with his fat cock. You wanted to cry out, scream his name, but you didn't. Your walls surrounded him, his cock so deep inside of you, if you had free hands you could feel him by touching your lower belly.

"Mierda," you heard him whisper before he gently moved his hips back and slammed into you again. His thrusts slowly began to be harder and faster, making sure he didn't cause you any unnecessary pain. After he was sure and by your muffled moans, he started to pound into you like an animal holding your hips, his talons digging into your skin. His fat cock hitting all the spots in your cunt, your eyes rolling in the back of your head, making you see stars. You never wanted this moment to end. You kinda wished Miles Morales would stick around to piss off Miguel more often. You certainly liked the results of his anger.

"Miguel," you moaned, quickly regretting it and pressing your forehead against the table, hoping Miguel didn't hear it. You knew he did when he stopped his movements, his cock still deep inside of you. You felt him bend over, lips to your ears, fangs making an appearance again.

"¿Qué dijiste, querida?" he asked calmly, one hand on the table to stable himself and the other one caressing your back. You quickly shook your head, not daring to meet his gaze. You were so close, and he stopped. Fuck.

You wanted to apologize and beg him to continue, but he spoke first. "I'm not gonna stop." He whispered in your ear before slowly moving his lips down, his cold fangs touching your skin. "I'm gonna make it so much worse." His voice was calm, and you could hear him smirk in it. With his free hand, he ripped off the web shooters holding your arms before lifting you up and pressing you against his chest. He started to pound into you again, talons on your hips and his fangs piercing your skin. The overstimulation of it all made you cry out loud not holding your screams back anymore. You cried his name out before you knew it was gonna get even worse. His free hand moved down your belly to your clit, where he started to spread your lips with his fingers. Fuck.

You didn't know what to focus on first. His talons and fangs marking you as his, his fingers rubbing your clit, or his fat cock pounding into your cunt without mercy. You were tired, and your legs were giving up, but the pleasure taking over your body. You've never felt that ever before.

You were close, too close, and Miguel knew it. "Cum for me," he growled into your skin, taking out his fangs and sucking on the blood spilling from the wound. His fingers started to move faster in your clit, his cock not changing pace in fucking you. "Show me how much you love being my good little whore." He whispered into your ear and with the next thrust of his, you came hard on his cock, your walls almost crushing him. You wanted to fall down but Miguel's arms held you close to him, not stopping pounding into your already sensitive and overstimulated pussy. He was close himself, but you could feel another orgasm approaching as he kept fucking into you restlessly.

"Miguel, fuck." You moaned, his hand moving up to play with your bouncing tits. You could feel him coming closer, this time, same as you. With his last thrust, you came on his cock again and he followed you shortly after. His cum filling you up, marking you as his. You fell onto the table, trying to recover yourself, Miguel's cock still deep inside of you.

You felt his hands lean against your back as he himself tried to catch his breath. Both of you stayed like that for minutes before Miguel pulled out of you, turning you carefully against him and picking you up, bridal style. You didn't care where he was taking you, you were so fucked up you didn't pay attention to anything.

You realized he put you into a bath, filled with hot water that smelled like vanilla. Miguel followed you and sat behind you, pulling you on his lap.

"You did good," he whispered into your ear and started to wash your body from the mess you two made. "I'm proud of you," His lips met your cheek, and a smile spread across your face. You let him wash your sensitive body while you relaxed in his arms, slowly drifting to sleep.

[theladysunami]

As someone who doesn’t speak a lick of Chinese (and really struggles to distinguish tones), I have some question for any fluent Chinese speakers.

It’s a common trope in SVSSS fanfiction where Shen Qingqiu and/or Shang Qinghua use terms for modern technology and the PIDW natives around them are puzzled by it.

What sort of homophones (or near homophones) are there for words like “airplane,” “cell phone,” “television,” “refrigerator,” “microwave,” and so forth? In other words, what might PIDW natives think they’re hearing while trying to listen in on the transmigrators? Are there any (near) homophones that depend on the dialect being spoken?

If the PIDW natives saw the words written, rather than heard them, what meanings might they come up with based on the characters used?

I can guess at some possible interpretations by looking things up in Yabla’s Chinese English Pinyin Dictionary, but they’re rough guesses at best.

I’d be delighted if someone actually knowledgeable could provide some insight on what Mobie-jun and Luo Binghe might think their husbands are talking about when they hear them use words and phrases “from their hometown.”

Edit: Apparently my homophone guesses weren't nearly as terrible as I'd feared, so I'm going to edit this and stick some of them under a read more for fun.

Native speakers please feel free to bully me if I screw up!

Airplane (飞机, fēi jī) "Flying Machine" 飞, fēi: "to fly" ● 机, jī: "machine" Possible Homophones: ● "Flying Chicken" (飞鸡) We definitely need fics where everyone thinks SQQ insists on calling SQH a chicken for some reason.

Cell Phone (手机, shǒu jī) "Hand Machine" 手, shǒu: "hand," "to hold" ● 机, jī: "machine" Possible Homophones: ● "Head/Chief Chicken" (首鸡) ● "Hand Muscle" (手肌) Does Shizun need a hand massage, or miss the "top-dog" chicken he grew up with? Who knows!

Telephone (电话, diàn huà) "Electric Talk" 电, diàn: "electric" ● 话, huà: "language," "speech," "talk" Possible Homophones: ● "Palace Talk" (殿话) ● "Shop Talk" (店话) The most likely guesses seem to be that the phrase has something to do with situational modes of speech. How one speaks in a palace hall, or how one speaks in an inn/shop.

Television (电视, diàn shì) "Electric View" 电, diàn: "electric" ● 视, shì: "to look at," "to regard" Possible Homophones: ● "Court Examination," "Imperial Exam" (殿试) ● "Think on/Remember a Matter," "Worry About Things" (惦事) Why demon lord husbands would pine after imperial exams is anyone's guess.

Refrigerator (冰箱, bīng xiāng) "Ice Box" 冰, bīng: "ice" ● 箱, xiāng: "box" No homophones needed. Meaning is obvious. Huzzah!

Microwave (微波炉, wēi bō lú) "Tiny Wave Stove" 微, wēi: "tiny" ● 波, bō: "wave," "ripple" ● 炉, lú: "stove," "furnace" Possible Homophones: ● "Power Sowing Furnace" (威播炉) No great options here, so they'd likely assume it's some special pill furnace variety.

Car/Automobile (汽车, qì chē) "Steam Vehicle" 汽, qì: "steam," "vapor" ● 车, chē: "vehicle," "chariot" (archaic) Possible Homophones: ● "Qi Chariot" (气车) ● "Near Vehicle" (汔车) A Qi powered chariot sounds pretty neat actually. The phrase could mean something like "whatever vehicle is nearest" though? Or a short range vehicle? (Google translate interpreted 汔车 as "car racing").

Courtesy of @hopingforbrain

airplane's full name can be heard as 'beating (up) flying chickens to the sky'. not in the wanking way, but actually throwing hands with the poultry.

[nostalgebraist]

Pretty regularly, at work, I ask ChatGPT hundreds of slightly different questions over the course of a minute or two.

I don't type out these individual questions, of course. They're constructed mechanically, by taking documents one by one from a list, and slotting each one inside a sandwich of fixed text. Like this (not verbatim):

Here's a thing for you to read: //document goes here// Now answer question XYZ about it.

I never read through all of the responses, either. Maybe I'll read a few of them, later on, after doing some kind of statistics to the whole aggregate. But ChatGPT isn't really writing for human consumption, here. It's an industrial machine. It's generating "data," on the basis of other "data."

Often, I ask it to write out a step-by-step reasoning process before answering each question, because this has been shown to improve the quality of ChatGPT's answers. It writes me all this stuff, and I ignore all of it. It's a waste product. I only ask for it because it makes the answer after it better, on average; I have no other use for it.

The funny thing is -- despite being used in a very different, more impersonal manner -- it's still ChatGPT! It's still the same sanctimonious, eager-to-please little guy, answering all those questions.

Fifty questions at once, hundreds in a few minutes, all of it in that same, identical, somewhat annoying brand voice. Always itself, incapable of tiring.

This is all billed to my employer at a rate of roughly $0.01 per 5,000 words I send to ChatGPT, plus roughly $0.01 per 3,750 words that ChatGPT writes in response.

In other words, ChatGPT writing is so cheap, you can get 375,000 words of it for $1.

----

OpenAI decided to make this particular "little guy" very cheap and very fast, maybe in recognition of its popularity.

So now, if you want to use a language model like an industrial machine, it's the one you're most likely to use.

----

Why am I making this post?

Sometimes I read online discourse about ChatGPT, and it seems like people are overly focused on the experience of a single human talking to ChatGPT in the app.

Or, at most, the possibility of generating lots of "content" aimed at humans (SEO spam, generic emails) at the press of a button.

Many of the most promising applications of ChatGPT involve generating text that is not meant for human consumption.

They go in the other direction: they take things from the messy, human, textual world, and translate them into the simpler terms of ordinary computer programs.

Imagine you're interacting with a system -- a company, a website, a phone tree, whatever.

You say or type something.

Behind the scenes, unbeknownst to you, the system asks ChatGPT 13 different questions about the thing you just said/typed. This happens almost instantaneously and costs almost nothing.

No human being will ever see any of the words that ChatGPT wrote in response to this question. They get parsed by simple, old-fashioned computer code, and then they get discarded.

Each of ChatGPT's answers ends in a simple "yes" or "no," or a selection from a similar set of discrete options. The system uses all of this structured, "machine-readable" (in the old-fashioned sense) information to decide what to do next, in its interaction with you.

This is the kind of thing that will happen, more and more.

[jeidafei]

Hi, DGM fandom! I'm jeidafei. You may have seen me in Kougeki-scans' scanlation of D.Gray-Man.

I know Kougeki releases have been delayed for these past few chapters. And people have taken to releasing their own translations on Reddit and MangaDex as early as a few days after the Japanese release. We at Kougeki have asked people to wait if they could. People have told us to, basically, go d*e.

And of course, you are perfectly entitled to say so. You are perfectly entitled to release your own translations and not wait. After all, we at Kougeki are just fans of D.Gray-Man, similar to you. We have zero claim over the series.

I normally stay out of the fray when it comes to quarrels with these 'snipers' until now. When I saw the quality of the translations some of these people are putting out.

(Specifically, Chapter 250 on MangaDex)

Japanese is a difficult language. D.Gray-Man is a difficult manga to translate due to its ongoing status, complex nature and plot twists. I have made mistakes myself that others have pointed out. I have my own interpretations that might be different. I readily forgive mistakes I understand are due to the complex Japanese grammar, and the confusing mysteries of the D.Gray characters.

But these are not it. These are just blatant laziness and lack of basic knowledge of even the most recent developments in D.Gray-Man. Or even simple logic. These are the results of people dishing out sub-par work quickly just to get the most exposure possible.

So while we wait for Kougeki's version, I am going to point out these egregious mistakes. We need transparency so that going forward, you can make your own decisions on whether it is speed or accuracy you are looking for.

The original Japanese text says "7,000 years ago" (七千), not "17 years"（十七）. A difference any beginner Japanese learner would notice. Even most D.Gray-Man fans without Japanese knowledge would probably realize something is off based on what we know of the story so far.

The original text says "Do(es) the passion/sentiments run so deep, you must reincarnate into a human who resembles Nea?" (the word 'regret' is simply not there). I think 'passion' or 'sentiments' are more compatible here, considering earlier theories about Tyki, the Noah of Pleasure.

Jasdevi is saying they were at their limits anyway and wouldn't be able to keep restraining Apocryphos for long. When Wisely orders them to dispose of Apo, they scream "Oni!" (Demon) which is quite similar to "Onii-san" (Elder brother), but most people would probably know which one is more fitting in this scenario, even without Japanese knowledge.

When Desires asks Wisely if he is just going to set Apo free like that, Wisely explains that this way, Apocryphos (not Desires or Wisely as in the translation), can keep searching for the Heart for them. Again, basic story knowledge.

Wisely didn't say "Fine, enough already"; this bubble is a continuation of the earlier bubble, spoken by Desires. Together, he is saying "Wouldn't you just spit it out already!?"

In Japanese, many words sound the same and the meaning can only be determined by context or the Chinese characters (kanji) used. In this case, "kikai" can mean either "machine" (機械) or "opportunity" (機会) or "strange" (奇怪), among a dozen others.

Yes, it's difficult, I know. But, you see the kanji. You know the context. I'm sure you can take a guess.

There are a couple more minor mistakes (ones that don't impact your understanding of the story too much). But I'm just going to leave you with one more, the most conspicuous mistake:

The chapter is named "Curse's End" by this translator. Actually, it's the opposite in Japanese. "Owaranu" is a form of "Owaranai" which means "not ending", which fits the revelation of this chapter by Wisely that their 35-year curse has yet to come to an end.

So, there you have it.

As you can see, I'm not shaming people for not being as fluent in Japanese. Not everyone can dedicate almost two decades to learn a language. As I have pointed out, most of these mistakes are rookie-level, and should have been picked up in double-check if that someone is familiar with D. Gray-Man at all. With these nigh unforgivable mistakes, even Deepl and Google Translate are more accurate.

This is a matter of someone not giving enough of a sh*t, plain and simple.

I'm also not gatekeeping scanlation whatsoever. I'm just pointing out the mistakes and actual text because the fandom deserves to know. With the localization drama going on, it proves faithfulness to the actual text and accuracy matters.

Of course, anyone has the right to put out their translation. And I have the right to point out whether they can be trusted. I'm not passing judgment. I'm just providing evidence so the bystanders can decide for themselves.

Lastly, from the bottom of my heart, I thank everyone who has supported the work of Kougeki Scans and waited for our release. I apologize for the delays. We're working on the latest chapter and will release 249 and 250 very, very soon.

[the-entitie]

COD men x K-9 Unit male reader

Part 1 | Part 2》》

A/n: I can speak three languages, only one of which borrow German words, so forgive me for shitty translations. I'm from the RSA, so you know. Not any of the boys hometown.

Reader works with a K-9 unit and his partner is called Mutt who is a mix breed of Alaskan Akita and Doberman(Mutt is also a service dog as reader has paranoia and C-PTSD). Readers call sign is Riot. The 141 boys needed help tracing a terrorist and John called in some favors to bring Riot and Mutt into the field. He helped the Los Vaqueros as well.

After the mission back at base, the reader interacts with the men, and they end up interacting with him.

Reader is referred to as you or Riot.

Mentions of panic attacks, anxiety attacks, C-PTSD, war, and / or war related violence. Unhealthy coping mechanisms, past trauma. Death of a family member. Torture, scars, and flashbacks.

Left: American Akita and Right: Long-haired Doberman

John Price: (740 words)

-He met you first, saw you first. Hell, he verified your file so he knew of your old teammates that turned because of the torture, and he knew of the many years you spent MIA. He also knows what you did to get out. So he keeps you close and keeps an eye on you. He's the one who needs to clear you for this recon mission. It will be his fault if another team mate goes rogue. -It only take him a few minutes to see how much you actually relay on Mutt, it takes him days to see its not reliance, no the two of you act in a cemented trust between you two. From the interactions at home base to the way you both move like a well oiled machine on the field, it doesn't take a genius to see that Mutt is a deadly force with training that makes the hound that much more dangerous. Price comes face to face with that realization when he sees just how far Mutt can throw a soldier four times their size. And Mutt came up to his thighs, mind you. -Time and space are all Price really needed to trust you completely. He knew how you acted with Mutt, and therefore, he knew how you would act around a team you trust. It doesn't take him long to see its not only Mutt who reacts to you. You react just as much based on your K-9. Price nearly shoots you when you call out to Mutt because you didn't whistle for the hound. You howled, and he could hardly tell it apart from the wild dogs he's heard out in the desert. He didn't even understand what the fuck you where doing until he heard something answer you, in the same rumbling call. It took a lot more time to get used to those kinds of noises from you. He could expect them from Mutt but not when it's you who makes them -Both of you were exhausted, been about three long days on your feet with little sleep, that's when he asks you how you make the sounds Mutt does. Hell he even starts trying to learn them just to know how you and you K-9 partner work better. "So I just cup my hands and what now Riot? I Grunt?" "No," you laugh at him, he doesn't feel patronized by it, "you hold your hands around your mouth and just bark, makes it echo like a dog." He sounded more like a mountain lion then canine when he actually gave it a try. You teach him how to pitch it up a bit, and how to drag the call out properly. "And you don't use your hand because?" "Because I'm used to it, and can make the 'echo' without my hands. I still do when I howl. Look." A few nights pass before he uses it to scare a tango shitless out side of the enemy base. He doesn't admit it but he likes 'talking' to the local wild dogs with you. He even enjoys hearing you and Mutt go off at each other because it means your both alive and still here. -Out side of the field and when you two go out to roam the town at the dead of night, he comes to see that the canine noises you and Mutt share gives you peace. The kind he used to find in cigars and smoke. He gets it, he knows that some people just have a vice. When you find him smoking alone behind his own home, he shrugs it off and blames it on the smoke detectors. He doesn't say that he stops to make your K-9 more comfortable in his home. He doesn't stop smoking but he tries to avoid it for your sake. You only corner him around a day or so to thank him. He won't admit to the red flaring up on his ears, but he tells you to drop it. -If he's ever the one who finds you when your having an attack, he will guard you. Get you safe and comfortable then he will become a gruff mother bear and be completely over protective of you. He only calms down when he sees that Mutt already does that, and he learns what can help you, what to look out for. He won't admit it though.

Simon 'Ghost' Riley: (734 words)

-Ghost didn't like you at first. or well he doesn't like anyone actually but he didn't like you. -You had a dog breed that was originally made for bear bating and he hated that he knew that. Even if you didn't get the hound because of that. Well, that and Mutt is constantly muzzled. It took you explaining it was required by law for him to try and ignore it. -But when he watches how fluidly you and Mutt work together, even seeing the raw fucking power that dog has when Mutt tackled an enemy to the ground, he starts to understand why you have to keep Mutt muzzled. Even if he didn't like it. -Simon has an ex-military dog at home so he knows how to act around an active working dog. He's the best to be around if you don't want people petting or trying to do anything really with your K-9 partner. -when at the base afterwards he sees that the dog isn't just a working dog but acts like you service dog. Everything from crowd control to doing small tasks for you on the daily. To siting between your legs when you have your back to anyone when doing a task to protect you. Mutt will even start doing this quiet sort of 'rueff' sound that will make you get out of where ever you are without any fanfare, you will just disappear. -He only finds out why a lot later. He feel kind of stupid for missing it after the fact. -Its the scars that cross your back and over your shoulders, the hitches of thick skin around your jaw. You are a torture survivor. So suddenly he gets it. Mutt is your safety, the dog wears a muzzle because your K-9 partner is also a person protection dog. -After he realized the why you stick to your partner so closely, he would begin to help Mutt protect you. He would stand ahead of you when Mutt would lay down to create space (crowd control). Ghost would watch your back and react with your partner to help you. -He takes his mask off when you two are either alone or when your are forced to show your scares he shows some of his to help you feel more comfortable. -you start to notice it, and at first you would try to stop him but eventually you just start protecting him back. You become more comfortable around him. Simon notices it to. -One day after a few days straight of being on your feet, both you and Simon end up passed out in his private quarters. Ghost wakes first to see Mutt cuddle against you and draped across him, when ever he tried to move the dog, they would just growl and to his utter amusement you growled back. -After that he gets you to 'talk' to Mutt any time he can, even on missions. - Ghost was the one who told you and Mutt to bark at each other to distract the enemy when on a recon mission. "Copy Riot, we need an in" "Need an in, copy. Any ideas for that L.t?" "Yeah, Riot go off and make some noise with Mutt" "Seriously?" "Yip, get going we need that data" You two got in, and yes you did start howling back and forth with Mutt in the echo trick wolves use. The enemy thought they were surrounded by cayotes. -When you eventually cuddle up with Ghost again, and Mutt yips or growls at you and you make the noise back, Simon will growl at you. It becomes a games between you to, even doing it as call outs outside of coms. Soap complains about wild dogs once and now Simon will get Mutt vocal just to fuck with Soap. -he starts calling you dog related nicknames, your name doesn't exist anymore. Call sign? only when necessary. You are now called with doggie names. He'll call out a, "Heh, Good boy" "Come on puppy you can speak" when you go dark on coms, or just when you don't answer him. Yes he will also say things like, "What ever you say Fido" -He makes you swear to never tell a soul that he also barks back at Mutt when you two are off duty. You caught him coping a growl when playing with Mutt once. -He gets Mutt and his las to meet. Now he also makes dog sounds with you on his down time, even without you much to his old girls delight.

John “Soap” Mactavish: (616 words)

-He loves your K-9 partner from the first time Price introduces you to the team, sure he tries to be professional but the second you let Mutt go off to play out of gear he just wants to give the hound so many pets. They are just so big and have that cute angry tilt to their face! Can you blame him. -when out on the field, he loves running with two of you on missions. The adrenaline and rush and just how much faster you two are than him. He loves it. -You end up doing it with him outside of missions after a while. Hiking out in mountains and secluded valleys, it's the first time he hears you howl with Mutt. The coyotes had started, yipping over whatever they killed lower down the ridge. Mutt, who was a few paces head, had paused to howl, without thinking you howl with them. Scares Soap but he just finds it fun. -Soap being so in love with Mutt leads to just being around you a lot. He starts learning what certain movements mean to you and your dog, how a sharp left with your hand was a call to draw back or how the shift of your stance meant to take the lead. It amazed him how well you read each other. -Then he sees how you act outside of the field, how Mutt still acted like a protector, and you kept mimicking the sounds Mutt made. Especially when you were more tired. He found it cute. Hell, he loved playing with Mutt, so when you made the hound more excited, he also got just as if not more excited. -Soap loves head scratches you find out when you two are off duty and hanging out. He's on the floor with Mutt and the hound he's cuddling wines before you reach down to comfort the dog with head scritches. You miss and pet Soap instead, beside being completely flustered, he asked you to do it again.  He just starts asking you to do it more and more before you start petting him the same way you pet over your hound. -Now you start with the dog related nicknames, even over coms. Much to Soaps embarrassment and the teams delight. He nearly buckles the first time you call him a good boy, and he does when you call him a good dog. Blames it on a miss step. -He loves, loves, loves listening to you, and Mutt yap back and forth, loves even more when you go to rough houses with growls and even try pining you down one. He fails, but he doesn't care. -Soap only catches one of your attacks when it's about sun down. You're both at his place standing in the kitchen when your shoulders suddenly hitch, but you continued on as normal. Until Mutt wandered over to you, they stopped dead before making a gruff noise and jumping up onto you. Instead of getting you secluded because, of course, the hound sees Soaps house as a safe space. And Mutt will get you down, force you to sit and lower your head. "Woh, n'er knew em ta jump? Wait shit. ROIT!" He'll be right there next to you, knows what to do because of Ghosts episodes on recons. "What's it, lad? What can I do ta help 'im?" -You don't really talk about it. Sure, you explain what it was and why Mutt did that, but not the why it happened. It takes a while to admit that the scares you hide are the reason for that attack. He gets it he does, and now? Mother fucker will do dumb shit to distract you, or just talk and talk and talk. It helps, he knows it helps.

König: (764 words)

-Being a sniper, he likes the added security, the extra eyes to help watch his back. Sure, he doesn't trust you per say but he tries to be friendly none the less. -He had no idea what Mutt was trained for until he saw the both of you take down someone who made it to his vantage point. He saw how you moved like Mutt was an extension of yourself, that's how you earn his respect. -König didn't know why you had so many commands for Mutt, but most of them were cues or just situational. Most of all, the verbal commands you use are in Russian and Dutch so he can understand some of the tasks you ask Mutt to do . It kind of scares him that Mutt would know which trail was a friend and which person wasn't. He stands by that fear when he watches you set them off on a run away target. -He will only admit to himself that both you and Mutt look way to good covered in the gore from that attack. -You had to explain that that kind of training meant your partner had to be muzzled. You both get to talking that night, swapping stories of close calls, and König shyly showed you the star splattered scar on his jaw. Lifting his hood up just enough to see it before hurriedly drooping it back down. You share a few of the worse days you had as a call in search and riot guard and snippets of the scars covering your throat. -Habits begin forming. König will be a silent wall between you and crowds while Mutt would start alerting to his anxiety attacks as well. You made a joke about borrowing Mutt to him on the days off. He didn't understand the first time Mutt barked at him in a weird gruff tone before jumping up and doing it again. It's when you get him secluded and safe that you explain it to him. "Its called signaling. They can tell you when these things are going to happen or are actively happening. " "So it's to let me know?" "Yeah, for me, it's when I'm going to either for a flash back or when my paranoia forces me into a panic attack." "Flash back?" "Yes, remember that sister I told you about." -It took days for you to actually relay that story to him. How your team abandoned you, how the enemy held your sisters head above your bloody form. You explained how that caused phantom pains or flashbacks and how crippling that can be some days. -He becomes your solace after that. He would be there when you needed it. Keep people away when you couldn't look at anyone. He even began listening to Mutts alerts. He even lets you help him through the easier ones. -König called you one night when you both were off for the next few days. You could tell by the shake on his breath what was happening before he could tell you. That was when you showed him how Mutt does decompression therapy, the hound big enough to help ground him. You stayed that night, even teaching König some of the commands you use to tell Mutt how to help you. He's quick to learn them as some phrases are Dutch that you use so he can catch the meaning of some commands. -You don't call him until a long while later. It's on a mission while you two are hunkered down after a botched extraction. Or well, Mutt calls him. "Riot? Are you, Oh Scheiße! 「Shit」" "wat 「what」, ag. What can I do? Dir helfen 「Help you」, how can I help. Please let me help you. " -He ended up holding how so you couldn't hurt yourself in these attacks. It didn't feel as entrapped as you thought it would. König is so much bigger than you, but it's like he makes a physical barrier between you and the world. He helps your partner make you feel safe. It's hard to explain to anyone why your panic attacks act like that, why your mind needs pain to calm from feeling like you're dying. König will explain how his attacks can feel suffocating, and that's why his jaw and throat are so bruised most days. -Between one mission and the next, you start showing off things you and Mutt can do to him, like Mutt retrieving throne knives or how the hound can trace any sent it knows for miles. -You only bark back at Mutt one night when trapped in a safe house. Neither of you could find each other, and mutt had run off

Alejandro Vargas: (720 words)

-Learning of the terrorist stationed so close to los vaqueros' home base, Alejandro was quick to reach out. The 141 had helped him before, so he was surprised to learn of the newer recruit they called in to help them. Alejandro told Price to just bring you along. They needed the extra help honestly, as much as he refused to trust any of 141 purely on principle. They needed the help. -He met you with Ruddy on the roof of the office building, and he asked the polit to land on. When you dropped from the helicopter with the others. Mutt held to your chest before being deposited on the ground. He's seen how some of the other search and rescue units who have K-9's, but he's never seen anyone who works with their hound like you do. Alejandro is both grateful and terrified to have you fighting with him.  -Seeing you and Mutt outside the field was even more intriguing. How the two of you reacted perfectly to each other, he saw a bit of himself and Rudy in the way you two work like a well-oiled machine. He tried to play nice, be kind and calm, but when shit hit the fan? He drops it. Its only been a week before you use the recall command on Mutt to level the man they needed to interrogate. Both of you were forced to hunker down in a safe house, Alejandro making the bound man walk with little success. He asked for your help not long after the son had dipped down.  "Think he will talk?" "Not willingly if that file you circulated was true." "Any ideas?" "You aren't scared of loud noises, are you?" "Not really, why?" -When you said you could help, this isn't what he was expecting, but it was working. You had taken to standing behind the tied down guy, and whenever Alejandro could sound even remotely frustrated,  you would call out to Mutt before the dog would lunge with a snarl or harsh bark. Scared the man shitless, and he would mumble about 'de-ablo' or 'deamons' on and off. When things got too harsh, or either of you were cornered, he watched in equal parts horror and delight as you let Mutt cull those surrounding you all. Watch as you both kill together just as well as you work together. -It eventually became a joke, the whole you being a dog or sounding like one. Even when the two of you left the safe house. Hell, he started talking to you like he would your dog. Started to tease you with the same command you used on your hound. "Come on, Roit, I know you can beg better than that." "Here, cachorro cachorro cachorro [puppy puppy puppy]!" "Such a good boy, you want a treat?" "There we go, Good perro. Now sit for me." Even saying he kept treats for when you were especially well behaved. If you didn't also start laughing along he wouldn't have kept doing it and actually started keeping 'treats' on hand for you on the late nights you two would just talk on and on about nothing and everything. -Being back at the base and left to your devices, he started asking about everything Mutt could do. He would ask if you could also do the tricks and inquire about the ones you could. "Wait cariño, you can howl?" "Yeah. Wanna hear me?" "Oh more than anything." "hhhm, maybe I'll do it later." "I'm happy to beg you, but I think you would sound better begging me, cariño." "I don't beg Alejandro." "You will. And you'll sound so good doing it." "Try me," -He loved hearing you talk to Mutt. Just waiting up at night to listen to the back and forth of barking and yips that echo across the open land. Whether from far away or not, he loved it. -Alejandro is the worst when either of you get hurt. He is the worst flirt, and he lays the dog related teasing on twice as thick. Not only is Rudy swearing him out in broken Spanish, but you don't help either. Doing anything to help him stay conscious or playing along to distract yourself from the pain. Even Mutt begins to see him as safe.

More COD Boys x K-9 unit reader 》》》》

[biahouse]

Important, Gregory House x Reader

(This is my first story on Tumblr, and also my first Gregory House story. English is not my language, technically all of this is Google translate, so I apologize for any mistakes. But I hope you like it, I have a lot of ideas about our crazy doctor)

You love House. He doesn't care about anyone, but he cares about you. That's something, right?

The first time you met Gregory House was at your job interview.

You knew House's fame in the medical field, so your dream was to work with him and learn about his somewhat orthodox methods.

What you didn't expect was to be completely enchanted by the man 15 years older than you. House was moody, irritating, stupid, arrogant. A card-carrying asshole.

But there was something that made you suspicious every time he entered the diagnostic room. However, you weren't the only one.

You were good at hiding your crush on House, but Cameron always let it be known how much he liked his boss and what deeply upset you.

You were nothing compared to Alisson Cameron. Cameron was beautiful, kind, hardworking, confident. Everything you could never be, even if you tried hard.

That's why you shelved your feelings, buried them at the bottom of your chest and tried to hide as much as you could.

3 years have passed since you joined the team, and now with the departure of Chase, Cameron and Foreman, you were the only original member and House became more and more dependent on you. You have now done the work of four people.

And like a good doctor, you did your best to treat every patient who arrived at the department in the best way possible. But it was exhausting you.

The dark circles became increasingly prominent. You were sure you had lost 2kg in that week alone, since you didn't have time to eat and your hair fell out more and more every time you combed your hair.

But it was three weeks after you were working almost alone in the diagnostics department that your body reached its limit.

House and you were discussing what could be ailing an elderly man when he came up with a really interesting theory.

As always, you were sent to do tons of tests, but the moment you got up from the chair, your entire body lost consciousness.

“House” you mumbled the man’s name as you felt your entire vision blur.

"Yes?" The man responded, distractedly analyzing the symptoms chart.

"I think I'm going to pass out" was the last thing that came out of his mouth before the world went black.

•••

You heard the machine beep before your eyes could discover the place around you. It was hard to open your eyes, the bright lights of the hospital room shining brightly into your eyes.

You could feel your throat dry, and the various threads clinging to your body. It was uncomfortable and you tried to adjust yourself on the hard bed.

"I wouldn't move if I were you" House's unmistakable voice sounded in the room and his gaze shifted to the man lying on the bedroom sofa. "Welcome to the world of the living"

“Hi,” your voice sounded hoarse and you coughed, feeling your throat raw.

"Here" House stood up at an impressive speed and handed him a glass of water with a straw. You sipped the liquid with relief, your throat feeling better within seconds.

"How long was I gone?"

"2 days" House limped so he could check his devices. "You were exhausted, dehydrated and malnourished. New diet?" The man joked.

"The patient..." You started to get worried about the man they were treating.

"You're impressive" House looked at you curiously. "I tell you she's a living dead woman and you care about the patient."

“I’m fine” You waved your hand at him.

"It's not what your scans say" He shook the folder in his possession. "Why didn't you tell me that you couldn't do everything alone?"

“Because I can do it” You insisted.

"You're going to have a week off, until you can recover. In that time, I'm going to review some resumes, you need help" House said once again looking deeply at you.

"Why? You don't want new people on the team, you hate change" you tried to argue, knowing what the man was like.

"But I care about you. I think that's more important than my distaste for people" His admission scared both of you, but neither would admit it."Rest, I'll be back in a bit, with something called food"

And with that he left the room. Leaving behind your flushed face and your racing heart.

[bakuhatsufallinlove]

This issue of Weekly Shonen Jump included an address fans can send letters of thanks and support to Horikoshi-sensei before the end of the series.

Viz did not include this address in the English release; I imagine that is because there is very little time before the last chapter, but maybe they just didn't think overseas fans would be particularly inclined to send anything.

So, if you want to send a letter, I'd recommend sending it no later than July 13th.

International mail takes longer to deliver, and anything sent after that date may unfortunately become a bit of a burden to the editorial team. I have heard of international fans sending mail during the run of a series, but not after its serialization has ended, so please be conscientious of the people who will have to receive and handle your letter, as they will likely get many.

Print out this address (rather than writing it by hand) and affix it to your envelope:

〒101—8050 JAPAN 東京都 千代田区 一ツ橋 2-5-10 集英社 週刊少年ジャンプ編集部

Write "FROM" in capital letters above your return address, which should be written in your country's own language/format. Be sure to list your country of origin clearly; if it somehow ends up being sent back, you will be more likely to receive it.

I encourage anyone who wants to write a letter to write it in their native language first, and perhaps include a copy of it machine translated into Japanese. If you choose to do so, indicate clearly that you are a foreign fan and used machine translation, so any awkwardness of wording or unintended impropriety is taken in good faith.

Try to write formally in your native language. Formal language is easier for machine translation to work with and reduces the chance of serious errors.

Please address Horikoshi-sensei with that specific title, even in your native language. Look through the Japanese machine translation and make sure his name looks like this: 堀越先生

You can also include these phrases if you want:

真にありがとうございます。

本当にありがとうございます。

They are both strong and sincere thank you's.

Most of all, be kind and have fun. <3

[canmom]

when robots got muscles

You can blame @centrally-unplanned for this post. She(?) wrote...

The ‘chrome’ designs pioneered by illustrators like Hajime Sorayama (Sexy Robot from 1984, for example) tended to be more in vogue at this time (or just…a  hot girl, who is apparently a robot, trust me bro), you don’t see designs like this too commonly until later (ask resident robo-fetishist/animator expert @canmom for details on that timeline).

After a challenge like that how can I refuse? Although the question is ‘when did robots get muscles’, this turned into something of a historical survey of robot designs from the 80s on with a throughline of biomimesis.

(Originally this was just going to be an excuse to talk about Ghost in the Shell... but I gotta be thorough.)

This was all brought on from this picture from a 1989 fanart magazine...

by an artist going by ‘Facepunch Tatebi-kun’ (顔面強打たてびー君, Ganmenkyouda Tatebii-kun). I remarked that it was interesting to see these kinds of ‘robot muscles’ in a picture from 1989, since I thought that kind of design became popular in the 2000s.

On some reflection, I think I gotta revise that opinion! I think ‘robot muscles’ became a thing around the mid 90s in anime; in the West I think it took a bit longer. But you can also see precursors already before that.

So. One thing artists are super into is biomimetic robots. That is, robots whose form (and perhaps function) is similar to animals, especially humans. The word ‘android’ referring to a human-like automaton dates all the way back to the late 19th century, but the modern ‘android, robot, cyborg’ taxonomy apparently became established around the 40s.

There’s two types of humanoid robot that get a lot of play, especially in anime. One is the convincingly humanlike cyborg, which is the same size and shape as a normal human; the other is a what we call in English a ‘mech’, i.e. a big robot you can sit inside.

Of course, if your androids just act like humans all the time, then there’s not much point having them be robots. To really create the frisson of contrast between human and mechanical forms you have to show the mechanism somehow. This could be because the machine isn’t perfectly human-like, and has visibly mechanical joints - take a look at the works of @sukabu89​ for very inventive depiction of this theme - or, the android could be damaged or undergo maintenance.

When you attempt to translate biological forms into a more mechanical design language, the traditional way has been to use hard, rigid shapes, since these make the contrast especially clear. In more recent designs, particularly as we started to see real robots with ‘artificial muscles’ such as the ones created by Boston Dynamics, we get another sort of design language to express ‘mechanical parts’, and robots start having more biological forms with exposed plasticy muscles.

So let’s tell the story. We begin at the end of the 70s.

the dawn of mechaguro

For an early example of ‘mechaguro’ (a term I’m applying very anachronistically!), when a robot gets smashed up, we have Alien (1979). This film did a ridiculous amount to define sci-fi design language, and of course the alien itself blends mechanical and biological forms, with its glossy black surface allowing it to seem to melt into the exposed pipes of the spaceship. But let’s focus on the character Ash, a secret android who is broken apart in the second half of the film.

When Ash is torn apart by the alien, his insides consist of weird white plastic beads and a milky fluid that seems analogous to blood. It’s not clear what the function of any of this tech is - it’s intended to be vague and mysterious. The outside is biomimetic but the inside is anything but. He has a kind of artificial skin which resembles a latex mask.

The Terminator films are another major touchpoint for 80s science fiction. Late in the film, Arnie starts taking damage which reveals the Terminator skeleton underneath his fake skin.

The stop-motion Terminator model is basically designed according to the principle of ‘replace human bones and muscles with hard metal bits’. So you have a metal skull, metal clavicles (which are pistons for some reason), metal shoulder blades, hydraulic pistons generally in the places where muscles are. e.g. in the above picture you can see pistons that stand in place of the sternocleidomastoid muscle, and in this picture...

...you can see metal scapulae and piston biceps and triceps and a piston. The shoulder joint by contrast built in a very non-human-like way. Also there’s random tubes everywhere lol.

That’s generally how androids are portrayed in the 80s. The ‘droids’ in Star Wars are similar; C-3PO is an arrangement of metal plates with gaps suggestive of underlying mechanical details and rudimentary joints and pistons.

In Blade Runner, we have the Replicants, humanoid robots - but by the premise of the film, they are essentially indistinguishable from humans. So when the Replicants die, we never really get to see their robo-innards.

and now, anime

OK, that’s the big four Western 80s sci-fi movie series; what of anime? Of course, androids in anime go all the way back to Astro Boy. But most of these early designs don’t really focus on mechanical details all that much. Super robot designs are more like tokusatsu suits than anything. There were certainly instances of impressive mechanical animation in the 70s, with early experts including Kazuhide Tomonaga on Space Battleship Yamato. Then there’s Hayao Miyazaki’s episodes of Lupin III Part 2 which featured proto-Nausicaa flying a prototype of the robots from Castle in the Sky. It would be some years before anyone could come close to matching these!

The original Gundam in ‘79 famously started the ‘real robot’ movement [Animation Night, so let’s take a brief look at how a Gundam fits together.

Generally speaking, the way Gundams are drawn in Gundam ‘79 is kind of rough. The methods to animate these rigid mechanical systems in super accurate perspective were just not yet established at the end of the 70s, certainly not on a TV budget. The actual joints on the Gundam are left very vague, but it broadly speaking seems to move like a human in armour.

But the OVA boom was about to begin, and while it would be a while before we saw the heights of Headgear/Production I.G./Gainax, things were going to change a lot. Mechanical design and animation was about to get much more sophisticated very very quickly.

In 1982, we have Super Dimension Fortress Macross, with robots that transformed into fighter jets. Its robots are designed by Kazutaka Miyatake, who cut his teeth doing mechanical design for Space Battleship Yamato and Daicon. The Macross TV series introduced the world to the animation of Ichirō ‘Missile Circus’ Itano. [AN64] A plane with legs... honestly looks kind of goofy, but Itano’s ambition to have a highly mobile 3D camera that could move in ways that would simply be impossible in live action marked a huge step up in how robots are animated. And this would get refined even further in the film Do You Remember Love.

In terms of design, we’re really moving our inspiration from ‘tokusatsu suit’ to ‘military hardware’ here. A Macross suit has to look like something that could transform into a plane, so its silly little arms and legs have to look kind of plane-like. In any case, we are definitely still in a world of hard and rigid robotics.

Dallos (1983-4) dir. Mamoru Oshii is known as the first OVA, if not the first successful OVA [AN115]. It features a variety of mining robots on the surface of the Moon, which are generally less humanoid, taking their design cues from JCBs...

...as well as humanoid robots with fairly clear joint patterns...

...and more humanoid robots too.

The eponymous Dallos, however, is a huge humanoid robot that looks like this...

Here we have a pile of mechanical shapes that vaguely calls to mind a human face. It’s suggestive of motifs we’d see later in works like Akira.

A year later in 1985, Megazone 23 really kicks off the OVA boom in earnest [AN 103]. It also has a robot, in the form of a transforming bike that can become a humanoid piloted mech...

You can see mechanical designs and shading have become considerably more detailed; its motion is a lot more complex as well with a ton of indulgent background animation shots. The actual details of the bike -> robot transformation are rather brushed over. But to sort of sum up the design language: we have organic but hard-edged shapes contrasted by inorganic but round shapes. (These terms ‘organic’ and ‘inorganic’ refer mostly to symmetry and a sense of ‘flow’ in the shape.) There are few right angles as such, but a lot of broadly boxy topology. The shapes are broken up by elaborate specular highlights in complex shapes, a motif of the later Kanada school.

OK, but that’s all variants on ‘rigid robot’ so far - what about the androids? What about the more directly biological designs?

Following the enormous success of Megazone 23 Part I, Toshiki Hirano got the chance to adapt his favourite lesbian cosmic horror hentai manga Fight! Iczer One into a rather more tame OVA which released from 1985-87. In terms of mechanical design, this starts to do some interesting moves towards blending biological and mechanical forms...

Of course it has a robot in addition to the requisite bishōjo and lightsabers. In contrast to the boxy shapes we’ve seen so far, the robots in Iczer-One have a much more curvy organic sort of design language. Still, there is not a lot of emphasis on the precise details of mechanical articulation outside of select shots. (It is however notable for the first ever Obari punch!)

Despite the change in shape language, these are still very clearly animated as metal plates and not yet muscles.

In 1984 we have a very important film (for this narrative, and in general), Nausicaa of the Valley of the Wind, the film that created Studio Ghibli. Here we have the ‘God Warriors’, giant humanoid weapons with the ability to shoot a massive laser out of their mouth. Rather than robots, these are very much biological in nature, having to be grown in a kind of cocoon. In the film version of Nausicaa, an incomplete God Warrior is released, leading to an iconic scene animated by Hideaki Anno in which the God Warrior attempts to blow up the oncoming wave of Ohmu.

The God Warrior’s melting flesh is gorgeously animated, bubbling and sloughing off in great big lumps as the skeleton pokes out from underneath. Throughout, Nausicaa is full of beautiful and impressive animation of both machines (mainly planes) and biological (the giant insects), but the God Warriors, as human-made lifeforms, bring the two together. However, this strand wouldn’t be especially followed up on for a long long time.

Right, but what about Bubblebum Crisis (1987-91)? That is, after all, the iconic 80s robot girl OVA. It’s inspired heavily by Western robot-related films like Terminator and Blade Runner; here we have ‘Boomers’ (never stops being funny) as androids that can appear convincingly human. Like the Terminator, the underlying metal parts can burst out. Here we have a metal frame designed to resemble muscles, and also metal tentacles.

The shapes of these robots are a lot more organic. The robot neck has tubes that sort of resemble the neck muscles, metal plates that resemble pectorals and abs and deltoids and biceps and so on. You’ve even got a direct riff on the Terminator ‘fleshy face falling away to reveal metal skull with glowing red eye’! Under the plates there are clusters of tubes which also heavily resemble muscles. Also you’ve got the classic ‘three small circles’ motif there.

Contrasted against them are the Knight Sabers, who aren’t cyborgs as such but fight in powered exoskeletons which fit the design motifs of robot girls.

These suits are quite form-fitting, with a rubber under-layer and metal shells on top. There is definitely some attention paid to how they’ll articulate around the joints. One very recognisable 80s motif is the sort of extending spike thingies you can see on her hat there; there’s also the jets that extend out behind the suit. And, you have that multi-layer shiny highlighting of course!

Still, the way the characters move in Bubblegum Crisis is still very squarely Kanada School poses; big movements, lots of held poses accentuated by flashing and line boil, not a lot of concern for conservation of momentum or anything like that.

For a contrasting strand we can look at the rise of the ‘Otomo school’ (if you will) of realism. Around the end of the 80s, a pool of talented animators were gathering around Katsuhiro Otomo. Their most famous work is Akira, but I’m actually going to begin with Robot Carnival (1987), a wonderful anthology of short films from 1987. This features a huge variety of interpretations of the concept of robots.

For example, for Kōji Morimoto, later co-founder of Studio 4°C, the robot is a kind of cobbled-together steampunk Frankenstein’s monster. It’s a very cool design with all sorts of asymmetries and exposed parts suggesting its cobbled-together nature. And although all the robot does in this short is stand up and then fall over, a great deal of attention is paid to the little details of its articulation and its movement through space.

Presence, directed by Yasuomi Umetsu, is notable for its steps in the direction of realism - Umetsu’s characters are hyperdetailed and in some ways over-drawn. The opening shots establish this is a world where lifelike androids are common, when an android gets his head kicked off and stolen by children. Here the robot-as-doll metaphor comes in, something that will be increasingly central in the next decade. The robot girl is essentially a human-sized doll in a room full of other toys. Her creator smashes her to pieces with a wrench; later her ghost visits him as an old man. We see the girl attached to a bunch of wires, but she bleeds like a human.

Cloud by Manabu Ōhashi features another humanoid robot, an Astro Boy-like child recognisable as a robot based on his segmented torso and legs and robotic ear... cones. Here the robot is a standin for human emotions, the boy’s struggles projected onto the constantly changing sky as he walks against the wind.

Strange Tales of Meiji Machine Culture: Westerner’s Invasion by Hiroyuki Kitakubo (later to direct Golden Boy, Roujin Z and Blood: The Last Vampire) is a sendup of mecha shows in which two very goofy looking steampunk robots operated respectively by Japanese and Western crews duke it out, laying waste to the city around them. The Japanese robot is basically a big wooden samurai...

and the Western (more specifically American) robot is, uh

sorta big barrel with little eyes on top? I’m not entirely sure what the deal is with this design!

That’s really not relevant to our story tbh I just think it’s a neat short.

Chicken Man and Red Neck, by Takashi Nakamura, features especially distinctive robot designs. The film is kind of a dream sequence in which a terrified drunk man witnesses the revels of the machines of Tokyo, transformed into robots; the robots are extremely shaped, moving through a world that is pretty much just pistons...

These robots call to mind the dancing demons in Fantasia’s Night On Bald Mountain sequence, or even Bosch.

Otomo’s own segments feature the Robot Carnival itself, a vast mechanical structure built as... well some kind of entertaining spectacle, but which now drives around the post-apocalyptic wasteland dropping robots which explode as bombs. It’s cute.

OK, to wrap up the 80s, we gotta cover Akira (1988) [AN34]! Akira has plenty of impressive mechanical animation of helicopters, hovercraft thingies, satellite lasers and of course the famous bike, but it doesn’t really feature robots as such - but what it does have is a blending of mechanical and biological forms in its climactic sequence where Tetsuo’s psychic powers go out of control. First, wires start to spread like the roots of a plant from his robot arm - less an actual machine and more something he assembled with his psychic powers...

He takes a bullet, and the mechanical wires and muscles start to blend together and spread out like a slime mold...

...which he can extend as essentially a giant tentacle.

When his powers fully go off the rails, he bulges out into big blobs of flesh which have both veins and wires running over them. These burst out of the metallic parts as well.

He turns into essentially a giant biomechanical baby.

Did Akira invent these images of blending biology and machinery? Probably not, but I’m not really familiar enough with manga of the time to say. What can at least be said is that Otomo’s absurdly meticulous style could really sell it. Otomo was truly a god of perspective and detail; Akira the film was an enormous, prestigious production that threw ludicrous effort and resources towards realising his vision (which doesn’t mean it paid its inbetweeners much more...). A lot of the animators who worked on Akira would go on to be prominent in...

the 1990s

So, the 1990s. If the 80s was dominated by the later Kanada School, the new movement of the 90s, at least as far as film animation goes, was ‘realism’.

But before we get onto that, let’s take a brief look at Gunnm (1990). Known as Battle Angel Alita in the West, this manga by Yukito Kishiro depicts a world in which most people are cyborgs; it was adapted to an OVA by Madhouse in 1993 and became wildly popular overseas. Its protagonist Gally, aka Alita, starts out the story as a wrecked cyborg body like this...

Looking at this design, you can see similar patterns as we have so far. We have metal clavicles, metal sternocleidomastoid muscle, metal pectorals, metal spine. There aren’t robot muscles, per se, but there’s a lot of attention to detail on mimicking biological shapes.

Before long she is rebuilt (twice in the manga, once in the anime). Her new body is like this...

...which is to say a skintight bodysuit in the middle, and metal arms. These arms, although designed in a way that indicates hard surface and with a hinge joint at the elbow, are designed in a way that mimics the flow of muscles in a human arm. By contrast, her sorta-love interest Yugo has a body like this:

which gets mashed to pieces in the finale of the OVA. There’s a striking mechaguro scene in which Gally catches Yugo, but leaves him hanging by a fraying arm, which snaps, leaving him to fall to his death. Compared to later iterations of the ‘robot arm torn apart’ device, this one’s relatively light on detail...

Cyborg bodies in Gunnm are used as a visual indication of character type. Gally has curves but also sleek robo muscles: she’s a Beautiful Fighting Girl, sweet but also extremely powerful. A huge ‘muscular’ cyborg with wide shoulders is likely to be a brute. Yugo here has much more plain, simple shapes with visible bolts, not precision pieces like Gally.

I don’t know how much of this originates with Gunnm. I’m sure the idea of cyborg girls was in the air long before, but this became an influential example on the tail end of the time of the 80s bishōjo. One device that is notable here is the idea of a ‘full body cyborg’, which is only human down to the brain (or perhaps not even that). Body swapping is a major theme in Gunnm, something that would be expanded on before long...

And if that was going out, what was coming in? Let’s look at Patlabor, which traces the evolution of the Headgear artistic collective and IG Tatsunoko into Production I.G.. This is about as down to earth as giant robot stories can get, with robots as just everyday machines used for work and by the cops. But where things really go nuts in animation terms is the opening to Patlabor 2 (1993).

Here you can see some of the most impressive sequences of mechanical animation ever drawn. We see pilot Noa testing out the robot, and especially notable are the scenes of the hand flexing and of walking. Enormous attention is paid to the articulation of joints. The robot’s hand can swivel 360 degrees, unlike a human; however, like a human, the articulation of the fingers seems to be controlled by hydraulics in the forearm (whereas in humans, the muscles and tendons in the forearm control our fingers). When the robot’s foot steps, it flexes like a real human foot, with believable joints, and a sensible arrangement of pistons to absorb force.

It’s not imitating a human’s muscles, but the attention to the details of the robot’s mechanical design serves precisely to draw our attention to the ways it’s like/unlike a human - the robot’s hand impossible motion immediately contrasted with its pilot shot from the same angle. And the perspective drawing is absolutely impeccable. The robot is made of purely rigid structures, and the way rigid structures articulate is not at all how a human’s joints articulate.

The sequence above was animated by Atsushi Takeuchi. But across the board, the bar was getting pushed for mechanical animation. For example, observe this cut from Mobile Suit Gundam: The 08th MS Team (1996-1999), in which the robot tears off its own arm and beats up another robot. The precision of the way the joints are animated and the way the robots move in space is just completely on another level compared to what Gundam had been doing a couple of decades prior.

Anyway, we’re here to talk about robot muscles, and we’re just a few years out from that now!

The year that robots got muscles, at least as far as anime is concerned, is 1995.

You can probably guess the next part. In 1995, we get Eva and GitS. Let’s start with GitS, to continue the Production I.G./Mamoru Oshii thread. The opening sequence of GitS, animated by - who else could it be? - Hiroyuki Okiura - has to be one of the most iconic segments of video ever drawn. Here’s a merely 720p youtube upload but go and find the place you have GitS stored on your hard drive and watch it in proper quality eh.

OK, yes, a lot of it is a naked lady floating around, sue me or whatever. But the sense of form. We see early on an appearance of ‘robot muscles’, here closely resembling real muscles...

We can see from the way this is drawn that it’s made of a combination of artificial muscles, solid segments, and flexible, fabric-like panels. One of my favourite shots at the beginning shows the solid segments of the skull clicking into place. Here we have a very clear contrast between the angular, hard edges of the mechanical pieces against the organic forms of a human body.

Elsewhere in the film, we see various incredibly cool bits of ‘wouldn’t be fucked up if a body did this‘, like the fingers...

Here, what we expect to be soft biological fingers is contrasted with unexpected rigidity, mechanical joints under a shell.

Also in this scene we encounter a robot body that has been stripped of her arms, legs and hips but is nevertheless still alive...

most extraordinary hacker in the history of cybercrime and you have your titties out and yet you still can’t get them to stop misgendering you, smh

For the Terminator, having its body smashed up and continuing to walk was a demonstration of its strength. Here, as would become perhaps an increasing motif, having a robot body is a source of vulnerability: people can do things to you that would kill an ordinary human but you keep going through it. Not surprisingly, ‘robot body maintenance’ is a recurring porn device. (One that GitS deploys in SAC s2).

But of course this all builds up to the all time classics of mechaguro scene at the ending where the Major attempts to tear off the hatch of a spider tank. Muscles ripple individually under the surface of her skin, her arms bulge in exaggerated contraction, and then her arms fully tear apart under the force.

Here, we’re showing her as mechanical not by contrasting rigid forms with biological ones, but by exaggerating the biological ones to the point of doing something extremely unnatural. Human muscles do not generally flex in such an individual way, nor are they strong enough to tear the arm apart, but robot muscles? Yeah, they could do that. This sets up the next scene where the Major lies unnaturally still, but can still exert control through hacking through her union with the Puppet Master.

Robots holding onto something so hard their arms explode has become... if not a recurring image, then at least one that was called back decades later in Violet Evergarden.

The final scene of GitS brings back the image of robot-as-doll, with the Major’s consciousness now uploaded into a black-market robot body that resembles a child in a dress.

This is further expounded on in Oshii’s second GitS movie Innocence (2004), with its Ballade of the Puppets in the soundtrack as Batou and Togusa (and eventually, the Major) are attacked by essentially an army of ball-jointed doll gynoids. The puppets’ movements are extremely unnatural and erratic acrobatics, constantly flipping all over the place; when hit by bullets, panels pop open to reveal the underlying brass skeleton. It’s a very cool image. (The thing that lets the sequence down is the extremely dated CGI and aggressive digital compositing.)

It also has Donna Harraway as a literal cyborg!

Now, the GitS movies didn’t drop fully formed out of nowhere, but draw on the work of Masamune Shirow. The manga has a somewhat different design sensibility than the movie, distinctive and shiny as all Shirow’s art. It is more rounded and organic, less cold.

So, the basic design of a cyberbody originates with Shirow. You can see it on this page (unfortunately from a flipped version, translation Dark Horse):

You might be able to determine from how the nurses are dressed that, yeah, the GitS manga is in significant part fetish porn. But really nerdy fetish porn, which is the best kind. This chapter is almost entirely dedicated to explaining how cyborg bodies are constructed in great detail, from the ‘sensory film’ (that’s what’s being applied in the opening to the 1995 film) to the hair implantation.

It’s interesting seeing how some of the more out-there designs of the manga, like Chief Aramaki, are transformed into the realist style of Hiroyuki Okiura. It’s Okiura, so it works great of course.

I don’t know if there are manga examples of such detail about cyborg bodies that predate Shirow.

Anyway, that’s just one of the two punches dropped in 1995. The other is Neon Genesis Evangelion. To the pedants: sure, the Evas are not actually robots, but they’re giant cyborgs that play the role of ‘robot’ in the story and they look like robots so I’m counting them.

Anyway, the thing about the Evas is they are incredibly lithe. They run, rip and tear and swing heavy objects around in a way that’s both weighty and distinctly biological. Their bodies are extremely flexible compared to prior mechs (look at how much the spines bend in that Iso cut from EoE!), but not without hard, rigid components such as the shoulder towers. Their jaws are bestial but feature mechanical-like components like interlocking hexagonal teeth and jet-like vents. They are in short a fantastic design that blends biological and mechanical features.

The impact of Eva on just about everything can’t be overstated, but as far as robot design, well. There certainly were works that leaned on the precedent set by Eva, as for example RahXephon, which also treats robots as something spiritual, prone to popping into a blob of weird little bubbles just like in Eva.

There’s a great deal missing from this account. I am very focused on anime because I’ve watched a lot more anime than I’ve read manga or played games from this period. So I’m sure there’s major foundational works I’m missing here!

the 2000s

When did the West start to catch up? eh that’s subjective - David Cronenberg was way ahead of the game! - but specifically in the sense of robots with mechanical muscles, I think the major points in the timeline go a bit like this.

In 1999, there’s the Matrix, which leans heavily on anime. This features a similar ‘robot takeover’ premise to Terminator, but here it’s biomimetic robots modelled after squids, with clouds of constantly moving tentacles that sweep behind them. After making a cool half a billion dollars, the Wachowskis decided to pay all their favourite anime directors to make short films. I’m not going to comment on every part of the Animatrix, since most of it isn’t really relevant, but I will point to this horrifying cut by Takeshi Honda in The Second Renaissance in which a robot woman has her clothes torn and then skin bashed off by a mob. The framing, motion, her expression of abject terror, and the ‘reveal’ of her ‘true’ nature, all viscerally call to mind a trans bashing.

On the manga side, a big one to mention is Gantz, a gory nihilistic seinen manga which ran from 2000-2013. The characters in Gantz fight in special latex-like suits which take on the appearance of muscles while engaging superstrength, but can also sustain damage that causes them to drip fluids from ports located at the neck and become fatal to their wearer. Gantz was adapted to anime by Ichirō Itano in 2004, but I haven’t seen it so I can’t comment on any notable animation.

Cyborgs are a favourite subject of games, but in the 2000s, games are really pushing art direction and biopunk stuff is in. Half Life 2 (2004) has its spider-crab like Striders and dropships and so on. Oddworld: Abe’s Oddysee (1997) bases its whole concept around the sheer variety of weird creatures that would inhabit its dystopian factory. And I gotta give a shoutout to Septerra Core (1999) - in case one other person has played that lmao

At some point after 2005, Boston Dynamics became a viral sensation thanks to their robot BigDog. BigDog is just welded steel and hydraulics, but its lifelike hopping movement style definitely brought to mind the idea that the future of robots is going to be in biomimesis.

So, 2007, here comes Crysis to melt your PC! This is an FPS with the not-uncommon premise of being a supersoldier fighting (country America hates) and also aliens, but its gimmick was that you have a special exosuit that wraps around your body with artificial muscles, making you much stronger and manlier or whatever.

This is indicated by a visualisation that could be right out of a toothpaste ad, where tiny little balls drop into the character’s pores and somehow go straight into the bloodstream which is of course a void full of flying red blood cells. And so on. It sold the game, though! The ad there focuses almost entirely on the suit and not the character wearing it, who is basically an irrelevant soldier man. What it entailed in gameplay terms is that you have a mode switcher so you can have strength or armour or invisibility or whatever. But it’s cool military superscience, you see!

Anyway. Not like my preferred flavour of cyborg is any less stupid I guess x3

In the same year, Bayformers started. These films’ robots are honestly just visual noise, there’s so many moving metal shards going every which way that it’s next to impossible to discern any sort of underlying mechanical principle. A similar ‘overwhelming business’ visual effect would be applied the next year in Iron Man, kicking off the MCU. So mechanical muscles definitely weren’t the only expression of ‘hyper-advanced robot’ in Western visual media in the late 2000s.

I’m going to end my story with two more games: Horizon Zero Dawn and NieR Automata.

Horizon features a world inhabited by a large variety of robot animals, using the peak of AAA rendering techniques. The robots are designed to be biomimetic after both modern animals and prehistoric ones, and feature a combination of hard surfaces and softer biological muscles. For example, a robot horse:

The discipline of making designs like these now has a name: it’s called ‘hard surface modelling’ and it involves boolean operations and bevels and other techniques designed to create a balance of hard edges on a surface against the smoother parts. The design language of Horizon says that the hard plates are white, the soft parts are very dark and may be patterned like a cloth texture, and there can be small colour accents here and there.

I think you can definitely see the influence of Boston Dynamics’s robots (and recent military tech in general) in these designs, iterated on through a decade and a half of increasingly intra-referential concept art. They are visually very busy designs, but there are a couple of recognisable features that draw attention by being inorganic, such as the cylindrical fuel tank at the back. Vitally, the silhouette is very readable.

This robot T. rex for comparison serves as a world boss monster, and you can see it’s got a bunch of military looking attachments that look like radars and missile launchers and so on. As real tech evolved, so too did our idea of what a scary robot ought to look like.

So, that’s where this kind of design pattern has gone in mainstream games.

Now to finish, a brief comment on NieR Automata. Its designs draw hard on those of Ghost in the Shell. Visually it draws a strong contrast between the Machine Lifeforms, who have inorganic shapes (spheres and cylinders) and very visible and plausible mechanical joints, and the doll-like androids, who might as well be human (although A2 provides some contrast in an android who is damaged enough for the underlying materials to show through). The mechanical nature of the androids is communicated by the acrobatic way they move and the interface elements, and dead androids you find in the field - and later when they start losing arms and stuff, it’s a whole thing. But just like humans in Yoko Taro Games, they’re capable of dying in a puddle of blood.

(I guess if you take one thing from this post it’s that if you’re a robot, don’t expect to keep your arms.)

Robot muscles gives you a chance to give both the ‘anatomy porn’ of drawing something very precisely right, with the added bonus of giving you a reason to draw the muscles écorché, and the chance to make it weird and defamiliarised by splitting it with mechanical elements. In short... they look cool!

In this whole post I’ve basically not touched at all on illustration. I can point to a variety of illustrations of robot girls, but in terms of periodising them, I just don’t think I know enough. Though it’s safe to say that cyborg bodies in various states of construction or disrepair are now a mainstream of concept art - and that Ghost in the Shell is usually cited as an influence. I don’t know if robot muscles ever truly became the mainstream way to depict a robot, but it does feel like they’re increasingly common.

One artist I will briefly mention (besides sukabu), mostly bc I think they’re neat, is Haruyo Megurimu, who draws these very intricate designs of ‘necrotech’ which is sort of very biological robots extending out of human bodies - limbs extended on long spindly insectoid strands, jaws splitting open, that kinda thing. Can’t say who influenced them or anything but it’s a compelling extension of the idea into a particular corner of aesthetic space.

And that’s all I’ve got I think. There’s definitely big gaps like. More recent sci-movies. Western comics. Nevertheless, that’s an arc.

If you’ve read this far: thank you for indulging my autism.

[parasiticstars]

Hey whumpblr I know you love and worship writing-prompt-s but they joined the bandwagon on mass reporting Palestinian accounts

Get 90s-ghost’s name out of your mouth; he’s human, he might make mistakes, but from what’s been shared on @ el-shab-hussein’s account, the vetting process is intense and leaves little room for deception.

I feel like most of y’all only care about Palestine when the people suffering are faceless, perfect victims, so poor and stupid and in need of a white savior they can’t possibly have their own thoughts and inner world and technology. All they should be to you is like those inspiration porn Starving Kids In Africa™.

As if them using a website they don’t know about in a language they have to machine translate and whole ass begging for donations isn’t bad enough.

Yes, there are scammers profiting off of a real time tragedy, but guess what? Guess fucking what? It’s pretty easy to check for yourself if a fundraiser is legit.

Anyways! A PSA!

You can easily check asks and fundraisers in your inbox by checking for their social media accs, which should definitely be older than their tumblr, searching their usernames on here and seeing if others have called them out, checking for their names on Strawberry Seed Collective, Operation Olive Branch, and this document, and going through their tumblr account and looking for stuff like frequent updates and news that’s not just a couple of super popular Palestinian news posts to pad out the blog length, reverse searching any pics they send, and copy pasting some of their story to see if other accounts have used their script.

Or you could also just ignore the asks either way since nobody’s can force you to donate anyways.

But don’t go out and accuse every single Palestinian on tumblr of being part of some massive fucking scam circle a lá “The Jews Are Controlling The Rich” conspiracy.

frankly, the biggest scammer is this one woman from Belgium (her first name is Laura) so I’d be wary of any based in Belgium unless you can find any other way to prove its validity.

[gougarfem]

i know most of us think it's a fun little tool but the ai chatbots and ai art is so upsetting to me. i'm pretty sure we all saw it panning out differently - in the future, our 9 to 5 jobs can be run by machines so we can spend our time on our hobbies - but it's turned out the opposite way. the things that make us human - conversation, art, and language - have been taken over by technology so that we can what? work longer hours? lose our sense of identity and community to capitalism? it doesn't make sense to me. we need human interaction, human paintings and sketches and translations and embroidery and music. idk man it hurts so much that under capitalism any new invention is just used to rob us of freedom when it was designed to give us more

[dropthedemiurge]

Boys Be Brave [EP.5] // Translation notes

I'm back with my - I guess?? - already weekly analysis of something Gaga subs might've missed in this show. Because apparently, the silly show got deeper and I'm staying here until the very end :D

First of all, I was curious and checked whether there is anything about Kiseob's illness, and there is! There are two diagnoses:

상세불명의 심실중격결손 상세불명의 심방중격결손 Unspecified Ventricular Septal Defect, Unspecified Atrial Septal Defect

I am not a doctor definitely, but quick googling told me it's a heart defect (also called as 'a hole in the heart') which can have symptoms of heart malfunctioning. Which would! Explain even more! Why Kiseob has wrist watch that always measures his pulse and why on several occasions he was wondering why his heart was beating so fast next to Jinwoo (well, one for obvious reasons and another one is this).

And it's something you have since birth so he's been dealing with medication his entire life. Which would also explain further - after the scene with his sister - why the urge to be a people pleaser is so serious and so ingrained in him.

Another interesting language detail I noticed in this scene. Kiseob says "That's why I just agree to anything" but it doesn't translate well to english, because the verb 좋아/좋아해 can mean "I like" (eating medicine) and "I like (the idea)/I agree". So first he started lying that yes, he likes taking medicine, and that transferred to him saying that yes, he likes this, he agrees with this (whatever that is, anything he is proposed with)

"I cannot like anyone, right?" "Why not? You're a bastard with a lot of money"

This phrase references all the previous phrases that other people used to describe Kiseob, but Balgeum doesn't sense the real problem of his friend because the phrasing is general, it can also mean 'I have no chance of loving someone', and that's why Balegum thinks it's just Kiseob having low self-esteem or something. And also to him having money = being able to love, letting himself confess and date the one he loves, so of course, that's his answer. Kiseob has a lot of money, why wouldn't he confess to Jinwoo if he likes him?

But Kiseob can't because he doesn't even know his own feelings, and everyone around tells him he doesn't have the ability to love someone.

"Giving me (toilet paper) as if I moved to a new house"

Now, I cannot be the only one thinking years ago why the hell Koreans give each other huge packages of toilet paper when they visit someone xD But this is also a cultural thing!

When your friends move to a new house, you are supposed to come with gifts and usually with very practical ones, like toilet paper (very common gift). Rich friends can give you coffee machines or humidifiers or something like that. In my country, when you visit friends (not moving houses but still), you usually bring some desserts or food to have with tea. So for some countries, toilet paper is a norm :D

Balgeum has been living in his small apartment for a long time but it's the first time Inho visits his house so he's giving it a gesture of respect (but still an awkward one).

[Interrupting my broadcast to scream about cuteness and awkwardness of Balgeum x Inho AAAAAHHHHH Now back to the schedule]

...No, we will definitely focus on scribbling over Jung Kiseob's name for 100th time, absolutely distracted from any historical knowledge going in the background ^^

Oh! By the way! I remember being surprised that, apparently, some people on social media were uncomfortable with Kiseob seemingly 'feminizing' himself to be likeable by Jinwoo. Let me tell you that no, Kiseob doesn't do that at all!

There is nothing truly that indicated that he wants to be a ideal girl for Jinwoo (who has non-gendered perfect type list as I mentioned in my previous translation notes post!). He doesn't even use typical school-girl aegyo on Jinwoo (aka acting cute), maybe a tiny bit but it's not typical and it's not usually in his language at all. He talks gently and softly a lot! But he doesn't add typical cuteness in the way he talks (like there's no pouting, mumbling words and ending sentences with -ung).

I talked about dress = one-piece = jumper suit being the same in Korean but Kiseob literally only follows what Jinwoo wrote about a person he likes (not girl). As I described it, "he's using loopholes in Jinwoo's specific list in a true himbo way" :D He doesn't really do anything girly and doesn't pretend to be a girl as I can sense.

And I don't think I need to clarify another time, but falling in love during first snow/first sight is one of Jinwoo's list. Which Kiseob already fulfilled but he doesn't know that, and he just saw Jinwoo being with Hyejin witnessing first snow, which was the last straw for him to admit his failure and give up pursuing Jinwoo.

By the way, Koreans really think the first snowfall is a romantic event, like there are saying you'll fall in love with/be happy dating with someone you'll be with during first snow^^ It comes up in many Kdramas.