#that isn't how it works but WHO GIVE A SHIT

[magniloquent-raven]

Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

**

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

[miasmaghoul]

WAHHHH AEON CONVINCING EVERYONE THEYRE HIS FIRST. thinkijg thoughts about omega and aether breaking him in and then hes all virgin to whoevers next and after they go to aether like “why did u not fuck the new guy??” and aethers like i did?? and it all comes out but they keep it a secret to see how long/how many ghouls/papas aeon can get with his bit

I think Aether is his first, and he's enough of a gentleman not to let anyone know. Not his information to share - well except for one night when he replays it all for Dew in excruciating detail, but that's easily taken care of with a little quintosis. No harm done.

Swiss is Aeon's second, though, and he's been enough of an actual first to be able to see right through Aeon's coy smiles and the way he bats his lashes. It's easy enough to figure out who was:

"Can't believe I haven't gotten my hands on you yet."

Swiss murmurs it into his throat, both hands shoved into Aeon's hastily undone jeans. One tugging at his semi and the other curled around his bony hip, Swiss' rough fingers petting at his hole. Aeon's gasping already, still half-tangled in the hoodie he was removing when Swiss shoved him onto one of the hotel beds. This is what he gets for spending all evening - hells, all day, really - being a flirty little shit, he supposes. He licks his lips and swallows hard, putting on his best innocent face; wide, damp puppy eyes, pouty lips, the whole nine yards. Swiss stares down at him like a wolf who's pinned a deer, smile sharp even without his fangs, and Aeon's heart skips in his chest. He knew Swiss would be rough, but this is a thrill.

"Surprised Aether didn't get you first," Swiss rumbles with a twist of his wrist, and Aeon gives himself away when his eyes glaze over.

Swiss isn't even sure if the other ghoul knows he does this, or if the others have caught it, but when Aeon really remembers something he sort of...disappears for a second. Just for a heartbeat, very easy to miss if you aren't looking for it, but Swiss has spent more than enough time with the new kid to pick up on it. It's like he's reliving the moment he's been reminded of in a flash. Swiss wonders if it has something to do with his magick; Omega had something of a photographic memory, maybe Aeon has something similar? He doesn't know.

What he does know, is that when he says Aether's name Aeon does that thing where he goes away for a moment, and his cock flexes so hard they both choke.

So that's a yes, then.

Swiss doesn't say a word, lets Aeon play the blushing virgin because, well, it's not like he isn't into that, and holds him close afterwards. Gives him a bath and orders his favorite takeout meal before they go to sleep. He even lets Aeon be the big spoon.

He calls Aether while Aeon's in the shower the next morning, just to make sure, and the silence when he asks Aether if he knows if Aeon's slept with anyone is so, so loud. Swiss says it's kinda hot that Aeon likes to play pretend, and they both manage to squeeze out a quick one and agree to keep this knowledge to themselves before Aeon's even done in the bathroom. Swiss texts Aether a quick video of him blowing a kiss with his cummy hand, and Aether responds in kind.

After that, I think Mountain is next, but he isn't one to brag. Rain comes after that, but is suspicious about being Aeon's first despite his shy admissions while Rain was between his legs. He finds out for sure via a good ol' fashioned footjob, because Mountain would give up nuclear launch codes if it meant having the chance to feel Rain's toes work the head of his cock. Rain doesn't feel particularly miffed - the kid put on a good show, after all, and good sex is good sex. He and Mountain both think they're the only ones, though, so they agree to keep it between them.

Word gets out after Dew has his turn with Aeon and brags about it to Swiss over gas station coffee a few days later. Swiss, who cannot for the life of him let the little guy have anything, and immediately snorts into his styrofoam cup. Rain overhears them and they all share a knowing snicker (as soon as Dew finishes scowling) once they figure out Aeon's little game. Swiss calls Cirrus over to let her know, just in case Aeon's tried the same thing with her, and she looks absolutely delighted.

"He asked me just yesterday if I would "answer some questions about his body"," she shares, accepting a sip of Dew's hot chocolate. "That he's experiencing some "new things" and has "questions about girls." He was blushing like a whore in church and everything."

The squeak of sneakers on slick tile echoes behind them, and a pair of lanky arms loop themselves between Swiss and Rain's shoulders.

"Speak of the devil," Swiss grunts, Aeon tugging him down to plant a good morning kiss on his cheek. Aeon grins.

"Mornin' Cir," he greets with a nod, ignoring the rest of them entirely. The ghouls share a collective eye roll. "I just talked to Papa, like you asked." If the new kid's tail was out, it would be wagging like an excited retriever's. "He said it's $750 for tomorrow and $1250 for Thursday, but if you need more then just use the black card."

Cirrus gives him a warm smile, reaching across their little circle to ruffle his hair. Aeon beams at her, might as well have hearts in his eyes when she cups his chin and says,

"Good boy, thank you."

Cirrus gives his cheek an affectionate pat, and that blush they've all come to know by now makes its appearance.

"Tell you what - come to my room tonight. You can help me pick out where we stay for the next few nights. I can show you all sorts of secrets," she adds, giving him a slow once over that makes Aeon flush down his throat. "About how to pick the right hotel in these smaller areas, of course," she clarifies, handing Dew back his lipstick-stained cup and straightening her coat. "I might even have the girls drop in and give you some extra hints."

Cirrus winks, and Aeon's walk to the bus is slow and awkward. They all have the kindness to hold in their laughter until he's out of earshot, but Swiss and Rain both have tears running down their cheeks by the time they calm down.

"Don't break the kid, Cir," Dew says through a cough, wiping his eyes. "I have at least one more ticket for that ride."

"No promises," she grins, eyes sparkling. "Oh he's going to be fun."

That night, Cumulus and Aurora have him together, with Cirrus guiding them all through a very thorough anatomy lesson because Aeon is just so new to all this and has no idea what he's doing, please don't tell anyone:((((. And they're all just so sweet to him, so giving, even after it starts to hurt because they just know he must have so much stuffed inside those tight little balls of his if this is his first time!

They pinky swear not to tell anyone that he cries.

[jmtorres]

i just saw a post about how we just have to "live with" covid and wanting more protections from our government is unreasonable because we'll never wipe it out, it jumps species and is in all sorts of animal populations (like, true ok) so why even try to

and apparently the argument was aimed at people (who I haven't seen in the wild) who are arguing we should still be in lockdown. and i have mixed feelings about the idea of extended lockdown or attenuating isolations; but my main feeling at this point is not that the government should keep us apart but that the government should be trying to make it safer for us to be together

things the government could/should be doing about covid:

we know that ventilation/air movement helps a shitton. we should be incentivizing upgrades to ventilation systems in all public buildings with shit like rebates or tax deductions, while phasing in eventual legal requirements. (and uh. it has occurred to me that the US might actually be doing this sideways by there's currently this decade enormous tax incentives in re energy efficient upgrades for slowing climate change and you know. energy efficient hvac does tend to improve ventilation. extra point to biden here.)

mandatory paid sick leave so workers aren't under social or economic pressure to work when sick

passing out RT-LAMP tests like metrix that actually work instead of the rapid antigen tests that have become less and less reliable as the virus mutates

i don't know how you'd write this law but like 95% or more of computer-based work can be done remotely and companies should not be allowed to force people to return to the office. I know there's people who want to be back in person and I'm not saying they should be forced to stay home but ffs I know of at least two people CLOSE to me who worked remotely before the pandemic and at some point their workplaces tried to tell them they weren't allowed to do that anymore despite the pre-existing contracts. stop canceling remote work for people that want, need, or prefer it.

for that matter, every college lecture that was an online class during covid should still be offered as an online class, there is no reason to force students into auditoriums in person. you got the communications infrastructure up and running, why are you tearing it down. give people the OPTION. it increases accessibility for everyone!

covid vaccine immunity lasts about four months. this should be well-publicized and everyone should be able to re-up for free every four months. "every year, like the flu vaccine" is demonstrably not often enough. actually "for free" isn't good enough start handing out $10 gift cards you will be shocked at how many people who are resistant to the idea of vaccines will fold for $10 a shot

are there already laws on the books about masks in medical settings that some medical professionals are blatantly ignoring because they forgot what best practices were before the plague and they're 'tired of masking'? if not, pass laws. if so, fucking enforce them

oh another incentives for upgrades phasing into legal requirements thing: brass doorknobs and railings over stainless steel or whatever. microbes do not survive on brass surfaces

i mean. i know this one sounds too extreme to a lot of people but. UBI.

most if not all of these measures will prevent or ameliorate other pandemics of different diseases that may arise in the future. and just. generally improve our health and quality of life for other reasons.

I haven't felt safe to go to a concert since 2020. Maybe if I knew a venue was legally required to have ventilation to a certain standard and that none of the ticket takers and ushers were on the job sick to avoid risking loss of paycheck or job, and knew a larger percentage of the crowd had up to date vaccinations--maybe if any or all that, I might ever feel comfortable going to a show again.

wouldn't it be nice if those of us who have been disabled, by covid or other conditions, had accessible remote options but also occasionally felt safe enough to interact with and participate in wider society?

one of the arguments on the post I saw was how isolation was massively psychologically damaging and various strata of society were affected in all sorts of ways, from undersocialized kids to increased depression in--well across the board, I think. and here's the thing: WE KNOW. PEOPLE WITH CHRONIC HEALTH CONDITIONS, LONG COVID OR OTHERWISE, KNOW ISOLATION SUCKS REAL BAD. because we, both for our own health and due to disability ostracism, are still isolating and isolated more than most.

what are you as individuals or societies, what are our governments, doing to help make it safe and accessible to rejoin you????

[batmanisagatewaydrug]

To clarify,I don't believe in porn makes you evil and I don't believe in like fantasies are evil. I'm pulling this quote off Scarleteen "“If we aren’t both careful and creative we can get stuck in fantasies that don’t mature and politicize with us."" I'm also new to being about to vote, so I'm trying to be careful about what I consume and what stereotypes media perpetuate. Like I'm not moralizing about kink or anything, and my ask was how can I get aroused with media wo my kinks or wo media

hi anon, welcome back! I'm genuinely very glad to hear some follow up.

for anybody who doesn't stay vigorously up to date with all of my anons, this ask is a continuation of this one.

so I went and checked out the Scarleteen articles you mentioned in your first message, or at least I tried to. How to Approach Sexual Fantasies and Desire on Your Own Terms is here, and while I couldn't find anything with the exact title 50 Shades of Abuse, we do have 50 Shades of BS - How to Tell the Difference Between Kink and Abuse as well as 50 Shades Crappier: On Selling Abuse for Valentine's Day, both of which cover how the 50 Shades series isn't a great model of real, responsibly-practiced BDSM.

now, here's what I didn't see in any of these articles: an assertion that anybody needs to, as you've decided to do, avoid any work that depicts anything less than perfectly healthy sexual practices.

the closest we get to that is the quote by adrienne maree brown from How to Approach Sexual Fantasies, which you mention above. now, here's the thing: first of all, I actually disagree pretty substantially with brown's assertions that one's sexual fantasies need to "politicize." I know what my politics are; the fiction that I enjoy can't change that, because I don't have the moral backbone of a chocolate eclair. I actually just talked about that earlier today in another ask.

(also, and this may be an unpopular opinion, but adrienne maree brown is kind of a dork who doesn't really say much of anything in Pleasure Activism that Audre Lorde didn't already say better and more succinctly, and I personally lost interest in Pleasure Activism pretty much the moment she casually dropped that she practices reiki healing because that's a pseudoscientific alternative medicine that doesn't do shit or fuck. but I digress.)

listen, I'm not trying to peer pressure or bully you into watching anything you don't want to watch. your porn consumption is up to you. but what you're doing here is absolutely moralizing, I think maybe because of an underlying assumption that media that involves sex is just, like, innately different than any other type of media, which is in itself an idea that stems from sex negativity!

I don't know, let's just try to play out a little thought exercise here. like, would you consider it reasonable if somebody told you that they've decided not to read or watch anything that depicts problematic behavior because they don't want to normalize it. like, first of all, they're never watching anything but Bluey again. except actually not even Bluey because I just remembered about Bluey in the genocide, which actually makes for a great illustration of how nonsensical and impossible it is to try to only engage with media that is 100% ideologically pure.

and again: that's fine! that's literally fine! it is 100% okay to watch or read or play things with morals that don't totally 100% align with yours. it's okay to enjoy them, even. it's a lot healthier than trying to avoid upsetting or incongruous things entirely, because that gives you the chance to actually think about it rather than trying to shut it out entirely! that article actually provides an entire list of questions you can run through with yourself to critically analyze the things you watch if you feel so inclined! that's a much better skill to practice than avoidance!

I get that when you're new to sex, as you said in the previous ask, this might seem daunting, but your brain isn't just a sponge that will uncritically soak up and adopt anything you expose it to. you very clearly have the ability to research, differentiate between fiction and real life, and form your own opinions! and it is absolutely fine if you want to just watch porn with your kinks!

like, listen, I see what the question is, and the easiest answer is just. do whatever gets you off.

[hazeltongzhi]

https://www.persuasion.community/p/why-you-should-feel-good-about-liberalism

incredible article assigned to my class by a professor who regularly says "we're gonna go to war with china in the next twenty years"

Oh WOW. I know the author is being intentionally ideological but this is an insane amount of jerking oneself off and taking credit for other people's work. The overarching sentiment is that, because the western world operated under liberal democracy, then everything that happened during this period is liberal democracy's win. Love the focus on moralism and abstractions too. It's not just "liberalism is MORALLY good :)" but also undefinable shit like spooky "authoritarianism" and "totalitarianism". Backed up by even more people who jerk themselves off to liberalism like francis fucking fukuyama.

but it gets better, folks.

holy shit, what to even say here. Liberals fundamentally have different definitions of words, especially imperialism here. Incredible that russia is the sole imperialist and the one bringing it back, but not the united states who has been operating under imperialist monopoly capitalism for over a century.

If you add -ism to something then it becomes an ideology! Behold! The apex of the liberal framework of analysis! Really the pot calling the kettle black here. Is it not true that under liberalism, certain people do not get access to rights and liberties that otherwise should be universal? Migrants, refugees, undocumented workers, etc. etc. pay into systems of liberal democracy yet rarely if ever get anything in return. That's not to mention that liberalism very easily cheered on the genocide of indigenous peoples and slavery and only found it objectionable when it became no longer convenient for the bourgeoisie. Not to mention, the founding thinkers of liberalism (who the author praises!) themselves thought slaves, Indians, indigenous peoples were literally not wholly people.

incredible cope right here. Let's see how the author tried to cope even further.

Makes sense from an author that uncritically cites the economist, a paper made for british millionaires! They act as if China is just the president when there's dozens of governing bodies, built from a bottom up model. They act like demographics in the west aren't crashing as well. They act as though the usa's and the west in generals overt and covert military threats via. NATO, alliances, and straight up armed intervention isn't militarism. They act as though Marxism is an ideology of subjugation, which, if you were to argue that, it would apply more to liberalism by thousands of times more. And unattractive to immigrants? Laughable.

This is tantamount to admitting defeat. "No, my ideology isn't meant to help you provide for your material needs silly goose (its to provide for the material needs of the bourgeoisie). You're just not making enough of your own meaning! back to brunch i go!"

Are you gonna claim the GDR, USSR, and all the other socialist states who, at the very least, provided for these people and often gave more freedoms than the liberal democracies of their time as liberalism wins as well? Who were the first people to make abortions legal? Was it the usa with roe v wade in 19-fucking-73, when the practice had been ongoing, free, and legal in the PRC for literal decades? Was liberal democracy giving refuge to Jews when the usa and canada turned away refugee ships full of Jews during WW2, condemning them to the holocaust? Liberal democracies lag behind the left because liberalism is fundamentally right wing.

This article spends paragraphs to say next to nothing, citing the usual bourgeois rags and priests of capitalism, all to jerk oneself off to liberalism. Incredible.

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[on-the-clear-blue]

The idea warms are hitting extremely hard today, so outside of my usual DPxDC I give you, Spider-Man in Gotham...Not MCU Peter edition!

Give me a Peter Parker that is 18 going on onto 19, he has been Spider-Man for like, 5 almost 6 years, getting his bite very early, and dealing with all the things that happen to him younger.

And give me a Year One Batman. Who is still trying to figure out what the hell he is doing, and toting along a 9 year old Robin

Peter, falling out of a portal, and doing his standard check of surroundings, spotting Batman staring at him in clunky armor and a brightly colored child: Waves slowly

Bruce, who heard some freaky shit was happening with a cult near by and went to investigate: blinking at the blue and red being that got summoned

Dickie, who is trying (and failing) to do the Bat glare: still waves back.

And like, just the idea of this 19 year old Spider-Man taking a much older vigilante under his wing, teaching him the ins and outs of it all.

Like..

Bruce, Storming through a bag guys base gets suddenly pulled back by a web to his cape.

Peter, giving him a "bitch you dumb" look under his mask: Traps! LOOK FOR TRAPS?? AND LOOK UP? PEOPLE HID THINGS UP?

Bonus, Spider-Man bending himself into a human pretzels and Dick "I have no bones" Grayson is gleefully testing to see if he could do it too.

Jump cut, years later, Peter beats emotional intelligence into Bruce with Dick.

All the Bat kids grow up with Uncle Peter, (either Peter can't get back or has been told specifically that he can't by a higher being or something) and like...

Peter is the only one that catches Tiny Tim following them during patrol, he shows him all the places to get the best angles, even poses a few times for him.

Either is there when Jason dies and saves him, or is there mourning with Bruce

(Gotham lives in fear of the memory, Batman at his most brutal and Black Suit Spider-Man)

Teaches Jason how to control his pit rage after he comes back, what is Spider-Man if not control?

Stephanie is his bestie in puns and white girl music tastes.

Tim finds a partner in constantly staying up far to late as well as someone who likes to invent,( because I hc that Peter has pretty much worked with every scientist in New York, cus like since this is a blend of canons, he has worked with the Lizard, Doc Oct, Reed Richards, the only one he said no to an internship was Stark)

Duke gets a meta mentor that can help him with his powers, Spidey has been on more than one team with someone that had some form of light powers.

Plus I think Spider-man is Gothams daytime hero before Signal joins him, they are the daytime duo

Cass is his favorite (don't tell anyone because they already know) she can see him and he can see her in a spider sense, they do the point meme whenever they sense each other.

Little stabby Damian finds out that this person with his father has been trained by many an assassin (Wade, Daredevil, Natasha, Shield in general)

And Wade...Deadpool pops up occasionally, even he doesn't understand why or how lBruce gets a strange feeling he should punch the Flash in the face the next time he sees him)

Bruce having to deal with Deadpool is terrible for him and I sadly love it.

(Also on the point of Black suit spidey in Gotham...ESPECIALLY after Jason is murdered? Oh Peter is killing the Joker, or his arm privileges forfeit. I feel like Peter would try not to kill him but wouldn't try too hard.)

Spider-man being a founding members of the Justice League, them having to deal with Peter crawling on the ceiling, and scuttering through air vents!

Peter making Parker Industries, pointing inventions from other heros/villains from his world, he isn't above pettiness, and that's how the DC world gets some of Reed Richard's old designs he gave to Peter "Because they are practically useless" they arnt they save millions of lives. Not to mention Arc Reactors, Peter grinned the whole time claiming it was his idea.

Hope you enjoy my ADHD rambling brought to you be sleep deprivation

[lost-romantique]

The Way He Lit up His Life- Baby Stolitz Circus Edition (Part 1)

I love the way Blitz manages to light up Stolas' life, even when he never meant too.

Stolas starts off his birthday fucking elated. Of course he would, IT’S HIS MOTHERFUCKING BIRTHDAY!

"You will be entrusted with the study of the Earth's skies, the stars, the prophecies they hold, all that stuff. Isn't that fun!"

Stolas is given his life's mission as a Goetia, and he couldn't be happier!

This is best birthday ever! Absolutely what can go wrong!?

WHAT DO YOU MEAN I'M BEING FORCED IN AN ARRANGED MARRIAGE WITH A PSYCHO!

Stolas is forced into an arranged marriage with Stella, and he's devastated. He begins to cry.

His father who is so good at daddying, mind you, suggests they go to the circus in town.

Stolas does not want to go, he's miserable. His birthday is ruined.

Stolas is at the circus now, he has to have a fun time at the circus... right? RIGHT?

Despite all the cool shit that's happening before him, Stolas is miserable. He doesn't even bother looking at the performances.

He even flicks away the peanuts off his grimoire.

This baby birb is fucking miserable.

Absolutely nothing can make this day go better...

Suddenly, he sees HIM.

The boy wonder, the man who will become the poster child for severe self-hatred, BLITZO BUCKZO!!!

But Stolas doesn't see that...

All he sees is a little imp boy with the biggest smile on his face. Stolas is smitten.

Could this be what they call love at first sight? Who knows...

All Stolas knows is that absolutely nothing has caught his attention, OTHER THAN HIM!

The moment Blitz lands on stage, Stolas does a double-take. HE DOES A MOTHERFUCKING DOUBLE TAKE!

Whenever Blitz is on stage is the only time Stolas truly enjoys his time at the circus. All of his focus is on that little imp boy who can't make a fucking horse balloon to save his life.

"Well, heh. It was a horse, but then it ate too much sugar and its legs stopped working, so he had to amputate. Now, it's a gross worm horse."

Blitzo makes a stupid joke no one laughs at, but Stolas... this baby birb finds it fucking hilarious. He's charmed.

Blitzo sees that and he acknowledges his existence, almost instantly. He sees the only boy that would laugh at his stupid joke.

Suddenly Fizz comes in, makes a perfect horse in record time, and everyone laughs at his joke instead. Thereby stealing whatever thunder Blitzo had.

But you know the funny thing... Stolas doesn't laugh at Fizz's joke. Actually he's almost offended that everyone completely ignored Blitzo's joke.

"I liked his broken horse joke, it was funny. Their legs do stop working when they eat too much sugar, it's called laminitis."

Paimon looks at Stolas curiously, giving his son the eye as Stolas proceeds to laugh to himself because Blitzo's joke is that funny!

The scene ends with a closeup shot of a smiling Blitzo.

~~~

I find it adorable just how quickly Stolas' boredom changes the moment he sees Blitz on stage.

Stolas was just given the life changing news that he was going to be forced into an arranged marriage, and he's miserable. He doesn't want to go to the circus. Only for all that change the moment he sees Blitzo.

It's so cute just how smitten he is, how enchanted Stolas gets when he sees Blitzo on stage. How the worse day of his life turned into one of the best all because he sees him.

Please watch out for my future posts as I analyze all the Stolitz scenes in The Circus.

[goldenlaquer]

Woahhhh if asks are open... can I ask for Gintoki trying really hard to impress this girl he likes, but everything goes to absolute shit because this is Gintama? Totally fine if you delete! I still devour all your old stuff to fill my soul with life 🥹 Never come across anyone who writes Gintama as accurately as you bebe 😘

Sakata Gintoki Headcanons:

If Gintoki made a list of pros and cons about himself, it would probably read like this:

Pro: he has a big dick. (Big dick reading as BIG DICK, in bold, all-caps. Triple underlined.)

Con: he's a perfectionist. (Con: he's a liar.)

So, it isn't all that hard to imagine impressing you would be a Herculean task for Gintoki.

Asking Kagura for advice is like shooting yourself in the foot. Gin-chan is penniless, she says matter-of-factly. No lady wants a broke, mooching, deadbeat boyfriend. A pause to let him absorb these insults, and then, Papi brought Mama three heads, she kindly tells him like it's the secret to your heart, and that's very romantic in Yato culture apparently. Which reminds Gintoki that Kagura is from a different species just as much as her barely counting as female to begin with. Well, in human culture, he could give you as many heads as you'd want— but that's bases away and he's been swinging strikes all throughout this sad, unrequited game.

Asking Shinpachi— no, no. Now, that's a lost cause.

He tries. He does. He really tries.

He tries complimenting you. Suavely slide in a comment about how your teeth looks like it could bite into hard candy, no problem. That your hair doesn't look as dry and brittle today than it did yesterday, and oh wow, your tits look... wow. Double thumbs up.

He tries paying for your meal, to show that he can provide for you, that he's not going to be the broke, mooching, deadbeat boyfriend Kagura deemed him to be. Work a few odd jobs and have all the correct bills in his normally depleted wallet, even break a comb on his hair and get dressed to the nines in his nice, regular clothes that passed the sniff inspection when he shook it out from a pile of unwashed laundry— and it's just, while on the way to his favorite family diner he invited you to, he's passing by a pachinko parlor, with all of its flashy get-rich-quick displays and bright dinging noises from within, and that was when he's suddenly sensing it... the taste of victory. Long story short, the only thing he'll end up tasting is the strawberry parfait that you paid for.

Whatever poor progress that manages to inch forward always ends straight back to the negatives. Damn the perverted stalker and her masochistic plays she forces on him. Damn the timing and whatever deity has pitted against him when you step onto the scene to the sight of him wielding a paddle as the stalker squeals happily while tied to the wooden cross. No, this isn't— he wants to tell you, but your expression has already smoothed into a carefully blank canvas before you turn your back to him and walk away to leave him to... it. No, this isn't what it looks like, he wants to scream.

In a mood of desperation and shots deep in cheap gutter sake, he'd even wrote a poem in the dead of night, detailing the color of your eyes and all the things they reminded him of, invented a new word just to make a rhyme with your name, how the sound of your voice catches in his chest when he hears it— shit if he knew anything about pretty words, he'd never wrote anything longer than a drawn penis before— and once he was done, what he did next was ball the whole sheet up, open the nearest window, and pitch it to the stars. The lamest shit he ever did in his life will be taken to his grave.

Sometimes, because his name is Gintoki, and he is the protagonist of a septic tank for low hanging fruit comedy series called 'Gintama', sometimes the whole universe is against him.

There is a two episode-length arc the occurs, but due to the time-constraints of these headcanons and the writer's own laziness, the details of it shall not be outlined, but please know it involves an exposition, conflict, rising action, a climax (and not the good kind), falling action, some explosions and a tiny grave misunderstanding that leaves you storming from the wreckage in fury and exasperation, and Gintoki catching your wrist, spinning you around to face him. Emotions and adrenaline running high, chests heaving in exertion, and seeing your face covered in soot and sweat and your eyes huge and wet, looking damn more beautiful than you have any right to be, that's when Gintoki finally decides to put his big balls to use and confess himself to you. Opening his mouth and—

Plotfully, the wind picks up, and then suddenly a wadded ball of paper rolls to hit your feet. Both you and Gintoki look down to stare at this interruption. You bend down to pick it up and unfold the ball, startling at whatever you find, snapping your eyes up to him. "Gin, your name is on here?"

Shit! Gintoki realizes, recognizing the paper now. This is the worst possible timing! My stupid shitty poem somehow found its way to the woman it was written for. And why the fuck did I sign it!

He looks left and right, searching for a vending machine to put his head through, and when there are none, he's scrubbing his face with his hand, looking at you and the damned poem he wrote that found it's way to you, as if was meant to be there. "I wrote it." He finally grumbles. "For you. Don't be creeped out."

Your eyes scan the page from top to bottom, reading. Your eyebrows shoot up, looking up at him with wide eyes.

"This is really what you think about me?" Your trembling voice barely above a whisper.

Gintoki pauses. Then nods. "Yeah. Every word."

Your expression blanks. You turn the wrinkled paper around. Gintoki squints.

Shit! Gintoki thinks. I was so drunk I never wrote anything down, I just drew a penis!

[chaifootsteps]

was reading this: https://www.tumblr.com/fantasywater/761286441867313152/a-curiosity-about-stolass-love-for-blitz

and though I wouldn't word it entirely the same way as OP, they've got a point. we're supposed to think that Stolas has found a new lease on life after meeting Blitz, but from what we're shown on screen that isn't true at all and he's still the exact same person (if anything he's worse since he hasn't meaningfully changed at all and is in denial about all his own flaws and how he's hurt both Blitz and Via)

He's still drinking himself into blackouts and pretty obviously not taking his medication properly or regularly if he eats a fistful in one episode and runs out unexpectedly in another. He's still miserable most of the time. He can't make friends because he lacks the ability to form any real connections with anyone (or to be kind enough to make them want to put up with his self pitying behavior)

I tend to reflexively dislike comparisons between Blitz and Stella because it implies Blitz is abusive (which he's not, that's Stolas) but it's clear that Stolas responds to difficulties in his relationships with them in the exact same way. He self medicates with booze or pills, usually after either a serious self-pity session or snapping back at them, or both. He doesn't talk to them about their feelings, just grandstands about his own

And they are superficially similar. They respond to things that hurt them in a fiery way - they don't take shit lying down like Stolas does. As OP pointed out, Blitz struggles with illiteracy - the same thing Stolas mocked Stella for.

the only positive difference that I can see is that Stolas enjoys the sex with Blitzo a lot more than with Stella - and that's a benefit only Stolas is enjoying. we don't really have the evidence to say that Blitzo enjoys sex with Stolas more than he has any other partner he's had who was decent in bed - he responds to Stolas with revulsion, then disinterest, then resignation, then him being horny just because Stolas is convenient and they were having a meetup anyway, then finally anxious codependency and trauma bonding post break up. We never see genuine affection from him

this show doesn't seem to understand relationships need more than a functional sex life to work properly. because if you take that out of the equation, it just looks like Stolas hasn't escaped the pattern of conflict in his marriage at all

all he's done is replace a partner who is closer to his social standing with one who is far beneath it, in order to give himself all the power and leverage. and he does it without acknowledging that consciously or not, that is definitely the case.

the darkest possible reading here is that Stolas unconsciously wanted someone who was on the surface similar to Stella - less educated than him, will fight back and snap if provoked - so that he could recreate the relationship dynamic wherein he is the victim who isn't being given enough love even though he's trying oh-so-hard to make things work and they just aren't appreciating him enough. and it indicates a perpetuation of the cycles of abuse - if you take the reading that Stella didn't care about Stolas' feelings while they were trying to conceive, Stolas is now doing that exact thing to Blitzo during sex with a bucketload of classism on top

Got to say, Anon, it's spooky how plausible that darkest possible reading is. Whether Stolas does the things he does consciously or not, it's insane that anyone can look at all of this and not at least acknowledge the possibility that people might find it fucked up.

[beecauseevan]

I would love some romantic buddie! As much as you can give me! Imo buck comes across as the more outwardly romantic/wears his heart on his sleeve kinda guy. I think eddie always wanted to be romantic but never allowed himself to be, because maybe he never felt safe enough or thought it wasn't the "manly" thing to do. So maybe he does like lots of little things to show buck how much he loves him, and something super super romantic like home cooked dinner, candles, bath etc. I mean like the cringest, most sappy romantic shit you can think of...give it all to me

Eddie steps back and surveys his work, a nervous breath escaping him. He can't afford a single mistake. This has to be flawless—it has to become one of those nights they'll always look back on with fondness. Fifty years from now, when Hildy and her AI overlords have taken over the world and even Eddie's extensive core workouts can't keep the back pain at bay anymore, the memory of tonight has to be one of those things that keep them going, along with walking chairs and arthritis meds. There's no room for anything but perfection here, because tonight has been years in the making.

As he stands there, casting a critical eye over the scene in front of him, all of those years come back to him. Six years of painful longing, crashing into Eddie like a high caliber bullet, tearing his body to pieces.

He's 31 and standing in a hospital waiting room, tired and guilty while Isabel suffers because Eddie can't get his shit together. He's 31 and Buck nods at him from across the station because he made sure Chris could come. He's 31 and Buck introduces him to Carla and a weight lifts from his shoulders and he thinks, maybe—and he's 31 and Shannon comes back and nothing else matters.

‎He's 32 and his life is in shambles and Buck saves his son from drowning, saves Eddie from himself, wanna go for the title, and Eddie wants, and maybe—but Chris is there. He's 32 and the well collapses on top of him and when he makes it out it's Buck who holds him up, and he goes to his attorney the very next day and shackles Buck to him legally, because if he can't have him physically that will have to do.

He's 33 and the world has descended into chaos and he sleeps on Buck's couch every day and he lies awake and listens to Buck's steady breathing, up on the loft, and he closes his eyes and he wonders, and he wants—but then he's 33 and Bobby tells him to take a chance on Ana and he does, because that's what a man does.

He's 33 and he's bleeding and Buck is covered in blood, might be hurt, and then the world fades to black and when he wakes up, Buck is with Taylor. He's 33 and he tells Buck he's not expendable, and Buck looks at him like maybe—he's 33 and nothing changes.

He's 34 and he can't love Ana the way he should. He's 34 and Buck tells him to break up with her, and Eddie does, and he wonders if that means, if—but then he's 34 and he's single and Buck isn't. 

He's 34 and his life falls to pieces. He's 34 and he's moved on but he hasn't, the 118 has moved on but Buck hasn't. He's 34 and he hasn't saved anyone but Buck is there, hand warm on Eddie's shoulder, steady in the face of Eddie's grief. He's 34 and Buck breaks up with Taylor and everything could change and nothing does.

He's 35 and Buck is dead and Eddie feels his ribs crack under his palms. He's 35 and 3 minutes and 17 seconds are an eternity spent in hell. He's 35 and Natalia sees Buck. He's 35 and he might as well date. He's 35 and nothing will ever, ever change between them. ‎He's 35 and he wants Buck so bad he might die from it.

He's 36 and his son is gone and he hurt another woman and Buck is dating a man. He's 36 and Buck breaks up with Tommy. He's 36 and he grabs Buck by the shoulders and kisses him until neither of them can breathe.

He's 36, and everything changes.

He's 37, now, and he's standing in his kitchen (their kitchen), and in front of him, the dining table looks like something straight from a pinterest board. The tablecloth is a dark crimson red and he used his good plates and his good silverware. In the middle of the table, a cluster of white candles illuminates the space. Next to the candles, leaving just enough distance to avoid a housefire, there's a vase filled with a dozen red roses.

It looks good. Whether or not it's perfect remains to be seen—only Buck can be the judge of that.

As if on cue, the front door opens. Eddie turns and waits, and when Buck comes through the kitchen door, Eddie is treated to the wonderful sight of his boyfriend, for once stunned beyond words, frozen in candlelight. He was visiting Maddie, and it seems that Jee-Yun got to him—there are watercolor stains on his blue shirt—but he's still the most beautiful thing Eddie has ever seen.

"What..." He looks away from the table, finally, up at Eddie, eyes wide. "Did I forget our anniversary? No, that's—that's in two months."

He's right. They're not celebrating their anniversary, or a birthday, or any other holiday. Eddie did this because Buck deserves it. There's no other reason—there doesn't need to be.

Buck deserves this, because he's had Eddie's back for seven years. Buck deserves this, because he makes Chris smile and Eddie laugh and he's saved both of their lives, more than once, in more ways than Eddie can count. Buck deserves this because he wakes Eddie up with soft kisses to his shoulder and harder kisses to his jawline and because he holds Eddie tight when they lie awake with sweat cooling on their bodies, and tighter still when they fall asleep too late. Buck deserves this because he's kind and he's smart and he makes Eddie's life better just by being in it.

Buck tells Eddie that he loves him all the time, with words and with gestures. Eddie has a harder time with it, even though he loves Buck just the same. Tonight, he wanted to show him as much.

"You didn't forget anything," Eddie assures him, and pulls out one of the chairs so Buck can sit down.

Buck does. His eyes are bright. His cheeks are rosy. Maybe that's the candlelight. Or maybe this is a first for him too.

"Chris?" he asks, as Eddie moves to the stove to get their food.

"He's with Pepa," Eddie says. "They're catching up on Hotshots. We have the house to ourselves."

Buck meets his eyes. A smirk has made its way into his stunned expression, small but striking. "That so?"

Eddie returns it with a smile of his own and comes back with two plates.

"Full disclosure," he says, "this is Bobby's steak."

There is no room for mistakes tonight. Eddie has not mastered steak yet, so he enlisted outside help. Buck smiles at him like he doesn't care, though.

"And there's tiramisu," Eddie adds. He almost stumbles as he sits down, too distracted by that smile. "For later. I got that from Cap, too."

He half expects Buck to call him a cheater (gently, jokingly, in that warmly mocking way he has, the one that makes Eddie want to kiss him until the world ends), but Buck just stares at him. He's still blushing. His foot brushes Eddie's under the table, and his fingers find Eddie's wrist.

"All of this." He waves his free hand at the candles, the flowers, the food. "Why?"

Eddie laces their fingers together and holds Buck's blue-eyed gaze.

"Because I love you," he says. "Because you deserve it. Because—I wanted to make you feel how you make me feel."

"I must make you feel pretty damn good," Buck says quietly. His hand squeezes Eddie's.

"You do," Eddie says simply, because that's not a truth he's ever struggled with. "You really do. And I wanted to give you something—good."

"It's better than good," Buck says and smiles. "It's perfect."

Eddie is 37. It's a perfect night, and the love of his life smiles at him in a kitchen filled with candlelight. He can't wait to be 38, 40, 60, 100. He can't wait to grow old with this man.

[coimbrabertone]

Closing the Doors is Bad for Indycar

Today, Indycar has announced its charter system.

On face value, I see the case for this being a good thing. The likes of Ganassi, Rahal, Coyne, Andretti, and Penske themselves have been in the sport for decades and I see this as a way of giving back to them. The teams that have been in Indycar and contributed to its great moments and iconic races deserve some sense of security and a financial safety net should they choose to cash out.

I mean, the fact that such historic names as Newman/Haas and Forsythe are completely gone from Indycar racing is pretty sad.

That part is good, however...the problem I have with the charter system is the numbers.

There will be 25 charters.

Of these, 22 charters will receive leader circle money.

Additionally, 27 grid slots will be the norm outside of the Indianapolis 500.

I disagree with every single one of these numbers. 25 charters is an arbitrary number and it has caused a 3-car limit to be instituted in Indycar, leading to Chip Ganassi Racing having to cut two cars and fire a whole bunch of people.

2024 Rookie of the Year Linus Lundqvist looks like he'll be out of a job for 2025.

2023 Rookie of the Year Marcus Armstrong is getting farmed out to Meyer Shank Racing, which will have a technical alliance with Ganassi for 2025.

Meanwhile Kyffin Simpson, who is 21st in points in the same team that won the championship with Alex Palou this year, is expected to take over the chartered CGR #8 because his father owns Ridgeline Lubricants which is a major sponsor of the team.

This is what the charter system is for? Getting people fired and ensuring a paydriver keeps his seat? Ridiculous.

And three of these charters not getting leader circle money...quite frankly this rule only exists because of Penske Entertainment being cheap and not wanting to spend more money than they already do. It makes absolutely zero sense to have chartered cars not getting leader circle money.

The purpose of the charters is to give back to the teams that have made Indycar what it is? Well, only giving money to the top twenty-two doesn't do that.

And twenty-seven grid slots at races outside of the Indianapolis 500...this part arguably pisses me off the most, because there is no reason for this rule.

Garage space at Mid-Ohio? There were thirty-six Craftsman Trucks at Mid-Ohio in the 2023 O'Reilly Auto Parts 150 last year, you can find a couple of extra pit stops.

Toronto has a weird pitlane ever since that hotel got built? Move it. Hell, a few years ago we had a pileup, and the pace car took the cars under the Princes Gate and onto a closed road over there, make that the pitlane! How cool would that be? Cars peeling off underneath a neoclassical arch to get into the pits.

You can make more than twenty-seven cars work.

Indycar just doesn't want to.

They want twenty-five charters and the two Prema cars for next year, that's it.

Furthermore, it sounds like the plan is to decrease that limit to twenty-five cars total, so every car left will be chartered.

This rule, along with the money for the top twenty-two, makes me think that the plan is for Prema to eventually force out and buy out a Dale Coyne or an Ed Carpenter Racing.

So much for protecting the owners, huh?

Thus, this rule isn't really about protecting the owners, it's about producing artificial exclusivity. The same kind of shit that Formula One has pulled to Andretti, and now the series that Andretti races in wants to do that as well. It's cynical, it's hypocritical, and it's not good for the sport.

Zak Brown of McLaren has said a lot of good things when it comes to Indycar's future, but one thing he said that really irritated me is that idea that quality is better than quantity when it comes to racing.

First of all, quality and quantity are not mutually exclusive here.

Second of all, quantity sure spiced up the show at Milwaukee with the amount of lapped cars that the leaders needed to negotiate, providing for constant drama and always giving chasing cars the opportunity to close in.

Third of all, Indycar is not Formula One, and it should not try to be Formula One.

Indycar is great because it races on so many disciplines: road courses, street circuits, short ovals, superspeedways, all of it. But another thing that makes Indycar great is how open it has been in comparison as well.

Formula One has limited teams to running two cars, Indycar has traditionally allowed teams to run as many cars as they want. Some teams ran one, some ran as many as five or six, and that's beautiful. It's given teams the flexibility to expand and add a car if they want to, meaning that it was always theoretically possible for a big team like Penske, Ganassi, or Andretti to pick up your favorite driver.

That's going away.

All the teams in 2025 will run either two or three cars, with the small teams generally running two and the big teams generally running three. That's not fun.

And with this charter system capped at twenty-five and more inclined to shrink rather than expand, it doesn't give any flexibility for the future.

Ed Carpenter Racing could sell tomorrow to the infinite money glitch that is the Saudi Public Investment Fund, and they'd still only have their two cars available, with limited options to ever acquire a third.

Limited options to ever climb to the level of Penske and Ganassi.

Thus, it only serves to reinforce the stale duopoly that has dominated modern Indycar.

I don't want to be negative about Indycar. I want to unconditionally love this sport, I want to be excited about seeing 235 mile per hour laps at Michigan, Pocono, and Fontana, I want to see drivers cutting through the streets of Surfers Paradise and Vancouver, I want to see a classic photo finish at a Chicagoland or a Kansas.

I want to see Arrow McLaren taking the fight to Penske and Ganassi, I want to see RLL get better and bounce back on the ovals, I want to see Andretti Global come to the Indianapolis 500 with an armada of five or six cars like they used to.

I want to see competition between chassis manufacturers and engine manufacturers, I want to see cars that look fast and innovative but can still bump and bang side-by-side or protect a driver in a high-speed crash. I want a series that doesn't tuck its tail and run away the moment football season starts.

Instead, Indycar wants to be aging cars that look like crap racing around street circuits in Dallas and Denver (for the third time) with one of Will Power, Josef Newgarden, Scott McLaughlin, Scott Dixon, or Alex Palou winning.

And you don't even get the benefit of running an ancient formula because of this arbitrary limit on the number of cars. There are 60-65 Dallara DW12s in current service amongst the teams, more if we count older chasses, show cars, and rebuilt tubs, so why on Earth are we insisting on only racing twenty-five of these goddamn things?!?

I could understand if there was a new car in limited quantities, but this car is old and there are a lot of them out there, so if we can't get a new car, at least, at least, let us experience the benefit of this 13-year-old car but running as many of them as possible every race weekend.

But we don't.

The series continues to make the most mediocre decisions possible while hoping that great racing can make us forget about all their mistakes.

That doesn't really work when you have an offseason from September to March full of your bad decisions.

In other news, MotoGP made me happy with a tense battle between Jorge Martin and Enea Bastianini in the closing stages of the Emilia-Romagna Grand Prix at Misano ending with Bastianini barging his way through to take his second win of the season. While in F1, Lando Norris dominated at Singapore and even managed to lead the first lap from pole position.

Baby's first good race start...I'm so proud.

NASCAR at Bristol Night also happened, but uhh...yeah, the less said about that, the better.

[jadeylovesmarvelxo]

Request by @fandom-princess-forevermore ❤️

Set in s2 of Stranger things.

❤️

You really shouldn't be doing this. It's not like Steve even knew you very well but ever since you saw the break up between him and Nancy, you were desperate to talk to him.

There were so many rumours about Steve. How he used to be king of the school but then he started dating Nancy and things changed.

A lot of people seemed to hold Steve's past against him but you weren't interested in doing that. What's past was past. Heck, you weren't the person you were a year ago so you weren't going to judge anyone.

As you reach the boys locker rooms and the showers, you call out to him so he can hear over the water.

"Uh Steve? I just want to talk"

Shit. This was so embarrassing, why were you doing this?

Because the look on Steve's face when you saw him and Nancy arguing had caused your heart to ache and you just wanted to make sure that he was okay.

Did he have genuine friends that checked in on him? It worried you that he was alone and had no one to talk to.

Okay so maybe you would wait a little while longer just to see if he was alright.

...

Steve is pretty sure he's in hell. All he wanted was a quiet shower after that disaster of a match against Hargrove. Just his luck that the asshole and Tommy were using the showers at the same time, he had to deal with Tommy and his arrogant attitude and Billy being a dick.

Today was not his day. In fact it hadn't been a good week for him.

"Uh Steve? I just want to talk" he hears someone shouting in the hall. He doesn't recognise the voice, just that whoever it is is female, he's curious who it is but at the same time, he just wants to be left alone.

Billy smirks at him and Steve ignores the annoyance creeping through his veins at the look on Billy's face.

"Shit man, you got admirers after you already? Isn't that the new girl? Guess you haven't lost your charm after all" Billy's smug ass grin doesn't help Steve feel any better, he's dealing with the break up with Nancy and the fact that her and Jonathan were already together?

Well if what Tommy was saying was true and from the way he said it was so smug and so sure that it was most likely the truth.

"What did I tell you huh? Plenty of more bitches in the sea" Billy nods to him and Steve works hard to control his temper. Losing it and getting in a fight with Billy wouldn't help anything, no matter how much he wanted to punch that smirk of his face.

To make his day even more perfect Eddie Munson is in the locker room when Steve heads in. Between you, Billy and Tommy and now Munson, he's sure to have one hell of a headache.

He winces, not that it was your fault he was so pissed at himself. You were new around here and were only trying to help.

Someone must be smiling down on him today as instead of Munson's usual sarcasm he's actually pretty decent.

"You know the new girl is really nice Harrington. Maybe you should give her a chance" there's no malice in Eddie's tone and that gives Steve pause.

Munson never failed to make his feelings known about Steve's old friends yet he was being...cordial to him. Not wanting an argument Steve merely nods and Eddie offers him a small smile as he heads out.

Maybe Steve should see what you want.

...

You're waiting for him looking increasingly nervous, he recognises you in an instant. Fuck, you saw the whole break up between him and Nancy which was extremely embarrassing.

"Hi, I just wanted to make sure you're okay after...well after what happened" Steve pauses as you explain and he feels the tension in his body melt away. That was kind of you.

"Yeah I'm okay. It's been a long time coming I guess" he doesn't want to dwell on the fact, that something has always felt off with Nance.

Like he was more into her than she was with him. That Jonathan has bonded with her in a way that Steve couldn't.

He shouldn't have been so dismissive about Barb, should have helped Nancy with what she wanted to do, expose those assholes at that lab for unleashing that demogorgon into Hawkins. All of those experiments on those poor kids...

The whole lab should have been destroyed. After all it was the gate from the lab that caused all of this mess.

He should be helping Nance get some sort of justice for Barb.

You're watching him hesitantly and he smiles, tries to drum up some of his charm but it's hard when he feels so shit.

"I know I'm new here and it's none of my business but I hate seeing someone hurting. It will get better, you'll meet someone else eventually, you'll slowly get over the pain. Besides aren't you like one of the most popular guys in school? Half of my English class is in love with you" you shrug.

Briefly Steve wonders if you think he's handsome but he dismisses that thought quickly. Yeah, he knows he will get over Nancy but it will take time, she was the first girl that he's ever loved; that meant something to him.

Eventually though things would get better and it was sweet of you to care so much about him, even when you didn't really know him all of that well. Truthfully he needed a friend like that and maybe you could be that friend?

"Look I'm okay, it's sweet of you to check but I'm fine... Maybe we could talk more at lunch tomorrow?" You nod happily and pat his arm softly.

If there was a spark between the two of you then Steve chose to ignore it...

Though in exactly two years time he wouldn't be able to ignore the pull he felt towards you.

But that was another story.

[imbecominggayer]

How To Write Characters With Addiction

From @differentnighttale: "I am curious if you give advice about writing people with addictions for example substance. I have reasons my male MC does it. But how can I describe the addictions the MC has correctly."

In this post we are going to be talking about addiction! From alcoholism, substance abuse, nymphomania, to everything else that can be a possible addiction. This post will be all about making this realistic and complex :)

A) What Are The Benefits?, Make It Convincing

Grab a fucking piece of paper or whatever you have and just write a paragraph from your addict's perspective on the situation. Omit the bad stuff. Make it highly convincing. if you aren't thinking "hmm, understandable" after you've written and read it, you did it wrong.

What do they get out of it?

Why did they like it at first?

Are they calmer, more intensely concentrated, does it take the edge off?

Are they more confident?

Does it ease the sense of being fundamentally wrong or dull some other pain?

Is it fun to do something rebellious?

What made them like this thing so much they tried it again, and again, and again?

B) Think About The Consequences, And Ignore It

Oftentime, at least in my experience, people will continue with a bad habit if it means they don't have to be the one to think about the consequences.

The Consequences For Addiction Include:

Financial. Depending on what your character uses to get their fix and how much they use, they might be spending hundreds a week if they are a particularly aggressive user. People often steal money from their loved ones. Addiction also tends to get people fired. Write a scene where your drunk character gets fired for operating machinery. Have them be a burdenous sponge.

Social. It's common for addicts to lose their loved ones since it often gets to a point where it's impossible to care about these people despite how much you love them. Make love ones leave your character! And don't blame them

Physical. STDs, Overdose, Liver Failure, and a shit ton of other issues from the chronic to the fatal either cause, exacerbate, or are linked with addiction. Recovery can't automatically save your character so don't write that story.

Psychological. Being an addict isn't fun since you get to struggle with points 1, 2, and 3 all at the same time! Write about your character issues. Their lack of control. Their spiralling life.

Write all about your character's suffering. And then have them justify it. Make it convincing.

They need it. It's not their fault that this is the only that helps them! Everyone just doesn't get it. I'm trying to work on it, OK?! It'll all work out! They know that it's wrong but...

My most hated shit is when a character's arc is easy. They struggle with some things like a big dramatic argument with their wife, they cry a bit, and then they learn that "drugs are bad" so everything is fine :D

NO!!! Why don't you write about a friendship that doesn't get mended? A chronic illness they now have to pay huge medicine bills for? A fucked-up rap sheet that they can't escape?

And it's not because we want to punich addicts. It's because it doesn't matter if you care about addicts if you don't care about the messy shit!

It's easy to sympathize with an addict if you make them the most innocent victim who never hurts someone intentionally and who gets rid of the addiction in a second and never struggles with it ever again!

Do the hard shit. Make your readers sympathize with the unsympathetic asshole addict! Addicts aren't always good people! They can be dickbags. And they still deserve resources. Life isn't some kind of karma game where dickbags suffer and good people rise! Everyone deserves to not suffer!

Addiction is ultimately a disease. But it's a disease that can make someone you love into an absolutely unlikeable person. And this is coming from someone with an alcoholic dad <3 He does good things and bad things. I can sympathise with my dad and not let him walk all over me.

C) Withdrawal Is Leaving An Ex, Relapse Is Returning

Addiction is a motherfucker trying to leave. It's basically the equivalent of a clingy ex who keeps contacting you, asking for just one conversation, and the moment you so much as acknowledge them you are fucked.

And suffering the brunt of a clingy ex who won't take the hint tends to cause the same symptoms as withdrawal!

Obviously, withdrawal symptoms depend on what type of ex you have and what age you are and yada yada yada. Research for specificity :)

Withdrawal symptoms can include:

Headaches

Insomnia

Fatigue

Hallucinations

Seizures

Tremors

Cravings

etc.

BE AWARE: Relapses are when someone returns back to their drug if they were going cold turkey or going back to their original dose. Relapses can sometimes result in an overdose due to the fact that the brain has been weened off the substance and is now overwhelmed by the high dose.

Relapses often happen when a person makes the deliberate choice in order to stop these fucking nightmarish symptoms. To use the analogy of a clingy ex, you start talking to them in order to tell them to stop contacting.

Relapses can also happen through being in a setting where the behaviors associated with the addiction such as sex, gambling, drinking, substance use, and all manner of things are normalized.

This setting could be a party, a bar, or even a friend group.

Relapse is made more likely if someone is self-detoxing away from a support group or a doctor.

Writing about withdrawal and relapses are an important part in making a story feel more authentic. Just like with mental illness, people rarely learn the lesson and follow it perfectly. They make mistakes. Slip back into old habits. Do shitty things.

We aren't writing their suffering to punish them. We are doing it because you can't say you care if all you are willing to do is look at the easy parts.

D) Little Tidbits To Keep Track Off

This is the miscellanious things that didn't fit into their own boxes.

Friends!

Do they have friends who also have their addiction? How do they hang out? What are they like? How are their substance using friends different from their non-addict ones?

Slang!

Don't just look up slang for your substance of choice. You'll need to look at some first-hand accounts of addiction. Find an influence who has struggled with substance abuse in the past and see how they talk about it!

Variables!

Remember to keep their geographical location, socioeconomic status, time, and a host of other factors. If your character is a penniless alcoholic then it's unlikely they'll get their hands on some type of expensive gin. They'll probably use rubbing alcohol. Keep the price of your drug in mind.

A character's status will also impact their slang. No one unironically says doobie anymore.

A character's location will also impact how they get their shit and how other characters will react to that addiction.

A character's financial status also impacts how the consequences of their actions impact them. A low-income character wont be able to afford the same medication as a rich addict. They also won't have the same luxury for quality therapy, rehab, programs, time, anything really.

Look At The Addict And The Loved Ones

Try not the skew the reality of addiction to paint the addict as the victim and the loved ones as evil for not being forgiving and tolerant enough.

Keep sympathy for both the addict and the loved ones. Or drop sympathy for both of those characters.

E) RESOURCES

FDA and DEA online databases and drug resources

Social Networking Groups

Medical Journals

Local medical professionals, police, and medical examiners

The US national poison center

[teecupangel]

Hii teecup!! Hope you're doing well!!

May I ask some a/b/o AltDes stuff please (alpha! Altaïr and Omega!Desmond) because there's not much of it out there :'D

Now I'm sure Altaïr would more open minded and much less of an asshole to omegas then most of the people back in his days..... HOWEVER, please hear me out, what if he wasn't

He could be low-key about it, unlike most alphas who are very vocal and open about their 'opinions' on Omegas and such. He's very aloof when it comes to omegas in general, not having strong feelings on anything (very Altaïr behaviour honestly). That is until he meets Desmond.

Now instead of time travel, this time Desmond was born in Altaïr's time. This means Desmond would be raised as a traditional and submissive omega, but he still fought back. He could be born in Alamut (because Eagle of Alamut XD) as the son of the mentor (who is not Diya al-Dīn because he would never) who trained and became an assassin... sort of because idiot bigots.

Desmond is the best assassin in his entire brotherhood, BUT he's not officially an assassin. His father/mentor isn't as strict like most and let him get away with his antics, usually.

That is until Desmond was 'of age' and that's when it starts getting bad for our boy. His dad became more controlling and won't let him sneak off to do missions or fight anymore. He was to be married to whoever the assassins could use as allies. Basically just a bargaining chip. Desmond would fight back harder then ever, even with one of the best assassins guarding him and monitoring his move all the time, he would still be able to sneak off to continue doing missions to make them see just how capable he was.

He could runaway, he probably should runaway, but deep down all he wanted was for his father to love him again. To look at him with pride and treat him like a son again. (Altaïr would use this fact as an advantage later on)

But then it all comes crashing down when he finally gets betrothed. (Idk who he should be betrothed to LMAO it could be whoever. Someone very powerful that the assassins could use)

And all was going to shit for Desmond but it all went to super shit when Altaïr showed up. Because oh boy, Altaïr was a Strom of his own.

Now I honestly don't know how he and Altaïr meets, but it definitely left an impression on Altaïr because he was smitten from the first time they made eye contact. Man was obsessed from here on out kajsksjssoakakak.

And uhh yeah that's all I've got, plot wise

Some notes.

- Desmond pulling all the alpha assholes like catnip.

- Altaïr, manipulating Desmond as a sign of affection

- Malik suffers because we love him <33

Honestly teecup, I just wanted a toxic a/b/o au but it grew plotty legs and ran out of my grasps, my apologies.

And that's all for now!

Sorry in advance if my English is very trying, I'm typing on my phone and it's not the best experience.

PS please make it as toxic and horny as Tumblr allows you to, and I would give you my kidneys.

PPS if you think you know who I am by how I write..... No you don't/lh

As horny and as toxic as Tumblr would allow it? I don’t even know the limit of Tumblr’s tolerance hahahaha

So for this one, if you want Desmond to be born in Alamut as a son of the mentor but not Diya al-Dīn, we can make him the son of an older brother of Diya al-Dīn instead. Born more as a way for the older brother, who was passed over because Diya al-Dīn was more worthy of the title, to try and get power with his son being the next in line for the imam since Diya al-Dīn was still childless at that point.

Diya al-Dīn would be the kind uncle who tried to do right by his nephew but can’t truly intervene because his brother was controlling and had a firm grasp on Desmond’s every day life. It was going well, all things considered.

Desmond wasn’t a genius nor was he inherently talented but he was a hard worker and he always went beyond what was required of him.

His father rewards his hard work by giving him a bit of leeway, all the while making him drink medicinal tea that was meant to change him into an alpha.

It didn’t do anything but hide his scent… which had been easy to do in the first place because those not yet of age only had a hint of scent to show their ‘status’.

Diya al-Dīn tried to be accepting of Desmond’s wish to be an Assassin even if omegas aren’t exactly… well… only omegas that could control their ‘base instinct’ could become Assassins which was hard for an omega without the help of some kind of medicine that would leave them in pain or groggy.

Desmond, unfortunately, is one of the omegas that cannot be medicated. Even if he drank more than he should, that only leaves him in unbearable pain.

That’s why his father pivoted from Desmond becoming the next imam to having some talks with certain powerful rulers. Finding Desmond an alpha that would take him as their official wife or one of his concubine.

His father was less picky of Desmond’s standing and more interested in creating a political bond with a powerful ally (whether he plans to use this to usurp Diya al-Dīn or he simply wants more power outside of the Brotherhood is up for grabs)

And he finally finds one but Desmond would enter into that household as a concubine. His marriage proposition wasn’t a good one all things considered, the alpha was a powerful one but it was well known that his official wife and the older concubines were dangerous. Newer concubines either die from poisoning or accidents or childbirth and, more often than not, their children would not survive more than five summers.

So Desmond escapes. Maybe, just maybe, Diya al-Dīn had a hand in the patrol routes that night and it left certain large windows of opportunity for Desmond to use.

Alamut, of course, will look for him. That’s why Desmond would try to hide from them.

That’s how he meets Altaïr.

He was desperate and his heat was upon him. Altaïr’s scent was overpowering and he could feel it within him that this was an alpha that would fight tooth and nail to keep his omega safe.

He wasn’t a romantic.

He had already accepted the very idea that his alpha would not love him.

He doesn’t need it.

Love did not bring his omega parent any happiness, no matter how overflowing their love for Desmond’s alpha father had been.

What he needed was an alpha who would take care of him and any child he would bear.

So he used his scent to weaken the alpha’s defenses.

It was Desmond who made it impossible for Altaïr to resist.

And so Altaïr claimed him.

.

Unorganized Notes:

Desmond escaped a few weeks after Altaïr killed Rashid but before AC Bloodlines. (So late Sept, early Oct)

He was on his way to Alamut to talk to Diya al-Dīn about being the new mentor (he doesn’t want to be the next mentor) and they actually spent Desmond’s heat in a random abandoned home

Alamut Assassins found them afterwards and, by that point, Desmond was sooo thoroughly claimed that there was no way to say that Altaïr wasn’t his alpha.

This also changed Altaïr’s desire to not be the mentor because the easiest way to keep Desmond by his side is to be the mentor of Masyaf with his marriage to Desmond being a way to ‘mend’ the broken relationship between Alamut and Masyaf.

Desmond’s father was not pleased but fuck him, by law, Desmond was now the property of his mate and Altaïr has no qualms killing the asshole if he doesn’t stop yapping about how he raised Desmond and should have the final say on everything.

He returns to Masyaf and… sorta kicked all the Flowers of Paradise. To be more exact, they were transferred to another part of the fortress while the entirety of Paradise became Desmond’s new home. (Desmond and his most definitely growing child)

That is the second headache Malik got.

The first one was the fact that Altaïr returned with Alamut’s blessing as the mentor (which Altaïr had stressed he would never take) and an omega mate (which he had always said would never happen)

Desmond is free to go anywhere in Masyaf but he will always have guards on him because security reason.

Desmond believes Altaïr’s affection stemmed from the fact that he did more or less coerced Altaïr to biting him during the throes of heat-induced passion so he wants a child to further keep Altaïr ‘happy’ and satisfied (not knowing that the mentor title isn’t passed down from father to son in Masyaf, he honestly believe Altaïr is Rashid’s adopted son)

Altaïr was never fully enthralled during Desmond’s heat. He has been trained to have high tolerance as part of Rashid’s plan to make him the ultimate ‘attack dog’. He marked Desmond fully knowing Desmond was desperate and was trying to ‘seduce’ him.

Honestly, Altaïr just wanted Desmond because his scent had been the sweetest ambrosia he had ever smelled and he believed that meant they were meant to be.

And he will not let anyone get between them, no matter who they may be.

[uncanny-tranny]

I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.

It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.