#that mutual understanding of one another's situation is something that can be so personal to me specifically

[prettyupsetnerd]

hurt/comfort, touch-starved, friends to lovers, rated T for Teeny

[bimbosandbubbles]

All Consuming

Starring Yandere Siren Gojo and Geto

Synopsis- Two months ago you became a sole survivor to a supposed animal attack on a lake trip and because of that you’ve become alienated from everyone else in your much too rural community. However,you’re finally not so alone when two mysterious men are way too interested in you…But something’s a little off about them..

Fic for my Summertime Slashers event!

Warnings-mates,Geto and Gojo kinda have a feeding kink in this(they like seeing you eat bcs they only eat human flesh and obviously you don’t 😭), stalking,cum marking(you’ll find out), voyeurism,mirror kink,mutual masturbation,biting,oviposition,icky flirting(they’re very confused on the fact that humans don’t just mate like sirens do), dubcon,borderline noncon,multiple sex scenes,leg worshipping?,manipulation(you’re very vulnerable in this and they take advantage of that),abuse of super natural power(not clearly stated but implied),panty sniffing,lots of breeding kink,and ofc and always CHUBBY READER!

An explanation on sirens and how I tweaked them from traditional folklore! Just so you can have more understanding on why things happen in this fic! So Sirens typically are beings that lure men in with their beautiful voice and then capture them with their magical touch! This is kinda like that but not really! Geto and Gojo are male sirens so they usually target the opposite sex! Their siren voice isn’t necessarily singing it’s just something they can activate in this fic! Also they can go on and off land if they’re well fed! In this fic I imply heavily that sirens take mates like many other sea life!

WC-6.9K/6,925

"Can you give a description of him?"

"Them." Is all you can answer. Seething hot acid pulls at the back of your throat,begging to come out on the steel table. Your quaking hands grip the very edge of the table for some kind of support—a sense of grounding in this situation.

"Right,them. My apologies. The descriptions though,(Reader)?" You gulp,"Well one was taller than the other had these piercing blue eyes,almost like light itself. The other had these soulless black ones...emotionless and empty kinda."

In front of you there's this quiet man presumingly sketching away the description. "Anything else?" You bite your lip and glance down at your scarred fingers but you quickly look away because the memory of just why those injuries remain are there is much too fresh. "I don't know...everything was a blur. I can't remember a thing other than seeing them..."You swallow a thick wad of spit before you utter another word,"tear into my friends."

The officer in front of you stares into your glassy eyes that you bet are red and bulging to the point it looks like you've been choked instead of crying. He sighs,"Look,(Reader) you seem to be a nice enough girl but these details are just not enough to drive this case. This is the third time we've invited you down to the station and you've said nothing to make us believe two men did this to your friends."

"Please! I saw them! I really,really did! I swear! I wouldn't lie about seeing those—those monsters!" The officer sighs and ounces the bridge of his nose,"Let's be real,when the attacked happened you were intoxicated,right? You were out having fun with your girlfriends and probably doing other substances. Or maybe the shock of seeing your friends mauled by an animal got to you. Whatever the case may be I know it's not two human men who ate your friends in front of you."

You clench your fists in pure disgust at the audacity this person has in front of you. He's not the one who had to see it,he's not the one who had to watch your friends cry and beg for help and couldn't do anything about it, and he's certainly not the one who had to live through their constant cries of pain. You finally raise your voice an octave,"I know what I saw and I won't suffer through some accusations pushed onto me because this story isn't believable enough for you!"

The officer doesn't take lightly to your shouting and doesn't remain so calm with his doubt. "I'm tired of listening to your bullshit anyways! There is no man eating monster with glowing blue eyes! And there definitely isn't another soulless black eyed creep!" He takes a deep breath and stands from the metal chair. You sit there in silence fighting back tears and you have no clue why the liquid is fleeing your eye ducts.

It's probably anger or sadness,or both whatever the reason might be you curl up into yourself and sob in front of the two cops. "(Reader), I apologize...but I can't take this case serious. I know you're hurting,losing your friends in an animal caused massacre but you're wasting resources and precious time for cases that actually need to be solved. So just go home and get some therapy,yeah?"

Through teary eyes you gaze at the officer in his harsh eyes and you're left wondering why does no one believe you? It's been two months since the attack and you're doing all the right things;therapy,self groups,going back to normal life,yet you're treated like some crazy person. You've never been the type to lie. Never been the type to abuse someone's trust,so why?

Why are you so unbelievable? Are your tears not mournful enough? Is your slowly deteriorating appearance not evidence enough? Is the scars on your body just too artificial looking for people not to believe the truth?

With your head hung low you whisper,"Sorry officer,I'll go home."

▂▂▂▂

"Oh my god is that her?" The whisper flows through the dining hall. Another answers,"I think she's totally crazy."  Then another,"Oh be nice,her friends got mauled by some kind of wolf in front of her." "I heard it was a bear actually."

You chew on your mediocre sandwich trying to ignore the constant voices mumbling about you. It's the first week you've been back at uni since the attack and it's not going so well for you. People only pity you or look down at you for not just dying with your friends. Some people think that you're even responsible for their deaths. But it won't be much longer until you're free of the university gossip due to the fact that summer break is nearly two weeks away. And even with that time frame people are already leaving the dorms entirely.

And what makes it so unfortunate is that no one's in your corner anymore. Your parents have turned their backs on you because it's like a sin to have a child struggling with their mental health in this godforsaken small town. And your friends well...gone because of that very event. And you can't even dream about making any new ones because now you're looked at like some disease instead of a victim of a horrifying crime.

But it's okay,that's what you tell yourself. And that's the mantra that keeps flowing through your brain as you take bite after bite into your too cold food. You people watch from the wooden eating area—turning green with envy as you glance from after people enjoying each other's company.

That was once you, eating and laughing among your beloved closest companions. You don't wish to be bitter for others happiness but it's hard not to when you're actively being shunned by your whole town basically.

You glance down at your depressing looking tray of food and decide it doesn't even look edible to you anymore. You debate whether or not you should throw it away or just eat it. Simply because you haven't been eating much since the incident. You nimble on your lip and decide you shouldn't force yourself to eat food you don't even like.

You arise from your seat and wish you didn't because now all eyes are on you as if they weren't before. You sigh and walk all the way to trash trying to power through all the chatter and seething stares. They all look at you like some parasite slowly infecting them with your presence alone. 

Sure,you've been stared at before being that you're a bigger girl in a hick town but this is something different. Something crueler...and more hurtful. It's so hurtful that you're just probably going to skip all your lectures and run away into the comfort of your home.

However your mind sets that aside once you see two strangers sitting at your once empty table. Your brows raises as you walk confusedly back to the table to retrieve your book bag.

Once you come closer you're shocked to be met with eyes black as the night...eyes that are so eerily familiar. "Oh I'm sorry we didn't know anyone was sitting here!" His voice is calm and gentle,gentle to the point that you'd melt into the his arms right now because the longing for comfort roughly tugs at you. Pathetic,anyone would agree to that,however you're just so entirely vulnerable for any type of interaction and touch at the moment. Then you take a look at his face and you're shocked to see how handsome he is.

His long raven locks go past his broad shoulders that is covered with a loose breathable crew neck. Not only are his eyes pretty in color but the shape as well;his kind monolids gazing at you right now practically has you flustered. "It's alright..I was leaving anyhow." You mumble with a nervous smile. 

"Nooo! Stay! This table has so much room!" A chipper,more energetic voice adds in. Your attention is turned to the voice and this time you're even more shocked at how good looking this man is too. He has snow white hair that frames his pretty face along with eyes so blue they're almost hypnotizing. But again something in your belly finds those eyes too familiar almost like you've met the men before.

"Oh no you wouldn't wanna sit with me...people will start talking about you too." The black haired man smiles,"Let them talk," he extends his long arm on the back of the seat next to Gojo,"sit." Gojo moves from that seat to make sure you're the one in the middle of the two men. You shyly nod,"Thank you."

You sit down and feel a sudden presence of something....something intense between the three of you despite just making their acquaintance. "My name is Suguru Geto,"he points to the other man beside you,"This is Satoru Gojo." He smiles and waves,"What's your name cutie?" The white haired man peers at you as he awaits the answer to his question. "(Reader Full Name),nice to meet you guys." 

The both say it's nice to meet you also and you guys chatter about each others day,major etc. "Have you eaten yet?" Suguru asks. "Umm kinda,the food I got wasn't very good so I just threw it away."  Gojo say,"Oh no,eat with us! Me and Guru always eat good food so you'll like it for sure."

"No no it's okay! I wouldn't wanna have you guys pay for anything from the food bar." You used the word pay because all the good food you have to pay for instead of meal swipes. And because you're suddenly shunned from this town you're naturally unable to keep a job anymore,therefore making you broker than a joke. "I'll pay." Gojo says.

"It's o—" Gojo interrupts,his big hand managing to fully wrap around your plump upper arm,"I'll pay." He affirms. You just nod silently and watch as he walks up to the food bar to buy the items. Geto looks at you and smile,"So what's a pretty girl like you sitting all by herself for?"

You look down and feel your tummy doing backflips for two reasons;the compliment and the question. You're nervous to explain just why you're being ignored and you're nervous you'll mess up the chance of making new friends. However,you go for being honest and not lying,just to see if they'll actually be someone you'll want to have as companions.

"Well two months ago an incident happened at the lake with my friends. They were attacked by two monsters and I was the only one to make it out alive. But the weird thing is...I wasn't attacked at all...they just ignored me and only went for my friends. But after they were done they looked at me in this way—this way that was so,"you pause,trying to find your bearings,"haunting. Not like they wanted to eat me but something else entirely..." Your rub your pudgy fingers as you explain and Geto does something surprising.

He grips your hands to stop the constant movement. His smooth fingers rub soothing circles on your now healed skin. And it feels so good to be touched with affection, so good that you almost forgot to finish your story. "I went to the police as soon as it happened and I was told it was probably an animal attack but I know what I saw...I know wholeheartedly. And that's why I was sitting alone,everyone thinks I'm some crazy person making stuff up." Your bottom lip begins to tremble as you feel tears begin to pool in your eyes.

"And you probably think I'm crazy now too..." Your voice breaks and your brain is working overtime. How humiliating that you're breaking down to a total stranger in public too! God,why are you so pathetic? So vulnerable to the point you easily melt into the arms of an unknown person. Has your sense of self truly scrambled that far away from you? 

Geto extends his arm to wrap around your supple body,he's warm and smells like ocean breeze mixed with sandalwood. "I don't, I believe you." It's a whisper yet the impact is like a loud shout. "You do?" He gets closer,his soft pink lips muttering so close to the shell of your ear,"I do." You shiver involuntarily,your body unable to contain the way his coo affected you physically.

"Thank you." It's a mumble but still Geto acknowledges it with a soft squeeze on your body.

"I brought the food!" A happy voice interjects. Gojo sets down loads of plates of delectable looking food. And suddenly your tummy rumbles just looking at the many options of food.

Gojo hears it,"You hungry now?" You nod shyly and can't help but look down at the very good options. After weeks of eating too cold food and mess hall trash seeing the hot bar meals would make anyone hungry. White hair bobs as the tall man takes his seat next to you.

"Go on,eat." He smiles a toothy grin. His hand extends to your lips with a forkful of pasta that smells so good you literally inhale it. You instinctively open your mouth only to quickly close it. Because oh my God were you about to let this stranger feed you? Has hardly any human interaction made you so compliant?

Gojo pouts,"What's wrong?" You quickly try to reassure him,"It's nothing...but I can feed myself,y'know.." You almost forgot Geto is still holding you,the only cause for remembering is strictly based on the firm squeeze he gives your upper body. "Eat." He asks,more like demands.

Despite how demanding he sounded it was still gentle? Almost like a calming song in an odd way. You open your mouth and Gojo happily stuffs the fork in your mouth. You chew and melt into the flavors of the yummy dish but you can't fully enough it because the men you're sitting next to are quietly observing you.

Another bite is feed to you and another,then another until the pasta is all gone. Every single time you took a bite Geto and Gojo all watched in admiration. Geto,who still has you in a half embrace would caress the supple skin of your bare arms that are free from sleeves in your cotton cami. The texture of the pads of his fingers would rub you as you ate.

And Gojo would clean up your chubby face if he missed your mouth just a little bit. He'd use his thumb to wipe away the evidence of the mess with his oddly sharp and long tongue. His other hand also stayed close and near to the pudge that hangs low on your abdomen,practically cupping the fat that adorns the area.

And all while eating you didn't realize how intimate this interaction really is. Two men watching you as your spoon fed by one and both touching you so...personally;this is not a normal interaction between strangers. You know that,yet it feels too good to tell them to stop. You haven't been touched with affection in so long so why fight it when two handsome men are practically draped all over you?

"Would you like some dessert?" Geto asks. Gojo chimes in,"You should absolutely have some dessert. I got these cute cakes for you to try." You look down in embarrassment,"I don't know if I should...I just ate the pasta." Gojo quirks his brow up in confusion,"So? You can't have dessert too?"

You smile,"I guess I can." Gojo grins brightly,"Atta girl,open wide." Already with spoon in hand and a sweet treat in it, he moves it to your mouth. Of course you accept and chew happily on the sweet treat until a thought interrupts this indulgent interaction. Why haven't they eaten? You've been here,being fed and talked to by these for at least an hour or more,but they haven't eaten? Why come to the lunch hall then?

You quickly swallow the treat,"Aren't you guys hungry?" Geto answers,"Oh me and Gojo were earlier but watching you eat has satisfied our appetite." His response is followed with an enthusiastic nod by his blue eyed friend,"Mhm! You eat so cute it's hard not to get full."

You make a face full of doubt,"Umm,I dunno if you guys are trying to be overly nice to me but I don't believe that for one second." You push away Geto's hold on you and Gojo's slight grip on you to scoot away from the pair. Suddenly,you've fully realized that this whole thing is really weird even though you truly are enjoying the attention from the very good looking men.

But that enjoyment isn't enough to just ignore how fast and dangerous this all could possibly be. You don't know how you just dazed off and forgotten all about that. You stand up and urgently say,"Look,you guys have been really nice to me and I totally appreciate it but this is just all really weird for me so I'm just gonna—"

Geto stands up with such a quickness it's almost supernatural,"Shhh...you don't mean that sweet girl. Just come and sit with me and Saturo,yeah? We'll make all that confusion will go away,okay?" His words are so sweet,so soft and gentle;inviting to the point you almost relax back to the seat but you don't.

"No—can't. This is so personal and you guys don't even know me...plus everyone can see you behaving this way with me." You go to grab your bag but Gojo stops your exit this time. "C'mon cutie,it's okay. It's just me and Sugu,we wouldn't wanna do anything to hurt our lil pretty new friend. If it's the people watching...we can take you up to our dorm and continue this there."

Geto adds,"That's a good idea, all these people shouldn't be watching you anyways." You look at them in confusion and seriously debate if going back to their dorm is actually a good idea at all. "Don't treat your new friends like this;we're not gonna hurt you." Friends? Are they really calling themselves friends?

You bite your lip and glare down at your beat up sneakers,"I don't know.." Gojo pulls you close to him by gripping your soft hand,"It's okay,cutie. It's just me and Geto,we won't do anything."

You bite your lip,stumped with providing them with an answer,it's useless though because an arm links with yours and already starts ushering you along to exit the mess hall. "W-Wait!" You try to pull yourself away from the limb but it's like forged iron. Geto utters,"It's okay. Just come with us. It's just us."

You were panicked,worried,anxious to the point of feeling like throwing up. The feeling washes away as Geto soothes you with his words;odd considering the fact that he's not explicitly saying anything too calming. He's just talking,yet his syllables feel like warm chamomile tea that just eases your mind and heart.

It feels magical...too artificial of a feeling it's almost like being on a high. The feeling only increases when Gojo joins his friend in talking to you;literally and metaphorically syncing with him as he also links his arm with yours.

The longer they talk the more woozy you begin to feel. Your walls of distrust and logic melt away like rapid candle wax,so much so that you begin teeter into their touch.

Your mind is confused and vulnerable to the point you don't realize you're in front of their dorm room until Gojo pulls you into the room. They both free you of their hold and suddenly you feel more conscious.

"Why'd you take me here? I didn't even get a say.." Geto rubs the apparent flesh on the back of your arms,"It's alright...you'll enjoy being with us." Your brows scrunch and you want to spew something aggressive but his touch and his voice are just too...distracting.

"G-Geto.." you whimper. You don't know why you say his name,it's just the only thing your mouth will allow you to say. "Yes, tell me what do you want?" You snuggle closer into his touch,breathless and confused,"I don't know..." Gojo then walks closer to you,taking up the front portion of your body. His hands cling to your wide waist;digits dig into the dough like flesh.

"Would you like for us to give you an option?" The long haired man whispers in your ear,his lips practically pecking the shell of the cartilage. You're weak and feel all too needy. Needy for what is the real question though.

"Please,yes.." you lowly whimper. With that the two men place you onto a soft bouncy mattress,leaving you without the their touch for a few minutes but that doesn't last for long. Gojo already has his hands on your tummy,practically massaging the flesh with his hands. He leans forwards and starts suckling on the skin of your nape.

He starts thumbing the beginning of your loose fitting shorts,"I think these should come off." You gulp and grip onto him,"I-I haven't shaved just so you know." Gojo starts pulling down the waistband to the point he could see your bellybutton,"I didn't ask if you shaved,I said these should come off."  You gasp as you feel a new pair of hands on your thighs—pulling down the bottom half of the outfit.

Geto looks up at you from the position of him being on his knees;slotted perfectly in between your big thighs. "I agree with Saturo,everything should just come off you." Gojo starts pulling off the hem of your panties and once they're low enough Geto grabs the material and carefully slides them off your legs. He does something unusual,by bringing the damp material to his face and taking a deep inhale. He groans into the panties,eyes closed in bliss and a deep harbored groan flees his lips.

Gojo looks down in jealousy and whines for his other half to hand him the undies. You watch as Geto begrudgingly passes him the undergarment. Gojo brings them to his face and his bright blues eyes almost glow with light as he huffs in the smell of your pussy. "Mate smells so good. Fuck..."  You brows furrow in confusion,what did he mean by mate? It's such a primitive and almost animal like to refer to you as that. You don't have much time to think of it though as demand takes all your attention.

"Spread,so we can see that pretty pussy..." The ravenette orders you. You're about to do it but insecurity nags at you,the condition of your unshaven and wild looking pussy drains away at your confidence. What's the point of spreading anyway? The fat of your lips and hair will block the view of anything worth looking at.

"Spread." Gojo repeats. You shake your head no;embarrassment and now common sense are starting to grow back into your brain. Both of the men huff,annoyed with the fact they can't just view the pussy they can smell from miles away,even in water.

For two months since they last fed,they've been so stuck on finding this woman with an unearth like aroma. The being smelt of brown sugar and sweet honey. They've been so determined to find the owner of the scent they've enrolled in this stupid college and kept tabs on you for so long.

Now they have you,almost bare,snagged in their hypnotic touch,yet you won't even let them see what rightfully belongs to them? No. That just won't do.

"Gojo,bring the mirror over here." Immediately the man sitting next to you stands up and retrieves a long floor length mirror to right in front of the bed. You observe yourself in the mirror,tired eyes that look bothered, your flustered face and your slightly messy hair,all the way to your bare lower body.

Why bring the mirror though? Your question is answered when Geto suddenly arises from the floor,taking the space the former was sitting on the bed. His strong hand grips the fatty flesh of your thigh,placing it on his lap. Gojo,now sitting on the opposite side does the same action. You fluster,"What're you doing?" Gojo hums with a happy expression,"Spreading."

They both extend your legs further til your pussy is completely exposed to them in the view of the mirror. "Perfect." Geto says lowly into the cusp of your neck and shoulder. "So pretty,I just wanna lick it." You tensed at the admiration for such a private area,a private area that four pair of eyes are constantly eyeing hungrily.

"So many things we could make you do..." The white haired man suggests. "Mhm,but right now I wanna see her play with it." Geto answers. "P-Play with it?" You try to close your legs back but their grips are too strong on your legs. You couldn't do that—not in front of them. It's embarrassing;being open and exposing yourself raw like that.

Gojo whines,"You're so mean. Trying to close what's rightfully ours. Just play with it...you wanna make yourself feel good,right?" His words and his touch feel like the law,like you have to obey. He didn't say anything overly convincing,yet your body can't help but comply.

Your pudgy digits reach down in between the plump lips—traveling way down to the pulsing hole. The fingers circle the entrance,barely touching the wet flesh. You huff at the light touch,already feeling needy. "It's alright,you can put one in." Geto urges.

You gaze into the mirror,observing the sight of your finger so easily sliding into the welcoming hole. A gasp flees your lips as the appendage starts moving in and out of you. "There you go...keep going."

You obey,moving the lone finger faster and harder than the first few movements. "Fuckkkk,that looks so good. Mate looks so good playing with her pussy." Gojo howls out. Playing with your pussy is not the only view you're able to see in mirror. Gojo and Geto's are in the displaying glass as well;their hard cocks out in the open as they go up and down at the same pace as you.

You bite your lip,immensely turned on by the view of the two men bringing themselves sweet undeniable pleasure. Their hands wander up and down your legs,holding tight the excess flesh you have on the limbs. Geto groans,"Your legs are so pretty,just like the rest of you. So plump and soft. Perfect for giving you so many pups." You moan at his words,adding another digit for the adding bliss.

Blue eyes close in joy,"Oh? You like that? Wanna get pregnant with me and Sugu's babies? Wanna be full of pups?" His hips stutter up into his o shaped hand,"F-Fuck,say yes! Tell us how badly you want that." A whine falls from your babbling mouth,"Want! Need it so bad." Geto groans as he reaches over you to bite into the soft skin of your neck;sinking his teeth in so deep you can feel the light liquid of blood dribble down. Your back arches at the strange sensation that hurts,yet feels oddly so good.

Gojo also goes for a bite,lower though,he finds the spot of your plump shoulder to be perfect. "Mm,you're gonna take it so well when me and Gojo fuck you." The ravenette mumbles into your flesh. His hand travels down to the pouch of your fat that rest slightly above your uterus,he gives it a harsh grasp;fingers digging into the moldable skin. "Perfect,so perfect for giving babies."

Your digits curl into the wet cavern and your body almost folds itself just trying to reach that special spot that resides so deeply in you. You whimper in frustration,your average sized fingers not being just enough to reach that oh so very special spot.

Gojo laughs,"Can't reach? It's okay cutie,me and Sugu will be touching you there all the damn time. Just continue making yourself feel good,yeah? Want you to cum all over your little fingers so I can lick it off." With that bit of encouragement,you thrust deeper;curling the digits so far they're like hooks going into your sloppy cunt.

"Mmmm,look at your cute face. Making such adorable faces in the mirror for us.." Geto hums in your neck,lapping up with rouge from his bite with his slender tongue. Gojo grips your chubby face in his palm,"Right,look at those pudgy cheeks,just wanna bite em." He releases his hold and goes for a gentle nibble on the fat,almost suckling on it like a baby.

With a loud moan,your hand darts out to get a hold on Geto's hair;an action he revels in,loving the harsh pull on the silky strands. "Feels so good." You stammer. "Yeah? That feels good?" Geto purrs. You nod furiously,too caught up in your own pleasure to chatter anymore.

Geto and Gojo experience the same feeling—their eyes are shut in pure anticipation,their pretty swollen tips throbbing to let out the milky substance. You moan louder at the reflection in the mirror;the glass showing you the two men who are so close to falling off the brink of pleasure. The men who just look so desperate to spill all over your spread form.

Faster,harder,deeper is all the thought your mind allows you to even think. Your fingers are working overtime,trying to get over that brink of sweet ecstasy. With one hard thrust,your essence splays all over the mirror,distorting the clear reflection of the glass.

Geto cums soon after,then Gojo. As they do,they make it obvious the cum is all over your body. It mostly splatters on your thighs and your tummy.

You breathe heavily and look at them in astonishment,"Oh my God..."

You couldn't believe it,couldn't believe cumming in front of people you just met,couldn't believe letting them cum all over you,couldn't believe hearing them call you mate and say things like mate—isn't that really weird? You sit up away from the duo and look at them suspiciously. And again you feel more conscious without their touch on you.  More like you can clearly think and think logically.

"Why'd you wanna do this with me?" It's accusing,the question,it practically spews suspicion if it wasn't obvious enough. Geto reaches to touch your thigh,but you move away. "Don't touch me. I dunno what's going on with you two...but it's weird."

Gojo chuckles,"Aww,cutie are you feeling nervous? It's okay—" You cut him off with a desperate shout,"Answer my question! Please! Why?"

They look at each other for a few long seconds,thinking about what to say. You know they’re probably thinking about some elaborate lie that won’t even begin to fool you. How could you be so stupid? So easily wooed to do something so very intimate with these strangers? God,could you be anymore stupid?

They don’t give you any answers—no,the much bigger men tackle you onto the bed. Their hands grab all and any appendage that could fight back.

There it is again…that strange drossy feeling. It returns with a revenge time,it no longer feels like a light enjoyable feeling. Now it’s overtaking all your senses,stealing away your conscious mind.

“Sleep. You want to sleep. Sleep. You want to sleep.” Both of the voices chant to you,repeating the phrase over and over again. No! You don’t want to sleep,yet the more the repeat,the more they tell you what you want,the more your eyes begin to sag and you no longer see anything more.

Black.

▂▂▂▂▂

“No,Su’ you’re not covering her enough!” The annoyed voice of blue eyed man shouts. Geto huffs,”That’s all we have left in us. We could rub it in to scent her further. Calm down.”

Lips pout out in a childlike manner,”I’m just sayin so we can be careful. So many will probably want out mate,she’s so perfect for pups after all.” A chuckle follows,”You’re so possessive sometimes. No one will want her since we’ve marked her.”

“Oh,I’m possessive? You’re the one who said we should eat everyone just because that little guy friend of her touched her while making an escape. I—“Gojo points to his chest proudly,”just wanted to eat two or three but you got all murdery after he touched her.”

Geto rolls his black irises so far they disappear into the white of his socket,”Whatever. You would’ve ate them all anyways because you’re so damn jealous of others having her attention.” Gojo gasps,offending greatly,”Am not! I don’t get jealous like you!”

Geto laughs amused,knowing exactly how his life long friend works,”Alright,you win.” The white haired man hums triumphantly. Physically saying,”I know that’s right!”

“But are you sure we shouldn’t cum a little more on her?” Gojo cranes his head to look next to him,”No,we have to save some when we cum in her so we fertilize the eggs.” He nods,accepting the answer.

▂▂▂▂▂

When you wake up you’re greeted with the sight of loitering heads hanging above you.

You attempt to yelp only to have a hand roughly clap against your mouth. “Shhh,the yell will only echo in the cave.” A high voice says. Cave? Last time you checked you weren’t in a cave;the last location being a college dorm rooms.

The now known voice of Gojo exclaims,”I’m so happy you’re up though! Me and Geto were getting worried that we’d have to give you pups while you were asleep. Which is no fun cause we can’t hear your pretty little moans like that.” You cringe at his explanation—the thought of being used unconsciously giving you the creeps.

You get more creeped out though,the view of your surroundings not seeming so promising. There’s visible peeled human flesh in the cave,scattered around the stone. And the smell of old iron and rotten flesh takes over your nostrils. Oh God…you fingerfucked yourself in front of a bunch of monsters. And they probably want to eat you next too,just like your friends! Once they’re tired of you, you’re definitely on the menu.

Tears start streaming down your chubby face and your body begins to shake. “Just eat me already! Please don’t play with me and just eat me!” Your pathetic cries are met with laughter. This pauses your sobbing because why are they laughing at you?

“Oh my God! You’re so cute! Eat you? Noo!” Gojo folds over clutching his bare abdomen. Geto joins the laughter,”You’re so silly,we don’t want to eat you! You’re our mate! Imagine that,Gojo? Eating all our future pups like that!” Mate? Pups? These words sound familiar,like the ones they were saying the last time…intimacy happened.

Now that you look them in their true form you see why they chose the verbiage. They have scales matching their hair colors coating all four of their limbs,paired with gills on the neck’s and sides. As they laugh they also show their three rows of flesh piercing teeth. They were definitely some kind of animal like creature. But what?

“So you’re not gonna eat me?” You ask tentatively. Geto nods,”No,we want to make you our mate. That’s why we went through all that trouble of getting you.” Gojo urges in agreement,”Mhm! We just wanna fill you with pups and live with ya forever. And actually,”he lowers his hand down to his bare crotch gripping his already hard cock,”We’ve been meaning to do it soon as we brought you here. But you’re such a sleepyhead we had to wait til you woke up.”

You watch as he gives it a good stroke,looking you up and down as does so. And that’s when you realize you’re completely bare too;with some white milky substance coating your whole body. Another voice joins in,”Mhm,we’ve been dying to get inside you. And I don’t intend on waiting any longer.”

“W-Wait!” You try to protest but it’s no avail,Gojo is already on top of your naked body. Grips and gropes are felt all over from the monster,your chest,your plentiful body,your wide supple hips that sting as his hold won’t get any looser. He licks and bites every fiber in skin in front of him,everything being marked by his rough movements.

Geto comes in front of your laying position,stroking up and down as he watches his companion go feral with his urges. “Warm her up,Satoru. Make her feel good first.” He doesn’t respond verbally,his actions speaking loud enough for him;his mouth moves to suckle on the hard bud on top your breast aching for some type of stimulation.

You moan at the sensation only to be silenced by a passionate kiss from the long haired man. His tongue intertwines with yours creating a languid dance with the pink muscles. Gojo pops off your breast,sounding breathless and needy.

“I don’t wanna wait no more..Wanna be inside.” He whines,already lining up his cock with your soaked entrance. Geto sighs,”Maybe I should fuck her first…I’m more patient.” It’s a loud protest,”NO! Me! Please I want to first.”

You interrupt,swollen mouth readily to spew exactly what you want at this moment,”Just do it. Fuck me.” You don’t know what came over you to say that. Maybe it was their hypnotizing touch? They’re intimidatingly now known power over you? Or perhaps after months of being so harshly ignored you just needed this. Needed to be molded and groomed just to be something again…Whatever it is leads to the man on top of you finally giving into his desires.

With a shaky groan he impales you with his cock. He doesn’t halt nor wait for you to adjust—his urges of breeding being too strong. As he bucks into you he reshapes your legs to his satisfaction,bending them all the way against the fat of your stomach;indulging in the way the soft flesh jiggles with each rough piston of his hips.

“Good! Feel so good!” He howls into the echoing cave. “Look at you,taking it like such a good mate.” Geto purrs,rubbing his now scale textured palm on your soft face. “You see all the faces she makes when you’re fucking her,Saturo?”

“Y-Yeah! So cute!” He thrusts harder into your welcoming cunt,contorting himself to almost nuzzle your face every time he goes in and out of you. You whine and grip onto him,feeling an orgasm coming soon. You face twists into one of awaiting pleasure;the orgasm just teetering away from you.

“She’s about to cum! Go faster!” Geto encourages. Gojo,obliges,each of his harsh thrust definitely leaving bruising marks on the back of thighs and asscheeks.

Every movement is like a symphony—coordinating your final path to pleasure. The instruments? The clapping noises of Gojo prodding your hole roughly and passionately. The applause? The sweet noises you’d let fly past your tongue. And finally with one last shove into you,the orchestrater of your orgasm allowed you to sing his high praises.

You see white,yet Gojo doesn’t stop his hips—No he goes faster until he oozes into you hot white sticky semen. He stiffens for a second then reels back into the cavern,to the point his tip kisses your cervix. He stays in you until an odd sensation travels through your walls.

Orbs or something resembling a sphere fight against the strict wall of your womb. It starts with one,then the second,the the third,and the fourth is when you start to feel the invasion of whatever is being deposited in you.

“W-What’s going on?” Geto leans down and kisses your plump cheek,”Gojo’s giving you his pups. Don’t worry it’ll only hurt when they try to get into your womb,but you’re such a good mate you’ll take all of them.”

“A-All of them?” The reparation doesn’t help with understanding the idea. “All of them! And then you’re gonna take Sugu’s too! Isn’t that great?” Gojo joyfully informs you.

Your brain and body hurts so you simply just nod,pretending like you know what they mean. You’re tired. So tired that you lean into Geto’s gentle cupping of your face,closing your eyes;letting the two beings do whatever they want at this point.

Allowing yourself to be totally and wholly consumed by them.

REBLOGS AND COMMENTS ARE GREATLY APPRECIATED 🫶🏽🫶🏽 tysm for reading

[twoyara]

About how men rape women with “consent”

This post is not mine, but one radfem woman from our community. She works as a sexologist and shared her experience in her work. If you too are a sexologist, or even better, have some statistics on this topic, please share your experiences or links. ---------------------------------------------------------- "When I first started working, I discovered that many men had never experienced the need to refuse intimacy with a regular partner. That is, a man in counseling complains that his partner often refuses him, he attributes her refusals to personal dislike and faded feelings, and when he tries to turn the situation around and remember when he himself had to refuse her, he does not understand what we are talking about. Because he has never had to - he responds to the initiative of his partner every time and considers it a sign of love and attraction on his part.

I heard this very often, I couldn't catch the lie and at the same time I couldn't interpret it. They are not robots, after all, to be available 24/7 at all hours of the day and night?

One day a client in a session literally opened my eyes with one phrase.

She said: “I CAN SEE WHEN HE'S NOT UP TO IT.”

That's the secret. The notorious emotional service. Subsequently, and many other women have confirmed this in a targeted survey: when the desire for intimacy arises, a woman assesses her partner's condition BEFORE taking the initiative. If she sees that her partner is tired, sick, in a bad mood, or preoccupied with something, she does not consider it appropriate to offer sex. I have also heard from many women that in a situation when she can not clearly assess the state of the partner, she prefers to flirt, as if casually get naked, as if accidentally do something that usually arouses the partner. If there is no reaction to this, the woman usually refuses to take the initiative and solves her problems on her own, without forcing the partner to conflict and feel guilty.

Men don't want their partners all the time - it's just that no one gets in their underwear when it's inappropriate. No one forces them to think about sex when they don't want to think about it.

Men themselves don't usually check against anything but their own erections.

They don't care when to offer sex to a woman(the following is a real and far from complete list):

Who is asleep (well, seriously, I don't know any woman who would ever think of waking up a sleeping partner to satisfy her sexually);

who's back from her 24-hour shift;

who just finished cooking a holiday dinner for ten people;

who has a high fever;

who's been vomiting all day;

who is eight months pregnant with a complicated pregnancy;

who has undergone a termination of pregnancy that day;

who is in the terminal stages of cancer;

who's just had a pet die;

returning from the funeral of a beloved grandmother;

waiting for a call from the NICU where their (mutual!) child is (“Let's get a little loose while we wait”) - and so on and so forth.

It may seem like it's a matter of cognitive distortion, that they just don't get it….. But they do. I asked one of them once: does he really think that a person in such a state can want sex? Yes, it is clear that they don't want to, he replied, but I'm just in case - maybe it will work out. I asked him how he would react if it didn't work out, and he admitted that he would be hurt and angry. And that's another “secret” - why it does burn out. Because refusal will inevitably lead to conflict, and a woman often does not have the strength not only for sex, but also for an argument. When he offered sex, she basically can not get out of the situation without damage - either to be raped, or to deal with his tantrums and offenses. And unfortunately, sometimes the first one turns out to be the lesser harm."

[traumasurvivors]

I see a lot of conversations surrounding consent and wanted to talk about it a bit.

When most people think about consent, they think about sexual contexts.  In reality, consent is important in non-sexual situations, too.  You need consent before you borrow or touch someone else's stuff, get in their personal space, or show up at their home.

When it comes to consent, it should be a freely-given yes. This means it is not threatened, guilted, manipulated or coerced in anyway. And silence is not consent. This means that things like "maybe", "I'm not sure" or even flirting are not consent. Consent must be a freely-given yes, and not what you assume is a "yes."

Another thing to consider is whether the person is capable of consent. If someone is high or drunk, they cannot consent. Children can never consent to sexual acts. And consent must always be informed, as in the person knows what they are consenting to.

Consent should also be for the specific thing you're about to do. Someone consenting to kissing does not mean they consent to touching or so on. Someone being in a relationship does not mean they automatically consent to anything else. Consent should also be for this specific time. As in, if someone has consented before, then that doesn't mean they consent this time. A person's comfort level may vary, or they just might not be up to something and that's okay.

With that said, sometimes people have different standards of consent in their relationship. And that's okay. For example, a couple may decide that in their relationship, someone doesn't need a "yes" every single time but is free to proceed unless someone says no. They've mutually agreed that it's okay to assume the answer is "yes". For them, they've decided their consent is 'no means no' instead of 'yes means yes'. Another example in a platonic relationship is that some friends might decide that in their friendship, hugging without asking is totally okay.

One example is that I have people in my life that are allowed to hug me without asking unless I ask them not to. My partner went to hug me when I was upset the other day, and that's okay because he has been told he can do so unless I say "no" and in this case, I did say "no" because I was upset. And he respected it, and we moved on. I let him know when I was up to being hugged again.

However, when agreeing to different standards of consent in a relationship, the same rules apply. It should be a freely-given yes to the new standards, and the person should be capable of consenting. They should also be fully informed of what they are agreeing to.

One last thing I want to touch on is that consent can be withdrawn at any time. Even if you're right in the middle of something.

Consent can be incredibly complicated, and if you are ever not sure, ask. There is nothing wrong with checking in and making sure someone is okay with the situation.

It's especially important to be careful in how you navigate consent with children.  Modelling healthy consent in non-sexual contexts with children helps them understand that their bodies are their own and they have the right to feel safe and comfortable, too.  It protects them from predators as children, and sets them up to navigate consent in healthier ways as adults later in life.

Consent for hugs is frequently ignored with children.  Many children are forced to give or accept unwanted hugs from family members and told they're being rude or unfriendly if they don't cooperate.  This teaches them that their bodily autonomy doesn't matter, and makes them vulnerable to sexual predators.  By allowing children to set their own boundaries around what kinds of non-sexual physical touch they are comfortable with, when they want to receive that touch, and from whom, it helps them learn to recognize and enforce their own boundaries.  Those skills are incredibly valuable later in adulthood when they begin to navigate sexual consent both with their own bodies and with the bodies of their sexual partners.

[fairyhaos]

How To Fucking Write: a guide by fairyhaos

this post details:

ENEMIES TO LOVERS

hi gays and gals! "how to fucking write" is back after a longgg hiatus ^^ this time we're discussing enemies to lovers which is, i think, a universally loved trope! please do send an ask if you have any requests for what i should write advice for next, and do reblog this post if it was helpful for you :)

# - HOW TO WRITE ENEMIES TO LOVERS.

.. bullet point one : choose your e2l

the most important thing when starting is figuring out what type of enemies to lovers you’re writing about. this is mostly semantics: lots of writers/ advice givers will tell you that there’s only one real enemies to lovers (when they’re literally enemies) but personally, i believe that “enemies” can be used as an umbrella term for loads of different relationships.

figure out what kind of “enemies” your characters are. this is by no means an extensive list, but enemies to lovers can include:

literal fighting enemies

(academic) rivals

2 people who snipe at each other a lot

betrayed(????) by one another

…and many other types.

figuring out in which way they’re enemies helps write out their dynamic, and also setting. 

for example, you’ll often see type #1 used in historical, fantasy, battle or mafia settings, where there will be two “sides”, either due to family feuds, country/ kingdom feuds, etc., so their dynamic often feels more serious and more emotionally charged due to history and/or ancestral beliefs that they’ve grown up with.

it’s often seen as the “truest” form of enemies to lovers, because the characters interact with the intention to genuinely hurt each other. this will therefore affect the way you write them, since it has to seem like there is genuine, mutual animosity between them.

example : [court of lies on ao3] — taegyu, enemies to lovers

(holy fuck this is such a bad example but) as you can see, enemies to lovers works well within historical settings, since themes of betrayal, bloodshed and battles lends itself nicely to the trope.

knowledge of how to write fight scenes can be quite useful (fightwrite.net helped a lot with writing mine), along with making sure that dialogue uses action tags that showcase the characters’ emotions. 

type #2, on the other hand, most likely takes place in universities, high schools, and sometimes in offices, where academics are important and it’s less about trying to hurt one another, and more about being royally pissed off by the other person’s presence.

there are certain nuances to how the characters interact depending on what kind of enemies to lovers situation they’re in, which is why it’s important to figure that out first.

.. bullet point two : figure out the why .

next, try to find out the why. why are they enemies? 

it is imperative that you explain their situation to the readers and make them understand why the characters are enemies, and most importantly, why they can’t get together right now. enemies to lovers often goes hand-in-hand with slow burns for exactly this reason.

are they enemies due to clashing beliefs? a certain incident that happened between them, or to someone they know? maybe it’s just repressed feelings?

for every type of enemies to lovers, and for their subsequent settings, there’s often a set list of reasons that most writers use to explain why they’re enemies. 

historical settings often have some sort of feud taking place, or a betrayal. academic rivals focus on, well, academics, but social factors of popularity are often used. and “enemies” who snipe at each other often have very superficial reasons that they dislike one another, such as a bad first meeting or a misguided impression of personality.

the reason doesn’t particularly have to be something as dark and deep as convoluted morals or someone killed someone else’s father. they still need to overcome their enemy relationship and become lovers, after all.

but having a reason helps your readers feel more comfortable that the story will go somewhere and that there truly is an obstacle that’s preventing your characters from getting together at the very beginning. and if that reason is an interesting one, then… well, all the better, i suppose.

.. bullet point three : the friends part

for a good enemies to lovers that has your readers truly invested in the story, the lovers potential has to be there too, even when they’re enemies.

the characters also have to have respect for each other, above all else. if the situation becomes dire, they need to be able to understand one another’s views and work together, or at least recognise that they share some ideas and have moments where they get along.

this will a) make the transition from enemies into lovers more natural and b) create the tension that makes e2l so popular.

the best ways to show these moments are by having scenes where the characters have no choice but to work together, and in that time, begrudgingly admit that the other person isn’t as bad as they first thought.

it could be a group project, them fighting for the same cause for once (against a corrupt/ unfair policy), having to get along briefly due to mutual friends, or any situation where they have to act amicably for once and, most importantly, learn a little about one another in the process.

okay, but yena, how can i write those scenes? what can i do to create that tension?

describe certain actions, mannerisms, and the way that they speak to each other that showcase acceptance and positive emotions. this can come in the form of:

lingering eye contact

them agreeing on something

smiles!!!! 

a pleasantly surprised inner monologue 

dialogue being more lighthearted

A doing something for B without being asked

(this is extra hard mode but) creating an inside joke

…and whilst it is a little shallow, an acknowledgement of the other person’s attractiveness always works really well, too.

example : [my other e2l taegyu fic on ao3]

as a rivals to lovers fic, their dynamic already started off more playful than in the other example i showed, but you can see that their conversation is more teasing, as they become more comfortable with talking to each other normally.

the term “enemies to lovers” always felt a little weird to me, because it’s important to remember that it’s often more like “enemies to friends to lovers”, because the characters need to develop a liking of one another first before they can think of themselves in a romantic relationship.

.. bullet point four : the oh moment

why do they become lovers in the end? 

what is the tipping point? what makes a character realise that they’ve fallen for someone they once believed to be their mortal enemy? do their feelings hit them all at once, or is it a slow build up? and what are they going to do about it?

enemies to lovers lends itself very nicely to the feelings-hit-me-like-a-truck trope and the iconic oh moment. writing the inner monologue is a good way to showcase the exact momene the penny drops. for example, i have a loose “formula” that i like to use when writing oh moments (whether they’re in e2l fics or not):

[dialogue/ action of B as A watches them]

[inner monologue of A showcasing fondness for that action]

[inner monologue of A recognising how their feelings changed over time]

[action from B that solidifies overwhelming fondness and has A surprised by their feelings]

[the oh / oh no moment as the penny drops and A realises what this means]

this is by no means the only way to write out a “feelings realisation” scene, but it works very well, because the inner monologue can use varying sentence structures and a bunch of metaphors and figurative language to build anticipation.

example [venus and sun on ao3] — seoksoo, friends to lovers

this extract essentially follows the outline i described, and seokmin’s acknowledgement of joshua as sweet refers to how he had previously known little about him, merely referring to him as “nice” before their relationship gradually built up to that moment.

for a really effective oh moment, the characters need to have a chance to reflect on how their relationship has developed. they need to be able to notice their growth and draw their own conclusion from there.

.. bullet point five : be careful . 

finally, some precautions.

with enemies to lovers, the whole attraction is the tension between the characters, the original animosity that is actually hiding their repressed feelings. but they still have to fall in love at the end, despite what they put each other through.

do not make them do something that they can’t take back.

this is quite important with enemies that physically fight each other. giving near-fatal injuries, or paralysing or physically disabling them (again, fightwrite.net is useful in giving info in this) is definitely not good lover-material. 

unless the injuries were given when the character was (maybe magically) influenced by someone else, or your characters are traumatised enough to be able to accept each other despite everything, then it’s a good idea to stay away from severe injuries that they inflict on the other and focus more on tense dialogue and opposing beliefs.

however, it’s still equally as important to be careful with emotional hurt that characters cause one another too. don’t make a betrayal too unforgivable. 

as a writer, you have to be empathetic: think from your character’s point of view. constantly ask yourself if character A will be able to forgive character B if they do something. ask if they can still fall in love with character B if they hurt them in some way.

if they can’t, then you know you’ve gone too far, and you need to dial it back.

and as a somewhat obvious but still just as important sidenote: e2l based on stockholm syndrome (captor x captive situations) or bullying to lovers is never okay. the power imbalance along with the trauma that can be developed from that means that it is not a healthy, viable, good relationship in the slightest.

never have your characters do something that you’d feel uncomfortable being the receiving end of. they’re meant to be lovers, remember? even when they’re not there yet, the characters should still treat each other with respect.

…unless, of course, you’re looking to write a somewhat toxic/ unhealthy relationship. in which case, by all means.

... and that's it ! if anyone has anything else to askt hen just shoot me ask, because i'd love to help however i can :)

taglist (send ask to be added!): @mesanthropi @stqrrgirle @weird-bookworm @blue-jisungs @eternalgyu @yumilovesloona @lvlystars @luvjoshuahong @kikohao @maesvtr0 @cxffecoupx @bleepbloopbeee

[mouwrites]

the creeps!!

how about... creeps x reader who is having a ptsd response due to something/someone from their before life?

your choice!

EEE thank you for giving me a little freedom with this one hehe, you're a doll <33 (hope these are okay; I realize these aren't exactly "comforting" but these guys are messed up,, I don't think you can really expect comfort from them lol)

!!TW!! for depiction/mention of PTSD! Proceed with caution lovelies!!

Creepypasta/MH: How They React When Your PTSD is Triggered

Characters: Jeff the Killer, Clockwork, Jane the Killer, "Ticci" Toby, Tim/Masky

Jeff the Killer

I'm going to be so real with you, his first response is not going to be to comfort you

He is going to kill whoever triggered you, or burn it if it's not a person

You can try to stop him, but he's not going to

Honestly he might lowkey be making it worse, doing it right there and then with you watching

Well, he'll probably tell you to close your eyes and plug your ears first

(But if you want to participate, he'll just say: "let me do this for you, babe.")

All you'll know is that one minute it's/they're there, and the next Jeff is taking you by the shoulders and leading you away quickly

Just ignore the char/blood on his hoodie

He'll ask if you want to talk about it while you're walking

If you decline he'll ask again when you're back home

While he doesn't really need a reason to kill for you, he still wants to know what that scumbag did (or just what happened)

If you're mad at him for what he did, he's not going to care

In his eyes, he did the right thing, and he's not going to apologize for it

Anything that hurts his love deserves to perish, if not for their sake then for his

He can't stand the thought of someone/something that makes you unhappy existing in this world

If you ever stress about it again, he will actually focus on you, holding you, consoling you by repeating "they're/it's gone, they/it won't hurt you anymore..."

There's an eerie smugness to his voice as he says it...

Clockwork

I feel like you guys would've already talked about your trauma

She's prone to attacks too, so it was a mutual discussion about triggers/what helps/what doesn't

So she knows exactly what's going on when you're triggered

Her first concern is you, trying to quell the attack before it gets too bad

She'll do something you told her helps ASAP

It'll make her feel better if you let her stay with you, but she understands if you need space

What she'd really like is to hold your hand and get your mind off of it by talking about something else

She'd be fine if she was the only one talking

Just as long as you're showing signs of improvement

When the attack is over, she'll give you time to process it

But eventually she will want to bring it up again

Specifically, she wants to make plans to... uh... "eliminate" the thing that triggered you

And those plans will be vividly detailed

If you don't want to take part in that, she'll make them (and execute them) herself

She just thought you'd wanna take part; I mean, it's how she """solved""" her trauma

She won't follow through if you explicitly tell her not to, but otherwise she operates under the assumption that this is a plan, not a fantasy

When you have another attack, she won't talk about how it/they can't hurt you anymore; she'll just focus on doing the things you said helped

Jane the Killer

She's pretty good at observing people, so I think she'd be able to sense your attack early on

Even if she doesn't know about your PTSD

The first thing she does is remove you from the situation, wrapping an arm around you and rushing away

She sends the meanest scowl to anyone who looks at you funny while you go

Then she focuses on grounding you; she's not too good with feelings, but she's logical enough to try and figure something out to help you

She won't talk much; just an occasional "breathe with me" or "focus on me" while she holds your hands and maintains eye contact

It doesn't show but she's actually so nervous, she has no idea if she's really helping you

She'll be right there with you through the worst of it, and she'll be there if you want to talk after

She will want to know what caused it, if she hasn't figured it out already

I honestly don't think she'll want to "eliminate" it/them

But she will talk the nastiest, goriest, most illegal shit about it/them

She gets all giddy when you grin about it too; internally she's going yeah!! made them smile!! (happy dance)

She'll try not to bring it up intentionally, but whenever it does come up she makes sure to express her strong distaste

If you ever actually want to... take care of things, she'll help with the cleanup, but she'll want you to have the satisfaction of planning and doing it yourself

I mean, she dreams of having that satisfaction herself (looks at Jeff)

Regardless of whether or not you want to do something illegal, ultimately she respects that it's your trauma and you get to deal with it however you like

"Ticci" Toby

Murder. Arson.

Literally his knee-jerk reaction

He just looks between you and the suspected trigger, points a thumb in its direction and says: "Want me to kill that guy/light that thing up?"

If you say yes he'll do it straight away; he doesn't care who's watching

He'll ask if you want to help first though ofc

Then he'll run away giggling like a second grader, grabbing your hand on the way

When you slow down he sighs satisfactorily, saying how fun that was

If you're still distressed (or if you refused his earlier offer), he finally takes notice of your emotions

He'll ask you quite bluntly what's wrong

When you explain it to him, he just nods solemnly

He knows from experience that having a rough past sucks, so he understands completely

If you haven't already he suggests that you "take care of it"

But if you agreed to murder/arson earlier he just grins again and says "Well then it's good that we did that back there!"

If you ever have an attack again he'll either remind you that the thing/person is gone, or he'll nag you about "taking care of it"

He'll begrudgingly put an arm around you though when you don't immediately calm down

He might offer you something to fidget with, too; that always helps him when he's anxious

Just try not to be too alarmed when it's a box cutter or a butterfly knife or something weird that he puts in your hand

Tim/Masky

I feel like he'd be a little awkward when you start to panic

He'll panic a little too, asking what's wrong and if/how he can help

He'll do anything you say, but if you're unable to respond he just puts his arm around your shoulders and takes you into another room

He'll hug you against him, patting your back awkwardly while you process the attack

He doesn't know what else to do :(

He probably realizes what's happening after a few minutes, and he only gets more awkward when that happens

He sucks at dealing with his own trauma; he is literally the worst person for you to be with right now

At least that's what he thinks

When you start to calm down he asks if you want to talk about it, but then immediately curses himself for asking such a stupid question (he doesn't even want to talk about his trauma; why should anyone else? (just his thoughts))

If you do want to talk it turns into a very deep and candid discussion in which you both open up a bit

He'll ask if there's anything that helps at all

Honestly he's asking for you as much as himself; he'd love to try anything that works for you

I don't think he'd suggest or condone killing/destroying the trigger; from his experience that just brings more issues

He'll basically just tell you "yeah, it sucks, and we just have to deal. Which sucks times two."

Very helpful, thank you Tim 👍

At least he always holds you whenever you have an attack <3

Thank you so much for this request!! And thanks for reading, take care sweethearts <33

(divider by saradika)

[txttletale]

Hi! I have a question to ask you, someone who seems well versed in Marxism and its philosophy, over something that personally confuses me: is there a meaningful difference between materialism and objectivity? The way I've seen the former explained usually just makes me go "Oh, so it's really just about being objective", so I don't really understand why we need another term for it.

i actually think that there is -- at least in the marxist sense of materialism -- a huge gap between being 'materialist' and being 'objective'. a big part of the historical materialist rejection of idealism is the rejection of the idea of timeless, objective truth independent of its observer and context: as engels puts it in socialism: utopian & scientific:

As each one’s special kind of absolute truth, reason, and justice is again conditioned by his subjective understanding, his conditions of existence, the measure of his knowledge and his intellectual training, there is no other ending possible in this conflict of absolute truths than that they shall be mutually exclusive of one another.

the marxist perspective is inherently suspicious of objectivity, because the marxist analysis of society is cognizant of class struggle. because the goals of the bourgeoisie and the proletariat (or the king and the peasant, or the slaveholder and the slave) are diametrically opposed, there is very little that can be said to be 'universal', because the system of values that benefits one class is to the detriment of the other. marx summarizes this thusly in the german ideology:

For each new class which puts itself in the place of one ruling before it, is compelled, merely in order to carry through its aim, to represent its interest as the common interest of all the members of society, that is, expressed in ideal form: it has to give its ideas the form of universality, and represent them as the only rational, universally valid ones.

so the basic premise of historical materialism is that ideas (i.e. 'truths') arise from the material conditions in which they are developed. there is no such thing as an objective perspective because every perspective is situated historically in a particular time and place and set of social relations. claims to 'objectivity', then, are at best suspect, staking a claim to universality that erases class divisions and historical context.

marxism is not an 'objective' framework--it is proletarian, built from the standpoint of the working class and imperialised peoples around the world, and built upon and adapted for dozens of different historical circumstances by different leaders and thinkers. materialism is in opposition to the notion of objectivity, then, because materialism recognizes that all ideas (even one's own conception of materialism!) are ideas that stem out of dialectical interplay between not only previous ideas but the material and social conditions of the people who have those ideas. ideas and thoughts cannot be 'objective', under the materialist view, because to separate them from the context in which they arose is to distort and falsify them in the pursuit of universality.

[shikiii-skadi]

Oooh~ I saw: what they would they act like if they had a crush with some fate characters. Would it be possible to get some ones with Artoria pendragon, Penthesilia, Caenis, and Martha?

includes: artoria pendragon (saber), caenis (lancer), penthesilia (berserker) warnings: none

Artoria Pendragon:

Artoria takes pride in the close bond you and her share as Servant and Master, as she believes that unconditional trust is one of the most important aspects of your relationship.

She wants to protect you and is always ready to sacrifice herself if necessary.

Artoria always respects your wishes and would discuss everything with you beforehand. And she expects that in turn, you would do the same for her.

In the beginning, when her feelings for you develop, she is somewhat oblivious to her own feelings. She would think it's just because of your friendship and master-servant relationship.

The moment she realizes her feelings, it hits her like a truck. It wasn't even that it was anything special that you did or said. It was a simple smile you gave her. Artoria could feel her heart beating faster and the desire inside her to see you smile like that forever.

Artoria felt a little more shy around you after this realization.

She is worried that feelings might interfere with your Servant-Master relationship, but ultimately she knows that you have a strong bond with each other based on mutual trust. Even if she confessed her feelings to you and you didn't feel the same, she was sure that your friendship wouldn't change. So she would take the plunge and confess her love to you.

Penthesilea:

Penthesilea was very conflicted by her arising feelings for you, it would take her a good while to acknowledge them and even longer to accept them.

Penthesilea is a warrior. Her worst trauma was being called beautiful instead of being recognized as a fearsome opponent. The world would have to end five times before she would even think of swooning over you like a pure maiden.

It would take a lot of time and patience from you and a few other more empathetic Servants to make her realize that love doesn't make her soft or “feminized”. She is a berserker, you will have a tough time getting through to her in that regard.

She generally treats you the same way as before, she sees no reason to treat you differently just because she is in love with you.

Despite empathetic words from others or enough time to fully understand and accept her feelings. Penthesilea wouldn't confess her feelings to you first. You could be the most oblivious person in the world or simply not have the courage to confess, she still wouldn't give in and make the first move.

Caenis:

Another one who would not acknowledge or accept that she had caught feelings for you.

To catch her attention, you will need to have a strong character. A strong goal she can resonate with, or the ability to withstand everything that comes your way no matter how dire the situation may look.

Caenis is very blunt and straightforward. If she thinks something you thought of or did was stupid, she will tell you straight away without masking her words, even if it might hurt your feelings.

She is in general pretty rude to you. Part because it's just who she is and another part because of her denial of her growing fondness for you.

If Caenis confesses to you, it would be an angry confession, that was not planned at all. For example in the midst of battle, an opponent servant nearly killed you, causing Caenis to fall into a stage of complete fury. First, she would kill the servant, not leaving even the faintest fragment of them intact, while screaming at them how they could dare to hurt you and every known curse word.

After that her fury would be directed at you. Telling you very harshly how stupid you were and that if it wasn't for her, you would be dead by now.

Honestly, you probably don't have either the time nor the state of mind right now to fully process what just happened.

[queensunshinee]

Time Of Our Lives || Part 20

warnings: SMUT! 18+!, dirty talk, p in v sex, oral sex, fingering, praise.

Part 20:

There was silence. Liana wasn't sure how long they stared at each other in silence, but it was too long, and she so desperately wanted to stop looking at him and die a slow death filled with agony, suffering, and embarrassment because that was obviously what awaited her in the coming hours.

She was supposed to share a bed with him after she asked him if he wanted to fuck her, and he basically said no. Well, he didn't say anything, which might have been even worse.

"Forget about it. It was just hypothetical about random people," she swallowed, and Art nodded. "As a concept. Like in that movie with Mila Kunis and Ashton Kutcher," she continued rambling. "Justin Timberlake," Art said in a voice she couldn't quite understand. "What about him?" she asked, desperately trying to change the subject. "Mila Kunis and Justin Timberlake. Ashton Kutcher is another movie," he explained. Neither of them moved their gaze. Liana was afraid to blink. She felt like she was in some stupid game, and the first one to break eye contact would lose and end their life in seppuku out of sheer embarrassment. "Oh," she had nothing else to say.

"Ask again," Art suddenly said after a few more seconds (maybe minutes, maybe hours, maybe days, how long had they been standing in this room?). "What?" she swallowed again. "Liana." His voice was authoritative. They both knew she couldn't escape this. "It was nothing," she tried. She really tried. Why did he have to humiliate her and couldn't just let it pass? Why couldn't they wait a year or two and just laugh about it together? Why was the joke always at her expense? "Liana." The same tone again. He wasn't going to let it go, and he was taking his time to torment her slowly. Why was it so hot in this room?

"Do you think people can fuck without commitment?" she asked after a few more seconds of silence. "That's not what you asked." He leaned on the dresser behind him, losing patience with the girl in front of him. "Put on your big girl pants that you had on five minutes ago and ask again," he said. "If you heard me, why do I need to repeat myself?" she crossed her arms under her chest.

"Okay, if you can't finish the pitch properly, then the answer is no," he rolled his eyes and sighed. Art was getting annoyed with the situation. It didn't make sense that she was doing this. After five years, she gave him a taste of something and then took it all back in a second. She wouldn't let him savor it.

"Why are you angry with me now?" she sounded confused. "Because you're talking in circles instead of saying what you want when you know for sure that the moment you say it, you'll get it. Who's afraid to ask for things when they know they'll get exactly what they ask for?" he looked at her, raising an eyebrow. There was a hint of frustration in his voice, but he managed to keep his cool. He managed to be the more authoritative person in the room without losing empathy.

All Liana could think about was how attracted she was to Art when he spoke exactly like that. When there was a hint of disdain in his voice. A mutual understanding of the power dynamics. Until now, she had decided the dynamics between them, and the moment she gave him an opening, Art grabbed it with both hands, and only he knew how much he intended not to let it go.

"Let's just go to sleep," he rolled his eyes again and moved towards the bed, passing through her as if she wasn't standing there at all. "Art. Wait, come on." She grabbed his hand, and he stopped. They both breathed heavily. He gently ran his fingers over her hand, feeling her pulse and realizing how fast her heart was beating.

Let me in Let me in Come on

That was all he could think about. He needed it to come from her. He needed her to ask, to tell him she wanted it. Otherwise, he'd ruin everything. The entire past year would go down the drain. He couldn't allow their relationship to regress because he misunderstood the dynamics. He couldn't let her ruin what they could be together for a fleeting whim.

"Do you want to try it? The friends with benefits thing?" If it was possible, her heart beat even faster.

Art pressed his head to hers, their foreheads touching. This was the closest he'd been to Liana in the last five years, and his level of self-control was inspiring if anyone knew what it took from him right now. "How will we do it?" he asked. His voice was hoarse and raspy, but outwardly he still showed complete control. As if at any moment, he would detach from her and go to sleep. As if she needed to convince him. To sell him that fucking her was a good idea. He felt almost cruel. Almost sadistic, making her do it. But he needed to hear her talk about how much she needed him. How he was the solution for her right now. How he could give her something no one else could.

"The benefits part is pretty self-explanatory," she mumbled, closing her eyes. "The friends part we're also okay with," Liana added. "We can fuck whoever we want without questions or vetoes, and if someone says the arrangement no longer suits them, we forget everything and go back to drinking wine and playing Scrabble on Thursdays," she took a step back, and Art sighed. A bit angry at himself for showing how much the break in contact bothered him.

"You can't sleep with Patrick, though," he stated. Not asked. Making her raise an eyebrow. "Okay, so you can't sleep with Tashi," she quickly added her own condition. "Tashi and I never slept together, and we don't plan to sleep together anytime soon, but fine," his voice was amused as if he wanted to ruffle her hair because she was so sweet in his eyes. Liana considered kicking him in the balls for being such an arrogant bastard.

"I'll cancel everything, watch out," she said the only thing that came to her mind. "Uh-huh," another amused remark. As if he didn't care at all about what she was saying. "Donaldson!" she crossed her arms under her chest. "I still want wine and Scrabble on Thursdays. If that gets canceled, then the sex thing is also off," he continued while she looked at him as if he were crazy.

"Art," she swallowed and looked at him with a slightly different expression. He recognized she was more serious now. "It can't be like five years ago. You can't use this against me, okay?" she said, and Art wanted to die when he saw how much it stressed her out to tell him that.

"I'm three times more desperate for this arrangement than you are. The only one who can use any of this against anyone is you, Liana," he said sincerely, and she nodded. "So let's do it," she extended her hand for a handshake and smiled sweetly. "Are you for real?" he asked with a smirk on his face. It didn't make sense that she was so cute about such a sleazy deal. It just didn't make sense. "Shake my hand already, Arthur," she said, and he grabbed her hand and pulled her towards him. Their breaths mingled as both their eyes closed, and Art's lips brushed against Liana's. At first, there was a tenderness and almost shyness. As if it was the first time either of them had any human contact with any other person. After a few seconds, the kiss became hungry, and there was no battle for dominance because it was clear to both of them that Art was taking control from here. The moment his tongue asked for entry, Liana would part her lips and allow him to enter and explore her mouth from the inside.

And within seconds, one of his hands was on Liana's waist, and the other roamed over every part of her body. If Art could, he would touch all of her at once. For a moment, he didn't know what to focus on. Just the thought that after five years, Liana was his again, and he was allowed to touch her, could bring him to the edge.

Neither of them knew how, but her shirt found itself on the floor, and Art's lips began to trail small kisses on her neck as he guided them both to the bed, where he threw Liana. Taking a few seconds to look at the woman in front of him, half-naked and smiling shyly.

His. His to do with as he pleased. His to decide what he wanted. His. His. His. Liana was his. And with those thoughts, his lips were on hers again, and one of his hands was on her right breast, playing with her nipple. He pinched, squeezed, and held it fiercely, somewhat punishing for all the years he couldn't do exactly that. She moaned into his mouth, and as strange as the sound was, it felt as if he'd heard her moan just two days ago.

"Fuck, Art," she mumbled in a half-moan as his mouth was on her neck again, "You can't leave a mark," it was barely audible, just breaths, but Art understood her and in response, his teeth found a spot under her ear. Just to show her that if he wanted, he could, and she wouldn't say anything because here she was, not saying anything, just breathing and trying to touch him back. But he didn't leave a mark on her neck. No matter how much he wanted to claim his territory. He decided he'd leave marks elsewhere.

His lips descended slowly, cruelly, little kisses on her collarbone. He lingered on one, adding a nibble. "I'm going to leave so many marks on you, Lia. You'll be covered in them," he said, returning to the same spot. All Liana could manage in response was a mumbled, sultry plea.

"Please," she moaned again. Neither of them knew what she was asking for, but Art had already moved to the other side of her collarbone, taking his time on another spot.

Then his lips halted above her breasts, all the while playing with her nipples. He made sure not to neglect either, giving equal attention to both the left and the right.

"You seem like something's bothering you, Liana. What is it?" he teased, knowing she couldn't answer him now; she was in a world of her own.

"You're wearing too much," she mumbled, opening eyes filled with tears of pleasure that blurred her vision. She wanted more of him. She wanted to consume him entirely, above her, beside her, within her. She wanted Art Donaldson in every way he would allow her to have him. "Need more," she mumbled, and his lips covered her left nipple, making her moan as he growled into her chest.

Art rose above her despite the physical pain of pulling away. Liana's eyes were on him as he took off the pants he'd been wearing just minutes ago. He raised an eyebrow, waiting for her to say something.

"More," she said, biting her lower lip and playing with her own nipple. What a sight. If Art died now, he'd die happy.

He removed his boxers, presenting her with his erect cock while Liana surveyed every inch of his body.

"Do you want me to do a little spin or something?" he joked, trying to regain some control. "Are you waiting for an invitation to take your pants off, or are you just going to lie there and order me around?" he asked, restoring the balance to their relationship.

Liana nodded and lifted herself enough to remove the pants she was wearing, staying in a tiny black thong.

"Leave that on," Art said as she was about to remove it too. He couldn't believe what his eyes were seeing but wasn't entirely surprised. "Such a good girl with underwear like these, what am I supposed to do with that, Lia?" The playful tone returned as he started to plant wet kisses on her stomach, making her moan at the compliment.

Her panties came off with his teeth, after he didn't spare her any comments on how wet she was.

"Look, Liana." He brought them close to her face, and when she moaned, she brought her mouth close to them, opening it, but Art gently tossed them onto her nose. "Are you happy?" he asked, and she nodded. "Of course you're happy. You're so wet you'd come from just one finger inside you." Another moan and growl. Again, her chest arched that Art had to steady beneath him. So needy. So beautiful.

His mouth was on her clit in a sharp movement, along with two fingers inside her. He wasn't wrong; her first orgasm came within seconds. She had been so horny in recent months. So in need of touch, and Art provided it superbly. Art was here to fulfill and respond to everything she needed from him.

"I need to ride you. Please," she mumbled, opening her eyes, returning to reality from her orgasm within seconds.

"Who am I to deny you what you need," he replied and moved off her, sitting on the bed beside her, leaning against the wall.

Liana climbed onto him at that moment. As if she hadn't yet recovered from the high, she began to rub against his thighs while his large hand grasped her ass.

"Fuck," he said, turning his gaze away from her for a moment, but she made him look back at her with her hand. Her other hand found his mouth, inserting two fingers he took deeper, showing her he would take whatever she gave him. Another moan, at this point, it was hard to tell who was making more noise. Who was more desperate.

"Stop being a tease," Art lost his patience. "Or I'm fucking you the way I want." He stated, and as he said it, in that voice she loved, she inserted his dick inside her. Not even slowly. Not allowing herself a moment to adjust to the feeling of fullness. She felt filled with Art Donaldson, and it was the best feeling in the world.

"Move, Lia," Art smacked her ass, bringing her back to reality, and she began to move, initially forward and backward slowly, making him release sounds she didn't remember from him. "Just like that, good girl. Faster, Liana," he released more incoherent commands. She shoved her breast into his mouth to give him something to occupy himself with. He moaned into it, not taking his eyes off her as she picked up the pace, moving up and down.

"I'm close," she managed to say. The fingers that had been in his mouth and then visited hers were now playing with her own clit as she rode him. Both were covered in sweat from the effort.

"Me too baby," he said into her, sounding muffled from her chest, making her moan because he had again decided to bite her sensitive nipple.

"It's okay, I have an IUD," she said, and his growl was deep and throaty as she felt the heat of his release deep inside her while she contracted around him from her own orgasm, thanking God for the decision to get an IUD after the abortion.

"You're perfect," he mumbled as she slowly moved off him. Her body was limp, and she couldn't talk and breathe simultaneously.

"We need to shower," she mumbled and giggled in response. "In the morning," he replied.

Both had their eyes closed, knowing there was no chance they would move from current position.

Art's alarm clock was set for 5:45 AM, waking him swiftly. He hit the button, hoping for a moment before Liana woke up too. His hand rested on her chest, his head nestled into her neck, their legs entwined. Art couldn't stop smiling, feeling like a fool. He wanted to lie to himself and say he always woke up like this when a woman slept over, but the truth was, Liana was the only one he woke up with this way. No matter how much sex he'd had in his life, the sleep and his need for touch afterward were only with Liana.

Amid these thoughts, he realized his cock was hard, demanding to be inside her again, as if she might disappear from his life once more. Slowly, while she was still asleep, his mouth started placing gentle kisses on her neck, where it had rested before. His hand played with the breast it was already on.

Liana woke with a moan. "Morning," she mumbled. "Mmhmm," he replied from within her neck. "What time is it?" she managed to ask without turning to face him, giving him more room to scatter his kisses. "Early," he replied. "Need you like this," he explained what was happening. "Yours," she simply said, and he growled in response. How could she say something like that so effortlessly? "Mine," he said softly. Both of their eyes were still hazy from sleep, and her hand started moving up and down his dick. Another growl. "Fuck, Liana, just like that," he said. They were both too lazy to move, but his hand was already between her legs too. Their moans mingled, and he turned her face to him, giving her a deep kiss as he did. "God, Art," she mumbled into him, and he bit her lip, holding it between his teeth and releasing only when he couldn't stifle a moan.

He moved her small hand from his dick and slowly slid it where she needed him most, hearing the most beautiful sigh he'd ever heard. Everything about it was needy, gentle, slow, and sloppy, and neither of them cared. Liana was drunk on his cock. She could do anything he asked of her right now, in this exact state; wet, lazy, and under the influence of his dick and large hands holding her tightly.

"You feel so good, Lia. So tight and wet, fuck. You take me as if you were made for me," he said into her ear, and all she could do in response was breathe deeply and tighten around his cock. "Thank you. Thank you. Thank you," she mumbled, and Art was sure he was hallucinating. He growled so loudly, in such a low tone, he thought he might pass out for a moment.

"Are you thanking me for fucking you?" he asked in that voice she loved, and she wanted to see his face, but she couldn't because she was facing away from him. "Feels so good, Art," she said, and he felt her come around him, making him come too and stay inside her for a moment longer, not wanting it to end.

"Hey," he said after he pulled out of her, and she turned to face him. He moved some hair from her sweaty face. "Hey," she smiled and kissed him, making him close his eyes for a moment. "I need to get warmed up before the match. You can sleep a bit more, but don't miss breakfast," he kissed her forehead as he stood up and headed towards the shower.

And while he was showering, he wondered if Liana knew this wasn't what friends with benefits looked like; This wasn't how you acted if you wanted to have sex and move on as if it never happened. This wasn't how you kissed. This wasn't how you hugged. This wasn't how you fucked.

That day, with Liana sitting in the stands, Art played the best tennis of his life. Two levels above his average, against an opponent all the bets said might defeat Art from the first set to the last. All the commentators trying to explain Art's moves didn't know he was invincible when Liana Levy slept in his bed and then sat in the stands watching him.

And while Art played, there were other eyes that didn't leave Liana, ones that were hard to miss in one of the rows in the stands- Patrick Zweig. He saw Art's performance and, with the necessary caution, understood what was happening around him. He understood that Liana hadn't lied when she spoke to him in the parking lot. She was Art's now, and all Patrick could do was become better. Become worthy again.

Well, hello there. How are we feeling??? I can't believe it's part 20 and you guys can still stand me. It's basically insane to me. I'd like to hear your thoughts about the chapter, so pls pls pls comment and DM me. 

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[the-sinful-voice-witch]

I love JAYSTEPH, hear me out! 🙌:

The Robin who died by the fans and the Robin that resurrected by the fans... Is so poetic yet some people is against it, but I just fell in love with them and I want to support this ship after I was finally able to let go Timsteph and I know theres people who will be Timsteph forever and others that strongly dislike Jaysteph but I think there's more people that are just simply unconvinced so I have nothing to lose if I play business woman and try to sell this potential romance to them, it deserves a chance! Let's see the arguments against it that didn't convince me first:

Steph becoming Barbara 2.0... (what a bat-list she had: Dick, Jason, Tim in a video game and fucking Batman 💀 got her pregnant once, but I didn't disliked it when she was briefly with Luke fox) But the only options for Steph that are bat family members aside Tim are Cassandra and Jason because... Dick, Damian, Duke, Luke, Kate, Barbara 😂? Eh NOPE. And even if Barbara and Jason had a thing once it was doomed from the beginning, Babs and Jay only had in common being Joker victims and Babs follows 100% Batman's ideals (while Steph mindset allows her to understand better Jason's point). Also I think Jason idealized her, it felt like they weren't on the same "level"(Timsteph has the same problem, Steph used to kinda idealize Tim too),but with JaySteph feels different, I think they would see each other as equals, the vibes I get are that they could relate to each other better. Not to mention that if they start a relationship now it won't be the same as another Robin-Batgirl attempt, remember that when it was with Babs it was described as a long term crush he had on her (like Dick) while with Steph not only she was also a Robin (that went through a similar struggle as him), first she was Spoiler, her own independent vigilante persona (with a background Jason could totally relate with) that was 100% unrelated to Batman before she even became a Batgirl (a heroine that was independent from Batman but was inspired on him unlike The Spoiler) and currently she uses both Spoiler and Batgirl titles, in anycase this would be another Robin-Batgirl situation if it was with Damian, because Steph was Damian's Batgirl (they even reminded Dick his olds days with Babs) but he was 10 and she was 18 so obviously NOPE. The relationship would start NOW as their current selves by realizing mutually how much they understand each other better than anyone, they aren't joined by the Joker they would be drawn because of their personalities and the struggles they had with their own families and the rejection they suffered from the BAT-family (at different times but the struggle is the same). This is something neither Tim or Babs can fully understand.

They're like "siblings". Ha! NOPE. Strongly disagree. They aren't related biologically or legally and Steph isn't even in Bruce care like Duke, she is basically... " Your kid's best friend who eats your fridge food" and with the issue about her dating Tim's brother, some people who pulls the sibling card are completely fine with Steph being with Cassandra... So dating Tim's brother is not ok but is ok to date his sister? 🤨 And bringing back the first argument the only ones I see as Steph's 100% sibling figures are: Barbara who is the big sister figure and acts like one and Damian who is indisputably his annoying little brother but why is Jason seen as her brother? Because of the banter? That doesn't immediately make you a sibling, you know friends to lovers and rivals to lovers and enemies to lovers also have banter right?

Their respective most popular ships in the past: for Tim I already made a post about it and Artemis... I totally understand Jason 🥵😍, between her and Ravager I prefer her because Rose seems to be more like a very good friend with very sexy benefits but with Artemis there's more emotional connection... But my issue with her is the immortality factor (i mean the fact that she won't die of old age, she being hundreds of years old I don't care) and that Artemis deep down has too much "independent" Vibes, I mean that I don't see her wanting the long term relationship, she can't have it anyway because of her immortality. And there was the problem that it was perceived as another Amazon-bat attempt in a "trinity"(with bizarro) and as much as some people liked wonderbat (not me, it was a bit awkward) in the end it doesn't work well (look at Damian and WonderGirl Cassie in DCeased).

Some sort of fantasy about an "age gap", this one is ridiculous. Some people believe that Jason is super old for Stephanie... Well in that case Stephanie was way super old for Tim too 🙄, I'll just get to the point: Jason died at 15 and only lasted dead 6 months, Tim became Robin at 13 and Stephanie is one year older than Tim, they met when he was 14 and she was 15 so... Do the math, is being one year older than her TOO OLD??🤡 one year and half maybe? If we count the 6 month dead. I mean I know he sometimes looks older because of the way they draw him, like a huge muscle chunk and sometimes he has a beard (ajj I hate beards). And yes, I know they changed their ages currently but at much he is only TWO years older than her and she is over 18 or 19 so... Like I said the age gap argument is a fairy tale.

"They never or barely interacted before", just what kind of argument is this?🤡Do you want Steph to only be attached forever to the Batgirls and Tim or just be alone? Jason has been more allowed than her to interact with other people, how unfair but the point is... they'll have to start someday don't they!? Or just because they barely interacted in the past it means they can't interact more in the future? Is really that unbelievable that they could start hanging out more often and bonding? Is that weird? Have you never suddenly talked with someone you know but you barely interacted before and realized you had more in common with them than you thought? That's something extremely normal to happen! I don't see how it would be out of place with Jason and Steph 🤷‍♀️.

Now let's see how this ship started and it's potential:

The ship existed before they actually met, people already shipped the possibility: the two failed dead Robins and (yes I'm counting Steph as dead because her dead was meant to be permanent), but they never met before the new 52 reboot and when it actually happened... It was a classic not very relevant banter, the second time he was impressed with her with how she dealt with the Scarecrow and after that there was barely interaction... But then we got these exactly interactions that made me ship them very hard, passionately and strongly in Task Force Z:

ok, I'm an anime consumer, this kind of tiny details affect me very seriously, when you are used to see relationships in comics where the couple simply jump to sexy time right away and suck face hard and fall in love or feel attracted instantly we forget about the little things that makes us blush with yearning... you know, the moment something changes in how you see someone even if you still didn't noticed it and you just feel funny and don't know why. In this comic panels the relationship is not romantic and hasn't even begin being romantic, they aren't in love or are feeling attraction yet and that still remains to be seen but what is happening here is a change, is a start! Is the beginning and they way he reacts to her really get me fangirl squealing LOOK AT HIS FACE!!! Specially when she touches his wounded cheek... You can't convince me that this guy isn't touch starved and not so used to receive affectionate touching 😭, suddenly after a big beating he received Kindness from someone unexpected but that we all know... relates to him better than anyone in the bat-family but the best part is that she isn't there to just pamper him a little she just decided to have a nicer approach to him, she gave him coffee, she treated his face wound and she gave him a talk of tough love, she doesn't take his side 100% but she let's him know she is still a friend and then the last pages of the issue:

She was the only one who wanted to say goodbye because once again she understands him and because of that she is more tolerant and forgiving towards his actions than the others while still not being dumb and knowing he still is up to trouble and again... The little touches always get me, the way she caresses his hand with the plane ticket gets me screaming more than their hug 😭😭😭 ah this is also their first hug! And I'm kinda pissed because the height is WRONG! Jason is taller than her! It shouldn't look like she is hugging Tim😒.

All right now my official points about why I love this potential relationship:

This is very important, this needs to be a SLOW BURN, I know jaystephers, I know you want kisses and hot moments but NOPE, that can't happen anytime soon, first we need a lot of little details and little touches, emotional conversations that don't end in kissing but in hugging, a lot of little meaningful looks and gestures, we need the rest of the fans that are not convinced, to get used to see them together interacting but not specifically obviously romantically, it has to be wholesome but we can't jump and shove the ship down people's throats, that's a turn off. Keep in mind that usually DC writers write love like a switch on and off, look at what they did with Nightwing! Just how many true loves has he had? A lot of bullcrap text about how much he is in love and obsessed with every new girl and not to mention Tim (let's hope he sticks to his NPC cardboard walking bisexuality proof boyfriend and stops fooling around with Steph, our girl deserves better). A new love that has hit hard has to be believable, the potential with their personalities gives for a lot to work with: Jason is a tough bad moody broody boy who is actually very emotional and sensitive and so affection starved he fell into Damian trap when he hugged him, Jason just melted into the hug (before he got hit with a taser, Damian you little shit...) and thats where Stephanie comes, Steph is someone completely open, eager, sweet, foward and unapologetic with her affections and here Mister pride and prejudice lover Jason has a romantic side. Jaystephers I'm serious, this can't be rushed, absolutely not and I'm being insistent because I came from reading an insane amount of jaysteph fanfics that almost all of them end up being porn with plot, I mean really good plot and also very skilled written porn... but still! "BONK" 🔨 go to horny jail! That can't happen in the comics 😂😂. With a slow burn unconvinced people will have enough time to process just how good is this ship. Simply it has to become a Romantic friendship before a potential romance and then an actual romance.

They have come a long way on their personalities, currently they aren't the same as they were before so if they started now it wouldn't be like the chaotic kind of toxic mess that it was Timsteph, because at that time they were insecure and irrational teenagers, honestly the writers messed them up a lot and I guess there's still a risk a new writer will fuck them up too but I'd like to think that if some writer goes for it they really have to like this ship and will try not to make it a complete toxic or cringy or a messed up disaster, if a writer chooses to do it I want to think is because they saw how much in common they have, how much their personalities are compatible, how good they would work together and how much they can relate to each other. What I mean is that there is a background where they can start even though they were never that close before and is all starting now, there is a lot of material to work! They don't have to make up things they only have to let it flow naturally, just put them together in a room and let them interact. I mean, right now he is a grumpy bad boy and Steph is a perky ballbuster, let's see how that goes.

The potential Romanticism of this couple is something really underrated, the two failures as Robins that walked on the same path, they own to have yet the "talk" About their respectives deaths and the subject about how Steph failed as a Robin because of being a reminder of Jason, they should talk about had him not died he would have been the one meeting her instead of Tim and wonder how things would have been then... They should team up more often and strengthen their bond, the need to build a romantic friendship, a dynamic that could drive us crazy and by the time they start flirting is going to be the BEST!! Just remember how Steph flirts shamelessly on duty 🤭🤭 but with Tim it was a bit boring, he always turns her down because he is such a good serious soldier 😑 and gets mad but with Jason? Unless he is specifically grumpy about something he would totally flirt back and totally flirt in front of villains while fighting until the villains can't take it anymore and just ask to be knocked out 😂😂😂 and also the chance to piss off Tim is just too good, I need to see it 😂😂😂. I mean, one I love about most Jaysteph fanfics is that Tim is always fucking pissed and grossed out about Jason dating Steph but normally is never about jealousy he is just overprotective (but casually they also add a jealous Damian who can't help but criticize Steph's taste in men 😂😂, I think is canon that he had a bit of a platonic crush on her when they met).

They have a lot of similarities but they aren't exactly the same, the things they have in common actually was used as an argument against it saying that just like with Babs he only had in common being a joker's victim, people thinks "dying" Is the only thing he has in common with Steph and they are very wrong: They both are members of Gotham's lowest class, both had drug addict mothers and criminal fathers, also Jason's real mom betrayed him and sold him out to the Joker and Stephanie's dad orchestrated a kidnapping of her and in the new 52 he kidnapped her and her killed her (even if he didn't meant to) and had to get revived by Lazarus pit goo, the way they died was also caused by the same stubborn need of proving themselves to Batman, doing something extremely reckless, also I have to point out that Steph has been compared to Dick, Barbara, Tim and Jason but it was her similarities with Jason what doomed her before DC decided to revive her, the writers did a messed up job with the principal reasons Batman rejected her so adamantly at some point but the principal one was that she reminded him of Jason and ironically he trying to prevent her from getting the same fate was what drove her to act and ending up like Jason and they both were officially the first black sheeps of the bat-family. But even with all that their personalities are both opposites and complimentary, I mean that despite having a similar trauma, when Steph came "back from the death" (The first "death") she became more positive and hopeful than before, she used to be more cynical and angry and unlike Jason whose resurrection was just as traumatic as his death and was not in his right mind, Steph returned to Gotham to once again try to belong and be a proper vigilante, she wanted to keep trying and do the right thing and fight to be accepted unlike Jason who at first he only wanted revenge. Steph can understand where he is coming from and be more indulgent to him than the rest of the family but at the same time she would stop him from going too far, she has the bravery to fight off trauma like the fear toxin and the will to never give up, so I see how she would never give up on Jason.

And don't you dare give me crap about this ship being absurd or something because this is not even the most out of the blue couple DC has ever done! I already mentioned Tim and Barbara🤬, Batman and Barbara💀 but also Raven and Damian 😒, Damian and wonder girl Cassie 😐Batman and wonder woman😒, Superman and wonder woman😐, green lantern Jonh and hawkegirl🥰, Superboy and miss martian😍, Lego Batman and Lego Barbara🤪, Martian Manhunter and Rose Wilson😶, beast boy and Rose Wilson🤯 (married and with a daughter), Jason and fucking Taliah (damians mother) had sex with him 💀(I hope he had at least 18) Dick and Helena Wayne 💀, Dick and Zatanna😑, Batman and Zatanna🙄, Jason and Starfire🙅‍♀️ and recently Jimmy Olsen and Supergirl 🤔 so.... Really? Jaysteph is so out of the blue and weird that should never happen? 🙄🙄🙄🙄🙄🙄🙄 I'm not even asking to make it happen in the main canon! Most of these ships didn't happen in the main canon, who cares about the main canon? THE MAIN CANON KILLED ALFRED (you committed a blaspheme DC) and also the main canon destroyed Jon Kent childhood by aging him up 🤬🤬, this is why the main canon is not important anymore, this is why alternative universe and independent comics are more popular, like Supersons, Family Wayne adventures or the teen Titans series drawn by Piccolo... So is asking for too much to have Jaysteph somewhere? An animated show? An alternative universe comic? A fucking webtoon?? There's not a good convincing reason to not give a chance to these couple! Let them have a chance!! 😣😣😣😭😭🙏🙏🙏

[bairdthereader]

Heartstopper Elders: Coach Singh

One thing I admire about a lot of Alice's work is that for every cruel, bigoted, neglectful, or just bewildered parent, there is often a contrasting adult figure to fill in the gaps.

Many of the teens in Heartstopper are wise beyond their years, keenly observant, and maturely even-tempered in a way that some critics say is unrealistic. (I'd argue that all of them have been through life experiences that made them that way, but that's a post for another day.) Despite this, they still sometimes need guidance and a safe place to land. Alice is brilliant in the changes they made to the show to bring minor comic characters to the fore who provide that counsel and safety. I'll start with Coach Singh for this post.

---

Priya Singh occupies a pivotal role in Nick's life. She's a uniquely placed outside observer who watches as the part of Nick’s life that (until Charlie) made up a lot of his identity and supplied the bulk of his friend group transforms into a space where Nick has to walk the knife’s edge between his old, false self and his emerging and evolving true self. Though she doesn't completely understand the impetus behind it at first, she sees Nick's relationship with his teammates deteriorate and knows that something has changed for Nick. And she has to have noticed that that change happened simultaneously with Charlie’s joining the team. 

When Nick enters Coach Singh's office after she walks in on him and Charlie, he's prepared to be chastised, and possibly assumes he'll be stripped of his captaincy. You can see it in his defensive, protective, and even resigned posture and facial expressions.

It’s interesting that in the comic Coach Singh makes Nick the captain during this conversation, whereas in the show Nick has already been rugby captain for a while at this point. This is a clever change, because it establishes that Nick and Coach Singh have a closer relationship than average, built on mutual respect (as would be necessitated by Nick's holding that position on the team) and it adds a layer of complexity to the strained relationship he now has with the rest of the team. He's responsible, in some ways, for the morale and cohesion of the team and yet now he can't see eye to eye with them. Knowing Nick, this conflict of loyalties would cause him a lot of guilt, especially because--no matter how many jokes are made about his status as rugby king--Nick is actually very good at rugby, works very hard at it, and clearly cares about the sport itself. (In the comic Coach Singh tells Nick she thinks he could pursue rugby after school.) So when this conversation starts, Nick is worried about the status of his captaincy, his relationship with Coach Singh, his relationship with Charlie, and his role in his team's struggles, not to mention his repeated attempts to come out to the few teammates he's starting to feel he can trust again. That's an awful lot for one person to carry.

Coach Singh handles the whole situation beautifully. She starts by reminding Nick, clearly and forcefully, why she made him captain in the first place. Though her delivery is brusque and could be interpreted as corrective, I think by starting the conversation here she's telling Nick that she knows Nick's positive qualities, especially the ability to bring people together, are still part of him, no matter what else is going on at the moment. She's communicating that she understands that the problems that have come up this term aren't, ultimately, his fault. Nick feels such a sense of responsibility that, though he knows he's in the right in this situation, he still feels guilty for the way things are going with the team, so Coach Singh's reassurance at this point is critical.

Then she quickly proceeds to emphatically put herself in his corner: "If any of the lads say anything out of line, you tell me immediately." Nick is very obviously surprised by this show of support and relieved that he's receiving it at all.

Coach Singh reinforces this support by sharing her own coming out story with Nick--making herself vulnerable so that he might feel more comfortable being vulnerable as well--and showing him that she really does understand what he's going through. She reassures him that he is under no obligation to come out, a reminder that Nick needs to hear often because he puts so much pressure on himself to tell people. She's also carefully signaling that Nick can trust her not to out him to the team.

So now, not only does Nick have someone he deeply respects and who is already a fierce, experienced fighter in this particular arena standing by him, supporting him, protecting him (and, by extension, Charlie), but he has a safe base at school, something he desperately needs. His relief at the end of this conversation is palpable. Nick received safety in a part of his life where he has not felt safe for quite a while.

It's worth noting that Charlie has a lot of important moments with Coach Singh as well. Knowing Charlie already from phys ed and his running accomplishments, and likely also as a past victim of bullying, her watchful gaze is naturally going to be on him as he ventures onto the rugby team. She knows that sport can be a rough place for queer people and clearly feels some concern. Her frown here isn't so much about Charlie's trouble getting the hang of a rugby play--she knows he can do it--but about the other boys' teasing reaction to his struggle.

She's always happy to see him, always encouraging him without condescending to him, and vocally praises him in front of his classmates (important!). She shows the other boys that Charlie is someone to be admired, even emulated.

Coach Singh shows Charlie repeatedly that she knows he's capable of anything he sets his mind to. She even manages to correct some of his negative self-talk that is rooted in his unconscious internalization of damaging gay stereotypes, a brilliant mini teaching moment that I think often gets missed.

She's clearly very disturbed and upset by his decision to leave the team, knowing on some level that his reasons for doing so must be very distressing but that he's unwilling to discuss it.

Then she welcomes him back with open arms (literally) when he asks to rejoin the team, knowing that this means Charlie is back in a place where he feels at least some of the confidence he needs to face this challenge again.

I mean, look at her face ⬆️ She may not be loud about it, but Coach Singh is a Charlie champion.

Bonus: Coach Singh will call. you. out.

[doberbutts]

I very much see your points! I suppose the only real difference between your viewpoint and mine stands in the fact that while yes, I do agree that to use the terms TME/TMA to sort of "gatekeep" specific experiences is bad, I feel like that's more of an issue with individual (although decently widespread, unfortunately) misappropriation of the language, rather than a conceptual flaw with the framework. I believe there's a lot of people who intend to use the terms correctly, and if and when they happen not to we should aim to correct that individual behavior rather than throw the baby out with the water, so to speak. I do understand that it's a bit of a tall ask when everyone's at each other's throats and often not willing to return the favor, but at the very least that's what we should strive for if we want to reach mutual understanding (I say all this knowing that's your goal too, I wouldn't assume otherwise).

After all, I do believe that the way "transandrodorks" are treated stems from a similar misunderstanding or overgeneralization of what we actually stand for, and an unwillingness to reach out a hand and actually listen to what we have to say rather than assume the worst from a few bad actors. That's why when the positions are reversed I want to at least try to reach out and meet the other party in the middle, even if the same courtesy isn't always afforded to me.

As for your example with Caster Semenya, I do believe that intersex people should absolutely be allowed to use the term TMA to refer to themselves regardless of AGAB if they feel it's appropriate, as their experiences often exist outside the strict framework we tend to employ and they would know best which terminology applies to them and which doesn't (and should also obviously allowed to make up their own when needed). I don't see eye to eye with anyone who advocates for TMA/TME while disagreeing on this point (and I'll admit I'm not sure what the general consensus here is).

And as for the other example, I'm a bit hesitant to continue that specific analogy (which I do believe to be absolutely valid, btw) since I'm white and I would rather not say anything out of turn, so I'll instead offer the usual rebuttal to the analogous point: when someone who is TME experiences transmisogyny, it's an atomic experience, not continuous. They might be mistaken for a trans woman, but as they are not actually a trans woman they don't live in the same state of constant fear and threat of (this specific type of) violence. They can prove they're not transfem, and the attack will stop, or at least lessen. They have the option of simply not being transfem, something which obviously isn't afforded to transfems. That doesn't mean that the experience they went through didn't affect them, or did so less, but they would live it differently from someone who would be the actual intended target.

Now, I relayed that point but I personally am not sure I agree with it 100%, specifically the latter half. If the TME person being attacked happens to be another trans person, rather than cis, they don't get to escape the danger through proving they're not transfem, because then they're just trading a type of violence for another (the one actually meant to target them, which might look differently). Not to mention that you won't always be in a situation where you can/want to prove it, or where the other party will believe you or care either way. I guess the bigger point here is that if you're TME you're not always experiencing transmisogyny in every facet of your life, though.

Either way I believe there's plenty of more nuance that could be had here, and in that sense I do dislike how that's lost when using TME/TMA, but as terms they were never intended to encompass every possible experience in shorthand but rather just give a general idea, which could then be complemented by any additional info you would be willing to share.

Ah but you see, that's the talking over someone else's experience I'm talking about.

When TME people experience transmisogyny, it is incidental and not continuous. Well. For some, like my example of the idiot mistaking me for Mexican for being brown while saying a French word, that is true. I am not commonly mistaken for Mexican, though it's not unheard of, and it hasn't happened in years. Specifically, when I stopped wearing my hair long and started binding, I stopped being read as *Dominican* (which racist people do not see the difference between the various Latin American countries) and thus stopped experiencing this problem. It's incidental, but I still think that the best choice is to ally with Mexicans and other Latinos and Hispanics to stop the bigoted behavior from happening altogether.

But what happens when it IS continuous? Black cis women, also labeled TME, are disproportionately transvestigated and heavily punished by transmisogynist laws and rulings despite not being transgender themselves. Not only does showing birth certificates not help (and, also, I think this is Bad Logic, because if I have to show my personal private documents in order to be left alone, I'm still being Affected By The Oppression because I have to carry my documents everywhere. Like that's just Baby's First Fascism) but I have personally witnessed multiple black celebrity and politician cis women be forced to prove they are women *while they are pregnant*. And yes, that is misogynoir. But it is practiced by utilizing the exact same societal systems to hurt trans women. Thus my logic on the other post- all oppression hooks into each other and back onto itself somehow. Not only is that not incidental and very much continuous, but this a systemic problem and why cis and trans women and *especially* any person of color regardless of gender should ally among themselves to fight it.

And, finally "they can prove they're not trans fem and the attack will stop or lessen"- sure, much like how Hannah Gadsby was able to say "no no I'm not a faggot you see I am a lady a woman no man-liker here" and the guy left her alone wait no he didn't he beat the shit out of her anyway. Like that's the problem I have with this- the reality is that this does not apply to every single person and that real living people are being hurt and sometimes killed while being labeled exempt from the very thing that kills them. We have had cis people die due to bathroom laws meant to hurt trans women. It is absolutely not a matter of just proving you're not one because transmisogyny is one help of a drug and it is used as a dangerous weapon to any and everyone it's pointed towards.

And that is the crux of my problem. People can use whatever words they like to describe their own experiences. Pointing these words to describe someone else's experiences for them, however, and denying that their very real lived experiences have happened or that it matters less is where I draw the line.

[sailorblossoms-snowbaz]

Baz and Simon grow as people when they’re together. Being together helps them be more themselves… it’s a mutual thing, but I want to highlight something that stands out to me because of the roles they were assigned: hero and villain. Simon is the hero, but out of the two, Simon is the one who genuinely unsettles. He’s the one who, (in his role of hero/soldier) would genuinely hurt or kill without a second thought (the existence of Baz implies that, while he was surviving, he has not only killed “mindless monsters”…). Baz is a “villain” but, as mean and “ruthless” as he can be, he’s by far the softest out of the main four.

Mostly, what stands out to me is that when Simon is with Baz, he genuinely becomes a better person. Softer, kinder, more caring. Some of those instincts were already inside of him – I’m not saying Simon was “bad” or something like that – but he wasn’t always acting on those instincts (he lacked the tools for that... until he starts taking his cues for Baz, but that's another post). He knew on some level when he was neglectful and feels guilty (but doesn’t do anything about it because he didn’t really want that relationship), which is already a big sign of him having the instincts “to be good,” given that he has been neglected and unloved to the point he could’ve not been able to pick up when he himself is being neglectful. What Simon felt and what Simon actually did was completely disconnected. It’s only when he’s with Baz that he starts contemplating that he shouldn’t kill the monster ambushing him, because what if they have someone they care about waiting for them? (Because Baz too is a “monster” and Simon loves him, and he wouldn’t want anyone to hurt Baz… he’s putting himself in the shoes of the monster – I think it was a goblin – he’s showing empathy, which he never did before in these situations) (which Baz was already doing, when he was confined to “the villain”). It’s only when he’s with Baz that Simon becomes someone who can take care of another person, who can think about someone’s wants and needs in a way that doesn’t erase his own. He becomes someone who can make the effort to try to process and understand (and be understanding) because he feels like he has someone worth making the effort for (because he hasn’t been able to make that effort for himself).

Simon becomes better because he feels Baz deserves the world. At first, he tries to “let Baz go” because he thinks he’s not good enough. But a future without Baz is intolerable, so he decides to “become better,” to “keep trying” so he can give Baz everything

[actual-changeling]

On unhealthy relationship dynamics

A little while ago, I stumbled across a post discussing Aziraphale's character on a meta level, and without knowing the content, I was completely unprepared when one single sentence pushed me from 'uncomfortable but doable' into 'triggered and panicking'. The post itself was triggering from start to finish, but that phrase stood out to me.

Why am I telling you this?

After calming down and thinking about it for a few hours, I realised what exactly my brain had reacted to—victim blaming rhetoric repackaged to fit Aziraphale and Crowley's situation. Victim blaming is, to provide a short summary, the act of putting blame for mistreatment on the victim instead of the perpetrator. It's a concept often used in r/pe discussions, but it can be applied to any abusive or non-abusive situation as long as a power imbalance is created, meaning you have at least one person harming another in whatever shape or form.

If you broaden the definition, you can apply it to more situations, including—and this is where we reach the actual topic—their relationship and the Final Fifteen (F15).

That is exactly what some people have been doing—putting all the blame on Crowley and absolving Aziraphale of any and all responsibility as if it were his fault that Aziraphale broke his heart

Before anyone runs to the comments, let me clarify what I assume will be the FAQ.

no, I do not think Aziraphale is abusive

I do not think that their relationship is abusive either

no, I do not hate Aziraphale

yes, I know what I am talking about

everything I will talk about is largely based on what we as the audience actually see and know, combined with interpretations of the intentional subtext Neil wrote into the show.

I have been actively in this fandom since the second season was released, and I have seen a lot of (hopefully accidental) ableist & generally insensitive takes. These are the ones I see the most and what I personally consider to be important topics of discussion, but the same logic I will be applying to these can be applied to many, many more situations.

Since my meta posts get very long very quickly, I will be posting them in parts and always linking back to the others, plus this one as the masterpost.

Part 1—Nice Is A Four Letter Word

The basic pattern is this:

Aziraphale refers to Crowley with a 'nice' term -> Crowley gets upset and tells him to stop -> Aziraphale hears him but continues anyway.

There are reasons behind Crowley's rejection, and I will go into detail, but I want to make one thing very clear: It does not matter why Crowley asked him to stop. He set a boundary, and Aziraphale repeatedly and intentionally overstepped it; this causes understandable anger and frustration.

Crowley does not owe Aziraphale an explanation, just like you would not owe someone an explanation when you don't want to be called x-term. Mutual respect requires the acceptance of personal boundaries like that, and by breaking them over and over again, Aziraphale tells Crowley that his own wants are more important than Crowley's needs.

In the 1827 Edinburgh flashback, we see the consequences of Crowley doing good/being called good (which are usually connected, meaning if they notice someone is calling Crowley good, he most likely did something to cause that) firsthand, and so does Aziraphale. He gets dragged down to hell and tortured for up to thirty years.

Even before that, Crowley expresses numerous times how hell punishes good deeds, and they are 'always listening' in on him. You would assume that Aziraphale would stop to keep him safe—and yet he doesn't because he cannot accept the reality of Crowley's situation and refuses to listen to him.

On top of that, Aziraphale only ever "praises" Crowley when he does something he personally sees as praiseworthy, aka something good/kind/nice/angelic/etc. but never when it is something that CROWLEY would like to be praised for, or at the very least acknowledged. We see it in season 2 over and over and over again: Aziraphale cares for no one's thoughts or plans except his own and has no interest in even hearing Crowley out.

Aziraphale calling him nice is not a sweet little gesture, it is an intentional overstepping of a boundary Crowley has been trying to enforce for centuries, and it reinforces the dichotomy of good angels/bad demons, with angelic existence being the ultimate goal. At the very least, it's disrespectful towards Crowley, and at worst, it is actively keeping Crowley in a trauma response, tugging on his leash whenever he tries to explain reality to Aziraphale.

To have a healthy relationship, Aziraphale needs to stop.

part 2 - part 3

[hyunjin-amore]

Luffy Kidd Law React to their S/o eating his meat

Monkey D. Luffy

If Luffy's partner were to eat his meat, he would probably react excessively. I can see Luffy being taken aback at first, given his love of meat in particular. He might widen his eyes and make a playful exclamation to convey how shocked he is.

However, Luffy wouldn't get upset or harbor resentment because he is a carefree and enjoyable person. Rather, he would probably find it funny and laugh it off; he might event join in on the joke by making light of his S/O.

I'm sure Luffy would find this situation more entertaining than anything else because of his carefree attitude, which enables him to enjoy the small things in life and not take things too seriously.

Kidd

Kidd might react differently to his significant other eating his meat because he's a bit more serious and possessive about his possessions. He would most likely look surprised and perhaps a little irritated or annoyed. Given his reputation for guarding his possessions and personal space, Kidd may become defensive if he witnesses someone stealing his food.

But it's crucial to remember that every relationship is unique, and Kidd's response might be influenced by the dynamics between him and his significant other. Kidd may be more playful or teasing when expressing his displeasure than truly angry if they have a close relationship and mutual understanding.

He could glare at them and say something like, "Hey, that belongs to me! The next time, you had better save some for me." Generally, depending on their relationship, Kidd's response would probably be a mixture of surprise, possessiveness, and maybe even humor.

Law

Given his laid-back and easygoing nature, Law would likely react more calmly if his partner started eating his meat. Though at first he might be taken aback, his reaction would probably be humorous and lighthearted.

Law would most likely chuckle and say something clever like, "Well, it appears that this person has good taste in food." Please remember to save some for me the next time. He would understand that sharing food is a normal part of a relationship, so he wouldn't get too upset about it. The fact that his significant other liked his meat enough to eat it without asking might even endear him to it.

But just like in any relationship, it's critical to keep lines of communication open and to honor one another's boundaries. Law might politely voice his concerns and ask that his S/O ask before consuming meat going forward if he has dietary restrictions or a special attachment to his food. Law would, however, probably respond in a humorous and understanding manner overall, highlighting the value of honest communication in their partnership.

[ginnyluvstimmy]

welcome home (timothée x f.reader)

[ where timothée breaks up and realises you're the only one he actually craves for ]

Hollywood.

It was where you had met.

Between the clapperboard, action! of the director, the hair and make-up sessions which annoyed both of you and the low quality jokes just to kill time.

Luca Guadagnino had personally requested your presence among those pages of the script, and he himself said that he had been admiring your career in the world of Hollywood since time.

You were both Italian, this bonded you and created mutual respect.

The way your Italian accent rolled off your tongue when you spoke to Luca drove Timothée crazy.

Insane.

Maybe the sexiest turn on he could receive.

Just as his delicate, clean, casual French stunned you, you too had figured out how to make him take the bait.

The moments you treasured the most were those behind the scenes. The laughter, his schizophrenic outbursts from the excitement of filming, his unpredictable moves, his pleasant speeches.

The way his curls made him look like a puff, his green/grey eyes where you could get lost in the edges of the foggy jungle, his French cheekbones that mirrored him, in your eyes, like a gentleman from the 1800s, and how his bottom lip was definitely more full and inviting than the one above.

You immediately started hanging out regularly even off camera, without the buzz and movement of filming.

No weeks passed that he confidently proposed to you.

It was no longer a matter of pretending for the production staff, you two weren't in the spotlight and maybe you loved each other even more.

But then came the commitments, the premieres, the collaborations, and suddenly you found yourself with a different plane ticket in your hand every day, and you rarely saw Timothée.

This displeased both of you, especially since he wasn't in a very different situation.

But then the pace slowed down and the world collapsed on you.

Kylie Jenner...

You scrolled through Instagram posts. Kylie.

You read every film article. Kylie.

You checked every interview, questionnaire, news of the day.

Kylie.

Timothée he had left you for her, another.

Without warning, without a reason, without a moment to say goodbye and explain one last time.

You were exhausted, physically and mentally, and the suitcases from your countless business trips were still at the entrance.

Months, months passed...and every time you called your ex-boyfriend he neglected you with 'I'm busy', 'I'll call you back later, ok?', 'it's hard to explain, you wouldn't understand'.

What was there to explain? Did you do something wrong? Did you forget his birthday? The monthly anniversary?

Absolutely not, you weren't the type.

The only relief you felt was listening to the opinions of the fandom and the parazzi: they were much less convinced of this relationship than you already were. It was a sign, it definitely meant something...but every day was torture without his laughter, his cuddles, his French kisses.

It all felt too real.

More months passed, and he didn't show up.

Valentine's Day was approaching and you would have felt a new knot in your stomach gathering in you.

Suddenly, the last person you thought would call, made your cell phone ring.

You picked up, waiting for Timothée to speak first and give you a good explanation.

A very good one, you hoped.

"Hey, Y/n..." His voice cracked and you could tell he was sobbing.

"Listen I...I swear I can explain it all..."

You waited on the other line, you weren't in the mood to answer. If you had done so you would certainly have screamed so loudly that you would have broken his eardrum, throwing that whole situation of the Kardashian in his damn face.

"Can I come to your place...?"

You were about to say a harsh 'no' when you realised he would have shown himself anyway.

You hung up, and the house reverberated with a dull hum.

[ ... ]

He showed at your door with a red rose, red and swollen eyes and his entire figure soaked wet by the heavy rain that was pounding the neighborhood gravel.

You let him in, without saying a word.

He stopped at the carpet in the entrance, as if he suddenly realized that that house was yours and yours alone and he no longer had anything to do with it.

"My manager forced me..." He whispered, but his faint voice died in the air before he could reach you.

"Sorry?"

"I said...my manager forced me. The whole thing of Kylie, it was for...money, you know. I haven't decided on it, my staff has the power. I'm sorry if I didn't warn you, I couldn't...I had to make people believe it was real, you understand me?"

You knew you should have felt immense relief at those words, but they made you even more nervous.

"You're completely out of your mind..."

"But it's true! I'm telling the truth Y/n...she...she never gave me the slightest attention, it was a dirty game, we were both pretending just to live together on the edge of decency! You know I could never leave you from one day to another!!"

You let him stay at the entrance, as if you wanted to see the mat suck him alive.

But Timothée couldn't wait anymore and hugged you tightly, sobbing like a child in the crook of your neck.

His tears ran down your skin, his arms setting a fire in your stomach.

"Je t'aimerai toujours, tu sais..."

"Ti amerò per sempre anch'io, Timothée."