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#the writer lives
whatkindofnameisella · 4 months
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can you believe that we have fanfiction. that we have websites dedicated to fanfiction. that there is a place that you can go and read tens, hundreds, thousands and thousands of pieces of writing that strangers have made. people who are not "writers". people who come home at the end of the day and have feelings and say, i am going to put that into words. i am going to share those words. short, long, sweet, sad, horny, funny, wonderful words. we are all just human and we all love to make and remake and share that with others. can you believe that.
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gingerswagfreckles · 1 year
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Hey y'all. With the Writer's Guild of America on strike, you might be hearing a lot more about something called "residuals," which are payments that the writers get for the studios continuing to air their work on reruns and such. Already I'm seeing people trying to frame the union trying to bargain for better residuals as greedy and unreasonable, so I just wanted to give you guys a peek into my dad's full, 100% real residual payments for writing some of the most watched episodes of American late night television.
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Yeah lol. If u hear anyone trying to frame the conversation around residuals as writers being greedy, please do me a favor and punch them straight in the face ❤️🙃🙃
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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cyberiapinksosa333 · 9 months
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“wtf is wrong with you”
you mean like today or like in general?
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hyacinthsdiamonds · 1 year
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Production houses: but if the writers stay on strike we can't guarantee the future safety of your favorite shows 🥺🥺😭😭
Viewers who 1, have already lost their favorite shows because they were cancelled in spite of good ratings and good reviews or 2, have stopped watching new content entirely until the entire series has aired and concluded as a result of so many good shows getting cancelled on cliffhangers and thus leaving said viewers unable to gain closure with those characters and with a hollow viewing experience, so they've begun a, watching older shows they know came to a planned conclusion or b, revisiting their old favorites and enjoying the nostalgia or c, reading new books or fanfic instead: YOU ALREADY CAN'T GUARANTEE THE FUTURE OF OUR SHOWS SO GET FUCKING WRECKED AND PAY WRITERS WHAT THEY DESERVE!
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the-phantom-peach · 7 days
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“ayyy itz da wind waykah!” 💨🌊
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nicostiel · 10 months
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Everyone on tumblr
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catfayssoux · 3 months
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fandom-trash-goblin · 4 months
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you live in a house of god; praying on your knees; and wonder why he never saves you.
on being unloved by god
credit:
Kate Cayley, “Lent” // in image // meriem evangeline, deus mortis // this pin // The Poet X by Elizabeth Acevedo //The Road by Cormac McCarthy // Mariners apartment complex, Lana Del Rey // the unabridged journals, Sylvia Plath // Heather O'Neill, Lullabies for Little Criminals// Akwaeke Emezi? // in image // in image //Day After Tomorrow, Tom Waits (it's a song?)
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hashtagloveloses · 11 months
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the hollywood studios are the dumbest people alive bc now every american city with a large film/TV industry (LA, NYC, Atlanta, etc) are going to be overrun by grown up theatre kids (professional writers and actors) hanging out together in public for months on end with nothing to do but emulate newsies. whole american cities are about to look like the inside of a suburban dennys at 11 pm on a saturday after a high school musical closes. they have trapped millions of people in a hell of unimaginable proportions.
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sstargrllll · 27 days
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Good people end up with good people
and bad people end up with bad people.
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odinsblog · 11 months
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“One weird, silver lining positive from the WGA's strike has been a sense of calm over a reality that has plagued me with anxiety for years — the fact that despite having a great agent, manager, and lawyer, despite having been in hundreds of rooms with top execs and producers, despite having pitched countless networks, and despite having sold multiple pilots and pitches, I still work in food and bev. For so long, it felt like such an embarrassment in so many ways because it felt like I was the only one who was biding time in between sales with a side hustle. When I would tell people at work that I wrote television, they'd look at me like I had ten heads, or like I was delusional. They couldn't IMAGINE someone who *actually* wrote television would also be asking them what temp they wanted their salmon.
But the reality is, TV money goes fast, especially when it's just a pilot sale. And if shit doesn't get picked up to series, that money only lasts for so long. Being responsible meant swallowing my pride and keeping a job that was more consistent and steady but also gave me the ability to take pitch meetings, to write on my down time, do rewrites, answer e-mails, and take notes calls.
And for so long I thought I was a minority in that regard. Like I had done something wrong to not be successful enough to rely solely on my career as a writer.
Yet the strike has pushed SO many stories to the forefront of writers doing the exact same thing I've done, GOOD writers, great writers, writers who shit I watch all the time, whose names I instantly recognize, whose reputations in this industry precede them. So when the studios leaked that the goal was to bleed writers dry, to make it so we lost our homes, I had to laugh. Writers like me will literally do anything to keep the dream of writing alive. It's in us. It never goes away, no matter how many steaks you server, how many martinis you mix, how many cold calls you make, how many Uber passengers you pick up, how many pizzas you have to deliver. We always always always find a way to make it to that next great hope of a pitch, a sale, a green light.
And that's how you know that the CEOs are so fucking out of touch with reality. With the industry. With the POINT of the industry the point for most (not all, but most) has never been to be filthy rich, or own a yacht, or even have a membership to SoHo house. It's been to make something we love. To see it come to life, and make other people happy, or sad, or angry, or scared. To take this story you have kicking around your head and turn it into some epic journey. To be part of the process of making worlds and characters come to life. To tell stories.
The CEO's point has been to make as much money as humanly possible. And so they think that's all there is motivating writers. it's not. It never has been. Just because those CEO's wouldn't wait tables or mix drinks or drive a Lyft in order to keep a dream going, doesn't mean the rest of us wouldn't. The CEO's don't have a dream, they have a lifestyle. And I promise you a dream is a much better motivator than a yacht or a Porsche.
Try to bleed us dry, guys. Just because you'd let your own dream bleed to death, doesn't mean we would. We will always find a way to keep it alive.”
—Stefanie Williams, a tv writer on strike
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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quotelr · 1 month
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If you know the art of being happy with simple things, then you know the art of having maximum happiness with minimum effort!
Mehmet Murat ildan
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deimosatellite · 4 months
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sakshinarula · 8 months
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I am not going to make my grief small and palatable. My love wasn't small either.
- Sakshi Narula
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