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#they tend to break me out of my art block
noogit9000 · 9 months
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…Hello?
Anyway I am very excited for @strawbubbysugar’s So(u)l rewrite if you can’t tell
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soularsss · 2 months
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Drawing Likeness: with Tem!
okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out
I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)
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I am putting the whole thing under the cut because I have a feeling its going to be long:
Read more!!!
a couple disclaimers before we start
-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it
-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently
ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!
SO LETS BEGIN
Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so
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(all of these can be found on my pinterest)
Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:
focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces
age will play a part, your face changes a bunch throughout your life!
lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features
SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.
Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.
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I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.
Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D
Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:
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We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.
I did the same for the rest of his features!
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You'll notice I highlight the prominent shapes and ratios,
When drawing anything, it is important to start from the very base shapes and build up.
When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.
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I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.
When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.
NOW, with an understanding of his facial features in place, lets take a detour to colours:
before I start, a couple things to note:
-Temuera morrison versus the clone troopers in the animated shows:
While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.
Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.
The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.
But that is a tangent! What we are aiming for is to stay true to Temuera.
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Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?
Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.
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You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.
Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!
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a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)
anyways back to Tem :))
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Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:
the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?
The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!
When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.
The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!
But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!
anyways, after fixing your sketch, add local colours!
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I rexified him because why tf not! But this is where you can go crazy with that clone personalization!
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And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!
TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run
If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))
also if you see a spelling mistake.. i don’t know how that got there
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[[Tumblr ate another Anon's ask about my way of drawing\painting I can't with this app😭😭😭 If half a year later this ask mysteriously reappears in my notes like previous I'll edit screenshot of it up here, other then that I just hope you'll still see this post, dear Anon🕯🥀]]
Hello Anon!
I made a quick timelapse of one of my old-ish work for you, under the cut I'll go into more details about the process! I hope it'll be of use to you, but don't expect some crazy insights, I'm a messy artist ahjkakhj
So, step one! When the sketch is clean enough for me, I go in with plain colours to block out objects that I'll be refining on separate layers later. At the same time it helps me take a step back from details and break down the image into bigger, simpler shapes, so it's easier to find better composition and proportions.
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Step two (actual colouring) Usually my brain shuts down on me on that part too, Anon… Basically I use a very limited palette at the start and gradually build up more hues and contrasts as I go. Sometimes I do a gray scale drawing first to get my values right, but this one is simple and was more of a vent&relax piece for me so there is none of that haha Also, since I tend to work on as little layers as possible and merge sketch layer and colour layer together at literally the first opportunity I get, most of the times I have a copy of my sketch saved on a separate hidden layer in case I overdo the painting part and need some roughness back.
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Step three, Details! And when I say details I mean
D E T A I L S .
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There is simply something magical in squiggly lines and dots… I can never fight them…
There is not much of advise I can really give you here, just do what feels right to you, what looks beautiful to you. Make your art finished in the way you see it finished, take another step back and ask yourself "what's missing? what feels undone? empty?". Combine styles, find new patterns and brushes, most importantly HAVE FUN!!!
Sooner or later you'll find the perfect algorithm for painting and drawing, only to 5, 20, 50 works down the line realize that's something in your own style doesn't sit right with you anymore and feels rather routinish and start that journey anew.
Never stop your searching, chase after your own definition of beauty because without you there will be nobody to show it to others.
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lesbianralzarek · 1 year
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tumblr in reddit terms
blogs: personal subreddits where the theme/topic is 99% of the time just “me and whatever the hell i feel like at the moment”. for reference, the most common other theme rn is “wizard roleplay that never breaks character”
reblogs: crossposts. these are crucial to maintaining tumblr’s ecosystem. due to blogs generally having fewer followers than subreddits have subscribers, this is the way that posts get seen and passed around. the vast majority of posts on a person’s blog tend to be reblogs, so if the people you follow dont reblog a whole lot, your dashboard is gonna be a ghost town. post limit (combined total of reblogs and original posts per day) is 250, so feel free to go hog wild
tags: this one is complicated. theyre a combination of flairs and Comments But Low-key. you can use them for organization and to avoid seeing content you dont want to (go to your blog, settings, account settings, content you see, and then add tags you want tumblr to warn you about before seeing it). if op tags the post #reddit (in the tags, not the body of the post), itll show up in the #reddit tag when anyone searches that tag. tags are also used for comments that dont really add anything to the post. you know how a jpeg gets kinda gross when its been through a million screenshots and has ifunny watermarks and shit? thats what adding “lmao same” as a comment does to a post. comments stay on reblogs, while tags show up in 4 places: op’s notifications, the notifs of whoever you reblogged it from, when someone clicks on the “notes” button of a post and actively looks for the tags left on it, and when people view your specific reblog of the post (like a follower would on their dashboard)
likes: upvotes but weaker. almost everyone turns off all the algorithms (settings, account settings, dashboard preferences, toggle off the first 3 options. also, make sure your dashboard is on "following" and not "for you". this is highly recommended), so leaving a like doesnt boost the post in any way. they still matter to some people. you can also use them to bookmark a post and go back to your likes later
enthusiastic and/or hyperbolic tags: reddit gold. you wanna let op know you like their art? leave something like ”#printing this out and stapling it to my forehead #op you wanna get married?” in the tags
pornbots: both reddit and tumblr have an issue with them. we block and report them on sight. they usually have hot women as their icons, no posts or reblogs, and a description like “22, brazil, nurse <3″. try to not look like that if you dont wanna get blocked by everyone you follow
blocking: you have this as well, but it seems like a bigger deal on reddit. the reason we are not twitter is because we block bitches who annoy us and move on with our day. do not feed the trolls
things we dont have:
karma: clout-chasing is The Most embarrassing thing you can possibly do on this site. we are all in this circus together and the clown who gets the most laughs is still a clown. popular users will literally deactivate sometimes because clout is a burden. no one here makes money
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allilcat · 6 months
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Ive been noticing an increase amount of Dreamtwt refugees, and let me preface with saying: Welcome!!! Genuinely, we lovingly welcome you to this happy lil community.
That being said, Tumblr is confusing, between the big etiquette book and the interface that hasn’t changed since 2008 there is a lot to learn. So this is my little attempt to a welcome guide tailored to our lil dream community! Feel free to add your own recommendations and stuff.
Tumblr is a Blogging site, a goog ol relic from ye olden days, your ‘profile’ is your blog, and you can put anything you like on there! However, please do change your avatar and background, we have a massive bot issue here and we tend to auto block someone with a standard avatar.
The main tags for the dream team are as follows: - just their entire usernames, but, those do get hooped up in controversy from time to time. -Dreamblr for the content creator dream
-Dreblr, for C!Dream
-404blr for CC George
-pandasblr for CC Sapnap
-Dtblr for the Dream team
PLEASE REFRAIN FROM USING: #Dream, that’s for people actually posting about their dreams, and #myct as it is mostly used for general MYCT stuff, we prefer to stick to our own spaces.
‘how do I find people?’ you go to any of these tags, find someone you vibe with and click ‘follow’. The algorithm here sucks, and we don’t advice the ‘for you’ page.
On that note, the ‘like’ button is useless, use reblog instead! If you like someone’s hot take, art or stupid shit post, REBLOG. Its how we keep our fandom alive and active here :D
When you reblog you usually keep your comments in the tags, one only really uses the comment section when they DON’T want to reblog. (usually because of le discourse).
Send people asks! People love to chit chat, you can do it anonymously! Tell that one artist youd love to have their brain for lunch! Engage with everyone! We love discussion and open communication here. (prob since there is no real word limit to posts)
Tumblr has developed a nice ‘block liberally, no need to make a fus’ culture. You can block someone for any reason, and it really isn’t a big deal.
On the Tumblr is more relaxed note, we tend to be more relaxed on CC boundaries, since most CC’s do not use twitter. If you don’t like people breaking CC boundaries, even in places where they cant see it, follow the advice above and blockkkkk!!!
Please spell out words! Don’t censor triggering words at it can fuck with people’s filter settings, by censoring these words you put people in more risk.  
Now for some technical advice: Most tumblrina’s turn on ‘hide likes and follower count’ . Any blog can have 4 people following it or 4000, we like to keep it mysterious.
Also turn of ‘best content first’- once again, the algorithm is not to be trusted.
Furthermore, you can really personalize your Tumblr experience and please do! Under ‘account’ you can find many options to filter the content you see, make use of it, for your mental health sake.
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gremlinmodetweeker · 15 days
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Bellowing Bull Calling Home
Please forgive me for not posting any stories in a hot minute! I've just been super busy and tired. I had a whole issue with my meds (thankfully it's been sorted out) and since I'm so angry I wrote something about König getting mad. I really like the idea of being yelled at by this man, so once I get to 500 followers, I might post some snippets of smut.
Also, I'm thinking about opening a Kofi soon. I don't make much money, but it would be a good place to post some more... Interesting drawings, so to speak. I could also take some comissions if anyone is interested. However, I'm not sure yet. I'm just floating the idea.
Anyways, enough about me! Time to read König getting mad because that's super hot.
TWs: König yelling and insulting recruits, slight allusions to degradation kink, allusions to a horrible government secret contained in a suitcase (you never learn what it is)
Wordcount: 4.1K
Art from This Post
Story below the cut
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Bellowing Bull Calling Home
 Normally, visiting König at work was a laughable concept. A PMC base was no place for a simple civilian such as yourself, yet here you were with König’s (supposedly) very important briefcase that he’d been directed to hold close to his chest for the foreseeable future. You’d begged König to let you read them, but he had simply laughed you off and changed the locks on the briefcase again. He then politely hid it out of view to keep you from trying to break into it. You had no intentions of doing so, but apparently whatever was in there was important enough for König to go to such lengths to protect it.
Unfortunately, by hiding the suitcase to keep it out of sight and out of mind from your curious fingers, König had forgotten about it entirely when he left that morning. You wouldn’t have known were the suitcase not sat proud and regal on your humble dining room table.
Sipping your drink and leaning against the counter, you realized you had the perfect opportunity to try and hack the damned thing open. Whatever was in there had König muttering darkly under his breath and leaning away from your touch. Those accursed documents were driving a wedge into your relationship the size and depth of a canyon. Of course, you knew the case was tamper-proof. You knew that if you so much as cracked it open as much as a millimeter, it would most likely set off some sort of alarm if a proper code wasn’t punched in the top. You had the strange feeling, based on the hefty weight in your hands, that the case wouldn’t even so much as dent if you took a simple butterknife to it.
You swung it back and forth as you left the home, the weight of your relationship hanging with the suitcase in your hand. Making your way to the main gates of the base.
A soldier checked your ID before waving you through, getting another soldier to help make your way to your husband.
“So, I don’t know if he’ll be in his office right now, but we can swing by there first,” Horangi chirped as he followed behind you to a long, grey building that sat close to the entrance.
You passed through a series of doors under the judgemental stares of low-ranking officers as Horangi brought you down the linoleum floors to come to a plain wood door, its only decor being a brown and white plaque reading ‘LEICHENBERG’ in big block letters. Horangi flicked the back of his knuckles against the doors twice before rolling back onto the balls of his heels. He looked at the door expectantly, then to you, then knocked again.
“Sometimes I knock and he thinks he’s going crazy,” Horangi explained before turning back to the door, “what he doesn't know is that sometimes I’m walking by and I’ll knock on the door and leave before he can answer it. I don’t think he’s caught on yet.”
You shook your head tiredly. That would at least explain some of König’s strange tendencies as of late, at least. Friends like Horangi tended to shorten lifespans, so if König dropped dead on his next mission, at least you knew who to blame now.
Horangi pulled out a set of keys and unlocked the door to step through into the minimalist office. You balked at his gall, but the way the soldier swaggered through the doorway had you thinking that Horangi was far too comfortable with pushing his way into your husband’s office.
You barely got a chance to see your wedding picture on König's desk before Horangi cleared his throat.
“Whelp, looks like he’s not here,” Horangi sighed as he turned to face you, “guess I can just hand that over to him myself, if you’d like.”
You sighed, “I was really hoping to hand this over to him personally…”
“Why?” Horangi snorted, “so you can go fuck in a closet or something?”
“No!” you gasped, “I just… I wanted to see him. I never get to see him at work so, you know... I thought this might be a good chance to see what he's like at work.”
“Well who am I to deny such a fine and noble venture?” you could hear Horangi’s shit-eating grin through his mask, “if we’re gonna track down König, we gotta use plan B.”
“Plan B?” you asked warily.
“Plan B!” Horangi cheered before sauntering over and slinging an arm over your shoulder, “looks like we’re going on a goose chase today.”
“Please not a wild one.”
“It’s gonna be a wild one.”
You groaned as Horangi’s laughter echoed off the empty walls of König’s office. It figured that the one day you had to go to König’s work he’d be squirreled away into the farthest corner of the base. He had a habit of being in the wrong spot at the wrong time, which made you all the more anxious every time he was sent on deployment. It also had a tendency to haunt you in your daily life when he returned home to your awaiting arms.
Horangi trotted down the halls, conveniently pushing you past anything he considered a bit too explicit for civilian eyes and ensuring you were in front of him to prevent you from skiving off to some derelict corner of the base.
“König usually likes to go to the gym when he’s frustrated about something,” Horangi explained as he brought you from the main building to a separate section of the base. Once inside, Horangi rounded on the help desk like a tiger on a deer.
“So, Matrice,” Horangi drawled as he leaned his chin on the heel of his hand, somehow exuding smugness through his mask and sunglasses, “you wouldn’t happen to know where ol’ Col. Leichenberg is, would you?”
“Uh…” Matrice darted her dark eyes between Horangi and you, then down to the suitcase fearfully.
“König’s my husband,” you offered.
“König has a wife?” Matrice shook her dark curls as she tapped away on her archaic keyboard, “nobody ever tells me anything around here...”
“Well maybe if you actually came to the staff parties, you might get to know us a bit better,” Horangi slyly slid the dig into the conversation with serpentine ease.
“Horangi, last time I attended a KorTac hoedown you threw up in my car,” Matrice grumbled, “I’m never gonna be your DD again.”
“I don’t remember it being that bad,” Horangi snorted, then turned and muttered, “not that I remember that much anyways…”
“And that’s why I’m not your DD anymore,” Matrice scrolled through the page a couple of times before shrugging and turning to you, “sorry ma'am, but you’re outta luck here. Maybe try checking the cafeteria? It’s nearly lunch. Big boy's gotta eat."
“König would be the first out to lunch,” you grumbled after you thanked the woman. Horangi paid no mind to your whinging and simply turned you back around to head back to the main building.
“If it makes you feel better,” Horangi offered as he firmly pushed you across the road, “I think I saw him cut down on red meat the other day.”
“We’ll see how long that lasts,” you rolled your eyes. 
Horangi only laughed as he opened the door for you.
“I’m serious! He needs to watch what he eats!” you insisted as Horangi led you into the belly of the PMC.
“You know, sometimes I think about what your grocery budget is like, and then I think I'd rather go back to South Africa than have to pay your bills for a month,” Horangi chirped as he stopped you from missing a right turn, “watch your step.”
“You know it would be easier if you were the one in front,” you huffed as you swung down the bland corridor.
“I don’t like the thought of you being out of sight,” Horangi explained as he guided you around yet another corner, “König’s said some interesting things about you.”
“You guys talk about me?” you cast a glare over your shoulder at the tall Korean man.
“What else are we gonna talk about?” Horangi shrugged, “living on base isn’t exactly exciting. Dunno if you civvies got the memo, but there’s only so many times you can talk about special secret missions before it just gets boring.”
“Special secret missions?” you perked up.
“Cleaning duty assigned to whatever poor fucker got the shit end of the stick,” Horangi clarified.
You groaned, then complained, “Please tell me he doesn’t say bad things.”
“Not really,” Horangi replied, “but he tells me a little bit. Just the juicy bits.”
“Really?” you scoffed, “like what?”
“Did you actually forget your own birthday this year?”
You flushed, which seemed to be enough proof for Horangi to laugh at your humiliation.
“He told me you nearly had a heart attack when he told you,” Horangi snickered.
“Oh really?” the cafeteria came into view, “well has he told you he eats other people’s lunches as snacks?”
Horangi sighed, “I figured it was him. It’s not hard to guess that one.”
“Has he told you that he ate Stilleto’s cake?”
Horangi paused, “I thought he was a better man.”
“We both did,” you shook your head morosely, “but I guess she stole his evening snack or something?”
“Oh my God he didn’t try to justify it, did he?” Horangi groaned.
“I tried to explain it to him but he wouldn’t have it,” you pushed the door to the cafeteria open.
The massive room was empty save for a table of sergeants playing poker and a couple of officers sharing a coffee. The room was notably absent of any giant men with a propensity for malicious snacking. The warm and inviting smell of the room made you want to grab one of those dishwater coffees they served and kick up your feet, get a taste of the military experience, but the suitcase felt hot in your hands.
“Looks like he’s not here,” Horangi pointed out the obvious, “so maybe he’s outside training one of his teams? I hope not…”
“Why don’t we check?” you offered.
“But it’s so far…” Horangi trailed off weakly as you marched past him, “hey! Where are you going!?”
“To see König!” you called back.
Horangi rolled his eyes, but followed behind you regardless.
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The outdoor training area had been split into three squads of men, each squad being led by a different officer. The first leader Horangi brought you to had looked you up and down suspiciously before promptly turning a shade of milk white when he spotted the suitcase in your arms.
“What the hell are you doing with that!?” the portly man squawked as he jabbed a finger at the offending black pleather suitcase.
“My husband forgot it before going to work,” you spoke softly, taken aback by the man’s animated reaction.
“Wh-König just left it at home?” the man’s pale skin was steadily flushing to a beet red the longer you let him sit with your answer.
“Can you show me where he is? I need to get this back to him,” you tried to calm him but he only grew steadily more upset.
“You’re telling me König left that suitcase in the hands of a damn civilian?” the man scoffed, “König’s an idiot, but he can’t be that stupid!”
“She’s probably telling the truth, Baker,” Horangi interjected.
Baker steamrolled over him with the grace of a bulldog chasing a rat, “So where the hell did you get that?”
“It was just on my kitchen ta-”
“It was on your what!?” Baker howled.
“Baker!” Horangi barked, finally making the man pause to let you breathe, “this is König’s wife.”
Baker’s eyes widened as his mouth dropped into a perfect ‘o’. He turned to you with a sheepish smile, “Sorry, ma’am, I… I should’ve put two and two together but just seeing a random civilian with that in their hands and… Well… You gotta understand, right?”
You tried to steel your nerves as you replied, “It’s alright! Don’t worry about it.”
“I really should apologize though,”  Baker blundered on, “I mean if I’d only known you were König’s wife I never would’ve-”
“Baker please,” Horangi pinched his nose bridge, “cut the shit. I’m really not in the mood to listen to you kiss ass for an hour straight.”
“Understood sir,” Baker snapped his jaw shut before subtly turning to you, “please don’t mention anything to König.”
“I won’t,” you assured him kindly.
“Thank God,” Baker quietly made the sign of a cross before returning back to his platoon.
Horangi dragged you along to the next platoon, quietly ignoring Baker’s inability to direct you to König. Instead you were brought before a short man with notably thick dark eyebrows, accentuating his severe browline as he scowled at his soldiers.
“G’day Horangi 'ow are what the hell is she holding,” the man glared at you as though you were but dirt beneath his steel-toed boots.
“This is König’s wife,” Horangi cut you off before you could even start, “she’s here to deliver what he forgot at home.”
The man’s dark eyes darted from you back to Horangi, “You’re tellin’ me big boy over there forgot the damn-”
“Don’t say it,” Horangi interjected harshly, “don’t you dare.”
“She don’t know?” the man whispered.
“Not a word,” Horangi’s threat was nearly lost under the shouts of men and the screams of whistles.
The man looked unnerved, but nodded along begrudgingly.
“Right, well, you’re lookin’ for the big guy?” the man glanced between you both.
“Sure are,” Horangi nodded.
“Well yer in luck!” the man’s face lit up, “big boy’s just over there.” With that, he pointed out into the distance at one big man sitting in a navy blue folding chair whilst commanding the smallest group of soldiers, no more than a squad in number. His back was to them, but it was clear it was none other than König. If nothing else, the mask on his face in the sweltering hot sun was a dead giveaway. It was a miracle you didn’t see him earlier.
“Damn,” Horangi spat, “you really think it would be easier to find him, but he’s damn good at getting lost in a crowd.”
“When ‘e’s in that chair it’s hard to spot ‘im,” the man chuckled, “now get outta my sight with that damned thing. Gives me the heebie-jeebies just lookin’ at it.”
You glanced down at the suitcase and back at Horangi.
“You don't want to know. Seriously,” Horangi muttered as he urged you onwards.
Instead of taking in the weight of Horangi's ominous utterances, you focussed on making your way to König with a skip in your step, eager to see your beloved husband. You were so eager that you didn’t notice how he tensed up as you drew close. Just as you were about to greet him, he slowly rose from his seat with a blood-curdling howl sent straight from hell itself.
“YOU!” König bellowed like a brazen bull, “JEFFERSON, YOUNG, MANDULU! GET OVER HERE RIGHT NOW.”
You stopped dead in your tracks. You had never, never, in your life ever heard König yell like that before. Sure he could curse up a wicked storm when he stunned his toe on the corner of your table, but this? This was another beast entirely. The mere thought of König yelling like this had been completely foreign to you.
“YOU USELESS ANIMALS,” König raged as he rounded in on the three cowering soldiers, “I have never, in my entire life, seen such incompetence,” König drew himself up to his full height, making even you shiver in your shoes, “and yet here you three are before me. What gives you the right to call yourself soldiers!?”
“I’m sorry sir, it won’t happen again,” the middle man’s voice quivered as he stepped forward for the others.
König’s laugh sounded downright demonic, “You’re apologizing for what? I haven’t even told you what you did wrong!”
You looked back at Horangi, who only threw you two thumbs up as he smartly backed away. You glared at his retreating form before König forcefully grabbed your attention.
“All three of you have been nothing but DEAD WEIGHT to the rest of your team. I’ve seen better performances from drunks moping up their own VOMIT!” König snarled as he drew close to the men, circling them like a hyena stalks its prey, “fucking Aziz is doing better than any of you. And Mandulu!” König clucked his tongue as the terracotta skinned man quivered like an aspen tree when König's voice dropped to a lull, “I expected better of you. You’re supposed to be up for promotion, yeah?" König leaned in close to scream, "DOES THIS PERFORMANCE WARRANT A GOD DAMN PROMOTION?” König’s face wasn’t even a foot from the man’s nose, leaning down and coating him with hot breaths from his draconic lungs.
The man, Mandulu, slumped as all fear left his body, totally replaced with encroaching shame. He dropped his head down, before tearfully admitting, “No sir.”
“THEN WHAT THE HELL ARE YOU DOING!?” König screamed.
A part of you wanted to intervene. You felt like you were witnessing a torture session with how König rounded on this poor man, but something held you back. Maybe it was fear, but maybe, just maybe… It was arousal.
You hated to admit it, but something about watching König’s muscles bulge in his neck as his mask swayed forth when he leaned down over men who easily dwarfed you excited you. You almost wished that you were in their shoes, but watching was more than enough. He was a glorious sight, rage burning like the sun as he lorded over his men like a god. He was a mountain of a man with how he held himself up above his victims. You wished to lay before him like Prometheus, let him rip you apart with his talons.
“And you two,” König spat as he turned to the others, “WHAT THE HELL ARE YOU DOING ON YOUR PHONES? What are you doing twenty feet off looking at the others while they work like ACTUAL FUCKING SOLDIERS.”
One meekly spluttered, “Sir we were just-”
“Just what? Laughing at Goetz?” you could see König whipping himself up into a frenzy as he hurled his next insults, “GOETZ HAD KNEE SURGERY THREE MONTHS AGO AND IS STILL HAULING YOUR USELESS ASSES ACROSS THE GODDAMN FIELD. AND WHAT ARE YOU DOING? PLAYING ON YOUR GODDAMN PHONES!!!”
You shuddered. If there was one thing König hated, it was soldiers on their phone during training. You gave a silent prayer for the poor men.
König stalked around them slowly, “I should have you thrown out. What would I be losing? Nothing! Not a single thing! I might actually gain something without you two dragging us down!”
The men cowered miserably. You couldn’t help but feel sorry for them, despite knowing the abuse was more than well deserved. From the sounds of it, it was a miracle König hadn’t beaten them to a pulp. Now that… That would be a sight to witness…
“ALL OF YOU,” König snapped as he finally stood to face the three men directly, “Mandulu! Give me a ten page report on all the reasons you’re still worthy of a promotion today at eighteen-hundred exactly, or you’re up for recycling. For the next half hour, you’re running laps around the yard. Maybe think how you'll structure your points, ja?” he turned to the other two, this time with a sadistic gleam in his eyes. You knew that under his mask, he was grinning from ear to ear through the fury etched into his face. “And you two!” he cackled, “give me your phones. For the next week, you’re going to be putting your phones in lock boxes. You’re going to carry those fucking boxes from the moment you wake up to the moment you go to sleep. If you’re good little boys, you’ll get your phone for an hour before lights out. Are we clear?”
“But sir, my wife-”
“I DON’T GIVE A GOOD GOD DAMN ABOUT YOUR WIFE,” König roared.
The man shrunk into himself like he’d been burned by the flames of König’s fury.
“You are to carry your phones in lockboxes for the next two weeks! Are we clear?” König snapped.
“Yes sir,” the two miserable whelps squeaked out before König finally relaxed.
The goliath finally stood straight before them, “All three of you! Dismissed!”
“Yes sir,” the three men saluted and slunk off miserably.
Just as Mandulu looked like he couldn’t be in any worse of a state, König called out, “And Mandulu?" the man raised his dark for eyes, "I’m disappointed.”
The poor man looked like his whole spirit had just been crushed to dust. His face crumpled in just briefly before he quickly turned his face and quietly left.
You watched the poor man leave with his tail tucked between his legs before turning to look at König. He was shaking his head slowly as he turned his back on his soldiers, all of whom were watching him for further instruction. He quietly turned to them, barked a couple of commands that had the soldiers scurrying into actions, then turned back to stare off into the distance. Incidentally, that was right at you.
“Ah!” König stiffened slightly as he locked eyes with you, “meine liebe! What are you doing here?”
“I brought this for you,” you held up the suitcase that had been weighing you down all day.
“Oh mein Gott,” König gasped as he rushed over, “ohhhhh mein Gott meine leibe I can’t believe you found this. I can’t believe I forgot oh mein Gott.”
“I figured you might need it,” you laughed as you handed the suitcase over.
“I knew I was forgetting something, but this? If one of my superiors saw me without this,” König shuddered, “I don’t even want to think about it.”
“Well it’s a good thing I got it for you!” you smiled brightly before scowling, “it was really hard to find you though.”
“Oh?” König put the case down and put his hands on your shoulders, “where did you think I was?”
“Well, first Horangi took me to your office-”
“Please tell me he didn’t take you inside,” König groaned.
“He did,” you chirped, “but he did knock twice at least.”
“Well that’s something,” König grumbled, “so where did you go next?”
“We went to the cafeteria afterwards,” you placed your hands on König’s hips and shifted from side to side.
“You went to the cafeteria? Why didn’t you come here first?” König scoffed in mock offense.
“König,” you cupped his masked face in your hands, “I know you too well to not check the cafeteria second.”
König sniffed indignantly but let you continue your regales of your odyssey.
“So anyways, when you weren’t in the cafeteria, Horangi took me out here to find you! It took us a couple of tries, but we got here in the end!” you lightly kissed the inside of his wrist, making him chuckle sheepishly.
“So you saw all that?” König grimaced.
“All of it,” you told him, “I feel kinda bad for them though…”
“Ach,” König scratched the back of his head, “Jefferson and Young are fucking idiots, but Mandulu is usually one of my best. I don’t know what got into him today…”
“Maybe he’s going through a tough time?” you asked.
“I really hope not,” König winced, “if he is… Well, I can’t apologize. And if he were out on the fields it wouldn’t matter, so this is a good experience. Still,” König paused as he looked off to where Mandulu left, “I hope tomorrow is better.”
“Can't you go easy on him?” you asked hopefully.
“It’s because I like him that I have to be harder,” König patted your head lovingly, “if I’m soft, he’ll never be what he wants to be. If I’m hard on him, he might get to my rank in a couple of years.”
“That fast!” you whistled, “he must really be something special.”
“I was the one who put him up for promotion,” König brought his hands back to his hils, “but… You weren’t upset by any of that, were you?”
“Not really,” you shook your head, “if anything, it was kinda hot.”
“You thought me going red in the face is ‘hot’?” König shook his head in disbelief, “you’re a strange woman.”
“It’s cool to see you when you get all angry and stuff,” you chirped, then quietly added, “it would be hot if you yelled at me like that.”
“I don’t want the neighbors to know about your kinks,” König drawled as you blushed, “but if you really want, we could always try something when we get home.”
“Could we really?” you grinned eagerly.
“Well, not like that,” König pointed over his shoulder at where the three men had stood, “but I’m sure we can figure something out. Now,” he picked up the suitcase, “do you need a lift home?”
“I’ll be alright,” you assured him, “do you need me to go?”
“I'd hate for you to go so soon. If you like, I can meet you back in my office, but as you can see I’m a bit busy just right now,” König gestured over to the soldiers hauling a massive log over their shoulders from one end of the muddy field to the other.
“Can you at least give me a kiss before I go?” you asked.
“Of course,” König laughed.
Without missing a beat, König lifted his mask up to lean down and press a kiss against your lips. He held you tight briefly, then let you step back from his grasp. His eyes shone with an undying warmth as he took in your form once more.
“Colonel König has a face!” a soldier screamed in the distance.
König closed his eyes as he let out an exasperated groan.
“They’ve never seen your face?” you asked.
“They’ve never been on the field with me,” König explained before ruffling your hair, “now go to my office. I’ll be there soon, okay? I love you.”
“I love you too,” you blew him a kiss as you walked off back to the main building.
As you did, you could hear König raging and roaring at the soldiers from behind you. You felt bad, but you knew you’d be on the receiving end of König’s rage soon enough. Funnily enough, you looked forward to it.
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Story Masterlist
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halfagone · 7 months
Text
Danny, You Need To Calm Down
Me: "I need to nerf Danny a bit for this fic. I should have him only reveal and use his intangibility."
Danny: *is still BAMF and kicks ass*
Me: "Hmm... I did not think this through."
---
I am serious, though. If you're creative enough and have watched enough superhero media then you'll be able to find all sorts of unusual applications to some of Danny's powers.
With intangibility alone, all Danny needs to do is stand there and let his opponent tire themselves out trying to just land a blow and then fight back. If he has some more melee or martial arts training, he could use a nerve strike and bam, one-shot knock-out. And that's not even counting super strength or flight or telekinesis or why is this boy so overpowered?! /rhetorical
And if you know me, you know how much I love writing a good OP BAMF Danny. But it can be pretty restricting too. With an abundance of powers and a proven track record to gain more powers when necessary, it's not exactly easy to keep Danny down. There are a few known weaknesses we can use to our advantage here, but they come with their own issues:
Major Weaknesses
Blood Blossoms
We've seen blood blossoms are pretty effective on ghosts from the "Infinite Realms" episode in Season 3, but only on Danny's ghost half. I always thought it was a bit strange, since Danny has used ghost powers in his human form so technically it should still affect him? But that's just a personal headcanon so feel free to ignore that.
But! Since Danny could just transform (if he can get past the total agony it causes him) then he'll be fine again. Blood blossoms are also edible, as proven by Tucker, which makes me wonder if Danny could eat them in his human form and make it out unscathed? Since it's only his ghost half that's susceptible to them.
However, it's commonly headcanon'd that blood blossoms are extinct as we only see them in this episode back in the 1600s from the Salem Witch Trials. But canon also tends to bring up some really interesting concepts and then just... never mention them again, so it's possible they're still out there and the Fentons just never learned of them.
Ecto-ranium
We don't see this one come up too many times in fanfiction, if only because many of us have totally blocked out the episode it aired in, "Phantom Planet", from our minds entirely. Ecto-ranium is essentially the equivalent of kryptonite, but for ghosts. (Unsurprising, seeing as Phantom Planet likely took inspiration from Christopher Reeve's Superman II.)
This does come with some plotholes of its own, seeing as intangibility had allowed the ecto-ranium to pass through the Earth despite ecto-ranium supposedly making it impossible for ghosts to use their powers? I'm still trying to wrap my head around that one, I won't lie...
So obviously this weakness also has some shaky ground to stand on.
Mind Control
We see in "Control Freaks" that Danny is pretty susceptible to mind control as well, so long as it comes from the right source. We learn that Vlad continues to collect ghostly artifacts, so it's entirely possible he could find another magical device of equal power and use. Freakshow himself comes from a family with a wide range and collection of ghostly artifacts.
It's also possible that ghosts like Undergrowth could be able to control Danny as well, as he was able to puppet Sam through his vines and plants.
Danny is still capable of breaking through the mind control, if given enough reason to. There is also proof, though, that he can do a lot of damage to himself and others before that time comes. Just food for mischievous author thought.
Plasmius Maximus
This device only appears in the episode "Maternal Instincts" but Vlad had created it to shorten out Danny's powers for three hours. This is another instance of an interesting concept that disappeared after one episode, but considering how Danny used it against Vlad, maybe the man just didn't want to risk it a second time.
Nonetheless, this does prove Danny's powers can be temporarily locked away. How this is possible isn't exactly clear, but I've taken to using a yarn knot analogy to explain it. I won't bore you with that explanation (unless you're actually interested) since it leans more into fanon and headcanons than canon.
Lesser Weaknesses
Blackmail
Now this isn't really a surprise to anyone since Danny is a good kid and most superheroes have this weakness, but Danny is very much susceptible to threats made against his family and loved ones. We see that Freakshow uses this against Danny in "Reality Trip" to make him do his dirty work, as in: collect all the pieces for the Reality Gauntlet.
We might make jokes that Danny could easily defeat anyone he comes across, but the truth of the matter is that he takes these threats seriously and he's lucky more people haven't used it against him.
Inexperience
This one is more understandable and maybe not even technically a weakness but this boy is so silly stupid sometimes it's honestly really endearing. He doesn't have the best grasp of his powers so he can make all sorts of unfortunate mistakes. Danny is the type of person who learns as he goes, and thanks to the fact his one eligible teacher also so happens to be the same guy trying to murder his father... his options are a little limited.
However, this can be easily fixed given enough time and practice. Danny might not have any formal training but he's also proven to be a very fast learner which could very well make up for whatever else he lacks. Due to the unique nature of himself and his powers, there's also a chance that even with a mentor he would still largely be self-taught.
---
It can still be pretty hard to write though. When you want to have high stakes, then you need to have a credible threat. And for a kid that has a gazillion powers, all with countless applications, it gets a lot more complicated. Honestly sometimes Danny might not have even needed the new power if he just applied one he already had in a different way? But so is the life of a teenage, overpowered superhero.
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koboldfactory · 6 months
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Hiii, I really love your art and I really wanna ask a question, but how do you your cel-shading stuff but yet still use some textured brushes while at it! And how to use these textured brushes without making it too muddy? I would really love to learn your process
Well my technique varies a little bit from piece to piece but I have a few general rules of thumb developed usually to allow me to finish coloring pieces in a timely manner. I'll throw in an example piece here to reference while I talk about what I did in it below the break!
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Ok so this is basically my go to coloring style for character art. I block out a base flat color (usually like the primary fur/feather color of a character), and then create a new layer (with the clip to layer below modifier) for each individual flat color on top of that for the various elements of the design. Then when coloring I tend to stick to the rule of one primary darker shade and one highlight shade, but since I'm using a rough brush it gives me a little wiggle room for opacity and texture (also use lock alpha to make shading way easier on the individual parts). These shadows and highlights are usually painted-on actual colors but sometimes I use multiply layers to push the contrast in areas a bit further. And for shiny metal bits, like Iris's claws here, I sometimes throw an airbrushed glow layer on top to make it really appear shiny and metallic!
Oh! also i create another clipping layer above the line art and color over it in parts to better match up with the colors below. Like over the brown clothing bits the lines become a dark reddish brown, they become shiny and light on the metal sword, etc etc.
Hopefully that helps and wasn't just random rambling.
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sunlit-mess · 2 months
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you always seem to draw a lot and like i wonder how you deal with burnout or art block
Burnout is nothing new,
I can't bear to fail this too
HOW TO DEAL WITH CREATIVE BURNOUTS :
Shut your brain off, and REST. Get away from your canvas for a while, take a breather.
Have FUN, Go ahead and boost your mood in certain ways you want to let off steam.
Socialize and interact with other people and treat yourself, eat what you like or do something you've like been dying to try with your friends/family. It's like a reward for doing hard work!
Reflect. Lessen being harder on yourself, you can only take so much, you don't want to break completely. Our ideas can be infinite, but our body is not.
If you want to start again, work comfortably on times you are likely to be productive. Get comfortable while drawing!
FOR ART BLOCK :
Almost the same thing with burnouts, actually!
Step away from the canvas. Step outside, Do other hobbies and such, read a book, listen to music, socialize, etc.
If you have 'failed works; works you think that are shit', draft them instead. You'll find them useful! You can try redrawing them again some other time.
Eventually, you'll take action when inspiration strikes.
----------
Having hyperfixation keeps my creative fuel maxed, especially with music or literature ☠️ though sometimes they can get so irritating bc I'd have nothing to think about but the same thing over and over huhu.
Outside the hyperfixations, also a struggle. But I like to research and collect information in order to find out how I want to execute whatever idea.
I also have too many ideas, and can be over ambitious, to a point it's like some Icarus thing... 😅 I fly too high sometimes, I crash so low.
I also tend to write them down, or just do thumbnails then drafting them for another day.
And trust me when burnout always take a toll on you, it's been years and I still deal with frozen shoulders and wrist-arm pains. If not that then it's lethargy, both mentally and physically. And more tbh. kms so bad HAHAHAHAA
Despite all the burnouts and handicaps,
I'm always hungry, always itching to create something.
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valentinedagger · 4 months
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i have a bit of a hot take: "you have to read novels to improve your writing" is technically, literally true insofar as you're talking about, like, prose structure and style. however, if you're already satisfied with your prose itself, i do not think that's true and i think prose writing sincerely benefits from a multidisciplinary approach that one might get from studying writing across art forms other than novels.
comics, film, television, video games, web-based unfiction like ARGs, concept albums, and pretty much any other narrative art i can't think of right now--they're all fertile ground for developing your understanding of character work, framing, pacing, establishing symbolism and other motifs, setting work, pretty much everything i would consider the fundamental building blocks of narrative fiction. you can learn just as much from picking apart the narrative structure and choices in your favorite manga as you can from doing the same with your favorite novel.
more than that, i think taking a multidisciplinary approach to studying fiction can result in better, more interesting novels--breaking away from your medium of choice allows you to think about art using different lenses entirely and examine your own medium in new ways. studying a TV show could give you insight into how serial, episodic writing differs structurally from trad published novels, and could allow you to take a fresh structural approach on writing a series of novels. studying a comic might cause you to think about your choices of visuals and visual framing, and to be intentional about your "directorial style" in-text as much as you are intentional about your prose style. et cetera and so on and so forth!
i do appreciate where the sentiment "you have to read novels to improve your own writing" is coming from--i mean, for one thing, i agree that the best art tends to come from a genuine enthusiasm for the medium you're working in--but quite frankly, narrative fiction is narrative fiction. we're all working with the same basic toolkit, there's just different ways to use those tools based on medium.
full disclosure: i, as an author, am not a huge reader of novels. i get through 2-4 novels a year, on average. i am, however, a voracious enthusiast of multimedia web-based fiction, comics, animation, and television, and i do the vast bulk of my artistic criticism and analysis in those mediums. i do study prose through the novels i read, but on the whole, even my prose improvement tends to come from studying poetry (something that is painfully obvious in my writing at times, and is not to everyone's taste). don't get me wrong--i am not saying i produce outstanding quality work that should be compared to that of lifelong professionals or anything, but my writing is generally acceptable, and i continue to make marked improvements over time--because my course of study is intentional, regardless of medium.
tl;dr: narrative is narrative, if you set out with the intention to understand what makes a narrative tick, it doesn't matter what medium you're studying, you're still learning.
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astermath · 1 year
Text
my muse.
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pairing: steve harrington x fem!reader
summary: a short oneshot of steve's girlfriend painting him, and him being able to see his own beauty through your eyes.
word count: 1.1K
notes: got this cute idea out of nowhere, thought maybe steve would like to know how beautiful others think he is.
let me know if you'd like to be added to the tag list for further steve harrington related content!
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“Is it done yet?”
Steve sits on a stool in front of the window in your atelier. The slowly dimming light of the sun setting illuminates him from the back, the lamp you have set up besides you letting you see him from the front.
“Almost Stevie, be patient.”
He’s been sitting perfectly still for over an hour. An admirable feat, to be honest. He’s not usually one for sitting idly at all, always fidgeting one way or another or wanting to move about.
But he’s been doing quite well. He wants to do well. For you. So you can do your thing.
He’s been secretly wanting to do this ever since he’s seen your paintings. You’re incredibly talented, something between a Monet and a Renoir. An incredible eye for colour and composition, but most of all, you like to paint people.
You do a hell of a job at capturing someone’s likeness, even through the lens of an impressionistic art style. Steve is sure you’ll make it big with your art one day. You told him most painters only get famous after they die, and that didn’t exactly sit well with him. He'd rather have you alive and famous, but mostly the first part.
You’d been going through a bit of an art block, and so you’ve went through your old sketchbooks. You realised there is a surprising, almost embarrassing, amount of drawings of your boyfriend in there. Like… Pages, upon pages. You’ve always thought he has this effortless, beautiful air about him that just made every pose look like it should be captured onto paper forever.
When you asked him if he wanted to model for your next painting, Steve's heart nearly leapt out of his chest. He's always adored your art, supporting you and your passion every step of the way, so to be immortalised on one of your canvases is a huge honour to him.
He was a bit nervous though. He knows you think he's the prettiest boy alive, and though he does think he's serviceable, he's not sure if he's painting worthy.
Still, who is he to deny his sweet girl of using him as a reference?
At first, it was hard. How in god's name do you capture someone as beautiful and complex as Steve Harrington onto something as simple as a blank canvas? You want it to be perfect. You want it to reflect the type of person he is. You want the adoring glint in those gorgeous brown eyes to come through, the dimple in his cheek when he smiles, the constellations of freckles and moles gracing his skin. In a sense, it has to be your best piece yet.
"Alright," you lean back for what feels like the hundredth time already, getting a good look at your work. You take a moment, deciding not to let your nerves get the best of you and not overthink it. The urge is there, but you'd feel awful about letting your boyfriend sit there for yet another hour.
"I think... I think I'm done." you put down your brush, clasping your paint clad hands together in your lap.
Steve perks up in that adorable way he tends to do when he's curious. "Really? Can I come see?"
You bite your lip, unsure once again if the painting truly reflects the beauty of its subject. You sigh, knowing nothing probably ever will. You nod, lifting your hand so you can beckon him over.
He can barely contain his excitement, breaking into a little jog as he makes his way over to you. His arm drapes over your shoulders as he positions himself besides you.
"Woah..." His eyes widen as he takes it all in. The entire artwork exudes warmth. A mix of yellows, oranges and pinks surround him in the way a beautiful sunset would, and his smile looks as if it could cure anything. The brush strokes are a bit experimental, but not messy. Nothing is accidental, every placement and detail has a reason. A purpose.
You nibble on the back of your finger, anxiously awaiting his approval. You find that the longer you look at your art, the more flaws you notice. Now you're conflicted. You just want to do Steve's pretty face justice.
"D'you like it?" You look at him, all nervous.
But Steve looks like he has stars in his eyes. And tears. Yeah, he's definitely about to cry.
"Stevie? You okay?"
He blinks a few times, a stray tear rolling over his cheek as he clears his throat. "Yeah, I, uhm-- wow, it's-- it's beautiful." He looks at you, those pretty eyes he loves, all confused at him.
"Are you sure?" you smile a little sheepishly.
"Peach..." He leans in and presses a kiss to your head. "I love it. It's beautiful. It's just, I... I'm amazed you think I'm so beautiful too."
"I just painted what I saw. 'N what you make me feel."
Steve feels like he's going to melt, your words fulfilling every bit of his loving fantasies. You don't even mean to, and yet you know exactly what to say to pull on his heartstrings.
"Makes me feel so appreciated. Thank you baby, I love it." He grins, all boyish excitement.
"Yeah, I love it too... I think this one's my favourite, actually." You look up and capture Steve's lips in yours in a chaste kiss. "Might have to frame it, hm?"
"I have a better idea."
"I'm listenin'."
"Could you paint the two of us? Like on that polaroid in my wallet?"
He's referring to the polaroid you took when you first met. It was a party, and you were both fairly inebriated. Somehow, you'd started talking, and you hadn't left each other's side all night, leaving the dancing to the others and instead opting to entertain each other. Robin captured the moment the two of you were stuck in a laughing fit together, and Steve has kept it in his wallet ever since. It warms your heart to know he's kept you with him even far before you two got together.
"Yeah, I can do that. What do I get in return?" You smile, faces so close your noses are still rubbing together.
"One million kisses."
"Hmm..."
"Two million kisses."
"You drive a hard bargain, Harrington."
"Three?"
"Sold."
"Sold."
"Good." you peck his lips, "better start that down payment now."
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tag list ₊˚🖇️✩ ₊˚
@inkluvs @palmtreesx3
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38sr · 1 year
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Hi! I really love the way you color, and I was wondering If you could make a tutorial about it, I of course completely understand if you Can't/don't want to do it thanks in advance If you decided to do it and have a good day/night.
Hello hello! Ooooh, a color tutorial! I've never done one before so I'm not sure if I'll be any good at it haha. But I don't mind sharing my thinking process when it comes to coloring my works. So when it comes to color, I very much have a traditional painter's approach since that's how I learned color in art college. My painting professor never allowed us to use black or white paint, we could only use other colors to create darker colors or new colors altogether. And you're probably thinking, "What the hell? That's insane." And I wouldn't blame you haha. But this approach helped me a lot to not rely on tints (colors mixed with white) and shades (colors mixed with black) when I color. For the most part, I purely thinking about value and hues when I'm coloring.
Finding the right values:
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So for this drawing, I did two different takes (one with direct harsh lighting and one without). The reason why I'm showing this is because when it comes to color it's very important that your values aren't clashing with each other. When I started out, all my coloring felt flat because I was using colors with the same values so there was little to no depth. A lot of people don't realize this but color does have value!
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If we put the primary colors on greyscale, you notice how each color has its own value. Blue tends to be a dark value, red has a mid to dark value , and yellow is a much lighter value. This is why if you ever look at my work, the color I use for shadows lean into blue/purple tones. You can also have warm shadows since red does have a deeper value compared to yellow. But these values are when the primary colors are at the highest saturation. What would happen if we knocked down the saturation levels?
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The values start to become more similar. Since we're not always using the most saturated colors, it's important to understand the values behind the colors you'll use. Once you unlock that, you can pretty much do whatever you want with color haha. That's why I hardly ever use black or white in my digital art when mixing (also I don't mix color with a brush, I just pick from the color wheel which might be insane).
While it's not wrong to use white or black to create darker/lighter colors, color in real life doesn't always act that way. Shadows and highlights can have color. For myself, letting go of white and black has opened a world of color combinations that I didn't think of before taking my first ever traditional painting class. Now, I can freely pick colors and experiment with palettes since I've blocked out what values I need (like the image below).
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Even if I'm using blending modes like in the next image, I'm always thinking about making clear value separations. If I can't understand the image in black and white, then I'll have a hard time seeing it in color.
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And when you get very comfortable, you can start placing characters in different color environments and match them (which essentially is the job of a color designer in TV animation).
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The right image is the official color palette for my character which already uses a lot of blue/purple for the shadows. But on the left side, she's in a night-time environment so I leaned even more into the cool colors to the point that the white T-shirt is actually a very very light purple/pink color haha.
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Or like this example where the left drawing gives a more sunset/golden hour lighting while the right one is more blue hour/night time lighting. But you can read the colors clearly 'cause the values are clear to begin with. While that wasn't really a tutorial this is pretty much my thought process when I'm coloring my digital works. ^^; I very much do follow an academic approach to color theory but even then I think it's okay to break the rules. As long as you have understanding of colors' value, I think you'll be able to unlock any color style you want! I hope that answered your question and was helpful!
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foxglovepng · 4 months
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Random Headcannons 3 🌼🥀
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Requested: naw
Characters: Scarabia + Pomefiore
A/N: I'm getting back into the writing mood yay I'll probably take requests in the future because I am slowly getting over writer's block. I looked up a word in Arabic and if the word is incorrectly translated incorrectly feel free to correct me.
If you liked reblogs and likes are appreciative <3
Kalim
Knock knock who's there? Autism br br br where the hoes at? not here
I love my Autistic headcanon for Kalim. I also saw a headcanon he has ADHD too. (I forgot the word for ADHD and Autism combined help)
When he's unmedicated Jamil is that one meme of Shinji his stress levels are high. He's practically lived with Kalim so he knows he can get hyper although he pushes through it being used to it.
I headcanon Kalim has sensory issues that mainly have to do with touch. (Mine are sound and taste :skull:)
Since he likes parties and is extremely sociable I feel like sometimes he can get overwhelmed he chills in his sensory swing. I also feel like since he plays the drums he does have backup headphones on hand in case it's too loud.
Jamil tends to calm him down with essential oils (Don't ask me what kind he likes I only know Rosemary, and Cherry blossom)
Jamil
Jamil drop the hair routine or I'll break your ankles Sangwoo style so you can't dance anymore. I will even report your music-listening account so you are no longer allowed to play hip hop DROP THE ROUTINE RN JAMIL
This is my no 2 pookie bear I love him sm ANYWAYS
I feel like in his alone time Jamil has his own hobbies he hides from Kalim and will go above and beyond just to have them to himself. One of those I feel like is reading romance books (Not the feral ones booktok gooners read) romance is one of the genres he reads I feel like he also reads fantasy. (He has read Pride and Prejudice)
He'd probably also go to art conventions on his spare time. He has a sketchbook and draws on occasion (I think he draws similar to Hyunjin's style)
Him and Kalim speak Arabic and English although I feel like when Jamil wants to cuss someone out or insult someone he will bring the Arabic out.
*Ace messes up a play*
Ace: so um great play
Jamil: اهبل (Google says this means stupid/idiot)
Ace: HUH?
Vil
*Throws my genderqueer headcannon at you Eminem style*
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Gender queer Icon Vil.
If I am correct he is referred to as Queen by Rook?? so I believe Vil doesn't really care for pronouns and just simply exists. So Vil would use any pronouns interchangeably.
Also random headcannon but Vil's father is like..famous right? So I feel like he gets insulted and called a Nepo baby.
Peep Epel and Vil get into a fight and Epel calls him a Nepo baby. Oh all hell is breaking loose.
(I also headcannon he'd make an appearance in Eurovision)
Rook
I need Frenchie to become a slur so I can shout FRENCHIE at Rook 24/7
This man either has a really good memory or a diary in which he keeps info of students. (Their height, weight, UM, etc) its freaky ngl. AND NOT A GOOD FREAKY WAY.
I saw some art of him and Floyd in the bathroom and he was peeking over the urinal. BRO KEEP YA EYES ON YA JUNK.
I can imagine certain NRC students have a group chat dedicated to slandering Rook.
He probably knows about it :Skull:
Epel
Guys this my son <3
I am a firm believer he is an Amish hater.
"I hate the way you talk the way you walk" ahh beat.
From a farmer's perspective I don't think he's 100% vegan, but if you bribe him with bbq he will start foaming at the mouth.
Bro probably listens to Dixon Dallas good looking-
He's also a Dolly Parton and Carrie Underwood fan.
I feel like with people he's close with especially the first years he lets his country accent loose and it will get even looser if someone (or Yuu) has a country accent as well. The rest of the first years will be like "They are speaking in tongues"
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allastoredeer · 4 months
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If it's not too much work, could you share what your outlining process is like? I always feel a little lost when I try outlining my fics and I know the process is different for everyone but I feel like it would help to know what others do. Every time I try to google help I get processes for original novel writing, and it doesn't feel as applicable to writing a short fanfic.
I would love to :3
There are actually a few different ways I outline, and sometimes it depends on the length of the fic and how complex the plot is.
I'll use one of my saved radiostatic prompts as an example (it also gives me an excuse to sit down and actually outline it hehe)
So, sometimes just the prompt itself is a good enough outline for me (this is dependent on how long I think the fic is going to be. If it's short, sometimes the prompt itself works and I don't need to go in-depth. I say "prompt" but that also can mean a specific scene in your head that you want to write, or a concept, or even a piece of fan-art that inspired you).
Here's the paragraph prompt I wrote for this radiostatic one-shot/short fic (spoilers, I guess):
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So sometimes, just this is enough for me to start writing the fic (my prompts do tend to get a little big because I like to add a lot of detail - about the scene or concept that grabbed my attention - so that I capture all the vibes and emotions that I want to incorporate.
But sometimes, it helps to go more in-depth so I'm not overwhelmed trying to get to the part of the fic that I want to write (NOTE: It is totally fine if you write out the scene/parts that you want to write the most, even if it's in the middle or the end. You can always fill in the blanks after. Or you can just post the scene you wanted to write without adding more. It's up to you).
I like to figure out what scenes happen that lead up to the parts I want to write, so sometimes, I'll make a bullet-point list of chronological scenes, plot-points, and details. For example:
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And etc... you continue on until you've hashed out the sequence of events that take place in the story. This doesn't have to be super detailed (it can be really brief and to the point) and doesn't it have to be super clinical either. Just have fun and write down whatever silly thoughts you have in your head.
You bullet-point list can be as simple as:
Alastor goes downstairs to do exercise.
Vox shows up to do the exercise as well (invited by Charlie)
They get into an argument about modern technology.
Vox leaves.
It's really just about putting down the sequence of events starting from the very beginning to the very end. You can keep it simple like the above example
OR
You can make it even more detailed by doing an in-depth summary of the fic, scene by scene, plot point by plot point, until you get to the end (this is what I usually do because it gets everything planned out and on the page, down to the smallest details). For example:
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And then it goes on like this until I've outlined the entire fic. You can be silly with this. Just have fun. Let yourself ramble and get all you're ideas out. Don't try to stick to a rigid plan, let the story flow naturally.
Then, once I've finished my outline, I use it as a guide as I write the rough draft. The thing about outlines is that you don't have to follow exactly what you planned. It's okay to diverge or adds things or cut things out. It really is just a loose guide to help you through the events of the story and get your thoughts on paper.
Additionally: You don't even have to fully finish the outline if you don't want to. Sometimes you get half of it done before you want to start writing, and that's fine. The rest of the story will reveal itself as you go.
If I'm doing a multi-chaptered fic, sometimes I'll break the overall idea of the story into pre-determined chapters and summarize it section by section. Or, I'll just be a maniac and summarize the entire fic in one big, super long, super detailed block of text. Another staticradio fic I'm currently outlining is 16,152 words long and I'm not even close to being done. I expected this fic to get super long and complex, so writing it out in a very chronological and detailed manner helps it feel less daunting. AND now I have every plot point, twist, emotional scene, and bit foreshadowing planned out and already placed where I want it to show up in the fic. It's great. It makes me life easier when I actually buckle down and write the rough draft.
Just as a final note, I want to say that everyone's process is different. This is how I outline, but I know it won't work for everyone. It's all about finding what method works for you.
I'll say that one of the most important to do while outlining is simply having fun with it. Make it your hype list. Make every scene you jot down a scene you're excited to write. Make yourself want to write it so it doesn't feel like a chore to slog through.
Best advice I've ever recieved: If you're bored writing a scene, the audience will be bored reading it.
Have fun and write the story you wanna write 👉👉
Hope this helped!
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whoiwanttoday · 7 months
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Today is, if you can believe it, the 12th anniversary of my blog. Which is sort of nuts because that would make me old and while my body is breaking down and I am tired all the time and it's weird how different foods bother me now that never used to, I am actually not old. My friends have largely gotten old, my family keeps getting older, yet I remain vibrant and youthful and hip and with it. It's weird. I am posting Charli XCX because in celebration of my blogiversary she announced a new album last week and released her first single and as such has been much more present in the world because that goes hand and hand with promoting a new album as a popstar. I often think about her statement that the two most important things to being a successful popstar are being young and being hot. It's that sort of thing that makes me love her, she has always had this ironic detachment mixed with metacommentary and almost satire of pop culture. Except of course, it isn't satire because it's stuff she tends to love as well. Anyway, we all know I think she's a tremendous talent and over time it seems like more and more people have come around on that, as I like to point out I got True Romance in the bargain bin but eventually I had people on discogs offering me $500 for her mixtapes. Still a cult favorite I guess but the cult is significantly bigger. Think Jonestown as opposed to those three weird dude that lived in that cul-de-sac a block away when I was a kid. Anyway, with all these anniversary I post some stats for the people who care, which is literally @femalecelebrityoftheday and @kat-eleven because he likes numbers and she likes girls, so between the two of them this picture is their ideal.
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Charli has been number one since about the start of the pandemic. For years it was Kate Upton and Katy Perry changing places but what I have learned over the years is that a lot of this is a matter of, "what have you done for me lately". I didn't think it would be that way going in but largely none of us are the unique, free thinking people we think we are, we're easily influenced by the world around us and this fortunes have risen and fallen with greater popularity and to be honest with the marketing pushes around celebrity brands. Miss Mosh was pretty solidly in the top 10 once upon a time and likely still would be if she was still a working model but again, out of sight out of mind. Most of the top 20 has been in the top 10 at some point but Amber Heard was the third most posted person after the first year of this blog and guys, you might have noticed her name isn't even in that picture there and it's simply because that was a once upon a time thing that quickly cooled, no doubt in part because she became less famous for movies and more famous for tabloid drama which generates different interests. Which really is the main thing i have learned with all of this. Celebrity culture is fascinating but these aren't real people. That might get me some backlash and I am not trying to dehumanize anyone but Charli XCX is not Charlotte Aitchison and either one of those people are not someone we're seeing through anything. I think great artists indeed put part of themselves in to their work but we don't know them, we know the portion of them that they are showing us. You mix in celebrity culture, which is not art or artists but brands and marketing and you are being sold something. We are attached to an idea or an image and if you want to really examine this I would argue who and what you like says more about you than them. I don't have a greater point here I suppose, other than to simply state it. I like Charli XCX a lot, I like her work, but none of this is real in the sense my friends (who are getting so fucking old somehow) and loved ones are. It's for fun, don't lose sight of that. Today I want to fuck Charli XCX.
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indieyuugure · 1 year
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Hi! Let me start off by saying that I absolutely adore your ROTP series. This is also one of the very few Rottmnt/2012 crossovers in existance that does justice to both verses and doesn't put a biases on any. I love this comic.
Now that aside, I need to get something off my chest. I wouldn't have gone on Anon but experience has taught me that opposing opinions will make the followers of a blog insult and harass you so I tend to err on the side of caution. You see, I Love Love Love TMNT. And I love 2012 series, it's something I relate to so much and grew up with. It's my most favorite version of TMNT.
But the thing is, ever since the Rise movie got released, I've been seeing nothing but slander against the 2012 series and it breaks my heart every time I come across it. It has escalated to an unfair point that I've seen even 2012 fans who love it just as much begin hating aspects of it. I mean, don't get me wrong, it does have its flaws but it's unfair how highlighted those select few flaws are to the point of extremely biased comparisons and blame games and general 2012 slander which half the time doesn't even comply with canon. Moreover, literally every TMNT has its flaws just the same.
And recently, I've been seeing an increase in posts on your blog that have 2012 slander undercurrents or simply blatant frustrations with it. I love the comic but keep seeing this hatred still is just... it hurts ya know. Like really actually hurts.
So if possible, can you plz tag such posts with something I can filter out? (And let us know what that tag will be?) You don't have to but I really really love your art and comics, it's just the 2012 slander again that hurts me and I don't want to see it anymore. I've been seeing it everywhere.
Again, plz don't take this the wrong way, it's just something that's been hurting me and I had to get it off my chest. And find a solution to it that doesn't involve blocking or unfollowing because I genuinely do love this fancomic
Thank you for your feedback!!💕 (seriously feedback is extremely appreciated to me!)
I sorry my posts came off as 2012 slander, I really never meant it like that. I will admit I do critique media pretty aggressively, but I never mean it in a hateful way. TMNT 2012 is one of my absolute favorite shows and I love everything about! It’s the weird quirky stuff about it that while yes, I will criticize, I still love. It wouldn’t be the same without it. Just like the weather, I will complain about it, but I don’t want it to actually change.
I will try to be more conscious of how my posts are perceived, I really never wanted there to be a bias on my blog. I love all of TMNT for all it presents, and I don’t want to ever be slanderous!
Thank you again for your kind nudge! I’m very thankful to have people like you who’ll tell me if I’m making a mistake! I truly do love TMNT 2012. I can’t fix what I’ve said, but now that I know, I can be sure to be more careful to not sound biased going forward.
Again, I’m very sorry it came off that way, I didn’t mean to be so harsh. I never want to harm a series’s reputation, especially one that I love so much!
You are truly appreciated!💕
I know this won’t fix the things I’ve said, but I’ll say 3 of my top favorite things about 2012:
I love the way they depicted characters! They do an amazing job using indirect characterization that makes the characters feel so real. The characters don’t have to tell you things about themselves, you learn about them from the way the interact with each other, the way they solve problems, the things they like and dislike, and even what they’re doing in the background! It really feels like you’re there getting to know these fun people and go on adventures with them! Truly amazing!
I love the way the turtles look! Seriously I think they look so cool, and at the same time cute. They’re visual designs inspired me so much in my art and I will watch hours on end of them because they’re just so freaking cool!
I love the way their stories are told! The episodes are so well paced that it never feels boring to watch an episode! Believe it or not, I have never once wondered how many minutes are left on an episode. It’s so good at sucking you in and addicting you, that while I was watching it for the first time, I was straight up binging it and would be forced to put it down by my parents. Several times I would stop to eat something and have that weird “wait, who am I? What is my life?” Thing you get from a really good story. The stories and arc pacing are so good that Indie TMNT, my original series is using massive inspiration from 2012.
Once again, I am truly sorry for coming off as slanderous. Thank you for being so brave and telling me what many people were probably thinking. I want to do better. Thank you! :]
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